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-> Papers
-> Books

——————————————————————–
– Papers:

• J. {McCabe}, “Cyclic symmetric multi-scale turing patterns.”
  [Bibtex]

  @Article{ mccabe_cyclic_1952,
  title = {Cyclic Symmetric Multi-Scale Turing Patterns},
  author  = {{McCabe}, Jonathan},
  date = {1952}
  }

• T. Karras, M. Aittala, T. Aila, and S. Laine, “Elucidating the design space of diffusion-based generative models.”
  [Bibtex]

  @Article{ karras_elucidating_2022,
  title = {Elucidating the Design Space of Diffusion-Based Generative
  Models},
  author  = {Karras, Tero and Aittala, Miika and Aila, Timo and Laine,
  Samuli},
  date = {2022-10-11}
  }

• J. Sohl-Dickstein, E. A. Weiss, N. Maheswaranathan, and S. Ganguli, “Deep unsupervised learning using nonequilibrium thermodynamics.”
  [Bibtex]

  @Article{ sohl-dickstein_deep_nodate,
  title = {Deep Unsupervised Learning using Nonequilibrium
  Thermodynamics},
  author  = {Sohl-Dickstein, Jascha and Weiss, Eric A and
  Maheswaranathan, Niru and Ganguli, Surya}
  }

• A. Chemla-Romeu-Santos, “Manifold representations of musical signals and generative spaces.”
  [Bibtex]

  @Article{ chemla-romeu-santos_manifold_nodate,
  title = {Manifold representations of musical signals and generative
  spaces},
  author  = {Chemla-Romeu-Santos, Axel}
  }

• Q. Wang, B. Wu, P. Zhu, P. Li, W. Zuo, and Q. Hu, “ECA-net: efficient channel attention for deep convolutional neural networks.”
  [Bibtex]

  @Article{ wang_eca-net_2020,
  title = {{ECA}-Net: Efficient Channel Attention for Deep
  Convolutional Neural Networks},
  author  = {Wang, Qilong and Wu, Banggu and Zhu, Pengfei and Li,
  Peihua and Zuo, Wangmeng and Hu, Qinghua},
  date = {2020-04-07}
  }

• J. Beck and R. Bishop, “Technocrats of the imagination: art, technology, and the military-industrial avant-garde.”
  [Bibtex]

  @Article{ beck_technocrats_2020,
  title = {Technocrats of the imagination: art, technology, and the
  military-industrial avant-garde},
  isbn = {978-1-4780-0595-7 978-1-4780-0660-2},
  author  = {Beck, John and Bishop, Ryan},
  date = {2020}
  }

• D. Wallraff and J. Strawn, “Digital audio engineering, an anthology.”
  [Bibtex]

  @Article{ wallraff_digital_1986,
  title = {Digital Audio Engineering, An Anthology},
  issn = {01489267},
  doi = {10.2307/3680265},
  author  = {Wallraff, Dean and Strawn, John},
  date = {1986}
  }

• X. Wang, R. Girshick, A. Gupta, and K. He, “Non-local neural networks.”
  [Bibtex]

  @Article{ wang_non-local_2018,
  title = {Non-local Neural Networks},
  author  = {Wang, Xiaolong and Girshick, Ross and Gupta, Abhinav and
  He, Kaiming},
  date = {2018-04-13}
  }

• C. Xu, Q. Sun, K. Zheng, X. Geng, P. Zhao, J. Feng, C. Tao, and D. Jiang, “WizardLM: empowering large language models to follow complex instructions.”
  [Bibtex]

  @Article{ xu_wizardlm_2023,
  title = {{WizardLM}: Empowering Large Language Models to Follow
  Complex Instructions},
  author  = {Xu, Can and Sun, Qingfeng and Zheng, Kai and Geng, Xiubo
  and Zhao, Pu and Feng, Jiazhan and Tao, Chongyang and
  Jiang, Daxin},
  date = {2023-06-10}
  }

• A. Moore and G. Bromham, “Distortion in music production: the soul of sonics.”
  [Bibtex]

  @Article{ moore_distortion_2023,
  title = {Distortion in Music Production: The Soul of Sonics},
  isbn = {978-0-429-35684-1},
  author  = {Moore, Austin and Bromham, Gary},
  date = {2023-03-27},
  doi = {10.4324/9780429356841}
  }

• A. Nichol and P. Dhariwal, “Improved denoising diffusion probabilistic models.”
  [Bibtex]

  @Article{ nichol_improved_2021,
  title = {Improved Denoising Diffusion Probabilistic Models},
  author  = {Nichol, Alex and Dhariwal, Prafulla},
  date = {2021-02-18}
  }

• Y. Bachrach and J. Kramár, “AI for the board game diplomacy.”
  [Bibtex]

  @Article{ bachrach_ai_2022,
  title = {{AI} for the Board Game Diplomacy},
  author  = {Bachrach, Yoram and Kramár, János},
  date = {2022}
  }

• “L’orchestre au XXIe siècle.”
  [Bibtex]

  @Article{ noauthor_orchestre_2003,
  title = {L'Orchestre au {XXIe} Siècle},
  date = {2003}
  }

• M. Abadi, A. Agarwal, P. Barham, E. Brevdo, Z. Chen, C. Citro, G. S. Corrado, A. Davis, J. Dean, M. Devin, S. Ghemawat, I. Goodfellow, A. Harp, G. Irving, M. Isard, Y. Jia, R. Jozefowicz, L. Kaiser, M. Kudlur, J. Levenberg, D. Mane, R. Monga, S. Moore, D. Murray, C. Olah, M. Schuster, J. Shlens, B. Steiner, I. Sutskever, K. Talwar, P. Tucker, V. Vanhoucke, V. Vasudevan, F. Viegas, O. Vinyals, P. Warden, M. Wattenberg, M. Wicke, Y. Yu, and X. Zheng, “TensorFlow: large-scale machine learning on heterogeneous distributed systems.”
  [Bibtex]

  @Article{ abadi_tensorflow_2015,
  title = {{TensorFlow}: Large-Scale Machine Learning on
  Heterogeneous Distributed Systems},
  author  = {Abadi, Martın and Agarwal, Ashish and Barham, Paul and
  Brevdo, Eugene and Chen, Zhifeng and Citro, Craig and
  Corrado, Greg S and Davis, Andy and Dean, Jeffrey and
  Devin, Matthieu and Ghemawat, Sanjay and Goodfellow, Ian
  and Harp, Andrew and Irving, Geoffrey and Isard, Michael
  and Jia, Yangqing and Jozefowicz, Rafal and Kaiser, Lukasz
  and Kudlur, Manjunath and Levenberg, Josh and Mane, Dan and
  Monga, Rajat and Moore, Sherry and Murray, Derek and Olah,
  Chris and Schuster, Mike and Shlens, Jonathon and Steiner,
  Benoit and Sutskever, Ilya and Talwar, Kunal and Tucker,
  Paul and Vanhoucke, Vincent and Vasudevan, Vijay and
  Viegas, Fernanda and Vinyals, Oriol and Warden, Pete and
  Wattenberg, Martin and Wicke, Martin and Yu, Yuan and
  Zheng, Xiaoqiang},
  date = {2015}
  }

• C. Abbott, “A software approach to interactive processing of musical sound.”
  [Bibtex]

  @Article{ abbott_software_1978,
  title = {A Software Approach to Interactive Processing of Musical
  Sound},
  issn = {01489267},
  doi = {10.2307/3680134},
  author  = {Abbott, Curtis},
  date = {1978-07}
  }

• A. A. Abdalwahid, “Zaha hadid form making strategies for design.”
  [Bibtex]

  @Article{ abdalwahid_zaha_2013,
  title = {Zaha Hadid form Making Strategies for Design},
  author  = {Abdalwahid, Amatalraof Abdullah},
  date = {2013}
  }

• T. H. Abraham, “Nicolas rashevsky’s mathematical biophysics.”
  [Bibtex]

  @Article{ abraham_nicolas_2004,
  title = {Nicolas Rashevsky's Mathematical Biophysics},
  issn = {0022-5010},
  doi = {10.1023/B:HIST.0000038267.09413.0d},
  author  = {Abraham, Tara H.},
  date = {2004}
  }

• E. Acotto and M. Andreatta, “Between mind and mathematics. different kinds of computational representations of music.”
  [Bibtex]

  @Article{ acotto_between_2012,
  title = {Between mind and mathematics. Different kinds of
  computational representations of music},
  issn = {0987-6936, 1950-6821},
  doi = {10.4000/msh.12254},
  author  = {Acotto, Edoardo and Andreatta, Moreno},
  date = {2012-09-15}
  }

• B. Adams, “Where does computational media aesthetics fit?.”
  [Bibtex]

  @Article{ adams_where_2003,
  title = {Where does computational media aesthetics fit?},
  issn = {1070-986X},
  doi = {10.1109/MMUL.2003.1195158},
  author  = {Adams, B.},
  date = {2003-04}
  }

• D. Adams, “Composing music with grammars.”
  [Bibtex]

  @Article{ adams_composing_2009,
  title = {Composing Music with Grammars},
  author  = {Adams, David},
  date = {2009}
  }

• P. Adenot, “Le chef d’orchestre: de la figure du pouvoir à l’ordre négocié au sein d’une profession vocationnelle.”
  [Bibtex]

  @Article{ adenot_chef_2015,
  title = {Le chef d’orchestre: De la figure du pouvoir à
  l’ordre négocié au sein d’une profession
  vocationnelle},
  issn = {2110-6134},
  doi = {10.4000/transposition.1182},
  author  = {Adenot, Pauline},
  date = {2015-09-15}
  }

• “Shibusa–extracting beauty.”
  [Bibtex]

  @Article{ adkins_shibusa--extracting_2012,
  title = {Shibusa--extracting beauty},
  isbn = {978-1-86218-101-4},
  date = {2012}
  }

• M. Adkins, “A manifesto of nodalism.”
  [Bibtex]

  @Article{ adkins_manifesto_2014,
  title = {A manifesto of nodalism},
  doi = {10.7559/CITARJ.V6I1.128},
  author  = {Adkins, Monty},
  date = {2014-01-01}
  }

• Samuel Adler, “In memory of milton.”
  [Bibtex]

  @Article{ samuel_adler_memory_2012,
  title = {In Memory of Milton},
  issn = {00316016},
  doi = {10.7757/persnewmusi.49.2s.0001},
  author  = {{Samuel Adler}},
  date = {2012}
  }

• K. V. Agawu, “Music as discourse: semiotic aventures in romantic music.”
  [Bibtex]

  @Article{ agawu_music_2009,
  title = {Music as discourse: semiotic aventures in romantic music},
  isbn = {978-0-19-537024-9},
  author  = {Agawu, V. Kofi},
  date = {2009}
  }

• E. Agmon, “The multiplicative norm and its implications for set-class theory.”
  [Bibtex]

  @Article{ agmon_multiplicative_2002,
  title = {The Multiplicative Norm and Its Implications for Set-Class
  Theory},
  author  = {Agmon, Eytan},
  date = {2002}
  }

• E. Agmon, “The languages of western tonality.”
  [Bibtex]

  @Article{ agmon_languages_2013,
  title = {The Languages of Western Tonality},
  isbn = {978-3-642-39586-4 978-3-642-39587-1},
  author  = {Agmon, Eytan},
  date = {2013},
  doi = {10.1007/978-3-642-39587-1}
  }

• C. Agon, K. Haddad, and G. Assayag, “Représentation et rendu de structures rythmiques.”
  [Bibtex]

  @Article{ agon_representation_2002,
  title = {Représentation et rendu de structures rythmiques},
  author  = {Agon, Carlos and Haddad, Karim and Assayag, Gérard},
  date = {2002}
  }

• C. Agon, M. Andreatta, G. Assayag, and S. Schaub, “Formal aspects of iannis xenakis’ “symbolic music”: a computer-aided exploration of compositional processes.”
  [Bibtex]

  @Article{ agon_formal_2004,
  title = {Formal Aspects of Iannis Xenakis' "Symbolic Music": A
  Computer-Aided Exploration of Compositional Processes},
  issn = {0929-8215, 1744-5027},
  doi = {10.1080/0929821042000310621},
  author  = {Agon, Carlos and Andreatta, Moreno and Assayag, Gérard
  and Schaub, Stéphan},
  date = {2004-06}
  }

• “Mathematics and computation in music: third international conference, MCM 2011, paris, france, june 15-17, 2011. proceedings.”
  [Bibtex]

  @Article{ agon_mathematics_2011,
  title = {Mathematics and Computation in Music: Third International
  Conference, {MCM} 2011, Paris, France, June 15-17, 2011.
  Proceedings},
  isbn = {978-3-642-21589-6 978-3-642-21590-2},
  date = {2011},
  doi = {10.1007/978-3-642-21590-2}
  }

• A. Agostini, “A system for advanced additive synarticle in max/MSP.”
  [Bibtex]

  @Article{ agostini_system_nodate,
  title = {A System for Advanced Additive Synarticle in Max/{MSP}},
  author  = {Agostini, Andrea}
  }

• A. Agostini and D. Ghisi, “Agostini and ghisi bach: an environment for computer-aided composition in max.”
  [Bibtex]

  @Article{ agostini_agostini_2012,
  title = {Agostini and Ghisi Bach: An Environment for Computer-Aided
  Composition in Max},
  author  = {Agostini, Andrea and Ghisi, Daniele},
  date = {2012}
  }

• A. Agostini and D. Ghisi, “Gestures, events and symbols in the bach environment.”
  [Bibtex]

  @Article{ agostini_gestures_2012,
  title = {Gestures, events and symbols in the Bach environment},
  author  = {Agostini, Andrea and Ghisi, Daniele},
  date = {2012}
  }

• P. Aigrain, “Sharing: culture and the economy in the internet age.”
  [Bibtex]

  @Article{ aigrain_sharing_2012,
  title = {Sharing: culture and the economy in the Internet age},
  isbn = {978-90-8964-385-8 978-90-485-1534-9},
  author  = {Aigrain, Philippe},
  date = {2012}
  }

• P. Aigrain, J. Appelbaum, J. Assange, J. Branco, N. Chomsky, B. Garzon, N. Goldin, E. Moglen, L. Poitras, J. Robinson, R. Tavares, and J. Zimmermann, “Fiction and reality: thinking beyond big brother.”
  [Bibtex]

  @Article{ aigrain_fiction_nodate,
  title = {Fiction and reality: Thinking beyond Big Brother},
  author  = {Aigrain, Philippe and Appelbaum, Jacob and Assange, Julian
  and Branco, Juan and Chomsky, Noam and Garzon, Baltasar and
  Goldin, Nan and Moglen, Eben and Poitras, Laura and
  Robinson, Jennifer and Tavares, Rui and Zimmermann,
  Jérémie}
  }

• R. M. Aimi, “Hybrid percussion: extending physical instruments using sampled acoustics.”
  [Bibtex]

  @Article{ aimi_hybrid_nodate,
  title = {Hybrid Percussion: Extending Physical Instruments Using
  Sampled Acoustics},
  author  = {Aimi, Roberto Mario}
  }

• “Springer handarticle of acoustics.”
  [Bibtex]

  @Article{ rossing_springer_2007,
  title = {Springer handarticle of acoustics},
  isbn = {978-0-387-30446-5 978-0-387-33633-6},
  date = {2007}
  }

• OpenAI, I. Akkaya, M. Andrychowicz, M. Chociej, M. Litwin, B. {McGrew}, A. Petron, A. Paino, M. Plappert, G. Powell, R. Ribas, J. Schneider, N. Tezak, J. Tworek, P. Welinder, L. Weng, Q. Yuan, W. Zaremba, and L. Zhang, “Solving rubik’s cube with a robot hand.”
  [Bibtex]

  @Article{ openai_solving_2019,
  title = {Solving Rubik's Cube with a Robot Hand},
  author  = {{OpenAI} and Akkaya, Ilge and Andrychowicz, Marcin and
  Chociej, Maciek and Litwin, Mateusz and {McGrew}, Bob and
  Petron, Arthur and Paino, Alex and Plappert, Matthias and
  Powell, Glenn and Ribas, Raphael and Schneider, Jonas and
  Tezak, Nikolas and Tworek, Jerry and Welinder, Peter and
  Weng, Lilian and Yuan, Qiming and Zaremba, Wojciech and
  Zhang, Lei},
  date = {2019-10-15}
  }

• “Evolutionary and biologically inspired music, sound, art and design: 4th international conference, EvoMUSART 2015, copenhagen, denmark, april 8-10, 2015, proceedings.”
  [Bibtex]

  @Article{ johnson_evolutionary_2015,
  title = {Evolutionary and Biologically Inspired Music, Sound, Art
  and Design: 4th International Conference, {EvoMUSART} 2015,
  Copenhagen, Denmark, April 8-10, 2015, Proceedings},
  isbn = {978-3-319-16497-7 978-3-319-16498-4},
  date = {2015},
  doi = {10.1007/978-3-319-16498-4}
  }

• O. A. Agustín-Aquino, J. Junod, and G. Mazzola, “Computational counterpoint worlds: mathematical theory, software, and experiments.”
  [Bibtex]

  @Article{ agustin-aquino_computational_2015,
  title = {Computational Counterpoint Worlds: Mathematical Theory,
  Software, and Experiments},
  isbn = {978-3-319-11235-0 978-3-319-11236-7},
  author  = {Agustín-Aquino, Octavio Alberto and Junod, Julien and
  Mazzola, Guerino},
  date = {2015},
  doi = {10.1007/978-3-319-11236-7}
  }

• D. S. Alberts, “Information age transformation: getting to a 21st century military.”
  [Bibtex]

  @Article{ alberts_information_2003,
  title = {Information age transformation: getting to a 21st century
  military},
  isbn = {978-1-893723-06-1},
  author  = {Alberts, David S.},
  date = {2003}
  }

• D. S. Alberts, J. J. Garstka, R. Hayes, and D. A. Signori, “Understanding information age warfare:.”
  [Bibtex]

  @Article{ alberts_understanding_2001,
  title = {Understanding Information Age Warfare:},
  institution  = {Defense Technical Information Center},
  author  = {Alberts, David S. and Garstka, John J. and Hayes, Richard
  E. and Signori, David A.},
  date = {2001-08-01},
  doi = {10.21236/ADA386374}
  }

• S. Alexander-Adams and M. Gurevich, “A flexible platform for tangible graphic scores.”
  [Bibtex]

  @Article{ alexander-adams_flexible_2015,
  title = {A Flexible Platform for Tangible Graphic Scores},
  author  = {Alexander-Adams, Simon and Gurevich, Michael},
  date = {2015}
  }

• C. Allauzen, M. Crochemore, and M. Raffinot, “Factor oracle: a new structure for pattern matching.”
  [Bibtex]

  @Article{ goos_factor_1999,
  title = {Factor Oracle: A New Structure for Pattern Matching},
  isbn = {978-3-540-66694-3 978-3-540-47849-2},
  author  = {Allauzen, Cyril and Crochemore, Maxime and Raffinot,
  Mathieu},
  editorb  = {Goos, Gerhard and Hartmanis, Juris and Van Leeuwen, Jan},
  editorbtype  = {redactor},
  date = {1999},
  doi = {10.1007/3-540-47849-3_18}
  }

• R. L. Allen and D. W. Mills, “Signal analysis: time, frequency, scale, and structure.”
  [Bibtex]

  @Article{ allen_signal_2003,
  title = {Signal Analysis: Time, Frequency, Scale, and Structure},
  isbn = {978-0-471-23441-8 978-0-471-66037-8},
  author  = {Allen, Ronald L. and Mills, Duncan W.},
  date = {2003-12-19},
  doi = {10.1002/047166037X}
  }

• A. J. Isaacs, “A article presented to the academic faculty.”
  [Bibtex]

  @Article{ isaacs_article_nodate,
  title = {A article Presented to The Academic Faculty},
  author  = {Isaacs, Allison Jean}
  }

• E. Alloa, “Architectures de la transparence.”
  [Bibtex]

  @Article{ alloa_architectures_2007,
  title = {Architectures de la transparence},
  issn = {2101-0714},
  doi = {10.4000/appareil.138},
  author  = {Alloa, Emmanuel},
  date = {2007-12-08}
  }

• E. Alonso, “The listener in françois bayle’s works: a resonant subject in a living space.”
  [Bibtex]

  @Article{ alonso_listener_2015,
  title = {The Listener in François Bayle’s Works: A resonant
  subject in a living space},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771815000230},
  author  = {Alonso, Edith},
  date = {2015-12}
  }

• G. Aloupis, T. Fevens, S. Langerman, T. Matsui, A. Mesa, Y. Nuñez, D. Rappaport, and G. Toussaint, “Algorithms for computing geometric measures of melodic similarity.”
  [Bibtex]

  @Article{ aloupis_algorithms_2006,
  title = {Algorithms for Computing Geometric Measures of Melodic
  Similarity},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2006.30.3.67},
  author  = {Aloupis, Greg and Fevens, Thomas and Langerman, Stefan and
  Matsui, Tomomi and Mesa, Antonio and Nuñez, Yurai and
  Rappaport, David and Toussaint, Godfried},
  date = {2006-09}
  }

• B. H. Alphonce, “Music analysis by computer: a field for theory formation.”
  [Bibtex]

  @Article{ alphonce_music_1980,
  title = {Music Analysis by Computer: A Field for Theory Formation},
  issn = {01489267},
  doi = {10.2307/3680080},
  author  = {Alphonce, Bo H.},
  date = {1980}
  }

• C. Altieri, “John ashbery and the challenge of postmodernism in the visual arts.”
  [Bibtex]

  @Article{ altieri_john_1988,
  title = {John Ashbery and the Challenge of Postmodernism in the
  Visual Arts},
  author  = {Altieri, Charles},
  date = {1988}
  }

• J. L. Alty, “Navigating through compositional space: the creativity corridor.”
  [Bibtex]

  @Article{ alty_navigating_1995,
  title = {Navigating through Compositional Space: The Creativity
  Corridor},
  issn = {0024094X},
  doi = {10.2307/1576077},
  author  = {Alty, J. L.},
  date = {1995}
  }

• B. Alves, “Kembangan in the music of lou harrison.”
  [Bibtex]

  @Article{ alves_kembangan_2001,
  title = {Kembangan in the Music of Lou Harrison},
  author  = {Alves, Bill},
  date = {2001}
  }

• B. Alves, “Digital harmony of sound and light.”
  [Bibtex]

  @Article{ alves_digital_2005,
  title = {Digital Harmony of Sound and Light},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892605775179982},
  author  = {Alves, Bill},
  date = {2005-12}
  }

• M. Amacher, “Interview with maryanne amacher (found in a basement).”
  [Bibtex]

  @Article{ amacher_interview_nodate,
  title = {Interview with Maryanne Amacher (found in a basement)},
  author  = {Amacher, Maryanne}
  }

• J. Amanatides and D. P. Mitchell, “Antialiasing of interlaced video animation.”
  [Bibtex]

  @Article{ amanatides_antialiasing_1990,
  title = {Antialiasing of Interlaced Video Animation},
  author  = {Amanatides, John and Mitchell, Don P},
  date = {1990}
  }

• C. Ames, “”crystals”: recursive structures in automated composition.”
  [Bibtex]

  @Article{ ames_crystals_1982,
  title = {"Crystals": Recursive Structures in Automated
  Composition},
  issn = {01489267},
  doi = {10.2307/3680198},
  author  = {Ames, Charles},
  date = {1982}
  }

• C. Ames, “Stylistic automata in “gradient”.”
  [Bibtex]

  @Article{ ames_stylistic_1983,
  title = {Stylistic Automata in "Gradient"},
  issn = {01489267},
  doi = {10.2307/3679533},
  author  = {Ames, Charles},
  date = {1983}
  }

• C. Ames, “Tutorial on automated composition.”
  [Bibtex]

  @Article{ ames_tutorial_1987,
  title = {Tutorial on Automated Composition},
  author  = {Ames, Charles},
  date = {1987}
  }

• C. Ames, “Automated composition in retrospect: 1956-1986.”
  [Bibtex]

  @Article{ ames_automated_1987,
  title = {Automated Composition in Retrospect: 1956-1986},
  issn = {0024094X},
  doi = {10.2307/1578334},
  author  = {Ames, Charles},
  date = {1987}
  }

• I. Amidror and R. D. Hersch, “Fourier-based analysis of phase shifts in the superposition of periodic layers and their moiré effects.”
  [Bibtex]

  @Article{ amidror_fourier-based_1996,
  title = {Fourier-based analysis of phase shifts in the
  superposition of periodic layers and their moiré effects},
  issn = {1084-7529, 1520-8532},
  doi = {10.1364/JOSAA.13.000974},
  author  = {Amidror, Isaac and Hersch, Roger D.},
  date = {1996-05-01}
  }

• I. Amidror, “Fourier spectrum of curvilinear gratings of the second order.”
  [Bibtex]

  @Article{ amidror_fourier_1998,
  title = {Fourier spectrum of curvilinear gratings of the second
  order},
  issn = {1084-7529, 1520-8532},
  doi = {10.1364/JOSAA.15.000900},
  author  = {Amidror, Isaac},
  date = {1998-04-01}
  }

• I. Amidror and R. D. Hersch, “Analysis of the microstructures (“rosettes”) in the superposition of periodic layers.”
  [Bibtex]

  @Article{ amidror_analysis_2002,
  title = {Analysis of the microstructures (“rosettes”) in the
  superposition of periodic layers},
  issn = {10179909},
  doi = {10.1117/1.1477442},
  author  = {Amidror, Isaac and Hersch, Roger D.},
  date = {2002}
  }

• I. Amidror, “Glass patterns as moiré effects: new surprising results.”
  [Bibtex]

  @Article{ amidror_glass_2003,
  title = {Glass Patterns as Moiré Effects: New Surprising Results},
  issn = {0146-9592, 1539-4794},
  doi = {10.1364/OL.28.000007},
  author  = {Amidror, Isaac},
  date = {2003-01-01}
  }

• I. Amidror, “Glass patterns in the superposition of random line gratings.”
  [Bibtex]

  @Article{ amidror_glass_2003-1,
  title = {Glass Patterns in the Superposition of Random Line
  Gratings},
  issn = {1464-4258},
  doi = {10.1088/1464-4258/5/3/311},
  author  = {Amidror, Isaac},
  date = {2003-05-01}
  }

• I. Amidror, “Moiré patterns between aperiodic layers: quantitative analysis and synarticle.”
  [Bibtex]

  @Article{ amidror_moire_2003,
  title = {Moiré patterns between aperiodic layers: quantitative
  analysis and synarticle},
  issn = {1084-7529, 1520-8532},
  doi = {10.1364/JOSAA.20.001900},
  author  = {Amidror, Isaac},
  date = {2003-10-01}
  }

• I. Amidror, “Unified approach for the explanation of stochastic and periodic moire´s.”
  [Bibtex]

  @Article{ amidror_unified_2003,
  title = {Unified approach for the explanation of stochastic and
  periodic moire´s},
  issn = {1017-9909},
  doi = {10.1117/1.1604785},
  author  = {Amidror, Isaac},
  date = {2003-10-01}
  }

• I. Amidror, “Dot trajectories in the superposition of random screens: analysis and synarticle.”
  [Bibtex]

  @Article{ amidror_dot_2004,
  title = {Dot trajectories in the superposition of random screens:
  analysis and synarticle},
  issn = {1084-7529, 1520-8532},
  doi = {10.1364/JOSAA.21.001472},
  author  = {Amidror, Isaac},
  date = {2004-08-30}
  }

• I. Amidror, “The theory of the moiré phenomenon. 2: aperiodic layers / by isaac amidror.”
  [Bibtex]

  @Article{ amidror_theory_2007,
  title = {The Theory of the moiré phenomenon. 2: Aperiodic layers /
  by Isaac Amidror},
  isbn = {978-1-4020-5457-0},
  author  = {Amidror, Itzhak},
  date = {2007}
  }

• I. Amidror and R. D. Hersch, “Mathematical moiré models and their limitations.”
  [Bibtex]

  @Article{ amidror_mathematical_2010,
  title = {Mathematical moiré models and their limitations},
  issn = {0950-0340, 1362-3044},
  doi = {10.1080/09500340903494629},
  author  = {Amidror, Isaac and Hersch, Roger D.},
  date = {2010-01-10}
  }

• I. Amidror and R. D. Hersch, “The role of fourier theory and of modulation in the prediction of visible moiré effects.”
  [Bibtex]

  @Article{ amidror_role_2009,
  title = {The role of Fourier theory and of modulation in the
  prediction of visible moiré effects},
  issn = {0950-0340, 1362-3044},
  doi = {10.1080/09500340902994140},
  author  = {Amidror, Isaac and Hersch, Roger D.},
  date = {2009-05-20}
  }

• “The theory of the moiré phenomenon.”
  [Bibtex]

  @Article{ amidror_theory_2009,
  title = {The Theory of the Moiré Phenomenon},
  isbn = {978-1-84882-180-4 978-1-84882-181-1},
  editorb  = {Borgefors, Gunilla and Deriche, Rachid and Huang, Thomas
  S. and Jiang, Tianzi and Klette, Reinhard and Leonardis,
  Ales and Peitgen, Heinz-Otto and Ikeuchi, Katsushi and
  Tsotsos, John K.},
  editorbtype  = {redactor},
  date = {2009},
  doi = {10.1007/978-1-84882-181-1}
  }

• I. Amidror, “Tutorial: sub-nyquist artifacts and sampling moiré effects.”
  [Bibtex]

  @Article{ amidror_tutorial_nodate,
  title = {Tutorial: Sub-Nyquist artifacts and sampling moiré
  effects},
  author  = {Amidror, Isaac}
  }

• A. Amin, “Collective culture and urban public space.”
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  @Article{ amin_collective_2008,
  title = {Collective culture and urban public space},
  issn = {1360-4813, 1470-3629},
  doi = {10.1080/13604810801933495},
  author  = {Amin, Ash},
  date = {2008-04}
  }

• E. Amiot, “Rhythmic canons and galois theory.”
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  @Article{ amiot_rhythmic_2005,
  title = {Rhythmic Canons and Galois Theory},
  author  = {Amiot, Emmanuel},
  date = {2005}
  }

• E. Amiot, M. Andreatta, and C. Agon, “Tiling the (musical) line with polynomials: some theoretical and implementational aspects.”
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  @Article{ amiot_tiling_2005,
  title = {Tiling the (Musical) Line with Polynomials: Some
  Theoretical and Implementational Aspects},
  author  = {Amiot, Emmanuel and Andreatta, Moreno and Agon, Carlos},
  date = {2005}
  }

• E. Amiot, T. Noll, M. Andreatta, and C. Agon, “Fourier oracles for computer-aided improvisation.”
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  @Article{ amiot_fourier_2006,
  title = {Fourier Oracles for Computer-Aided Improvisation},
  author  = {Amiot, Emmanuel and Noll, Thomas and Andreatta, Moreno and
  Agon, Carlos},
  date = {2006}
  }

• E. Amiot, “Discrete fourier transform and bach’s good temperament.”
  [Bibtex]

  @Article{ amiot_discrete_2009,
  title = {Discrete Fourier Transform and Bach’s Good Temperament},
  issn = {1067-3040},
  doi = {10.30535/mto.15.2.1},
  author  = {Amiot, Emmanuel},
  date = {2009-06}
  }

• E. Amiot and W. A. Sethares, “An algebra for periodic rhythms and scales.”
  [Bibtex]

  @Article{ amiot_algebra_2011,
  title = {An algebra for periodic rhythms and scales},
  issn = {1745-9737, 1745-9745},
  doi = {10.1080/17459737.2011.640469},
  author  = {Amiot, Emmanuel and Sethares, William A.},
  date = {2011-11}
  }

• E. Amiot, “New perspectives on rhythmic canons and the spectral conjecture.”
  [Bibtex]

  @Article{ amiot_new_2009,
  title = {New Perspectives on Rhythmic Canons and the Spectral
  Conjecture},
  author  = {Amiot, Emmanuel},
  date = {2009}
  }

• E. Amiot and S. Nazaire, “Structures, algorithms, and algebraic tools for rhythmic canons.”
  [Bibtex]

  @Article{ amiot_structures_2011,
  title = {Structures, Algorithms, and Algebraic Tools for Rhythmic
  Canons},
  author  = {Amiot, Emmanuel and Nazaire, St},
  date = {2011}
  }

• Emmanuel Amiot, “Structures, algorithms, and algebraic tools for rhythmic canons.”
  [Bibtex]

  @Article{ emmanuel_amiot_structures_2011,
  title = {Structures, Algorithms, and Algebraic Tools for Rhythmic
  Canons},
  issn = {00316016},
  doi = {10.7757/persnewmusi.49.2.0093},
  author  = {{Emmanuel Amiot}},
  date = {2011}
  }

• E. Amiot, “The torii of phases.”
  [Bibtex]

  @Article{ hutchison_torii_2013,
  title = {The Torii of Phases},
  isbn = {978-3-642-39356-3 978-3-642-39357-0},
  author  = {Amiot, Emmanuel},
  editorb  = {Hutchison, David and Kanade, Takeo and Kittler, Josef and
  Kleinberg, Jon M. and Mattern, Friedemann and Mitchell,
  John C. and Naor, Moni and Nierstrasz, Oscar and Pandu
  Rangan, C. and Steffen, Bernhard and Sudan, Madhu and
  Terzopoulos, Demetri and Tygar, Doug and Vardi, Moshe Y.
  and Weikum, Gerhard},
  editorbtype  = {redactor},
  date = {2013},
  doi = {10.1007/978-3-642-39357-0_1}
  }

• “Mathematics and computation in music: 4th international conference, MCM 2013, montreal, QC, canada, june 12-14, 2013. proceedings.”
  [Bibtex]

  @Article{ yust_mathematics_2013,
  title = {Mathematics and Computation in Music: 4th International
  Conference, {MCM} 2013, Montreal, {QC}, Canada, June 12-14,
  2013. Proceedings},
  isbn = {978-3-642-39356-3 978-3-642-39357-0},
  editorb  = {Hutchison, David and Kanade, Takeo and Kittler, Josef and
  Kleinberg, Jon M. and Mattern, Friedemann and Mitchell,
  John C. and Naor, Moni and Nierstrasz, Oscar and Pandu
  Rangan, C. and Steffen, Bernhard and Sudan, Madhu and
  Terzopoulos, Demetri and Tygar, Doug and Vardi, Moshe Y.
  and Weikum, Gerhard},
  editorbtype  = {redactor},
  date = {2013},
  doi = {10.1007/978-3-642-39357-0}
  }

• E. Amiot, “Music through fourier space.”
  [Bibtex]

  @Article{ amiot_music_2016,
  title = {Music Through Fourier Space},
  isbn = {978-3-319-45580-8 978-3-319-45581-5},
  author  = {Amiot, Emmanuel},
  date = {2016},
  doi = {10.1007/978-3-319-45581-5}
  }

• S. Amoroso and G. Cooper, “Tessellation structures for reproduction of arbitrary patterns.”
  [Bibtex]

  @Article{ amoroso_tessellation_1971,
  title = {Tessellation structures for reproduction of arbitrary
  patterns},
  issn = {00220000},
  doi = {10.1016/S0022-0000(71)80009-0},
  author  = {Amoroso, Serafino and Cooper, Gerald},
  date = {1971-10}
  }

• J. Andén and S. Mallat, “Deep scattering spectrum.”
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  @Article{ anden_deep_2014,
  title = {Deep Scattering Spectrum},
  issn = {1053-587X, 1941-0476},
  doi = {10.1109/TSP.2014.2326991},
  author  = {Andén, Joakim and Mallat, Stéphane},
  date = {2014-08}
  }

• T. Anders, “Composing music by composing rules: design and usage of a generic music constraint system.”
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  @Article{ anders_composing_2007,
  title = {Composing Music by Composing Rules: Design and Usage of a
  Generic Music Constraint System},
  author  = {Anders, Torsten},
  date = {2007}
  }

• T. Anders and E. R. Miranda, “A computational model for rule-based microtonal music theories and composition.”
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  @Article{ anders_computational_2010,
  title = {A Computational Model for Rule-Based Microtonal Music
  Theories and Composition},
  issn = {2325-7180},
  doi = {10.1353/pnm.2010.0009},
  author  = {Anders, Torsten and Miranda, Eduardo R.},
  date = {2010}
  }

• T. Anders and E. R. Miranda, “Constraint application with higher-order programming for modeling music theories.”
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  @Article{ anders_constraint_2010,
  title = {Constraint Application with Higher-Order Programming for
  Modeling Music Theories},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2010.34.2.25},
  author  = {Anders, Torsten and Miranda, Eduardo R.},
  date = {2010-06}
  }

• D. P. Anderson and R. Kuivila, “Accurately timed generation of discrete musical events.”
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  @Article{ anderson_accurately_1986,
  title = {Accurately Timed Generation of Discrete Musical Events},
  issn = {01489267},
  doi = {10.2307/3680259},
  author  = {Anderson, David P. and Kuivila, Ron},
  date = {1986}
  }

• P. Anderson, “Echoes of petrarch: martin boykan and musical narrative.”
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  @Article{ anderson_echoes_2000,
  title = {Echoes of Petrarch: Martin Boykan and Musical Narrative},
  issn = {00316016},
  doi = {10.2307/833664},
  author  = {Anderson, Paul},
  date = {2000}
  }

