bibliography

——————————————————————–
– Papers:

J. McCabe, “Cyclic Symmetric Multi-Scale Turing Patterns,” , 1952.
[Bibtex]

@Article{ mccabe_cyclic_1952,
title = {Cyclic {Symmetric} {Multi}-{Scale} {Turing} {Patterns}},
language  = {en},
author  = {McCabe, Jonathan},
year = {1952}
}

T. Karras, M. Aittala, T. Aila, and S. Laine, “Elucidating the Design Space of Diffusion-Based Generative Models,” , 2022.
[Bibtex]

@Article{ karras_elucidating_2022,
title = {Elucidating the {Design} {Space} of {Diffusion}-{Based}
{Generative} {Models}},
language  = {en},
author  = {Karras, Tero and Aittala, Miika and Aila, Timo and Laine,
Samuli},
month = oct,
year = {2022}
}

A. Chemla-Romeu-Santos, “Manifold representations of musical signals and generative spaces,” , 2020.
[Bibtex]

@Article{ chemla-romeu-santos_manifold_2020,
title = {Manifold representations of musical signals and generative
spaces},
language  = {en},
author  = {Chemla-Romeu-Santos, Axel},
year = {2020}
}

Q. Wang, B. Wu, P. Zhu, P. Li, W. Zuo, and Q. Hu, “ECA-Net: Efficient Channel Attention for Deep Convolutional Neural Networks,” , 2020.
[Bibtex]

@Article{ wang_eca-net_2020,
title = {{ECA}-{Net}: {Efficient} {Channel} {Attention} for {Deep}
{Convolutional} {Neural} {Networks}},
language  = {en},
author  = {Wang, Qilong and Wu, Banggu and Zhu, Pengfei and Li,
Peihua and Zuo, Wangmeng and Hu, Qinghua},
month = apr,
year = {2020}
}

J. Beck and R. Bishop, “Technocrats of the imagination: art, technology, and the military-industrial avant-garde,” , 2020.
[Bibtex]

@Article{ beck_technocrats_2020,
address  = {Durham},
title = {Technocrats of the imagination: art, technology, and the
military-industrial avant-garde},
isbn = {978-1-4780-0595-7 978-1-4780-0660-2},
language  = {en},
author  = {Beck, John and Bishop, Ryan},
year = {2020}
}

D. Wallraff and J. Strawn, “Digital Audio Engineering, An Anthology,” Computer music journal, 1986.
[Bibtex]

@Article{ wallraff_digital_1986,
title = {Digital {Audio} {Engineering}, {An} {Anthology}},
issn = {01489267},
doi = {10.2307/3680265},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wallraff, Dean and Strawn, John},
year = {1986}
}

X. Wang, R. Girshick, A. Gupta, and K. He, “Non-local Neural Networks,” , 2018.
[Bibtex]

@Article{ wang_non-local_2018,
title = {Non-local {Neural} {Networks}},
language  = {en},
author  = {Wang, Xiaolong and Girshick, Ross and Gupta, Abhinav and
He, Kaiming},
month = apr,
year = {2018}
}

C. Xu, Q. Sun, K. Zheng, X. Geng, P. Zhao, J. Feng, C. Tao, and D. Jiang, “WizardLM: Empowering Large Language Models to Follow Complex Instructions,” , 2023.
[Bibtex]

@Article{ xu_wizardlm_2023,
title = {{WizardLM}: {Empowering} {Large} {Language} {Models} to
{Follow} {Complex} {Instructions}},
language  = {en},
author  = {Xu, Can and Sun, Qingfeng and Zheng, Kai and Geng, Xiubo
and Zhao, Pu and Feng, Jiazhan and Tao, Chongyang and
Jiang, Daxin},
month = jun,
year = {2023}
}

A. Moore and G. Bromham, “Distortion in Music Production: The Soul of Sonics,” , 2023.
[Bibtex]

@Article{ moore_distortion_2023,
address  = {London},
title = {Distortion in {Music} {Production}: {The} {Soul} of
{Sonics}},
isbn = {978-0-429-35684-1},
language  = {en},
author  = {Moore, Austin and Bromham, Gary},
month = mar,
year = {2023},
doi = {10.4324/9780429356841}
}

A. Nichol and P. Dhariwal, “Improved Denoising Diffusion Probabilistic Models,” , 2021.
[Bibtex]

@Article{ nichol_improved_2021,
title = {Improved {Denoising} {Diffusion} {Probabilistic}
{Models}},
language  = {en},
author  = {Nichol, Alex and Dhariwal, Prafulla},
month = feb,
year = {2021}
}

Y. Bachrach and J. Kramár, “AI for the Board Game Diplomacy,” , 2022.
[Bibtex]

@Article{ bachrach_ai_2022,
title = {{AI} for the {Board} {Game} {Diplomacy}},
language  = {en},
author  = {Bachrach, Yoram and Kramár, János},
year = {2022}
}

“L’Orchestre au XXIe Siècle,” , 2003.
[Bibtex]

@Article{ noauthor_orchestre_2003,
title = {L'{Orchestre} au {XXIe} {Siècle}},
language  = {fr},
year = {2003}
}

M. Abadi, A. Agarwal, P. Barham, E. Brevdo, Z. Chen, C. Citro, G. S. Corrado, A. Davis, J. Dean, M. Devin, S. Ghemawat, I. Goodfellow, A. Harp, G. Irving, M. Isard, Y. Jia, R. Jozefowicz, L. Kaiser, M. Kudlur, J. Levenberg, D. Mane, R. Monga, S. Moore, D. Murray, C. Olah, M. Schuster, J. Shlens, B. Steiner, I. Sutskever, K. Talwar, P. Tucker, V. Vanhoucke, V. Vasudevan, F. Viegas, O. Vinyals, P. Warden, M. Wattenberg, M. Wicke, Y. Yu, and X. Zheng, “TensorFlow: Large-Scale Machine Learning on Heterogeneous Distributed Systems,” , 2015.
[Bibtex]

@Article{ abadi_tensorflow_2015,
title = {{TensorFlow}: {Large}-{Scale} {Machine} {Learning} on
{Heterogeneous} {Distributed} {Systems}},
language  = {en},
author  = {Abadi, Martın and Agarwal, Ashish and Barham, Paul and
Brevdo, Eugene and Chen, Zhifeng and Citro, Craig and
Corrado, Greg S and Davis, Andy and Dean, Jeffrey and
Devin, Matthieu and Ghemawat, Sanjay and Goodfellow, Ian
and Harp, Andrew and Irving, Geoffrey and Isard, Michael
and Jia, Yangqing and Jozefowicz, Rafal and Kaiser, Lukasz
and Kudlur, Manjunath and Levenberg, Josh and Mane, Dan and
Monga, Rajat and Moore, Sherry and Murray, Derek and Olah,
Chris and Schuster, Mike and Shlens, Jonathon and Steiner,
Benoit and Sutskever, Ilya and Talwar, Kunal and Tucker,
Paul and Vanhoucke, Vincent and Vasudevan, Vijay and
Viegas, Fernanda and Vinyals, Oriol and Warden, Pete and
Wattenberg, Martin and Wicke, Martin and Yu, Yuan and
Zheng, Xiaoqiang},
year = {2015}
}

C. Abbott, “A Software Approach to Interactive Processing of Musical Sound,” Computer music journal, 1978.
[Bibtex]

@Article{ abbott_software_1978,
title = {A {Software} {Approach} to {Interactive} {Processing} of
{Musical} {Sound}},
issn = {01489267},
doi = {10.2307/3680134},
language  = {en},
journal  = {Computer Music Journal},
author  = {Abbott, Curtis},
month = jul,
year = {1978}
}

A. A. Abdalwahid, “Zaha Hadid form Making Strategies for Design,” , 2013.
[Bibtex]

@Article{ abdalwahid_zaha_2013,
title = {Zaha {Hadid} form {Making} {Strategies} for {Design}},
language  = {en},
author  = {Abdalwahid, Amatalraof Abdullah},
year = {2013}
}

T. H. Abraham, “Nicolas Rashevsky’s Mathematical Biophysics,” Journal of the history of biology, 2004.
[Bibtex]

@Article{ abraham_nicolas_2004,
title = {Nicolas {Rashevsky}'s {Mathematical} {Biophysics}},
issn = {0022-5010},
doi = {10.1023/B:HIST.0000038267.09413.0d},
language  = {en},
journal  = {Journal of the History of Biology},
author  = {Abraham, Tara H.},
year = {2004}
}

E. Acotto and M. Andreatta, “Between mind and mathematics. Different kinds of computational representations of music,” Mathématiques et sciences humaines, 2012.
[Bibtex]

@Article{ acotto_between_2012,
title = {Between mind and mathematics. {Different} kinds of
computational representations of music},
issn = {0987-6936, 1950-6821},
doi = {10.4000/msh.12254},
language  = {en},
journal  = {Mathématiques et sciences humaines},
author  = {Acotto, Edoardo and Andreatta, Moreno},
month = sep,
year = {2012}
}

B. Adams, “Where does computational media aesthetics fit?,” Ieee multimedia, 2003.
[Bibtex]

@Article{ adams_where_2003,
title = {Where does computational media aesthetics fit?},
issn = {1070-986X},
doi = {10.1109/MMUL.2003.1195158},
language  = {en},
journal  = {IEEE Multimedia},
author  = {Adams, B.},
month = apr,
year = {2003}
}

D. Adams, “Composing Music with Grammars,” , 2009.
[Bibtex]

@Article{ adams_composing_2009,
title = {Composing {Music} with {Grammars}},
language  = {en},
author  = {Adams, David},
year = {2009}
}

P. Adenot, “Le chef d’orchestre: De la figure du pouvoir à l’ordre négocié au sein d’une profession vocationnelle,” Transposition, 2015.
[Bibtex]

@Article{ adenot_chef_2015,
title = {Le chef d’orchestre: {De} la figure du pouvoir à
l’ordre négocié au sein d’une profession
vocationnelle},
issn = {2110-6134},
doi = {10.4000/transposition.1182},
language  = {fr},
journal  = {Transposition},
author  = {Adenot, Pauline},
month = sep,
year = {2015}
}

“Shibusa–extracting beauty,” , 2012.
[Bibtex]

@Article{ adkins_shibusa--extracting_2012,
address  = {Huddersfield},
title = {Shibusa--extracting beauty},
isbn = {978-1-86218-101-4},
language  = {en},
year = {2012}
}

M. Adkins, “A manifesto of nodalism,” Journal of science and technology of the arts, 2014.
[Bibtex]

@Article{ adkins_manifesto_2014,
title = {A manifesto of nodalism},
copyright  = {Creative Commons Attribution 4.0 International},
doi = {10.7559/CITARJ.V6I1.128},
language  = {en},
journal  = {Journal of Science and Technology of the Arts},
author  = {Adkins, Monty},
month = jan,
year = {2014}
}

Samuel Adler, “In Memory of Milton,” Perspectives of new music, 2012.
[Bibtex]

@Article{ samuel_adler_memory_2012,
title = {In {Memory} of {Milton}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2s.0001},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Samuel Adler}},
year = {2012}
}

K. V. Agawu, “Music as discourse: semiotic aventures in romantic music,” , 2009.
[Bibtex]

@Article{ agawu_music_2009,
address  = {New York},
title = {Music as discourse: semiotic aventures in romantic music},
isbn = {978-0-19-537024-9},
language  = {en},
author  = {Agawu, V. Kofi},
year = {2009}
}

E. Agmon, “The Multiplicative Norm and Its Implications for Set-Class Theory,” Perspectives of new music, 2002.
[Bibtex]

@Article{ agmon_multiplicative_2002,
title = {The {Multiplicative} {Norm} and {Its} {Implications} for
{Set}-{Class} {Theory}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Agmon, Eytan},
year = {2002}
}

E. Agmon, “The Languages of Western Tonality,” , 2013.
[Bibtex]

@Article{ agmon_languages_2013,
address  = {Berlin, Heidelberg},
title = {The {Languages} of {Western} {Tonality}},
isbn = {978-3-642-39586-4 978-3-642-39587-1},
language  = {en},
author  = {Agmon, Eytan},
year = {2013},
doi = {10.1007/978-3-642-39587-1}
}

C. Agon, K. Haddad, and G. Assayag, “Représentation et rendu de structures rythmiques,” , 2002.
[Bibtex]

@Article{ agon_representation_2002,
title = {Représentation et rendu de structures rythmiques},
language  = {fr},
author  = {Agon, Carlos and Haddad, Karim and Assayag, Gérard},
year = {2002}
}

C. Agon, M. Andreatta, G. Assayag, and S. Schaub, “Formal Aspects of Iannis Xenakis’ “Symbolic Music”: A Computer-Aided Exploration of Compositional Processes,” Journal of new music research, 2004.
[Bibtex]

@Article{ agon_formal_2004,
title = {Formal {Aspects} of {Iannis} {Xenakis}' "{Symbolic}
{Music}": {A} {Computer}-{Aided} {Exploration} of
{Compositional} {Processes}},
issn = {0929-8215, 1744-5027},
doi = {10.1080/0929821042000310621},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Agon, Carlos and Andreatta, Moreno and Assayag, Gérard
and Schaub, Stéphan},
month = jun,
year = {2004}
}

“Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings,” , 2011.
[Bibtex]

@Article{ agon_mathematics_2011,
address  = {Berlin, Heidelberg},
title = {Mathematics and {Computation} in {Music}: {Third}
{International} {Conference}, {MCM} 2011, {Paris},
{France}, {June} 15-17, 2011. {Proceedings}},
isbn = {978-3-642-21589-6 978-3-642-21590-2},
language  = {en},
year = {2011},
doi = {10.1007/978-3-642-21590-2}
}

A. Agostini, “A System for Advanced Additive Synthesis in Max/MSP,” , 2011.
[Bibtex]

@Article{ agostini_system_2011,
title = {A {System} for {Advanced} {Additive} {Synthesis} in
{Max}/{MSP}},
language  = {en},
author  = {Agostini, Andrea},
year = {2011}
}

A. Agostini and D. Ghisi, “Agostini and Ghisi Bach: An Environment for Computer-Aided Composition in Max,” . practical applications, 2012.
[Bibtex]

@Article{ agostini_agostini_2012,
title = {Agostini and {Ghisi} {Bach}: {An} {Environment} for
{Computer}-{Aided} {Composition} in {Max}},
language  = {en},
journal  = {. Practical applications},
author  = {Agostini, Andrea and Ghisi, Daniele},
year = {2012}
}

A. Agostini and D. Ghisi, “Gestures, events and symbols in the Bach environment,” , 2012.
[Bibtex]

@Article{ agostini_gestures_2012,
title = {Gestures, events and symbols in the {Bach} environment},
language  = {en},
author  = {Agostini, Andrea and Ghisi, Daniele},
year = {2012}
}

P. Aigrain, “Sharing: culture and the economy in the Internet age,” , 2012.
[Bibtex]

@Article{ aigrain_sharing_2012,
address  = {Amsterdam},
title = {Sharing: culture and the economy in the {Internet} age},
isbn = {978-90-8964-385-8 978-90-485-1534-9},
language  = {en},
author  = {Aigrain, Philippe},
year = {2012}
}

P. Aigrain, J. Appelbaum, J. Assange, J. Branco, N. Chomsky, B. Garzon, N. Goldin, E. Moglen, L. Poitras, J. Robinson, R. Tavares, and J. Zimmermann, “Fiction and reality: Thinking beyond Big Brother.”
[Bibtex]

@Article{ aigrain_fiction_nodate,
title = {Fiction and reality: {Thinking} beyond {Big} {Brother}},
language  = {en},
author  = {Aigrain, Philippe and Appelbaum, Jacob and Assange, Julian
and Branco, Juan and Chomsky, Noam and Garzon, Baltasar and
Goldin, Nan and Moglen, Eben and Poitras, Laura and
Robinson, Jennifer and Tavares, Rui and Zimmermann,
Jérémie}
}

R. M. Aimi, “Hybrid Percussion: Extending Physical Instruments Using Sampled Acoustics.”
[Bibtex]

@Article{ aimi_hybrid_nodate,
title = {Hybrid {Percussion}: {Extending} {Physical} {Instruments}
{Using} {Sampled} {Acoustics}},
language  = {en},
author  = {Aimi, Roberto Mario}
}

“Springer handbook of acoustics,” , 2007.
[Bibtex]

@Article{ rossing_springer_2007,
address  = {New York, N.Y},
title = {Springer handbook of acoustics},
isbn = {978-0-387-30446-5 978-0-387-33633-6},
language  = {en},
year = {2007}
}

OpenAI, I. Akkaya, M. Andrychowicz, M. Chociej, M. Litwin, B. McGrew, A. Petron, A. Paino, M. Plappert, G. Powell, R. Ribas, J. Schneider, N. Tezak, J. Tworek, P. Welinder, L. Weng, Q. Yuan, W. Zaremba, and L. Zhang, “Solving Rubik’s Cube with a Robot Hand,” , 2019.
[Bibtex]

@Article{ openai_solving_2019,
title = {Solving {Rubik}'s {Cube} with a {Robot} {Hand}},
language  = {en},
author  = {OpenAI and Akkaya, Ilge and Andrychowicz, Marcin and
Chociej, Maciek and Litwin, Mateusz and McGrew, Bob and
Petron, Arthur and Paino, Alex and Plappert, Matthias and
Powell, Glenn and Ribas, Raphael and Schneider, Jonas and
Tezak, Nikolas and Tworek, Jerry and Welinder, Peter and
Weng, Lilian and Yuan, Qiming and Zaremba, Wojciech and
Zhang, Lei},
month = oct,
year = {2019}
}

“Evolutionary and Biologically Inspired Music, Sound, Art and Design: 4th International Conference, EvoMUSART 2015, Copenhagen, Denmark, April 8-10, 2015, Proceedings,” , 2015.
[Bibtex]

@Article{ johnson_evolutionary_2015,
address  = {Cham},
title = {Evolutionary and {Biologically} {Inspired} {Music},
{Sound}, {Art} and {Design}: 4th {International}
{Conference}, {EvoMUSART} 2015, {Copenhagen}, {Denmark},
{April} 8-10, 2015, {Proceedings}},
isbn = {978-3-319-16497-7 978-3-319-16498-4},
language  = {en},
year = {2015},
doi = {10.1007/978-3-319-16498-4}
}

O. A. Agustín-Aquino, J. Junod, and G. Mazzola, “Computational Counterpoint Worlds: Mathematical Theory, Software, and Experiments,” , 2015.
[Bibtex]

@Article{ agustin-aquino_computational_2015,
address  = {Cham},
title = {Computational {Counterpoint} {Worlds}: {Mathematical}
{Theory}, {Software}, and {Experiments}},
isbn = {978-3-319-11235-0 978-3-319-11236-7},
language  = {en},
author  = {Agustín-Aquino, Octavio Alberto and Junod, Julien and
Mazzola, Guerino},
year = {2015},
doi = {10.1007/978-3-319-11236-7}
}

D. S. Alberts, “Information age transformation: getting to a 21st century military,” , 2003.
[Bibtex]

@Article{ alberts_information_2003,
address  = {Washington, D.C},
title = {Information age transformation: getting to a 21st century
military},
isbn = {978-1-893723-06-1},
language  = {en},
author  = {Alberts, David S.},
year = {2003}
}

D. S. Alberts, J. J. Garstka, R. Hayes, and D. A. Signori, “Understanding Information Age Warfare:,” Defense Technical Information Center, Fort Belvoir, VA 2001.
[Bibtex]

@TechReport{ alberts_understanding_2001,
address  = {Fort Belvoir, VA},
title = {Understanding {Information} {Age} {Warfare}:},
language  = {en},
institution  = {Defense Technical Information Center},
author  = {Alberts, David S. and Garstka, John J. and Hayes, Richard
E. and Signori, David A.},
month = aug,
year = {2001},
doi = {10.21236/ADA386374}
}

S. Alexander-Adams and M. Gurevich, “A Flexible Platform for Tangible Graphic Scores,” , 2015.
[Bibtex]

@Article{ alexander-adams_flexible_2015,
title = {A {Flexible} {Platform} for {Tangible} {Graphic}
{Scores}},
language  = {en},
author  = {Alexander-Adams, Simon and Gurevich, Michael},
year = {2015}
}

C. Allauzen, M. Crochemore, and M. Raffinot, “Factor Oracle: A New Structure for Pattern Matching,” , 1999.
[Bibtex]

@Article{ goos_factor_1999,
address  = {Berlin, Heidelberg},
title = {Factor {Oracle}: {A} {New} {Structure} for {Pattern}
{Matching}},
isbn = {978-3-540-66694-3 978-3-540-47849-2},
language  = {en},
booktitle  = {{SOFSEM}’99: {Theory} and {Practice} of {Informatics}},
author  = {Allauzen, Cyril and Crochemore, Maxime and Raffinot,
Mathieu},
year = {1999},
doi = {10.1007/3-540-47849-3_18}
}

R. L. Allen and D. W. Mills, “Signal Analysis: Time, Frequency, Scale, and Structure,” , 2003.
[Bibtex]

@Article{ allen_signal_2003,
title = {Signal {Analysis}: {Time}, {Frequency}, {Scale}, and
{Structure}},
isbn = {978-0-471-23441-8 978-0-471-66037-8},
language  = {en},
author  = {Allen, Ronald L. and Mills, Duncan W.},
month = dec,
year = {2003},
doi = {10.1002/047166037X}
}

A. J. Isaacs, “A Thesis Presented to The Academic Faculty.”
[Bibtex]

@Article{ isaacs_thesis_nodate,
title = {A {Thesis} {Presented} to {The} {Academic} {Faculty}},
language  = {en},
author  = {Isaacs, Allison Jean}
}

E. Alloa, “Architectures de la transparence,” Appareil, 2007.
[Bibtex]

@Article{ alloa_architectures_2007,
title = {Architectures de la transparence},
issn = {2101-0714},
doi = {10.4000/appareil.138},
language  = {fr},
journal  = {Appareil},
author  = {Alloa, Emmanuel},
month = dec,
year = {2007}
}

E. Alonso, “The Listener in François Bayle’s Works: A resonant subject in a living space,” Organised sound, 2015.
[Bibtex]

@Article{ alonso_listener_2015,
title = {The {Listener} in {François} {Bayle}’s {Works}: {A}
resonant subject in a living space},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771815000230},
language  = {en},
journal  = {Organised Sound},
author  = {Alonso, Edith},
month = dec,
year = {2015}
}

G. Aloupis, T. Fevens, S. Langerman, T. Matsui, A. Mesa, Y. Nuñez, D. Rappaport, and G. Toussaint, “Algorithms for Computing Geometric Measures of Melodic Similarity,” Computer music journal, 2006.
[Bibtex]

@Article{ aloupis_algorithms_2006,
title = {Algorithms for {Computing} {Geometric} {Measures} of
{Melodic} {Similarity}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.3.67},
language  = {en},
journal  = {Computer Music Journal},
author  = {Aloupis, Greg and Fevens, Thomas and Langerman, Stefan and
Matsui, Tomomi and Mesa, Antonio and Nuñez, Yurai and
Rappaport, David and Toussaint, Godfried},
month = sep,
year = {2006}
}

B. H. Alphonce, “Music Analysis by Computer: A Field for Theory Formation,” Computer music journal, 1980.
[Bibtex]

@Article{ alphonce_music_1980,
title = {Music {Analysis} by {Computer}: {A} {Field} for {Theory}
{Formation}},
issn = {01489267},
doi = {10.2307/3680080},
language  = {en},
journal  = {Computer Music Journal},
author  = {Alphonce, Bo H.},
year = {1980}
}

C. Altieri, “John Ashbery and the Challenge of Postmodernism in the Visual Arts,” Critical inquiry, 1988.
[Bibtex]

@Article{ altieri_john_1988,
title = {John {Ashbery} and the {Challenge} of {Postmodernism} in
the {Visual} {Arts}},
language  = {en},
journal  = {Critical Inquiry},
author  = {Altieri, Charles},
year = {1988}
}

J. L. Alty, “Navigating through Compositional Space: The Creativity Corridor,” Leonardo, 1995.
[Bibtex]

@Article{ alty_navigating_1995,
title = {Navigating through {Compositional} {Space}: {The}
{Creativity} {Corridor}},
issn = {0024094X},
doi = {10.2307/1576077},
language  = {en},
journal  = {Leonardo},
author  = {Alty, J. L.},
year = {1995}
}

B. Alves, “Kembangan in the Music of Lou Harrison,” Perspectives of new music, 2001.
[Bibtex]

@Article{ alves_kembangan_2001,
title = {Kembangan in the {Music} of {Lou} {Harrison}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Alves, Bill},
year = {2001}
}

B. Alves, “Digital Harmony of Sound and Light,” Computer music journal, 2005.
[Bibtex]

@Article{ alves_digital_2005,
title = {Digital {Harmony} of {Sound} and {Light}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892605775179982},
language  = {en},
journal  = {Computer Music Journal},
author  = {Alves, Bill},
month = dec,
year = {2005}
}