• S. Anderson, “Microsound in public space: compositional methods to enhance site-specific sound.”
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  @Article{ anderson_microsound_2008,
  title = {Microsound in public space: compositional methods to
  enhance site-specific sound},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771808000071},
  author  = {Anderson, Sven},
  date = {2008-04}
  }

• E. Anderson, “An interview with annette vande gorne, part 2.”
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  @Article{ anderson_interview_2012,
  title = {An Interview with Annette Vande Gorne, Part 2},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00116},
  author  = {Anderson, Elizabeth},
  date = {2012-06-01}
  }

• E. Anderson, “An interview with annette vande gorne, part one.”
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  @Article{ anderson_interview_2012-1,
  title = {An Interview with Annette Vande Gorne, Part One},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00102},
  author  = {Anderson, Elizabeth},
  date = {2012-03}
  }

• “AAG2018: advances in architectural geometry 2018.”
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  @Article{ hesselgren_aag2018_2018,
  title = {{AAG}2018: Advances in Architectural Geometry 2018},
  isbn = {978-3-903015-13-5},
  date = {2018}
  }

• M. Andreatta and C. Agon, “Implementing algebraic methods in OpenMusic..”
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  @Article{ andreatta_implementing_nodate,
  title = {Implementing algebraic methods in {OpenMusic}.},
  author  = {Andreatta, Moreno and Agon, Carlos}
  }

• M. Andreatta, A. Poirier, G. Mazzola, J. Rahn, G. Assayag, M. Chemillier, and J. Petitot, “Méthodes algébriques en musique et musicologie du XXe siècle : aspects théoriques, analytiques et compositionnels.”
  [Bibtex]

  @Article{ andreatta_methodes_nodate,
  title = {Méthodes algébriques en musique et musicologie du {XXe}
  siècle : aspects théoriques, analytiques et
  compositionnels},
  author  = {Andreatta, Moreno and Poirier, Alain and Mazzola, Guerino
  and Rahn, John and Assayag, Gérard and Chemillier, Marc
  and Petitot, Jean}
  }

• M. Andreatta and M. Chemillier, “MODELES MATHEMATIQUES POUR l’INFORMATIQUE MUSICALE (MMIM) : OUTILS THEORIQUES ET STRATEGIES PEDAGOGIQUES.”
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  @Article{ andreatta_modeles_nodate,
  title = {{MODELES} {MATHEMATIQUES} {POUR} L’{INFORMATIQUE}
  {MUSICALE} ({MMIM}) : {OUTILS} {THEORIQUES} {ET}
  {STRATEGIES} {PEDAGOGIQUES}},
  author  = {Andreatta, Moreno and Chemillier, Marc}
  }

• M. Andreatta, “A computational perspective! on some music-theoretical ! and compositional problems!.”
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  @Article{ andreatta_computational_nodate,
  title = {A computational perspective! on some music-theoretical !
  and compositional problems!},
  author  = {Andreatta, Moreno}
  }

• “The role of nuclear power and nuclear propulsion in the peaceful exploration of space.”
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  @Article{ stanculescu_role_2005,
  title = {The role of nuclear power and nuclear propulsion in the
  peaceful exploration of space},
  isbn = {978-92-0-107404-1},
  date = {2005}
  }

• Y. André, “Leçons de mathématiques contemporaines à l’IRCAM.”
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  @Article{ andre_cons_2009,
  title = {Leçons de Mathématiques contemporaines à l’{IRCAM}},
  author  = {André, Yves},
  date = {2009}
  }

• P. Antick, “Flavia’s tour favela.”
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  @Article{ antick_flavias_2010,
  title = {Flavia's Tour Favela},
  issn = {1754-0763, 1754-0771},
  doi = {10.1080/17540760903561272},
  author  = {Antick, Paul},
  date = {2010-04-14}
  }

• J. Antoine, R. Murenzi, P. Vandergheynst, and S. T. Ali, “Two-dimensional wavelets and their relatives.”
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  @Article{ antoine_two-dimensional_nodate,
  title = {Two-Dimensional Wavelets and their Relatives},
  author  = {Antoine, Jean-Pierre and Murenzi, Romain and
  Vandergheynst, Pierre and Ali, Syed Twareque}
  }

• M. J. Apter, “Cybernetics and art.”
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  @Article{ apter_cybernetics_1969,
  title = {Cybernetics and Art},
  issn = {0024094X},
  doi = {10.2307/1572155},
  author  = {Apter, Michael J.},
  date = {1969-07}
  }

• Y. Araki and K. Ito, “An extension of the maskit slice for 4-dimensional kleinian groups.”
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  @Article{ araki_extension_2008,
  title = {An extension of the Maskit slice for 4-dimensional
  Kleinian groups},
  issn = {1088-4173},
  doi = {10.1090/S1088-4173-08-00187-2},
  author  = {Araki, Yoshiaki and Ito, Kentaro},
  date = {2008-12-15}
  }

• M. Aramaki, R. Kronland-Martinet, T. Voinier, and S. Ystad, “A percussive sound synthesizer based on physical and perceptual attributes.”
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  @Article{ aramaki_percussive_2006,
  title = {A Percussive Sound Synthesizer Based on Physical and
  Perceptual Attributes},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2006.30.2.32},
  author  = {Aramaki, Mitsuko and Kronland-Martinet, Richard and
  Voinier, Thierry and Ystad, Sølvi},
  date = {2006-06}
  }

• J. Gilmore, “Composing with process: perspectives on generative and systems music – complete series.”
  [Bibtex]

  @Article{ gilmore_composing_nodate,
  title = {Composing With Process: Perspectives on Generative and
  Systems Music - Complete Series},
  author  = {Gilmore, Joe}
  }

• L. Ardaillon, “Synarticle and expressive transformation of singing voice.”
  [Bibtex]

  @Article{ ardaillon_synarticle_2017,
  title = {Synarticle and expressive transformation of singing
  voice},
  author  = {Ardaillon, Luc},
  date = {2017}
  }

• D. Arfib and N. Delprat, “Musical transformations using the modification of time-frequency images.”
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  @Article{ arfib_musical_1993,
  title = {Musical Transformations Using the Modification of
  Time-Frequency Images},
  issn = {01489267},
  doi = {10.2307/3680870},
  author  = {Arfib, Daniel and Delprat, Nathalie},
  date = {1993}
  }

• “The structure of style: algorithmic approaches to understanding manner and meaning.”
  [Bibtex]

  @Article{ argamon_structure_2010,
  title = {The Structure of Style: Algorithmic Approaches to
  Understanding Manner and Meaning},
  isbn = {978-3-642-12336-8 978-3-642-12337-5},
  date = {2010},
  doi = {10.1007/978-3-642-12337-5}
  }

• J. Arias-de-Reyna, “X-ray of riemann zeta-function.”
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  @Article{ arias-de-reyna_x-ray_2003,
  title = {X-Ray of Riemann zeta-function},
  author  = {Arias-de-Reyna, J.},
  date = {2003-09-26}
  }

• S. Arida, “Contextualizing generative design.”
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  @Article{ arida_contextualizing_nodate,
  title = {Contextualizing Generative Design},
  author  = {Arida, Saeed}
  }

• C. Ariza and N. Gsas, “Prokaryotic groove: rhythmic cycles as real-value encoded genetic algorithms.”
  [Bibtex]

  @Article{ ariza_prokaryotic_nodate,
  title = {Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded
  Genetic Algorithms},
  author  = {Ariza, Christopher and Gsas, Nyu}
  }

• C. Ariza, “The xenakis sieve as object: a new model and a complete implementation.”
  [Bibtex]

  @Article{ ariza_xenakis_2005,
  title = {The Xenakis Sieve as Object: A New Model and a Complete
  Implementation},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/0148926054094396},
  author  = {Ariza, Christopher},
  date = {2005-06}
  }

• C. Ariza and M. S. Cuthbert, “Modeling beats, accents, beams, and time signatures hierarchically with music21 meter objects.”
  [Bibtex]

  @Article{ ariza_modeling_nodate,
  title = {Modeling Beats, Accents, Beams, and Time Signatures
  Hierarchically with Music21 Meter Objects},
  author  = {Ariza, Christopher and Cuthbert, Michael Scott}
  }

• C. Ariza, “21m.380: music and technology: contemporary history and aesthetics.”
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  @Article{ ariza_21m380_nodate,
  title = {21M.380: Music and Technology: Contemporary History and
  Aesthetics},
  author  = {Ariza, Christopher}
  }

• C. Ariza, “Two pioneering projects from the early history of computer-aided algorithmic composition.”
  [Bibtex]

  @Article{ ariza_two_2011,
  title = {Two Pioneering Projects from the Early History of
  Computer-Aided Algorithmic Composition},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00068},
  author  = {Ariza, Christopher},
  date = {2011-09}
  }

• C. Ariza, “21m.380: music and technology: recording techniques and audio production.”
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  @Article{ ariza_21m380_nodate-1,
  title = {21M.380: Music and Technology: Recording Techniques and
  Audio Production},
  author  = {Ariza, Christopher}
  }

• E. A. Ck, F. Rring, and J. Hage, “Developing a voxel game engine in java using OpenGL.”
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  @Article{ ck_developing_nodate,
  title = {Developing a voxel game engine in Java using {OpenGL}},
  author  = {Ck, Eric Arneba and Rring, Felix and Hage, Johan}
  }

• R. Arnheim, “ENTROPY AND ART AN ESSAY ON DISORDER AND ORDER.”
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  @Article{ arnheim_entropy_nodate,
  title = {{ENTROPY} {AND} {ART} {AN} {ESSAY} {ON} {DISORDER} {AND}
  {ORDER}},
  author  = {Arnheim, Rudolf}
  }

• L. M. Arsenault, “Iannis xenakis’s \textitAchorripsis : the matrix game.”
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  @Article{ arsenault_iannis_2002,
  title = {Iannis Xenakis's \textit{Achorripsis} : The Matrix Game},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892602753633542},
  author  = {Arsenault, Linda M.},
  date = {2002-03}
  }

• G. Artopoulos and S. Roudavski, “Adaptive generative patterns.”
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  @Article{ artopoulos_adaptive_nodate,
  title = {Adaptive Generative Patterns},
  author  = {Artopoulos, Giorgos and Roudavski, Stanislav}
  }

• M. Artzrouni, “The mathematics of ponzi schemes.”
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  @Article{ artzrouni_mathematics_2009,
  title = {The mathematics of Ponzi schemes},
  issn = {01654896},
  doi = {10.1016/j.mathsocsci.2009.05.003},
  author  = {Artzrouni, Marc},
  date = {2009-09}
  }

• A. Ashby, “Schoenberg, boulez, and twelve-tone composition as “ideal type”.”
  [Bibtex]

  @Article{ ashby_schoenberg_2001,
  title = {Schoenberg, Boulez, and Twelve-Tone Composition as "Ideal
  Type"},
  author  = {Ashby, Arved},
  date = {2001}
  }

• G. R. Asner and S. J. Garber, “Origins of 21st century space travel: a history of NASA’s decadal planning team and the vision for space exploration, 1999–2004.”
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  @Article{ asner_origins_nodate,
  title = {Origins of 21st Century Space Travel: A History of
  {NASA}'s Decadal Planning Team and the Vision for Space
  Exploration, 1999–2004},
  author  = {Asner, Glen R and Garber, Stephen J}
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• G. Assayag and S. Dubnov, “Guessing the composer’s mind: applying universal prediction to musical style.”
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  title = {Guessing the Composer’s Mind: Applying Universal
  Prediction to Musical Style},
  author  = {Assayag, Gérard and Dubnov, Shlomo}
  }

• G. Assayag and S. Dubnov, “Using factor oracles for machine improvisation.”
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  @Article{ assayag_using_2004,
  title = {Using Factor Oracles for Machine Improvisation},
  issn = {1432-7643, 1433-7479},
  doi = {10.1007/s00500-004-0385-4},
  author  = {Assayag, G. and Dubnov, S.},
  date = {2004-09}
  }

• J. Attali, “Noise: the political economy of music.”
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  @Article{ attali_noise_1985,
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  author  = {Attali, Jacques},
  date = {1985}
  }

• C. Augier, “Les formes de l’appropriation musicale.”
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  }

• E. Aujaleu, “L’oeuvre d’art et la reproductibilité technique.”
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• W. Frisch, “Music in the twentieth and twenty-first centuries.”
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  @Article{ aureli_possibility_2011,
  title = {The possibility of an absolute architecture},
  isbn = {978-0-262-51579-5},
  author  = {Aureli, Pier Vittorio},
  date = {2011}
  }

• L. Austin, J. Cage, and L. Hiller, “An interview with john cage and lejaren hiller.”
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  @Article{ austin_interview_1992,
  title = {An Interview with John Cage and Lejaren Hiller},
  issn = {01489267},
  doi = {10.2307/3680466},
  author  = {Austin, Larry and Cage, John and Hiller, Lejaren},
  date = {1992}
  }

• S. Avidan and A. Shamir, “Seam carving for content-aware image resizing.”
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  author  = {Avidan, Shai and Shamir, Ariel}
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• J. Aylward, “Metric synchronization and long-range polyrhythms in elliott carter’s fifth string quartet.”
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  title = {Metric Synchronization and Long-Range Polyrhythms in
  Elliott Carter's Fifth String Quartet},
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  date = {2009}
  }

• M. Azar, D. C. Heras, M. Carlo, I. Emsley, M. S. Erslev, T. Hollanek, M. Klein, R. Lee, C. Morgan, C. Ng, I. Raskin, T. Roxanne, R. Uliasz, M. Dada, T. Wiehn, B. Zehner, C. Andersen, and G. Cox, “A peer-reviewed journal about.”
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  @Article{ azar_peer-reviewed_2019,
  title = {A Peer-Reviewed Journal About},
  author  = {Azar, Mitra and Heras, Daniel Chávez and Carlo, Michela
  De and Emsley, Iain and Erslev, Malthe Stavning and
  Hollanek, Tomas and Klein, Maike and Lee, Rosemary and
  Morgan, Carleigh and Ng, Carman and Raskin, Irina and
  Roxanne, Tiara and Uliasz, Rebecca and Dada, Maria and
  Wiehn, Tanja and Zehner, Brett and Andersen, Christian
  Ulrik and Cox, Geoff},
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  }

• M. Baake, D. Damanik, and U. Grimm, “Aperiodic order and spectral properties.”
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  @Article{ baake_aperiodic_2017,
  title = {Aperiodic Order and Spectral Properties},
  doi = {10.14760/SNAP-2017-003-EN},
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• M. A. J. Baalman, “ON WAVE FIELD SYNarticle AND ELECTRO-ACOUSTIC MUSIC – STATE OF THE ART 2007.”
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  @Article{ baalman_wave_nodate,
  title = {{ON} {WAVE} {FIELD} {SYNarticle} {AND}
  {ELECTRO}-{ACOUSTIC} {MUSIC} - {STATE} {OF} {THE} {ART}
  2007},
  author  = {Baalman, Marije A J}
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• D. P. Erdmann, D. Stefan, and D. D. de Vriei, “Erdmann et al._on_wave_field_synarticle_and_electro-acoustic_music.”
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  }

• L. Karpman and M. Babbitt, “An interview with milton babbitt.”
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  @Article{ karpman_interview_1986,
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  doi = {10.2307/833212},
  author  = {Karpman, Laura and Babbitt, Milton},
  date = {1986}
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• D. Bacciu, A. Carta, and A. Sperduti, “Linear memory networks.”
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  Alessandro},
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• G. Bach, “The extra-digital \textitAxis Mundi : myth, magic and metaphor in laptop music.”
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  @Article{ bach_extra-digital_2003,
  title = {The Extra-Digital \textit{Axis Mundi} : Myth, Magic and
  Metaphor in Laptop Music},
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  doi = {10.1080/0749446032000156911},
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  }

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  @Article{ backus_backus_1962,
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  author  = {Backus, John},
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• R. Bader, “Nonlinearities and synchronization in musical acoustics and music psychology.”
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  @Article{ bader_nonlinearities_2013,
  title = {Nonlinearities and Synchronization in Musical Acoustics
  and Music Psychology},
  isbn = {978-3-642-36097-8 978-3-642-36098-5},
  author  = {Bader, Rolf},
  date = {2013},
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  }

• A. Badiou and A. Badiou, “Metapolitics.”
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  author  = {Badiou, Alain and Badiou, Alain},
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  }

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  author  = {Baglivo, Jenny A. and Graver, Jack E.},
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  date = {2016-05-19}
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• F. Bailes and R. T. Dean, “When is noise speech? a survey in sonic ambiguity.”
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  doi = {10.1162/comj.2009.33.1.57},
  author  = {Bailes, Freya and Dean, Roger T.},
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• R. Bain, “Numerussonorus: using max/MSP to explore the compositional potential of number sequences and deterministic algorithms.”
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  author  = {Bain, Reginald}
  }

• R. Bain, “Composing sound using spectral scans.”
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• D. Bajt, “Real-time simulation of volumetric stage light.”
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• P. Bak, “How nature works: the science of self-organized criticality.”
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  author  = {Bak, P.},
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• A. Baker, “The great music city: exploring music, space and identity.”
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  Identity},
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  author  = {Baker, Andrea},
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  }

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• C. Balaschak, “Between sequence and seriality: landscape photography and its historiography in \textitAnonyme Skulpturen.”
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• K. Balasubramanian, “Combinatorial enumeration of ragas (scales of integer sequences) of indian music.”
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• A. Balbi, “The music of the big bang: the cosmic microwave background and the new cosmology.”
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  author  = {Balbi, Amedeo},
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• W. M. Baldoni, C. Ciliberto, and G. M. Piacentini Cattaneo, “Elementary number theory, cryptography, and codes.”
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  author  = {Baldoni, M. Welleda and Ciliberto, C. and Piacentini
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• P. Ball, “Nature’s patterns: a tapestry in three parts flow.”
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• P. Ball, “Schoenberg, serialism and cognition: whose fault if no one listens?.”
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  title = {Schoenberg, serialism and cognition: Whose fault if No one
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  doi = {10.1179/030801811X12941390545645},
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• G. J. Balzano, “The group-theoretic description of 12-fold and microtonal pitch systems.”
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  Pitch Systems},
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  author  = {Balzano, Gerald J.},
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• J. Bamberger, “A brief history of music, computers and thinking: 1972–2015.”
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  @Article{ bamberger_brief_2015,
  title = {A Brief History of Music, Computers and Thinking:
  1972–2015},
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  doi = {10.1007/s40751-015-0003-3},
  author  = {Bamberger, Jeanne},
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• M. Bandur and J. Kohl, “The composition of meaning: construction and semantics in karlheinz stockhausen’s luzifer-gruss vom samstag aus licht.”
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  @Article{ bandur_composition_1999,
  title = {The Composition of Meaning: Construction and Semantics in
  Karlheinz Stockhausen's Luzifer-Gruss vom Samstag aus
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• Y. Bar-Yam, “A mathematical theory of strong emergence using multiscale variety.”
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• S. Barbedette, “Concerts des nations: regards sur la naissance du domaine musical et celle du concert spirituel.”
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  musical et celle du Concert spirituel},
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• V. C. Barbosa, “The conduciveness of CA-rule graphs.”
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• D. Barchiesi and J. Reiss, “Automatic target mixing using least-squares optimization of gains and equalization settings.”
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• L. Barguñó, C. Creus, G. Godoy, F. Jacquemard, and C. Vacher, “Decidable classes of tree automata mixing local and global constraints modulo flat theories.”
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  Constraints Modulo Flat Theories},
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  doi = {10.2168/LMCS-9(2:1)2013},
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  Jacquemard, Florent and Vacher, Camille},
  date = {2013-04-02}
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• E. Barkin, “Reexperiencing language, as a music revisited.”
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  doi = {10.2307/833593},
  author  = {Barkin, Elaine},
  date = {2000}
  }

• E. Barkin, “Afterword.”
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  author  = {Barkin, Elaine},
  date = {2001}
  }

• E. R. Barkin, “Liner notes in the form of a suite.”
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• C. Barlow and H. Lohner, “Two essays on theory.”
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  }

• K. E. Barnes, “With a smile barely wrinkling the surface: christopher brennan’s large \textitMusicopoematographoscope and mallarmé’s \textitUn Coup de dés ..”
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  @Article{ barnes_smile_2007,
  title = {With a smile barely wrinkling the surface: Christopher
  Brennan's large \textit{Musicopoematographoscope} and
  Mallarmé's \textit{Un Coup de dés} .},
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  doi = {10.1179/147873107790725679},
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• A. Barnett, “Fast solvers for highly oscillatory problems.”
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  editorb  = {Morel, J. -M. and Takens, F. and Teissier, B.},
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• N. Barrett, “Little animals: compositional structuring processes.”
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• N. Barrett, “A musical journey towards permanent high-density loudspeaker arrays.”
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  @Article{ barrett_musical_2016,
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  @Article{ barriere_paris_2010,
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  @Article{ barriere_a_1999,
  title = {À propos de l'{IRCAM} : avatars d'une critique
  culturelle. {BORN}, Georgina (1995), Rationalizing Culture,
  {IRCAM}, Boulez, and the Institutionalization of the
  Musical Avant-Garde , Berkeley-Los Angeles-Londres,
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• J. Barrière, “Écriture musicale et ordinateur : notes sur la genèse.”
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• M. Barron, “Auditorium acoustics and architectural design.”
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• A. Barry, G. Born, and G. Weszkalnys, “Logics of interdisciplinarity.”
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• Y. Baryshev and P. Teerikorpi, “Discovery of cosmic fractals.”
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• A. P. Basart, “The current state of writings on serial music.”
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  @Article{ basart_current_1961,
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  author  = {Basart, Ann P.},
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• A. Baskind, “Modèles et méthodes de description spatiale de scènes sonores.”
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  author  = {Baskind, Alexis}
  }

• E. Bates, “The composition and performance of spatial music.”
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  @Article{ bates_composition_nodate,
  title = {The Composition and Performance of Spatial Music},
  author  = {Bates, Enda}
  }

• C. Roads, M. Battier, C. Barlow, J. Bischoff, H. Brun, J. Chadabe, C. Cummings, G. Englert, D. Jaffe, S. Kaske, O. Laske, J. Risset, D. Rosenboom, K. Saariaho, and H. Vaggione, “Symposium on computer music composition.”
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  @Article{ roads_symposium_1986,
  title = {Symposium on Computer Music Composition},
  issn = {01489267},
  doi = {10.2307/3680297},
  author  = {Roads, Curtis and Battier, Marc and Barlow, Clarence and
  Bischoff, John and Brun, Herbert and Chadabe, Joel and
  Cummings, Conrad and Englert, Giuseppe and Jaffe, David and
  Kaske, Stephan and Laske, Otto and Risset, Jean-Claude and
  Rosenboom, David and Saariaho, Kaija and Vaggione,
  Horacio},
  date = {1986}
  }

• M. Battier, “What the GRM brought to music: from musique concrète to acousmatic music.”
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  @Article{ battier_what_2007,
  title = {What the {GRM} brought to music: from musique concrète to
  acousmatic music},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771807001902},
  author  = {Battier, Marc},
  date = {2007-12}
  }

• M. Battier, “Describe, transcribe, notate: prospects and problems facing electroacoustic music.”
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  @Article{ battier_describe_2015,
  title = {Describe, Transcribe, Notate: Prospects and problems
  facing electroacoustic music},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771814000430},
  author  = {Battier, Marc},
  date = {2015-04}
  }

• A. F. Battista, C. M. Mollo, and N. Monopoli, “RCCM canons: not only a problem of cage.”
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  @Article{ battista_rccm_2015,
  title = {{RCCM} Canons: Not Only a Problem of Cage},
  author  = {Battista, Alba Francesca and Mollo, Carlos Maximiliano and
  Monopoli, Nicola},
  date = {2015}
  }

• G. Baudart, F. Jacquemard, L. Mandel, and M. Pouzet, “A synchronous embedding of antescofo, a domain-specific language for interactive mixed music.”
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  @Article{ baudart_synchronous_2013,
  title = {A synchronous embedding of Antescofo, a domain-specific
  language for interactive mixed music},
  isbn = {978-1-4799-1443-2},
  doi = {10.1109/EMSOFT.2013.6658579},
  author  = {Baudart, Guillaume and Jacquemard, Florent and Mandel,
  Louis and Pouzet, Marc},
  date = {2013-09}
  }

• O. Baudouin, “A reconstruction of \textitStria.”
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  @Article{ baudouin_reconstruction_2007,
  title = {A Reconstruction of \textit{Stria}},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2007.31.3.75},
  author  = {Baudouin, Olivier},
  date = {2007-09}
  }

• J. Baudrillard, “Screened out.”
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  @Article{ baudrillard_screened_2002,
  title = {Screened out},
  isbn = {978-1-85984-660-5 978-1-85984-385-7},
  author  = {Baudrillard, Jean},
  date = {2002}
  }

• J. Baudrillard and J. Nouvel, “The singular objects of architecture.”
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  @Article{ baudrillard_singular_2002,
  title = {The singular objects of architecture},
  isbn = {978-0-8166-3912-0},
  author  = {Baudrillard, Jean and Nouvel, Jean},
  date = {2002}
  }

• J. Baudrillard, “Manifestos,interviews, essays.”
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  @Article{ baudrillard_manifestosinterviews_nodate,
  title = {Manifestos,Interviews, Essays},
  author  = {Baudrillard, Jean}
  }

• T. Bayar, “Music program zero and ben boretz.”
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  @Article{ bayar_music_2006,
  title = {Music Program Zero and Ben Boretz},
  author  = {Bayar, Tildy},
  date = {2006}
  }

• D. P. Kingma and M. Welling, “Auto-encoding variational bayes.”
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  @Article{ kingma_auto-encoding_2022,
  title = {Auto-Encoding Variational Bayes},
  author  = {Kingma, Diederik P. and Welling, Max},
  date = {2022-12-10}
  }

• J. Iverson, “Electronic inspirations: technologies of the cold war musical avant-garde.”
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  @Article{ iverson_electronic_2018,
  title = {Electronic inspirations: technologies of the Cold War
  musical avant-garde},
  isbn = {978-0-19-086819-2 978-0-19-086820-8},
  author  = {Iverson, Jennifer},
  date = {2018}
  }

• P. Dhariwal and A. Nichol, “Diffusion models beat GANs on image synarticle.”
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  @Article{ dhariwal_diffusion_2021,
  title = {Diffusion Models Beat {GANs} on Image Synarticle},
  author  = {Dhariwal, Prafulla and Nichol, Alex},
  date = {2021-06-01}
  }

• R. L. Gregory, J. G. Wallace, and F. W. Campbell, “Changes in the size and shape of visual after-images observed in complete darkness during changes of position in space.”
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  @Article{ gregory_changes_1959,
  title = {Changes in the Size and Shape of Visual After-Images
  Observed in Complete Darkness during Changes of Position in
  Space},
  issn = {0033-555X},
  doi = {10.1080/17470215908416288},
  author  = {Gregory, R. L. and Wallace, Jean G. and Campbell, F. W.},
  date = {1959-02}
  }

• B. Neill, “Pleasure beats: rhythm and the aesthetics of current electronic music.”
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  @Article{ neill_pleasure_2002,
  title = {Pleasure Beats: Rhythm and the Aesthetics of Current
  Electronic Music},
  author  = {Neill, Ben},
  date = {2002}
  }

• H. Leopoldseder, C. Schöpf, and G. Stocker, “Repair: sind wir noch zu retten [festival für kunst, technologie und gesellschaft, 2. – 11. september 2010, ars electronica, linz].”
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  @Article{ leopoldseder_repair_2010,
  title = {Repair: sind wir noch zu retten [Festival für Kunst,
  Technologie und Gesellschaft, 2. - 11. September 2010, Ars
  Electronica, Linz]},
  isbn = {978-3-7757-2723-5},
  author  = {Leopoldseder, Hannes and Schöpf, Christine and Stocker,
  Gerfried},
  date = {2010}
  }

• C. J. Robinson, “An anthropology of marxism.”
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  @Article{ robinson_anthropology_2019,
  title = {An anthropology of Marxism},
  isbn = {978-1-4696-4990-0 978-1-4696-4991-7},
  author  = {Robinson, Cedric J.},
  date = {2019}
  }

• “Radical atoms and the alchemists of our time.”
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  title = {Radical atoms and the alchemists of our time},
  isbn = {978-3-7757-4193-4},
  date = {2016}
  }

• C. Pellegrino, “Aspects of closure in the music of john adams.”
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  @Article{ pellegrino_aspects_2002,
  title = {Aspects of Closure in the Music of John Adams},
  author  = {Pellegrino, Catherine},
  date = {2002}
  }

• J. Barrière, “Mutations du matériau, mutations de l’écriture.”
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  }

• F. Bayle, “Space, and more.”
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  @Article{ bayle_space_2007,
  title = {Space, and more},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771807001872},
  author  = {Bayle, François},
  date = {2007-12}
  }

• G. C. Baylis and J. Driver, “Perception of symmetry and repetition within and across visual shapes: part-descriptions and object-based attention.”
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  @Article{ baylis_perception_2001,
  title = {Perception of symmetry and repetition within and across
  visual shapes: Part-descriptions and object-based
  attention},
  issn = {1350-6285, 1464-0716},
  doi = {10.1080/13506280042000126},
  author  = {Baylis, Gordon C. and Driver, Jon},
  date = {2001-03}
  }

• A. C. Beal, “David tudor in darmstadt.”
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  @Article{ beal_david_2007,
  title = {David Tudor in Darmstadt},
  issn = {0749-4467, 1477-2256},
  doi = {10.1080/07494460601069242},
  author  = {Beal, Amy C.},
  date = {2007-02}
  }

• S. R. Beane, Z. Davoudi, and M. Savage, “Constraints on the universe as a numerical simulation.”
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  @Article{ beane_constraints_2014,
  title = {Constraints on the Universe as a Numerical Simulation},
  issn = {1434-6001, 1434-601X},
  doi = {10.1140/epja/i2014-14148-0},
  author  = {Beane, Silas R. and Davoudi, Zohreh and Savage, Martin
  J.},
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  }

• V. Beaubois, “Un schématisme pratique de l’imagination.”
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  title = {Un schématisme pratique de l’imagination},
  issn = {2101-0714},
  doi = {10.4000/appareil.2247},
  author  = {Beaubois, Vincent},
  date = {2015-12-31}
  }

• R. Beaucage, “Frank zappa dans l’univers des musiques sérieuses : un parfait étranger?.”
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  @Article{ beaucage_frank_2010,
  title = {Frank Zappa dans l’univers des musiques sérieuses : un
  parfait étranger?},
  issn = {1488-9692, 1183-1693},
  doi = {10.7202/902324ar},
  author  = {Beaucage, Réjean},
  date = {2010-02-15}
  }

• “Analysis, synarticle, and perception of musical sounds: the sound of music.”
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  @Article{ beauchamp_analysis_2007,
  title = {Analysis, synarticle, and perception of musical sounds:
  the sound of music},
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  date = {2007}
  }

• D. Trottier, “CONCEIVING MUSICAL PHOTOREALISM: AN INTERVIEW WITH RICHARD BEAUDOIN.”
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  @Article{ trottier_conceiving_nodate,
  title = {{CONCEIVING} {MUSICAL} {PHOTOREALISM}: {AN} {INTERVIEW}
  {WITH} {RICHARD} {BEAUDOIN}},
  author  = {Trottier, Danick}
  }

• D. Beaumont and S. Stepney, “Grammatical evolution of l-systems.”
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  @Article{ beaumont_grammatical_2009,
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  isbn = {978-1-4244-2958-5 978-1-4244-2959-2},
  doi = {10.1109/CEC.2009.4983247},
  author  = {Beaumont, Darren and Stepney, Susan},
  date = {2009-05}
  }

• F. Bechstedt, “Principles of surface physics.”
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  @Article{ bechstedt_principles_2003,
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  author  = {Bechstedt, Friedhelm},
  date = {2003}
  }

• S. Beckett and {. {DUTHUlT}, “” from t tansition ’49 . no. 5. georges duthuit,.”
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  @Article{ beckett__nodate,
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  author  = {Beckett, Samuel and {DUTHUlT}, {GEORGES}}
  }

• M. Bedau, “Artificial life: organization, adaptation and complexity from the bottom up.”
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  title = {Artificial life: organization, adaptation and complexity
  from the bottom up},
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  author  = {Bedau, M},
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  }

• M. A. Bedau, J. S. {McCaskill}, N. H. Packard, S. Rasmussen, C. Adami, D. G. Green, T. Ikegami, K. Kaneko, and T. S. Ray, “Open problems in artificial life.”
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  title = {Open Problems in Artificial Life},
  issn = {1064-5462, 1530-9185},
  doi = {10.1162/106454600300103683},
  author  = {Bedau, Mark A. and {McCaskill}, John S. and Packard,
  Norman H. and Rasmussen, Steen and Adami, Chris and Green,
  David G. and Ikegami, Takashi and Kaneko, Kunihiko and Ray,
  Thomas S.},
  date = {2000-10}
  }

• A. Beech and R. Mackay, “Image-force: in conversation with amanda beech.”
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  @Article{ beech_image-force_nodate,
  title = {Image-Force: In Conversation with Amanda Beech},
  author  = {Beech, Amanda and Mackay, Robin}
  }

• M. Beeson and D. Murphy, “RoomWeaver: a digital waveguide mesh based room acoustics research tool.”
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  @Article{ beeson_roomweaver_nodate,
  title = {{RoomWeaver}: A Digital Waveguide Mesh Based Room
  Acoustics Research Tool},
  author  = {Beeson, Mark and Murphy, Damian}
  }

• D. Behrman, “What indeterminate notation determines.”
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  @Article{ behrman_what_1965,
  title = {What Indeterminate Notation Determines},
  issn = {00316016},
  doi = {10.2307/832504},
  author  = {Behrman, David},
  date = {1965}
  }

• K. Beilharz, “Designing sounds and spaces: interdisciplinary rules \& proportions in generative stochastic music and architecture.”
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  @Article{ beilharz_designing_2004,
  title = {Designing Sounds and Spaces: Interdisciplinary Rules \&
  Proportions in Generative Stochastic Music and
  Architecture},
  issn = {1748-3050, 1569-1551},
  doi = {10.1504/JDR.2004.009838},
  author  = {Beilharz, Kirsty},
  date = {2004}
  }

• B. Bel, “Migrating musical concepts: an overview of the bol processor.”
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  @Article{ bel_migrating_1998,
  title = {Migrating Musical Concepts: An Overview of the Bol
  Processor},
  issn = {01489267},
  doi = {10.2307/3680965},
  author  = {Bel, Bernard},
  date = {1998}
  }

• B. Bel, “Is text an adequate tool for modelling musical analysis, composition and performance?.”
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  @Article{ bel_is_nodate,
  title = {Is text an adequate tool for modelling musical analysis,
  composition and performance?},
  author  = {Bel, Bernard}
  }

• “The beginnings of computer music in india.”
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  @Article{ noauthor_beginnings_nodate,
  title = {The Beginnings of Computer Music in India}
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• B. Belet and S. Smith, “The first dilemma: the state of the art.”
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  @Article{ belet_first_1991,
  title = {The First Dilemma: The State of the Art},
  issn = {01489267},
  doi = {10.2307/3681061},
  author  = {Belet, Brian and Smith, Stuart},
  date = {1991}
  }

• A. Belkin, “Orchestration, perception, and musical time: a composer’s view.”
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  @Article{ belkin_orchestration_1988,
  title = {Orchestration, Perception, and Musical Time: A Composer's
  View},
  issn = {01489267},
  doi = {10.2307/3679941},
  author  = {Belkin, Alan},
  date = {1988}
  }

• J. Bell, “Mirror of the world: a new history of art.”
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  @Article{ bell_mirror_2007,
  title = {Mirror of the world: a new history of art},
  isbn = {978-0-500-23837-0},
  author  = {Bell, Julian},
  date = {2007}
  }

• J. Bellmann, F. Michel, E. Deines, M. Hering-Bertram, J. Mohring, and H. Hagen, “Sound tracing: rendering listener specific acoustic room properties.”
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  @Article{ bellmann_sound_2008,
  title = {Sound Tracing: Rendering Listener Specific Acoustic Room
  Properties},
  issn = {01677055, 14678659},
  doi = {10.1111/j.1467-8659.2008.01228.x},
  author  = {Bellmann, Jens and Michel, Frank and Deines, Eduard and
  Hering-Bertram, Martin and Mohring, Jan and Hagen, Hans},
  date = {2008-05}
  }

• J. P. Bello, L. Daudet, S. Abdallah, C. Duxbury, M. Davies, and M. B. Sandler, “A tutorial on onset detection in music signals.”
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  @Article{ bello_tutorial_2005,
  title = {A tutorial on onset detection in music signals},
  issn = {1063-6676},
  doi = {10.1109/TSA.2005.851998},
  author  = {Bello, J.P. and Daudet, L. and Abdallah, S. and Duxbury,
  C. and Davies, M. and Sandler, M.B.},
  date = {2005-09}
  }

• J. P. Bello, R. Rowe, C. Guedes, and G. Toussaint, “Five perspectives on musical rhythm.”
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  @Article{ bello_five_2015,
  title = {Five Perspectives on Musical Rhythm},
  issn = {0929-8215, 1744-5027},
  doi = {10.1080/09298215.2014.996572},
  author  = {Bello, Juan P. and Rowe, Robert and Guedes, Carlos and
  Toussaint, Godfried},
  date = {2015-01-02}
  }

• G. Belot, “Geometric possibility.”
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  @Article{ belot_geometric_2011,
  title = {Geometric possibility},
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  author  = {Belot, Gordon},
  date = {2011}
  }

• B. Bemman and D. Meredith, “Generating new musical works in the style of milton babbitt.”
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  @Article{ bemman_generating_2018,
  title = {Generating New Musical Works in the Style of Milton
  Babbitt},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00451},
  author  = {Bemman, Brian and Meredith, David},
  date = {2018-04-01}
  }

• B. Boretz and B. Morris, “Editors’ notearticle: ben boretz and bob morris discuss ian quinn’s “general equal-tempered harmony”.”
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  @Article{ boretz_editors_2006,
  title = {Editors' Notearticle: Ben Boretz and Bob Morris Discuss
  Ian Quinn's "General Equal-Tempered Harmony"},
  author  = {Boretz, Ben and Morris, Bob},
  date = {2006}
  }

• B. F. Laposky, “ELECTRONIC ABSTRACTIONS.”
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  @Article{ laposky_electronic_nodate,
  title = {{ELECTRONIC} {ABSTRACTIONS}},
  author  = {Laposky, Ben F}
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• B. Watson, “Frank zappa as dadaist: recording technology and the power to repeat.”
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  @Article{ watson_frank_1996,
  title = {Frank Zappa as dadaist: recording technology and the power
  to repeat},
  issn = {0749-4467},
  doi = {10.1080/07494469600640401},
  author  = {Watson, Ben},
  date = {1996-01-01}
  }

• M. Spariosu, “Hutchinson modernism and style.”
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  @Article{ spariosu_hutchinson_2015,
  title = {Hutchinson Modernism and Style},
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  author  = {Spariosu, Mihai},
  date = {2015}
  }

• B. E. Jacob, Y. Aharonov, and Y. Shapira, “Bacteria harnessing complexity.”
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  @Article{ jacob_bacteria_2004,
  title = {Bacteria harnessing complexity},
  issn = {1479-0505, 1479-0513},
  doi = {10.1017/S1479050505001596},
  author  = {Jacob, E. Ben and Aharonov, Y. and Shapira, Y.},
  date = {2004-10}
  }

• E. B. Jacob, I. Becker, Y. Shapira, and H. Levine, “Bacterial linguistic communication and social intelligence.”
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  @Article{ jacob_bacterial_2004,
  title = {Bacterial linguistic communication and social
  intelligence},
  issn = {0966842X},
  doi = {10.1016/j.tim.2004.06.006},
  author  = {Jacob, Eshel Ben and Becker, Israela and Shapira, Yoash
  and Levine, Herbert},
  date = {2004-08}
  }

• E. Ben-Jacob, “Bacterial self–organization: co–enhancement of complexification and adaptability in a dynamic environment.”
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  @Article{ skar_bacterial_2003,
  title = {Bacterial self–organization: co–enhancement of
  complexification and adaptability in a dynamic
  environment},
  issn = {1364-503X, 1471-2962},
  doi = {10.1098/rsta.2003.1199},
  author  = {Ben-Jacob, Eshel},
  date = {2003-06-15}
  }

• R. {DiNitto}, “The revolution will not be televised: protest music after fukushima. noriko manabe. oxford university press: 2015, 464 pp.: article REVIEWS.”
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  @Article{ dinitto_revolution_2017,
  title = {The revolution will not be televised: Protest music after
  Fukushima. Noriko Manabe. Oxford University Press: 2015,
  464 pp.: {article} {REVIEWS}},
  issn = {15242226},
  doi = {10.1111/jpms.12226},
  author  = {{DiNitto}, Rachel},
  date = {2017-09}
  }

• F. Benadon, “An interview with martin matalon.”
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  @Article{ benadon_interview_2005,
  title = {An Interview with Martin Matalon},
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  doi = {10.1162/0148926054094387},
  author  = {Benadon, Fernando},
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  }

• E. Benetos and S. Dixon, “A shift-invariant latent variable model for automatic music transcription.”
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  @Article{ benetos_shift-invariant_2012,
  title = {A Shift-Invariant Latent Variable Model for Automatic
  Music Transcription},
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  doi = {10.1162/COMJ_a_00146},
  author  = {Benetos, Emmanouil and Dixon, Simon},
  date = {2012-12}
  }

• E. Benetos, S. Dixon, D. Giannoulis, H. Kirchhoff, and A. Klapuri, “Automatic music transcription: challenges and future directions.”
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  @Article{ benetos_automatic_2013,
  title = {Automatic music transcription: challenges and future
  directions},
  issn = {0925-9902, 1573-7675},
  doi = {10.1007/s10844-013-0258-3},
  author  = {Benetos, Emmanouil and Dixon, Simon and Giannoulis,
  Dimitrios and Kirchhoff, Holger and Klapuri, Anssi},
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  }

• Y. Bengio, A. Courville, and P. Vincent, “Representation learning: a review and new perspectives.”
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  @Article{ bengio_representation_2014,
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  }

• W. Benjamin, “Reflections on the works of nikolai leskov.”
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  @Article{ benjamin_reections_nodate,
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  }

• G. Bennett, “Chaos, self-similarity, musical phrase and form.”
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  @Article{ bennett_chaos_nodate,
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  author  = {Bennett, Gerald}
  }

• D. Bennett, A. Roudaut, and P. Bennett, “Neurythmic: a rhythm creation tool based on central pattern generators.”
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  @Article{ bennett_neurythmic_nodate,
  title = {Neurythmic: A Rhythm Creation Tool Based on Central
  Pattern Generators},
  author  = {Bennett, Dan and Roudaut, Anne and Bennett, Peter}
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• G. Bennett, “Simplicity and complexity in electroacoustic music.”
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  @Article{ bennett_simplicity_nodate,
  title = {Simplicity and Complexity in Electroacoustic Music},
  author  = {Bennett, Gerald}
  }

• J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith, “From the physics of piano strings to digital waveguides.”
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  @Article{ bensa_physics_nodate,
  title = {From the Physics of Piano Strings to Digital Waveguides},
  author  = {Bensa, Julien and Bilbao, Stefan and Kronland-Martinet,
  Richard and Smith, Julius O}
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• S. Béranger, “REFLEXIONS PARTISANES SUR l’USAGE DU « LIVE-ELECTRONIC » DANS NOS MUSIQUES SAVANTES.”
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  @Article{ beranger_reflexions_2009,
  title = {{REFLEXIONS} {PARTISANES} {SUR} L’{USAGE} {DU} «
  {LIVE}-{ELECTRONIC} » {DANS} {NOS} {MUSIQUES} {SAVANTES}},
  author  = {Béranger, Sébastien},
  date = {2009}
  }

• I. Berenstein, M. Dolnik, L. Yang, A. M. Zhabotinsky, and I. R. Epstein, “Turing pattern formation in a two-layer system: superposition and superlattice patterns.”
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  @Article{ berenstein_turing_2004,
  title = {Turing pattern formation in a two-layer system:
  Superposition and superlattice patterns},
  issn = {1539-3755, 1550-2376},
  doi = {10.1103/PhysRevE.70.046219},
  author  = {Berenstein, Igal and Dolnik, Milos and Yang, Lingfa and
  Zhabotinsky, Anatol M. and Epstein, Irving R.},
  date = {2004-10-28}
  }

• A. Berenzweig, B. Logan, D. P. W. Ellis, and B. Whitman, “A large-scale evaluation of acoustic and subjective music-similarity measures.”
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  @Article{ berenzweig_large-scale_2004,
  title = {A Large-Scale Evaluation of Acoustic and Subjective
  Music-Similarity Measures},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892604323112257},
  author  = {Berenzweig, Adam and Logan, Beth and Ellis, Daniel P.W.
  and Whitman, Brian},
  date = {2004-06}
  }

• A. Berg, “Why is scho¨nberg’s music so difficult to understand?.”
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  title = {Why Is Scho¨nberg’s Music So Difficult To
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  author  = {Berg, Alban}
  }

• H. van de Velde, “The death and life of the total work of art.”
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  title = {The Death and Life of The Total Work of Art},
  author  = {van de Velde, Henry}
  }

• L. S. Berger, “Human development, language, and the future of mankind: the madness of culture.”
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  @Article{ berger_human_2014,
  title = {Human development, language, and the future of mankind:
  the madness of culture},
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  author  = {Berger, Louis S.},
  date = {2014}
  }

• A. M. B. Berger, “Medieval music and the art of memory.”
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  @Article{ berger_medieval_2005,
  title = {Medieval music and the art of memory},
  isbn = {978-0-520-24028-5},
  author  = {Berger, Anna Maria Busse},
  date = {2005}
  }

• M. Berghaus, “Some ideas for three-dimensional musical scores.”
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  title = {Some Ideas for Three-Dimensional Musical Scores},
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  date = {2011}
  }

• D. Berio and F. F. Leymarie, “Computational models for the analysis and synarticle of graffiti tag strokes.”
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  title = {Computational Models for the Analysis and Synarticle of
  Graffiti Tag Strokes},
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  }

• R. Berman, “Solzhenitsyn at harvard.”
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  title = {Solzhenitsyn At Harvard},
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  }

• J. W. Bernard, “I see smoke, but where’s the fire?.”
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  title = {I See Smoke, but Where's the Fire?},
  author  = {Bernard, Jonathan W.},
  date = {2001}
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• N. Bernardini, “Semiotics and computer music composition.pdf.”
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• N. Bernardini, “Should musical instruments be dreams?.”
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  title = {Should Musical Instruments Be Dreams?},
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  doi = {10.2307/3681078},
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  date = {1991}
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• F. Bernardini, J. Mittleman, H. Rushmeier, C. Silva, and G. Taubin, “The ball-pivoting algorithm for surface reconstruction.”
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  title = {The ball-pivoting algorithm for surface reconstruction},
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  doi = {10.1109/2945.817351},
  author  = {Bernardini, F. and Mittleman, J. and Rushmeier, H. and
  Silva, C. and Taubin, G.},
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  }

• A. Dekker, “Speculative scenarios, or what will happen to digital art in the (near) future?.”
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  author  = {Dekker, Annet}
  }

• T. Berners-Lee, “Information management: a proposal.”
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  title = {Information Management: A Proposal},
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  }

• N. Bernier, “Five object­based sound compositions.”
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  title = {Five Object­based Sound Compositions},
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  }

• D. W. Bernstein, “Techniques of appropriation in music of john cage.”
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  @Article{ bernstein_techniques_2001,
  title = {Techniques of appropriation in music of John Cage},
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  doi = {10.1080/07494460100640301},
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  }

• M. Berry, “Geometry of phase and polarization singularities, illustrated by edge diffraction and the tides.”
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  title = {Geometry of phase and polarization singularities,
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  }

• W. Berry, “Structural functions in music.”
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  date = {1987}
  }

• S. Berryman, “THE MECHANICAL HYPOarticle IN ANCIENT GREEK NATURAL PHILOSOPHY.”
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  @Article{ berryman_mechanical_nodate,
  title = {{THE} {MECHANICAL} {HYPOarticle} {IN} {ANCIENT} {GREEK}
  {NATURAL} {PHILOSOPHY}},
  author  = {Berryman, Sylvia}
  }

• S. Bertet, J. Daniel, E. Parizet, and O. Warusfel, “Influence of microphone and loudspeaker setup on perceived higher order ambisonics reproduced sound field.”
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  Higher Order Ambisonics Reproduced Sound Field},
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  Etienne and Warusfel, Olivier},
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• S. Bertet, J. Daniel, E. Parizet, and O. Warusfel, “Investigation on localisation accuracy for first and higher order ambisonics reproduced sound sources.”
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  Higher Order Ambisonics Reproduced Sound Sources},
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  Etienne and Warusfel, Olivier},
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  }

• F. Berto, “There’s something about gödel: the complete guide to the incompleteness theorem.”
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  isbn = {978-1-4051-9766-3 978-1-4051-9767-0},
  author  = {Berto, Francesco},
  date = {2009}
  }

• P. Bertrand, “”le temps, ce sculpteur”.”
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• A. Besnard, “Hip-hop et DJing : une pratique musicale technique dans « l’arène sociale ».”
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  « l’arène sociale »},
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  doi = {10.4000/volume.1970},
  author  = {Besnard, Alexandra},
  date = {2004-10-15}
  }

• E. Pound, “The concrete poetry movement attributes its radical experimentalism in language to the influence of mallarmé’s work, and although this influence has been perennially heralded, intriguing aspects of it have thus far been left unexamined. chief among these is the pre-.”
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  @Article{ pound_concrete_nodate,
  title = {The concrete poetry movement attributes its radical
  experimentalism in language to the influence of
  Mallarmé’s work, and although this influence has been
  perennially heralded, intriguing aspects of it have thus
  far been left unexamined. Chief among these is the pre-},
  author  = {Pound, Ezra}
  }

• D. Bessell, “Dynamic convolution modeling, a hybrid synarticle strategy.”
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  title = {Dynamic Convolution Modeling, a Hybrid Synarticle
  Strategy},
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  doi = {10.1162/COMJ_a_00159},
  author  = {Bessell, David},
  date = {2013-03}
  }

• D. Bessell, “Formant synarticle, granular synarticle, and waveshaping in “halo, bells and voices”, bessell.”
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  in "Halo, Bells and Voices", Bessell},
  author  = {Bessell, David},
  date = {2007}
  }

• C. Betrisey, J. F. Blinn, B. Dresevic, B. Hill, G. Hitchcock, B. Keely, D. P. Mitchell, J. C. Platt, and T. Whitted, “20.4: displaced filtering for patterned displays.”
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  @Article{ betrisey_204_2000,
  title = {20.4: Displaced Filtering for Patterned Displays},
  issn = {0097-966X, 2168-0159},
  doi = {10.1889/1.1832941},
  author  = {Betrisey, Claude and Blinn, James F. and Dresevic, Bodin
  and Hill, Bill and Hitchcock, Greg and Keely, Bert and
  Mitchell, Don P. and Platt, John C. and Whitted, Turner},
  date = {2000-05}
  }

• R. Bevan, “The destruction of memory.”
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  }

• P. Beyls, “The musical universe of cellular automata.”
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  }

• “Modeling the perception of tonal structure with neural nets.”
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• R. Bhatt, “Christopher alexander’s pattern language: an alternative exploration of space-making practices.”
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• C. Bhattacharya and R. W. Hall, “Geometrical representations of north indian t. ha¯.ts and ra¯gs.”
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• B. Bhushan, “Biomimetics: lessons from nature–an overview.”
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  doi = {10.1098/rsta.2009.0011},
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  date = {2009-04-28}
  }

• “Springer handarticle of nanotechnology.”
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  date = {2004}
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• R. Bidlack, “Chaotic systems as simple (but complex) compositional algorithms.”
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  Algorithms},
  issn = {01489267},
  doi = {10.2307/3680849},
  author  = {Bidlack, Rick},
  date = {1992}
  }

• E. Bigan and P. Plateau, “On the relation between chemical oscillations and self-replication.”
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  Self-Replication},
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  doi = {10.1162/ARTL_a_00241},
  author  = {Bigan, Erwan and Plateau, Pierre},
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• L. Bigo, D. Ghisi, A. Spicher, and M. Andreatta, “Representation of musical structures and processes in simplicial chord spaces.”
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  title = {Representation of Musical Structures and Processes in
  Simplicial Chord Spaces},
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  doi = {10.1162/COMJ_a_00312},
  author  = {Bigo, Louis and Ghisi, Daniele and Spicher, Antoine and
  Andreatta, Moreno},
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  }

• L. Bigo and A. Spicher, “Self-assembly of musical representations in MGS.”
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• L. Bigo, A. Spicher, and O. Michel, “Spatial programming for music representation and analysis.”
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  @Article{ bigo_spatial_2010,
  title = {Spatial Programming for Music Representation and
  Analysis},
  isbn = {978-1-4244-8684-7},
  doi = {10.1109/SASOW.2010.22},
  author  = {Bigo, Louis and Spicher, Antoine and Michel, Olivier},
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  }

• S. Bilbao, B. Hamilton, J. Botts, and L. Savioja, “Finite volume time domain room acoustics simulation under general impedance boundary conditions.”
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  General Impedance Boundary Conditions},
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  doi = {10.1109/TASLP.2015.2500018},
  author  = {Bilbao, Stefan and Hamilton, Brian and Botts, Jonathan and
  Savioja, Lauri},
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  }

• S. Bilbao, “Numerical sound synarticle: finite difference schemes and simulation in musical acoustics.”
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  Simulation in Musical Acoustics},
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  author  = {Bilbao, Stefan},
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  }

• M. Billeter, E. Sintorn, and U. Assarsson, “Real time volumetric shadows using polygonal light volumes.”
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• E. Binda, “Techno-esthétiques ou philosophies de l’interaction : les réflexions de gilbert simondon et john dewey.”
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• K. G. Binmore, “Game theory : a very short introduction.”
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• J. Bischoff, R. Gold, and J. Horton, “Music for an interactive network of microcomputers.”
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• C. M. Bishop, “Pattern recognition and machine learning.”
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• D. D. Bisig, “Early investigations into musical applications of time- delayed recurrent networks.”
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• D. Bisig and P. Kocher, “Musical approaches for working with time-delayed feedback networks.”
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• D. Bisig, “Watchers — an installative representation of a generative system.”
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• M. Bitbol, “Physique quantique et cognition.”
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• D. Bithell, “Image, engagement, technological resource: an interview with roger reynolds.”
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• E. Bjorklund, “The theory of rep-rate pattern generation in the SNS timing system.”
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• F. Black and M. Scholes, “The pricing of options and corporate liabilities.”
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• P. Blackburn, “Harry partch and the philosopher’s tone.”
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• T. Blackwell and M. Young, “Self-organised music.”
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• “Singularities in geometry and topology: strasbourg 2009.”
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• A. S. Blinder, “After the music stopped the financial crisis, the response, and the work ahead.”
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• G. Bloch, “Vuza canons into the museum.”
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• P. Block and J. Ochsendorf, “THRUST NETWORK ANALYSIS: a NEW METHODOLOGY FOR THREE-DIMENSIONAL EQUILIBRIUM.”
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  title = {{THRUST} {NETWORK} {ANALYSIS}: A {NEW} {METHODOLOGY} {FOR}
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• A. Bobenko, T. Hoffmann, and B. Springborn, “Minimal surfaces from circle patterns: geometry from combinatorics.”
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• J. Nelson, “State of computer music.”
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  @Article{ nelson_state_1996,
  title = {State of Computer Music},
  issn = {01489267},
  doi = {10.2307/3680810},
  author  = {Nelson, James},
  date = {1996}
  }

• A. Bohn, W. Throwe, F. Hébert, K. Henriksson, D. Bunandar, N. W. Taylor, and M. A. Scheel, “What does a binary black hole merger look like?.”
  [Bibtex]

  @Article{ bohn_what_2015,
  title = {What does a binary black hole merger look like?},
  issn = {0264-9381, 1361-6382},
  doi = {10.1088/0264-9381/32/6/065002},
  author  = {Bohn, Andy and Throwe, William and Hébert, François and
  Henriksson, Katherine and Bunandar, Darius and Taylor,
  Nicholas W. and Scheel, Mark A.},
  date = {2015-03-19}
  }

• N. Bohr, “On the constitution of atoms and molecules.”
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  @Article{ bohr_constitution_nodate,
  title = {On the Constitution of Atoms and Molecules},
  author  = {Bohr, N}
  }

• J. Boivin, “Le traité de rythme, de couleur, et d’ornithologie d’olivier messiaen (tomes i, II, III et IV).”
  [Bibtex]

  @Article{ boivin_traite_2010,
  title = {Le Traité de rythme, de couleur, et d’ornithologie
  d’Olivier Messiaen (tomes I, {II}, {III} et {IV})},
  issn = {1488-9692, 1183-1693},
  doi = {10.7202/902214ar},
  author  = {Boivin, Jean},
  date = {2010-03-05}
  }

• S. Bokesoy and J. B. Thiebaut, “An approach to visualization of complex event data for generating sonic structures.”
  [Bibtex]

  @Article{ bokesoy_approach_nodate,
  title = {An approach to visualization of complex event data for
  generating sonic structures},
  author  = {Bokesoy, Sinan and Thiebaut, Jean Baptiste}
  }

• T. Bolognesi, “Automatic composition: experiments with self-similar music.”
  [Bibtex]

  @Article{ bolognesi_automatic_1983,
  title = {Automatic Composition: Experiments with Self-Similar
  Music},
  issn = {01489267},
  doi = {10.2307/3679916},
  author  = {Bolognesi, Tommaso},
  date = {1983}
  }

• A. Bonardi and J. Barthélemy, “Le patch comme document numérique : support de création et de constitution de connaissances pour les arts de la performance.”
  [Bibtex]

  @Article{ bonardi_patch_2015,
  title = {Le patch comme document numérique : Support de création
  et de constitution de connaissances pour les arts de la
  performance},
  author  = {Bonardi, Alain and Barthélemy, Jérôme},
  date = {2015}
  }

• A. Bond, “A guide to the harpsichord.”
  [Bibtex]

  @Article{ bond_guide_1997,
  title = {A guide to the harpsichord},
  isbn = {978-1-57467-027-1},
  author  = {Bond, Ann},
  date = {1997}
  }

• D. Bond, “THE HARMONIC MATRIX: EXPLORING THE GEOMETRY OF PITCH.”
  [Bibtex]

  @Article{ bond_harmonic_2011,
  title = {{THE} {HARMONIC} {MATRIX}: {EXPLORING} {THE} {GEOMETRY}
  {OF} {PITCH}},
  author  = {Bond, Daryn},
  date = {2011}
  }

• B. Bongers and Sensorband, “An interview with sensorband.”
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  @Article{ bongers_interview_1998,
  title = {An Interview with Sensorband},
  issn = {01489267},
  doi = {10.2307/3681041},
  author  = {Bongers, Bert and {Sensorband}},
  date = {1998}
  }

• B. Bonin, “Le nucléaire expliqué par des physiciens.”
  [Bibtex]

  @Article{ bonin_nucleaire_2020,
  title = {Le nucléaire expliqué par des physiciens},
  isbn = {978-2-7598-0938-7},
  author  = {Bonin, Bernard},
  date = {2020-11-04},
  doi = {10.1051/978-2-7598-0938-7}
  }

• M. Bonniol, “Sonic youth, du style au geste ou la prétention esthétique d’un groupe de rock.”
  [Bibtex]

  @Article{ bonniol_sonic_2002,
  title = {Sonic Youth, du style au geste ou la prétention
  esthétique d’un groupe de rock},
  issn = {2117-4148, 1950-568X},
  doi = {10.4000/volume.2509},
  author  = {Bonniol, Marie-Pierre},
  date = {2002-05-15}
  }

• V. Bontems, “Du mode d’inexistence des mathématiques: l’ontologie du virtuel chez simondon.”
  [Bibtex]

  @Article{ bontems_du_2015,
  title = {Du mode d’inexistence des mathématiques: L’ontologie
  du virtuel chez Simondon},
  issn = {2101-0714},
  doi = {10.4000/appareil.2235},
  author  = {Bontems, Vincent},
  date = {2015-12-31}
  }

• J. P. Boon, “Complexity, time and music.”
  [Bibtex]

  @Article{ boon_complexity_2009,
  title = {Complexity, time and music},
  author  = {Boon, Jean Pierre},
  date = {2009-03-20}
  }

• D. D. Boos and L. A. Stefanski, “Essential statistical inference.”
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  @Article{ boos_essential_2013,
  title = {Essential Statistical Inference},
  isbn = {978-1-4614-4817-4 978-1-4614-4818-1},
  author  = {Boos, Dennis D and Stefanski, L. A},
  date = {2013},
  doi = {10.1007/978-1-4614-4818-1}
  }

• J. Borders, “Form and the concept album: aspects of modernism in frank zappa’s early releases.”
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  @Article{ borders_form_2001,
  title = {Form and the Concept Album: Aspects of Modernism in Frank
  Zappa's Early Releases},
  author  = {Borders, James},
  date = {2001}
  }

• J. -P. Borel and C. Reutenauer, “Palindromic factors of billiard words.”
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  @Article{ borel_palindromic_2005,
  title = {Palindromic factors of billiard words},
  issn = {03043975},
  doi = {10.1016/j.tcs.2005.03.036},
  author  = {Borel, J.-P. and Reutenauer, C.},
  date = {2005-06}
  }

• Benjamin Boretz, “Jim randall: an autobiography.”
  [Bibtex]

  @Article{ benjamin_boretz_jim_2014,
  title = {Jim Randall: An Autobiography},
  issn = {00316016},
  doi = {10.7757/persnewmusi.52.2.0009},
  author  = {{Benjamin Boretz}},
  date = {2014}
  }

• Benjamin Boretz, “Milton babbitt and the american mainstream.”
  [Bibtex]

  @Article{ benjamin_boretz_milton_2012,
  title = {Milton Babbitt and the American Mainstream},
  issn = {00316016},
  doi = {10.7757/persnewmusi.49.2s.0357},
  author  = {{Benjamin Boretz}},
  date = {2012}
  }

• B. Boretz, “Music as anti-theatre: a text about some writings by john rahn.”
  [Bibtex]

  @Article{ boretz_music_2001,
  title = {Music as Anti-Theatre: A Text about Some Writings by John
  Rahn},
  author  = {Boretz, Benjamin},
  date = {2001}
  }

• Benjamin Boretz, Dora Hanninen, Joshua Mailman, and Wayne Slawson, “Robert morris at 70.”
  [Bibtex]

  @Article{ benjamin_boretz_robert_2014,
  title = {Robert Morris at 70},
  issn = {00316016},
  doi = {10.7757/persnewmusi.52.2.0014},
  author  = {{Benjamin Boretz} and {Dora Hanninen} and {Joshua Mailman}
  and {Wayne Slawson}},
  date = {2014}
  }

• B. Boretz, “What did milton mean by his music?.”
  [Bibtex]

  @Article{ boretz_what_2012,
  title = {What did Milton Mean By His Music?},
  author  = {Boretz, Benjamin},
  date = {2012}
  }

• B. Boretz, “”where have we met before?” for a 90th birthday celebration of milton babbitt.”
  [Bibtex]

  @Article{ boretz_where_2006,
  title = {"Where Have We Met before?" for a 90th Birthday
  Celebration of Milton Babbitt},
  author  = {Boretz, Benjamin},
  date = {2006}
  }

• J. Pasler, “Boretzian discourse and history.”
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  @Article{ pasler_boretzian_2006,
  title = {Boretzian Discourse and History},
  author  = {Pasler, Jann},
  date = {2006}
  }

• J. L. Borges and A. Hurley, “Collected fictions.”
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  @Article{ borges_collected_nodate,
  title = {Collected Fictions},
  author  = {Borges, Jorge Luis and Hurley, Andrew}
  }

• A. Borgonovo and G. Haus, “Sound synarticle by means of two-variable functions: experimental criteria and results.”
  [Bibtex]

  @Article{ borgonovo_sound_1986,
  title = {Sound Synarticle by Means of Two-Variable Functions:
  Experimental Criteria and Results},
  issn = {01489267},
  doi = {10.2307/3680260},
  author  = {Borgonovo, Aldo and Haus, Goffredo},
  date = {1986}
  }

• G. Borin, G. D. Poli, and A. Sarti, “Algorithms and structures for synarticle using physical models.”
  [Bibtex]

  @Article{ borin_algorithms_1992,
  title = {Algorithms and Structures for Synarticle Using Physical
  Models},
  issn = {01489267},
  doi = {10.2307/3680467},
  author  = {Borin, Gianpaolo and Poli, Giovanni De and Sarti,
  Augusto},
  date = {1992}
  }

• N. Bostrom, “Quantity of experience: brain-duplication and degrees of consciousness.”
  [Bibtex]

  @Article{ bostrom_quantity_2006,
  title = {Quantity of experience: brain-duplication and degrees of
  consciousness},
  issn = {0924-6495, 1572-8641},
  doi = {10.1007/s11023-006-9036-0},
  author  = {Bostrom, Nick},
  date = {2006-10-18}
  }

• N. Bostrom, “Superintelligence: paths, dangers, strategies.”
  [Bibtex]

  @Article{ bostrom_superintelligence_2014,
  title = {Superintelligence: paths, dangers, strategies},
  isbn = {978-0-19-967811-2},
  author  = {Bostrom, Nick},
  date = {2014}
  }

• N. Bostrom and The Harvard Review of Philosophy, “The mysteries of self-locating belief and anthropic reasoning:.”
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  @Article{ bostrom_mysteries_2003,
  title = {The Mysteries of Self-Locating Belief and Anthropic
  Reasoning:},
  issn = {1062-6239},
  doi = {10.5840/harvardreview20031114},
  author  = {Bostrom, Nick and {The Harvard Review of Philosophy}},
  date = {2003}
  }

• N. Bostrom, A. Sandberg, and T. Douglas, “The unilateralist’s curse: the case for a principle of conformity.”
  [Bibtex]

  @Article{ bostrom_unilateralists_nodate,
  title = {The Unilateralist’s Curse: The Case for a Principle of
  Conformity},
  author  = {Bostrom, Nick and Sandberg, Anders and Douglas, Tom}
  }

• N. Bostrom, “What is a singleton?.”
  [Bibtex]

  @Article{ bostrom_what_2005,
  title = {What is a Singleton?},
  author  = {Bostrom, Nick},
  date = {2005}
  }

• P. Boudon, “Sur l’espace architectural: essai d’épistémologie de l’architecture.”
  [Bibtex]

  @Article{ boudon_sur_2003,
  title = {Sur l'espace architectural: essai d'épistémologie de
  l'architecture},
  isbn = {978-2-86364-621-2},
  author  = {Boudon, Philippe},
  date = {2003}
  }

• R. Boulanger, R. Reynolds, J. Yuasa, and C. Wuorinen, “Interview with roger reynolds, joji yuasa, and charles wuorinen.”
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  @Article{ boulanger_interview_1984,
  title = {Interview with Roger Reynolds, Joji Yuasa, and Charles
  Wuorinen},
  issn = {01489267},
  doi = {10.2307/3679776},
  author  = {Boulanger, Richard and Reynolds, Roger and Yuasa, Joji and
  Wuorinen, Charles},
  date = {1984}
  }

• “The csound article: perspectives in software synarticle, sound design, signal processing, and programming.”
  [Bibtex]

  @Article{ boulanger_csound_2000,
  title = {The Csound article: perspectives in software synarticle,
  sound design, signal processing, and programming},
  isbn = {978-0-262-52261-8},
  date = {2000}
  }

• D. Bountouridis, D. Brown, F. Wiering, and R. Veltkamp, “Melodic similarity and applications using biologically-inspired techniques.”
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  @Article{ bountouridis_melodic_2017,
  title = {Melodic Similarity and Applications Using
  Biologically-Inspired Techniques},
  issn = {2076-3417},
  doi = {10.3390/app7121242},
  author  = {Bountouridis, Dimitrios and Brown, Daniel and Wiering,
  Frans and Veltkamp, Remco},
  date = {2017-12-01}
  }

• P. Bourdieu, “L’opinion publique n’existe pas.”
  [Bibtex]

  @Article{ bourdieu_opinion_nodate,
  title = {L'opinion publique n'existe pas},
  author  = {Bourdieu, Pierre}
  }

• P. Bourdieu, “Critique sociale du jugement.”
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  @Article{ bourdieu_critique_nodate,
  title = {Critique sociale du jugement},
  author  = {Bourdieu, Pierre}
  }

• P. Bourdieu, “Social space and symbolic power.”
  [Bibtex]

  @Article{ bourdieu_social_1989,
  title = {Social Space and Symbolic Power},
  issn = {07352751},
  doi = {10.2307/202060},
  author  = {Bourdieu, Pierre},
  date = {1989}
  }

• P. Bourdieu, S. Emanuel, and P. Bourdieu, “The rules of art: genesis and structure of the literary field.”
  [Bibtex]

  @Article{ bourdieu_rules_1996,
  title = {The rules of art: genesis and structure of the literary
  field},
  isbn = {978-0-8047-2568-2 978-0-8047-2627-6},
  author  = {Bourdieu, Pierre and Emanuel, Susan and Bourdieu, Pierre},
  date = {1996}
  }

• M. Bourreau, M. Gensollen, and F. Moreau, “Musique enregistrée et numérique : quels scénarios d’évolution de la filière ?.”
  [Bibtex]

  @Article{ bourreau_musique_2007,
  title = {Musique enregistrée et numérique : quels scénarios
  d'évolution de la filière ?},
  issn = {1959-6944, 2118-4631},
  doi = {10.3917/culp.071.0001},
  author  = {Bourreau, Marc and Gensollen, Michel and Moreau,
  François},
  date = {2007}
  }

• G. Boutard and C. Guastavino, “Following gesture following: grounding the documentation of a multi-agent music creation process.”
  [Bibtex]

  @Article{ boutard_following_2012,
  title = {Following Gesture Following: Grounding the Documentation
  of a Multi-Agent Music Creation Process},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00147},
  author  = {Boutard, Guillaume and Guastavino, Catherine},
  date = {2012-12}
  }

• E. Boutouyrie, “Goa aux portes des métropoles. communautés transnationales et musique techno.”
  [Bibtex]

  @Article{ boutouyrie_goa_2008,
  title = {Goa aux portes des métropoles. Communautés
  transnationales et musique techno},
  issn = {2117-4148, 1950-568X},
  doi = {10.4000/volume.284},
  author  = {Boutouyrie, Eric},
  date = {2008-10-15}
  }

• F. L. Bouwer, A. J. Burgoyne, D. Odijk, H. Honing, and J. A. Grahn, “What makes a rhythm complex? the influence of musical training and accent type on beat perception.”
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  @Article{ bouwer_what_2018,
  title = {What makes a rhythm complex? The influence of musical
  training and accent type on beat perception},
  issn = {1932-6203},
  doi = {10.1371/journal.pone.0190322},
  author  = {Bouwer, Fleur L. and Burgoyne, J. Ashley and Odijk, Daan
  and Honing, Henkjan and Grahn, Jessica A.},
  date = {2018-01-10}
  }

• O. Bown and J. {McCormack}, “Creative agency: a clearer goal for artificial life in the arts.”
  [Bibtex]

  @Article{ kampis_creative_2011,
  title = {Creative Agency: A Clearer Goal for Artificial Life in the
  Arts},
  isbn = {978-3-642-21313-7 978-3-642-21314-4},
  author  = {Bown, Oliver and {McCormack}, Jon},
  date = {2011},
  doi = {10.1007/978-3-642-21314-4_32}
  }

• O. Bown, “Ecosystem models for real-time generative music: a methodology and framework.”
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  @Article{ bown_ecosystem_nodate,
  title = {Ecosystem Models for Real-Time Generative Music: A
  Methodology and Framework},
  author  = {Bown, Oliver}
  }

• J. Boxall, “Arduino workshop: a hands-on introduction with 65 projects.”
  [Bibtex]

  @Article{ boxall_arduino_2013,
  title = {Arduino workshop: a hands-on introduction with 65
  projects},
  isbn = {978-1-59327-448-1},
  author  = {Boxall, John},
  date = {2013}
  }

• K. Boyer, “Association française d’action artistique and the school of paris.”
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  @Article{ boyer_association_2001,
  title = {Association Française d'Action Artistique and the School
  of Paris},
  issn = {0023-3609, 1651-2294},
  doi = {10.1080/002336001317128715},
  author  = {Boyer, Kathryn},
  date = {2001-09}
  }

• B. Bozkurt, “A system for tuning instruments using recorded music instead of theory-based frequency presets.”
  [Bibtex]

  @Article{ bozkurt_system_2012,
  title = {A System for Tuning Instruments Using Recorded Music
  Instead of Theory-Based Frequency Presets},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00128},
  author  = {Bozkurt, Barış},
  date = {2012-09}
  }

• J. Braasch, N. Peters, and D. L. Valente, “A loudspeaker-based projection technique for spatial music applications using virtual microphone control.”
  [Bibtex]

  @Article{ braasch_loudspeaker-based_2008,
  title = {A Loudspeaker-Based Projection Technique for Spatial Music
  Applications Using Virtual Microphone Control},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2008.32.3.55},
  author  = {Braasch, Jonas and Peters, Nils and Valente, Daniel L.},
  date = {2008-09}
  }

• J. Bradbury, “Linear predictive coding.”
  [Bibtex]

  @Article{ bradbury_linear_nodate,
  title = {Linear Predictive Coding},
  author  = {Bradbury, Jeremy}
  }

• R. Bradford and R. Dobson, “THE SLIDING PHASE VOCODER.”
  [Bibtex]

  @Article{ bradford_sliding_nodate,
  title = {{THE} {SLIDING} {PHASE} {VOCODER}},
  author  = {Bradford, Russell and Dobson, Richard}
  }