M. Amacher, “Interview with Maryanne Amacher (found in a basement).”
[Bibtex]

@Article{ amacher_interview_nodate,
title = {Interview with {Maryanne} {Amacher} (found in a
basement)},
language  = {en},
author  = {Amacher, Maryanne}
}

J. Amanatides and D. P. Mitchell, “Antialiasing of Interlaced Video Animation,” , 1990.
[Bibtex]

@Article{ amanatides_antialiasing_1990,
title = {Antialiasing of {Interlaced} {Video} {Animation}},
language  = {en},
author  = {Amanatides, John and Mitchell, Don P},
year = {1990}
}

C. Ames, “”Crystals”: Recursive Structures in Automated Composition,” Computer music journal, 1982.
[Bibtex]

@Article{ ames_crystals_1982,
title = {"{Crystals}": {Recursive} {Structures} in {Automated}
{Composition}},
issn = {01489267},
doi = {10.2307/3680198},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ames, Charles},
year = {1982}
}

C. Ames, “Stylistic Automata in “Gradient”,” Computer music journal, 1983.
[Bibtex]

@Article{ ames_stylistic_1983,
title = {Stylistic {Automata} in "{Gradient}"},
issn = {01489267},
doi = {10.2307/3679533},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ames, Charles},
year = {1983}
}

C. Ames, “Tutorial on Automated Composition,” , 1987.
[Bibtex]

@Article{ ames_tutorial_1987,
title = {Tutorial on {Automated} {Composition}},
language  = {en},
author  = {Ames, Charles},
year = {1987}
}

C. Ames, “Automated Composition in Retrospect: 1956-1986,” Leonardo, 1987.
[Bibtex]

@Article{ ames_automated_1987,
title = {Automated {Composition} in {Retrospect}: 1956-1986},
issn = {0024094X},
doi = {10.2307/1578334},
language  = {en},
journal  = {Leonardo},
author  = {Ames, Charles},
year = {1987}
}

I. Amidror and R. D. Hersch, “Fourier-based analysis of phase shifts in the superposition of periodic layers and their moiré effects,” Journal of the optical society of america a, 1996.
[Bibtex]

@Article{ amidror_fourier-based_1996,
title = {Fourier-based analysis of phase shifts in the
superposition of periodic layers and their moiré effects},
issn = {1084-7529, 1520-8532},
doi = {10.1364/JOSAA.13.000974},
language  = {en},
journal  = {Journal of the Optical Society of America A},
author  = {Amidror, Isaac and Hersch, Roger D.},
month = may,
year = {1996}
}

I. Amidror, “Fourier spectrum of curvilinear gratings of the second order,” Journal of the optical society of america a, 1998.
[Bibtex]

@Article{ amidror_fourier_1998,
title = {Fourier spectrum of curvilinear gratings of the second
order},
issn = {1084-7529, 1520-8532},
doi = {10.1364/JOSAA.15.000900},
language  = {en},
journal  = {Journal of the Optical Society of America A},
author  = {Amidror, Isaac},
month = apr,
year = {1998}
}

I. Amidror and R. D. Hersch, “Analysis of the microstructures (“rosettes”) in the superposition of periodic layers,” Journal of electronic imaging, 2002.
[Bibtex]

@Article{ amidror_analysis_2002,
title = {Analysis of the microstructures (“rosettes”) in the
superposition of periodic layers},
issn = {10179909},
doi = {10.1117/1.1477442},
language  = {en},
journal  = {Journal of Electronic Imaging},
author  = {Amidror, Isaac and Hersch, Roger D.},
year = {2002}
}

I. Amidror, “Glass Patterns as Moiré Effects: New Surprising Results,” Optics letters, 2003.
[Bibtex]

@Article{ amidror_glass_2003,
title = {Glass {Patterns} as {Moiré} {Effects}: {New} {Surprising}
{Results}},
issn = {0146-9592, 1539-4794},
doi = {10.1364/OL.28.000007},
language  = {en},
journal  = {Optics Letters},
author  = {Amidror, Isaac},
month = jan,
year = {2003}
}

I. Amidror, “Glass Patterns in the Superposition of Random Line Gratings,” Journal of optics a: pure and applied optics, 2003.
[Bibtex]

@Article{ amidror_glass_2003-1,
title = {Glass {Patterns} in the {Superposition} of {Random} {Line}
{Gratings}},
issn = {1464-4258},
doi = {10.1088/1464-4258/5/3/311},
language  = {en},
journal  = {Journal of Optics A: Pure and Applied Optics},
author  = {Amidror, Isaac},
month = may,
year = {2003}
}

I. Amidror, “Moiré patterns between aperiodic layers: quantitative analysis and synthesis,” Journal of the optical society of america a, 2003.
[Bibtex]

@Article{ amidror_moire_2003,
title = {Moiré patterns between aperiodic layers: quantitative
analysis and synthesis},
issn = {1084-7529, 1520-8532},
doi = {10.1364/JOSAA.20.001900},
language  = {en},
journal  = {Journal of the Optical Society of America A},
author  = {Amidror, Isaac},
month = oct,
year = {2003}
}

I. Amidror, “Unified approach for the explanation of stochastic and periodic moire´s,” Journal of electronic imaging, 2003.
[Bibtex]

@Article{ amidror_unified_2003,
title = {Unified approach for the explanation of stochastic and
periodic moire´s},
issn = {1017-9909},
doi = {10.1117/1.1604785},
language  = {en},
journal  = {Journal of Electronic Imaging},
author  = {Amidror, Isaac},
month = oct,
year = {2003}
}

I. Amidror, “Dot trajectories in the superposition of random screens: analysis and synthesis,” Journal of the optical society of america a, 2004.
[Bibtex]

@Article{ amidror_dot_2004,
title = {Dot trajectories in the superposition of random screens:
analysis and synthesis},
issn = {1084-7529, 1520-8532},
doi = {10.1364/JOSAA.21.001472},
language  = {en},
journal  = {Journal of the Optical Society of America A},
author  = {Amidror, Isaac},
month = aug,
year = {2004}
}

I. Amidror, “The Theory of the moiré phenomenon. 2: Aperiodic layers / by Isaac Amidror,” , 2007.
[Bibtex]

@Article{ amidror_theory_2007,
address  = {Dordrecht},
title = {The {Theory} of the moiré phenomenon. 2: {Aperiodic}
layers / by {Isaac} {Amidror}},
isbn = {978-1-4020-5457-0},
language  = {en},
author  = {Amidror, Itzhak},
year = {2007}
}

I. Amidror and R. D. Hersch, “Mathematical moiré models and their limitations,” Journal of modern optics, 2010.
[Bibtex]

@Article{ amidror_mathematical_2010,
title = {Mathematical moiré models and their limitations},
issn = {0950-0340, 1362-3044},
doi = {10.1080/09500340903494629},
language  = {en},
journal  = {Journal of Modern Optics},
author  = {Amidror, Isaac and Hersch, Roger D.},
month = jan,
year = {2010}
}

I. Amidror and R. D. Hersch, “The role of Fourier theory and of modulation in the prediction of visible moiré effects,” Journal of modern optics, 2009.
[Bibtex]

@Article{ amidror_role_2009,
title = {The role of {Fourier} theory and of modulation in the
prediction of visible moiré effects},
issn = {0950-0340, 1362-3044},
doi = {10.1080/09500340902994140},
language  = {en},
journal  = {Journal of Modern Optics},
author  = {Amidror, Isaac and Hersch, Roger D.},
month = may,
year = {2009}
}

“The Theory of the Moiré Phenomenon,” , 2009.
[Bibtex]

@Article{ amidror_theory_2009,
address  = {London},
title = {The {Theory} of the {Moiré} {Phenomenon}},
isbn = {978-1-84882-180-4 978-1-84882-181-1},
language  = {en},
year = {2009},
doi = {10.1007/978-1-84882-181-1}
}

I. Amidror, “Tutorial: Sub-Nyquist artifacts and sampling moiré effects.”
[Bibtex]

@Article{ amidror_tutorial_nodate,
title = {Tutorial: {Sub}-{Nyquist} artifacts and sampling moiré
effects},
language  = {en},
author  = {Amidror, Isaac}
}

A. Amin, “Collective culture and urban public space,” City, 2008.
[Bibtex]

@Article{ amin_collective_2008,
title = {Collective culture and urban public space},
issn = {1360-4813, 1470-3629},
doi = {10.1080/13604810801933495},
language  = {en},
journal  = {City},
author  = {Amin, Ash},
month = apr,
year = {2008}
}

E. Amiot, “Rhythmic Canons and Galois Theory,” E. a, 2005.
[Bibtex]

@Article{ amiot_rhythmic_2005,
title = {Rhythmic {Canons} and {Galois} {Theory}},
language  = {en},
journal  = {E. A},
author  = {Amiot, Emmanuel},
year = {2005}
}

E. Amiot, M. Andreatta, and C. Agon, “Tiling the (Musical) Line with Polynomials: Some Theoretical and Implementational Aspects,” , 2005.
[Bibtex]

@Article{ amiot_tiling_2005,
title = {Tiling the ({Musical}) {Line} with {Polynomials}: {Some}
{Theoretical} and {Implementational} {Aspects}},
language  = {en},
author  = {Amiot, Emmanuel and Andreatta, Moreno and Agon, Carlos},
year = {2005}
}

E. Amiot, T. Noll, M. Andreatta, and C. Agon, “Fourier Oracles for Computer-Aided Improvisation,” , 2006.
[Bibtex]

@Article{ amiot_fourier_2006,
title = {Fourier {Oracles} for {Computer}-{Aided} {Improvisation}},
language  = {en},
author  = {Amiot, Emmanuel and Noll, Thomas and Andreatta, Moreno and
Agon, Carlos},
year = {2006}
}

E. Amiot, “Discrete Fourier Transform and Bach’s Good Temperament,” Music theory online, 2009.
[Bibtex]

@Article{ amiot_discrete_2009,
title = {Discrete {Fourier} {Transform} and {Bach}’s {Good}
{Temperament}},
issn = {1067-3040},
doi = {10.30535/mto.15.2.1},
language  = {en},
journal  = {Music Theory Online},
author  = {Amiot, Emmanuel},
month = jun,
year = {2009}
}

E. Amiot and W. A. Sethares, “An algebra for periodic rhythms and scales,” Journal of mathematics and music, 2011.
[Bibtex]

@Article{ amiot_algebra_2011,
title = {An algebra for periodic rhythms and scales},
issn = {1745-9737, 1745-9745},
doi = {10.1080/17459737.2011.640469},
language  = {en},
journal  = {Journal of Mathematics and Music},
author  = {Amiot, Emmanuel and Sethares, William A.},
month = nov,
year = {2011}
}

E. Amiot, “New Perspectives on Rhythmic Canons and the Spectral Conjecture,” , 2009.
[Bibtex]

@Article{ amiot_new_2009,
title = {New {Perspectives} on {Rhythmic} {Canons} and the
{Spectral} {Conjecture}},
language  = {en},
author  = {Amiot, Emmanuel},
year = {2009}
}

E. Amiot and S. Nazaire, “Structures, Algorithms, and Algebraic Tools for Rhythmic Canons,” , 2011.
[Bibtex]

@Article{ amiot_structures_2011,
title = {Structures, {Algorithms}, and {Algebraic} {Tools} for
{Rhythmic} {Canons}},
language  = {en},
author  = {Amiot, Emmanuel and Nazaire, St},
year = {2011}
}

Emmanuel Amiot, “Structures, Algorithms, and Algebraic Tools for Rhythmic Canons,” Perspectives of new music, 2011.
[Bibtex]

@Article{ emmanuel_amiot_structures_2011,
title = {Structures, {Algorithms}, and {Algebraic} {Tools} for
{Rhythmic} {Canons}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2.0093},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Emmanuel Amiot}},
year = {2011}
}

E. Amiot, “The Torii of Phases,” , 2013.
[Bibtex]

@Article{ hutchison_torii_2013,
address  = {Berlin, Heidelberg},
title = {The {Torii} of {Phases}},
isbn = {978-3-642-39356-3 978-3-642-39357-0},
language  = {en},
booktitle  = {Mathematics and {Computation} in {Music}},
author  = {Amiot, Emmanuel},
year = {2013},
doi = {10.1007/978-3-642-39357-0_1}
}

“Mathematics and Computation in Music: 4th International Conference, MCM 2013, Montreal, QC, Canada, June 12-14, 2013. Proceedings,” , 2013.
[Bibtex]

@Article{ yust_mathematics_2013,
address  = {Berlin, Heidelberg},
title = {Mathematics and {Computation} in {Music}: 4th
{International} {Conference}, {MCM} 2013, {Montreal}, {QC},
{Canada}, {June} 12-14, 2013. {Proceedings}},
isbn = {978-3-642-39356-3 978-3-642-39357-0},
language  = {en},
year = {2013},
doi = {10.1007/978-3-642-39357-0}
}

E. Amiot, “Music Through Fourier Space,” , 2016.
[Bibtex]

@Article{ amiot_music_2016,
address  = {Cham},
title = {Music {Through} {Fourier} {Space}},
isbn = {978-3-319-45580-8 978-3-319-45581-5},
language  = {en},
author  = {Amiot, Emmanuel},
year = {2016},
doi = {10.1007/978-3-319-45581-5}
}

S. Amoroso and G. Cooper, “Tessellation structures for reproduction of arbitrary patterns,” Journal of computer and system sciences, 1971.
[Bibtex]

@Article{ amoroso_tessellation_1971,
title = {Tessellation structures for reproduction of arbitrary
patterns},
issn = {00220000},
doi = {10.1016/S0022-0000(71)80009-0},
language  = {en},
journal  = {Journal of Computer and System Sciences},
author  = {Amoroso, Serafino and Cooper, Gerald},
month = oct,
year = {1971}
}

J. Andén and S. Mallat, “Deep Scattering Spectrum,” Ieee transactions on signal processing, 2014.
[Bibtex]

@Article{ anden_deep_2014,
title = {Deep {Scattering} {Spectrum}},
issn = {1053-587X, 1941-0476},
doi = {10.1109/TSP.2014.2326991},
language  = {en},
journal  = {IEEE Transactions on Signal Processing},
author  = {Andén, Joakim and Mallat, Stéphane},
month = aug,
year = {2014}
}

T. Anders, “Composing Music by Composing Rules: Design and Usage of a Generic Music Constraint System,” , 2007.
[Bibtex]

@Article{ anders_composing_2007,
title = {Composing {Music} by {Composing} {Rules}: {Design} and
{Usage} of a {Generic} {Music} {Constraint} {System}},
language  = {en},
author  = {Anders, Torsten},
year = {2007}
}

T. Anders and E. R. Miranda, “A Computational Model for Rule-Based Microtonal Music Theories and Composition,” Perspectives of new music, 2010.
[Bibtex]

@Article{ anders_computational_2010,
title = {A {Computational} {Model} for {Rule}-{Based} {Microtonal}
{Music} {Theories} and {Composition}},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0009},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Anders, Torsten and Miranda, Eduardo R.},
year = {2010}
}

T. Anders and E. R. Miranda, “Constraint Application with Higher-Order Programming for Modeling Music Theories,” Computer music journal, 2010.
[Bibtex]

@Article{ anders_constraint_2010,
title = {Constraint {Application} with {Higher}-{Order}
{Programming} for {Modeling} {Music} {Theories}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.2.25},
language  = {en},
journal  = {Computer Music Journal},
author  = {Anders, Torsten and Miranda, Eduardo R.},
month = jun,
year = {2010}
}

D. P. Anderson and R. Kuivila, “Accurately Timed Generation of Discrete Musical Events,” Computer music journal, 1986.
[Bibtex]

@Article{ anderson_accurately_1986,
title = {Accurately {Timed} {Generation} of {Discrete} {Musical}
{Events}},
issn = {01489267},
doi = {10.2307/3680259},
language  = {en},
journal  = {Computer Music Journal},
author  = {Anderson, David P. and Kuivila, Ron},
year = {1986}
}

P. Anderson, “Echoes of Petrarch: Martin Boykan and Musical Narrative,” Perspectives of new music, 2000.
[Bibtex]

@Article{ anderson_echoes_2000,
title = {Echoes of {Petrarch}: {Martin} {Boykan} and {Musical}
{Narrative}},
issn = {00316016},
doi = {10.2307/833664},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Anderson, Paul},
year = {2000}
}

S. Anderson, “Microsound in public space: compositional methods to enhance site-specific sound,” Organised sound, 2008.
[Bibtex]

@Article{ anderson_microsound_2008,
title = {Microsound in public space: compositional methods to
enhance site-specific sound},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771808000071},
language  = {en},
journal  = {Organised Sound},
author  = {Anderson, Sven},
month = apr,
year = {2008}
}

E. Anderson, “An Interview with Annette Vande Gorne, Part 2,” Computer music journal, 2012.
[Bibtex]

@Article{ anderson_interview_2012,
title = {An {Interview} with {Annette} {Vande} {Gorne}, {Part} 2},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00116},
language  = {en},
journal  = {Computer Music Journal},
author  = {Anderson, Elizabeth},
month = jun,
year = {2012}
}

E. Anderson, “An Interview with Annette Vande Gorne, Part One,” Computer music journal, 2012.
[Bibtex]

@Article{ anderson_interview_2012-1,
title = {An {Interview} with {Annette} {Vande} {Gorne}, {Part}
{One}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00102},
language  = {en},
journal  = {Computer Music Journal},
author  = {Anderson, Elizabeth},
month = mar,
year = {2012}
}

“AAG2018: Advances in Architectural Geometry 2018,” , 2018.
[Bibtex]

@Article{ hesselgren_aag2018_2018,
address  = {Vienna},
title = {{AAG2018}: {Advances} in {Architectural} {Geometry} 2018},
isbn = {978-3-903015-13-5},
language  = {en},
year = {2018}
}

M. Andreatta and C. Agon, “Implementing algebraic methods in OpenMusic..”
[Bibtex]

@Article{ andreatta_implementing_nodate,
title = {Implementing algebraic methods in {OpenMusic}.},
language  = {en},
author  = {Andreatta, Moreno and Agon, Carlos}
}

M. Andreatta, A. Poirier, G. Mazzola, J. Rahn, G. Assayag, M. Chemillier, and J. Petitot, “Méthodes algébriques en musique et musicologie du XXe siècle : aspects théoriques, analytiques et compositionnels.”
[Bibtex]

@Article{ andreatta_methodes_nodate,
title = {Méthodes algébriques en musique et musicologie du {XXe}
siècle : aspects théoriques, analytiques et
compositionnels},
language  = {fr},
author  = {Andreatta, Moreno and Poirier, Alain and Mazzola, Guerino
and Rahn, John and Assayag, Gérard and Chemillier, Marc
and Petitot, Jean}
}

M. Andreatta and M. Chemillier, “MODELES MATHEMATIQUES POUR L’INFORMATIQUE MUSICALE (MMIM) : OUTILS THEORIQUES ET STRATEGIES PEDAGOGIQUES.”
[Bibtex]

@Article{ andreatta_modeles_nodate,
title = {{MODELES} {MATHEMATIQUES} {POUR} {L}’{INFORMATIQUE}
{MUSICALE} ({MMIM}) : {OUTILS} {THEORIQUES} {ET}
{STRATEGIES} {PEDAGOGIQUES}},
language  = {fr},
author  = {Andreatta, Moreno and Chemillier, Marc}
}

M. Andreatta, “A computational perspective! on some music-theoretical ! and compositional problems!.”
[Bibtex]

@Article{ andreatta_computational_nodate,
title = {A computational perspective! on some music-theoretical !
and compositional problems!},
language  = {en},
author  = {Andreatta, Moreno}
}

“The role of nuclear power and nuclear propulsion in the peaceful exploration of space,” , 2005.
[Bibtex]

@Article{ stanculescu_role_2005,
address  = {Vienna},
title = {The role of nuclear power and nuclear propulsion in the
peaceful exploration of space},
isbn = {978-92-0-107404-1},
language  = {en},
year = {2005}
}

Y. André, “Leçons de Mathématiques contemporaines à l’IRCAM,” , 2009.
[Bibtex]

@Article{ andre_cons_2009,
title = {Leçons de {Mathématiques} contemporaines à
l’{IRCAM}},
language  = {fr},
author  = {André, Yves},
year = {2009}
}

P. Antick, “Flavia’s Tour Favela,” Photographies, 2010.
[Bibtex]

@Article{ antick_flavias_2010,
title = {Flavia's {Tour} {Favela}},
issn = {1754-0763, 1754-0771},
doi = {10.1080/17540760903561272},
language  = {en},
journal  = {Photographies},
author  = {Antick, Paul},
month = apr,
year = {2010}
}

J. Antoine, R. Murenzi, P. Vandergheynst, and S. T. Ali, “Two-Dimensional Wavelets and their Relatives.”
[Bibtex]

@Article{ antoine_two-dimensional_nodate,
title = {Two-{Dimensional} {Wavelets} and their {Relatives}},
language  = {en},
author  = {Antoine, Jean-Pierre and Murenzi, Romain and
Vandergheynst, Pierre and Ali, Syed Twareque}
}

M. J. Apter, “Cybernetics and Art,” Leonardo, 1969.
[Bibtex]

@Article{ apter_cybernetics_1969,
title = {Cybernetics and {Art}},
issn = {0024094X},
doi = {10.2307/1572155},
language  = {en},
journal  = {Leonardo},
author  = {Apter, Michael J.},
month = jul,
year = {1969}
}

Y. Araki and K. Ito, “An extension of the Maskit slice for 4-dimensional Kleinian groups,” Conformal geometry and dynamics of the american mathematical society, 2008.
[Bibtex]

@Article{ araki_extension_2008,
title = {An extension of the {Maskit} slice for 4-dimensional
{Kleinian} groups},
issn = {1088-4173},
doi = {10.1090/S1088-4173-08-00187-2},
language  = {en},
journal  = {Conformal Geometry and Dynamics of the American
Mathematical Society},
author  = {Araki, Yoshiaki and Ito, Kentaro},
month = dec,
year = {2008}
}

M. Aramaki, R. Kronland-Martinet, T. Voinier, and S. Ystad, “A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes,” Computer music journal, 2006.
[Bibtex]

@Article{ aramaki_percussive_2006,
title = {A {Percussive} {Sound} {Synthesizer} {Based} on {Physical}
and {Perceptual} {Attributes}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.2.32},
language  = {en},
journal  = {Computer Music Journal},
author  = {Aramaki, Mitsuko and Kronland-Martinet, Richard and
Voinier, Thierry and Ystad, Sølvi},
month = jun,
year = {2006}
}

J. Gilmore, “Composing With Process: Perspectives on Generative and Systems Music – Complete Series.”
[Bibtex]

@Article{ gilmore_composing_nodate,
title = {Composing {With} {Process}: {Perspectives} on {Generative}
and {Systems} {Music} - {Complete} {Series}},
language  = {en},
author  = {Gilmore, Joe}
}

L. Ardaillon, “Synthesis and expressive transformation of singing voice,” , 2017.
[Bibtex]

@Article{ ardaillon_synthesis_2017,
title = {Synthesis and expressive transformation of singing voice},
language  = {en},
author  = {Ardaillon, Luc},
year = {2017}
}

D. Arfib and N. Delprat, “Musical Transformations Using the Modification of Time-Frequency Images,” Computer music journal, 1993.
[Bibtex]

@Article{ arfib_musical_1993,
title = {Musical {Transformations} {Using} the {Modification} of
{Time}-{Frequency} {Images}},
issn = {01489267},
doi = {10.2307/3680870},
language  = {en},
journal  = {Computer Music Journal},
author  = {Arfib, Daniel and Delprat, Nathalie},
year = {1993}
}

“The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning,” , 2010.
[Bibtex]

@Article{ argamon_structure_2010,
address  = {Berlin, Heidelberg},
title = {The {Structure} of {Style}: {Algorithmic} {Approaches} to
{Understanding} {Manner} and {Meaning}},
isbn = {978-3-642-12336-8 978-3-642-12337-5},
language  = {en},
year = {2010},
doi = {10.1007/978-3-642-12337-5}
}

J. Arias-de-Reyna, “X-Ray of Riemann zeta-function,” , 2003.
[Bibtex]

@Article{ arias-de-reyna_x-ray_2003,
title = {X-{Ray} of {Riemann} zeta-function},
language  = {en},
author  = {Arias-de-Reyna, J.},
month = sep,
year = {2003}
}

S. Arida, “Contextualizing Generative Design.”
[Bibtex]

@Article{ arida_contextualizing_nodate,
title = {Contextualizing {Generative} {Design}},
language  = {en},
author  = {Arida, Saeed}
}

C. Ariza and N. Gsas, “Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms.”
[Bibtex]

@Article{ ariza_prokaryotic_nodate,
title = {Prokaryotic {Groove}: {Rhythmic} {Cycles} as
{Real}-{Value} {Encoded} {Genetic} {Algorithms}},
language  = {en},
author  = {Ariza, Christopher and Gsas, Nyu}
}

C. Ariza, “The Xenakis Sieve as Object: A New Model and a Complete Implementation,” Computer music journal, 2005.
[Bibtex]