• P. S. Bradley and U. M. Fayyad, “Refining initial points for k-means clustering.”
  [Bibtex]

  @Article{ bradley_refining_nodate,
  title = {Refining Initial Points for K-Means Clustering},
  author  = {Bradley, Paul S and Fayyad, Usama M}
  }

• L. Bradnock, “Life in the shadows: towards a queer artaud.”
  [Bibtex]

  @Article{ bradnock_life_2010,
  title = {Life in the Shadows: Towards a Queer Artaud},
  author  = {Bradnock, Lucy},
  date = {2010}
  }

• M. Brady, “Assemblages for sound work.”
  [Bibtex]

  @Article{ brady_assemblages_nodate,
  title = {Assemblages For Sound Work},
  author  = {Brady, Mark}
  }

• M. C. Brady, “Emergent soundscape composition: reflections on virtuality.”
  [Bibtex]

  @Article{ brady_emergent_nodate,
  title = {Emergent soundscape composition: Reflections on
  virtuality},
  author  = {Brady, Mark Christopher}
  }

• M. Brady and J. Leal, “Wim wenders and peter handke: collaboration, adaption, recomposition.”
  [Bibtex]

  @Article{ brady_wim_2011,
  title = {Wim Wenders and Peter Handke: collaboration, adaption,
  recomposition},
  isbn = {978-90-420-3247-7 978-90-420-3248-4},
  author  = {Brady, Martin and Leal, Joanne},
  date = {2011}
  }

• M. Bramer, “Principles of data mining.”
  [Bibtex]

  @Article{ bramer_principles_2013,
  title = {Principles of Data Mining},
  isbn = {978-1-4471-4883-8 978-1-4471-4884-5},
  author  = {Bramer, Max},
  date = {2013},
  doi = {10.1007/978-1-4471-4884-5}
  }

• S. Brandorff, M. Lindholm, and H. B. Christensen, “A tutorial on design patterns for music notation software.”
  [Bibtex]

  @Article{ brandorff_tutorial_2005,
  title = {A Tutorial on Design Patterns for Music Notation
  Software},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/0148926054798179},
  author  = {Brandorff, Steffen and Lindholm, Morten and Christensen,
  Henrik Bærbak},
  date = {2005-09}
  }

• A. Brannigan, “Stanley milgram’s obedience experiments: a article card 50 years later.”
  [Bibtex]

  @Article{ brannigan_stanley_2013,
  title = {Stanley Milgram’s Obedience Experiments: A article Card
  50 Years Later},
  issn = {0147-2011, 1936-4725},
  doi = {10.1007/s12115-013-9724-3},
  author  = {Brannigan, Augustine},
  date = {2013-12}
  }

• D. Widrig, {. Architects, and S. Ma, “DESIGNERS ET STYLISTE.”
  [Bibtex]

  @Article{ widrig_designers_nodate,
  title = {{DESIGNERS} {ET} {STYLISTE}},
  author  = {Widrig, Daniel and Architects, {TU} and Ma, Steven}
  }

• “Human readable messages: [mezangelle 2003-2011].”
  [Bibtex]

  @Article{ breeze_human_2011,
  title = {Human readable messages: [Mezangelle 2003-2011]},
  isbn = {978-3-9502910-9-4},
  date = {2011}
  }

• C. Breiner, “Minimizing energy.”
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  @Article{ breiner_minimizing_2015,
  title = {Minimizing energy},
  doi = {10.14760/SNAP-2015-002-EN},
  author  = {Breiner, Christine},
  date = {2015}
  }

• “Physical and perceptual aspects of percussive timbre.”
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  @Article{ noauthor_physical_nodate,
  title = {Physical and perceptual aspects of percussive timbre}
  }

• J. Bresson and C. Pe, “NEW FRAMEWORK FOR SCORE SEGMENTATION AND ANALYSIS IN OPENMUSIC.”
  [Bibtex]

  @Article{ bresson_new_nodate,
  title = {{NEW} {FRAMEWORK} {FOR} {SCORE} {SEGMENTATION} {AND}
  {ANALYSIS} {IN} {OPENMUSIC}},
  author  = {Bresson, Jean and Pe, Carlos}
  }

• J. Bresson, C. Agon, and M. Schumacher, “Représentation des données de contrôle pour la spatialisation dans OpenMusic.”
  [Bibtex]

  @Article{ bresson_representation_nodate,
  title = {Représentation des Données de Contrôle pour la
  Spatialisation dans {OpenMusic}},
  author  = {Bresson, Jean and Agon, Carlos and Schumacher, Marlon}
  }

• J. Bresson and C. Agon, “Scores, programs, and time representation: the sheet object in OpenMusic.”
  [Bibtex]

  @Article{ bresson_scores_2008,
  title = {Scores, Programs, and Time Representation: The Sheet
  Object in {OpenMusic}},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2008.32.4.31},
  author  = {Bresson, Jean and Agon, Carlos},
  date = {2008-12}
  }

• J. Bresson, “Spatial structures programming for music.”
  [Bibtex]

  @Article{ bresson_spatial_nodate,
  title = {Spatial Structures Programming for Music},
  author  = {Bresson, Jean}
  }

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  title = {{PIERRE} {SCHAEFFER}'S {OBJETS} {MUSICAUX} {AND} {THEIR}
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  author  = {Brock-Nannestad, George and Elverdam, Beth},
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  celebrating the publication of The Collected Writings of
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  }

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  author  = {Brown, Galen H.},
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  Cognition},
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• N. Brown, “The limits of fabrication.”
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• P. J. Capelotti, “The human archaeology of space: lunar, planetary and interstellar relics of exploration.”
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  date = {2003}
  }

• C. Bader, W. G. Patrick, D. Kolb, S. G. Hays, S. Keating, S. Sharma, D. Dikovsky, B. Belocon, J. C. Weaver, P. A. Silver, and N. Oxman, “Grown, printed, and biologically augmented: an additively manufactured microfluidic wearable, functionally templated for synthetic microbes.”
  [Bibtex]

  @Article{ bader_grown_2016,
  title = {Grown, Printed, and Biologically Augmented: An Additively
  Manufactured Microfluidic Wearable, Functionally Templated
  for Synthetic Microbes},
  issn = {2329-7662, 2329-7670},
  doi = {10.1089/3dp.2016.0027},
  author  = {Bader, Christoph and Patrick, William G. and Kolb, Dominik
  and Hays, Stephanie G. and Keating, Steven and Sharma,
  Sunanda and Dikovsky, Daniel and Belocon, Boris and Weaver,
  James C. and Silver, Pamela A. and Oxman, Neri},
  date = {2016-06}
  }

• “Chua’s circuit: a paradigm for chaos.”
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  @Article{ madan_chuas_1993,
  title = {Chua's circuit: a paradigm for chaos},
  isbn = {978-981-02-1366-4},
  date = {1993}
  }

• C. Chuan and E. Chew, “Generating and evaluating musical harmonizations that emulate style.”
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  @Article{ chuan_generating_2011,
  title = {Generating and Evaluating Musical Harmonizations That
  Emulate Style},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00091},
  author  = {Chuan, Ching‐Hua and Chew, Elaine},
  date = {2011-12}
  }

• R. Scott, “Pulse!, july 1994 © justin green, reproduced by kind permission of the artist..”
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  @Article{ scott_pulse_nodate,
  title = {Pulse!, July 1994 © Justin Green, reproduced by kind
  permission of the artist.},
  author  = {Scott, Raymond}
  }

• M. Cicconet, T. Franco, and P. C. Carvalho, “PLANE TESSELLATION WITH MUSICAL SCALE TILES AND BIDIMENSIONAL AUTOMATIC COMPOSITION.”
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  @Article{ cicconet_plane_nodate,
  title = {{PLANE} {TESSELLATION} {WITH} {MUSICAL} {SCALE} {TILES}
  {AND} {BIDIMENSIONAL} {AUTOMATIC} {COMPOSITION}},
  author  = {Cicconet, Marcelo and Franco, Tertuliano and Carvalho,
  Paulo Cezar}
  }

• R. Cilibrasi, P. Vitányi, and R. D. Wolf, “Algorithmic clustering of music based on string compression.”
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  @Article{ cilibrasi_algorithmic_2004,
  title = {Algorithmic Clustering of Music Based on String
  Compression},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/0148926042728449},
  author  = {Cilibrasi, Rudi and Vitányi, Paul and Wolf, Ronald De},
  date = {2004-12}
  }

• M. M. Cirkovic, “Fermi’s paradox – the last challenge for copernicanism?.”
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  @Article{ cirkovic_fermis_2009,
  title = {Fermi's Paradox - The Last Challenge for Copernicanism?},
  issn = {1450-698X, 1820-9289},
  doi = {10.2298/SAJ0978001C},
  author  = {Cirkovic, Milan M.},
  date = {2009}
  }

• R. Clark, “Mixing, recording, and producing techniques of the pros.”
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  @Article{ clark_mixing_2011,
  title = {Mixing, recording, and producing techniques of the pros},
  isbn = {978-1-59863-840-0},
  author  = {Clark, Rick},
  date = {2011}
  }

• M. Clarke, “Extending contacts: the concept of unity in computer music.”
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  @Article{ clarke_extending_1998,
  title = {Extending Contacts: The Concept of Unity in Computer
  Music},
  issn = {00316016},
  doi = {10.2307/833581},
  author  = {Clarke, Michael},
  date = {1998}
  }

• M. Clarke and X. Rodet, “Real-time FOF and FOG synarticle in MSP and its integration with PSOLA.”
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  @Article{ clarke_real-time_nodate,
  title = {Real-time {FOF} and {FOG} synarticle in {MSP} and its
  integration with {PSOLA}},
  author  = {Clarke, Michael and Rodet, Xavier}
  }

• P. Clarkson and R. Rosenfeld, “Statistical language modeling using the CMU-cambridge toolkit.”
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  @Article{ clarkson_statistical_1997,
  title = {Statistical language modeling using the {CMU}-cambridge
  toolkit},
  doi = {10.21437/Eurospeech.1997-683},
  author  = {Clarkson, Philip and Rosenfeld, Ronald},
  date = {1997-09-22}
  }

• R. Clifford, “Multi-level symmetries in webern’s op. 11, no. 1.”
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  @Article{ clifford_multi-level_2002,
  title = {Multi-Level Symmetries in Webern's Op. 11, No. 1},
  author  = {Clifford, Robert},
  date = {2002}
  }

• D. Cline, “Allover method and holism in morton feldman’s graphs.”
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  @Article{ cline_allover_nodate,
  title = {Allover Method and Holism in Morton Feldman’s Graphs},
  author  = {Cline, David}
  }

• M. E. Clynes, “Altering man’s bodily functions to meet the requirements of extrater- restrial environments would be more logical than providing an earthly environment for him in space . . . artifact-organism systems which would extend man’s unconscious, self-regulatory controls are one possibility.”
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  @Article{ clynes_altering_nodate,
  title = {Altering man’s bodily functions to meet the requirements
  of extrater- restrial environments would be more logical
  than providing an earthly environment for him in space . .
  . Artifact-organism systems which would extend man’s
  unconscious, self-regulatory controls are one possibility},
  author  = {Clynes, Manfred E}
  }

• J. Coddington, J. Elton, D. Rockmore, and Y. Wang, “Multifractal analysis and authentication of jackson pollock paintings.”
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  @Article{ coddington_multifractal_2008,
  title = {Multifractal analysis and authentication of Jackson
  Pollock paintings},
  doi = {10.1117/12.765015},
  author  = {Coddington, Jim and Elton, John and Rockmore, Daniel and
  Wang, Yang},
  date = {2008-02-14}
  }

• P. Codognet, “L’art numérique entre collaboration et résistance.”
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  @Article{ codognet_lart_nodate,
  title = {L’art numérique entre collaboration et résistance},
  author  = {Codognet, Philippe}
  }

• P. Codognet, “Nature artificielle et artifice naturel.”
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  @Article{ codognet_nature_nodate,
  title = {Nature artificielle et artifice naturel},
  author  = {Codognet, Philippe}
  }

• P. Codognet, “The geometry of interaction.”
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  @Article{ codognet_geometry_nodate,
  title = {The Geometry of Interaction},
  author  = {Codognet, Philippe}
  }

• J. Cody and P. Lansky, “An interview with paul lansky.”
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  @Article{ cody_interview_1996,
  title = {An Interview with Paul Lansky},
  issn = {01489267},
  doi = {10.2307/3681266},
  author  = {Cody, Joshua and Lansky, Paul},
  date = {1996}
  }

• G. Raimundo, “Real time facial expression and animation.”
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  @Article{ raimundo_real_nodate,
  title = {Real Time Facial Expression and Animation},
  author  = {Raimundo, Guilherme}
  }

• R. Cogan, “Imaging sonic structure.”
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  @Article{ cogan_imaging_1986,
  title = {Imaging Sonic Structure},
  author  = {Cogan, Robert},
  date = {1986}
  }

• L. Cohen, “The history of noise.”
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  @Article{ cohen_history_2004,
  title = {The history of noise},
  doi = {10.1117/12.547847},
  author  = {Cohen, Leon},
  date = {2004-05-25}
  }

• M. D. Colagrosso and M. C. Mozer, “Theories of access consciousness.”
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  @Article{ colagrosso_theories_2004,
  title = {Theories of Access Consciousness},
  author  = {Colagrosso, Michael D and Mozer, Michael C},
  date = {2004}
  }

• J. Colannino, F. Gómez, and G. T. Toussaint, “Analysis of emergent beat-class sets in steve reich’s “clapping music” and the yoruba bell timeline.”
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  @Article{ colannino_analysis_2009,
  title = {Analysis of Emergent Beat-Class Sets in Steve Reich's
  "Clapping Music" and the Yoruba Bell Timeline},
  author  = {Colannino, Justin and Gómez, Francisco and Toussaint,
  Godfried T.},
  date = {2009}
  }

• N. Collins, “A microtonal tempo canon generator after nancarrow and jaffe.”
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  @Article{ collins_microtonal_2003,
  title = {A Microtonal Tempo Canon Generator After Nancarrow and
  Jaffe},
  author  = {Collins, Nick},
  date = {2003}
  }

• N. Collins and A. {McLean}, “Algorave: live performance of algorithmic electronic dance music.”
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  @Article{ collins_algorave_nodate,
  title = {Algorave: Live Performance of Algorithmic Electronic Dance
  Music},
  author  = {Collins, Nick and {McLean}, Alex}
  }

• N. Collins, “Automatic composition of electroacoustic art music utilizing machine listening.”
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  @Article{ collins_automatic_2012,
  title = {Automatic Composition of Electroacoustic Art Music
  Utilizing Machine Listening},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00135},
  author  = {Collins, Nick},
  date = {2012-09}
  }

• N. Collins, “INTRODUCTION: LMJ 21: beyond notation: communicating music.”
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  @Article{ collins_introduction_2011,
  title = {{INTRODUCTION}: {LMJ} 21: Beyond Notation: Communicating
  Music},
  author  = {Collins, Nicolas},
  date = {2011}
  }

• N. Collins, “Department of informatics, university of sussex n.collins@sussex.ac.uk.”
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  @Article{ collins_department_nodate,
  title = {Department of Informatics, University of Sussex
  N.Collins@sussex.ac.uk},
  author  = {Collins, Nick}
  }

• K. Collins, “Game sound: an introduction to the history, theory, and practice of video game music and sound design.”
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  @Article{ collins_game_2008,
  title = {Game sound: an introduction to the history, theory, and
  practice of video game music and sound design},
  isbn = {978-0-262-03378-7},
  author  = {Collins, Karen},
  date = {2008}
  }

• H. M. Collins, “Gravity’s kiss: the detection of gravitational waves.”
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  @Article{ collins_gravitys_2017,
  title = {Gravity's kiss: the detection of gravitational waves},
  isbn = {978-0-262-03618-4},
  author  = {Collins, H. M.},
  date = {2017}
  }

• N. Collins, “Handmade electronic music: the art of hardware hacking.”
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  @Article{ collins_handmade_2006,
  title = {Handmade electronic music: the art of hardware hacking},
  isbn = {978-0-415-97592-6 978-0-415-97591-9},
  author  = {Collins, Nicolas},
  date = {2006}
  }

• “Introduction: composers inside electronics: music after david tudor.”
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  title = {Introduction: Composers inside Electronics: Music after
  David Tudor}
  }

• N. Collins, “LL: LISTENING AND LEARNING IN AN INTERACTIVE IMPROVISATION SYSTEM.”
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  @Article{ collins_ll_nodate,
  title = {{LL}: {LISTENING} {AND} {LEARNING} {IN} {AN} {INTERACTIVE}
  {IMPROVISATION} {SYSTEM}},
  author  = {Collins, Nick}
  }

• N. Collins, “Introduction: noises off: sound beyond music.”
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  @Article{ collins_introduction_2006,
  title = {Introduction: Noises off: Sound beyond Music},
  author  = {Collins, Nicolas},
  date = {2006}
  }

• N. Collins, “Sound cross-synarticle and morphing using dictionary-based methods.”
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  @Article{ collins_sound_nodate,
  title = {Sound Cross-synarticle and Morphing Using Dictionary-based
  Methods},
  author  = {Collins, Nick}
  }

• N. Collins, “The analysis of generative music programs.”
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  @Article{ collins_analysis_2008,
  title = {The Analysis of Generative Music Programs},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771808000332},
  author  = {Collins, Nick},
  date = {2008-12}
  }

• F. Collopy, “Color, form, and motion: dimensions of a musical art of light.”
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  @Article{ collopy_color_2000,
  title = {Color, Form, and Motion: Dimensions of a Musical Art of
  Light},
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  doi = {10.1162/002409400552829},
  author  = {Collopy, Fred},
  date = {2000-10}
  }

• G. Colmenares, R. Escalante, J. F. Sans, and R. Surós, “Computational modeling of reproducing-piano rolls.”
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  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00040},
  author  = {Colmenares, Gustavo and Escalante, René and Sans, Juan F.
  and Surós, Rina},
  date = {2011-03}
  }

• F. Colombo, S. P. Muscinelli, A. Seeholzer, J. Brea, and W. Gerstner, “Algorithmic composition of melodies with deep recurrent neural networks.”
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  title = {Algorithmic Composition of Melodies with Deep Recurrent
  Neural Networks},
  doi = {10.13140/RG.2.1.2436.5683},
  author  = {Colombo, Florian and Muscinelli, Samuel P. and Seeholzer,
  Alexander and Brea, Johanni and Gerstner, Wulfram},
  date = {2016}
  }

• “Computational creativity research: towards creative machines.”
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  @Article{ besold_computational_2015,
  title = {Computational Creativity Research: Towards Creative
  Machines},
  isbn = {978-94-6239-084-3 978-94-6239-085-0},
  date = {2015},
  doi = {10.2991/978-94-6239-085-0}
  }

• C. Colyer, “CENTRE d’ETUDES DE MA THEMA TIQUE ET AUTOMATIQUE MUSICALES.”
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  @Article{ colyer_centre_nodate,
  title = {{CENTRE} D'{ETUDES} {DE} {MA} {THEMA} {TIQUE} {ET}
  {AUTOMATIQUE} {MUSICALES}},
  author  = {Colyer, Cornelia}
  }

• M. Rigo, “LIRMM – universit´e montpelier II – CNRS UMR 5506 161 rue ada, f-34392 montpellier cedex 5, france.”
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  @Article{ rigo_lirmm_nodate,
  title = {{LIRMM} - Universit´e Montpelier {II} - {CNRS} {UMR} 5506
  161 rue Ada, F-34392 Montpellier Cedex 5, France},
  author  = {Rigo, Michel}
  }

• “Teaching composition as a social process.”
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  @Article{ noauthor_teaching_2014,
  title = {Teaching Composition As a Social Process},
  isbn = {978-0-87421-352-2},
  date = {2014}
  }

• “Directing matter and energy: five challenges for science and the imagination.”
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  @Article{ noauthor_directing_nodate,
  title = {Directing Matter and Energy: Five Challenges for Science
  and the Imagination}
  }

• “Conceptual art: a critical anthology.”
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  @Article{ alberro_conceptual_2000,
  title = {Conceptual art: a critical anthology},
  isbn = {978-0-262-51117-9 978-0-262-01173-0},
  date = {2000}
  }

• D. Conklin and M. Bergeron, “Feature set patterns in music.”
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  @Article{ conklin_feature_2008,
  title = {Feature Set Patterns in Music},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2008.32.1.60},
  author  = {Conklin, Darrell and Bergeron, Mathieu},
  date = {2008-03}
  }

• D. Conklin and R. Ramirez, “Introduction to the special issue on music and machine learning.”
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  @Article{ conklin_introduction_2011,
  title = {Introduction to the Special Issue on Music and Machine
  Learning},
  issn = {0929-8215, 1744-5027},
  doi = {10.1080/09298215.2011.573565},
  author  = {Conklin, Darrell and Ramirez, Rafael},
  date = {2011-06}
  }

• A. Connes, “Motivic rhythms.”
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  author  = {Connes, Alain},
  date = {2020-08-27}
  }

• T. Constanten, “Computer music reflections: a midstream night’s summary.”
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  @Article{ constanten_computer_1984,
  title = {Computer Music Reflections: A Midstream Night's Summary},
  issn = {01489267},
  doi = {10.2307/3679806},
  author  = {Constanten, Tom},
  date = {1984}
  }

• A. Cont, “A survey of machine learning techniques.”
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  @Article{ cont_survey_2008,
  title = {A survey of Machine Learning techniques},
  author  = {Cont, Arshia},
  date = {2008}
  }

• A. Cont, “Antescofo: anticipatory synchronization and control of interactive parameters in computer music.”
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  @Article{ cont_antescofo_2008,
  title = {Antescofo: Anticipatory Synchronization and Control of
  Interactive Parameters in Computer Music},
  author  = {Cont, Arshia},
  date = {2008}
  }

• A. Cont, “Artificial intelligence and music:.”
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  @Article{ cont_articial_nodate,
  title = {Artificial Intelligence and Music:},
  author  = {Cont, Arshia}
  }

• A. Cont, M. Stroppa, and C. Laurenzi, “Chromax, the other side of the spectral delay between signal processing and composition.”
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  @Article{ cont_chromax_2013,
  title = {Chromax, the other side of the spectral delay between
  signal processing and composition},
  author  = {Cont, Arshia and Stroppa, Marco and Laurenzi, Carlo},
  date = {2013}
  }

• A. Cont, “Introduction: musical research at IRCAM.”
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  @Article{ cont_introduction_2013,
  title = {Introduction: Musical Research at {IRCAM}},
  issn = {0749-4467, 1477-2256},
  doi = {10.1080/07494467.2013.774121},
  author  = {Cont, Arshia},
  date = {2013-02}
  }

• A. Cont, “Improvement of observation modeling for score following.”
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  @Article{ cont_improvement_nodate,
  title = {Improvement of Observation Modeling for Score Following},
  author  = {Cont, Arshia}
  }

• A. Cont, “Modeling musical anticipation: from the time of music to the music of time.”
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  @Article{ cont_modeling_nodate,
  title = {Modeling Musical Anticipation: From the time of music to
  the music of time},
  author  = {Cont, Arshia}
  }

• A. Cont, S. Dubnov, and G. Assayag, “On the information geometry of audio streams with applications to similarity computing.”
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  @Article{ cont_information_2011,
  title = {On the Information Geometry of Audio Streams With
  Applications to Similarity Computing},
  issn = {1558-7916, 1558-7924},
  doi = {10.1109/TASL.2010.2066266},
  author  = {Cont, Arshia and Dubnov, Shlomo and Assayag, Gérard},
  date = {2011-05}
  }

• A. Cont, “Realtime multiple-pitch and multiple-instrument recognition for music signals using sparse non-negative constraints.”
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  @Article{ cont_realtime_2007,
  title = {Realtime Multiple-pitch and Multiple-instrument
  Recognition For Music Signals Using Sparse Non-Negative
  Constraints},
  author  = {Cont, Arshia},
  date = {2007}
  }

• A. Cont and A. Gerzso, “The ‘c’ in ircam: coordinating musical research at ircam.”
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  @Article{ cont_c_2010,
  title = {The ‘C’ in Ircam: Coordinating Musical Research at
  Ircam},
  author  = {Cont, Arshia and Gerzso, Andrew},
  date = {2010}
  }

• R. Conte, “La poïétique de paul valéry.”
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  @Article{ conte_poietique_1996,
  title = {La poïétique de Paul Valéry},
  author  = {Conte, Richard},
  date = {1996}
  }

• J. K. Randall, “Contrapunktus XI.2 (in memoriam david lewin).”
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  @Article{ randall_contrapunktus_2003,
  title = {Contrapunktus {XI}.2 (In Memoriam David Lewin)},
  author  = {Randall, J. K.},
  date = {2003}
  }

• J. H. Conway and S. Kochen, “The strong free will theorem.”
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  @Article{ halvorson_strong_2011,
  title = {The Strong Free Will Theorem},
  isbn = {978-1-107-00570-9 978-0-511-97697-1},
  author  = {Conway, John H. and Kochen, Simon},
  date = {2011-04-18},
  doi = {10.1017/CBO9780511976971.014}
  }

• J. H. Conway, H. Burgiel, and C. Goodman-Strauss, “The symmetries of things.”
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  @Article{ conway_symmetries_2008,
  title = {The symmetries of things},
  isbn = {978-1-56881-220-5},
  author  = {Conway, John Horton and Burgiel, Heidi and
  Goodman-Strauss, Chaim},
  date = {2008}
  }

• P. R. Cook, “REVERBERATION CANCELLATION IN MUSICAL SIGNALS USING ADAPTIVE FILl.”
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  @Article{ cook_reverberation_nodate,
  title = {{REVERBERATION} {CANCELLATION} {IN} {MUSICAL} {SIGNALS}
  {USING} {ADAPTIVE} {FILl}},
  author  = {Cook, Perry R}
  }

• P. R. Cook, “Singing voice synarticle: history, current work, and future directions.”
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  @Article{ cook_singing_1996,
  title = {Singing Voice Synarticle: History, Current Work, and
  Future Directions},
  issn = {01489267},
  doi = {10.2307/3680822},
  author  = {Cook, Perry R.},
  date = {1996}
  }

• N. Cook, “The schenker project: culture, race, and music theory in fin-de-siècle vienna.”
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  @Article{ cook_schenker_2007,
  title = {The Schenker project: culture, race, and music theory in
  fin-de-siècle Vienna},
  isbn = {978-0-19-517056-6},
  author  = {Cook, Nicholas},
  date = {2007}
  }

• D. Cooper and K. C. Ng, “A monophonic pitch-tracking algorithm based on waveform periodicity determinations using landmark points.”
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  @Article{ cooper_monophonic_1996,
  title = {A Monophonic Pitch-Tracking Algorithm Based on Waveform
  Periodicity Determinations Using Landmark Points},
  issn = {01489267},
  doi = {10.2307/3680825},
  author  = {Cooper, David and Ng, Kia C.},
  date = {1996}
  }

• S. B. Cooper and J. van Leeuwen, “Alan turing: his work and impact.”
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  @Article{ cooper_alan_2013,
  title = {Alan Turing: his work and impact},
  isbn = {978-0-12-386980-7},
  author  = {Cooper, S. B. and Leeuwen, J. van},
  date = {2013}
  }

• D. Cooper and E. Fermi, “Enrico fermi: and the revolutions in modern physics.”
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  @Article{ cooper_enrico_1999,
  title = {Enrico Fermi: and the revolutions in modern physics},
  isbn = {978-0-19-511762-2},
  author  = {Cooper, Dan and Fermi, Enrico},
  date = {1999}
  }

• M. Cooper, J. Foote, E. Pampalk, and G. Tzanetakis, “Visualization in audio-based music information retrieval.”
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  @Article{ cooper_visualization_2006,
  title = {Visualization in Audio-Based Music Information Retrieval},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2006.30.2.42},
  author  = {Cooper, Matthew and Foote, Jonathan and Pampalk, Elias and
  Tzanetakis, George},
  date = {2006-06}
  }

• D. Cope, “A musical learning algorithm.”
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  @Article{ cope_musical_2004,
  title = {A Musical Learning Algorithm},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/0148926041790685},
  author  = {Cope, David},
  date = {2004-09}
  }

• D. Cope, “An expert system for computer-assisted composition.”
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  @Article{ cope_expert_1987,
  title = {An Expert System for Computer-Assisted Composition},
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  doi = {10.2307/3680238},
  author  = {Cope, David},
  date = {1987}
  }

• D. Cope, “Computer analysis and composition using atonal voice-leading techniques.”
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  @Article{ cope_computer_2002,
  title = {Computer Analysis and Composition Using Atonal
  Voice-Leading Techniques},
  author  = {Cope, David},
  date = {2002}
  }

• D. Cope, “Computer modeling of musical intelligence in EMI.”
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  @Article{ cope_computer_1992,
  title = {Computer Modeling of Musical Intelligence in {EMI}},
  issn = {01489267},
  doi = {10.2307/3680717},
  author  = {Cope, David},
  date = {1992}
  }

• I. Rivi, “CONTEMPORARY COMPOSER.”
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  @Article{ rivi_contemporary_nodate,
  title = {{CONTEMPORARY} {COMPOSER}},
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• L. Correia, “Self-organised systems: fundamental properties.”
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  @Article{ correia_self-organised_2006,
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  author  = {Correia, Luís},
  date = {2006}
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• M. Cory and B. Haggh, “Horspiel as music: music as horspiel: the creative dialogue between experimental radio drama and avant-garde music.”
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  @Article{ cory_horspiel_1981,
  title = {Horspiel as Music: Music as Horspiel: The Creative
  Dialogue between Experimental Radio Drama and Avant-Garde
  Music},
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  doi = {10.2307/1429272},
  author  = {Cory, Mark and Haggh, Barbara},
  date = {1981-05}
  }

• Rogério Costa, “Free musical improvisation and the philosophy of gilles deleuze.”
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  @Article{ rogerio_costa_free_2011,
  title = {Free Musical Improvisation and the Philosophy of Gilles
  Deleuze},
  issn = {00316016},
  doi = {10.7757/persnewmusi.49.1.0127},
  author  = {{Rogério Costa}},
  date = {2011}
  }

• P. Couprie, M. Solomos, A. Georgaki, G. Zervos, and S. I. Xenakis, “Une analyse détaillée de bohor (1962).”
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  @Article{ couprie_analyse_2005,
  title = {Une Analyse Détaillée de Bohor (1962)},
  author  = {Couprie, Pierre and Solomos, Makis and Georgaki, Anastasia
  and Zervos, Giorgos and Xenakis, Symposium Iannis},
  date = {2005}
  }

• K. S. Courchene, “A conversation with beatriz ferreyra.”
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  @Article{ courchene_conversation_2001,
  title = {A Conversation with Beatriz Ferreyra},
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  doi = {10.1162/014892601753189501},
  author  = {Courchene, Kim S.},
  date = {2001-09}
  }

• B. R. Tully, H. Courtois, Y. Hoffman, and D. Pomarède, “The laniakea supercluster of galaxies.”
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  @Article{ tully_laniakea_2014,
  title = {The Laniakea supercluster of galaxies},
  issn = {0028-0836, 1476-4687},
  doi = {10.1038/nature13674},
  author  = {Tully, R. Brent and Courtois, Hélène and Hoffman, Yehuda
  and Pomarède, Daniel},
  date = {2014-09}
  }

• “The cosmic octave.”
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  @Article{ noauthor_cosmic_nodate,
  title = {The Cosmic Octave}
  }

• B. C. Coutinho, S. Hong, K. Albrecht, A. Dey, A. Barabási, P. Torrey, M. Vogelsberger, and L. Hernquist, “The network behind the cosmic web.”
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  @Article{ coutinho_network_2016,
  title = {The Network Behind the Cosmic Web},
  author  = {Coutinho, B. C. and Hong, Sungryong and Albrecht, Kim and
  Dey, Arjun and Barabási, Albert-László and Torrey, Paul
  and Vogelsberger, Mark and Hernquist, Lars},
  date = {2016-04-12}
  }

• H. Cowell and D. Nicholls, “New musical resources.”
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  @Article{ cowell_new_1996,
  title = {New musical resources},
  isbn = {978-0-521-49651-3 978-0-521-49974-3},
  author  = {Cowell, Henry and Nicholls, David},
  date = {1996}
  }

• D. Nicholls, “NEW MUSICAL r e s q u r c ‘ES.”
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  @Article{ nicholls_new_nodate,
  title = {{NEW} {MUSICAL} R E S Q U R C '{ES}},
  author  = {Nicholls, David}
  }

• G. Cox, A. {McLean}, and A. Ward, “The aesthetics of generative code.”
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  @Article{ cox_aesthetics_nodate,
  title = {The Aesthetics of Generative Code},
  author  = {Cox, Geoff and {McLean}, Alex and Ward, Adrian}
  }

• D. Cox and M. Cox, “The mathematics of banking and finance.”
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  title = {The Mathematics of Banking and Finance},
  author  = {Cox, Dennis and Cox, Michael}
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  @Article{ kawaguchi_yoichiro_2005,
  title = {Yoichiro Kawaguchi},
  isbn = {978-1-59593-101-6},
  doi = {10.1145/1086057.1086101},
  author  = {Kawaguchi, Yoichiro},
  date = {2005-08}
  }

• A. Cremaschi and F. Giomi, “\textitParrrole : berio’s words on music technology.”
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  @Article{ cremaschi_parrrole_2004,
  title = {\textit{Parrrole} : Berio's Words on Music Technology},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892604322970625},
  author  = {Cremaschi, Andrea and Giomi, Francesco},
  date = {2004-03}
  }

• D. Crimp, “Richard serra: sculpture exceeded.”
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  @Article{ crimp_richard_1981,
  title = {Richard Serra: Sculpture Exceeded},
  issn = {01622870},
  doi = {10.2307/778411},
  author  = {Crimp, Douglas},
  date = {1981}
  }

• C. Critchlow and D. Eck, “Foundations of computation.”
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  }

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  title = {Electronic Music, 1948-1953},
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  doi = {10.2307/832425},
  author  = {Cross, Lowell},
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• D. Crowley and D. Muzyczuk, “Sounding the body electric: experiments in art and music in eastern europe 1957–1984.”
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  @Article{ crowley_sounding_2012,
  title = {Sounding The Body Electric: Experiments in art and music
  in Eastern Europe 1957–1984},
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  date = {2012}
  }

• T. Wilfred, “Sons & lumières – une histoire du son dans l’art du 20e siècle.”
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  @Article{ wilfred_sons_2005,
  title = {Sons \& Lumières - Une histoire du son dans l’art du
  20e siècle},
  author  = {Wilfred, Thomas},
  date = {2005}
  }

• J. P. Crutchfield and K. Young, “Computation at the onset of chaos.”
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  title = {Computation at the Onset of Chaos},
  author  = {Crutchfield, James P and Young, Karl}
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• “Software studies: a lexicon.”
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  title = {Software studies: a lexicon},
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  date = {2008}
  }

• G. Stocker and C. Schöpf, “Simplicity: the art of complexity.”
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  @Article{ stocker_simplicity_2006,
  title = {Simplicity: the art of complexity},
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  author  = {Stocker, Gerfried and Schöpf, Christine},
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  }

• S. Cubitt, “The practice of light: a genealogy of visual technologies from prints to pixels.”
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  title = {The practice of light: a genealogy of visual technologies
  from prints to pixels},
  isbn = {978-0-262-02765-6},
  author  = {Cubitt, Sean},
  date = {2014}
  }

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  title = {Manifold Mirrors},
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  title = {Musical time and information theory entropy},
  institution  = {University of Iowa},
  type = {Master of Arts},
  author  = {Culpepper, Sarah Elizabeth},
  date = {2010-07-01},
  doi = {10.17077/etd.xe2tdyvf}
  }

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  title = {Graphics Shaders: Theory and Practice},
  author  = {Bailey, Mike and Cunningham, Steve}
  }

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  @Article{ ames_robert_currie_spookier_2007,
  title = {Spookier than Spooky},
  issn = {0261-1430, 1474-0095},
  doi = {10.1017/S0261143007001419},
  author  = {Ames Robert Currie, J},
  date = {2007-10}
  }

• A. Cutrofello, “Discipline and critique: kant, poststructuralism, and the problem of resistance.”
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  @Article{ cutrofello_discipline_1994,
  title = {Discipline and critique: Kant, poststructuralism, and the
  problem of resistance},
  isbn = {978-0-7914-1855-0 978-0-7914-1856-7},
  author  = {Cutrofello, Andrew},
  date = {1994}
  }

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  @Article{ cytowic_synesthesia_2002,
  title = {Synesthesia: a union of the senses},
  isbn = {978-0-262-03296-4},
  author  = {Cytowic, Richard E.},
  date = {2002}
  }

• N. D’Alessandro, R. Sebbe, B. Bozkurt, and T. Dutoit, “A max/MSP MBROLA-based tool for real-time voice synarticle.”
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  @Article{ dalessandro_maxmsp_2004,
  title = {A Max/{MSP} {MBROLA}-based Tool for Real-Time Voice
  Synarticle},
  author  = {D’Alessandro, Nicolas and Sebbe, Raphael and Bozkurt,
  Baris and Dutoit, Thierry},
  date = {2004}
  }