@Article{ ariza_xenakis_2005,
title = {The {Xenakis} {Sieve} as {Object}: {A} {New} {Model} and a
{Complete} {Implementation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926054094396},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ariza, Christopher},
month = jun,
year = {2005}
}

C. Ariza and M. S. Cuthbert, “Modeling Beats, Accents, Beams, and Time Signatures Hierarchically with Music21 Meter Objects.”
[Bibtex]

@Article{ ariza_modeling_nodate,
title = {Modeling {Beats}, {Accents}, {Beams}, and {Time}
{Signatures} {Hierarchically} with {Music21} {Meter}
{Objects}},
language  = {en},
author  = {Ariza, Christopher and Cuthbert, Michael Scott}
}

C. Ariza, “21M.380: Music and Technology: Contemporary History and Aesthetics.”
[Bibtex]

@Article{ ariza_21m380_nodate,
title = {{21M}.380: {Music} and {Technology}: {Contemporary}
{History} and {Aesthetics}},
language  = {en},
author  = {Ariza, Christopher}
}

C. Ariza, “Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition,” Computer music journal, 2011.
[Bibtex]

@Article{ ariza_two_2011,
title = {Two {Pioneering} {Projects} from the {Early} {History} of
{Computer}-{Aided} {Algorithmic} {Composition}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00068},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ariza, Christopher},
month = sep,
year = {2011}
}

C. Ariza, “21M.380: Music and Technology: Recording Techniques and Audio Production.”
[Bibtex]

@Article{ ariza_21m380_nodate-1,
title = {{21M}.380: {Music} and {Technology}: {Recording}
{Techniques} and {Audio} {Production}},
language  = {en},
author  = {Ariza, Christopher}
}

E. A. Ck, F. Rring, and J. Hage, “Developing a voxel game engine in Java using OpenGL.”
[Bibtex]

@Article{ ck_developing_nodate,
title = {Developing a voxel game engine in {Java} using {OpenGL}},
language  = {en},
author  = {Ck, Eric Arneba and Rring, Felix and Hage, Johan}
}

R. Arnheim, “ENTROPY AND ART AN ESSAY ON DISORDER AND ORDER.”
[Bibtex]

@Article{ arnheim_entropy_nodate,
title = {{ENTROPY} {AND} {ART} {AN} {ESSAY} {ON} {DISORDER} {AND}
{ORDER}},
language  = {en},
author  = {Arnheim, Rudolf}
}

L. M. Arsenault, “Iannis Xenakis’s \textitAchorripsis : The Matrix Game,” Computer music journal, 2002.
[Bibtex]

@Article{ arsenault_iannis_2002,
title = {Iannis {Xenakis}'s \textit{{Achorripsis}} : {The} {Matrix}
{Game}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602753633542},
language  = {en},
journal  = {Computer Music Journal},
author  = {Arsenault, Linda M.},
month = mar,
year = {2002}
}

G. Artopoulos and S. Roudavski, “Adaptive Generative Patterns.”
[Bibtex]

@Article{ artopoulos_adaptive_nodate,
title = {Adaptive {Generative} {Patterns}},
language  = {en},
author  = {Artopoulos, Giorgos and Roudavski, Stanislav}
}

M. Artzrouni, “The mathematics of Ponzi schemes,” Mathematical social sciences, 2009.
[Bibtex]

@Article{ artzrouni_mathematics_2009,
title = {The mathematics of {Ponzi} schemes},
issn = {01654896},
doi = {10.1016/j.mathsocsci.2009.05.003},
language  = {en},
journal  = {Mathematical Social Sciences},
author  = {Artzrouni, Marc},
month = sep,
year = {2009}
}

A. Ashby, “Schoenberg, Boulez, and Twelve-Tone Composition as “Ideal Type”,” Journal of the american musicological society, 2001.
[Bibtex]

@Article{ ashby_schoenberg_2001,
title = {Schoenberg, {Boulez}, and {Twelve}-{Tone} {Composition} as
"{Ideal} {Type}"},
language  = {en},
journal  = {Journal of the American Musicological Society},
author  = {Ashby, Arved},
year = {2001}
}

G. R. Asner and S. J. Garber, “Origins of 21st Century Space Travel: A History of NASA’s Decadal Planning Team and the Vision for Space Exploration, 1999–2004.”
[Bibtex]

@Article{ asner_origins_nodate,
title = {Origins of 21st {Century} {Space} {Travel}: {A} {History}
of {NASA}'s {Decadal} {Planning} {Team} and the {Vision}
for {Space} {Exploration}, 1999–2004},
language  = {en},
author  = {Asner, Glen R and Garber, Stephen J}
}

G. Assayag and S. Dubnov, “Guessing the Composer’s Mind: Applying Universal Prediction to Musical Style.”
[Bibtex]

@Article{ assayag_guessing_nodate,
title = {Guessing the {Composer}’s {Mind}: {Applying} {Universal}
{Prediction} to {Musical} {Style}},
language  = {en},
author  = {Assayag, Gérard and Dubnov, Shlomo}
}

G. Assayag and S. Dubnov, “Using Factor Oracles for Machine Improvisation,” Soft computing, 2004.
[Bibtex]

@Article{ assayag_using_2004,
title = {Using {Factor} {Oracles} for {Machine} {Improvisation}},
issn = {1432-7643, 1433-7479},
doi = {10.1007/s00500-004-0385-4},
language  = {en},
journal  = {Soft Computing},
author  = {Assayag, G. and Dubnov, S.},
month = sep,
year = {2004}
}

J. Attali, “Noise: the political economy of music,” , 1985.
[Bibtex]

@Article{ attali_noise_1985,
address  = {Minneapolis},
title = {Noise: the political economy of music},
isbn = {978-0-8166-1286-4 978-0-8166-1287-1},
language  = {en},
author  = {Attali, Jacques},
year = {1985}
}

C. Augier, “Les Formes de l’Appropriation Musicale.”
[Bibtex]

@Article{ augier_formes_nodate,
title = {Les {Formes} de l’{Appropriation} {Musicale}},
language  = {fr},
author  = {Augier, Charline}
}

E. Aujaleu, “L’Oeuvre d’Art et la Reproductibilité Technique,” , 2012.
[Bibtex]

@Article{ aujaleu_oeuvre_2012,
title = {L'{Oeuvre} d'{Art} et la {Reproductibilité} {Technique}},
language  = {fr},
author  = {Aujaleu, Edouard},
year = {2012}
}

W. Frisch, “Music in the Twentieth and Twenty-First Centuries.”
[Bibtex]

@Article{ frisch_music_nodate,
title = {Music in the {Twentieth} and {Twenty}-{First}
{Centuries}},
language  = {en},
author  = {Frisch, Walter}
}

P. V. Aureli, “The possibility of an absolute architecture,” , 2011.
[Bibtex]

@Article{ aureli_possibility_2011,
address  = {Cambridge, Mass},
title = {The possibility of an absolute architecture},
isbn = {978-0-262-51579-5},
language  = {en},
author  = {Aureli, Pier Vittorio},
year = {2011}
}

L. Austin, J. Cage, and L. Hiller, “An Interview with John Cage and Lejaren Hiller,” Computer music journal, 1992.
[Bibtex]

@Article{ austin_interview_1992,
title = {An {Interview} with {John} {Cage} and {Lejaren} {Hiller}},
issn = {01489267},
doi = {10.2307/3680466},
language  = {en},
journal  = {Computer Music Journal},
author  = {Austin, Larry and Cage, John and Hiller, Lejaren},
year = {1992}
}

S. Avidan and A. Shamir, “Seam Carving for Content-Aware Image Resizing.”
[Bibtex]

@Article{ avidan_seam_nodate,
title = {Seam {Carving} for {Content}-{Aware} {Image} {Resizing}},
language  = {en},
author  = {Avidan, Shai and Shamir, Ariel}
}

J. Aylward, “Metric Synchronization and Long-Range Polyrhythms in Elliott Carter’s Fifth String Quartet,” Perspectives of new music, 2009.
[Bibtex]

@Article{ aylward_metric_2009,
title = {Metric {Synchronization} and {Long}-{Range} {Polyrhythms}
in {Elliott} {Carter}'s {Fifth} {String} {Quartet}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Aylward, John},
year = {2009}
}

M. Azar, D. C. Heras, M. Carlo, I. Emsley, M. S. Erslev, T. Hollanek, M. Klein, R. Lee, C. Morgan, C. Ng, I. Raskin, T. Roxanne, R. Uliasz, M. Dada, T. Wiehn, B. Zehner, C. Andersen, and G. Cox, “A Peer-Reviewed Journal About,” , 2019.
[Bibtex]

@Article{ azar_peer-reviewed_2019,
title = {A {Peer}-{Reviewed} {Journal} {About}},
language  = {en},
author  = {Azar, Mitra and Heras, Daniel Chávez and Carlo, Michela
De and Emsley, Iain and Erslev, Malthe Stavning and
Hollanek, Tomas and Klein, Maike and Lee, Rosemary and
Morgan, Carleigh and Ng, Carman and Raskin, Irina and
Roxanne, Tiara and Uliasz, Rebecca and Dada, Maria and
Wiehn, Tanja and Zehner, Brett and Andersen, Christian
Ulrik and Cox, Geoff},
year = {2019}
}

M. Baake, D. Damanik, and U. Grimm, “Aperiodic Order and Spectral Properties,” Snapshots of modern mathematics from oberwolfach;2017, 2017.
[Bibtex]

@Article{ baake_aperiodic_2017,
title = {Aperiodic {Order} and {Spectral} {Properties}},
copyright  = {Creative Commons Attribution-NoDerivatives 4.0
International License},
doi = {10.14760/SNAP-2017-003-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach;2017},
author  = {Baake, Michael and Damanik, David and Grimm, Uwe},
collaborator  = {Niediek, Johannes and Cederbaum, Carla},
year = {2017}
}

M. A. J. Baalman, “ON WAVE FIELD SYNTHESIS AND ELECTRO-ACOUSTIC MUSIC – STATE OF THE ART 2007.”
[Bibtex]

@Article{ baalman_wave_nodate,
title = {{ON} {WAVE} {FIELD} {SYNTHESIS} {AND} {ELECTRO}-{ACOUSTIC}
{MUSIC} - {STATE} {OF} {THE} {ART} 2007},
language  = {en},
author  = {Baalman, Marije A J}
}

D. P. Erdmann, D. Stefan, and D. D. de Vriei, “Erdmann et al._on_wave_field_synthesis_and_electro-acoustic_music.”
[Bibtex]

@Article{ erdmann_erdmann_nodate,
title = {Erdmann et
al.\_On\_Wave\_Field\_Synthesis\_and\_electro-acoustic\_music},
language  = {en},
author  = {Erdmann, Dr Peter and Stefan, Dr and de Vriei, Dr Diemer}
}

M. Baalman, “Application of Wave Field Synthesis in the composition of electronic music,” , 2003.
[Bibtex]

@Article{ baalman_application_2003,
title = {Application of {Wave} {Field} {Synthesis} in the
composition of electronic music},
language  = {en},
author  = {Baalman, Marije},
year = {2003}
}

L. Karpman and M. Babbitt, “An Interview with Milton Babbitt,” Perspectives of new music, 1986.
[Bibtex]

@Article{ karpman_interview_1986,
title = {An {Interview} with {Milton} {Babbitt}},
issn = {00316016},
doi = {10.2307/833212},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Karpman, Laura and Babbitt, Milton},
year = {1986}
}

D. Bacciu, A. Carta, and A. Sperduti, “Linear Memory Networks,” , 2018.
[Bibtex]

@Article{ bacciu_linear_2018,
title = {Linear {Memory} {Networks}},
language  = {en},
author  = {Bacciu, Davide and Carta, Antonio and Sperduti,
Alessandro},
month = nov,
year = {2018}
}

G. Bach, “The Extra-Digital \textitAxis Mundi : Myth, Magic and Metaphor in Laptop Music,” Contemporary music review, 2003.
[Bibtex]

@Article{ bach_extra-digital_2003,
title = {The {Extra}-{Digital} \textit{{Axis} {Mundi}} : {Myth},
{Magic} and {Metaphor} in {Laptop} {Music}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/0749446032000156911},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Bach, Glenn},
month = dec,
year = {2003}
}

J. Backus, “Backus Die Reihe A Scientific Evaluation,” Perspectives of new music, 1962.
[Bibtex]

@Article{ backus_backus_1962,
title = {Backus {Die} {Reihe} {A} {Scientific} {Evaluation}},
issn = {00316016},
doi = {10.2307/832186},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Backus, John},
year = {1962}
}

R. Bader, “Nonlinearities and Synchronization in Musical Acoustics and Music Psychology,” , 2013.
[Bibtex]

@Article{ bader_nonlinearities_2013,
address  = {Berlin, Heidelberg},
title = {Nonlinearities and {Synchronization} in {Musical}
{Acoustics} and {Music} {Psychology}},
isbn = {978-3-642-36097-8 978-3-642-36098-5},
language  = {en},
author  = {Bader, Rolf},
year = {2013},
doi = {10.1007/978-3-642-36098-5}
}

A. Badiou and A. Badiou, “Metapolitics,” , 2006.
[Bibtex]

@Article{ badiou_metapolitics_2006,
address  = {London},
title = {Metapolitics},
isbn = {978-1-84467-567-8},
language  = {en},
author  = {Badiou, Alain and Badiou, Alain},
year = {2006}
}

J. A. Baglivo and J. E. Graver, “Incidence and symmetry in design and architecture,” , 1983.
[Bibtex]

@Article{ baglivo_incidence_1983,
address  = {Cambridge [Cambridgeshire] ; New York},
title = {Incidence and symmetry in design and architecture},
isbn = {978-0-521-23043-8 978-0-521-29784-4},
language  = {en},
author  = {Baglivo, Jenny A. and Graver, Jack E.},
year = {1983}
}

D. Bahdanau, K. Cho, and Y. Bengio, “Neural Machine Translation by Jointly Learning to Align and Translate,” , 2016.
[Bibtex]

@Article{ bahdanau_neural_2016,
title = {Neural {Machine} {Translation} by {Jointly} {Learning} to
{Align} and {Translate}},
language  = {en},
author  = {Bahdanau, Dzmitry and Cho, Kyunghyun and Bengio, Yoshua},
month = may,
year = {2016}
}

F. Bailes and R. T. Dean, “When Is Noise Speech? A Survey in Sonic Ambiguity,” Computer music journal, 2009.
[Bibtex]

@Article{ bailes_when_2009,
title = {When {Is} {Noise} {Speech}? {A} {Survey} in {Sonic}
{Ambiguity}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2009.33.1.57},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bailes, Freya and Dean, Roger T.},
month = mar,
year = {2009}
}

R. Bain, “Numerussonorus: Using Max/MSP to Explore the Compositional Potential of Number Sequences and Deterministic Algorithms.”
[Bibtex]

@Article{ bain_numerussonorus_nodate,
title = {Numerussonorus: {Using} {Max}/{MSP} to {Explore} the
{Compositional} {Potential} of {Number} {Sequences} and
{Deterministic} {Algorithms}},
language  = {en},
author  = {Bain, Reginald}
}

R. Bain, “Risset’s Arpeggio – Composing Sound using Spectral Scans.”
[Bibtex]

@Article{ bain_rissets_nodate,
title = {Risset's {Arpeggio} - {Composing} {Sound} using {Spectral}
{Scans}},
language  = {en},
author  = {Bain, Reginald}
}

B. Baird, D. Blevins, and N. Zahler, “Artificial Intelligence and Music: Implementing an Interactive Computer Performer,” Computer music journal, 1993.
[Bibtex]

@Article{ baird_artificial_1993,
title = {Artificial {Intelligence} and {Music}: {Implementing} an
{Interactive} {Computer} {Performer}},
issn = {01489267},
doi = {10.2307/3680871},
language  = {en},
journal  = {Computer Music Journal},
author  = {Baird, Bridget and Blevins, Donald and Zahler, Noel},
year = {1993}
}

D. Bajt, “Real-time Simulation of Volumetric Stage Light,” , 2008.
[Bibtex]

@Article{ bajt_real-time_2008,
title = {Real-time {Simulation} of {Volumetric} {Stage} {Light}},
language  = {en},
author  = {Bajt, David},
year = {2008}
}

P. Bak, “How nature works: the science of self-organized criticality,” , 1996.
[Bibtex]

@Article{ bak_how_1996,
address  = {New York, NY, USA},
title = {How nature works: the science of self-organized
criticality},
isbn = {978-0-387-94791-4},
language  = {en},
author  = {Bak, P.},
year = {1996}
}

A. Baker, “The Great Music City: Exploring Music, Space and Identity,” , 2019.
[Bibtex]

@Article{ baker_great_2019,
address  = {Cham},
title = {The {Great} {Music} {City}: {Exploring} {Music}, {Space}
and {Identity}},
isbn = {978-3-319-96351-8 978-3-319-96352-5},
language  = {en},
author  = {Baker, Andrea},
year = {2019},
doi = {10.1007/978-3-319-96352-5}
}

I. V. Bakhmutova, V. D. Gusev, and T. N. Titkova, “The Search for Adaptations in Song Melodies,” Computer music journal, 1997.
[Bibtex]

@Article{ bakhmutova_search_1997,
title = {The {Search} for {Adaptations} in {Song} {Melodies}},
issn = {01489267},
doi = {10.2307/3681219},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bakhmutova, Irene V. and Gusev, Vladimir D. and Titkova,
Tatiana N.},
year = {1997}
}

M. Balaban, “The Music Structures Approach to Knowledge Representation for Music Processing,” Computer music journal, 1996.
[Bibtex]

@Article{ balaban_music_1996,
title = {The {Music} {Structures} {Approach} to {Knowledge}
{Representation} for {Music} {Processing}},
issn = {01489267},
doi = {10.2307/3681334},
language  = {en},
journal  = {Computer Music Journal},
author  = {Balaban, Mira},
year = {1996}
}

C. Balaschak, “Between Sequence and Seriality: Landscape Photography and its Historiography in \textitAnonyme Skulpturen,” Photographies, 2010.
[Bibtex]

@Article{ balaschak_between_2010,
title = {Between {Sequence} and {Seriality}: {Landscape}
{Photography} and its {Historiography} in \textit{{Anonyme}
{Skulpturen}}},
issn = {1754-0763, 1754-0771},
doi = {10.1080/17540760903561090},
language  = {en},
journal  = {Photographies},
author  = {Balaschak, Chris},
month = apr,
year = {2010}
}

K. Balasubramanian, “Combinatorial Enumeration of Ragas (Scales of Integer Sequences) of Indian Music,” , 2002.
[Bibtex]

@Article{ balasubramanian_combinatorial_2002,
title = {Combinatorial {Enumeration} of {Ragas} ({Scales} of
{Integer} {Sequences}) of {Indian} {Music}},
language  = {en},
author  = {Balasubramanian, K},
year = {2002}
}

A. Balbi, “The music of the big bang: the cosmic microwave background and the new cosmology,” , 2008.
[Bibtex]

@Article{ balbi_music_2008,
address  = {Berlin},
title = {The music of the big bang: the cosmic microwave background
and the new cosmology},
isbn = {978-3-540-78726-6},
language  = {en},
author  = {Balbi, Amedeo},
year = {2008}
}

W. M. Baldoni, C. Ciliberto, and G. M. Piacentini Cattaneo, “Elementary number theory, cryptography, and codes,” , 2009.
[Bibtex]

@Article{ baldoni_elementary_2009,
address  = {Berlin},
title = {Elementary number theory, cryptography, and codes},
isbn = {978-3-540-69199-0 978-3-540-69200-3},
language  = {en},
author  = {Baldoni, M. Welleda and Ciliberto, C. and Piacentini
Cattaneo, Giulia Maria},
year = {2009}
}

P. Ball, “Nature’s patterns: a tapestry in three parts flow,” , 2009.
[Bibtex]

@Article{ ball_natures_2009,
address  = {Oxford},
title = {Nature's patterns: a tapestry in three parts flow},
isbn = {978-0-19-923797-5},
language  = {en},
author  = {Ball, Philip},
year = {2009}
}

P. Ball, “Schoenberg, serialism and cognition: Whose fault if No one listens?,” Interdisciplinary science reviews, 2011.
[Bibtex]

@Article{ ball_schoenberg_2011,
title = {Schoenberg, serialism and cognition: {Whose} fault if {No}
one listens?},
issn = {0308-0188, 1743-2790},
doi = {10.1179/030801811X12941390545645},
language  = {en},
journal  = {Interdisciplinary Science Reviews},
author  = {Ball, Philip},
month = mar,
year = {2011}
}

G. J. Balzano, “The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems,” Computer music journal, 1980.
[Bibtex]

@Article{ balzano_group-theoretic_1980,
title = {The {Group}-{Theoretic} {Description} of 12-{Fold} and
{Microtonal} {Pitch} {Systems}},
issn = {01489267},
doi = {10.2307/3679467},
language  = {en},
journal  = {Computer Music Journal},
author  = {Balzano, Gerald J.},
year = {1980}
}

J. Bamberger, “A Brief History of Music, Computers and Thinking: 1972–2015,” Digital experiences in mathematics education, 2015.
[Bibtex]

@Article{ bamberger_brief_2015,
title = {A {Brief} {History} of {Music}, {Computers} and
{Thinking}: 1972–2015},
issn = {2199-3246, 2199-3254},
doi = {10.1007/s40751-015-0003-3},
language  = {en},
journal  = {Digital Experiences in Mathematics Education},
author  = {Bamberger, Jeanne},
month = apr,
year = {2015}
}

M. Bandur and J. Kohl, “The Composition of Meaning: Construction and Semantics in Karlheinz Stockhausen’s Luzifer-Gruss vom Samstag aus Licht,” Perspectives of new music, 1999.
[Bibtex]

@Article{ bandur_composition_1999,
title = {The {Composition} of {Meaning}: {Construction} and
{Semantics} in {Karlheinz} {Stockhausen}'s
{Luzifer}-{Gruss} vom {Samstag} aus {Licht}},
issn = {00316016},
doi = {10.2307/833630},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Bandur, Markus and Kohl, Jerome},
year = {1999}
}

Y. Bar-Yam, “A mathematical theory of strong emergence using multiscale variety,” Complexity, 2004.
[Bibtex]

@Article{ bar-yam_mathematical_2004,
title = {A mathematical theory of strong emergence using multiscale
variety},
issn = {1076-2787, 1099-0526},
doi = {10.1002/cplx.20029},
language  = {en},
journal  = {Complexity},
author  = {Bar-Yam, Yaneer},
month = jul,
year = {2004}
}

S. Barbedette, “Concerts des Nations: Regards sur la naissance du Domaine musical et celle du Concert spirituel,” Appareil, 2009.
[Bibtex]

@Article{ barbedette_concerts_2009,
title = {Concerts des {Nations}: {Regards} sur la naissance du
{Domaine} musical et celle du {Concert} spirituel},
issn = {2101-0714},
doi = {10.4000/appareil.817},
language  = {fr},
journal  = {Appareil},
author  = {Barbedette, Sarah},
month = may,
year = {2009}
}

V. C. Barbosa, “The conduciveness of CA-rule graphs,” Artificial life, 2013.
[Bibtex]

@Article{ barbosa_conduciveness_2013,
title = {The conduciveness of {CA}-rule graphs},
issn = {1064-5462, 1530-9185},
doi = {10.1162/ARTL_a_00107},
language  = {en},
journal  = {Artificial Life},
author  = {Barbosa, Valmir C.},
month = apr,
year = {2013}
}

D. Barchiesi and J. Reiss, “Automatic Target Mixing using Least-Squares Optimization of Gains and Equalization Settings,” , 2009.
[Bibtex]

@Article{ barchiesi_automatic_2009,
title = {Automatic {Target} {Mixing} using {Least}-{Squares}
{Optimization} of {Gains} and {Equalization} {Settings}},
language  = {en},
author  = {Barchiesi, Daniele and Reiss, Josh},
year = {2009}
}

L. Barguñó, C. Creus, G. Godoy, F. Jacquemard, and C. Vacher, “Decidable Classes of Tree Automata Mixing Local and Global Constraints Modulo Flat Theories,” Logical methods in computer science, 2013.
[Bibtex]

@Article{ barguno_decidable_2013,
title = {Decidable {Classes} of {Tree} {Automata} {Mixing} {Local}
and {Global} {Constraints} {Modulo} {Flat} {Theories}},
issn = {1860-5974},
doi = {10.2168/LMCS-9(2:1)2013},
language  = {en},
journal  = {Logical Methods in Computer Science},
author  = {Barguñó, Luis and Creus, Carles and Godoy, Guillem and
Jacquemard, Florent and Vacher, Camille},
month = apr,
year = {2013}
}

E. Barkin, “Reexperiencing Language, as a Music Revisited,” Perspectives of new music, 2000.
[Bibtex]

@Article{ barkin_reexperiencing_2000,
title = {Reexperiencing {Language}, as a {Music} {Revisited}},
issn = {00316016},
doi = {10.2307/833593},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Barkin, Elaine},
year = {2000}
}

E. Barkin, “Afterword,” Perspectives of new music, 2001.
[Bibtex]

@Article{ barkin_afterword_2001,
title = {Afterword},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Barkin, Elaine},
year = {2001}
}

E. R. Barkin, “Liner Notes in the Form of a Suite,” Perspectives of new music, 2014.
[Bibtex]

@Article{ barkin_liner_2014,
title = {Liner {Notes} in the {Form} of a {Suite}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Barkin, Elaine R},
year = {2014}
}

C. Barlow and H. Lohner, “Two Essays on Theory,” Computer music journal, 1987.
[Bibtex]

@Article{ barlow_two_1987,
title = {Two {Essays} on {Theory}},
issn = {01489267},
doi = {10.2307/3680177},
language  = {en},
journal  = {Computer Music Journal},
author  = {Barlow, Clarence and Lohner, Henning},
year = {1987}
}

K. E. Barnes, “With a smile barely wrinkling the surface: Christopher Brennan’s large \textitMusicopoematographoscope and Mallarmé’s \textitUn Coup de dés .,” Dix-neuf, 2007.
[Bibtex]

@Article{ barnes_smile_2007,
title = {With a smile barely wrinkling the surface: {Christopher}
{Brennan}'s large \textit{{Musicopoematographoscope}} and
{Mallarmé}'s \textit{{Un} {Coup} de dés} .},
issn = {1478-7318},
doi = {10.1179/147873107790725679},
language  = {en},
journal  = {Dix-Neuf},
author  = {Barnes, Katherine E.},
month = oct,
year = {2007}
}

A. Barnett, “Fast Solvers for Highly Oscillatory Problems,” Snapshots of modern mathematics from oberwolfach;2018, 2018.
[Bibtex]

@Article{ barnett_fast_2018,
title = {Fast {Solvers} for {Highly} {Oscillatory} {Problems}},
copyright  = {Creative Commons Attribution-ShareAlike 4.0 International
License},
doi = {10.14760/SNAP-2018-006-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach;2018},
author  = {Barnett, Alex},
collaborator  = {Bruschi, David Edward and Niediek, Johannes and Cederbaum,
Carla},
year = {2018}
}

“Mathematical Models of Granular Matter,” , 2008.
[Bibtex]

@Article{ capriz_mathematical_2008,
address  = {Berlin, Heidelberg},
title = {Mathematical {Models} of {Granular} {Matter}},
isbn = {978-3-540-78276-6 978-3-540-78277-3},
language  = {en},
year = {2008},
doi = {10.1007/978-3-540-78277-3}
}

N. Barrett, “Little Animals: Compositional Structuring Processes,” Computer music journal, 1999.
[Bibtex]

@Article{ barrett_little_1999,
title = {Little {Animals}: {Compositional} {Structuring}
{Processes}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559724},
language  = {en},
journal  = {Computer Music Journal},
author  = {Barrett, Natasha},
month = jun,
year = {1999}
}

N. Barrett, “A Musical Journey towards Permanent High-Density Loudspeaker Arrays,” Computer music journal, 2016.
[Bibtex]

@Article{ barrett_musical_2016,
title = {A {Musical} {Journey} towards {Permanent} {High}-{Density}
{Loudspeaker} {Arrays}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00381},
language  = {en},
journal  = {Computer Music Journal},
author  = {Barrett, Natasha},
month = dec,
year = {2016}
}

J. Barrière, “De Paris : notes critiques,” Circuit, 2010.
[Bibtex]

@Article{ barriere_paris_2010,
title = {De {Paris} : notes critiques},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902064ar},
language  = {fr},
journal  = {Circuit},
author  = {Barrière, Jean-Baptiste},
month = feb,
year = {2010}
}

J. Barrière, “À propos de l’IRCAM : avatars d’une critique culturelle. BORN, Georgina (1995), Rationalizing Culture, IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde , Berkeley-Los Angeles-Londres, University of California Press, 390 p.,” Circuit: musiques contemporaines, 1999.
[Bibtex]

@Article{ barriere_a_1999,
title = {À propos de l'{IRCAM} : avatars d'une critique
culturelle. {BORN}, {Georgina} (1995), {Rationalizing}
{Culture}, {IRCAM}, {Boulez}, and the
{Institutionalization} of the {Musical} {Avant}-{Garde} ,
{Berkeley}-{Los} {Angeles}-{Londres}, {University} of
{California} {Press}, 390 p.},
issn = {1183-1693, 1488-9692},
doi = {10.7202/004649ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Barrière, Jean-Baptiste},
year = {1999}
}

J. Barrière, “Écriture musicale et ordinateur : notes sur la genèse,” Genesis, 1993.
[Bibtex]

@Article{ barriere_ecriture_1993,
title = {Écriture musicale et ordinateur : notes sur la genèse},
issn = {1167-5101},
doi = {10.3406/item.1993.929},
language  = {fr},
journal  = {Genesis},
author  = {Barrière, Jean-baptiste},
year = {1993}
}

M. Barron, “Auditorium acoustics and architectural design,” , 2010.
[Bibtex]

@Article{ barron_auditorium_2010,
address  = {London ; New York},
title = {Auditorium acoustics and architectural design},
isbn = {978-0-419-24510-0 978-0-203-87422-6},
language  = {en},
author  = {Barron, Michael},
year = {2010}
}

A. Barry, G. Born, and G. Weszkalnys, “Logics of interdisciplinarity,” Economy and society, 2008.
[Bibtex]

@Article{ barry_logics_2008,
title = {Logics of interdisciplinarity},
issn = {0308-5147, 1469-5766},
doi = {10.1080/03085140701760841},
language  = {en},
journal  = {Economy and Society},
author  = {Barry, Andrew and Born, Georgina and Weszkalnys, Gisa},
month = feb,
year = {2008}
}

M. Bartelmann and P. Schneider, “Weak Gravitational Lensing,” , 1999.
[Bibtex]

@Article{ bartelmann_weak_1999,
title = {Weak {Gravitational} {Lensing}},
language  = {en},
author  = {Bartelmann, Matthias and Schneider, Peter},
year = {1999}
}

Y. Baryshev and P. Teerikorpi, “Discovery of cosmic fractals,” , 2002.
[Bibtex]

@Article{ baryshev_discovery_2002,
address  = {River Edge, N.J},
title = {Discovery of cosmic fractals},
isbn = {978-981-02-4871-0 978-981-02-4872-7},
language  = {en},
author  = {Baryshev, Yurij and Teerikorpi, Pekka},
year = {2002}
}

A. P. Basart, “The Current State of Writings on Serial Music,” Notes, 1961.
[Bibtex]

@Article{ basart_current_1961,
title = {The {Current} {State} of {Writings} on {Serial} {Music}},
issn = {00274380},
doi = {10.2307/895266},
language  = {en},
journal  = {Notes},
author  = {Basart, Ann P.},
month = jun,
year = {1961}
}

A. Baskind, “Modèles et méthodes de description spatiale de scènes sonores,” , 2003.
[Bibtex]

@Article{ baskind_modeet_2003,
title = {Modèles et méthodes de description spatiale de scènes
sonores},
language  = {fr},
author  = {Baskind, Alexis},
year = {2003}
}

E. Bates, “The Composition and Performance of Spatial Music,” , 2009.
[Bibtex]

@Article{ bates_composition_2009,
title = {The {Composition} and {Performance} of {Spatial} {Music}},
language  = {en},
author  = {Bates, Enda},
year = {2009}
}

C. Roads, M. Battier, C. Barlow, J. Bischoff, H. Brun, J. Chadabe, C. Cummings, G. Englert, D. Jaffe, S. Kaske, O. Laske, J. Risset, D. Rosenboom, K. Saariaho, and H. Vaggione, “Symposium on Computer Music Composition,” Computer music journal, 1986.
[Bibtex]

@Article{ roads_symposium_1986,
title = {Symposium on {Computer} {Music} {Composition}},
issn = {01489267},
doi = {10.2307/3680297},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis and Battier, Marc and Barlow, Clarence and
Bischoff, John and Brun, Herbert and Chadabe, Joel and
Cummings, Conrad and Englert, Giuseppe and Jaffe, David and
Kaske, Stephan and Laske, Otto and Risset, Jean-Claude and
Rosenboom, David and Saariaho, Kaija and Vaggione,
Horacio},
year = {1986}
}

M. Battier, “What the GRM brought to music: from musique concrète to acousmatic music,” Organised sound, 2007.
[Bibtex]

@Article{ battier_what_2007,
title = {What the {GRM} brought to music: from musique concrète to
acousmatic music},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001902},
language  = {en},
journal  = {Organised Sound},
author  = {Battier, Marc},
month = dec,
year = {2007}
}

M. Battier, “Describe, Transcribe, Notate: Prospects and problems facing electroacoustic music,” Organised sound, 2015.
[Bibtex]

@Article{ battier_describe_2015,
title = {Describe, {Transcribe}, {Notate}: {Prospects} and problems
facing electroacoustic music},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771814000430},
language  = {en},
journal  = {Organised Sound},
author  = {Battier, Marc},
month = apr,
year = {2015}
}

A. F. Battista, C. M. Mollo, and N. Monopoli, “RCCM Canons: Not Only a Problem of Cage,” , 2015.
[Bibtex]

@Article{ battista_rccm_2015,
title = {{RCCM} {Canons}: {Not} {Only} a {Problem} of {Cage}},
language  = {en},
author  = {Battista, Alba Francesca and Mollo, Carlos Maximiliano and
Monopoli, Nicola},
year = {2015}
}

G. Baudart, F. Jacquemard, L. Mandel, and M. Pouzet, “A synchronous embedding of Antescofo, a domain-specific language for interactive mixed music,” , 2013.
[Bibtex]

@Article{ baudart_synchronous_2013,
address  = {Montreal, QC, Canada},
title = {A synchronous embedding of {Antescofo}, a domain-specific
language for interactive mixed music},
isbn = {978-1-4799-1443-2},
doi = {10.1109/EMSOFT.2013.6658579},
language  = {en},
booktitle  = {2013 {Proceedings} of the {International} {Conference} on
{Embedded} {Software} ({EMSOFT})},
author  = {Baudart, Guillaume and Jacquemard, Florent and Mandel,
Louis and Pouzet, Marc},
month = sep,
year = {2013}
}

O. Baudouin, “A Reconstruction of \textitStria,” Computer music journal, 2007.
[Bibtex]

@Article{ baudouin_reconstruction_2007,
title = {A {Reconstruction} of \textit{{Stria}}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.3.75},
language  = {en},
journal  = {Computer Music Journal},
author  = {Baudouin, Olivier},
month = sep,
year = {2007}
}

J. Baudrillard, “Screened out,” , 2002.
[Bibtex]

@Article{ baudrillard_screened_2002,
address  = {London ; New York},
title = {Screened out},
isbn = {978-1-85984-660-5 978-1-85984-385-7},
language  = {en},
author  = {Baudrillard, Jean},
year = {2002}
}

J. Baudrillard and J. Nouvel, “The singular objects of architecture,” , 2002.
[Bibtex]

@Article{ baudrillard_singular_2002,
address  = {Minneapolis},
title = {The singular objects of architecture},
isbn = {978-0-8166-3912-0},
language  = {en},
author  = {Baudrillard, Jean and Nouvel, Jean},
year = {2002}
}

J. Baudrillard, “Manifestos, Interviews, Essays,” , 2005.
[Bibtex]

@Article{ baudrillard_manifestos_2005,
title = {Manifestos, {Interviews}, {Essays}},
language  = {en},
author  = {Baudrillard, Jean},
year = {2005}
}

T. Bayar, “Music Program Zero and Ben Boretz,” Perspectives of new music, 2006.
[Bibtex]

@Article{ bayar_music_2006,
title = {Music {Program} {Zero} and {Ben} {Boretz}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Bayar, Tildy},
year = {2006}
}

J. Iverson, “Electronic inspirations: technologies of the Cold War musical avant-garde,” , 2018.
[Bibtex]

@Article{ iverson_electronic_2018,
address  = {New York, NY},
title = {Electronic inspirations: technologies of the {Cold} {War}
musical avant-garde},
isbn = {978-0-19-086819-2 978-0-19-086820-8},
language  = {en},
author  = {Iverson, Jennifer},
year = {2018}
}

P. Dhariwal and A. Nichol, “Diffusion Models Beat GANs on Image Synthesis,” , 2021.
[Bibtex]

@Article{ dhariwal_diffusion_2021,
title = {Diffusion {Models} {Beat} {GANs} on {Image} {Synthesis}},
language  = {en},
author  = {Dhariwal, Prafulla and Nichol, Alex},
month = jun,
year = {2021}
}

R. L. Gregory, J. G. Wallace, and F. W. Campbell, “Changes in the Size and Shape of Visual After-Images Observed in Complete Darkness during Changes of Position in Space,” Quarterly journal of experimental psychology, 1959.
[Bibtex]

@Article{ gregory_changes_1959,
title = {Changes in the {Size} and {Shape} of {Visual}
{After}-{Images} {Observed} in {Complete} {Darkness} during
{Changes} of {Position} in {Space}},
issn = {0033-555X},
doi = {10.1080/17470215908416288},
language  = {en},
journal  = {Quarterly Journal of Experimental Psychology},
author  = {Gregory, R. L. and Wallace, Jean G. and Campbell, F. W.},
month = feb,
year = {1959}
}

B. Neill, “Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music,” Leonardo music journal, 2002.
[Bibtex]

@Article{ neill_pleasure_2002,
title = {Pleasure {Beats}: {Rhythm} and the {Aesthetics} of
{Current} {Electronic} {Music}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Neill, Ben},
year = {2002}
}

H. Leopoldseder, C. Schöpf, and G. Stocker, “Repair: sind wir noch zu retten [Festival für Kunst, Technologie und Gesellschaft, 2. – 11. September 2010, Ars Electronica, Linz],” , 2010.
[Bibtex]

@Article{ leopoldseder_repair_2010,
address  = {Ostfildern},
title = {Repair: sind wir noch zu retten [{Festival} für {Kunst},
{Technologie} und {Gesellschaft}, 2. - 11. {September}
2010, {Ars} {Electronica}, {Linz}]},
isbn = {978-3-7757-2723-5},
language  = {en},
author  = {Leopoldseder, Hannes and Schöpf, Christine and Stocker,
Gerfried},
collaborator  = {Ars Electronica festival},
year = {2010}
}

C. J. Robinson, “An anthropology of Marxism,” , 2019.
[Bibtex]

@Article{ robinson_anthropology_2019,
address  = {Chapel Hill},
title = {An anthropology of {Marxism}},
isbn = {978-1-4696-4990-0 978-1-4696-4991-7},
language  = {en},
author  = {Robinson, Cedric J.},
year = {2019}
}

“Radical atoms and the alchemists of our time,” , 2016.
[Bibtex]

@Article{ stocker_radical_2016,
address  = {Berlin},
title = {Radical atoms and the alchemists of our time},
isbn = {978-3-7757-4193-4},
language  = {en},
year = {2016}
}

C. Pellegrino, “Aspects of Closure in the Music of John Adams,” Perspectives of new music, 2002.
[Bibtex]

@Article{ pellegrino_aspects_2002,
title = {Aspects of {Closure} in the {Music} of {John} {Adams}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Pellegrino, Catherine},
year = {2002}
}

J. Barrière, “Mutations du matériau, mutations de l’écriture.”
[Bibtex]

@Article{ barriere_mutations_nodate,
title = {Mutations du matériau, mutations de l'écriture},
language  = {fr},
author  = {Barrière, Jean-Baptiste}
}

F. Bayle, “Space, and more,” Organised sound, 2007.
[Bibtex]

@Article{ bayle_space_2007,
title = {Space, and more},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001872},
language  = {en},
journal  = {Organised Sound},
author  = {Bayle, François},
month = dec,
year = {2007}
}

G. C. Baylis and J. Driver, “Perception of symmetry and repetition within and across visual shapes: Part-descriptions and object-based attention,” Visual cognition, 2001.
[Bibtex]

@Article{ baylis_perception_2001,
title = {Perception of symmetry and repetition within and across
visual shapes: {Part}-descriptions and object-based
attention},
issn = {1350-6285, 1464-0716},
doi = {10.1080/13506280042000126},
language  = {en},
journal  = {Visual Cognition},
author  = {Baylis, Gordon C. and Driver, Jon},
month = mar,
year = {2001}
}

A. C. Beal, “David Tudor in Darmstadt,” Contemporary music review, 2007.
[Bibtex]

@Article{ beal_david_2007,
title = {David {Tudor} in {Darmstadt}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460601069242},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Beal, Amy C.},
month = feb,
year = {2007}
}

S. R. Beane, Z. Davoudi, and M. Savage, “Constraints on the Universe as a Numerical Simulation,” The european physical journal a, 2014.
[Bibtex]

@Article{ beane_constraints_2014,
title = {Constraints on the {Universe} as a {Numerical}
{Simulation}},
issn = {1434-6001, 1434-601X},
doi = {10.1140/epja/i2014-14148-0},
language  = {en},
journal  = {The European Physical Journal A},
author  = {Beane, Silas R. and Davoudi, Zohreh and Savage, Martin
J.},
month = sep,
year = {2014}
}

V. Beaubois, “Un schématisme pratique de l’imagination,” Appareil, 2015.
[Bibtex]

@Article{ beaubois_schematisme_2015,
title = {Un schématisme pratique de l’imagination},
issn = {2101-0714},
doi = {10.4000/appareil.2247},
language  = {fr},
journal  = {Appareil},
author  = {Beaubois, Vincent},
month = dec,
year = {2015}
}

R. Beaucage, “Frank Zappa dans l’univers des musiques sérieuses : un parfait étranger?,” Circuit, 2010.
[Bibtex]

@Article{ beaucage_frank_2010,
title = {Frank {Zappa} dans l’univers des musiques sérieuses :
un parfait étranger?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902324ar},
language  = {fr},
journal  = {Circuit},
author  = {Beaucage, Réjean},
month = feb,
year = {2010}
}

“Analysis, synthesis, and perception of musical sounds: the sound of music,” , 2007.
[Bibtex]

@Article{ beauchamp_analysis_2007,
address  = {New York},
title = {Analysis, synthesis, and perception of musical sounds: the
sound of music},
isbn = {978-0-387-32496-8},
language  = {en},
year = {2007}
}

D. Trottier, “CONCEIVING MUSICAL PHOTOREALISM: AN INTERVIEW WITH RICHARD BEAUDOIN,” Perspectives of new music.
[Bibtex]

@Article{ trottier_conceiving_nodate,
title = {{CONCEIVING} {MUSICAL} {PHOTOREALISM}: {AN} {INTERVIEW}
{WITH} {RICHARD} {BEAUDOIN}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Trottier, Danick}
}

D. Beaumont and S. Stepney, “Grammatical Evolution of L-systems,” , 2009.
[Bibtex]

@Article{ beaumont_grammatical_2009,
address  = {Trondheim, Norway},
title = {Grammatical {Evolution} of {L}-systems},
isbn = {978-1-4244-2958-5 978-1-4244-2959-2},
doi = {10.1109/CEC.2009.4983247},
language  = {en},
booktitle  = {2009 {IEEE} {Congress} on {Evolutionary} {Computation}},
author  = {Beaumont, Darren and Stepney, Susan},
month = may,
year = {2009}
}

F. Bechstedt, “Principles of surface physics,” , 2003.
[Bibtex]

@Article{ bechstedt_principles_2003,
address  = {Berlin ; New York},
title = {Principles of surface physics},
isbn = {978-3-540-00635-0},
language  = {en},
author  = {Bechstedt, Friedhelm},
year = {2003}
}

S. Beckett and G. DUTHUlT, “” From T Tansition ’49 . no. 5. Georges Duthuit,.”
[Bibtex]

@Article{ beckett__nodate,
title = {" {From} {T} {Tansition} '49 . no. 5. {Georges}
{Duthuit},},
language  = {en},
author  = {Beckett, Samuel and DUTHUlT, GEORGES}
}

M. Bedau, “Artificial life: organization, adaptation and complexity from the bottom up,” Trends in cognitive sciences, 2003.
[Bibtex]

@Article{ bedau_artificial_2003,
title = {Artificial life: organization, adaptation and complexity
from the bottom up},
issn = {13646613},
doi = {10.1016/j.tics.2003.09.012},
language  = {en},
journal  = {Trends in Cognitive Sciences},
author  = {Bedau, M},
month = nov,
year = {2003}
}

M. A. Bedau, J. S. McCaskill, N. Packard, S. Rasmussen, C. Adami, D. Green, T. Ikegami, K. Kaneko, and T. S. Ray, “Open Problems in Artificial Life,” Artificial life, 2000.
[Bibtex]

@Article{ bedau_open_2000,
title = {Open {Problems} in {Artificial} {Life}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/106454600300103683},
language  = {en},
journal  = {Artificial Life},
author  = {Bedau, Mark A. and McCaskill, John S. and Packard, Norman
H. and Rasmussen, Steen and Adami, Chris and Green, David
G. and Ikegami, Takashi and Kaneko, Kunihiko and Ray,
Thomas S.},
month = oct,
year = {2000}
}

M. Beeson and D. Murphy, “RoomWeaver: A Digital Waveguide Mesh Based Room Acoustics Research Tool.”
[Bibtex]

@Article{ beeson_roomweaver_nodate,
title = {{RoomWeaver}: {A} {Digital} {Waveguide} {Mesh} {Based}
{Room} {Acoustics} {Research} {Tool}},
language  = {en},
author  = {Beeson, Mark and Murphy, Damian}
}

D. Behrman, “What Indeterminate Notation Determines,” Perspectives of new music, 1965.
[Bibtex]

@Article{ behrman_what_1965,
title = {What {Indeterminate} {Notation} {Determines}},
issn = {00316016},
doi = {10.2307/832504},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Behrman, David},
year = {1965}
}

K. Beilharz, “Designing Sounds and Spaces: Interdisciplinary Rules & Proportions in Generative Stochastic Music and Architecture,” J. of design research, 2004.
[Bibtex]

@Article{ beilharz_designing_2004,
title = {Designing {Sounds} and {Spaces}: {Interdisciplinary}
{Rules} \& {Proportions} in {Generative} {Stochastic}
{Music} and {Architecture}},
issn = {1748-3050, 1569-1551},
doi = {10.1504/JDR.2004.009838},
language  = {en},
journal  = {J. of Design Research},
author  = {Beilharz, Kirsty},
year = {2004}
}

B. Bel, “Migrating Musical Concepts: An Overview of the Bol Processor,” Computer music journal, 1998.
[Bibtex]

@Article{ bel_migrating_1998,
title = {Migrating {Musical} {Concepts}: {An} {Overview} of the
{Bol} {Processor}},
issn = {01489267},
doi = {10.2307/3680965},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bel, Bernard},
year = {1998}
}

B. Bel, “Is text an adequate tool for modelling musical analysis, composition and performance?.”
[Bibtex]

@Article{ bel_is_nodate,
title = {Is text an adequate tool for modelling musical analysis,
composition and performance?},
language  = {en},
author  = {Bel, Bernard}
}

“The Beginnings of Computer Music in India.”
[Bibtex]

@Article{ noauthor_beginnings_nodate,
title = {The {Beginnings} of {Computer} {Music} in {India}},
language  = {en}
}

B. Belet and S. Smith, “The First Dilemma: The State of the Art,” Computer music journal, 1991.
[Bibtex]

@Article{ belet_first_1991,
title = {The {First} {Dilemma}: {The} {State} of the {Art}},
issn = {01489267},
doi = {10.2307/3681061},
language  = {en},
journal  = {Computer Music Journal},
author  = {Belet, Brian and Smith, Stuart},
year = {1991}
}

A. Belkin, “Orchestration, Perception, and Musical Time: A Composer’s View,” Computer music journal, 1988.
[Bibtex]

@Article{ belkin_orchestration_1988,
title = {Orchestration, {Perception}, and {Musical} {Time}: {A}
{Composer}'s {View}},
issn = {01489267},
doi = {10.2307/3679941},
language  = {en},
journal  = {Computer Music Journal},
author  = {Belkin, Alan},
year = {1988}
}

J. Bell, “Mirror of the world: a new history of art,” , 2007.
[Bibtex]

@Article{ bell_mirror_2007,
address  = {New York, N.Y},
title = {Mirror of the world: a new history of art},
isbn = {978-0-500-23837-0},
language  = {en},
author  = {Bell, Julian},
year = {2007}
}

J. Bellmann, F. Michel, E. Deines, M. Hering-Bertram, J. Mohring, and H. Hagen, “Sound Tracing: Rendering Listener Specific Acoustic Room Properties,” Computer graphics forum, 2008.
[Bibtex]

@Article{ bellmann_sound_2008,
title = {Sound {Tracing}: {Rendering} {Listener} {Specific}
{Acoustic} {Room} {Properties}},
issn = {01677055, 14678659},
doi = {10.1111/j.1467-8659.2008.01228.x},
language  = {en},
journal  = {Computer Graphics Forum},
author  = {Bellmann, Jens and Michel, Frank and Deines, Eduard and
Hering-Bertram, Martin and Mohring, Jan and Hagen, Hans},
month = may,
year = {2008}
}