• A. D’Ausilio, L. Badino, Y. Li, S. Tokay, L. Craighero, R. Canto, Y. Aloimonos, and L. Fadiga, “Leadership in orchestra emerges from the causal relationships of movement kinematics.”
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  @Article{ dausilio_leadership_2012,
  title = {Leadership in Orchestra Emerges from the Causal
  Relationships of Movement Kinematics},
  issn = {1932-6203},
  doi = {10.1371/journal.pone.0035757},
  author  = {D'Ausilio, Alessandro and Badino, Leonardo and Li, Yi and
  Tokay, Sera and Craighero, Laila and Canto, Rosario and
  Aloimonos, Yiannis and Fadiga, Luciano},
  date = {2012-05-09}
  }

• J. d’ Escrivan Rincón, “Music technology.”
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  title = {Music technology},
  isbn = {978-1-107-00080-3 978-0-521-17042-0},
  author  = {Escrivan Rincón, Julio d'},
  date = {2012}
  }

• W. D’haes and X. Rodet, “Discrete cepstrum coefficients as perceptual features.”
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  author  = {D'haes, Wim and Rodet, Xavier}
  }

• M. Welford, “3.7 proto-materials: material practices in architecture at molecular and cellular scales.”
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  title = {3.7 Proto-materials: Material Practices in Architecture at
  Molecular and Cellular Scales},
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• K. Dahan, “Surface tensions: dynamics of \textitStria.”
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  @Article{ dahan_surface_2007,
  title = {Surface Tensions: Dynamics of \textit{Stria}},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2007.31.3.65},
  author  = {Dahan, Kevin},
  date = {2007-09}
  }

• R. Dahl, M. Norouzi, and J. Shlens, “Pixel recursive super resolution.”
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  date = {2017-03-22}
  }

• “Evolution, complexity and artificial life.”
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  date = {2014},
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  }

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• R. B. Dannenberg, “A brief survey of music representation issues, techniques, and systems.”
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  title = {A Brief Survey of Music Representation Issues, Techniques,
  and Systems},
  author  = {Dannenberg, Roger B}
  }

• R. B. Dannenberg, “A perspective on computer music.”
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  title = {A Perspective on Computer Music},
  issn = {01489267},
  doi = {10.2307/3681271},
  author  = {Dannenberg, Roger B.},
  date = {1996}
  }

• R. B. Dannenberg, “Abstract time warping of compound events and signals.”
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  @Article{ dannenberg_abstract_1997,
  title = {Abstract Time Warping of Compound Events and Signals},
  issn = {01489267},
  doi = {10.2307/3681014},
  author  = {Dannenberg, Roger B.},
  date = {1997}
  }

• R. B. Dannenberg, N. E. Gold, D. Liang, and G. Xia, “Active scores: representation and synchronization in human–computer performance of popular music.”
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  title = {Active Scores: Representation and Synchronization in
  Human–Computer Performance of Popular Music},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00239},
  author  = {Dannenberg, Roger B. and Gold, Nicolas E. and Liang, Dawen
  and Xia, Guangyu},
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  }

• R. B. Dannenberg, “An on-line algorithm for real-time accompaniment..”
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  }

• R. B. Dannenberg and N. Hu, “Discovering musical structure in audio recordings.”
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  isbn = {978-3-540-44145-8 978-3-540-45722-0},
  author  = {Dannenberg, Roger B. and Hu, Ning},
  editorb  = {Goos, Gerhard and Hartmanis, Juris and Van Leeuwen, Jan},
  editorbtype  = {redactor},
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  }

• R. B. Dannenberg, “Interactive visual music: a personal perspective.”
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  @Article{ dannenberg_interactive_2005,
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  doi = {10.1162/014892605775179964},
  author  = {Dannenberg, Roger B.},
  date = {2005-12}
  }

• R. B. Dannenberg, N. E. Gold, D. Liang, and G. Xia, “Methods and prospects for human–computer performance of popular music.”
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  @Article{ dannenberg_methods_2014,
  title = {Methods and Prospects for Human–Computer Performance of
  Popular Music},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00238},
  author  = {Dannenberg, Roger B. and Gold, Nicolas E. and Liang, Dawen
  and Xia, Guangyu},
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  }

• R. B. Dannenberg and N. Hu, “Dannenberg and hu polyphonic audio matching for score following and intelligent audio editors.”
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  title = {Dannenberg and Hu Polyphonic Audio Matching for Score
  Following and Intelligent Audio Editors},
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  }

• R. B. Dannenberg and N. Thompson, “Real-time software synarticle on superscalar architectures.”
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  Architectures},
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  }

• R. B. Dannenberg, “The interpretation of MIDI velocity.”
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  }

• J. Dashow, “Spectra as chords.”
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  author  = {Dashow, James},
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• J. Dashow, “The dyad system (part one).”
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  author  = {Dashow, James},
  date = {1999}
  }

• J. Dashow, “The dyad system (parts two and three).”
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  @Article{ dashow_dyad_1999-1,
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  doi = {10.2307/833515},
  author  = {Dashow, James},
  date = {1999}
  }

• G. Datseris, A. Ziereis, T. Albrecht, Y. Hagmayer, V. Priesemann, and T. Geisel, “Does it swing? microtiming deviations and swing feeling in jazz.”
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  Jazz},
  author  = {Datseris, George and Ziereis, Annika and Albrecht,
  Thorsten and Hagmayer, York and Priesemann, Viola and
  Geisel, Theo},
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  }

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  Musical Signals},
  isbn = {978-3-540-34027-0 978-3-540-34028-7},
  author  = {Daudet, Laurent},
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  }

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  author  = {Davis, Tom},
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• “Computability, complexity, and languages: fundamentals of theoretical computer science.”
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  }

• D. M. Marques, “Federation modeler: a tool for engaging change and complexity in design.”
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• S. B. Davis and C. Hill, “Just in time: defining historical chronographics.”
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• J. R. Dawin and D. Volchenkov, “Markov chain analysis of musical dice games.”
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• L. Dawson, “War in space: the science and technology behind our next theater of conflict.”
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  Theater of Conflict},
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• F. D. Bernardinis, R. Roncella, R. Saletti, P. Terreni, and G. Bertini, “A new VLSI implementation of additive synarticle.”
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  author  = {De Goes, Fernando and Breeden, Katherine and Ostromoukhov,
  Victor and Desbrun, Mathieu},
  date = {2012-11}
  }

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  title = {Automatic Functional Harmonic Analysis},
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  doi = {10.1162/COMJ_a_00209},
  author  = {De Haas, W. Bas and Magalhães, José Pedro and Wiering,
  Frans and C. Veltkamp, Remco},
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  }

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  isbn = {978-0-315-66360-2},
  author  = {La Riva, Richard de},
  date = {1991}
  }

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  title = {Statistical description models for melody analysis and
  characterization},
  author  = {Iñesta, José M},
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• A. de Mesmay, J. Purcell, S. Schleimer, and E. Sedgwick, “ON THE TREE-WIDTH OF KNOT DIAGRAMS.”
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  @Article{ de_mesmay_tree-width_2019,
  title = {{ON} {THE} {TREE}-{WIDTH} {OF} {KNOT} {DIAGRAMS}},
  author  = {de Mesmay, Arnaud and Purcell, Jessica and Schleimer, Saul
  and Sedgwick, Eric},
  date = {2019}
  }

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  learning},
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  date = {2004}
  }

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  Technology},
  author  = {de Mul, Jos},
  date = {2010}
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  title = {Modeling and Simulation: The Spectral Canon for Conlon
  Nancarrow by James Tenney},
  author  = {Santana, Charles de Paiva and Bresson, Jean and Andreatta,
  Moreno},
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  }

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  title = {In Search of New Sounds},
  issn = {01489267},
  doi = {10.2307/3681330},
  author  = {Poli, Giovanni De},
  date = {1996}
  }

• J. de Sanna, “Metaphysical mathematics.”
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  title = {Metaphysical Mathematics},
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  }

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  title = {Jan Fabre's Crusade Against Shopping Culture},
  issn = {1520-281X, 1537-9477},
  doi = {10.1162/pajj.2009.31.3.66},
  author  = {De Vos, Laurens},
  date = {2009-09}
  }

• M. Wheeldon, “Debussy’s “soupir”: an experiment in permutational analysis.”
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  title = {Debussy's "Soupir": An Experiment in Permutational
  Analysis},
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  doi = {10.2307/833662},
  author  = {Wheeldon, Marianne},
  date = {2000}
  }

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  @Article{ decarsin_metamorphoses_1998,
  title = {Metamorphoses of Invention},
  issn = {00316016},
  doi = {10.2307/833521},
  author  = {Decarsin, Francois},
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  @Article{ decroupet_through_1998,
  title = {Through the Sensory Looking-Glass: The Aesthetic and
  Serial Foundations of Gesang der Jünglinge},
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  author  = {Decroupet, Pascal and Ungeheuer, Elena and Kohl, Jerome},
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  }

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  title = {Musical Aspects Of Fractal Geometry},
  author  = {Degazio, Bruno},
  date = {1986}
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  title = {Probabilistic Factor Oracles for Multidimensional Machine
  Improvisation},
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  doi = {10.1162/comj_a_00460},
  author  = {Déguernel, Ken and Vincent, Emmanuel and Assayag,
  Gérard},
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  }

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  author  = {Delatour, Thierry},
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  }

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  author  = {{DeLio}, Thomas},
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  title = {Geometric folding algorithms: linkages, origami,
  polyhedra},
  isbn = {978-0-521-85757-4},
  author  = {Demaine, Erik D. and O'Rourke, Joseph},
  date = {2007}
  }

• E. D. Demaine, F. Gomez-Martin, H. Meijer, D. Rappaport, P. Taslakian, G. T. Toussaint, T. Winograd, and D. Wood, “The distance geometry of music.”
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  title = {The distance geometry of music},
  issn = {09257721},
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  author  = {Demaine, Erik D. and Gomez-Martin, Francisco and Meijer,
  Henk and Rappaport, David and Taslakian, Perouz and
  Toussaint, Godfried T. and Winograd, Terry and Wood, David
  R.},
  date = {2009-07}
  }

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  title = {An Idea of Order},
  author  = {Dembski, Stephen},
  date = {2006}
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  title = {Le Temps : Conséquences Philosophiques},
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  date = {2011}
  }

• J. T. Demers, “Listening through the noise: the aesthetics of experimental electronic music.”
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  @Article{ demers_listening_2010,
  title = {Listening through the noise: the aesthetics of
  experimental electronic music},
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  }

• C. D. Tandt, “La culture rock entre utopie moderniste et construction d’une industrie alternative.”
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  title = {La Culture rock entre utopie moderniste et construction
  d’une industrie alternative},
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  doi = {10.4000/volume.3247},
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  }

• J. Déotte, “« l’espace et l’architecture : état des lieux »: présentation du colloque – maison des sciences de l’homme paris nord, 4-5 mars 2013.”
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  @Article{ deotte__2013,
  title = {« L’espace et l’architecture : état des lieux »:
  Présentation du colloque – Maison des sciences de
  l’Homme Paris Nord, 4-5 mars 2013},
  issn = {2101-0714},
  doi = {10.4000/appareil.1586},
  author  = {Déotte, Jean-Louis},
  date = {2013-07-02}
  }

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  @Article{ deotte_deotte_les_2012,
  title = {Déotte\_Les Immatériaux de
  Lyotard\_(1985)\_un\_programme\_2012},
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  doi = {10.4000/appareil.797},
  author  = {Déotte, Jean-Louis},
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  }

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• P. Desain and H. Honing, “The quantization of musical time: a connectionist approach.”
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  Approach},
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  author  = {Desain, Peter and Honing, Henkjan},
  date = {1989}
  }

• P. Desain and H. Honing, “Time functions function best as functions of multiple times.”
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  title = {Time Functions Function Best as Functions of Multiple
  Times},
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  author  = {Desain, Peter and Honing, Henkjan},
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  }

• S. Desantos, C. Roads, and F. Bayle, “Acousmatic morphology: an interview with francois bayle.”
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  }

• H. Descottes and C. E. Ramos, “Architectural lighting: designing with light and space.”
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  title = {Architectural lighting: designing with light and space},
  isbn = {978-1-56898-938-9},
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  }

• A. Desolneux, L. Moisan, and J. Morel, “From gestalt theory to image analysis: a probabilistic approach.”
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  Approach},
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  author  = {Desolneux, Agnés and Moisan, Lionel and Morel,
  Jean-Michel},
  editorb  = {Antman, S. S. and Sirovich, L. and Marsden, J. E. and
  Wiggins, S.},
  editorbtype  = {redactor},
  date = {2008},
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  }

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  }

• A. Dessein, A. Cont, and G. Lemaitre, “Real-time detection of overlapping sound events with non-negative matrix factorization.”
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  Non-Negative Matrix Factorization},
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  author  = {Dessein, Arnaud and Cont, Arshia and Lemaitre, Guillaume},
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  }

• A. Deutsch and S. Dormann, “Cellular automaton modeling of biological pattern formation: characterization, applications, and analysis.”
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  formation: characterization, applications, and analysis},
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  formations and the history of sound reproduction},
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  doi = {10.1017/S0261143013000032},
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• “Acoustic metamaterials and phononic crystals.”
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  doi = {10.1007/978-3-642-31232-8}
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  Nouvelle aventure de la modernité?},
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  doi = {10.7202/902002ar},
  author  = {Dhomont, Francis},
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  }

• P. Di Bello, “SEDUCTIONS AND FLIRTATIONS: photographs, histories, theories.”
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  title = {{SEDUCTIONS} {AND} {FLIRTATIONS}: Photographs, histories,
  theories},
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  }

• R. Di Pietro, “Dialogues with boulez.”
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  }

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  author  = {Scipio, Agostino Di},
  date = {1998}
  }

• J. Rogers, “Dialogue de l’ombre double: construction by assemblage.”
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  title = {Dialogue de L'Ombre Double: Construction by Assemblage},
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  author  = {Rogers, Joe},
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  }

• G. Diaz-Jerez, “ALGORITHMIC MUSIC: USING MATHEMATICAL MODELS IN MUSIC COMPOSITION.”
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  title = {{ALGORITHMIC} {MUSIC}: {USING} {MATHEMATICAL} {MODELS}
  {IN} {MUSIC} {COMPOSITION}},
  author  = {Diaz-Jerez, Gustavo}
  }

• S. Dieleman and B. Schrauwen, “End-to-end learning for music audio.”
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  doi = {10.1109/ICASSP.2014.6854950},
  author  = {Dieleman, Sander and Schrauwen, Benjamin},
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  }

• T. Dimitrios and M. Eleni, “A GA tool for computer assisted music composition.”
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  author  = {Dimitrios, Tzimeas and Eleni, Mangina}
  }

• H. Ding, “Ding level of detail for granular audio-graphic rendering: representation, implementation, and user-based evaluation 2013.”
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  representation, implementation, and user-based evaluation
  2013},
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  }

• “Creative design exploration by parametric generative systems in architecture.”
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  @Article{ noauthor_creative_2012,
  title = {Creative Design Exploration By Parametric Generative
  Systems In Architecture},
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  }

• S. {DiPaola}, “Face, portrait, mask – using a parameterised system to explore synthetic face space.”
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  explore synthetic face space},
  author  = {{DiPaola}, Steve},
  date = {2010}
  }

• S. Dixon, “Onset detection revisited.”
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  }

• P. Djoharian, “Generating models for modal synarticle.”
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  title = {Generating Models for Modal Synarticle},
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  author  = {Djoharian, Pirouz},
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  }

• L. Döbereiner, “Models of constructed sound: nonstandard synarticle as an aesthetic perspective.”
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  @Article{ dobereiner_models_2011,
  title = {Models of Constructed Sound: Nonstandard Synarticle as an
  Aesthetic Perspective},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00067},
  author  = {Döbereiner, Luc},
  date = {2011-09}
  }

• A. Valle, V. Lombardo, K. Tazelaar, R. Dobson, and J. Ffitch, “Varese’s poeme electronique regained: evidence from the VEP project.”
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  @Article{ valle_vareses_nodate,
  title = {Varese's Poeme Electronique Regained: Evidence from the
  {VEP} Project},
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  }

• C. Dodge and T. A. Jerse, “Computer music: synarticle, composition, and performance.”
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  @Article{ dodge_computer_1997,
  title = {Computer music: synarticle, composition, and performance},
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  author  = {Dodge, Charles and Jerse, Thomas A.},
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  }

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  }

• J. F. Doerksen, “Segmentation and interpretation in atonal music.”
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  title = {Segmentation and Interpretation in Atonal Music},
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  }

• M. Dolnik, I. Berenstein, A. Zhabotinsky, and I. R. Epstein, “Spatial periodic forcing of turing structures.”
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  title = {Spatial Periodic Forcing of Turing Structures},
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  doi = {10.1103/PhysRevLett.87.238301},
  author  = {Dolnik, Milos and Berenstein, Igal and Zhabotinsky, Anatol
  M. and Epstein, Irving R.},
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  }

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  author  = {Dompierre, François},
  date = {2012-05-01}
  }

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  @Article{ don_music_2010,
  title = {Music: Broken Symmetry, Geometry, and Complexity},
  author  = {Don, Gary W and Muir, Karyn K and Volk, Gordon B and
  Walker, James S},
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  }

• P. Donat-Bouillud, F. Jacquemard, and M. Sakai, “Towards an equational theory of rhythm notation.”
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  title = {Towards an Equational Theory of Rhythm Notation},
  author  = {Donat-Bouillud, Pierre and Jacquemard, Florent and Sakai,
  Masahiko}
  }

• N. Donin, “ECRITS DE COMPOSITEURS un siècle réflexif.”
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  title = {{ECRITS} {DE} {COMPOSITEURS} un siècle réflexif},
  author  = {Donin, Nicolas}
  }

• N. Donin and J. Theureau, “L’atelier d’un réalisateur en informatique musicale: entretien avec gilbert nouno.”
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  @Article{ donin_latelier_2008,
  title = {L’atelier d’un réalisateur en informatique musicale:
  Entretien avec Gilbert Nouno},
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  doi = {10.7202/017906ar},
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  date = {2008-04-29}
  }

• N. Donin, “Histoire de sa theorie au 20e siecle.”
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  title = {histoire de sa theorie au 20e siecle},
  author  = {Donin, Nicolas}
  }

• N. Donin, “Le travail de la répétition: deux dispositifs d’écoute et deux époques de la reproductibilité musicale, du premier au second après-guerre.”
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  @Article{ donin_travail_2010,
  title = {Le travail de la répétition: Deux dispositifs
  d’écoute et deux époques de la reproductibilité
  musicale, du premier au second après-guerre},
  issn = {1488-9692, 1183-1693},
  doi = {10.7202/902301ar},
  author  = {Donin, Nicolas},
  date = {2010-02-15}
  }

• N. Donin, “Quand l’étude génétique est contemporaine du processus de création : nouveaux objets, nouveaux problèmes.”
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  title = {Quand l’étude génétique est contemporaine du
  processus de création : nouveaux objets, nouveaux
  problèmes},
  issn = {1167-5101, 2268-1590},
  doi = {10.4000/genesis.327},
  author  = {Donin, Nicolas},
  date = {2010-10-10}
  }

• N. Donin, “Spatialization as a compositional tool and individual access to music in the future: jonathan harvey in conversation with nicolas donin”.”
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  @Article{ donin_spatialization_nodate,
  title = {Spatialization as a Compositional Tool and Individual
  Access to Music in the Future: Jonathan Harvey in
  Conversation with Nicolas Donin"},
  author  = {Donin, Nicolas}
  }

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  @Article{ donnelly_classification_2013,
  title = {Classification of Musical Timbre Using Bayesian Networks},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00210},
  author  = {Donnelly, Patrick J. and Sheppard, John W.},
  date = {2013-12}
  }

• P. Doornbusch, “Composers’ views on mapping in algorithmic composition.”
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  @Article{ doornbusch_composers_2002,
  title = {Composers' views on mapping in algorithmic composition},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771802002066},
  author  = {Doornbusch, Paul},
  date = {2002-08}
  }

• P. Doornbusch, “Computer sound synarticle in 1951: the music of CSIRAC.”
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  @Article{ doornbusch_computer_2004,
  title = {Computer Sound Synarticle in 1951: The Music of {CSIRAC}},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892604322970616},
  author  = {Doornbusch, Paul},
  date = {2004-03}
  }

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  @Article{ dor_evaluation_2011,
  title = {An Evaluation of Musical Score Characteristics for
  Automatic Classification of Composers},
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  doi = {10.1162/COMJ_a_00071},
  author  = {Dor, Ofer and Reich, Yoram},
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  }

• S. Dorin, “L’ensemble intercontemporain et ses publics.”
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• A. Dorin and J. {McCormack}, “Self-assembling dynamical hierarchies.”
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  Kleinberg, Jon M. and Mattern, Friedemann and Mitchell,
  John C. and Naor, Moni and Nierstrasz, Oscar and Pandu
  Rangan, C. and Steffen, Bernhard and Sudan, Madhu and
  Terzopoulos, Demetri and Tygar, Dough and Vardi, Moshe Y.
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  editorb  = {Hutchison, David and Kanade, Takeo and Kittler, Josef and
  Kleinberg, Jon M. and Mattern, Friedemann and Mitchell,
  John C. and Naor, Moni and Nierstrasz, Oscar and Pandu
  Rangan, C. and Steffen, Bernhard and Sudan, Madhu and
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  and Weikum, Gerhard},
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  Amos, David and Lillicrap, Timothy},
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  }

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  Real-time},
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  Bertolami, R. and Bunke, H. and Schmidhuber, J.},
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  }

• A. Graves, “Generating sequences with recurrent neural networks.”
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  date = {2014-06-05}
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  }

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  }

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  on Facing Pages},
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  title = {\textit{Tempus ex Machina:} A composer's reflections on
  musical time},
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  title = {Impulse-Response and {CAD}-Model-Based Physical Modeling
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  }

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  }

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  Simple Electronic Instrument},
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  doi = {10.1162/COMJ_a_00103},
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  Paul},
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  }

• M. Gurevich, P. Stapleton, and A. Marquez-Borbon, “Style and constraint in electronic musical instruments.”
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  Adnan},
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  title = {{DRASTIC} {OR} {PLASTIC}?: {THREADS} {FROM} {KARLHEINZ}
  {STOCKHAUSEN}’S “{MUSIK} {UND} {GRAPHIK},” 1959},
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  }

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  }

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  Editing Algorithms},
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  }

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  }

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  }

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• R. Hanson, “Burning the cosmic commons: evolutionary strategies for interstellar colonization.”
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  }

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  }

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  }

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  author  = {Harley, James},
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• Y. Harris, “\textitScorescapes : on sound, environment and sonic consciousness.”
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• J. Harrison, “Sound, space, sculpture: some thoughts on the ‘what’, ‘how’ and ‘why’ of sound diffusion.”
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• Robin Hartwell, “Threats and promises: lucifer, hell, and stockhausen.”
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• J. Harvey, “Brian ferneyhough.”
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  @Article{ harvey_brian_1979,
  title = {Brian Ferneyhough},
  issn = {00274666},
  doi = {10.2307/962346},
  author  = {Harvey, Jonathan},
  date = {1979-09}
  }

• J. Harvey, “How do i compose? (reflections on wagner dream).”
  [Bibtex]

  @Article{ harvey_how_2008,
  title = {How do I compose? (Reflections on Wagner Dream)},
  issn = {1488-9692, 1183-1693},
  doi = {10.7202/017907ar},
  author  = {Harvey, Jonathan},
  date = {2008-04-29}
  }

• J. Harvey, “”mortuos plango, vivos voco”: a realization at IRCAM.”
  [Bibtex]

  @Article{ harvey_mortuos_1981,
  title = {"Mortuos Plango, Vivos Voco": A Realization at {IRCAM}},
  issn = {01489267},
  doi = {10.2307/3679502},
  author  = {Harvey, Jonathan},
  date = {1981}
  }

• “Notes on the realization of “bhakti”.”
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  @Article{ noauthor_notes_nodate,
  title = {Notes on the Realization of "Bhakti"}
  }

• J. Harvey, “Stockhausen’s ‘hymnen’.”
  [Bibtex]

  @Article{ harvey_stockhausens_1975,
  title = {Stockhausen's 'Hymnen'},
  issn = {00274666},
  doi = {10.2307/960033},
  author  = {Harvey, Jonathan},
  date = {1975-08}
  }

• J. Harvey, “The composer’s view: atonality.”
  [Bibtex]

  @Article{ harvey_composers_1980,
  title = {The Composer's View: Atonality},
  issn = {00274666},
  doi = {10.2307/963776},
  author  = {Harvey, Jonathan},
  date = {1980-11}
  }

• J. F. W. Hasler, “Generating pitch material from the magic sigils of the western esoteric tradition.”
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  @Article{ hasler_generating_2007,
  title = {Generating Pitch Material from the Magic Sigils of the
  Western Esoteric Tradition},
  author  = {Hasler, Johann F. W.},
  date = {2007}
  }

• D. Hassabis, N. R. Spreng, A. A. Rusu, C. A. Robbins, R. A. Mar, and D. L. Schacter, “Imagine all the people: how the brain creates and uses personality models to predict behavior.”
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  @Article{ hassabis_imagine_2014,
  title = {Imagine All the People: How the Brain Creates and Uses
  Personality Models to Predict Behavior},
  issn = {1460-2199, 1047-3211},
  doi = {10.1093/cercor/bht042},
  author  = {Hassabis, Demis and Spreng, R. Nathan and Rusu, Andrei A.
  and Robbins, Clifford A. and Mar, Raymond A. and Schacter,
  Daniel L.},
  date = {2014-08}
  }

• S. Tibshirani and H. Friedman, “Valerie and patrick hastie.”
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  @Article{ tibshirani_valerie_nodate,
  title = {Valerie and Patrick Hastie},
  author  = {Tibshirani, Sami and Friedman, Harry}
  }

• A. Hattrick, “Interview with manfred mohr.”
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  @Article{ hattrick_interview_2012,
  title = {Interview with Manfred Mohr},
  author  = {Hattrick, Alice},
  date = {2012}
  }

• G. Haus and M. Longari, “A multi-layered, time-based music description approach based on XML.”
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  @Article{ haus_multi-layered_2005,
  title = {A Multi-Layered, Time-Based Music Description Approach
  Based on {XML}},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2005.29.1.70},
  author  = {Haus, Goffredo and Longari, Maurizio},
  date = {2005-03}
  }

• H. Haverkort and F. van Walderveen, “Locality and bounding-box quality of two-dimensional space-filling curves.”
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  @Article{ haverkort_locality_nodate,
  title = {Locality and Bounding-Box Quality of Two-Dimensional
  Space-Filling Curves},
  author  = {Haverkort, Herman and van Walderveen, Freek}
  }

• H. Haverkort, “Sixteen space-filling curves and traversals for d-dimensional cubes and simplices.”
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  @Article{ haverkort_sixteen_2018,
  title = {Sixteen space-filling curves and traversals for
  d-dimensional cubes and simplices},
  author  = {Haverkort, Herman},
  date = {2018-09-12}
  }

• S. W. Hawking and R. Penrose, “The nature of space and time.”
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  @Article{ hawking_nature_1996,
  title = {The Nature of Space and Time},
  author  = {Hawking, Stephen W and Penrose, Roger},
  date = {1996}
  }

• S. W. Hawking, “A brief history of time.”
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  @Article{ hawking_brief_nodate,
  title = {A Brief History of Time},
  author  = {Hawking, Stephen W}
  }

• S. Hawkings, “Nature of space and time.”
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  @Article{ hawkings_nature_nodate,
  title = {Nature Of Space And Time},
  author  = {Hawkings, Stephen}
  }

• S. Hawking, “The theory of everything.”
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  @Article{ hawking_theory_1998,
  title = {The Theory of Everything},
  author  = {Hawking, Stephen},
  date = {1998}
  }

• C. Haworth, “Sound synarticle procedures as texts: an ontological politics in electroacoustic and computer music.”
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  @Article{ haworth_sound_2015,
  title = {Sound Synarticle Procedures as Texts: An Ontological
  Politics in Electroacoustic and Computer Music},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00284},
  author  = {Haworth, Christopher},
  date = {2015-03}
  }

• C. Hawthorne, A. Stasyuk, A. Roberts, I. Simon, C. A. Huang, S. Dieleman, E. Elsen, J. Engel, and D. Eck, “Enabling factorized piano music modeling and generation with the MAESTRO dataset.”
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  @Article{ hawthorne_enabling_2019,
  title = {Enabling Factorized Piano Music Modeling and Generation
  with the {MAESTRO} Dataset},
  author  = {Hawthorne, Curtis and Stasyuk, Andriy and Roberts, Adam
  and Simon, Ian and Huang, Cheng-Zhi Anna and Dieleman,
  Sander and Elsen, Erich and Engel, Jesse and Eck, Douglas},
  date = {2019-01-17}
  }

• C. Hawthorne, E. Elsen, J. Song, A. Roberts, I. Simon, C. Raffel, J. Engel, S. Oore, and D. Eck, “Onsets and frames: dual-objective piano transcription.”
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  @Article{ hawthorne_onsets_2018,
  title = {Onsets and Frames: Dual-Objective Piano Transcription},
  author  = {Hawthorne, Curtis and Elsen, Erich and Song, Jialin and
  Roberts, Adam and Simon, Ian and Raffel, Colin and Engel,
  Jesse and Oore, Sageev and Eck, Douglas},
  date = {2018-06-05}
  }

• A. Hayes, “Death, creativity, and voice in jean barraqué’s le temps restitué.”
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  @Article{ hayes_death_2015,
  title = {Death, Creativity, and Voice in Jean Barraqué's Le temps
  restitué},
  author  = {Hayes, Aaron},
  date = {2015}
  }

• S. Dorin, “6. dissonance et consonance dans l’amour de la musique contemporaine. les limites de l’omnivorisme musical dans l’auditoire de l’ensemble intercontemporain:.”
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  @Article{ dorin_6_2013,
  title = {6. Dissonance et consonance dans l'amour de la musique
  contemporaine. Les limites de l'omnivorisme musical dans
  l'auditoire de l'Ensemble intercontemporain:},
  isbn = {978-2-7071-7667-7},
  author  = {Dorin, Stéphane},
  date = {2013-06-01},
  doi = {10.3917/dec.coula.2013.01.0099}
  }

• S. Dubnov, “Stylistic randomness: about composing NTrope suite.”
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  @Article{ dubnov_stylistic_1999,
  title = {Stylistic Randomness: about composing {NTrope} Suite},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771899002046},
  author  = {Dubnov, Shlomo},
  date = {1999-06}
  }

• V. Dumoulin, J. Shlens, and M. Kudlur, “A learned representation for artistic style.”
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  @Article{ dumoulin_learned_2017,
  title = {A Learned Representation For Artistic Style},
  author  = {Dumoulin, Vincent and Shlens, Jonathon and Kudlur,
  Manjunath},
  date = {2017-02-09}
  }

• D. Eck, “A positive-evidence model for rhythmical beat induction.”
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  @Article{ eck_positive-evidence_nodate,
  title = {A Positive-Evidence Model for Rhythmical Beat Induction},
  author  = {Eck, Douglas}
  }

• U. Eco, “The open work.”
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  @Article{ eco_open_1989,
  title = {The open work},
  isbn = {978-0-674-63975-1 978-0-674-63976-8},
  author  = {Eco, Umberto},
  date = {1989}
  }

• S. R. Eddy, ““antedisciplinary” science.”
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  @Article{ eddy_antedisciplinary_2005,
  title = {“Antedisciplinary” Science},
  issn = {1553-734X, 1553-7358},
  doi = {10.1371/journal.pcbi.0010006},
  author  = {Eddy, Sean R},
  date = {2005}
  }

• M. Edgerton, J. Neubauer, and H. Herzel, “Using nonlinear phenomena in contemporary musical composition and performance.”
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  @Article{ edgerton_using_2003,
  title = {Using Nonlinear Phenomena in Contemporary Musical
  Composition and Performance},
  author  = {Edgerton, Michael and Neubauer, Juergen and Herzel,
  Hanspeter},
  date = {2003}
  }

• E. Edmonds, “The art of interaction.”
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  @Article{ edmonds_art_2010,
  title = {The art of interaction},
  issn = {1462-6268, 1744-3806},
  doi = {10.1080/14626268.2010.556347},
  author  = {Edmonds, Ernest},
  date = {2010-12}
  }

• M. Edwards, “Algorithmic composition: computational thinking in music DRAFT.”
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  @Article{ edwards_algorithmic_nodate,
  title = {Algorithmic Composition: Computational Thinking in Music
  {DRAFT}},
  author  = {Edwards, Michael}
  }

• P. I. Edwards, “Object, space, and fragility in luigi nono’s “das atmende klarsein”.”
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  @Article{ edwards_object_2008,
  title = {Object, Space, and Fragility in Luigi Nono's "Das atmende
  Klarsein"},
  author  = {Edwards, Peter Ivan},
  date = {2008}
  }

• A. Eigenfeldt, “Emergent rhythms through multi-agency in max/MSP.”
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  @Article{ kronland-martinet_emergent_2008,
  title = {Emergent Rhythms through Multi-agency in Max/{MSP}},
  isbn = {978-3-540-85034-2 978-3-540-85035-9},
  author  = {Eigenfeldt, Arne},
  date = {2008},
  doi = {10.1007/978-3-540-85035-9_26}
  }

• “Proceedings of the 2018 international computer music conference: august 5-10, 2018, daegu, republic of korea.”
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  @Article{ park_proceedings_2018,
  title = {Proceedings of the 2018 International Computer Music
  Conference: August 5-10, 2018, Daegu, Republic of Korea},
  isbn = {978-0-9845274-7-2},
  date = {2018}
  }

• H. Eimert, “How electronic music began.”
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  @Article{ eimert_how_1972,
  title = {How Electronic Music Began},
  issn = {00274666},
  doi = {10.2307/954658},
  author  = {Eimert, Herbert},
  date = {1972-04}
  }

• H. Eimert, F. Enkel, K. Stockhausen, and D. A. Sinclair, “PROBLEMS OF ELECTRONIC MUSIC NOTATION.”
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  @Article{ eimert_problems_nodate,
  title = {{PROBLEMS} {OF} {ELECTRONIC} {MUSIC} {NOTATION}},
  author  = {Eimert, Herbert and Enkel, Fritz and Stockhausen,
  Karlheinz and Sinclair, D A}
  }

• H. Eimert, “THE PLACE OF ELECTRONIC MUSIC IN THE MUSICAL SITUATION.”
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  @Article{ eimert_place_nodate,
  title = {{THE} {PLACE} {OF} {ELECTRONIC} {MUSIC} {IN} {THE}
  {MUSICAL} {SITUATION}},
  author  = {Eimert, Herbert}
  }

• E. T. Einarsson, “DESIRING-MACHINES: IN BETWEEN DIFFERENCE AND REPETITION, PERFORMER AND CONDUCTOR, CYCLONES AND PHYSICALITY, STRUCTURE AND NOTATION.”
  [Bibtex]

  @Article{ einarsson_desiring-machines_nodate,
  title = {{DESIRING}-{MACHINES}: {IN} {BETWEEN} {DIFFERENCE} {AND}
  {REPETITION}, {PERFORMER} {AND} {CONDUCTOR}, {CYCLONES}
  {AND} {PHYSICALITY}, {STRUCTURE} {AND} {NOTATION}},
  author  = {Einarsson, Einar Torfi}
  }

• A. Einstein, “Relativity: the special and general theory.”
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  @Article{ einstein_relativity_nodate,
  title = {Relativity: The Special and General Theory},
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  }

• A. E. Gamal and Y. Kim, “Lecture notes on network information theory.”
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  @Article{ gamal_lecture_2011,
  title = {Lecture Notes on Network Information Theory},
  author  = {Gamal, Abbas El and Kim, Young-Han},
  date = {2011-12-14}
  }

• A. C. Eldridge, “NEURAL OSCILLATOR SYNarticle: GENERATING ADAPTIVE SIGNALS WITH a CONTINUOUS-TIME NEURAL MODEL.”
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  @Article{ eldridge_neural_nodate,
  title = {{NEURAL} {OSCILLATOR} {SYNarticle}: {GENERATING}
  {ADAPTIVE} {SIGNALS} {WITH} A {CONTINUOUS}-{TIME} {NEURAL}
  {MODEL}},
  author  = {Eldridge, A C}
  }

• J. Appleton and H. Davies, “Repertoire international des musiques electroacoustiques. (international electronic music catalog).”
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  @Article{ appleton_repertoire_1968,
  title = {Repertoire International des Musiques Electroacoustiques.
  (International Electronic Music Catalog)},
  issn = {00274380},
  doi = {10.2307/894153},
  author  = {Appleton, Jon and Davies, Hugh},
  date = {1968-09}
  }

• “Elster_rationality_and_the_emotions.”
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  @Article{ noauthor_elster_rationality_and_the_emotions_nodate,
  title = {Elster\_Rationality\_and\_the\_Emotions}
  }