J. P. Bello, L. Daudet, S. Abdallah, C. Duxbury, M. Davies, and M. B. Sandler, “A tutorial on onset detection in music signals,” Ieee transactions on speech and audio processing, 2005.
[Bibtex]

@Article{ bello_tutorial_2005,
title = {A tutorial on onset detection in music signals},
issn = {1063-6676},
doi = {10.1109/TSA.2005.851998},
language  = {en},
journal  = {IEEE Transactions on Speech and Audio Processing},
author  = {Bello, J.P. and Daudet, L. and Abdallah, S. and Duxbury,
C. and Davies, M. and Sandler, M.B.},
month = sep,
year = {2005}
}

J. P. Bello, R. Rowe, C. Guedes, and G. Toussaint, “Five Perspectives on Musical Rhythm,” Journal of new music research, 2015.
[Bibtex]

@Article{ bello_five_2015,
title = {Five {Perspectives} on {Musical} {Rhythm}},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298215.2014.996572},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Bello, Juan P. and Rowe, Robert and Guedes, Carlos and
Toussaint, Godfried},
month = jan,
year = {2015}
}

G. Belot, “Geometric possibility,” , 2011.
[Bibtex]

@Article{ belot_geometric_2011,
address  = {Oxford ; New York},
title = {Geometric possibility},
isbn = {978-0-19-959532-7},
language  = {en},
author  = {Belot, Gordon},
year = {2011}
}

B. Bemman and D. Meredith, “Generating New Musical Works in the Style of Milton Babbitt,” Computer music journal, 2018.
[Bibtex]

@Article{ bemman_generating_2018,
title = {Generating {New} {Musical} {Works} in the {Style} of
{Milton} {Babbitt}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00451},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bemman, Brian and Meredith, David},
month = apr,
year = {2018}
}

B. Boretz and B. Morris, “Editors’ Notebook: Ben Boretz and Bob Morris Discuss Ian Quinn’s “General Equal-Tempered Harmony”,” Perspectives of new music, 2006.
[Bibtex]

@Article{ boretz_editors_2006,
title = {Editors' {Notebook}: {Ben} {Boretz} and {Bob} {Morris}
{Discuss} {Ian} {Quinn}'s "{General} {Equal}-{Tempered}
{Harmony}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Boretz, Ben and Morris, Bob},
year = {2006}
}

B. F. Laposky, “ELECTRONIC ABSTRACTIONS.”
[Bibtex]

@Article{ laposky_electronic_nodate,
title = {{ELECTRONIC} {ABSTRACTIONS}},
language  = {en},
author  = {Laposky, Ben F}
}

B. Watson, “Frank Zappa as dadaist: recording technology and the power to repeat,” Contemporary music review, 1996.
[Bibtex]

@Article{ watson_frank_1996,
title = {Frank {Zappa} as dadaist: recording technology and the
power to repeat},
issn = {0749-4467},
doi = {10.1080/07494469600640401},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Watson, Ben},
month = jan,
year = {1996}
}

M. Spariosu, “Hutchinson Modernism and Style,” , 2015.
[Bibtex]

@Article{ spariosu_hutchinson_2015,
address  = {Basingstoke},
title = {Hutchinson {Modernism} and {Style}},
isbn = {978-0-230-23141-2},
language  = {en},
author  = {Spariosu, Mihai},
year = {2015}
}

B. E. Jacob, Y. Aharonov, and Y. Shapira, “Bacteria harnessing complexity,” Biofilms, 2004.
[Bibtex]

@Article{ jacob_bacteria_2004,
title = {Bacteria harnessing complexity},
issn = {1479-0505, 1479-0513},
doi = {10.1017/S1479050505001596},
language  = {en},
journal  = {Biofilms},
author  = {Jacob, E. Ben and Aharonov, Y. and Shapira, Y.},
month = oct,
year = {2004}
}

E. B. Jacob, I. Becker, Y. Shapira, and H. Levine, “Bacterial linguistic communication and social intelligence,” Trends in microbiology, 2004.
[Bibtex]

@Article{ jacob_bacterial_2004,
title = {Bacterial linguistic communication and social
intelligence},
issn = {0966842X},
doi = {10.1016/j.tim.2004.06.006},
language  = {en},
journal  = {Trends in Microbiology},
author  = {Jacob, Eshel Ben and Becker, Israela and Shapira, Yoash
and Levine, Herbert},
month = aug,
year = {2004}
}

E. Ben-Jacob, “Bacterial self–organization: co–enhancement of complexification and adaptability in a dynamic environment,” Philosophical transactions of the royal society of london. series a: mathematical, physical and engineering sciences, 2003.
[Bibtex]

@Article{ skar_bacterial_2003,
title = {Bacterial self–organization: co–enhancement of
complexification and adaptability in a dynamic
environment},
issn = {1364-503X, 1471-2962},
doi = {10.1098/rsta.2003.1199},
language  = {en},
journal  = {Philosophical Transactions of the Royal Society of London.
Series A: Mathematical, Physical and Engineering Sciences},
author  = {Ben-Jacob, Eshel},
month = jun,
year = {2003}
}

R. DiNitto, “The revolution will not be televised: Protest music after Fukushima. Noriko Manabe. Oxford University Press: 2015, 464 pp.: BOOK REVIEWS,” Journal of popular music studies, 2017.
[Bibtex]

@Article{ dinitto_revolution_2017,
title = {The revolution will not be televised: {Protest} music
after {Fukushima}. {Noriko} {Manabe}. {Oxford} {University}
{Press}: 2015, 464 pp.: {BOOK} {REVIEWS}},
issn = {15242226},
doi = {10.1111/jpms.12226},
language  = {en},
journal  = {Journal of Popular Music Studies},
author  = {DiNitto, Rachel},
month = sep,
year = {2017}
}

F. Benadon, “An Interview with Martin Matalon,” Computer music journal, 2005.
[Bibtex]

@Article{ benadon_interview_2005,
title = {An {Interview} with {Martin} {Matalon}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926054094387},
language  = {en},
journal  = {Computer Music Journal},
author  = {Benadon, Fernando},
month = jun,
year = {2005}
}

E. Benetos and S. Dixon, “A Shift-Invariant Latent Variable Model for Automatic Music Transcription,” Computer music journal, 2012.
[Bibtex]

@Article{ benetos_shift-invariant_2012,
title = {A {Shift}-{Invariant} {Latent} {Variable} {Model} for
{Automatic} {Music} {Transcription}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00146},
language  = {en},
journal  = {Computer Music Journal},
author  = {Benetos, Emmanouil and Dixon, Simon},
month = dec,
year = {2012}
}

E. Benetos, S. Dixon, D. Giannoulis, H. Kirchhoff, and A. Klapuri, “Automatic music transcription: challenges and future directions,” Journal of intelligent information systems, 2013.
[Bibtex]

@Article{ benetos_automatic_2013,
title = {Automatic music transcription: challenges and future
directions},
issn = {0925-9902, 1573-7675},
doi = {10.1007/s10844-013-0258-3},
language  = {en},
journal  = {Journal of Intelligent Information Systems},
author  = {Benetos, Emmanouil and Dixon, Simon and Giannoulis,
Dimitrios and Kirchhoff, Holger and Klapuri, Anssi},
month = dec,
year = {2013}
}

Y. Bengio, A. Courville, and P. Vincent, “Representation Learning: A Review and New Perspectives,” , 2014.
[Bibtex]

@Article{ bengio_representation_2014,
title = {Representation {Learning}: {A} {Review} and {New}
{Perspectives}},
language  = {en},
author  = {Bengio, Yoshua and Courville, Aaron and Vincent, Pascal},
month = apr,
year = {2014}
}

W. Benjamin, “Reﬂections on the Works of Nikolai Leskov,” Walter benjamin.
[Bibtex]

@Article{ benjamin_reections_nodate,
title = {Reﬂections on the {Works} of {Nikolai} {Leskov}},
language  = {en},
journal  = {Walter Benjamin},
author  = {Benjamin, Walter}
}

G. Bennett, “Chaos, Self-Similarity, Musical Phrase and Form.”
[Bibtex]

@Article{ bennett_chaos_nodate,
title = {Chaos, {Self}-{Similarity}, {Musical} {Phrase} and
{Form}},
language  = {en},
author  = {Bennett, Gerald}
}

D. Bennett, A. Roudaut, and P. Bennett, “Neurythmic: A Rhythm Creation Tool Based on Central Pattern Generators.”
[Bibtex]

@Article{ bennett_neurythmic_nodate,
title = {Neurythmic: {A} {Rhythm} {Creation} {Tool} {Based} on
{Central} {Pattern} {Generators}},
language  = {en},
author  = {Bennett, Dan and Roudaut, Anne and Bennett, Peter}
}

G. Bennett, “Simplicity and Complexity in Electroacoustic Music.”
[Bibtex]

@Article{ bennett_simplicity_nodate,
title = {Simplicity and {Complexity} in {Electroacoustic} {Music}},
language  = {en},
author  = {Bennett, Gerald}
}

J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith, “From the Physics of Piano Strings to Digital Waveguides.”
[Bibtex]

@Article{ bensa_physics_nodate,
title = {From the {Physics} of {Piano} {Strings} to {Digital}
{Waveguides}},
language  = {en},
author  = {Bensa, Julien and Bilbao, Stefan and Kronland-Martinet,
Richard and Smith, Julius O}
}

S. Béranger, “REFLEXIONS PARTISANES SUR L’USAGE DU « LIVE-ELECTRONIC » DANS NOS MUSIQUES SAVANTES,” , 2009.
[Bibtex]

@Article{ beranger_reflexions_2009,
title = {{REFLEXIONS} {PARTISANES} {SUR} {L}’{USAGE} {DU} «
{LIVE}-{ELECTRONIC} » {DANS} {NOS} {MUSIQUES} {SAVANTES}},
language  = {fr},
author  = {Béranger, Sébastien},
year = {2009}
}

I. Berenstein, M. Dolnik, L. Yang, A. M. Zhabotinsky, and I. R. Epstein, “Turing pattern formation in a two-layer system: Superposition and superlattice patterns,” Physical review e, 2004.
[Bibtex]

@Article{ berenstein_turing_2004,
title = {Turing pattern formation in a two-layer system:
{Superposition} and superlattice patterns},
issn = {1539-3755, 1550-2376},
doi = {10.1103/PhysRevE.70.046219},
language  = {en},
journal  = {Physical Review E},
author  = {Berenstein, Igal and Dolnik, Milos and Yang, Lingfa and
Zhabotinsky, Anatol M. and Epstein, Irving R.},
month = oct,
year = {2004}
}

A. Berenzweig, B. Logan, D. P. W. Ellis, and B. Whitman, “A Large-Scale Evaluation of Acoustic and Subjective Music-Similarity Measures,” Computer music journal, 2004.
[Bibtex]

@Article{ berenzweig_large-scale_2004,
title = {A {Large}-{Scale} {Evaluation} of {Acoustic} and
{Subjective} {Music}-{Similarity} {Measures}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892604323112257},
language  = {en},
journal  = {Computer Music Journal},
author  = {Berenzweig, Adam and Logan, Beth and Ellis, Daniel P.W.
and Whitman, Brian},
month = jun,
year = {2004}
}

A. Berg, “Why Is Scho¨nberg’s Music So Difﬁcult To Understand?,” Alban berg.
[Bibtex]

@Article{ berg_why_nodate,
title = {Why {Is} {Scho}¨nberg’s {Music} {So} {Difﬁcult} {To}
{Understand}?},
language  = {en},
journal  = {Alban Berg},
author  = {Berg, Alban}
}

H. van de Velde, “The Death and Life of The Total Work of Art.”
[Bibtex]

@Article{ van_de_velde_death_nodate,
title = {The {Death} and {Life} of {The} {Total} {Work} of {Art}},
language  = {en},
author  = {van de Velde, Henry}
}

L. S. Berger, “Human development, language, and the future of mankind: the madness of culture,” , 2014.
[Bibtex]

@Article{ berger_human_2014,
address  = {New York},
title = {Human development, language, and the future of mankind:
the madness of culture},
isbn = {978-1-137-41526-4},
language  = {en},
author  = {Berger, Louis S.},
year = {2014}
}

A. M. B. Berger, “Medieval music and the art of memory,” , 2005.
[Bibtex]

@Article{ berger_medieval_2005,
address  = {Berkeley},
title = {Medieval music and the art of memory},
isbn = {978-0-520-24028-5},
language  = {en},
author  = {Berger, Anna Maria Busse},
year = {2005}
}

M. Berghaus, “Some Ideas for Three-Dimensional Musical Scores,” Leonardo music journal, 2011.
[Bibtex]

@Article{ berghaus_ideas_2011,
title = {Some {Ideas} for {Three}-{Dimensional} {Musical}
{Scores}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Berghaus, Marc},
year = {2011}
}

D. Berio and F. F. Leymarie, “Computational Models for the Analysis and Synthesis of Grafﬁti Tag Strokes.”
[Bibtex]

@Article{ berio_computational_nodate,
title = {Computational {Models} for the {Analysis} and {Synthesis}
of {Grafﬁti} {Tag} {Strokes}},
language  = {en},
author  = {Berio, Daniel and Leymarie, Frederic Fol}
}

R. Berman, “Solzhenitsyn At Harvard,” , 1980.
[Bibtex]

@Article{ berman_solzhenitsyn_1980,
title = {Solzhenitsyn {At} {Harvard}},
language  = {en},
author  = {Berman, Ronald},
year = {1980}
}

J. W. Bernard, “I See Smoke, but Where’s the Fire?,” Perspectives of new music, 2001.
[Bibtex]

@Article{ bernard_i_2001,
title = {I {See} {Smoke}, but {Where}'s the {Fire}?},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Bernard, Jonathan W.},
year = {2001}
}

N. Bernardini, “Semiotics And Computer Music Composition.pdf,” , 1985.
[Bibtex]

@Article{ bernardini_semiotics_1985,
title = {Semiotics {And} {Computer} {Music} {Composition}.pdf},
language  = {en},
author  = {Bernardini, Nicola},
year = {1985}
}

N. Bernardini, “Should Musical Instruments Be Dreams?,” Computer music journal, 1991.
[Bibtex]

@Article{ bernardini_should_1991,
title = {Should {Musical} {Instruments} {Be} {Dreams}?},
issn = {01489267},
doi = {10.2307/3681078},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bernardini, Nicola},
year = {1991}
}

F. Bernardini, J. Mittleman, H. Rushmeier, C. Silva, and G. Taubin, “The ball-pivoting algorithm for surface reconstruction,” Ieee transactions on visualization and computer graphics, 1999.
[Bibtex]

@Article{ bernardini_ball-pivoting_1999,
title = {The ball-pivoting algorithm for surface reconstruction},
issn = {1077-2626},
doi = {10.1109/2945.817351},
language  = {en},
journal  = {IEEE Transactions on Visualization and Computer Graphics},
author  = {Bernardini, F. and Mittleman, J. and Rushmeier, H. and
Silva, C. and Taubin, G.},
month = oct,
year = {1999}
}

A. Dekker, “Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?.”
[Bibtex]

@Article{ dekker_speculative_nodate,
title = {Speculative {Scenarios}, or {What} {Will} {Happen} to
{Digital} {Art} in the ({Near}) {Future}?},
language  = {en},
author  = {Dekker, Annet}
}

T. Berners-Lee, “Information Management: A Proposal.”
[Bibtex]

@Article{ berners-lee_information_nodate,
title = {Information {Management}: {A} {Proposal}},
language  = {en},
author  = {Berners-Lee, Tim}
}

N. Bernier, “Five Objectbased Sound Compositions.”
[Bibtex]

@Article{ bernier_five_nodate,
title = {Five {Object}based {Sound} {Compositions}},
language  = {en},
author  = {Bernier, Nicolas}
}

D. W. Bernstein, “Techniques of appropriation in music of John Cage,” Contemporary music review, 2001.
[Bibtex]

@Article{ bernstein_techniques_2001,
title = {Techniques of appropriation in music of {John} {Cage}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460100640301},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Bernstein, David W.},
month = jan,
year = {2001}
}

M. Berry, “Geometry of phase and polarization singularities, illustrated by edge diffraction and the tides.”
[Bibtex]

@Article{ berry_geometry_nodate,
title = {Geometry of phase and polarization singularities,
illustrated by edge diffraction and the tides},
language  = {en},
author  = {Berry, Michael}
}

W. Berry, “Structural functions in music,” , 1987.
[Bibtex]

@Article{ berry_structural_1987,
address  = {New York},
title = {Structural functions in music},
isbn = {978-0-486-25384-8},
language  = {en},
author  = {Berry, Wallace},
year = {1987}
}

S. Berryman, “THE MECHANICAL HYPOTHESIS IN ANCIENT GREEK NATURAL PHILOSOPHY.”
[Bibtex]

@Article{ berryman_mechanical_nodate,
title = {{THE} {MECHANICAL} {HYPOTHESIS} {IN} {ANCIENT} {GREEK}
{NATURAL} {PHILOSOPHY}},
language  = {en},
author  = {Berryman, Sylvia}
}

S. Bertet, J. Daniel, E. Parizet, and O. Warusfel, “Influence of Microphone and Loudspeaker Setup on Perceived Higher Order Ambisonics Reproduced Sound Field,” , 2009.
[Bibtex]

@Article{ bertet_influence_2009,
title = {Influence of {Microphone} and {Loudspeaker} {Setup} on
{Perceived} {Higher} {Order} {Ambisonics} {Reproduced}
{Sound} {Field}},
language  = {en},
author  = {Bertet, Stéphanie and Daniel, Jérôme and Parizet,
Etienne and Warusfel, Olivier},
year = {2009}
}

S. Bertet, J. Daniel, E. Parizet, and O. Warusfel, “Investigation on Localisation Accuracy for First and Higher Order Ambisonics Reproduced Sound Sources,” Acta acustica united with acustica, 2013.
[Bibtex]

@Article{ bertet_investigation_2013,
title = {Investigation on {Localisation} {Accuracy} for {First} and
{Higher} {Order} {Ambisonics} {Reproduced} {Sound}
{Sources}},
issn = {16101928},
doi = {10.3813/AAA.918643},
language  = {en},
journal  = {Acta Acustica united with Acustica},
author  = {Bertet, Stéphanie and Daniel, Jérôme and Parizet,
Etienne and Warusfel, Olivier},
month = jul,
year = {2013}
}

F. Berto, “There’s something about Gödel: the complete guide to the incompleteness theorem,” , 2009.
[Bibtex]

@Article{ berto_theres_2009,
address  = {Malden, MA},
title = {There's something about {Gödel}: the complete guide to
the incompleteness theorem},
isbn = {978-1-4051-9766-3 978-1-4051-9767-0},
language  = {en},
author  = {Berto, Francesco},
year = {2009}
}

P. Bertrand, “”Le temps, ce sculpteur”.”
[Bibtex]

@Article{ bertrand_temps_nodate,
title = {"{Le} temps, ce sculpteur"},
language  = {fr},
author  = {Bertrand, Pierre}
}

A. Besnard, “Hip-hop et DJing : une pratique musicale technique dans « l’arène sociale »,” Volume !, 2004.
[Bibtex]

@Article{ besnard_hip-hop_2004,
title = {Hip-hop et {DJing} : une pratique musicale technique dans
« l’arène sociale »},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.1970},
language  = {fr},
journal  = {Volume !},
author  = {Besnard, Alexandra},
month = oct,
year = {2004}
}

E. Pound, “The concrete poetry movement attributes its radical experimentalism in language to the influence of Mallarmé’s work, and although this influence has been perennially heralded, intriguing aspects of it have thus far been left unexamined. Chief among these is the pre-.”
[Bibtex]

@Article{ pound_concrete_nodate,
title = {The concrete poetry movement attributes its radical
experimentalism in language to the influence of
{Mallarmé}’s work, and although this influence has been
perennially heralded, intriguing aspects of it have thus
far been left unexamined. {Chief} among these is the pre-},
language  = {en},
author  = {Pound, Ezra}
}

D. Bessell, “Dynamic Convolution Modeling, a Hybrid Synthesis Strategy,” Computer music journal, 2013.
[Bibtex]

@Article{ bessell_dynamic_2013,
title = {Dynamic {Convolution} {Modeling}, a {Hybrid} {Synthesis}
{Strategy}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00159},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bessell, David},
month = mar,
year = {2013}
}

D. Bessell, “Formant Synthesis, Granular Synthesis, and Waveshaping in “Halo, Bells and Voices”, Bessell,” Perspectives of new music, 2007.
[Bibtex]

@Article{ bessell_formant_2007,
title = {Formant {Synthesis}, {Granular} {Synthesis}, and
{Waveshaping} in "{Halo}, {Bells} and {Voices}",
{Bessell}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Bessell, David},
year = {2007}
}

C. Betrisey, J. F. Blinn, B. Dresevic, B. Hill, G. Hitchcock, B. Keely, D. P. Mitchell, J. C. Platt, and T. Whitted, “20.4: Displaced Filtering for Patterned Displays,” Sid symposium digest of technical papers, 2000.
[Bibtex]

@Article{ betrisey_204_2000,
title = {20.4: {Displaced} {Filtering} for {Patterned} {Displays}},
issn = {0097-966X, 2168-0159},
doi = {10.1889/1.1832941},
language  = {en},
journal  = {SID Symposium Digest of Technical Papers},
author  = {Betrisey, Claude and Blinn, James F. and Dresevic, Bodin
and Hill, Bill and Hitchcock, Greg and Keely, Bert and
Mitchell, Don P. and Platt, John C. and Whitted, Turner},
month = may,
year = {2000}
}

R. Bevan, “The Destruction of Memory.”
[Bibtex]

@Article{ bevan_destruction_nodate,
title = {The {Destruction} of {Memory}},
language  = {en},
author  = {Bevan, Robert}
}

P. Beyls, “The Musical Universe Of Cellular Automata.”
[Bibtex]

@Article{ beyls_musical_nodate,
title = {The {Musical} {Universe} {Of} {Cellular} {Automata}},
language  = {en},
author  = {Beyls, Peter}
}

“Modeling the Perception of Tonal Structure with Neural Nets.”
[Bibtex]

@Article{ noauthor_modeling_nodate,
title = {Modeling the {Perception} of {Tonal} {Structure} with
{Neural} {Nets}},
language  = {en}
}

R. Bhatt, “Christopher Alexander’s pattern language: an alternative exploration of space-making practices,” The journal of architecture, 2010.
[Bibtex]

@Article{ bhatt_christopher_2010,
title = {Christopher {Alexander}'s pattern language: an alternative
exploration of space-making practices},
issn = {1360-2365, 1466-4410},
doi = {10.1080/13602365.2011.533537},
language  = {en},
journal  = {The Journal of Architecture},
author  = {Bhatt, Ritu},
month = dec,
year = {2010}
}

C. Bhattacharya and R. W. Hall, “Geometrical Representations of North Indian T. ha¯.ts and Ra¯gs.”
[Bibtex]

@Article{ bhattacharya_geometrical_nodate,
title = {Geometrical {Representations} of {North} {Indian} {T}.
ha¯.ts and {Ra}¯gs},
language  = {en},
author  = {Bhattacharya, Chirashree and Hall, Rachel Wells}
}

B. Bhushan, “Biomimetics: lessons from nature–an overview,” Philosophical transactions of the royal society a: mathematical, physical and engineering sciences, 2009.
[Bibtex]

@Article{ bhushan_biomimetics_2009,
title = {Biomimetics: lessons from nature–an overview},
issn = {1364-503X, 1471-2962},
doi = {10.1098/rsta.2009.0011},
language  = {en},
journal  = {Philosophical Transactions of the Royal Society A:
Mathematical, Physical and Engineering Sciences},
author  = {Bhushan, Bharat},
month = apr,
year = {2009}
}

“Springer handbook of nanotechnology,” , 2004.
[Bibtex]

@Article{ bhushan_springer_2004,
address  = {Berlin ; New York},
title = {Springer handbook of nanotechnology},
isbn = {978-3-540-01218-4},
language  = {en},
year = {2004}
}

R. Bidlack, “Chaotic Systems as Simple (But Complex) Compositional Algorithms,” Computer music journal, 1992.
[Bibtex]

@Article{ bidlack_chaotic_1992,
title = {Chaotic {Systems} as {Simple} ({But} {Complex})
{Compositional} {Algorithms}},
issn = {01489267},
doi = {10.2307/3680849},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bidlack, Rick},
year = {1992}
}

E. Bigan and P. Plateau, “On the Relation between Chemical Oscillations and Self-Replication,” Artificial life, 2017.
[Bibtex]

@Article{ bigan_relation_2017,
title = {On the {Relation} between {Chemical} {Oscillations} and
{Self}-{Replication}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/ARTL_a_00241},
language  = {en},
journal  = {Artificial Life},
author  = {Bigan, Erwan and Plateau, Pierre},
month = nov,
year = {2017}
}

L. Bigo, D. Ghisi, A. Spicher, and M. Andreatta, “Representation of Musical Structures and Processes in Simplicial Chord Spaces,” Computer music journal, 2015.
[Bibtex]

@Article{ bigo_representation_2015,
title = {Representation of {Musical} {Structures} and {Processes}
in {Simplicial} {Chord} {Spaces}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00312},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bigo, Louis and Ghisi, Daniele and Spicher, Antoine and
Andreatta, Moreno},
month = sep,
year = {2015}
}

L. Bigo and A. Spicher, “Self-Assembly of Musical Representations in MGS.”
[Bibtex]

@Article{ bigo_self-assembly_nodate,
title = {Self-{Assembly} of {Musical} {Representations} in {MGS}},
language  = {en},
author  = {Bigo, Louis and Spicher, Antoine}
}

L. Bigo, A. Spicher, and O. Michel, “Spatial Programming for Music Representation and Analysis,” , 2010.
[Bibtex]

@Article{ bigo_spatial_2010,
address  = {Budapest, TBD, Hungary},
title = {Spatial {Programming} for {Music} {Representation} and
{Analysis}},
isbn = {978-1-4244-8684-7},
doi = {10.1109/SASOW.2010.22},
language  = {en},
booktitle  = {2010 {Fourth} {IEEE} {International} {Conference} on
{Self}-{Adaptive} and {Self}-{Organizing} {Systems}
{Workshop}},
author  = {Bigo, Louis and Spicher, Antoine and Michel, Olivier},
month = sep,
year = {2010}
}

S. Bilbao, B. Hamilton, J. Botts, and L. Savioja, “Finite Volume Time Domain Room Acoustics Simulation under General Impedance Boundary Conditions,” Ieee/acm transactions on audio, speech, and language processing, 2016.
[Bibtex]

@Article{ bilbao_finite_2016,
title = {Finite {Volume} {Time} {Domain} {Room} {Acoustics}
{Simulation} under {General} {Impedance} {Boundary}
{Conditions}},
issn = {2329-9290, 2329-9304},
doi = {10.1109/TASLP.2015.2500018},
language  = {en},
journal  = {IEEE/ACM Transactions on Audio, Speech, and Language
Processing},
author  = {Bilbao, Stefan and Hamilton, Brian and Botts, Jonathan and
Savioja, Lauri},
month = jan,
year = {2016}
}

S. Bilbao, “Numerical Sound Synthesis: Finite Difference Schemes and Simulation in Musical Acoustics,” , 2009.
[Bibtex]

@Article{ bilbao_numerical_2009,
title = {Numerical {Sound} {Synthesis}: {Finite} {Difference}
{Schemes} and {Simulation} in {Musical} {Acoustics}},
isbn = {978-0-470-51046-9 978-0-470-74901-2},
language  = {en},
author  = {Bilbao, Stefan},
month = oct,
year = {2009},
doi = {10.1002/9780470749012}
}

M. Billeter, E. Sintorn, and U. Assarsson, “Real Time Volumetric Shadows using Polygonal Light Volumes.”
[Bibtex]

@Article{ billeter_real_nodate,
title = {Real {Time} {Volumetric} {Shadows} using {Polygonal}
{Light} {Volumes}},
language  = {en},
author  = {Billeter, Markus and Sintorn, Erik and Assarsson, Ulf}
}

E. Binda, “Techno-esthétiques ou philosophies de l’interaction : les réflexions de Gilbert Simondon et John Dewey,” Appareil, 2015.
[Bibtex]

@Article{ binda_techno-esthetiques_2015,
title = {Techno-esthétiques ou philosophies de l’interaction :
les réflexions de {Gilbert} {Simondon} et {John} {Dewey}},
issn = {2101-0714},
doi = {10.4000/appareil.2217},
language  = {fr},
journal  = {Appareil},
author  = {Binda, Elisa},
month = dec,
year = {2015}
}

K. G. Binmore, “Game Theory : A Very Short Introduction.”
[Bibtex]

@Article{ binmore_game_nodate,
title = {Game {Theory} : {A} {Very} {Short} {Introduction}},
language  = {en},
author  = {Binmore, K G}
}

J. Bischoff, R. Gold, and J. Horton, “Music for an Interactive Network of Microcomputers,” Computer music journal, 1978.
[Bibtex]

@Article{ bischoff_music_1978,
title = {Music for an {Interactive} {Network} of {Microcomputers}},
issn = {01489267},
doi = {10.2307/3679453},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bischoff, John and Gold, Rich and Horton, Jim},
month = dec,
year = {1978}
}

C. M. Bishop, “Pattern recognition and machine learning,” , 2006.
[Bibtex]

@Article{ bishop_pattern_2006,
address  = {New York},
title = {Pattern recognition and machine learning},
isbn = {978-0-387-31073-2},
language  = {en},
author  = {Bishop, Christopher M.},
year = {2006}
}

D. D. Bisig, “Early Investigations into Musical Applications of Time- Delayed Recurrent Networks.”
[Bibtex]

@Article{ bisig_early_nodate,
title = {Early {Investigations} into {Musical} {Applications} of
{Time}- {Delayed} {Recurrent} {Networks}},
language  = {en},
author  = {Bisig, Dr Daniel}
}

D. Bisig and P. Kocher, “Musical Approaches for Working with Time-Delayed Feedback Networks.”
[Bibtex]

@Article{ bisig_musical_nodate,
title = {Musical {Approaches} for {Working} with {Time}-{Delayed}
{Feedback} {Networks}},
language  = {en},
author  = {Bisig, Daniel and Kocher, Philippe}
}

D. Bisig, “Watchers — An Installative Representation of a Generative System.”
[Bibtex]

@Article{ bisig_watchers_nodate,
title = {Watchers — {An} {Installative} {Representation} of a
{Generative} {System}},
language  = {en},
author  = {Bisig, Daniel}
}

M. Bitbol, “Physique quantique et cognition.”
[Bibtex]

@Article{ bitbol_physique_nodate,
title = {Physique quantique et cognition},
language  = {fr},
author  = {Bitbol, Michel}
}

D. Bithell, “Image, Engagement, Technological Resource: An Interview with Roger Reynolds,” Computer music journal, 2007.
[Bibtex]

@Article{ bithell_image_2007,
title = {Image, {Engagement}, {Technological} {Resource}: {An}
{Interview} with {Roger} {Reynolds}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.1.10},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bithell, David},
month = mar,
year = {2007}
}

E. Bjorklund, “The Theory of Rep-Rate Pattern Generation in the SNS Timing System,” , 1999.
[Bibtex]

@Article{ bjorklund_theory_1999,
title = {The {Theory} of {Rep}-{Rate} {Pattern} {Generation} in the
{SNS} {Timing} {System}},
language  = {en},
author  = {Bjorklund, E},
year = {1999}
}

F. Black and M. Scholes, “The Pricing of Options and Corporate Liabilities,” The journal of political economy, 1973.
[Bibtex]

@Article{ black_pricing_1973,
title = {The {Pricing} of {Options} and {Corporate} {Liabilities}},
journal  = {The Journal of Political Economy},
author  = {Black, Fischer and Scholes, Myron},
year = {1973}
}

P. Blackburn, “Harry Partch and the Philosopher’s Tone.”
[Bibtex]

@Article{ blackburn_harry_nodate,
title = {Harry {Partch} and the {Philosopher}’s {Tone}},
language  = {en},
author  = {Blackburn, Philip}
}

T. Blackwell and M. Young, “Self-organised music,” Organised sound, 2004.
[Bibtex]

@Article{ blackwell_self-organised_2004,
title = {Self-organised music},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771804000214},
language  = {en},
journal  = {Organised Sound},
author  = {Blackwell, Tim and Young, Michael},
month = aug,
year = {2004}
}

“Singularities in geometry and topology: Strasbourg 2009,” , 2012.
[Bibtex]

@Article{ blanloeil_singularities_2012,
address  = {Zürich, Switzerland},
title = {Singularities in geometry and topology: {Strasbourg}
2009},
isbn = {978-3-03719-118-7},
language  = {en},
year = {2012}
}

“The Cambridge history of Western music theory,” , 2002.
[Bibtex]

@Article{ christensen_cambridge_2002,
address  = {Cambridge ; New York},
title = {The {Cambridge} history of {Western} music theory},
isbn = {978-0-521-62371-1},
language  = {en},
year = {2002}
}

K. Blaukopf, “Space In Electronic Music.”
[Bibtex]

@Article{ blaukopf_space_nodate,
title = {Space {In} {Electronic} {Music}},
language  = {en},
author  = {Blaukopf, Kurt}
}

B. Blesser, “The Hidden and Diffuse Power of Corporate Cultures.”
[Bibtex]

@Article{ blesser_hidden_nodate,
title = {The {Hidden} and {Diffuse} {Power} of {Corporate}
{Cultures}},
language  = {en},
author  = {Blesser, Barry}
}

A. S. Blinder, “After the music stopped the financial crisis, the response, and the work ahead,” , 2014.
[Bibtex]

@Article{ blinder_after_2014,
address  = {New York, New York},
title = {After the music stopped the financial crisis, the
response, and the work ahead},
isbn = {978-1-101-60587-5},
language  = {en},
author  = {Blinder, Alan S.},
year = {2014}
}

E. Bloch and P. Palmer, “Essays on the philosophy of music,” , 1985.
[Bibtex]

@Article{ bloch_essays_1985,
address  = {Cambridge ; New York},
title = {Essays on the philosophy of music},
isbn = {978-0-521-24873-0 978-0-521-31213-4},
language  = {en},
author  = {Bloch, Ernst and Palmer, Peter},
year = {1985}
}

G. Bloch, “Vuza Canons into the Museum.”
[Bibtex]

@Article{ bloch_vuza_nodate,
title = {Vuza {Canons} into the {Museum}},
language  = {en},
author  = {Bloch, Georges}
}

P. Block and J. Ochsendorf, “THRUST NETWORK ANALYSIS: A NEW METHODOLOGY FOR THREE-DIMENSIONAL EQUILIBRIUM,” Journal of the international association for shell and spatial structures, 2007.
[Bibtex]

@Article{ block_thrust_2007,
title = {{THRUST} {NETWORK} {ANALYSIS}: {A} {NEW} {METHODOLOGY}
{FOR} {THREE}-{DIMENSIONAL} {EQUILIBRIUM}},
language  = {en},
journal  = {JOURNAL OF THE INTERNATIONAL ASSOCIATION FOR SHELL AND
SPATIAL STRUCTURES},
author  = {Block, Philippe and Ochsendorf, John},
year = {2007}
}

A. Bobenko, T. Hoffmann, and B. Springborn, “Minimal surfaces from circle patterns: Geometry from combinatorics,” Annals of mathematics, 2006.
[Bibtex]

@Article{ bobenko_minimal_2006,
title = {Minimal surfaces from circle patterns: {Geometry} from
combinatorics},
issn = {0003-486X},
doi = {10.4007/annals.2006.164.231},
language  = {en},
journal  = {Annals of Mathematics},
author  = {Bobenko, Alexander and Hoffmann, Tim and Springborn,
Boris},
month = jul,
year = {2006}
}

S. Böck and G. Widmer, “Maximum Filter Vibrato Suppression for Onset Detection,” , 2013.
[Bibtex]

@Article{ bock_maximum_2013,
title = {Maximum {Filter} {Vibrato} {Suppression} for {Onset}
{Detection}},
language  = {en},
author  = {Böck, Sebastian and Widmer, Gerhard},
year = {2013}
}

“The making of the humanities,” , 2010.
[Bibtex]

@Article{ bod_making_2010,
address  = {Amsterdam},
title = {The making of the humanities},
isbn = {978-90-8964-269-1 978-90-8964-455-8 978-90-8964-516-6},
language  = {en},
year = {2010}
}

H. Bode and H. A. G. Nathan, “The Melochord of the Cologne Studio for Electronic,” , 1954.
[Bibtex]

@Article{ bode_melochord_1954,
title = {The {Melochord} of the {Cologne} {Studio} for
{Electronic}},
language  = {en},
author  = {Bode, Harald and Nathan, H A G},
year = {1954}
}

C. Boehm, “Music Industry, Academia and the Public,” Open innovation, 2016.
[Bibtex]

@Article{ boehm_music_2016,
title = {Music {Industry}, {Academia} and the {Public}},
language  = {en},
journal  = {Open Innovation},
author  = {Boehm, Carola},
year = {2016}
}

J. Nelson, “State of Computer Music,” Computer music journal, 1996.
[Bibtex]

@Article{ nelson_state_1996,
title = {State of {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3680810},
language  = {en},
journal  = {Computer Music Journal},
author  = {Nelson, James},
year = {1996}
}

A. Bohn, W. Throwe, F. Hébert, K. Henriksson, D. Bunandar, N. W. Taylor, and M. A. Scheel, “What does a binary black hole merger look like?,” Classical and quantum gravity, 2015.
[Bibtex]

@Article{ bohn_what_2015,
title = {What does a binary black hole merger look like?},
issn = {0264-9381, 1361-6382},
doi = {10.1088/0264-9381/32/6/065002},
language  = {en},
journal  = {Classical and Quantum Gravity},
author  = {Bohn, Andy and Throwe, William and Hébert, François and
Henriksson, Katherine and Bunandar, Darius and Taylor,
Nicholas W. and Scheel, Mark A.},
month = mar,
year = {2015}
}

N. Bohr, “On the Constitution of Atoms and Molecules.”
[Bibtex]

@Article{ bohr_constitution_nodate,
title = {On the {Constitution} of {Atoms} and {Molecules}},
language  = {en},
author  = {Bohr, N}
}

J. Boivin, “Le Traité de rythme, de couleur, et d’ornithologie d’Olivier Messiaen (tomes I, II, III et IV),” Circuit, 2010.
[Bibtex]

@Article{ boivin_traite_2010,
title = {Le {Traité} de rythme, de couleur, et d’ornithologie
d’{Olivier} {Messiaen} (tomes {I}, {II}, {III} et {IV})},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902214ar},
language  = {fr},
journal  = {Circuit},
author  = {Boivin, Jean},
month = mar,
year = {2010}
}

S. Bokesoy and J. B. Thiebaut, “An approach to visualization of complex event data for generating sonic structures.”
[Bibtex]

@Article{ bokesoy_approach_nodate,
title = {An approach to visualization of complex event data for
generating sonic structures},
language  = {en},
author  = {Bokesoy, Sinan and Thiebaut, Jean Baptiste}
}

T. Bolognesi, “Automatic Composition: Experiments with Self-Similar Music,” Computer music journal, 1983.
[Bibtex]

@Article{ bolognesi_automatic_1983,
title = {Automatic {Composition}: {Experiments} with
{Self}-{Similar} {Music}},
issn = {01489267},
doi = {10.2307/3679916},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bolognesi, Tommaso},
year = {1983}
}

A. Bonardi and J. Barthélemy, “Le patch comme document numérique : Support de création et de constitution de connaissances pour les arts de la performance,” , 2015.
[Bibtex]

@Article{ bonardi_patch_2015,
title = {Le patch comme document numérique : {Support} de
création et de constitution de connaissances pour les arts
de la performance},
language  = {fr},
author  = {Bonardi, Alain and Barthélemy, Jérôme},
year = {2015}
}

A. Bond, “A guide to the harpsichord,” , 1997.
[Bibtex]

@Article{ bond_guide_1997,
address  = {Portland, Or},
title = {A guide to the harpsichord},
isbn = {978-1-57467-027-1},
language  = {en},
author  = {Bond, Ann},
year = {1997}
}

D. Bond, “THE HARMONIC MATRIX: EXPLORING THE GEOMETRY OF PITCH,” , 2011.
[Bibtex]

@Article{ bond_harmonic_2011,
title = {{THE} {HARMONIC} {MATRIX}: {EXPLORING} {THE} {GEOMETRY}
{OF} {PITCH}},
language  = {en},
author  = {Bond, Daryn},
year = {2011}
}

B. Bongers and Sensorband, “An Interview with Sensorband,” Computer music journal, 1998.
[Bibtex]

@Article{ bongers_interview_1998,
title = {An {Interview} with {Sensorband}},
issn = {01489267},
doi = {10.2307/3681041},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bongers, Bert and {Sensorband}},
year = {1998}
}

B. Bonin, “Le nucléaire expliqué par des physiciens,” , 2020.
[Bibtex]

@Article{ bonin_nucleaire_2020,
title = {Le nucléaire expliqué par des physiciens},
isbn = {978-2-7598-0938-7},
language  = {fr},
author  = {Bonin, Bernard},
month = nov,
year = {2020},
doi = {10.1051/978-2-7598-0938-7}
}

M. Bonniol, “Sonic Youth, du style au geste ou la prétention esthétique d’un groupe de rock,” Volume !, 2002.
[Bibtex]

@Article{ bonniol_sonic_2002,
title = {Sonic {Youth}, du style au geste ou la prétention
esthétique d’un groupe de rock},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2509},
language  = {fr},
journal  = {Volume !},
author  = {Bonniol, Marie-Pierre},
month = may,
year = {2002}
}

V. Bontems, “Du mode d’inexistence des mathématiques: L’ontologie du virtuel chez Simondon,” Appareil, 2015.
[Bibtex]

@Article{ bontems_du_2015,
title = {Du mode d’inexistence des mathématiques:
{L}’ontologie du virtuel chez {Simondon}},
issn = {2101-0714},
doi = {10.4000/appareil.2235},
language  = {fr},
journal  = {Appareil},
author  = {Bontems, Vincent},
month = dec,
year = {2015}
}

J. P. Boon, “Complexity, time and music,” , 2009.
[Bibtex]

@Article{ boon_complexity_2009,
title = {Complexity, time and music},
language  = {en},
author  = {Boon, Jean Pierre},
month = mar,
year = {2009}
}

D. D. Boos and L. A. Stefanski, “Essential Statistical Inference,” , 2013.
[Bibtex]

@Article{ boos_essential_2013,
address  = {New York, NY},
title = {Essential {Statistical} {Inference}},
isbn = {978-1-4614-4817-4 978-1-4614-4818-1},
language  = {en},
author  = {Boos, Dennis D and Stefanski, L. A},
year = {2013},
doi = {10.1007/978-1-4614-4818-1}
}

J. Borders, “Form and the Concept Album: Aspects of Modernism in Frank Zappa’s Early Releases,” Perspectives of new music, 2001.
[Bibtex]

@Article{ borders_form_2001,
title = {Form and the {Concept} {Album}: {Aspects} of {Modernism}
in {Frank} {Zappa}'s {Early} {Releases}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Borders, James},
year = {2001}
}

J. -P. Borel and C. Reutenauer, “Palindromic factors of billiard words,” Theoretical computer science, 2005.
[Bibtex]

@Article{ borel_palindromic_2005,
title = {Palindromic factors of billiard words},
issn = {03043975},
doi = {10.1016/j.tcs.2005.03.036},
language  = {en},
journal  = {Theoretical Computer Science},
author  = {Borel, J.-P. and Reutenauer, C.},
month = jun,
year = {2005}
}

Benjamin Boretz, “Jim Randall: An Autobiography,” Perspectives of new music, 2014.
[Bibtex]

@Article{ benjamin_boretz_jim_2014,
title = {Jim {Randall}: {An} {Autobiography}},
issn = {00316016},
doi = {10.7757/persnewmusi.52.2.0009},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Benjamin Boretz}},
year = {2014}
}

Benjamin Boretz, “Milton Babbitt and the American Mainstream,” Perspectives of new music, 2012.
[Bibtex]

@Article{ benjamin_boretz_milton_2012,
title = {Milton {Babbitt} and the {American} {Mainstream}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2s.0357},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Benjamin Boretz}},
year = {2012}
}

B. Boretz, “Music as Anti-Theatre: A Text about Some Writings by John Rahn,” Perspectives of new music, 2001.
[Bibtex]

@Article{ boretz_music_2001,
title = {Music as {Anti}-{Theatre}: {A} {Text} about {Some}
{Writings} by {John} {Rahn}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Boretz, Benjamin},
year = {2001}
}

Benjamin Boretz, Dora Hanninen, Joshua Mailman, and Wayne Slawson, “Robert Morris at 70,” Perspectives of new music, 2014.
[Bibtex]

@Article{ benjamin_boretz_robert_2014,
title = {Robert {Morris} at 70},
issn = {00316016},
doi = {10.7757/persnewmusi.52.2.0014},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Benjamin Boretz} and {Dora Hanninen} and {Joshua Mailman}
and {Wayne Slawson}},
year = {2014}
}

B. Boretz, “What did Milton Mean By His Music?,” , 2012.
[Bibtex]

@Article{ boretz_what_2012,
title = {What did {Milton} {Mean} {By} {His} {Music}?},
language  = {en},
author  = {Boretz, Benjamin},
year = {2012}
}

B. Boretz, “”Where Have We Met before?” for a 90th Birthday Celebration of Milton Babbitt,” Perspectives of new music, 2006.
[Bibtex]

@Article{ boretz_where_2006,
title = {"{Where} {Have} {We} {Met} before?" for a 90th {Birthday}
{Celebration} of {Milton} {Babbitt}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Boretz, Benjamin},
year = {2006}
}

J. Pasler, “Boretzian Discourse and History,” Perspectives of new music, 2006.
[Bibtex]

@Article{ pasler_boretzian_2006,
title = {Boretzian {Discourse} and {History}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Pasler, Jann},
year = {2006}
}

J. L. Borges and A. Hurley, “Collected Fictions.”
[Bibtex]

@Article{ borges_collected_nodate,
title = {Collected {Fictions}},
language  = {en},
author  = {Borges, Jorge Luis and Hurley, Andrew}
}

A. Borgonovo and G. Haus, “Sound Synthesis by Means of Two-Variable Functions: Experimental Criteria and Results,” Computer music journal, 1986.
[Bibtex]

@Article{ borgonovo_sound_1986,
title = {Sound {Synthesis} by {Means} of {Two}-{Variable}
{Functions}: {Experimental} {Criteria} and {Results}},
issn = {01489267},
doi = {10.2307/3680260},
language  = {en},
journal  = {Computer Music Journal},
author  = {Borgonovo, Aldo and Haus, Goffredo},
year = {1986}
}

G. Borin, G. D. Poli, and A. Sarti, “Algorithms and Structures for Synthesis Using Physical Models,” Computer music journal, 1992.
[Bibtex]

@Article{ borin_algorithms_1992,
title = {Algorithms and {Structures} for {Synthesis} {Using}
{Physical} {Models}},
issn = {01489267},
doi = {10.2307/3680467},
language  = {en},
journal  = {Computer Music Journal},
author  = {Borin, Gianpaolo and Poli, Giovanni De and Sarti,
Augusto},
year = {1992}
}

N. Bostrom, “Quantity of experience: brain-duplication and degrees of consciousness,” Minds and machines, 2006.
[Bibtex]

@Article{ bostrom_quantity_2006,
title = {Quantity of experience: brain-duplication and degrees of
consciousness},
issn = {0924-6495, 1572-8641},
doi = {10.1007/s11023-006-9036-0},
language  = {en},
journal  = {Minds and Machines},
author  = {Bostrom, Nick},
month = oct,
year = {2006}
}

N. Bostrom, “Superintelligence: paths, dangers, strategies,” , 2014.
[Bibtex]

@Article{ bostrom_superintelligence_2014,
address  = {Oxford},
title = {Superintelligence: paths, dangers, strategies},
isbn = {978-0-19-967811-2},
language  = {en},
author  = {Bostrom, Nick},
year = {2014}
}

N. Bostrom and The Harvard Review of Philosophy, “The Mysteries of Self-Locating Belief and Anthropic Reasoning:,” The harvard review of philosophy, 2003.
[Bibtex]

@Article{ bostrom_mysteries_2003,
title = {The {Mysteries} of {Self}-{Locating} {Belief} and
{Anthropic} {Reasoning}:},
issn = {1062-6239},
doi = {10.5840/harvardreview20031114},
language  = {en},
journal  = {The Harvard Review of Philosophy},
author  = {Bostrom, Nick and {The Harvard Review of Philosophy}},
year = {2003}
}

N. Bostrom, A. Sandberg, and T. Douglas, “The Unilateralist’s Curse: The Case for a Principle of Conformity.”
[Bibtex]

@Article{ bostrom_unilateralists_nodate,
title = {The {Unilateralist}’s {Curse}: {The} {Case} for a
{Principle} of {Conformity}},
language  = {en},
author  = {Bostrom, Nick and Sandberg, Anders and Douglas, Tom}
}

N. Bostrom, “What is a Singleton?,” , 2005.
[Bibtex]

@Article{ bostrom_what_2005,
title = {What is a {Singleton}?},
language  = {en},
author  = {Bostrom, Nick},
year = {2005}
}

P. Boudon, “Sur l’espace architectural: essai d’épistémologie de l’architecture,” , 2003.
[Bibtex]

@Article{ boudon_sur_2003,
address  = {Marseille},
title = {Sur l'espace architectural: essai d'épistémologie de
l'architecture},
isbn = {978-2-86364-621-2},
language  = {fr},
author  = {Boudon, Philippe},
year = {2003}
}