• G. Essl, S. Serafin, P. R. Cook, and J. O. Smith, “Musical applications of banded waveguides.”
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  @Article{ essl_musical_2004,
  title = {Musical Applications of Banded Waveguides},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892604322970643},
  author  = {Essl, Georg and Serafin, Stefania and Cook, Perry R. and
  Smith, Julius O.},
  date = {2004-03}
  }

• G. Essl, S. Serafin, P. R. Cook, and J. O. Smith, “Theory of banded waveguides.”
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  @Article{ essl_theory_2004,
  title = {Theory of Banded Waveguides},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892604322970634},
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  Smith, Julius O.},
  date = {2004-03}
  }

• D. Zicarelli, “Communicating with meaningless numbers.”
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  @Article{ zicarelli_communicating_1991,
  title = {Communicating with Meaningless Numbers},
  issn = {01489267},
  doi = {10.2307/3681077},
  author  = {Zicarelli, David},
  date = {1991}
  }

• L. Thalheim, “An introduction to biocomputing.”
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  @Article{ thalheim_introduction_nodate,
  title = {An Introduction to Biocomputing},
  author  = {Thalheim, Lisa}
  }

• J. {McCartney}, “Rethinking the computer music language: SuperCollider.”
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  @Article{ mccartney_rethinking_2002,
  title = {Rethinking the Computer Music Language: {SuperCollider}},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/014892602320991383},
  author  = {{McCartney}, James},
  date = {2002-12}
  }

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  sciences},
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  doi = {10.1177/0266351116642060},
  author  = {Burkhardt, Berthold},
  date = {2016-03}
  }

• M. A. Roig-Francolí, “Anthology of post-tonal music: for use with understanding post-tonal music.”
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  @Article{ roig-francoli_anthology_2021,
  title = {Anthology of Post-Tonal Music: For Use with Understanding
  Post-Tonal Music},
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  author  = {Roig-Francolí, Miguel A.},
  date = {2021-03-29},
  doi = {10.4324/9780429340147}
  }

• H. H. Eggebrecht, “Understanding music: the nature and limits of musical cognition.”
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  @Article{ eggebrecht_understanding_2010,
  title = {Understanding music: the nature and limits of musical
  cognition},
  isbn = {978-0-7546-6612-7},
  author  = {Eggebrecht, Hans Heinrich},
  date = {2010}
  }

• M. Santa, “Hearing rhythm and meter: analyzing metrical consonance and dissonance in common-practice period music.”
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  @Article{ santa_hearing_2019,
  title = {Hearing Rhythm and Meter: Analyzing Metrical Consonance
  and Dissonance in Common-Practice Period Music},
  isbn = {978-1-351-20431-6},
  author  = {Santa, Matthew},
  date = {2019-09-04},
  doi = {10.4324/9781351204316}
  }

• A. Lomas, “Synarticle of abstract dynamic quasiperiodic 3d forms using SIRENs.”
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  @Article{ lomas_synarticle_2022,
  title = {Synarticle of Abstract Dynamic Quasiperiodic 3D Forms
  using {SIRENs}},
  doi = {10.14236/ewic/EVA2022.2},
  author  = {Lomas, Andy},
  date = {2022-07}
  }

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  @Article{ savage_bytes_2011,
  title = {Bytes and backbeats: repurposing music in the digital
  age},
  isbn = {978-0-472-11785-7},
  author  = {Savage, Steve},
  date = {2011}
  }

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  @Article{ burckhardt_sanctuary_2013,
  title = {A Sanctuary of Sounds},
  isbn = {978-0-615-81487-2},
  author  = {Burckhardt, Andreas},
  date = {2013}
  }

• R. C. Baum, “Thoughtrave: an interdimensional conversation with lady gaga.”
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  @Article{ baum_thoughtrave_2020,
  title = {Thoughtrave: An Interdimensional Conversation with Lady
  Gaga},
  isbn = {978-0-692-68691-1},
  author  = {Baum, Robert Craig},
  date = {2020}
  }

• “Robotics in germany and japan.”
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  @Article{ funk_robotics_2014,
  title = {Robotics in Germany and Japan},
  isbn = {978-3-653-99964-8 978-3-653-03976-4 978-3-653-99963-1
  978-3-631-62071-7},
  date = {2014-02-11},
  doi = {10.3726/978-3-653-03976-4}
  }

• W. Cheng and S. {McClary}, “Just vibrations: the purpose of sounding good.”
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  @Article{ cheng_just_2016,
  title = {Just Vibrations: The Purpose of Sounding Good},
  isbn = {978-0-472-90056-5 978-0-472-05325-4},
  author  = {Cheng, William and {McClary}, Susan},
  date = {2016-08-11},
  doi = {10.3998/mpub.9293551}
  }

• Y. {LeCun}, “A path towards autonomous machine intelligence.”
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  @Article{ lecun_path_2022,
  title = {A Path Towards Autonomous Machine Intelligence},
  author  = {{LeCun}, Yann},
  date = {2022}
  }

• S. Musić and S. Hirche, “Haptic shared control for human-robot collaboration: a game-theoretical approach.”
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  @Article{ music_haptic_2020,
  title = {Haptic Shared Control for Human-Robot Collaboration: A
  Game-Theoretical Approach},
  issn = {24058963},
  doi = {10.1016/j.ifacol.2020.12.2751},
  author  = {Musić, Selma and Hirche, Sandra},
  date = {2020}
  }

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  @Article{ wierstorf_perception_2013,
  title = {Perception of Focused Sources in Wave Field Synarticle},
  author  = {Wierstorf, Hagen},
  date = {2013}
  }

• M. Lewis, D. Yarats, Y. N. Dauphin, D. Parikh, and D. Batra, “Deal or no deal? end-to-end learning for negotiation dialogues.”
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  @Article{ lewis_deal_2017,
  title = {Deal or No Deal? End-to-End Learning for Negotiation
  Dialogues},
  author  = {Lewis, Mike and Yarats, Denis and Dauphin, Yann N. and
  Parikh, Devi and Batra, Dhruv},
  date = {2017-06-15}
  }

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  title = {Pyroomacoustics: A Python package for audio room
  simulations and array processing algorithms},
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  author  = {Scheibler, Robin and Bezzam, Eric and Dokmanić, Ivan},
  date = {2018-04}
  }

• N. J. Hudson, “Musical beauty and information compression: complex to the ear but simple to the mind?.”
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  @Article{ hudson_musical_2011,
  title = {Musical beauty and information compression: Complex to the
  ear but simple to the mind?},
  issn = {1756-0500},
  doi = {10.1186/1756-0500-4-9},
  author  = {Hudson, Nicholas J},
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  }

• K. Cao, A. Lazaridou, M. Lanctot, J. Z. Leibo, K. Tuyls, and S. Clark, “Emergent communication through negotiation.”
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  @Article{ cao_emergent_2018,
  title = {Emergent Communication through Negotiation},
  author  = {Cao, Kris and Lazaridou, Angeliki and Lanctot, Marc and
  Leibo, Joel Z. and Tuyls, Karl and Clark, Stephen},
  date = {2018-04-11}
  }

• C. A. Huang, A. Vaswani, J. Uszkoreit, N. Shazeer, I. Simon, C. Hawthorne, A. M. Dai, M. D. Hoffman, M. Dinculescu, and D. Eck, “Music transformer.”
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  @Article{ huang_music_2018,
  title = {Music Transformer},
  author  = {Huang, Cheng-Zhi Anna and Vaswani, Ashish and Uszkoreit,
  Jakob and Shazeer, Noam and Simon, Ian and Hawthorne,
  Curtis and Dai, Andrew M. and Hoffman, Matthew D. and
  Dinculescu, Monica and Eck, Douglas},
  date = {2018-12-12}
  }

• T. Scantamburlo, A. Charlesworth, and N. Cristianini, “Machine decisions and human consequences.”
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  @Article{ scantamburlo_machine_2019,
  title = {Machine Decisions and Human Consequences},
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  author  = {Scantamburlo, Teresa and Charlesworth, Andrew and
  Cristianini, Nello},
  articleauthor  = {Scantamburlo, Teresa and Charlesworth, Andrew and
  Cristianini, Nello},
  date = {2019-09-05},
  doi = {10.1093/oso/9780198838494.003.0003}
  }

• G. J. Matranga, W. C. Ottinger, C. Jarvis, and W. C. D. Gelzer, “Unconventional, contrary, and ugly: the lunar landing research vehicle.”
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  @Article{ matranga_unconventional_nodate,
  title = {Unconventional, Contrary, and Ugly: The Lunar Landing
  Research Vehicle},
  author  = {Matranga, Gene J and Ottinger, C Wayne and Jarvis, Calvin
  R and Gelzer, With D Christian}
  }

• H. Caracalla and A. Roebel, “Sound texture synarticle using convolutional neural networks.”
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  @Article{ caracalla_sound_2019,
  title = {Sound texture synarticle using convolutional neural
  networks},
  author  = {Caracalla, Hugo and Roebel, Axel},
  date = {2019-05-09}
  }

• M. Lanctot, E. Lockhart, J. Lespiau, V. Zambaldi, S. Upadhyay, J. Pérolat, S. Srinivasan, F. Timbers, K. Tuyls, S. Omidshafiei, D. Hennes, D. Morrill, P. Muller, T. Ewalds, R. Faulkner, J. Kramár, B. De Vylder, B. Saeta, J. Bradbury, D. Ding, S. Borgeaud, M. Lai, J. Schrittwieser, T. Anthony, E. Hughes, I. Danihelka, and J. Ryan-Davis, “OpenSpiel: a framework for reinforcement learning in games.”
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  @Article{ lanctot_openspiel_2020,
  title = {{OpenSpiel}: A Framework for Reinforcement Learning in
  Games},
  author  = {Lanctot, Marc and Lockhart, Edward and Lespiau,
  Jean-Baptiste and Zambaldi, Vinicius and Upadhyay, Satyaki
  and Pérolat, Julien and Srinivasan, Sriram and Timbers,
  Finbarr and Tuyls, Karl and Omidshafiei, Shayegan and
  Hennes, Daniel and Morrill, Dustin and Muller, Paul and
  Ewalds, Timo and Faulkner, Ryan and Kramár, János and De
  Vylder, Bart and Saeta, Brennan and Bradbury, James and
  Ding, David and Borgeaud, Sebastian and Lai, Matthew and
  Schrittwieser, Julian and Anthony, Thomas and Hughes,
  Edward and Danihelka, Ivo and Ryan-Davis, Jonah},
  date = {2020-09-26}
  }

• J. O. Smith {III}, “A spatial sampling approach to wave field synarticle: PBAP and huygens arrays.”
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  @Article{ smith_iii_spatial_2019,
  title = {A Spatial Sampling Approach to Wave Field Synarticle:
  {PBAP} and Huygens Arrays},
  author  = {Smith {III}, Julius O.},
  date = {2019-11-18}
  }

• S. Risi and J. Togelius, “Increasing generality in machine learning through procedural content generation.”
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  @Article{ risi_increasing_2020,
  title = {Increasing Generality in Machine Learning through
  Procedural Content Generation},
  author  = {Risi, Sebastian and Togelius, Julian},
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  }

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  @Article{ karras_analyzing_2020,
  title = {Analyzing and Improving the Image Quality of {StyleGAN}},
  author  = {Karras, Tero and Laine, Samuli and Aittala, Miika and
  Hellsten, Janne and Lehtinen, Jaakko and Aila, Timo},
  date = {2020-03-23}
  }

• J. Briot, “From artificial neural networks to deep learning for music generation – history, concepts and trends.”
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  @Article{ briot_artificial_2020,
  title = {From Artificial Neural Networks to Deep Learning for Music
  Generation -- History, Concepts and Trends},
  author  = {Briot, Jean-Pierre},
  date = {2020-10-05}
  }

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  @Article{ chan_lenia_2020,
  title = {Lenia and Expanded Universe},
  doi = {10.1162/isal_a_00297},
  author  = {Chan, Bert Wang-Chak},
  date = {2020}
  }

• E. R. Miranda, “Creative quantum computing: inverse FFT sound synarticle, adaptive sequencing and musical composition.”
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  @Article{ miranda_creative_2021,
  title = {Creative Quantum Computing: Inverse {FFT} Sound
  Synarticle, Adaptive Sequencing and Musical Composition},
  author  = {Miranda, Eduardo R.},
  date = {2021-10},
  doi = {10.1142/9789811235740_0017}
  }

• E. R. Miranda, “Quantum computer: hello, music!.”
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  @Article{ miranda_quantum_2021,
  title = {Quantum Computer: Hello, Music!},
  isbn = {978-3-030-72115-2 978-3-030-72116-9},
  author  = {Miranda, Eduardo Reck},
  date = {2021},
  doi = {10.1007/978-3-030-72116-9_34}
  }

• Y. Ren, J. He, X. Tan, T. Qin, Z. Zhao, and T. Liu, “PopMAG: pop music accompaniment generation.”
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  @Article{ ren_popmag_2020,
  title = {{PopMAG}: Pop Music Accompaniment Generation},
  author  = {Ren, Yi and He, Jinzheng and Tan, Xu and Qin, Tao and
  Zhao, Zhou and Liu, Tie-Yan},
  date = {2020-08-17}
  }

• J. Chen, X. Tan, J. Luan, T. Qin, and T. Liu, “HiFiSinger: towards high-fidelity neural singing voice synarticle.”
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  @Article{ chen_hifisinger_2020,
  title = {{HiFiSinger}: Towards High-Fidelity Neural Singing Voice
  Synarticle},
  author  = {Chen, Jiawei and Tan, Xu and Luan, Jian and Qin, Tao and
  Liu, Tie-Yan},
  date = {2020-09-03}
  }

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  @Article{ kong_hifi-gan_2020,
  title = {{HiFi}-{GAN}: Generative Adversarial Networks for
  Efficient and High Fidelity Speech Synarticle},
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  date = {2020-10-23}
  }

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  title = {Musical Haptics},
  isbn = {978-3-319-58315-0 978-3-319-58316-7},
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  @Article{ mccormack_enigma_2021,
  title = {The Enigma of Complexity},
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  }

• S. Sudhakaran, D. Grbic, S. Li, A. Katona, E. Najarro, C. Glanois, and S. Risi, “Growing 3d artefacts and functional machines with neural cellular automata.”
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  @Article{ sudhakaran_growing_2021,
  title = {Growing 3D Artefacts and Functional Machines with Neural
  Cellular Automata},
  author  = {Sudhakaran, Shyam and Grbic, Djordje and Li, Siyan and
  Katona, Adam and Najarro, Elias and Glanois, Claire and
  Risi, Sebastian},
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  }

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  @Article{ bazin_spectrogram_2021,
  title = {Spectrogram Inpainting for Interactive Generation of
  Instrument Sounds},
  author  = {Bazin, Théis and Hadjeres, Gaëtan and Esling, Philippe
  and Malt, Mikhail},
  date = {2021},
  doi = {10.30746/978-91-519-5560-5}
  }

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  title = {{PyTorch} Geometric Temporal: Spatiotemporal Signal
  Processing with Neural Machine Learning Models},
  author  = {Rozemberczki, Benedek and Scherer, Paul and He, Yixuan and
  Panagopoulos, George and Riedel, Alexander and Astefanoaei,
  Maria and Kiss, Oliver and Beres, Ferenc and López,
  Guzmán and Collignon, Nicolas and Sarkar, Rik},
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  }

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  Controllable High-resolution Drum Sound Synarticle},
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  date = {2021-06-14}
  }

• C. Zhang, J. Yu, {. Chang, X. Tan, J. Chen, T. Qin, and K. Zhang, “PDAugment: data augmentation by pitch and duration adjustments for automatic lyrics transcription.”
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  Adjustments for Automatic Lyrics Transcription},
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  Xu and Chen, Jiawei and Qin, Tao and Zhang, Kejun},
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  }

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  Unified Vision-Language Understanding and Generation},
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  }

• B. Yu, P. Lu, R. Wang, W. Hu, X. Tan, W. Ye, S. Zhang, T. Qin, and T. Liu, “Museformer: transformer with fine- and coarse-grained attention for music generation.”
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  Tan, Xu and Ye, Wei and Zhang, Shikun and Qin, Tao and Liu,
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• J. Bernstein, “30 days to market mastery: a step-by-step guide to profitable trading.”
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  profitable trading},
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• J. Kang and F. Aletta, “Historical acoustics: relationships between people and sound over time.”
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  Sound over Time},
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  author  = {Kang, Jian and Aletta, Francesco},
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  }

• J. Briot, G. Hadjeres, and F. Pachet, “Deep learning techniques for music generation.”
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  title = {Deep Learning Techniques for Music Generation},
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  François-David},
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• A. Creswell, M. Shannahan, and I. Higgins, “SELECTION-INFERENCE: EXPLOITING LARGE LAN- GUAGE MODELS FOR INTERPRETABLE LOGICAL REA- SONING.”
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  {SONING}},
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• P. W. Merlin, “Mach 3+ NASA/USAF YF-12 flight research, 1969-1979.”
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  978-3-631-65397-5},
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• “Machine hallucinations: architecture and artificial intelligence.”
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• J. Nika and J. Bresson, “Composing structured music generation processes with creative agents.”
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• M. Currie, “About time: narrative, fiction and the philosophy of time.”
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• “Algorithmic game theory.”
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• J. Pitrat, “Artificial beings: the conscience of a conscious machine.”
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• Z. Khanjani, G. Watson, and V. Janeja, “Audio deepfakes: a survey.”
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• R. L. D. Mántaras, “Artificial intelligence and the arts: toward computational creativity.”
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• E. C. R. Hehner, “Beautifying gödel.”
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• P. C. Hogan, “Beauty and sublimity.”
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• J. R. Beniger, “The control revolution: technological and economic origins of the information society.”
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• L. Benaroya, N. Obin, and A. Roebel, “Beyond voice identity conversion: manipulating voice attributes by adversarial learning of structured disentangled representations.”
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  author  = {Ling, Andrea}
  }

• “British music and modernism, 1895-1960.”
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  @Article{ riley_british_2010,
  title = {British music and modernism, 1895-1960},
  isbn = {978-0-7546-6585-4},
  date = {2010}
  }

• G. Zanchelli and J. Breton, “Continuing development of computational room acoustics module (CRAM): a cross-platform, web-based room acoustics application.”
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  @Article{ zanchelli_continuing_nodate,
  title = {Continuing Development of Computational Room Acoustics
  Module ({CRAM}): a Cross-Platform, Web-Based Room Acoustics
  Application},
  author  = {Zanchelli, Greg and Breton, Jack}
  }

• “Instruments.”
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  @Article{ noauthor_instruments_1995,
  title = {Instruments},
  isbn = {978-2-85850-833-4},
  date = {1995}
  }

• W. Knight and P. G. Wood, “AlphaZero, a computer program that taught itself to be a chess grandmaster in a few hours, exhibits “the essence of creativity,” says its creator..”
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  @Article{ knight_alphazero_nodate,
  title = {{AlphaZero}, a computer program that taught itself to be a
  chess grandmaster in a few hours, exhibits “the essence
  of creativity,” says its creator.},
  author  = {Knight, Will and Wood, Portrait Geordie}
  }

• “Randomness in arithmetic and the decline & fall of reductionism in pure mathematics.”
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  @Article{ chaitin_randomness_2007,
  title = {Randomness in arithmetic and the decline \& fall of
  reductionism in pure mathematics},
  isbn = {978-981-270-895-3 978-981-4474-70-2},
  articleauthor  = {Chaitin, Gregory J and Davies, Paul},
  date = {2007-08},
  doi = {10.1142/9789812708977_0007}
  }

• K. Gotman, “Choreomania: dance and disorder.”
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  @Article{ gotman_choreomania_2018,
  title = {Choreomania: Dance and Disorder},
  isbn = {978-0-19-084042-6 978-0-19-084041-9},
  author  = {Gotman, Kélina},
  date = {2018}
  }

• “Live electronic music: composition, performance, study.”
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  @Article{ sallis_live_2018,
  title = {Live electronic music: composition, performance, study},
  isbn = {978-1-138-02260-7},
  date = {2018}
  }

• “Computational intelligence in music, sound, art and design: 7th international conference, EvoMUSART 2018, parma, italy, april 4-6, 2018, proceedings.”
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  @Article{ liapis_computational_2018,
  title = {Computational Intelligence in Music, Sound, Art and
  Design: 7th International Conference, {EvoMUSART} 2018,
  Parma, Italy, April 4-6, 2018, Proceedings},
  isbn = {978-3-319-77582-1 978-3-319-77583-8},
  date = {2018},
  doi = {10.1007/978-3-319-77583-8}
  }

• S. Reynolds, “The rise of conceptronica.”
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  @Article{ reynolds_rise_nodate,
  title = {The Rise of Conceptronica},
  author  = {Reynolds, Simon}
  }

• Y. Toyota, M. Komoda, D. Beckmann, M. Quiquerez, and E. Bergal, “Concert halls by nagata acoustics: thirty years of acoustical design for music venues and vineyard-style auditoria.”
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  @Article{ toyota_concert_2020,
  title = {Concert Halls by Nagata Acoustics: Thirty Years of
  Acoustical Design for Music Venues and Vineyard-Style
  Auditoria},
  isbn = {978-3-030-42449-7 978-3-030-42450-3},
  author  = {Toyota, Yasuhisa and Komoda, Motoo and Beckmann, Daniel
  and Quiquerez, Marc and Bergal, Erik},
  date = {2020},
  doi = {10.1007/978-3-030-42450-3}
  }

• F. Lordon, “Conflits et pouvoirs dans les institutions du capitalisme:.”
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  @Article{ lordon_conflits_2008,
  title = {Conflits et pouvoirs dans les institutions du
  capitalisme:},
  isbn = {978-2-7246-1072-7},
  author  = {Lordon, Frédéric},
  date = {2008-01-01},
  doi = {10.3917/scpo.lordo.2008.01}
  }

• “AHMM: constructing a practice.”
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  @Article{ spiller_ahmm_2021,
  title = {{AHMM}: constructing a practice},
  isbn = {978-1-119-71748-5},
  date = {2021}
  }

• J. Nancy, “Corpus.”
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  @Article{ nancy_corpus_2008,
  title = {Corpus},
  isbn = {978-0-8232-2961-1 978-0-8232-2962-8},
  author  = {Nancy, Jean-Luc},
  date = {2008}
  }

• P. Bello and D. Garcia, “Cultural divergence in popular music: the increasing diversity of music consumption on spotify across countries.”
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  @Article{ bello_cultural_2021,
  title = {Cultural Divergence in popular music: the increasing
  diversity of music consumption on Spotify across
  countries},
  issn = {2662-9992},
  doi = {10.1057/s41599-021-00855-1},
  author  = {Bello, Pablo and Garcia, David},
  date = {2021-07-27}
  }

• C. Pias, “The macy conferences 1946-1953.”
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  @Article{ pias_macy_nodate,
  title = {The Macy Conferences 1946-1953},
  author  = {Pias, Claus}
  }

• S. Hubbard, “Libertarianism in the works of cage.”
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  @Article{ hubbard_libertarianism_nodate,
  title = {Libertarianism in the works of Cage},
  author  = {Hubbard, Stephen}
  }

• J. Vaananen, “Dark pools & high frequency trading for dummies.”
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  @Article{ vaananen_dark_2015,
  title = {Dark pools \& high frequency trading for dummies},
  isbn = {978-1-118-87919-1},
  author  = {Vaananen, Jay},
  date = {2015}
  }

• A. Kieffer, “Debussy’s critics: sound, affect, and the experience of modernism.”
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  @Article{ kieffer_debussys_2019,
  title = {Debussy's critics: sound, affect, and the experience of
  modernism},
  isbn = {978-0-19-084724-1},
  author  = {Kieffer, Alexandra},
  date = {2019}
  }

• T. Ziemer, “Implementation of the radiation characteristics of musical instruments in wave field synarticle applications.”
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  @Article{ ziemer_implementation_2015,
  title = {Implementation of the Radiation Characteristics of Musical
  Instruments in Wave Field Synarticle Applications},
  institution  = {Universität Hamburg},
  type = {phdarticle},
  author  = {Ziemer, Tim},
  date = {2015-05-20},
  doi = {10.25366/2020.06}
  }

• S. Dockray, “Performing algorithms: automation and accident.”
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  @Article{ dockray_performing_2015,
  title = {Performing Algorithms: Automation and Accident},
  author  = {Dockray, Sean},
  date = {2015}
  }

• B. Truax, “Electroacoustic music and the digital future.”
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  @Article{ truax_electroacoustic_2010,
  title = {Electroacoustic Music and the Digital Future},
  issn = {1488-9692, 1183-1693},
  doi = {10.7202/902261ar},
  author  = {Truax, Barry},
  date = {2010-02-22}
  }

• I. Xenakis, “À gauche : iannis xenakis, premières esquisses et plan au sol pour le pavillon philips, 1956. le corbusier avait délégué la conception du pavillon philips pour l’exposition universelle de bruxelles de 1958 à xenakis..”
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  @Article{ xenakis_a_nodate,
  title = {À gauche : Iannis Xenakis, Premières esquisses et plan
  au sol pour le Pavillon Philips, 1956. Le Corbusier avait
  délégué la conception du Pavillon Philips pour
  l’exposition universelle de Bruxelles de 1958 à
  Xenakis.},
  author  = {Xenakis, Iannis}
  }

• B. H. Smith, B. Clarke, M. B. N. Hansen, and R. E. Weintraub, “Emergence and embodiment.”
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  @Article{ smith_emergence_nodate,
  title = {Emergence and Embodiment},
  author  = {Smith, Barbara Herrnstein and Clarke, Bruce and Hansen,
  Mark B N and Weintraub, E Roy}
  }

• “Emerging talents: training architects.”
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  @Article{ spiller_emerging_2021,
  title = {Emerging talents: training architects},
  isbn = {978-1-119-71752-2},
  date = {2021}
  }

• “Emotion in video game soundtracking.”
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  @Article{ williams_emotion_2018,
  title = {Emotion in Video Game Soundtracking},
  isbn = {978-3-319-72271-9 978-3-319-72272-6},
  date = {2018},
  doi = {10.1007/978-3-319-72272-6}
  }

• A. Cascelli and D. Condon, “Experiencing music and visual cultures: threshold, intermediality, synchresis.”
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  @Article{ cascelli_experiencing_2021,
  title = {Experiencing Music and Visual Cultures: Threshold,
  Intermediality, Synchresis},
  isbn = {978-0-429-19836-6},
  author  = {Cascelli, Antonio and Condon, Denis},
  date = {2021-01-23},
  doi = {10.4324/9780429198366}
  }

• K. Terzidis, “Expressive form: a conceptual approach to computational design.”
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  @Article{ terzidis_expressive_2004,
  title = {Expressive Form: A Conceptual Approach to Computational
  Design},
  isbn = {978-0-203-58689-1},
  author  = {Terzidis, Kostas},
  date = {2004-03-01},
  doi = {10.4324/9780203586891}
  }

• J. {Harding, “Advances in architectural geometry 2015 – dimensionality reduction for parametric design exploration.”
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  @Article{ harding_john_advances_2016,
  title = {Advances in Architectural Geometry 2015 - Dimensionality
  Reduction for Parametric Design Exploration},
  author  = {{Harding, John}},
  date = {2016},
  doi = {10.3218/3778-4_19}
  }

• M. Ohriner, “Flow: the rhythmic voice in rap music.”
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  @Article{ ohriner_flow_2019,
  title = {Flow: the rhythmic voice in rap music},
  isbn = {978-0-19-067041-2},
  author  = {Ohriner, Mitchell},
  date = {2019}
  }

• J. Lester, “Between modes and keys: german theory, 1592-1802.”
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  @Article{ lester_between_1989,
  title = {Between modes and keys: German theory, 1592-1802},
  isbn = {978-0-918728-77-7},
  author  = {Lester, Joel},
  date = {1989}
  }

• F. Ciepły, “Freedom of artistic creation in the constitution of poland.”
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  @Article{ cieply_freedom_2016,
  title = {Freedom of Artistic Creation in the Constitution of
  Poland},
  author  = {Ciepły, Filip},
  date = {2016}
  }

• “Game audio programming 2.”
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  @Article{ noauthor_game_nodate,
  title = {Game Audio Programming 2}
  }

• A. K. Dixit, S. Skeath, and D. H. Reiley, “Games of strategy.”
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  @Article{ dixit_games_2015,
  title = {Games of strategy},
  isbn = {978-0-393-91968-4},
  author  = {Dixit, Avinash K. and Skeath, Susan and Reiley, David H.},
  date = {2015}
  }

• M. Reid and B. Szendrői, “Geometry and topology.”
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  @Article{ reid_geometry_2005,
  title = {Geometry and topology},
  isbn = {978-0-511-13733-4},
  author  = {Reid, Miles and Szendrői, Balász},
  date = {2005}
  }

• G. Griziotti, “Neurocapitalism: technological mediation and vanishing lines.”
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  @Article{ griziotti_neurocapitalism_2019,
  title = {Neurocapitalism: technological mediation and vanishing
  lines},
  isbn = {978-1-57027-342-1},
  author  = {Griziotti, Giorgio},
  translator  = {{McGimsey}, Jason Francis},
  date = {2019}
  }

• J. M. Diamond, “Guns, germs, and steel: the fates of human societies.”
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  @Article{ diamond_guns_1999,
  title = {Guns, germs, and steel: the fates of human societies},
  isbn = {978-0-393-31755-8},
  author  = {Diamond, Jared M.},
  date = {1999}
  }

• “Handarticle of artificial intelligence for music: foundations, advanced approaches, and developments for creativity.”
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  @Article{ miranda_handarticle_2021,
  title = {Handarticle of Artificial Intelligence for Music:
  Foundations, Advanced Approaches, and Developments for
  Creativity},
  isbn = {978-3-030-72115-2 978-3-030-72116-9},
  date = {2021},
  doi = {10.1007/978-3-030-72116-9}
  }

• “Handarticle of constraint programming.”
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  @Article{ rossi_handarticle_2006,
  title = {Handarticle of constraint programming},
  isbn = {978-0-444-52726-4},
  date = {2006}
  }

• D. Adams, “Artificial neural networks.”
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  @Article{ adams_artificial_nodate,
  title = {Artificial Neural Networks},
  author  = {Adams, Douglas}
  }

• M. Ruf, “Le dilemme des compositeurs.”
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  @Article{ ruf_dilemme_nodate,
  title = {Le dilemme des compositeurs},
  author  = {Ruf, Matthieu}
  }

• K. Snell and J. Söderman, “Hip-hop within and without the academy.”
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  @Article{ snell_hip-hop_2014,
  title = {Hip-hop within and without the academy},
  isbn = {978-0-7391-7649-8},
  author  = {Snell, Karen and Söderman, Johan},
  date = {2014}
  }

• D. Thompson, “Hit makers: the science of popularity in an age of distraction.”
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  @Article{ thompson_hit_2017,
  title = {Hit makers: the science of popularity in an age of
  distraction},
  isbn = {978-1-101-98032-3},
  author  = {Thompson, Derek},
  date = {2017}
  }

• D. P. Schroeder, “Hitchcock’s ear: music and the director’s art.”
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  @Article{ schroeder_hitchcocks_2012,
  title = {Hitchcock's ear: music and the director's art},
  isbn = {978-1-4411-0888-3},
  author  = {Schroeder, David P},
  date = {2012}
  }

• J. Goldman, “How i became a composer an interview with vinko.”
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  @Article{ goldman_how_2014,
  title = {How I Became a Composer An Interview with Vinko},
  issn = {0040-2982, 1478-2286},
  doi = {10.1017/S0040298213001307},
  author  = {Goldman, Jonathan},
  date = {2014-01}
  }

• A. Ness and S. Pluta, “The NessStretch: this PaulStretch algorithm goes to 9.”
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  @Article{ ness_nessstretch_2021,
  title = {The {NessStretch}: This {PaulStretch} Algorithm Goes to
  9},
  author  = {Ness, Alex and Pluta, Sam},
  date = {2021}
  }

• P. A. Tremblay, G. Roma, and O. Green, “Digging it: programmatic data mining as musicking.”
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  @Article{ tremblay_digging_2021,
  title = {Digging it: Programmatic Data Mining as Musicking},
  author  = {Tremblay, Pierre Alexandre and Roma, Gerard and Green,
  Owen},
  date = {2021}
  }

• J. Morley, “Introduction: phenomenology of imagination.”
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  @Article{ morley_introduction_2005,
  title = {Introduction: Phenomenology of imagination},
  issn = {1568-7759, 1572-8676},
  doi = {10.1007/s11097-005-0134-x},
  author  = {Morley, James},
  date = {2005-06}
  }

• R. J. Davies, “Japanese culture: the religious and philosophical foundations.”
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  @Article{ davies_japanese_2016,
  title = {Japanese Culture: The Religious and Philosophical
  Foundations},
  isbn = {978-4-8053-1163-9},
  author  = {Davies, Roger J.},
  date = {2016}
  }

• R. A. Freitas and R. C. Merkle, “Kinematic self-replicating machines.”
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  @Article{ freitas_kinematic_2004,
  title = {Kinematic self-replicating machines},
  isbn = {978-1-57059-690-2},
  author  = {Freitas, Robert A. and Merkle, Ralph C.},
  date = {2004}
  }

• S. Shannon and K. J. Messick, “Through the looking glass: kraftwerk’s influence on music technology & german cultural identity.”
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  @Article{ shannon_through_2020,
  title = {Through the Looking Glass: Kraftwerk’s Influence on
  Music Technology \& German Cultural Identity},
  institution  = {Open Science Framework},
  type = {preprint},
  author  = {Shannon, Scott and Messick, Kyle J.},
  date = {2020-06-10},
  doi = {10.31219/osf.io/a2n6z}
  }

• H. Kissinger, E. Schmidt, and D. Huttenlocher, “La métamorphose – le grand continent.”
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  @Article{ kissinger_metamorphose_2020,
  title = {La métamorphose - Le Grand Continent},
  author  = {Kissinger, Henry and Schmidt, Eric and Huttenlocher,
  Daniel},
  date = {2020}
  }

• B. Riado, “L’art sous couverture médiatique.”
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  @Article{ riado_art_2011,
  title = {L'art sous couverture médiatique},
  issn = {1969-2269, 2264-2595},
  doi = {10.3917/nre.008.0020},
  author  = {Riado, Benjamin},
  date = {2011}
  }

• P. Cécilia, “La nouvelle musique de l’ircam.”
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  @Article{ cecilia_nouvelle_2023,
  title = {La Nouvelle Musique de l'Ircam},
  author  = {Cécilia, Par},
  date = {2023}
  }

• H. Liechti, “This track contains politics: the culture of sampling in experimental electronica.”
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  @Article{ liechti_this_2022,
  title = {This Track Contains Politics: The Culture of Sampling in
  Experimental Electronica},
  doi = {10.24451/ARBOR.17486},
  author  = {Liechti, Hannes},
  date = {2022-09-22}
  }

• S. Emmerson, “Living electronic music.”
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  @Article{ emmerson_living_2007,
  title = {Living electronic music},
  isbn = {978-0-7546-5546-6 978-0-7546-5548-0},
  author  = {Emmerson, Simon},
  date = {2007}
  }

• L. Chessa, “Luigi russolo, futurist: noise, visual arts, and the occult.”
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  @Article{ chessa_luigi_2012,
  title = {Luigi Russolo, futurist: noise, visual arts, and the
  occult},
  isbn = {978-0-520-27063-3 978-0-520-27064-0 978-0-520-95156-3},
  author  = {Chessa, Luciano},
  date = {2012}
  }

• C. Lévi-Strauss and J. Kawada, “L’autre face de la lune: écrits sur le japon.”
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  @Article{ levi-strauss_autre_2011,
  title = {L'autre face de la lune: écrits sur le Japon},
  isbn = {978-2-02-103525-4},
  author  = {Lévi-Strauss, Claude and Kawada, Junzō},
  date = {2011}
  }

• W. E. Lorensen and H. E. Cline, “Marching cubes: a high resolution 3d surface construction algorithm.”
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  @Article{ lorensen_marching_nodate,
  title = {Marching Cubes: A High Resolution 3d Surface Construction
  Algorithm},
  author  = {Lorensen, William E and Cline, Harvey E}
  }

• “Communication and class struggle: an anthology in 2 volumes.”
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  @Article{ mattelart_communication_1979,
  title = {Communication and class struggle: an anthology in 2
  volumes},
  isbn = {978-0-88477-011-4},
  date = {1979}
  }

• N. Chomsky, “Media control: the spectacular achievements of propaganda.”
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  @Article{ chomsky_media_1997,
  title = {Media control: the spectacular achievements of
  propaganda},
  isbn = {978-1-888363-49-4},
  author  = {Chomsky, Noam},
  date = {1997}
  }

• G. L. Mosse, “Fascist aesthetics and society: some considerations.”
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  @Article{ mosse_fascist_1996,
  title = {Fascist Aesthetics and Society: Some Considerations},
  author  = {Mosse, George L.},
  date = {1996}
  }

• E. Campbell, “Music after deleuze.”
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  @Article{ campbell_music_2013,
  title = {Music After Deleuze},
  author  = {Campbell, Edward},
  date = {2013}
  }