R. Boulanger, R. Reynolds, J. Yuasa, and C. Wuorinen, “Interview with Roger Reynolds, Joji Yuasa, and Charles Wuorinen,” Computer music journal, 1984.
[Bibtex]

@Article{ boulanger_interview_1984,
title = {Interview with {Roger} {Reynolds}, {Joji} {Yuasa}, and
{Charles} {Wuorinen}},
issn = {01489267},
doi = {10.2307/3679776},
language  = {en},
journal  = {Computer Music Journal},
author  = {Boulanger, Richard and Reynolds, Roger and Yuasa, Joji and
Wuorinen, Charles},
year = {1984}
}

“The Csound book: perspectives in software synthesis, sound design, signal processing, and programming,” , 2000.
[Bibtex]

@Article{ boulanger_csound_2000,
address  = {Cambridge, Mass},
title = {The {Csound} book: perspectives in software synthesis,
sound design, signal processing, and programming},
isbn = {978-0-262-52261-8},
language  = {en},
year = {2000}
}

D. Bountouridis, D. Brown, F. Wiering, and R. Veltkamp, “Melodic Similarity and Applications Using Biologically-Inspired Techniques,” Applied sciences, 2017.
[Bibtex]

@Article{ bountouridis_melodic_2017,
title = {Melodic {Similarity} and {Applications} {Using}
{Biologically}-{Inspired} {Techniques}},
issn = {2076-3417},
doi = {10.3390/app7121242},
language  = {en},
journal  = {Applied Sciences},
author  = {Bountouridis, Dimitrios and Brown, Daniel and Wiering,
Frans and Veltkamp, Remco},
month = dec,
year = {2017}
}

P. Bourdieu, “L’opinion publique n’existe pas.”
[Bibtex]

@Article{ bourdieu_opinion_nodate,
title = {L'opinion publique n'existe pas},
language  = {fr},
author  = {Bourdieu, Pierre}
}

P. Bourdieu, “Critique sociale du jugement,” Pierre bourdieu.
[Bibtex]

@Article{ bourdieu_critique_nodate,
title = {Critique sociale du jugement},
language  = {fr},
journal  = {Pierre Bourdieu},
author  = {Bourdieu, Pierre}
}

P. Bourdieu, “Social Space and Symbolic Power,” Sociological theory, 1989.
[Bibtex]

@Article{ bourdieu_social_1989,
title = {Social {Space} and {Symbolic} {Power}},
issn = {07352751},
doi = {10.2307/202060},
language  = {en},
journal  = {Sociological Theory},
author  = {Bourdieu, Pierre},
year = {1989}
}

P. Bourdieu, S. Emanuel, and P. Bourdieu, “The rules of art: genesis and structure of the literary field,” , 1996.
[Bibtex]

@Article{ bourdieu_rules_1996,
address  = {Stanford, Ca},
title = {The rules of art: genesis and structure of the literary
field},
isbn = {978-0-8047-2568-2 978-0-8047-2627-6},
language  = {en},
author  = {Bourdieu, Pierre and Emanuel, Susan and Bourdieu, Pierre},
year = {1996}
}

M. Bourreau, M. Gensollen, and F. Moreau, “Musique enregistrée et numérique : quels scénarios d’évolution de la filière ?,” Culture prospective, 2007.
[Bibtex]

@Article{ bourreau_musique_2007,
title = {Musique enregistrée et numérique : quels scénarios
d'évolution de la filière ?},
issn = {1959-6944, 2118-4631},
doi = {10.3917/culp.071.0001},
language  = {fr},
journal  = {Culture prospective},
author  = {Bourreau, Marc and Gensollen, Michel and Moreau,
François},
year = {2007}
}

G. Boutard and C. Guastavino, “Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process,” Computer music journal, 2012.
[Bibtex]

@Article{ boutard_following_2012,
title = {Following {Gesture} {Following}: {Grounding} the
{Documentation} of a {Multi}-{Agent} {Music} {Creation}
{Process}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00147},
language  = {en},
journal  = {Computer Music Journal},
author  = {Boutard, Guillaume and Guastavino, Catherine},
month = dec,
year = {2012}
}

E. Boutouyrie, “Goa aux portes des métropoles. Communautés transnationales et musique techno,” Volume !, 2008.
[Bibtex]

@Article{ boutouyrie_goa_2008,
title = {Goa aux portes des métropoles. {Communautés}
transnationales et musique techno},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.284},
language  = {fr},
journal  = {Volume !},
author  = {Boutouyrie, Eric},
month = oct,
year = {2008}
}

F. L. Bouwer, A. J. Burgoyne, D. Odijk, H. Honing, and J. A. Grahn, “What makes a rhythm complex? The influence of musical training and accent type on beat perception,” Plos one, 2018.
[Bibtex]

@Article{ bouwer_what_2018,
title = {What makes a rhythm complex? {The} influence of musical
training and accent type on beat perception},
issn = {1932-6203},
doi = {10.1371/journal.pone.0190322},
language  = {en},
journal  = {PLOS ONE},
author  = {Bouwer, Fleur L. and Burgoyne, J. Ashley and Odijk, Daan
and Honing, Henkjan and Grahn, Jessica A.},
month = jan,
year = {2018}
}

O. Bown and J. McCormack, “Creative Agency: A Clearer Goal for Artificial Life in the Arts,” , 2011.
[Bibtex]

@Article{ kampis_creative_2011,
address  = {Berlin, Heidelberg},
title = {Creative {Agency}: {A} {Clearer} {Goal} for {Artificial}
{Life} in the {Arts}},
isbn = {978-3-642-21313-7 978-3-642-21314-4},
language  = {en},
booktitle  = {Advances in {Artificial} {Life}. {Darwin} {Meets} von
{Neumann}},
author  = {Bown, Oliver and McCormack, Jon},
year = {2011},
doi = {10.1007/978-3-642-21314-4_32}
}

O. Bown, “Ecosystem Models for Real-Time Generative Music: A Methodology and Framework.”
[Bibtex]

@Article{ bown_ecosystem_nodate,
title = {Ecosystem {Models} for {Real}-{Time} {Generative} {Music}:
{A} {Methodology} and {Framework}},
language  = {en},
author  = {Bown, Oliver}
}

J. Boxall, “Arduino workshop: a hands-on introduction with 65 projects,” , 2013.
[Bibtex]

@Article{ boxall_arduino_2013,
address  = {San Francisco},
title = {Arduino workshop: a hands-on introduction with 65
projects},
isbn = {978-1-59327-448-1},
language  = {en},
author  = {Boxall, John},
year = {2013}
}

K. Boyer, “Association Française d’Action Artistique and the School of Paris,” Konsthistorisk tidskrift/journal of art history, 2001.
[Bibtex]

@Article{ boyer_association_2001,
title = {Association {Française} d'{Action} {Artistique} and the
{School} of {Paris}},
issn = {0023-3609, 1651-2294},
doi = {10.1080/002336001317128715},
language  = {en},
journal  = {Konsthistorisk Tidskrift/Journal of Art History},
author  = {Boyer, Kathryn},
month = sep,
year = {2001}
}

B. Bozkurt, “A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets,” Computer music journal, 2012.
[Bibtex]

@Article{ bozkurt_system_2012,
title = {A {System} for {Tuning} {Instruments} {Using} {Recorded}
{Music} {Instead} of {Theory}-{Based} {Frequency}
{Presets}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00128},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bozkurt, Barış},
month = sep,
year = {2012}
}

J. Braasch, N. Peters, and D. L. Valente, “A Loudspeaker-Based Projection Technique for Spatial Music Applications Using Virtual Microphone Control,” Computer music journal, 2008.
[Bibtex]

@Article{ braasch_loudspeaker-based_2008,
title = {A {Loudspeaker}-{Based} {Projection} {Technique} for
{Spatial} {Music} {Applications} {Using} {Virtual}
{Microphone} {Control}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.3.55},
language  = {en},
journal  = {Computer Music Journal},
author  = {Braasch, Jonas and Peters, Nils and Valente, Daniel L.},
month = sep,
year = {2008}
}

J. Bradbury, “Linear Predictive Coding.”
[Bibtex]

@Article{ bradbury_linear_nodate,
title = {Linear {Predictive} {Coding}},
language  = {en},
author  = {Bradbury, Jeremy}
}

R. Bradford and R. Dobson, “The Sliding Phase Vocoder,” , 2007.
[Bibtex]

@Article{ bradford_sliding_2007,
title = {The {Sliding} {Phase} {Vocoder}},
language  = {en},
author  = {Bradford, Russell and Dobson, Richard},
year = {2007}
}

P. S. Bradley and U. M. Fayyad, “Refining Initial Points for K-Means Clustering.”
[Bibtex]

@Article{ bradley_refining_nodate,
title = {Refining {Initial} {Points} for {K}-{Means} {Clustering}},
language  = {en},
author  = {Bradley, Paul S and Fayyad, Usama M}
}

L. Bradnock, “Life in the Shadows: Towards a Queer Artaud,” , 2010.
[Bibtex]

@Article{ bradnock_life_2010,
title = {Life in the {Shadows}: {Towards} a {Queer} {Artaud}},
language  = {en},
author  = {Bradnock, Lucy},
year = {2010}
}

M. Brady, “Assemblages For Sound Work.”
[Bibtex]

@Article{ brady_assemblages_nodate,
title = {Assemblages {For} {Sound} {Work}},
language  = {en},
author  = {Brady, Mark}
}

M. C. Brady, “Emergent soundscape composition: Reflections on virtuality.”
[Bibtex]

@Article{ brady_emergent_nodate,
title = {Emergent soundscape composition: {Reflections} on
virtuality},
language  = {en},
author  = {Brady, Mark Christopher}
}

M. Brady and J. Leal, “Wim Wenders and Peter Handke: collaboration, adaption, recomposition,” , 2011.
[Bibtex]

@Article{ brady_wim_2011,
address  = {Amsterdam ; New York},
title = {Wim {Wenders} and {Peter} {Handke}: collaboration,
adaption, recomposition},
isbn = {978-90-420-3247-7 978-90-420-3248-4},
language  = {en},
author  = {Brady, Martin and Leal, Joanne},
year = {2011}
}

M. Bramer, “Principles of Data Mining,” , 2013.
[Bibtex]

@Article{ bramer_principles_2013,
address  = {London},
title = {Principles of {Data} {Mining}},
isbn = {978-1-4471-4883-8 978-1-4471-4884-5},
language  = {en},
author  = {Bramer, Max},
year = {2013},
doi = {10.1007/978-1-4471-4884-5}
}

S. Brandorff, M. Lindholm, and H. B. Christensen, “A Tutorial on Design Patterns for Music Notation Software,” Computer music journal, 2005.
[Bibtex]

@Article{ brandorff_tutorial_2005,
title = {A {Tutorial} on {Design} {Patterns} for {Music} {Notation}
{Software}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926054798179},
language  = {en},
journal  = {Computer Music Journal},
author  = {Brandorff, Steffen and Lindholm, Morten and Christensen,
Henrik Bærbak},
month = sep,
year = {2005}
}

A. Brannigan, “Stanley Milgram’s Obedience Experiments: A Report Card 50 Years Later,” Society, 2013.
[Bibtex]

@Article{ brannigan_stanley_2013,
title = {Stanley {Milgram}’s {Obedience} {Experiments}: {A}
{Report} {Card} 50 {Years} {Later}},
issn = {0147-2011, 1936-4725},
doi = {10.1007/s12115-013-9724-3},
language  = {en},
journal  = {Society},
author  = {Brannigan, Augustine},
month = dec,
year = {2013}
}

D. Widrig, T. Architects, and S. Ma, “DESIGNERS ET STYLISTE.”
[Bibtex]

@Article{ widrig_designers_nodate,
title = {{DESIGNERS} {ET} {STYLISTE}},
language  = {fr},
author  = {Widrig, Daniel and Architects, TU and Ma, Steven}
}

“Human readable messages: [Mezangelle 2003-2011],” , 2011.
[Bibtex]

@Article{ breeze_human_2011,
address  = {Wien},
title = {Human readable messages: [{Mezangelle} 2003-2011]},
isbn = {978-3-9502910-9-4},
language  = {en},
collaborator  = {Breeze, Mez},
year = {2011}
}

C. Breiner, “Minimizing energy,” Snapshots of modern mathematics from oberwolfach; no. 2/2015, 2015.
[Bibtex]

@Article{ breiner_minimizing_2015,
title = {Minimizing energy},
copyright  = {Creative Commons Attribution-NonCommercial-ShareAlike 3.0
International License},
doi = {10.14760/SNAP-2015-002-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach; No.
2/2015},
author  = {Breiner, Christine},
collaborator  = {Cederbaum, Carla and Jahns, Sophia},
year = {2015}
}

“Physical and perceptual aspects of percussive timbre,” Scholarly publishing.
[Bibtex]

@Article{ noauthor_physical_nodate,
title = {Physical and perceptual aspects of percussive timbre},
language  = {en},
journal  = {scholarly publishing}
}

J. Bresson and C. Pe, “NEW FRAMEWORK FOR SCORE SEGMENTATION AND ANALYSIS IN OPENMUSIC.”
[Bibtex]

@Article{ bresson_new_nodate,
title = {{NEW} {FRAMEWORK} {FOR} {SCORE} {SEGMENTATION} {AND}
{ANALYSIS} {IN} {OPENMUSIC}},
language  = {en},
author  = {Bresson, Jean and Pe, Carlos}
}

J. Bresson, C. Agon, and M. Schumacher, “Représentation des Données de Contrôle pour la Spatialisation dans OpenMusic.”
[Bibtex]

@Article{ bresson_representation_nodate,
title = {Représentation des {Données} de {Contrôle} pour la
{Spatialisation} dans {OpenMusic}},
language  = {fr},
author  = {Bresson, Jean and Agon, Carlos and Schumacher, Marlon}
}

J. Bresson and C. Agon, “Scores, Programs, and Time Representation: The Sheet Object in OpenMusic,” Computer music journal, 2008.
[Bibtex]

@Article{ bresson_scores_2008,
title = {Scores, {Programs}, and {Time} {Representation}: {The}
{Sheet} {Object} in {OpenMusic}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.4.31},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bresson, Jean and Agon, Carlos},
month = dec,
year = {2008}
}

J. Bresson, “Spatial Structures Programming for Music.”
[Bibtex]

@Article{ bresson_spatial_nodate,
title = {Spatial {Structures} {Programming} for {Music}},
language  = {en},
author  = {Bresson, Jean}
}

J. Bresson and J. Maccallum, “Tempo Curving as a Framework for Interactive Computer-Aided Composition.”
[Bibtex]

@Article{ bresson_tempo_nodate,
title = {Tempo {Curving} as a {Framework} for {Interactive}
{Computer}-{Aided} {Composition}},
language  = {en},
author  = {Bresson, Jean and Maccallum, John}
}

M. Bretan, G. Weinberg, and L. Heck, “A Unit Selection Methodology for Music Generation Using Deep Neural Networks,” , 2016.
[Bibtex]

@Article{ bretan_unit_2016,
title = {A {Unit} {Selection} {Methodology} for {Music}
{Generation} {Using} {Deep} {Neural} {Networks}},
language  = {en},
author  = {Bretan, Mason and Weinberg, Gil and Heck, Larry},
month = dec,
year = {2016}
}

H. Briel, “Night Club Visuals as Liminal Art,” , 2008.
[Bibtex]

@Article{ briel_night_2008,
title = {Night {Club} {Visuals} as {Liminal} {Art}},
language  = {en},
author  = {Briel, Holger},
year = {2008}
}

A. R. Brinkman and M. R. Mesiti, “Computer-Graphic Tools for Music Analysis,” , 1991.
[Bibtex]

@Article{ brinkman_computer-graphic_1991,
title = {Computer-{Graphic} {Tools} for {Music} {Analysis}},
language  = {en},
author  = {Brinkman, Alexander R and Mesiti, Martha R},
year = {1991}
}

P. Brinkmann, “Making musical apps,” , 2012.
[Bibtex]

@Article{ brinkmann_making_2012,
address  = {Sebastopol, Calif},
title = {Making musical apps},
isbn = {978-1-4493-1490-3},
language  = {en},
author  = {Brinkmann, Peter},
year = {2012}
}

J. Briot, G. Hadjeres, and F. Pachet, “Deep Learning Techniques for Music Generation – A Survey,” , 2019.
[Bibtex]

@Article{ briot_deep_2019,
title = {Deep {Learning} {Techniques} for {Music} {Generation} --
{A} {Survey}},
language  = {en},
author  = {Briot, Jean-Pierre and Hadjeres, Gaëtan and Pachet,
François-David},
month = aug,
year = {2019}
}

J. Briot and F. Pachet, “Music Generation by Deep Learning – Challenges and Directions,” Neural computing and applications, 2020.
[Bibtex]

@Article{ briot_music_2020,
title = {Music {Generation} by {Deep} {Learning} - {Challenges} and
{Directions}},
issn = {0941-0643, 1433-3058},
doi = {10.1007/s00521-018-3813-6},
language  = {en},
journal  = {Neural Computing and Applications},
author  = {Briot, Jean-Pierre and Pachet, François},
month = feb,
year = {2020}
}

E. Britton, “Genre and Capital in Avant-garde Electronica,” Organised sound, 2016.
[Bibtex]

@Article{ britton_genre_2016,
title = {Genre and {Capital} in {Avant}-garde {Electronica}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771815000382},
language  = {en},
journal  = {Organised Sound},
author  = {Britton, Eliot},
month = apr,
year = {2016}
}

A. Brock, J. Donahue, and K. Simonyan, “Large Scale GAN Training for High Fidelity Natural Image Synthesis,” , 2019.
[Bibtex]

@Article{ brock_large_2019,
title = {Large {Scale} {GAN} {Training} for {High} {Fidelity}
{Natural} {Image} {Synthesis}},
language  = {en},
author  = {Brock, Andrew and Donahue, Jeff and Simonyan, Karen},
month = feb,
year = {2019}
}

G. Brock-Nannestad and B. Elverdam, “PIERRE SCHAEFFER’S OBJETS MUSICAUX AND THEIR RELATIONSHIP TO PHONETIC RESEARCH,” , 2007.
[Bibtex]

@Article{ brock-nannestad_pierre_2007,
title = {{PIERRE} {SCHAEFFER}'{S} {OBJETS} {MUSICAUX} {AND} {THEIR}
{RELATIONSHIP} {TO} {PHONETIC} {RESEARCH}},
language  = {en},
author  = {Brock-Nannestad, George and Elverdam, Beth},
year = {2007}
}

M. Brody, “The Composer as Orator, the Reader As Specialist,” , 2004.
[Bibtex]

@Article{ brody_composer_2004,
title = {The {Composer} as {Orator}, the {Reader} {As}
{Specialist}},
language  = {en},
author  = {Brody, Martin},
year = {2004}
}

R. Brooks and D. Hassabis, “Is the brain a good model for machine intelligence?,” , 2012.
[Bibtex]

@Article{ brooks_is_2012,
title = {Is the brain a good model for machine intelligence?},
language  = {en},
author  = {Brooks, Rodney and Hassabis, Demis},
year = {2012}
}

A. R. Brown, “An aesthetic comparison of rule-based and genetic algorithms for generating melodies,” Organised sound, 2004.
[Bibtex]

@Article{ brown_aesthetic_2004,
title = {An aesthetic comparison of rule-based and genetic
algorithms for generating melodies},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771804000275},
language  = {en},
journal  = {Organised Sound},
author  = {Brown, Andrew R.},
month = aug,
year = {2004}
}

T. Opie and A. R. Brown, “An Introduction to Eco-Structuralism.”
[Bibtex]

@Article{ opie_introduction_nodate,
title = {An {Introduction} to {Eco}-{Structuralism}},
language  = {en},
author  = {Opie, Timothy and Brown, Andrew R}
}

C. Brown, J. Bischoff, and T. Perkis, “Bringing Digital Music to Life,” Computer music journal, 1996.
[Bibtex]

@Article{ brown_bringing_1996,
title = {Bringing {Digital} {Music} to {Life}},
issn = {01489267},
doi = {10.2307/3681328},
language  = {en},
journal  = {Computer Music Journal},
author  = {Brown, Chris and Bischoff, John and Perkis, Tim},
year = {1996}
}

M. Brown, “Explaining tonality: Schenkerian theory and beyond,” , 2005.
[Bibtex]

@Article{ brown_explaining_2005,
address  = {Rochester, NY},
title = {Explaining tonality: {Schenkerian} theory and beyond},
isbn = {978-1-58046-160-3},
language  = {en},
author  = {Brown, Matthew},
year = {2005}
}

G. H. Brown, “Process as Means and Ends in Minimalist and Postminimalist Music,” Perspectives of new music, 2010.
[Bibtex]

@Article{ brown_process_2010,
title = {Process as {Means} and {Ends} in {Minimalist} and
{Postminimalist} {Music}},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0000},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Brown, Galen H.},
year = {2010}
}

A. R. Brown, T. Gifford, and R. Davidson, “Techniques for Generative Melodies Inspired by Music Cognition,” Computer music journal, 2015.
[Bibtex]

@Article{ brown_techniques_2015,
title = {Techniques for {Generative} {Melodies} {Inspired} by
{Music} {Cognition}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00282},
language  = {en},
journal  = {Computer Music Journal},
author  = {Brown, Andrew R. and Gifford, Toby and Davidson, Robert},
month = mar,
year = {2015}
}

N. Brown, “The Limits of Fabrication.”
[Bibtex]

@Article{ brown_limits_nodate,
title = {The {Limits} of {Fabrication}},
language  = {en},
author  = {Brown, Nathan}
}

P. Brown, “The Mechanisation of Art.”
[Bibtex]

@Article{ brown_mechanisation_nodate,
title = {The {Mechanisation} of {Art}},
language  = {en},
author  = {Brown, Paul}
}

B. Browning, “Conversations with Rosângela Silvestre and Steve Coleman,” Women & performance: a journal of feminist theory, 2007.
[Bibtex]

@Article{ browning_conversations_2007,
title = {Conversations with {Rosângela} {Silvestre} and {Steve}
{Coleman}},
issn = {0740-770X, 1748-5819},
doi = {10.1080/07407700701396458},
language  = {en},
journal  = {Women \& Performance: a journal of feminist theory},
author  = {Browning, Barbara},
month = jul,
year = {2007}
}

N. J. Wade, J. Brožek, and J. Hoskovec, “Purkinje’s vision: the dawning of neuroscience,” , 2001.
[Bibtex]

@Article{ wade_purkinjes_2001,
address  = {Mahwah, N.J},
title = {Purkinje's vision: the dawning of neuroscience},
isbn = {978-0-8058-3642-4},
language  = {en},
author  = {Wade, Nicholas J. and Brožek, Josef and Hoskovec,
Jiří},
year = {2001}
}

L. Brümmer, “Stockhausen on Electronics, 2004,” Computer music journal, 2008.
[Bibtex]

@Article{ brummer_stockhausen_2008,
title = {Stockhausen on {Electronics}, 2004},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.4.10},
language  = {en},
journal  = {Computer Music Journal},
author  = {Brümmer, Ludger},
month = dec,
year = {2008}
}

L. Brümmer, “The ZKM \textbar Institute for Music and Acoustics,” Organised sound, 2009.
[Bibtex]

@Article{ brummer_zkm_2009,
title = {The {ZKM} {\textbar} {Institute} for {Music} and
{Acoustics}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771809990070},
language  = {en},
journal  = {Organised Sound},
author  = {Brümmer, Ludger},
month = dec,
year = {2009}
}

“Using a Digital Synthesis Language in Composition.”
[Bibtex]

@Article{ noauthor_using_nodate,
title = {Using a {Digital} {Synthesis} {Language} in
{Composition}},
language  = {en}
}

J. D. Vantomme and J. McMahon, “Electronic Resources for Computer Music,” Computer music journal, 1994.
[Bibtex]

@Article{ vantomme_electronic_1994,
title = {Electronic {Resources} for {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3681350},
language  = {en},
journal  = {Computer Music Journal},
author  = {Vantomme, Jason D. and McMahon, Joe},
year = {1994}
}

“Computer-Plotted Graphics.”
[Bibtex]

@Article{ noauthor_computer-plotted_nodate,
title = {Computer-{Plotted} {Graphics}},
language  = {en}
}

M. Brun, “Paradigms: The Intertia of Language,” , 1980.
[Bibtex]

@Article{ brun_paradigms_1980,
title = {Paradigms: {The} {Intertia} of {Language}},
language  = {en},
author  = {Brun, Marianne},
year = {1980}
}

H. Brun, “Presentation to Music Theory 405 Seminar,” , 1977.
[Bibtex]

@Article{ brun_presentation_1977,
title = {Presentation to {Music} {Theory} 405 {Seminar}},
language  = {en},
author  = {Brun, Herbert},
year = {1977}
}