• “Music, politics, and violence.”
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  @Article{ fast_music_2012,
  title = {Music, politics, and violence},
  isbn = {978-0-8195-7337-7 978-0-8195-7338-4 978-0-8195-7339-1},
  date = {2012}
  }

• S. Bhagwati, “Musiques non cochléaires – partition, mouvement, espace.”
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  @Article{ bhagwati_musiques_nodate,
  title = {Musiques non cochléaires - Partition, mouvement, espace},
  author  = {Bhagwati, Sandeep}
  }

• B. Caramiaux, F. Lotte, J. Geurts, G. Amato, M. Behrmann, F. Bimbot, F. Falchi, A. Garcia, J. Gibert, G. Gravier, H. Holken, H. Koenitz, S. Lefebvre, A. Liutkus, A. Perkis, R. Redondo, E. Turrin, T. Viéville, and E. Vincent, “AI in the media and creative industries.”
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  @Article{ caramiaux_ai_2019,
  title = {{AI} in the Media and Creative Industries},
  author  = {Caramiaux, Baptiste and Lotte, Fabien and Geurts, Joost
  and Amato, Giuseppe and Behrmann, Malte and Bimbot,
  Frédéric and Falchi, Fabrizio and Garcia, Ander and
  Gibert, Jaume and Gravier, Guillaume and Holken, Hadmut and
  Koenitz, Hartmut and Lefebvre, Sylvain and Liutkus, Antoine
  and Perkis, Andrew and Redondo, Rafael and Turrin, Enrico
  and Viéville, Thierry and Vincent, Emmanuel},
  date = {2019}
  }

• “Narrative mechanics: strategies and meanings in games and real life.”
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  @Article{ suter_narrative_2021,
  title = {Narrative Mechanics: Strategies and Meanings in Games and
  Real Life},
  isbn = {978-3-8376-5345-8 978-3-8394-5345-2},
  date = {2021-06-10},
  doi = {10.14361/9783839453452}
  }

• J. Kramár, T. Eccles, I. Gemp, A. Tacchetti, K. R. {McKee}, M. Malinowski, T. Graepel, and Y. Bachrach, “Negotiation and honesty in artificial intelligence methods for the board game of diplomacy.”
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  @Article{ kramar_negotiation_2022,
  title = {Negotiation and honesty in artificial intelligence methods
  for the board game of Diplomacy},
  issn = {2041-1723},
  doi = {10.1038/s41467-022-34473-5},
  author  = {Kramár, János and Eccles, Tom and Gemp, Ian and
  Tacchetti, Andrea and {McKee}, Kevin R. and Malinowski,
  Mateusz and Graepel, Thore and Bachrach, Yoram},
  date = {2022-12-06}
  }

• D. Trippett and B. Walton, “Nineteenth-century opera and the scientific imagination.”
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  @Article{ trippett_nineteenth-century_nodate,
  title = {Nineteenth-Century Opera and the Scientific Imagination},
  author  = {Trippett, David and Walton, Benjamin}
  }

• E. Verhulst, “Non-sequential processing: history and future of.”
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  @Article{ verhulst_non-sequential_nodate,
  title = {Non-sequential processing: history and future of},
  author  = {Verhulst, Eric}
  }

• J. H. Conway, “On numbers and games.”
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  @Article{ conway_numbers_2001,
  title = {On numbers and games},
  isbn = {978-1-56881-127-7},
  author  = {Conway, John Horton},
  date = {2001}
  }

• A. M. Leroi, B. Lambert, M. Mauch, M. Papadopoulou, S. Ananiadou, S. I. Lindberg, and P. Lindenfors, “On revolutions.”
  [Bibtex]

  @Article{ leroi_revolutions_2020,
  title = {On revolutions},
  issn = {2055-1045},
  doi = {10.1057/s41599-019-0371-1},
  author  = {Leroi, Armand M. and Lambert, Ben and Mauch, Matthias and
  Papadopoulou, Marina and Ananiadou, Sophia and Lindberg,
  Staffan I. and Lindenfors, Patrik},
  date = {2020-01-07}
  }

• P. Descola, “Par-delà nature et culture.”
  [Bibtex]

  @Article{ descola_par-a_2005,
  title = {Par-delà nature et culture},
  author  = {Descola, Philippe},
  date = {2005}
  }

• B. Truax, “Paradigm shifts and electroacoustic music: some personal reflections.”
  [Bibtex]

  @Article{ truax_paradigm_2015,
  title = {Paradigm Shifts and Electroacoustic Music: Some personal
  reflections},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771814000491},
  author  = {Truax, Barry},
  date = {2015-04}
  }

• S. Olive, T. Welti, and O. Khonsaripour, “PERCEPTION & MEASUREMENT OF HEADPHONE SOUND QUALITY: IS THERE a PREFERRED TARGET RESPONSE?.”
  [Bibtex]

  @Article{ olive_perception_nodate,
  title = {{PERCEPTION} \& {MEASUREMENT} {OF} {HEADPHONE} {SOUND}
  {QUALITY}: {IS} {THERE} A {PREFERRED} {TARGET} {RESPONSE}?},
  author  = {Olive, Sean and Welti, Todd and Khonsaripour, Omid}
  }

• “« peut-on encore juger une œuvre pour ce qu’elle est et non en fonction d’une lecture sociétale ? ».”
  [Bibtex]

  @Article{ noauthor__nodate,
  title = {« Peut-on encore juger une œuvre pour ce qu’elle est
  et non en fonction d’une lecture sociétale ? »}
  }

• L. Corbusier and F. Pérez, “Pabellón philips: bruselas, bélgica.”
  [Bibtex]

  @Article{ corbusier_pabellon_2006,
  title = {Pabellón Philips: Bruselas, Bélgica},
  issn = {0717-6996},
  doi = {10.4067/S0717-69962006000200013},
  author  = {Corbusier, Le and Pérez, Fernando},
  date = {2006-08}
  }

• K. G. Binmore, “Playing for real: a text on game theory.”
  [Bibtex]

  @Article{ binmore_playing_2007,
  title = {Playing for real: a text on game theory},
  isbn = {978-0-19-530057-4},
  author  = {Binmore, K. G.},
  date = {2007}
  }

• B. Latour, “Politics of nature: how to bring the sciences into democracy.”
  [Bibtex]

  @Article{ latour_politics_2004,
  title = {Politics of nature: how to bring the sciences into
  democracy},
  isbn = {978-0-674-01289-9 978-0-674-01347-6},
  author  = {Latour, Bruno},
  date = {2004}
  }

• “Karl polanyi: the life and works of an epochal thinker.”
  [Bibtex]

  @Article{ noauthor_karl_2020,
  title = {Karl Polanyi: the life and works of an epochal thinker},
  isbn = {978-3-85439-689-5},
  date = {2020}
  }

• “The SAGE handarticle of popular music.”
  [Bibtex]

  @Article{ bennett_sage_2015,
  title = {The {SAGE} handarticle of popular music},
  isbn = {978-1-4462-1085-7},
  date = {2015}
  }

• “Popular music in the post-digital age: politics, economy, culture and technology.”
  [Bibtex]

  @Article{ mazierska_popular_2019,
  title = {Popular music in the post-digital age: politics, economy,
  culture and technology},
  isbn = {978-1-5013-3837-3},
  date = {2019}
  }

• H. Slager and H. Slager, “The postresearch condition.”
  [Bibtex]

  @Article{ slager_postresearch_2022,
  title = {The postresearch condition},
  isbn = {978-90-818302-7-0},
  author  = {Slager, Henk and Slager, Henk},
  date = {2022}
  }

• A. Saranti, G. Eckel, and D. Pirrò, “Quantum harmonic oscillator sonification.”
  [Bibtex]

  @Article{ hutchison_quantum_2010,
  title = {Quantum Harmonic Oscillator Sonification},
  isbn = {978-3-642-12438-9 978-3-642-12439-6},
  author  = {Saranti, Anna and Eckel, Gerhard and Pirrò, David},
  editorb  = {Hutchison, David and Kanade, Takeo and Kittler, Josef and
  Kleinberg, Jon M. and Mattern, Friedemann and Mitchell,
  John C. and Naor, Moni and Nierstrasz, Oscar and Pandu
  Rangan, C. and Steffen, Bernhard and Sudan, Madhu and
  Terzopoulos, Demetri and Tygar, Doug and Vardi, Moshe Y.
  and Weikum, Gerhard},
  editorbtype  = {redactor},
  date = {2010},
  doi = {10.1007/978-3-642-12439-6_10}
  }

• M. Wanderley, “Rationalizing culture, the key!.”
  [Bibtex]

  @Article{ wanderley_rationalizing_nodate,
  title = {Rationalizing Culture, the Key!},
  author  = {Wanderley, Marcelo}
  }

• J. Bresson, C. Agón, and G. Assayag, “The OM composer’s article.”
  [Bibtex]

  @Article{ bresson_om_2016,
  title = {The {OM} composer's article},
  isbn = {978-2-7521-0283-6},
  author  = {Bresson, Jean and Agón, Carlos and Assayag, Gérard},
  date = {2016}
  }

• M. J. Puri, “Ravel the decadent: memory, sublimation, and desire.”
  [Bibtex]

  @Article{ puri_ravel_2011,
  title = {Ravel the decadent: memory, sublimation, and desire},
  isbn = {978-0-19-973537-2},
  author  = {Puri, Michael J.},
  date = {2011}
  }

• V. Lazzarini, D. Keller, and N. Radivojević, “Issues of ubimus archaeology: reconstructing risset’s music.”
  [Bibtex]

  @Article{ lazzarini_issues_2022,
  title = {Issues of Ubimus Archaeology: Reconstructing Risset’s
  Music},
  author  = {Lazzarini, Victor and Keller, Damián and Radivojević,
  Nemanja},
  date = {2022}
  }

• A. Bürli, “AlphaZero applied to jass.”
  [Bibtex]

  @Article{ burli_alphazero_2022,
  title = {{AlphaZero} applied to Jass},
  author  = {Bürli, Andrin},
  date = {2022}
  }

• “Rethinking music.”
  [Bibtex]

  @Article{ cook_rethinking_1999,
  title = {Rethinking music},
  isbn = {978-0-19-879003-7 978-0-19-879004-4},
  date = {1999}
  }

• “Rethinking reich.”
  [Bibtex]

  @Article{ gopinath_rethinking_2019,
  title = {Rethinking Reich},
  isbn = {978-0-19-060528-5 978-0-19-060529-2},
  date = {2019}
  }

• O. Senn, C. Bullerjahn, L. Kilchenmann, and R. Von Georgi, “Rhythmic density affects listeners’ emotional response to microtiming.”
  [Bibtex]

  @Article{ senn_rhythmic_2017,
  title = {Rhythmic Density Affects Listeners' Emotional Response to
  Microtiming},
  issn = {1664-1078},
  doi = {10.3389/fpsyg.2017.01709},
  author  = {Senn, Olivier and Bullerjahn, Claudia and Kilchenmann,
  Lorenz and Von Georgi, Richard},
  date = {2017-10-12}
  }

• X. Rodet, Y. Potard, and J. Barriere, “The CHANT project: from the synarticle of the singing voice to synarticle in general.”
  [Bibtex]

  @Article{ rodet_chant_1984,
  title = {The {CHANT} Project: From the Synarticle of the Singing
  Voice to Synarticle in General},
  issn = {01489267},
  doi = {10.2307/3679810},
  author  = {Rodet, Xavier and Potard, Yves and Barriere,
  Jean-Baptiste},
  date = {1984}
  }

• “E6mit AbbLitho KH_mc.indd.”
  [Bibtex]

  @Article{ noauthor_e6mit_nodate,
  title = {E6mit {AbbLitho} {KH}\_mc.indd}
  }

• N. Peleg, “Linear prediction coding.”
  [Bibtex]

  @Article{ peleg_linear_nodate,
  title = {Linear Prediction Coding},
  author  = {Peleg, Nimrod}
  }

• “On the shoulders of titans: a history of project gemini.”
  [Bibtex]

  @Article{ noauthor_shoulders_nodate,
  title = {On the Shoulders of Titans: A History of Project Gemini}
  }

• “Science fiction and philosophy: from time travel to superintelligence.”
  [Bibtex]

  @Article{ schneider_science_2016,
  title = {Science fiction and philosophy: from time travel to
  superintelligence},
  isbn = {978-1-118-92260-6 978-1-118-92262-0},
  date = {2016}
  }

• R. B. v. Rucker, P. L. Wilson, R. A. Wilson, M. Saenz, and J. Fleming, “Semiotext(e) SF.”
  [Bibtex]

  @Article{ rucker_semiotexte_1989,
  title = {Semiotext(e) {SF}},
  isbn = {978-0-936756-43-1},
  author  = {Rucker, Rudy v. B. and Wilson, Peter Lamborn and Wilson,
  Robert Anton and Saenz, Mike and Fleming, Jim},
  date = {1989}
  }

• D. Peters, “Six propositions on artistic research.”
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  @Article{ peters_six_nodate,
  title = {Six Propositions on Artistic Research},
  author  = {Peters, Deniz}
  }

• M. Solomos, “CELLULAR AUTOMATA IN XENAKIS’ MUSIC. THEORY AND PRACTICE.”
  [Bibtex]

  @Article{ solomos_cellular_nodate,
  title = {{CELLULAR} {AUTOMATA} {IN} {XENAKIS}’ {MUSIC}. {THEORY}
  {AND} {PRACTICE}},
  author  = {Solomos, Makis}
  }

• B. Eilish, “I grew up on the beatles; i love linkin park and green day. i heard hip-hop for the first time at 11 and realized what i was missing.”
  [Bibtex]

  @Article{ eilish_i_nodate,
  title = {I grew up on the Beatles; I love Linkin Park and Green
  Day. I heard hip-hop for the first time at 11 and realized
  what I was missing},
  author  = {Eilish, Billie}
  }

• M. Hart, “Life is about rhythm. we vibrate, our hearts are pumping blood, we are a rhythm machine, that’s what we are..”
  [Bibtex]

  @Article{ hart_life_nodate,
  title = {Life is about rhythm. We vibrate, our hearts are pumping
  blood, we are a rhythm machine, that’s what we are.},
  author  = {Hart, Mickey}
  }

• M. Grimshaw and T. Garner, “Sonic virtuality: sound as emergent perception.”
  [Bibtex]

  @Article{ grimshaw_sonic_2015,
  title = {Sonic virtuality: sound as emergent perception},
  isbn = {978-0-19-939283-4},
  author  = {Grimshaw, Mark and Garner, Tom},
  date = {2015}
  }

• P. Deymier and K. Runge, “Sound topology, duality, coherence and wave-mixing.”
  [Bibtex]

  @Article{ deymier_sound_2017,
  title = {Sound Topology, Duality, Coherence and Wave-Mixing},
  isbn = {978-3-319-62379-5 978-3-319-62380-1},
  author  = {Deymier, Pierre and Runge, Keith},
  date = {2017},
  doi = {10.1007/978-3-319-62380-1}
  }

• “Sounding the virtual: gilles deleuze and the theory and philosophy of music.”
  [Bibtex]

  @Article{ hulse_sounding_2010,
  title = {Sounding the virtual: Gilles Deleuze and the theory and
  philosophy of music},
  isbn = {978-0-7546-6773-5 978-1-4094-1209-0},
  date = {2010}
  }

• A. V. Gorne and T. J. Guillamat, “Space, sound and acousmatic music: the heart of the research.”
  [Bibtex]

  @Article{ gorne_space_2015,
  title = {Space, Sound And Acousmatic Music: The Heart Of The
  Research},
  author  = {Gorne, Annette Vande and Guillamat, Translation Julien},
  date = {2015}
  }

• B. Stiegler, “Il faut inventer aujourd’hui.”
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  @Article{ stiegler_il_nodate,
  title = {Il faut inventer aujourd’hui},
  author  = {Stiegler, Bernard}
  }

• K. Stockhausen, “ELECTROACOUSTIC PERFORMANCPERACTICE.”
  [Bibtex]

  @Article{ stockhausen_electroacoustic_nodate,
  title = {{ELECTROACOUSTIC} {PERFORMANCPERACTICE}},
  author  = {Stockhausen, Karlheinz}
  }

• A. Charleson, “Structure as architecture: a source article for architects and structural engineers.”
  [Bibtex]

  @Article{ charleson_structure_2014,
  title = {Structure as Architecture: A source article for architects
  and structural engineers},
  isbn = {978-1-315-76657-7},
  author  = {Charleson, Andrew},
  date = {2014-07-11},
  doi = {10.4324/9781315766577}
  }

• A. Lagae, S. Lefebvre, R. Cook, T. {DeRose}, G. Drettakis, D. S. Ebert, J. P. Lewis, K. Perlin, and M. Zwicker, “A survey of procedural noise functions.”
  [Bibtex]

  @Article{ lagae_survey_2010,
  title = {A Survey of Procedural Noise Functions},
  issn = {01677055},
  doi = {10.1111/j.1467-8659.2010.01827.x},
  author  = {Lagae, A. and Lefebvre, S. and Cook, R. and {DeRose}, T.
  and Drettakis, G. and Ebert, D.S. and Lewis, J.P. and
  Perlin, K. and Zwicker, M.},
  date = {2010-12}
  }

• G. Sioros, M. Miron, M. Davies, F. Gouyon, and G. Madison, “Syncopation creates the sensation of groove in synthesized music examples.”
  [Bibtex]

  @Article{ sioros_syncopation_2014,
  title = {Syncopation creates the sensation of groove in synthesized
  music examples},
  issn = {1664-1078},
  doi = {10.3389/fpsyg.2014.01036},
  author  = {Sioros, George and Miron, Marius and Davies, Matthew and
  Gouyon, Fabien and Madison, Guy},
  date = {2014-09-16}
  }

• W. C. Mills, “The sociological imagination.”
  [Bibtex]

  @Article{ mills_sociological_1959,
  title = {The Sociological Imagination},
  author  = {Mills, C Wright},
  date = {1959}
  }

• S. Hagan, “Taking shape: a new contract between architecture and nature.”
  [Bibtex]

  @Article{ hagan_taking_2001,
  title = {Taking shape: a new contract between architecture and
  nature},
  isbn = {978-0-7506-4948-3},
  author  = {Hagan, Susannah},
  date = {2001}
  }

• J. London, “Temporal complexity in modern and post-modern music: a critique from cognitive aesthetics.”
  [Bibtex]

  @Article{ london_temporal_nodate,
  title = {Temporal Complexity in Modern and Post-Modern Music: A
  Critique from Cognitive Aesthetics},
  author  = {London, Justin}
  }

• G. Mazzola, J. Noer, Y. Pang, S. Yao, J. Afrisando, C. Rochester, and W. Neace, “The future of music: towards a computational musical theory of everything.”
  [Bibtex]

  @Article{ mazzola_future_2020,
  title = {The Future of Music: Towards a Computational Musical
  Theory of Everything},
  isbn = {978-3-030-39708-1 978-3-030-39709-8},
  author  = {Mazzola, Guerino and Noer, Jason and Pang, Yan and Yao,
  Shuhui and Afrisando, Jay and Rochester, Christopher and
  Neace, William},
  date = {2020},
  doi = {10.1007/978-3-030-39709-8}
  }

• “The GPT-3 architecture, on a napkin.”
  [Bibtex]

  @Article{ noauthor_gpt-3_nodate,
  title = {The {GPT}-3 Architecture, on a Napkin}
  }

• “The illusions of time: philosophical and psychological essays on timing and time perception.”
  [Bibtex]

  @Article{ arstila_illusions_2019,
  title = {The Illusions of Time: Philosophical and Psychological
  Essays on Timing and Time Perception},
  isbn = {978-3-030-22047-1 978-3-030-22048-8},
  date = {2019},
  doi = {10.1007/978-3-030-22048-8}
  }

• A. Masschelein, “The unconcept: the freudian uncanny in late-twentieth-century theory.”
  [Bibtex]

  @Article{ masschelein_unconcept_2011,
  title = {The unconcept: the Freudian uncanny in
  late-twentieth-century theory},
  isbn = {978-1-4384-3553-4},
  author  = {Masschelein, Anneleen},
  date = {2011}
  }

• D. Temperley, “The cognition of basic musical structures.”
  [Bibtex]

  @Article{ temperley_cognition_2001,
  title = {The cognition of basic musical structures},
  isbn = {978-0-262-20134-6},
  author  = {Temperley, David},
  date = {2001}
  }

• P. C. Van den Toorn, “The music of stravinsky: collected essays.”
  [Bibtex]

  @Article{ van_den_toorn_music_2023,
  title = {The music of Stravinsky: collected essays},
  isbn = {978-1-00-335916-6},
  author  = {Van den Toorn, Pieter C.},
  date = {2023}
  }

• L. Gunther, “The physics of music and color.”
  [Bibtex]

  @Article{ gunther_physics_2012,
  title = {The Physics of Music and Color},
  isbn = {978-1-4614-0556-6 978-1-4614-0557-3},
  author  = {Gunther, Leon},
  date = {2012},
  doi = {10.1007/978-1-4614-0557-3}
  }

• C. By-Nc-Nd, “Grasshopper collective faculty of architecture nuremberg tech.”
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  @Article{ by-nc-nd_grasshopper_nodate,
  title = {Grasshopper Collective Faculty of Architecture Nuremberg
  Tech},
  author  = {By-Nc-Nd, Cc}
  }

• “The tel quel reader: edited by patrick ffrench and roland-françois lack.”
  [Bibtex]

  @Article{ ffrench_tel_1998,
  title = {The Tel quel reader: edited by Patrick ffrench and
  Roland-François Lack},
  isbn = {978-0-415-15713-1 978-0-415-15714-8},
  date = {1998}
  }

• M. Mauch, R. M. {MacCallum}, M. Levy, and A. M. Leroi, “The evolution of popular music: USA 1960-2010.”
  [Bibtex]

  @Article{ mauch_evolution_2015,
  title = {The Evolution of Popular Music: {USA} 1960-2010},
  issn = {2054-5703},
  doi = {10.1098/rsos.150081},
  author  = {Mauch, Matthias and {MacCallum}, Robert M. and Levy, Mark
  and Leroi, Armand M.},
  date = {2015-05}
  }

• J. Bell, “Time and causation in gödel’s universe.”
  [Bibtex]

  @Article{ bell_time_nodate,
  title = {Time and Causation in Gödel’s Universe},
  author  = {Bell, John}
  }

• P. Dutré, “Global illumination compendium.”
  [Bibtex]

  @Article{ dutre_global_nodate,
  title = {Global Illumination Compendium},
  author  = {Dutré, Philip}
  }

• M. G. Kirschenbaum, “Track changes: a literary history of word processing.”
  [Bibtex]

  @Article{ kirschenbaum_track_2016,
  title = {Track changes: a literary history of word processing},
  isbn = {978-0-674-41707-6},
  author  = {Kirschenbaum, Matthew G.},
  date = {2016}
  }

• M. Griffis and L. Epstein, “Trading for dummies.”
  [Bibtex]

  @Article{ griffis_trading_2009,
  title = {Trading for dummies},
  isbn = {978-0-470-43840-4 978-0-470-52710-8 978-0-470-52711-5
  978-0-470-52713-9},
  author  = {Griffis, Michael and Epstein, Lita},
  date = {2009}
  }

• G. Allen, “Understanding AI technology.”
  [Bibtex]

  @Article{ allen_understanding_2020,
  title = {Understanding {AI} Technology},
  author  = {Allen, Greg},
  date = {2020}
  }

• Téo. Sanchez, B. Caramiaux, J. Françoise, F. Bevilacqua, and W. E. Mackay, “How do people train a machine?: strategies and (mis)understandings.”
  [Bibtex]

  @Article{ sanchez_how_2021,
  title = {How do People Train a Machine?: Strategies and
  (Mis)Understandings},
  issn = {2573-0142},
  doi = {10.1145/3449236},
  issue = {{CSCW}1},
  author  = {Sanchez, Téo and Caramiaux, Baptiste and Françoise,
  Jules and Bevilacqua, Frédéric and Mackay, Wendy E.},
  date = {2021-04-13}
  }

• “Vangelis_obituary.”
  [Bibtex]

  @Article{ noauthor_vangelis_obituary_nodate,
  title = {Vangelis\_Obituary}
  }

• J. Di Leo, “Vinyl theory.”
  [Bibtex]

  @Article{ di_leo_vinyl_2020,
  title = {Vinyl Theory},
  isbn = {978-1-64315-015-4 978-1-64315-016-1},
  author  = {Di Leo, Jeffrey},
  date = {2020},
  doi = {10.3998/mpub.11676127}
  }

• E. Waissbluth, J. Gillick, and C. Cella, “Synarticle by layering: learning a variational space of drum sounds.”
  [Bibtex]

  @Article{ waissbluth_synarticle_nodate,
  title = {Synarticle by Layering: Learning a Variational Space of
  Drum Sounds},
  author  = {Waissbluth, Elliott and Gillick, Jon and Cella, Carmine}
  }

• T. Kvifte, P. Donhauser, and D. Toop, “The oramics machine and the origins of british electronic and computer music.”
  [Bibtex]

  @Article{ kvifte_oramics_nodate,
  title = {The Oramics Machine and the Origins of British Electronic
  and Computer Music},
  author  = {Kvifte, Telley and Donhauser, Peter and Toop, David}
  }

• C. Nast, “What makes an artist in the age of algorithms?.”
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  @Article{ nast_what_nodate,
  title = {What Makes an Artist in the Age of Algorithms?},
  author  = {Nast, Condé}
  }

• S. D. Kelly, “Why creativity is, and always will be, a human endeavor.”
  [Bibtex]

  @Article{ kelly_why_nodate,
  title = {Why creativity is, and always will be, a human endeavor},
  author  = {Kelly, Sean Dorrance}
  }

• G. Madison and G. Sioros, “What musicians do to induce the sensation of groove in simple and complex melodies, and how listeners perceive it.”
  [Bibtex]

  @Article{ madison_what_2014,
  title = {What musicians do to induce the sensation of groove in
  simple and complex melodies, and how listeners perceive
  it},
  issn = {1664-1078},
  doi = {10.3389/fpsyg.2014.00894},
  author  = {Madison, Guy and Sioros, George},
  date = {2014-08-15}
  }

• C. Metz, “When a.i. falls in love.”
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  @Article{ metz_when_nodate,
  title = {When A.I. Falls in Love},
  author  = {Metz, Cade}
  }

• K. M. Hirt, “When machines play chopin: musical spirit and automation in nineteenth-century german literature.”
  [Bibtex]

  @Article{ hirt_when_2010,
  title = {When machines play Chopin: musical spirit and automation
  in Nineteenth-Century German literature},
  isbn = {978-3-11-023239-4},
  author  = {Hirt, Katherine Maree},
  date = {2010}
  }

• K. Kelly, “Why we need to create AI that thinks in ways that we can’t even imagine.”
  [Bibtex]

  @Article{ kelly_why_nodate-1,
  title = {Why we need to create {AI} that thinks in ways that we
  can’t even imagine},
  author  = {Kelly, Kevin}
  }

• M. Loukides, “Why we need to think differently about AI.”
  [Bibtex]

  @Article{ loukides_why_nodate,
  title = {Why we need to think differently about {AI}},
  author  = {Loukides, Mike}
  }

• “World modelling: architectural models in the 21st century.”
  [Bibtex]

  @Article{ morris_world_2021,
  title = {World modelling: architectural models in the 21st
  century},
  isbn = {978-1-119-74722-2},
  date = {2021}
  }

• T. Ziemer, “Wave field synarticle.”
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  @Article{ ziemer_wave_2020,
  title = {Wave Field Synarticle},
  isbn = {978-3-030-23032-6 978-3-030-23033-3},
  author  = {Ziemer, Tim},
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  date = {2020},
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  }

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  @Article{ zotter_ambisonics_2019,
  title = {Ambisonics: A Practical 3D Audio Theory for Recording,
  Studio Production, Sound Reinforcement, and Virtual
  Reality},
  isbn = {978-3-030-17206-0 978-3-030-17207-7},
  author  = {Zotter, Franz and Frank, Matthias},
  date = {2019},
  doi = {10.1007/978-3-030-17207-7}
  }

• A. Menges, “Polymorphism frei otto.”
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  title = {Polymorphism Frei Otto},
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  doi = {10.1002/ad.243},
  author  = {Menges, Achim},
  date = {2006-03}
  }

• B. Stiegler, “Our automated lives: an interview with denis podalydès.”
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  @Article{ stiegler_our_nodate,
  title = {Our Automated Lives: An Interview with Denis Podalydès},
  author  = {Stiegler, Bernard}
  }

• J. Bellona, “Physical intentions: exploring michel waisvisz’s \textitThe Hands (Movement 1).”
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  @Article{ bellona_physical_2017,
  title = {Physical Intentions: Exploring Michel Waisvisz’s
  \textit{The Hands (Movement 1)}},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771817000450},
  author  = {Bellona, Jon},
  date = {2017-12}
  }

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  title = {Meredith Music Analysis And Kolmogorov Complexity},
  author  = {Meredith, David},
  date = {2012}
  }

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  @Article{ brummer_composition_2017,
  title = {Composition and Perception in Spatial Audio},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00402},
  author  = {Brümmer, Ludger},
  date = {2017-03}
  }

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  @Article{ nuanain_rhythmic_2017,
  title = {Rhythmic Concatenative Synarticle for Electronic Music:
  Techniques, Implementation, and Evaluation},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/COMJ_a_00412},
  author  = {Nuanáin, Cárthach Ó and Herrera, Perfecto and Jordá,
  Sergi},
  date = {2017-06}
  }

• A. Martin, C. T. Jin, and O. Bown, “Design and evaluation of agents that sequence and juxtapose short musical patterns in real time.”
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  @Article{ martin_design_2017,
  title = {Design and Evaluation of Agents that Sequence and
  Juxtapose Short Musical Patterns in Real Time},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00439},
  author  = {Martin, Aengus and Jin, Craig T. and Bown, Oliver},
  date = {2017-12-01}
  }

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  @Article{ fasciani_vocal_2018,
  title = {Vocal Control of Sound Synarticle Personalized by
  Unsupervised Machine Listening and Learning},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00450},
  author  = {Fasciani, Stefano and Wyse, Lonce},
  date = {2018-04-01}
  }

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  @Article{ gravner_coupled_2018,
  title = {Coupled Map Lattices as Musical Instruments},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00458},
  author  = {Gravner, Janko and Johnson, Kyle},
  date = {2018-06-01}
  }

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  title = {Composing Vocal Distortion: A Tool for Real-Time
  Generation of Roughness},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00485},
  author  = {Gentilucci, Marta and Ardaillon, Luc and Liuni, Marco},
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  }

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  title = {Between the Abstract and the Concrete: A Constraint-Based
  Approach to Navigating Instrumental Space},
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  doi = {10.1162/comj_a_00497},
  author  = {Döbereiner, Luc},
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  }

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  title = {Physical Modeling, Algorithms, and Sound Synarticle: The
  {NESS} Project},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00516},
  author  = {Bilbao, Stefan and Desvages, Charlotte and Ducceschi,
  Michele and Hamilton, Brian and Harrison-Harsley, Reginald
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  Improvisation},
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  author  = {Déguernel, Ken and Vincent, Emmanuel and Nika, Jérôme
  and Assayag, Gérard and Smaïli, Kamel},
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  A Hybrid Approach},
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  }

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  title = {The Role of Nonlinear Dynamics in Musicians' Interactions
  with Digital and Acoustic Musical Instruments},
  issn = {0148-9267, 1531-5169},
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  }

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  title = {Four Decades of Music Research, Creation, and Education at
  Padua's Centro di Sonologia Computazionale},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj_a_00537},
  author  = {Canazza, Sergio and Poli, Giovanni De},
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  }

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  title = {Cybernetics: state of the art},
  isbn = {978-3-7983-2953-9},
  author  = {Bunschoten, Raoul and Fantini van Ditmar, Delfina and
  Espejo, Raúl and Hohl, Michael and Jachna, Tim and Jain,
  Arun},
  date = {2017}
  }

• J. Sheaffer, “WaveCloud: an open source room acoustics simulator using the finite difference time domain method.”
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  title = {{WaveCloud}: an open source room acoustics simulator using
  the finite difference time domain method},
  author  = {Sheaffer, Jonathan},
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  }

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  @Article{ kostka_intertextuality_2021,
  title = {Intertextuality in music: dialogic composition},
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  author  = {Kostka, Violetta and Castro, Paulo F. de and Everett,
  William A.},
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  }

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  title = {{GanSynth}: Adversial Neural Audio Synarticle},
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  Gulrajani, Ishaan and Donahue, Chris and Roberts, Adam},
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  }

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  author  = {Toussaint, Godfried},
  editorb  = {Hutchison, David and Kanade, Takeo and Kittler, Josef and
  Kleinberg, Jon M. and Mattern, Friedemann and Mitchell,
  John C. and Naor, Moni and Nierstrasz, Oscar and Pandu
  Rangan, C. and Steffen, Bernhard and Sudan, Madhu and
  Terzopoulos, Demetri and Tygar, Dough and Vardi, Moshe Y.
  and Weikum, Gerhard},
  editorbtype  = {redactor},
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  Learning},
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  doi = {10.1145/2908812.2908930},
  author  = {Greve, Rasmus Boll and Jacobsen, Emil Juul and Risi,
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  }

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  tracing of implicit surfaces},
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  submarine cyborgs, and transductive ethnography},
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  musical features and music-evoked emotions and memories in
  older adults},
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  doi = {10.1371/journal.pone.0251692},
  author  = {Salakka, Ilja and Pitkäniemi, Anni and Pentikäinen, Emmi
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  }

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  title = {{THE} {RENDERING} {EQUATION}},
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  Functions to Four Pillars},
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  title = {{PIERRE} {SCHAEFFER}, 1953: {TOWARDS} {AN} {EXPERIMENTAL}
  {MUSIC}},
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  doi = {10.1093/ml/74.4.542},
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  title = {Comment entendre le passé ? Quelques leçons d’une
  collaboration de recherche entre acousticiens et
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  issn = {2271-6246},
  doi = {10.4000/rsl.1645},
  author  = {Katz, Brian F. G. and Mervant-Roux, Marie-Madeleine},
  date = {2019-02-18}
  }

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  @Article{ bouvier_lusage_2019,
  title = {De l’usage expérimental des archives audio dans la
  recherche sur la mémoire des spectateurs},
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  doi = {10.4000/rsl.1743},
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  }

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  lumière},
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  }

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  }

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  date = {2012-12}
  }

• T. Taylor and A. Dorin, “Rise of the self-replicators.”
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• E. Veach, “ROBUST MONTE CARLO METHODS FOR LIGHT TRANSPORT SIMULATION.”
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  @Article{ veach_robust_nodate,
  title = {{ROBUST} {MONTE} {CARLO} {METHODS} {FOR} {LIGHT}
  {TRANSPORT} {SIMULATION}},
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  postmodernes},
  issn = {2117-4148, 1950-568X},
  doi = {10.4000/volume.4441},
  author  = {Levaux, Christophe},
  date = {2015-06-15}
  }

• J. Wilk, “Mind, nature and the emerging science of change: an introduction to metamorphology.”
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  title = {Mind, Nature and the Emerging Science of Change: An
  Introduction to Metamorphology},
  isbn = {978-90-481-5242-1 978-94-017-2245-2},
  author  = {Wilk, James},
  date = {1999},
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  }

• R. Cendo, “« nous avons péché par arrogance, persuadés d’être les seuls penseurs de la musique et du son, et nous payons aujourd’hui le prix de notre consanguinité ».”
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  @Article{ cendo__2022,
  title = {« Nous avons péché par arrogance, persuadés d’être
  les seuls penseurs de la musique et du son, et nous payons
  aujourd’hui le prix de notre consanguinité »},
  author  = {Cendo, Raphaël},
  date = {2022}
  }

• G. Goos, J. Hartmanis, J. van Leeuwen, D. Hutchison, T. Kanade, J. Kittler, J. M. Kleinberg, A. Kobsa, F. Mattern, J. C. Mitchell, M. Naor, O. Nierstrasz, P. C. Rangan, and B. Steffen, “Lecture notes in computer science.”
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  Friedemann and Mitchell, John C and Naor, Moni and
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  date = {2016},
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  Selected Papers},
  isbn = {978-3-319-46281-3 978-3-319-46282-0},
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• T. Hecker, “Glenn gould, the vanishing performer and the ambivalence of the studio.”
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• S. Haynes, “The computer as a sound processor: a tutorial.”
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• C. G. Healey and A. P. Sawant, “On the limits of resolution and visual angle in visualization.”
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  @Article{ healey_limits_2012,
  title = {On the limits of resolution and visual angle in
  visualization},
  issn = {1544-3558, 1544-3965},
  doi = {10.1145/2355598.2355603},
  author  = {Healey, Christopher G. and Sawant, Amit P.},
  date = {2012-10}
  }

• A. Heathcote, “Art, fantasme, idéologie: l’esthétique libidinale de jean-françois lyotard.”
  [Bibtex]

  @Article{ heathcote_art_2012,
  title = {Art, fantasme, idéologie: L’esthétique libidinale de
  Jean-François Lyotard},
  issn = {2101-0714},
  doi = {10.4000/appareil.1507},
  author  = {Heathcote, Abigail},
  date = {2012-12-20}
  }

• F. Hedelin, “Formalising form: an alternative approach to algorithmic composition.”
  [Bibtex]

  @Article{ hedelin_formalising_2008,
  title = {Formalising Form: An Alternative Approach To Algorithmic
  Composition},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771808000344},
  author  = {Hedelin, Fredrik},
  date = {2008-12}
  }

• P. Hegarty, “Noise threshold: merzbow and the end of natural sound.”
  [Bibtex]

  @Article{ hegarty_noise_2001,
  title = {Noise threshold: Merzbow and the end of natural sound},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771801003053},
  author  = {Hegarty, Paul},
  date = {2001-12}
  }

• A. M. Hein and S. Baxter, “Artificial intelligence for interstellar travel.”
  [Bibtex]

  @Article{ hein_artificial_2018,
  title = {Artificial Intelligence for Interstellar Travel},
  author  = {Hein, Andreas M. and Baxter, Stephen},
  date = {2018-11-19}
  }

• {. Hein and A. Zakhor, “Halftone to continuous-tone conversion of error-diffusion coded images.”
  [Bibtex]

  @Article{ hein_halftone_1995,
  title = {Halftone to Continuous-Tone Conversion of Error-Diffusion
  Coded Images},
  author  = {Hein, {SQren} and Zakhor, Avideh},
  date = {1995}
  }

• A. Helbo, “Signes du spectacle: des arts vivants aux médias.”
  [Bibtex]

  @Article{ helbo_signes_2006,
  title = {Signes du spectacle: des arts vivants aux médias},
  isbn = {978-90-5201-322-0},
  author  = {Helbo, André},
  date = {2006}
  }

• Aaron Helgeson, “What is phenomenological music, and what does it have to do with salvatore sciarrino?.”
  [Bibtex]

  @Article{ aaron_helgeson_what_2013,
  title = {What is Phenomenological Music, and What Does It Have to
  Do with Salvatore Sciarrino?},
  issn = {00316016},
  doi = {10.7757/persnewmusi.51.2.0004},
  author  = {{Aaron Helgeson}},
  date = {2013}
  }

• T. Helie, “Volterra series and state transformation for real-time simulations of audio circuits including saturations: application to the moog ladder filter.”
  [Bibtex]

  @Article{ helie_volterra_2010,
  title = {Volterra Series and State Transformation for Real-Time
  Simulations of Audio Circuits Including Saturations:
  Application to the Moog Ladder Filter},
  issn = {1558-7916},
  doi = {10.1109/TASL.2009.2035211},
  author  = {Helie, Thomas},
  date = {2010-05}
  }

• K. A. Heller, Y. W. Teh, and D. Gorur, “Infinite hierarchical hidden markov models.”
  [Bibtex]

  @Article{ heller_nite_nodate,
  title = {Infinite Hierarchical Hidden Markov Models},
  author  = {Heller, Katherine A and Teh, Yee Whye and Gorur, Dilan}
  }

• E. Hemery and J. Aucouturier, “One hundred ways to process time, frequency, rate and scale in the auditory cortex: a pattern-recognition meta-analysis.”
  [Bibtex]

  @Article{ hemery_one_nodate,
  title = {One hundred ways to process time, frequency, rate and
  scale in the auditory cortex: a pattern-recognition
  meta-analysis},
  author  = {Hemery, Edgar and Aucouturier, Jean-Julien}
  }

• P. Lambert, “On contextual transformations.”
  [Bibtex]

  @Article{ lambert_contextual_2000,
  title = {On Contextual Transformations},
  issn = {00316016},
  doi = {10.2307/833588},
  author  = {Lambert, Philip},
  date = {2000}
  }

• I. articleh, F. Hentschel, and J. Kohl, “On the serial shaping of stockhausen’s gruppen für drei orchester.”
  [Bibtex]

  @Article{ articleh_serial_1998,
  title = {On the Serial Shaping of Stockhausen's Gruppen für drei
  Orchester},
  issn = {00316016},
  doi = {10.2307/833579},
  author  = {articleh, Imke and Hentschel, Frank and Kohl, Jerome},
  date = {1998}
  }

• A. Odena, C. Olah, and J. Shlens, “Conditional image synarticle with auxiliary classifier GANs.”
  [Bibtex]

  @Article{ odena_conditional_2017,
  title = {Conditional Image Synarticle With Auxiliary Classifier
  {GANs}},
  author  = {Odena, Augustus and Olah, Christopher and Shlens,
  Jonathon},
  date = {2017-07-20}
  }

• A. Odena, V. Dumoulin, and C. Olah, “Deconvolution and checkerboard artifacts.”
  [Bibtex]

  @Article{ odena_deconvolution_2016,
  title = {Deconvolution and Checkerboard Artifacts},
  doi = {10.23915/distill.00003},
  author  = {Odena, Augustus and Dumoulin, Vincent and Olah, Chris},
  date = {2016-10-17}
  }

• I. Oh, J. Lee, and A. Majumder, “Multi-scale image segmentation using MSER.”
  [Bibtex]

  @Article{ oh_multi-scale_nodate,
  title = {Multi-scale Image Segmentation Using {MSER}},
  author  = {Oh, Il-Seok and Lee, Jinseon and Majumder, Aditi}
  }

• A. Ohlin, “Andreas gursky and the contemporary sublime.”
  [Bibtex]

  @Article{ ohlin_andreas_2002,
  title = {Andreas Gursky and the Contemporary Sublime},
  issn = {0004-3249, 2325-5307},
  doi = {10.1080/00043249.2002.10792133},
  author  = {Ohlin, Alix},
  date = {2002-12}
  }

• “Neural networks, manifolds, and topology – colah’s blog.”
  [Bibtex]

  @Article{ noauthor_neural_nodate,
  title = {Neural Networks, Manifolds, and Topology -- colah's blog}
  }

• “Understanding convolutions – colah’s blog.”
  [Bibtex]

  @Article{ noauthor_understanding_nodate,
  title = {Understanding Convolutions - colah's blog}
  }

• “Visual information theory – colah’s blog.”
  [Bibtex]

  @Article{ noauthor_visual_nodate,
  title = {Visual Information Theory -- colah's blog}
  }

• S. Olivesi, “Pierre bourdieu et les sciences (critiques) de la communication.”
  [Bibtex]

  @Article{ olivesi_pierre_nodate,
  title = {Pierre Bourdieu et les sciences (critiques) de la
  communication},
  author  = {Olivesi, Stéphane}
  }

• M. J. Olsen, J. S. O. Iii, and J. S. Abel, “A HYBRID FILTER–WAVETABLE OSCILLATOR TECHNIQUE FOR FORMANT-WAVE-FUNCTION SYNarticle.”
  [Bibtex]

  @Article{ olsen_hybrid_nodate,
  title = {A {HYBRID} {FILTER}–{WAVETABLE} {OSCILLATOR} {TECHNIQUE}
  {FOR} {FORMANT}-{WAVE}-{FUNCTION} {SYNarticle}},
  author  = {Olsen, Michael Jrgen and Iii, Julius O Smith and Abel,
  Jonathan S}
  }

• R. Nunes, “Organisation of the organisationless: the question of organisation after networks.”
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  @Article{ nunes_organisation_nodate,
  title = {Organisation of the Organisationless: The Question of
  Organisation After Networks},
  author  = {Nunes, Rodrigo}
  }

• M. Novak, “The music of architecture: computation and composition.”
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  @Article{ novak_music_nodate,
  title = {The Music of Architecture: Computation and Composition},
  author  = {Novak, Marcos}
  }

• S. Nuss, “Counterpoint: a response to bernard.”
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  @Article{ nuss_counterpoint_2001,
  title = {Counterpoint: A Response to Bernard},
  author  = {Nuss, Steven},
  date = {2001}
  }

• S. Nuss, “”yes i wrote it, but i didn’t mean it”: hearing the unintended in niimi tokuhide’s ohju (1988).”
  [Bibtex]

  @Article{ nuss_yes_1999,
  title = {"Yes I Wrote It, but I Didn't Mean It": Hearing the
  Unintended in Niimi Tokuhide's Ohju (1988)},
  issn = {00316016},
  doi = {10.2307/833511},
  author  = {Nuss, Steven},
  date = {1999}
  }

• “Consuming music together: social and collaborative aspects of music consumption technologies.”
  [Bibtex]

  @Article{ ohara_consuming_2006,
  title = {Consuming music together: social and collaborative aspects
  of music consumption technologies},
  isbn = {978-1-4020-4031-3},
  date = {2006}
  }

• S. Oates and B. Eaglestone, “Analytical methods for group additive synarticle.”
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  @Article{ oates_analytical_1997,
  title = {Analytical Methods for Group Additive Synarticle},
  issn = {01489267},
  doi = {10.2307/3681106},
  author  = {Oates, Shaun and Eaglestone, Barry},
  date = {1997}
  }

• N. Obin, “Cries and whispers.classification of vocal effort in expressive speech.”
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  @Article{ obin_cries_2012,
  title = {Cries and whispers.classification of vocal effort in
  expressive speech},
  doi = {10.21437/Interspeech.2012-129},
  author  = {Obin, Nicolas},
  date = {2012-09-09}
  }

• N. Obin, “LOLITA, de joshua fineb erg.”
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  @Article{ obin_lolita_nodate,
  title = {{LOLITA}, de Joshua Fineb erg},
  author  = {Obin, Nicolas}
  }

• N. Obin, “Analysis and modelling of speech prosody and speaking style.”
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  @Article{ obin_analysis_2011,
  title = {Analysis and Modelling of Speech Prosody and Speaking
  Style},
  author  = {Obin, Nicolas},
  date = {2011}
  }

• N. Obin and M. Liuni, “On the generalization of shannon entropy for speech recognition.”
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  @Article{ obin_generalization_2012,
  title = {On the generalization of Shannon entropy for speech
  recognition},
  isbn = {978-1-4673-5126-3 978-1-4673-5125-6 978-1-4673-5124-9},
  doi = {10.1109/SLT.2012.6424204},
  author  = {Obin, Nicolas and Liuni, Marco},
  date = {2012-12}
  }

• N. Obin, F. Lamare, and A. Roebel, “Syll-o-matic: an adaptive time-frequency representation for the automatic segmentation of speech into syllables.”
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  @Article{ obin_syll-o-matic_2013,
  title = {Syll-O-Matic: An adaptive time-frequency representation
  for the automatic segmentation of speech into syllables},
  isbn = {978-1-4799-0356-6},
  doi = {10.1109/ICASSP.2013.6638958},
  author  = {Obin, Nicolas and Lamare, Francois and Roebel, Axel},
  date = {2013-05}
  }

• “Obin_symbolic_modeling_of_prosody_2015.”
  [Bibtex]

  @Article{ noauthor_obin_symbolic_modeling_of_prosody_2015_nodate,
  title = {Obin\_Symbolic\_Modeling\_of\_Prosody\_2015},
  issn = {1558-7916, 1558-7924}
  }

• N. Obin, “The tonal annotation: stylization of complex melodic contours over arbitrary linguistic segments.”
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  @Article{ obin_tonal_nodate,
  title = {The tonal annotation: stylization of complex melodic
  contours over arbitrary linguistic segments},
  author  = {Obin, Nicolas}
  }

• “The art of artificial evolution: a handarticle on evolutionary art and music.”
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  @Article{ romero_art_2008,
  title = {The art of artificial evolution: a handarticle on
  evolutionary art and music},
  isbn = {978-3-540-72876-4},
  date = {2008}
  }

• D. Pierre, “Letter from john cage to pierre boulez.”
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  @Article{ pierre_letter_nodate,
  title = {Letter from John Cage to Pierre Boulez},
  author  = {Pierre, Dear}
  }

• “The harmony of the spheres: a sourcearticle of the pythagorean tradition in music.”
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  @Article{ godwin_harmony_1993,
  title = {The Harmony of the spheres: a sourcearticle of the
  Pythagorean tradition in music},
  isbn = {978-0-89281-265-3},
  date = {1993}
  }

• “The language phenomenon: human communication from milliseconds to millennia.”
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  @Article{ binder_language_2013,
  title = {The Language Phenomenon: Human Communication from
  Milliseconds to Millennia},
  isbn = {978-3-642-36085-5 978-3-642-36086-2},
  date = {2013},
  doi = {10.1007/978-3-642-36086-2}
  }

• “The MIT encyclopedia of the cognitive sciences.”
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  @Article{ wilson_mit_1999,
  title = {The {MIT} encyclopedia of the cognitive sciences},
  isbn = {978-0-262-73124-9},
  date = {1999}
  }

• B. R. Lange, “The politics of collaborative performance in the music of pauline oliveros.”
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  @Article{ lange_politics_2008,
  title = {The Politics of Collaborative Performance in the Music of
  Pauline Oliveros},
  author  = {Lange, Barbara Rose},
  date = {2008}
  }

• I. L. Buchbinder, S. M. Kuzenko, and S. James Gates, “\textitIdeas and Methods of Supersymmetry and Supergravity, or a Walk Through Superspace.”
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  @Article{ buchbinder_ideas_1996,
  title = {\textit{Ideas and Methods of Supersymmetry and
  Supergravity, or a Walk Through Superspace}},
  issn = {0031-9228, 1945-0699},
  doi = {10.1063/1.2807514},
  author  = {Buchbinder, Iosef L. and Kuzenko, Sergei M. and James
  Gates, S.},
  date = {1996-02-01}
  }

• G. Theile, “Audio developments based on psychoacoustics.”
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  @Article{ theile_audio_nodate,
  title = {Audio developments based on psychoacoustics},
  author  = {Theile, Günther}
  }

• G. Theile, H. Wittek, and M. Reisinger, “POTENTIAL WAVEFIELD SYNarticle APPLICATIONS IN THE MULTICHANNEL STEREOPHONIC WORLD.”
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  @Article{ theile_potential_nodate,
  title = {{POTENTIAL} {WAVEFIELD} {SYNarticle} {APPLICATIONS} {IN}
  {THE} {MULTICHANNEL} {STEREOPHONIC} {WORLD}},
  author  = {Theile, Günther and Wittek, Helmut and Reisinger,
  Markus}
  }

• G. Theile and H. Wittek, “Wave field synarticle: a promising spatial audio rendering concept.”
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  @Article{ theile_wave_2004,
  title = {Wave field synarticle: A promising spatial audio rendering
  concept},
  issn = {1346-3969, 1347-5177},
  doi = {10.1250/ast.25.393},
  author  = {Theile, Günther and Wittek, Helmut},
  date = {2004}
  }

• L. Theis, A. van den Oord, and M. Bethge, “A note on the evaluation of generative models.”
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  @Article{ theis_note_2016,
  title = {A note on the evaluation of generative models},
  author  = {Theis, Lucas and Oord, Aäron van den and Bethge,
  Matthias},
  date = {2016-04-24}
  }

• D. Thibault, “My physical approach to musique concr`ete composition portfolio of studio works.”
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  @Article{ thibault_my_nodate,
  title = {My Physical Approach to Musique Concr`ete Composition
  Portfolio of Studio Works},
  author  = {Thibault, Dominic}
  }

• J. Thickstun, Z. Harchaoui, D. P. Foster, and S. M. Kakade, “Coupled recurrent models for polyphonic music composition.”
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  @Article{ thickstun_coupled_2019,
  title = {Coupled Recurrent Models for Polyphonic Music
  Composition},
  author  = {Thickstun, John and Harchaoui, Zaid and Foster, Dean P.
  and Kakade, Sham M.},
  date = {2019-11-26}
  }

• P. Thomas, “Composition, orchestration & arranging.”
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  @Article{ thomas_composition_nodate,
  title = {Composition, Orchestration \& Arranging},
  author  = {Thomas, Pete}
  }

• M. E. Thomas, “Nancarrow’s canons: projections of temporal and formal structures.”
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  @Article{ thomas_nancarrows_2000,
  title = {Nancarrow's Canons: Projections of Temporal and Formal
  Structures},
  issn = {00316016},
  doi = {10.2307/833661},
  author  = {Thomas, Margaret E.},
  date = {2000}
  }

• J. Thomas, “Nature and the GRM.”
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  @Article{ thomas_nature_2007,
  title = {Nature and the {GRM}},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771807001987},
  author  = {Thomas, Jean-Christophe},
  date = {2007-12}
  }

• P. Thomson, “Atoms and errors: towards a history and aesthetics of microsound.”
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  @Article{ thomson_atoms_2004,
  title = {Atoms and errors: towards a history and aesthetics of
  microsound},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771804000299},
  author  = {Thomson, Phil},
  date = {2004-08}
  }

• L. Thoresen, “Form-building patterns and metaphorical meaning.”
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  @Article{ thoresen_form-building_2010,
  title = {Form-Building Patterns and Metaphorical Meaning},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771810000075},
  author  = {Thoresen, Lasse},
  date = {2010-08}
  }

• C. Thornton, “Hierarchical markov modeling for generative music.”
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  @Article{ thornton_hierarchical_2009,
  title = {Hierarchical Markov Modeling for Generative Music},
  author  = {Thornton, Chris},
  date = {2009}
  }

• C. Thornton, “Infotropism as the underlying principle of perceptual organization.”
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  @Article{ thornton_infotropism_2014,
  title = {Infotropism as the underlying principle of perceptual
  organization},
  issn = {00222496},
  doi = {10.1016/j.jmp.2014.08.002},
  author  = {Thornton, Chris},
  date = {2014-08}
  }

• C. Thornton, “Is there any need to mention induction?.”
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  @Article{ thornton_is_nodate,
  title = {Is there any Need to Mention Induction?},
  author  = {Thornton, Chris}
  }

• C. Thornton, “Reconstituted bach: generative music from hierarchical n-gram analysis.”
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  @Article{ thornton_reconstituted_nodate,
  title = {Reconstituted Bach: Generative Music from Hierarchical
  N-Gram Analysis},
  author  = {Thornton, Chris}
  }

• C. Thornton, “Self-redundancy in music.”
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  @Article{ thornton_self-redundancy_nodate,
  title = {Self-redundancy in Music},
  author  = {Thornton, Chris}
  }

• M. Tiampo, “‘create what has never been done before!’: historicising gutai discourses of originality.”
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  @Article{ tiampo_create_2007,
  title = {‘Create what has never been done before!’:
  Historicising Gutai Discourses of Originality},
  issn = {0952-8822, 1475-5297},
  doi = {10.1080/09528820701761335},
  author  = {Tiampo, Ming},
  date = {2007-11}
  }

• S. Tipei, “FOR AN INTELLIGENT USE OF COMPUTERS IN MUSIC COMPOSITION.”
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  @Article{ tipei_for_1995,
  title = {{FOR} {AN} {INTELLIGENT} {USE} {OF} {COMPUTERS} {IN}
  {MUSIC} {COMPOSITION}},
  author  = {Tipei, Sever},
  date = {1995}
  }

• G. Tissot, “The first electroacoustic pieces by karlheinz stockhausen: technologies and aesthetics.”
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  @Article{ tissot_first_2008,
  title = {The First Electroacoustic Pieces by Karlheinz Stockhausen:
  Technologies and Aesthetics},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771808000265},
  author  = {Tissot, Gaël},
  date = {2008-12}
  }

• C. W. S. To, “Stochastic structural dynamics.”
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  @Article{ to_stochastic_nodate,
  title = {Stochastic Structural Dynamics},
  author  = {To, Cho W S}
  }

• “A connectionist approach to algorithmic composition.”
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  @Article{ noauthor_connectionist_nodate,
  title = {A Connectionist Approach to Algorithmic Composition}
  }

• T. Todoroff, “Iana\textasciitilde instrument d’analyse en temps-reel selon des criteres psycho-acoustiques.”
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  @Article{ todoroff_iana_nodate,
  title = {Iana{\textasciitilde} Instrument d'Analyse en Temps-Reel
  selon des Criteres Psycho-Acoustiques},
  author  = {Todoroff, Todor}
  }

• J. Toenjes, “Composing for interactive dance: paradigms for perception.”
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  @Article{ toenjes_composing_2007,
  title = {Composing for Interactive Dance: Paradigms for
  Perception},
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  author  = {Toenjes, John},
  date = {2007}
  }

• P. Toiviainen, “An interactive MIDI accompanist.”
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  @Article{ toiviainen_interactive_1998,
  title = {An Interactive {MIDI} Accompanist},
  issn = {01489267},
  doi = {10.2307/3680894},
  author  = {Toiviainen, Petri},
  date = {1998}
  }

• T. Tolonen, “Model-based analysis and resynarticle of acoustic guitar tones.”
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  @Article{ tolonen_model-based_nodate,
  title = {Model-Based Analysis and Resynarticle of Acoustic Guitar
  Tones},
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  }

• K. Tomashevsky, “FractalSound: algorithmic self-similar resonance space generation.”
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  @Article{ tomashevsky_fractalsound_nodate,
  title = {{FractalSound}: Algorithmic Self-Similar Resonance Space
  Generation},
  author  = {Tomashevsky, Konstantin}
  }

• A. Tomomi and S. Gleason, “Interview with adachi tomomi.”
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  @Article{ tomomi_interview_2008,
  title = {Interview with Adachi Tomomi},
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  doi = {10.1353/pnm.2008.0011},
  author  = {Tomomi, Adachi and Gleason, Scott},
  date = {2008}
  }

• S. Rings, “Tonality and transformation.”
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  @Article{ rings_tonality_2011,
  title = {Tonality and transformation},
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  author  = {Rings, Steven},
  date = {2011}
  }

• Y. Tone and R. Ashley, “Yasunao tone: noise media language.”
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  @Article{ tone_yasunao_2007,
  title = {Yasunao Tone: noise media language},
  isbn = {978-0-9655570-8-5},
  author  = {Tone, Yasunao and Ashley, Robert},
  date = {2007}
  }

• T. Tono, “The synarticle of tradition and technology.”
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  @Article{ tono_synarticle_1996,
  title = {The Synarticle of Tradition and Technology},
  issn = {01489267},
  doi = {10.2307/3680411},
  author  = {Tono, Tamami},
  date = {1996}
  }

• F. E. Toole, “Sound reproduction: loudspeakers and rooms.”
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  @Article{ toole_sound_2008,
  title = {Sound reproduction: loudspeakers and rooms},
  isbn = {978-0-240-52009-4},
  author  = {Toole, Floyd E.},
  date = {2008}
  }

• R. Toop, “CROSSING TO THE OTHER SIDE.”
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  @Article{ toop_crossing_nodate,
  title = {{CROSSING} {TO} {THE} {OTHER} {SIDE}},
  author  = {Toop, Richard}
  }

• R. Toop, “”prima le parole…” (on the sketches for ferneyhough’s carceri d’invenzione i-III).”
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  @Article{ toop_prima_1994,
  title = {"Prima le Parole..." (On the Sketches for Ferneyhough's
  Carceri D'invenzione I-{III})},
  issn = {00316016},
  doi = {10.2307/833160},
  author  = {Toop, Richard},
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• R. Toop, “Stockhausen’s secret theater: unfinished projects from the sixties and early seventies.”
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  @Article{ toop_stockhausens_1998,
  title = {Stockhausen's Secret Theater: Unfinished Projects from the
  Sixties and Early Seventies},
  issn = {00316016},
  doi = {10.2307/833525},
  author  = {Toop, Richard},
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  }

• R. Torchia and C. Lippe, “Techniques for multi-channel real-time spatial distribution using frequency-domain processing.”
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  @Article{ torchia_techniques_nodate,
  title = {Techniques for Multi-Channel Real-Time Spatial
  Distribution Using Frequency-Domain Processing},
  author  = {Torchia, Ryan and Lippe, Cort}
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• P. Torpey, “Media scores: a framework for composing the modern-day gesamtkunstwerk.”
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  title = {Media Scores: A Framework for Composing the Modern-Day
  Gesamtkunstwerk},
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• P. Torrey, G. F. Snyder, M. Vogelsberger, C. C. Hayward, S. Genel, D. Sijacki, V. Springel, L. Hernquist, D. Nelson, M. Kriek, A. Pillepich, L. V. Sales, and C. K. {McBride}, “Synthetic galaxy images and spectra from the illustris simulation.”
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  title = {Synthetic Galaxy Images and Spectra from the Illustris
  Simulation},
  issn = {1365-2966, 0035-8711},
  doi = {10.1093/mnras/stu2592},
  author  = {Torrey, Paul and Snyder, Gregory F. and Vogelsberger, Mark
  and Hayward, Christopher C. and Genel, Shy and Sijacki,
  Debora and Springel, Volker and Hernquist, Lars and Nelson,
  Dylan and Kriek, Mariska and Pillepich, Annalisa and Sales,
  Laura V. and {McBride}, Cameron K.},
  date = {2015-03-01}
  }

• D. E. Tosaki, “Tosaki painter as philosopher: mondrian’s theorisation of visual rhythm david tudor’s corporeal imagination.”
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  @Article{ tosaki_tosaki_nodate,
  title = {Tosaki Painter as Philosopher: Mondrian’s Theorisation
  of Visual Rhythm David Tudor’s Corporeal Imagination},
  author  = {Tosaki, Dr Eiichi}
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• F. Regis, “Thomas ostermeier – « en france, un mur existe bel et bien ».”
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  }

• B. Ostertag, “Human bodies, computer music.”
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  }

• V. Ostromoukhov, “Mathematical tools for computer-generated ornamental patterns.”
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  @Article{ goos_mathematical_1998,
  title = {Mathematical tools for computer-generated ornamental
  patterns},
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  author  = {Ostromoukhov, Victor},
  editorb  = {Goos, G. and Hartmanis, J. and Van Leeuwen, J.},
  editorbtype  = {redactor},
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• B. Ottino-Löffler and S. H. Strogatz, “Frequency spirals.”
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  title = {Frequency spirals},
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  doi = {10.1063/1.4954038},
  author  = {Ottino-Löffler, Bertrand and Strogatz, Steven H.},
  date = {2016-09-01}
  }

• G. Ouzounian, “An interview with paul DeMarinis.”
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  doi = {10.1162/COMJ_a_00022},
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  }

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  title = {Green Design, Materials and Manufacturing Processes},
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• N. Oxman, “Get real towards performance-driven computational geometry.”
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  Geometry},
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  doi = {10.1260/147807707783600771},
  author  = {Oxman, Neri},
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  }

• N. Oxman and J. L. Rosenberg, “Material based design computation.”
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  author  = {Oxman, Neri and Rosenberg, Jesse L.},
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• N. Oxman and J. L. Rosenberg, “Material-based design computation an inquiry into digital simulation of physical material properties as design generators.”
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  @Article{ oxman_material-based_2007,
  title = {Material-based Design Computation An Inquiry into Digital
  Simulation of Physical Material Properties as Design
  Generators},
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  doi = {10.1260/147807707780912985},
  author  = {Oxman, Neri and Rosenberg, Jesse Louis},
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  author  = {Oza, Manan and Vaghela, Himanshu and Srivastava, Kriti},
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• F. Pachet, “Description-based design of melodies.”
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• F. Pachet and P. Roy, “Markov constraints: steerable generation of markov sequences.”
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  title = {Markov constraints: steerable generation of Markov
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• R. P. Paiva, T. Mendes, and A. Cardoso, “Melody detection in polyphonic musical signals: exploiting perceptual rules, note salience, and melodic smoothness.”
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  title = {Melody Detection in Polyphonic Musical Signals: Exploiting
  Perceptual Rules, Note Salience, and Melodic Smoothness},
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  doi = {10.1162/comj.2006.30.4.80},
  author  = {Paiva, Rui Pedro and Mendes, Teresa and Cardoso,
  Amílcar},
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• P. Palacio and D. Bisig, “Piano&dancer: interaction between a dancer and an acoustic instrument.”
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• A. Papadopoulos, “Papadopoulos mathematics and group theory in music.”
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• G. Pape, “Iannis xenakis and the “real” of musical composition.”
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• D. S. Alberts and D. S. Papp, “The information age: an anthology on its impact and consequences.”
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  Consequences},
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• J. A. Paradiso and N. Gershenfeld, “Musical applications of electric field sensing.”
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• G. Pareyón, “On musical self-similarity: intersemiosis as synecdoche and analogy.”
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• T. H. Park, J. Biguenet, Z. Li, C. Richardson, and T. Scharr, “FEATURE MODULATION SYNarticle (FMS).”
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• T. H. Park, “Introduction to digital signal processing: computer musically speaking.”
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  musically speaking},
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• J. S. Parker and R. L. Anderson, “Parker and anderson low-energy lunar trajectory design 2014.”
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  2014},
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• D. Parks, “Hardware design of a digital synthesizer.”
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• T. Parmer and Y. Ahn, “Evolution of the informational complexity of contemporary western music.”
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  Western Music},
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• R. Parncutt and C. Traube, “La perception intervallique.”
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• A. Pasoulas, “STIMULUS COMPLEXITY AND TIME JUDGMENTS.”
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• D. Fober, C. Daudin, Y. Orlarey, and S. Letz, “TIME SYNCHRONIZATION IN GRAPHIC DOMAIN – a NEW PARADIGM FOR AUGMENTED MUSIC SCORES.”
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  {PARADIGM} {FOR} {AUGMENTED} {MUSIC} {SCORES}},
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• Ø. Ore and O. Ore, “Theory of graphs.”
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• J. N. Oppenheim and M. O. Magnasco, “Human time-frequency acuity beats the fourier uncertainty principle.”
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• “Gesture-based communication in human-computer interaction: international gesture workshop, GW ’99, gif-sur-yvette, france, march 17-19, 1999: proceedings.”
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  international Gesture Workshop, {GW} '99, Gif-sur-Yvette,
  France, March 17-19, 1999: proceedings},
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• S. J. Hunt, T. Mitchell, and C. Nash, “How can music visualisation techniques reveal different perspectives on musical structure?.”
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• A. Hunt and M. M. Wanderley, “Mapping performer parameters to synarticle engines.”
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• D. B. Huron, “Sweet anticipation: music and the psychology of expectation.”
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• L. Hutcheon, “A poetics of postmodernism: history, theory fiction.”
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• I. Mcloughlin, “Applied speech and audio processing: with MATLAB examples.”
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• R. Ikeshiro, “Audification and non-standard synarticle in \textitConstruction in Self.”
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• R. Ikeshiro, “Generative emergent self-similar structures.”
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• R. Ikeshiro, “Live audiovisualisation using emergent generative systems.”
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• C. Impey, “The living cosmos: our search for life in the universe.”
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• A. Infanti, “Without fooling the bird: structural anthropology and the “naturalist” music of f.-b. mâche.”
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• D. S. Alberts and D. S. Papp, “Information age anthology.”
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  @Article{ linne_caroli_1758,
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  :secundum classes, ordines, genera, species, cum
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  @Article{ zattra_les_nodate,
  title = {{LES} {ORIGINES} {DU} {NOM} {DE} {RIM} ({REALISATEUR} {EN}
  {INFORMATIQUE} {MUSICALE})},
  author  = {Zattra, Laura}
  }

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  title = {The Assembling of \textit{Stria} by John Chowning: A
  Philological Investigation},
  issn = {0148-9267, 1531-5169},
  doi = {10.1162/comj.2007.31.3.38},
  author  = {Zattra, Laura},
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  }

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  title = {Computational optimization of nonlinear zero-delay
  feedback by second-order piecewise approximation},
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  analysis},
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  author  = {Zbikowski, Lawrence Michael},
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  title = {Deconvolutional networks},
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  doi = {10.1109/CVPR.2010.5539957},
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  title = {Free Will and A New Kind of Science},
  isbn = {978-3-642-35481-6 978-3-642-35482-3},
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• J. Zhao, U. Hahn, and D. Osherson, “Perception and identification of random events..”
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  title = {Four Texts by Bernd Alois Zimmermann},
  issn = {0736-0053, 1476-2870},
  doi = {10.1093/oq/kbu016},
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  title = {Technology Is Culture: Two Paradigms},
  author  = {Zimmermann, Basile},
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  @Article{ zitellini_representing_2016,
  title = {Representing atypical music notation practices: An example
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  }

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  title = {Factors of Musical Perception: Three Points of View},
  issn = {0710-0353, 2291-2436},
  doi = {10.7202/1013830ar},
  author  = {Zuk, Ireneus and Keane, David and Cuddy, Lola},
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  title = {Continuous-Time Markov Chains and Applications},
  isbn = {978-1-4614-4345-2 978-1-4614-4346-9},
  author  = {Yin, G. George and Zhang, Qing},
  editorb  = {{RozovskiĬ}, B. and Glynn, P.W.},
  editorbtype  = {redactor},
  date = {2013},
  doi = {10.1007/978-1-4614-4346-9}
  }

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• W. S. Yeo and J. Berger, “Application of raster scanning method to image sonification, sound visualization, sound analysis and synarticle.”
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  @Article{ yeo_application_2006,
  title = {Application of Raster Scanning Method to Image
  Sonification, Sound Visualization, Sound Analysis and
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  author  = {Yeo, Woon Seung and Berger, Jonathan},
  date = {2006}
  }

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• R. {McNiece} and L. R. Smith, “America zen: a gathering of poets.”
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  title = {America Zen: a gathering of poets},
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  }

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  doi = {10.2307/3681218},
  author  = {Yako, Masato},
  date = {1997}
  }

• J. Yaffé, “An interview with composer earle brown.”
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  @Article{ yaffe_interview_2007,
  title = {An Interview with Composer Earle Brown},
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  doi = {10.1080/07494460701414124},
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  }

• X. Yang and Y. Young, “Cellular automata, PDEs, and pattern formation.”
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  title = {Mycenae - Alpha 1978},
  author  = {Xenakis, Iannis},
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• I. Xenakis, R. Brown, and J. Rahn, “Xenakis on xenakis.”
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  }

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  title = {Space in sound: sound of space},
  issn = {1355-7718, 1469-8153},
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  title = {Analysis/synarticle comparison},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771800005070},
  author  = {Wright, Matthew and Beauchamp, James and Fitz, Kelly and
  Rodet, Xavier and Röbel, Axel and Serra, Xavier and
  Wakefield, Gregory},
  date = {2000-12}
  }

• M. Wright, “Shifty looping: meter-aware, non-repeating rhythmic loops.”
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• Y. Polyanskiy and Y. Wu, “Application of information-percolation method to reconstruction problems on graphs.”
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  reconstruction problems on graphs},
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  }

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  author  = {Wuensche, Andrew},
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• J. S. B. Wyithe and E. L. Turner, “Determining the microlens mass function from quasar microlensing statistics.”
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  title = {Determining the microlens mass function from quasar
  microlensing statistics},
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  title = {Sacralisation et profanation du geste performatif : Sept
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  title = {First published by Heiner Friedrich, Munchen © La Monte
  Young and Marian Zazeela 1969 Printed in West Germany in an
  edition of 2,100.},
  author  = {Tencer, Michael H},
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  }

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  doi = {10.4000/appareil.850},
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  }

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• H. Lachenmann, “Composing in the shadow of darmstadt $^{\textrm{1}}$.”
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  date = {2004-09}
  }

• H. Lachenmann, “Four questions regarding new music.”
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  @Article{ lachenmann_four_2004,
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  doi = {10.1080/0749446042000285672},
  author  = {Lachenmann, Helmut},
  date = {2004-09}
  }

• H. Lachenmann, “On my second string quartet (‘ \textitReigen seliger Geister’ ) $^{\textrm{1}}$.”
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  @Article{ lachenmann_my_2004,
  title = {On My Second String Quartet (' \textit{Reigen seliger
  Geister'} ) $^{\textrm{1}}$},
  issn = {0749-4467, 1477-2256},
  doi = {10.1080/0749445042000285681},
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  }

• H. Lachenmann and J. Stadelman, “Open letter to hans werner henze.”
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  author  = {Lachenmann, Helmut and Stadelman, Jeffrey},
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  }

• H. Lachenmann, “The ‘beautiful’ in music today.”
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  }

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• P. Lanchantin, S. Farner, C. Veaux, G. Degottex, A. Roebel, and X. Rodet, “A short review of research on voice transformations at IRCAM.”
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  title = {A short review of research on voice transformations at
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  }

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  }

• L. Landy, “IS MORE THAN THREE DECADES OF COMPUTER MUSIC REACHING THE PUBLIC IT DESERVES?.”
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  @Article{ landy_is_1990,
  title = {{IS} {MORE} {THAN} {THREE} {DECADES} {OF} {COMPUTER}
  {MUSIC} {REACHING} {THE} {PUBLIC} {IT} {DESERVES}?},
  author  = {Landy, Leigh},
  date = {1990}
  }

• L. Landy, “Understanding the art of sound organization.”
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  date = {2007}
  }

• W. K. Langford, “Electronic digital materials.”
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  title = {Visualizing Expressive Performance in Tempo—Loudness
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  }

• “Language in mind: advances in the study of language and thought.”
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  thought},
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• P. Lansky, “Keynote address: reflections on spent time.”
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• C. Laroche, M. Kowalski, H. Papadopoulos, and G. Richard, “Hybrid projective nonnegative matrix factorization with drum dictionaries for harmonic/percussive source separation.”
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  doi = {10.1109/TASLP.2018.2830116},
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