H. Brun, “The Listener’s Interpretation of Music An Experience Between Cause and Effect,” , 1970.
[Bibtex]

@Article{ brun_listeners_1970,
title = {The {Listener}’s {Interpretation} of {Music} {An}
{Experience} {Between} {Cause} and {Effect}},
language  = {en},
author  = {Brun, Herbert},
year = {1970}
}

C. Bruyns, “Modal Synthesis for Arbitrarily Shaped Objects,” Computer music journal, 2006.
[Bibtex]

@Article{ bruyns_modal_2006,
title = {Modal {Synthesis} for {Arbitrarily} {Shaped} {Objects}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.3.22},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bruyns, Cynthia},
month = sep,
year = {2006}
}

M. Buchler, “Broken and Unbroken Interval Cycles and Their Use in Determining Pitch-Class Set Resemblance,” Perspectives of new music, 2000.
[Bibtex]

@Article{ buchler_broken_2000,
title = {Broken and {Unbroken} {Interval} {Cycles} and {Their}
{Use} in {Determining} {Pitch}-{Class} {Set}
{Resemblance}},
issn = {00316016},
doi = {10.2307/833659},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Buchler, Michael},
year = {2000}
}

O. Budón, “Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione,” Computer music journal, 2000.
[Bibtex]

@Article{ budon_composing_2000,
title = {Composing with {Objects}, {Networks}, and {Time} {Scales}:
{An} {Interview} with {Horacio} {Vaggione}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892600559399},
language  = {en},
journal  = {Computer Music Journal},
author  = {Budón, Osvaldo},
month = sep,
year = {2000}
}

E. L. Bue, “John Cage’s Writings,” , 1982.
[Bibtex]

@Article{ bue_john_1982,
title = {John {Cage}'s {Writings}},
language  = {en},
author  = {Bue, Erbertof Lo},
year = {1982}
}

Z. Bulut, “Theorizing Voice in Performance: György Ligeti’s “Aventures”,” Perspectives of new music, 2010.
[Bibtex]

@Article{ bulut_theorizing_2010,
title = {Theorizing {Voice} in {Performance}: {György} {Ligeti}'s
"{Aventures}"},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0014},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Bulut, Zeynep},
year = {2010}
}

S. Bunton, “Semantically Motivated Improvements for PPM Variants,” The computer journal, 1997.
[Bibtex]

@Article{ bunton_semantically_1997,
title = {Semantically {Motivated} {Improvements} for {PPM}
{Variants}},
issn = {0010-4620, 1460-2067},
doi = {10.1093/comjnl/40.2_and_3.76},
language  = {en},
journal  = {The Computer Journal},
author  = {Bunton, S.},
month = feb,
year = {1997}
}

D. Buren, “Le Modèle et la Transgression,” , 1991.
[Bibtex]

@Article{ buren_modeet_1991,
title = {Le {Modèle} et la {Transgression}},
language  = {fr},
author  = {Buren, Daniel},
year = {1991}
}

M. Burkert, “La Musique dans le Tanztheater de Pina Bausch,” , 2015.
[Bibtex]

@Article{ burkert_musique_2015,
title = {La {Musique} dans le {Tanztheater} de {Pina} {Bausch}},
language  = {fr},
author  = {Burkert, Matthias},
year = {2015}
}

R. S. Burn, “Ornamental drawing, and architectural design,” , 1857.
[Bibtex]

@Article{ burn_ornamental_1857,
title = {Ornamental drawing, and architectural design},
language  = {en},
author  = {Burn, Robert Scott},
year = {1857}
}

J. Jose, “A framework for music analysis/resynthesis based on matrix factorization,” , 2014.
[Bibtex]

@Article{ jose_framework_2014,
title = {A framework for music analysis/resynthesis based on matrix
factorization},
language  = {en},
author  = {Jose, Juan},
year = {2014}
}

J. J. Burred, “From Sparse Models to Timbre Learning: New Methods for Musical Source Separation.”
[Bibtex]

@Article{ burred_sparse_nodate,
title = {From {Sparse} {Models} to {Timbre} {Learning}: {New}
{Methods} for {Musical} {Source} {Separation}},
language  = {de},
author  = {Burred, Juan Jose}
}

J. J. Burred, “Musical Source Separation: Principles and State of the Art,” . introduction.
[Bibtex]

@Article{ burred_musical_nodate,
title = {Musical {Source} {Separation}: {Principles} and {State} of
the {Art}},
language  = {en},
journal  = {. Introduction},
author  = {Burred, Juan José}
}

M. Burry, “Scripting Cultures : Architectural design and programming.”
[Bibtex]

@Article{ burry_scripting_nodate,
title = {Scripting {Cultures} : {Architectural} design and
programming},
author  = {Burry, Mark}
}

J. Novak and J. Richardson, “Einstein on the Beach,” , 2019.
[Bibtex]

@Article{ novak_einstein_2019,
title = {Einstein on the {Beach}},
isbn = {978-1-315-57898-9},
language  = {en},
author  = {Novak, Jelena and Richardson, John},
month = dec,
year = {2019},
doi = {10.4324/9781315578989}
}

P. Burt, “The music of Tōru Takemitsu,” , 2001.
[Bibtex]

@Article{ burt_music_2001,
address  = {New York},
title = {The music of {Tōru} {Takemitsu}},
isbn = {978-0-521-78220-3},
language  = {en},
author  = {Burt, Peter},
year = {2001}
}

A. R. Burton and T. Vladimirova, “Generation of Musical Sequences with Genetic Techniques,” Computer music journal, 1999.
[Bibtex]

@Article{ burton_generation_1999,
title = {Generation of {Musical} {Sequences} with {Genetic}
{Techniques}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699560001},
language  = {en},
journal  = {Computer Music Journal},
author  = {Burton, Anthony R. and Vladimirova, Tanya},
month = dec,
year = {1999}
}

M. Bustamante and J. Kordaß, “Spaces of Riemannian metrics,” Snapshots of modern mathematics from oberwolfach;2017, 2017.
[Bibtex]

@Article{ bustamante_spaces_2017,
title = {Spaces of {Riemannian} metrics},
copyright  = {Creative Commons Attribution Share Alike 4.0
International},
doi = {10.14760/SNAP-2017-010-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach;2017},
author  = {Bustamante, Mauricio and Kordaß, Jan-Bernhard},
collaborator  = {Randecker, Anja and Jahns, Sophia and Cederbaum, Carla},
year = {2017}
}

“Re-imagining the avant-garde: revisiting the architecture of the 1960s and 1970s,” , 2019.
[Bibtex]

@Article{ butcher_re-imagining_2019,
address  = {Oxford},
title = {Re-imagining the avant-garde: revisiting the architecture
of the 1960s and 1970s},
isbn = {978-1-119-50685-0},
language  = {en},
year = {2019}
}

W. J. Butera, “Programming a Paintable Computer.”
[Bibtex]

@Article{ butera_programming_nodate,
title = {Programming a {Paintable} {Computer}},
language  = {en},
author  = {Butera, William Joseph}
}

W. Buxton, W. Reeves, R. Baecker, and L. Mezei, “The Use of Hierarchy and Instance in a Data Structure for Computer Music,” Computer music journal, 1978.
[Bibtex]

@Article{ buxton_use_1978,
title = {The {Use} of {Hierarchy} and {Instance} in a {Data}
{Structure} for {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3680369},
language  = {en},
journal  = {Computer Music Journal},
author  = {Buxton, William and Reeves, William and Baecker, Ronald
and Mezei, Leslie},
month = dec,
year = {1978}
}

J. Buys, “Generative Models of Music for Style Imitation and Composer Recognition.”
[Bibtex]

@Article{ buys_generative_nodate,
title = {Generative {Models} of {Music} for {Style} {Imitation} and
{Composer} {Recognition}},
language  = {en},
author  = {Buys, Jan}
}

D. Byrd, “An Integrated Computer Music Software System,” Computer music journal, 1977.
[Bibtex]

@Article{ byrd_integrated_1977,
title = {An {Integrated} {Computer} {Music} {Software} {System}},
language  = {en},
journal  = {Computer Music Journal},
author  = {Byrd, Donald},
year = {1977}
}

D. Byrd, “Music Notation Software and Intelligence,” Computer music journal, 1994.
[Bibtex]

@Article{ byrd_music_1994,
title = {Music {Notation} {Software} and {Intelligence}},
issn = {01489267},
doi = {10.2307/3680518},
language  = {en},
journal  = {Computer Music Journal},
author  = {Byrd, Donald},
year = {1994}
}

D. Byrne, “How music works,” , 2012.
[Bibtex]

@Article{ byrne_how_2012,
address  = {Edinburgh},
title = {How music works},
isbn = {978-0-85786-251-8},
language  = {en},
author  = {Byrne, David},
year = {2012}
}

R. Cadiz, “A fuzzy logic model for compositional approaches to audio-visual media,” , 2004.
[Bibtex]

@Article{ cadiz_fuzzy_2004,
title = {A fuzzy logic model for compositional approaches to
audio-visual media},
language  = {en},
author  = {Cadiz, Rodrigo},
year = {2004}
}

R. F. Cádiz and J. Ramos, “Sound Synthesis of a Gaussian Quantum Particle in an Infinite Square Well,” Computer music journal, 2014.
[Bibtex]

@Article{ cadiz_sound_2014,
title = {Sound {Synthesis} of a {Gaussian} {Quantum} {Particle} in
an {Infinite} {Square} {Well}},
issn = {0148-9267},
doi = {10.1162/COMJ_a_00268},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cádiz, Rodrigo F. and Ramos, Javier},
month = dec,
year = {2014}
}

J. Cage, “New Lectures and Writings by Cage,” , 1963.
[Bibtex]

@Article{ cage_new_1963,
title = {New {Lectures} and {Writings} by {Cage}},
language  = {en},
author  = {Cage, John},
year = {1963}
}

J. Cage, “Silence: lectures and writings,” , 2011.
[Bibtex]

@Article{ cage_silence_2011,
address  = {Middletown, Conn},
title = {Silence: lectures and writings},
isbn = {978-0-8195-6028-5},
language  = {en},
author  = {Cage, John},
year = {2011}
}

A. Caillon and P. Esling, “RAVE: A variational autoencoder for fast and high-quality neural audio synthesis,” , 2021.
[Bibtex]

@Article{ caillon_rave_2021,
title = {{RAVE}: {A} variational autoencoder for fast and
high-quality neural audio synthesis},
language  = {en},
author  = {Caillon, Antoine and Esling, Philippe},
month = dec,
year = {2021}
}

F. Cajori, “A history of mathematical notations,” , 1993.
[Bibtex]

@Article{ cajori_history_1993,
address  = {New York},
title = {A history of mathematical notations},
isbn = {978-0-486-67766-8},
language  = {en},
author  = {Cajori, Florian},
year = {1993}
}

C. Callender, “Formalized Accelerando: An Extension of Rhythmic Techniques in Nancarrow’s Acceleration Canons,” Perspectives of new music, 2001.
[Bibtex]

@Article{ callender_formalized_2001,
title = {Formalized {Accelerando}: {An} {Extension} of {Rhythmic}
{Techniques} in {Nancarrow}'s {Acceleration} {Canons}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Callender, Clifton},
year = {2001}
}

C. Callender, “Inﬁnite Rhythmic Tiling Canons,” , 2015.
[Bibtex]

@Article{ callender_nite_2015,
title = {Inﬁnite {Rhythmic} {Tiling} {Canons}},
language  = {en},
author  = {Callender, Clifton},
year = {2015}
}

L. Campbell and W. Garnett, “The Life of James Clerk Maxwell,” , 1997.
[Bibtex]

@Article{ campbell_life_1997,
title = {The {Life} of {James} {Clerk} {Maxwell}},
language  = {en},
author  = {Campbell, Lewis and Garnett, William},
year = {1997}
}

J. Campbell, S. Synnott, and G. Bierman, “Voyager orbit determination at Jupiter,” Ieee transactions on automatic control, 1983.
[Bibtex]

@Article{ campbell_voyager_1983,
title = {Voyager orbit determination at {Jupiter}},
issn = {0018-9286},
doi = {10.1109/TAC.1983.1103223},
language  = {en},
journal  = {IEEE Transactions on Automatic Control},
author  = {Campbell, J. and Synnott, S. and Bierman, G.},
month = mar,
year = {1983}
}

E. Campion, “Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barrière on Music, Art, and Technology,” Computer music journal, 2017.
[Bibtex]

@Article{ campion_dual_2017,
title = {Dual {Reflections}: {A} {Conversation} with {Kaija}
{Saariaho} and {Jean}-{Baptiste} {Barrière} on {Music},
{Art}, and {Technology}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00426},
language  = {en},
journal  = {Computer Music Journal},
author  = {Campion, Edmund},
month = sep,
year = {2017}
}

F. Canavese, F. Giomi, D. Meacci, K. Schwoon, and T. Reale, “Asymmetrical Envelope Shapes in Sound Spatialization.”
[Bibtex]

@Article{ canavese_asymmetrical_nodate,
title = {Asymmetrical {Envelope} {Shapes} in {Sound}
{Spatialization}},
language  = {en},
author  = {Canavese, Francesco and Giomi, Francesco and Meacci,
Damiano and Schwoon, Kilian and Reale, Tempo}
}

J. V. Candy, “Bayesian signal processing: classical, modern, and particle filtering methods,” , 2009.
[Bibtex]

@Article{ candy_bayesian_2009,
address  = {Hoboken, N.J},
title = {Bayesian signal processing: classical, modern, and
particle filtering methods},
isbn = {978-0-470-18094-5},
language  = {en},
author  = {Candy, James V.},
year = {2009}
}

P. J. Capelotti, “The human archaeology of space: lunar, planetary and interstellar relics of exploration,” , 2010.
[Bibtex]

@Article{ capelotti_human_2010,
address  = {Jefferson, N.C},
title = {The human archaeology of space: lunar, planetary and
interstellar relics of exploration},
isbn = {978-0-7864-5859-2},
language  = {en},
author  = {Capelotti, P. J.},
year = {2010}
}

W. E. Caplin, “Classical form: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven,” , 1998.
[Bibtex]

@Article{ caplin_classical_1998,
address  = {New York},
title = {Classical form: a theory of formal functions for the
instrumental music of {Haydn}, {Mozart}, and {Beethoven}},
isbn = {978-0-19-510480-6},
language  = {en},
author  = {Caplin, William Earl},
year = {1998}
}

M. Maiese, “Embodiment, Emotion, and Cognition,” , 2011.
[Bibtex]

@Article{ maiese_embodiment_2011,
address  = {London},
title = {Embodiment, {Emotion}, and {Cognition}},
isbn = {978-1-349-36679-8 978-0-230-29771-5},
language  = {en},
author  = {Maiese, Michelle},
year = {2011},
doi = {10.1057/9780230297715}
}

P. Carabell, “Photography, Phonography, and the Lost Object,” Perspectives of new music, 2002.
[Bibtex]

@Article{ carabell_photography_2002,
title = {Photography, {Phonography}, and the {Lost} {Object}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Carabell, Paula},
year = {2002}
}

B. Caramiaux, J. Françoise, N. Schnell, and F. Bevilacqua, “Mapping Through Listening,” Computer music journal, 2014.
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@Article{ caramiaux_mapping_2014,
title = {Mapping {Through} {Listening}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00255},
language  = {en},
journal  = {Computer Music Journal},
author  = {Caramiaux, Baptiste and Françoise, Jules and Schnell,
Norbert and Bevilacqua, Frédéric},
month = sep,
year = {2014}
}

C. Cardew, “Stockhausen Serves Imperialism,” , 1974.
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@Article{ cardew_stockhausen_1974,
title = {Stockhausen {Serves} {Imperialism}},
language  = {en},
author  = {Cardew, Cornelius},
year = {1974}
}

M. Carel, “La polyphonie linguistique,” , 2011.
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@Article{ carel_polyphonie_2011,
title = {La polyphonie linguistique},
language  = {fr},
author  = {Carel, Marion},
year = {2011}
}

R. Carl, “Terry Riley’s In C,” , 2009.
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@Article{ carl_terry_2009,
address  = {Oxford ; New York},
title = {Terry {Riley}'s {In} {C}},
isbn = {978-0-19-532528-7},
language  = {en},
author  = {Carl, Robert},
year = {2009}
}

I. Carlbom and J. Paciorek, “Planar Geometric Projections and Viewing Transformations,” Acm computing surveys, 1978.
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@Article{ carlbom_planar_1978,
title = {Planar {Geometric} {Projections} and {Viewing}
{Transformations}},
issn = {0360-0300, 1557-7341},
doi = {10.1145/356744.356750},
language  = {en},
journal  = {ACM Computing Surveys},
author  = {Carlbom, Ingrid and Paciorek, Joseph},
month = dec,
year = {1978}
}

R. Carlson, “Biological Technology in 2050.”
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@Article{ carlson_biological_nodate,
title = {Biological {Technology} in 2050},
language  = {en},
author  = {Carlson, Robert}
}

G. Carpentier, E. Daubresse, M. Garcia Vitoria, K. Sakai, and F. Villanueva, “Automatic Orchestration in Practice,” Computer music journal, 2012.
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@Article{ carpentier_automatic_2012,
title = {Automatic {Orchestration} in {Practice}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00136},
language  = {en},
journal  = {Computer Music Journal},
author  = {Carpentier, Grégoire and Daubresse, Eric and Garcia
Vitoria, Marc and Sakai, Kenji and Villanueva, Fernando},
month = sep,
year = {2012}
}

T. Carpentier, N. Barrett, R. Gottfried, and M. Noisternig, “Holophonic Sound in IRCAM’s Concert Hall: Technological and Aesthetic Practices,” Computer music journal, 2016.
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@Article{ carpentier_holophonic_2016,
title = {Holophonic {Sound} in {IRCAM}'s {Concert} {Hall}:
{Technological} and {Aesthetic} {Practices}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00383},
language  = {en},
journal  = {Computer Music Journal},
author  = {Carpentier, Thibaut and Barrett, Natasha and Gottfried,
Rama and Noisternig, Markus},
month = dec,
year = {2016}
}

G. Carpentier and J. Bresson, “Interacting with Symbol, Sound, and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment,” Computer music journal, 2010.
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@Article{ carpentier_interacting_2010,
title = {Interacting with {Symbol}, {Sound}, and {Feature} {Spaces}
in {Orchidée}, a {Computer}-{Aided} {Orchestration}
{Environment}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.1.10},
language  = {en},
journal  = {Computer Music Journal},
author  = {Carpentier, Grégoire and Bresson, Jean},
month = mar,
year = {2010}
}

M. Carpo, “The alphabet and the algorithm,” , 2011.
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@Article{ carpo_alphabet_2011,
address  = {Cambridge, Mass},
title = {The alphabet and the algorithm},
isbn = {978-0-262-51580-1},
language  = {en},
author  = {Carpo, Mario},
year = {2011}
}

“Causality, Meaningful Complexity and Embodied Cognition,” , 2010.
[Bibtex]

@Article{ carsetti_causality_2010,
address  = {Dordrecht},
title = {Causality, {Meaningful} {Complexity} and {Embodied}
{Cognition}},
isbn = {978-90-481-3528-8 978-90-481-3529-5},
language  = {en},
year = {2010},
doi = {10.1007/978-90-481-3529-5}
}

E. Carter, M. Babbitt, C. Wuorinen, and L. Stempel, “In Memoriam: Stefan Wolpe (1902-1972),” Perspectives of new music, 1972.
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@Article{ carter_memoriam_1972,
title = {In {Memoriam}: {Stefan} {Wolpe} (1902-1972)},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Carter, Elliott and Babbitt, Milton and Wuorinen, Charles
and Stempel, Larry},
year = {1972}
}

N. C. Carter, “Visual group theory,” , 2009.
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@Article{ carter_visual_2009,
address  = {Washington, D.C.},
title = {Visual group theory},
isbn = {978-0-88385-757-1},
language  = {en},
author  = {Carter, Nathan C.},
year = {2009}
}

R. Carvalho, “From Clavilux to Ufabulum,” Journal of science and technology of the arts, 2013.
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@Article{ carvalho_clavilux_2013,
title = {From {Clavilux} to {Ufabulum}},
copyright  = {Creative Commons Attribution 4.0 International},
doi = {10.7559/CITARJ.V5I1.99},
language  = {en},
journal  = {Journal of Science and Technology of the Arts},
author  = {Carvalho, Rodrigo},
month = jan,
year = {2013}
}

B. Kégl, D. Eck, and N. Casagrande, “Geometry in Sound: A Speech/Music Audio Classifier Inspired by an Image Classifier.”
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@Article{ kegl_geometry_nodate,
title = {Geometry in {Sound}: {A} {Speech}/{Music} {Audio}
{Classifier} {Inspired} by an {Image} {Classifier}},
language  = {en},
author  = {Kégl, Balázs and Eck, Douglas and Casagrande, Norman}
}

D. Cascella, “Carl Michael von Hausswolff,” Organised sound, 2008.
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@Article{ cascella_carl_2008,
title = {Carl {Michael} von {Hausswolff}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771808000046},
language  = {en},
journal  = {Organised Sound},
author  = {Cascella, Daniela},
month = apr,
year = {2008}
}

N. Negroponte, “The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music,” Computer music journal.
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@Article{ negroponte_aesthetics_nodate,
title = {The {Aesthetics} of {Failure}: “{Post}-{Digital}”
{Tendencies} in {Contemporary} {Computer} {Music}},
language  = {en},
journal  = {Computer Music Journal},
author  = {Negroponte, Nicholas}
}

M. Casey, “Soundspotting: A New Kind of Process?,” , 2011.
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@Article{ casey_soundspotting_2011,
title = {Soundspotting: {A} {New} {Kind} of {Process}?},
language  = {en},
author  = {Casey, Michael},
month = apr,
year = {2011},
doi = {10.1093/oxfordhb/9780199792030.013.0020}
}

D. C. Cassidy, “Beyond uncertainty: Heisenberg, quantum physics, and the bomb,” , 2009.
[Bibtex]

@Article{ cassidy_beyond_2009,
address  = {New York},
title = {Beyond uncertainty: {Heisenberg}, quantum physics, and the
bomb},
isbn = {978-1-934137-13-0},
language  = {en},
author  = {Cassidy, David C.},
year = {2009}
}

“Noise in and as music,” , 2013.
[Bibtex]

@Article{ cassidy_noise_2013,
address  = {Huddersfield},
title = {Noise in and as music},
isbn = {978-1-86218-118-2},
language  = {en},
year = {2013}
}

K. A. Franck, “Designing with Time in Mind,” Architectural design, 2016.
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@Article{ franck_designing_2016,
title = {Designing with {Time} in {Mind}},
issn = {00038504},
doi = {10.1002/ad.1996},
language  = {en},
journal  = {Architectural Design},
author  = {Franck, Karen A},
month = jan,
year = {2016}
}

F. Voisin, “Catalogue des œuvres réalisées à l’Ircam,” , 2013.
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@Article{ voisin_catalogue_2013,
title = {Catalogue des œuvres réalisées à l'{Ircam}},
language  = {fr},
author  = {Voisin, Frédéric},
year = {2013}
}

S. Catellin and L. Loty, “Sérendipité et indisciplinarité,” Hermès, 2013.
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@Article{ catellin_serendipite_2013,
title = {Sérendipité et indisciplinarité},
issn = {0767-9513, 1963-1006},
doi = {10.4267/2042/51882},
language  = {fr},
journal  = {Hermès},
author  = {Catellin, Sylvie and Loty, Laurent},
year = {2013}
}

L. L. Cathcart, S. Vasulka, and W. Vasulka, “Vasulka: Steina, machine vision: Woody, descriptions: an exhibition,” , 1978.
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@Article{ cathcart_vasulka_1978,
address  = {Buffalo},
title = {Vasulka: {Steina}, machine vision: {Woody}, descriptions:
an exhibition},
isbn = {978-0-914782-20-9},
language  = {en},
author  = {Cathcart, Linda L. and Vasulka, Steina and Vasulka,
Woody},
collaborator  = {Albright-Knox Art Gallery},
year = {1978}
}

E. E. Catmull, “A Subdivision Algorithm for Computer Display of Curved Surfaces,” , 1974.
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@Article{ catmull_subdivision_1974,
title = {A {Subdivision} {Algorithm} for {Computer} {Display} of
{Curved} {Surfaces}},
language  = {en},
author  = {Catmull, Edwin Earl},
year = {1974}
}

H. Caure, “Canons rythmiques et pavages modulaires.”
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@Article{ caure_canons_nodate,
title = {Canons rythmiques et pavages modulaires},
language  = {fr},
author  = {Caure, Hélianthe}
}

S. Cavaliere, L. Papadia, and P. Parascandolo, “From Computer Music to the Theater: The Realization of a Theatrical Automaton,” , 1982.
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@Article{ cavaliere_computer_1982,
title = {From {Computer} {Music} to the {Theater}: {The}
{Realization} of a {Theatrical} {Automaton}},
language  = {en},
author  = {Cavaliere, Sergio and Papadia, Loreto and Parascandolo,
Pasquale},
year = {1982}
}

“Cyberpunk and Cyberculture : Science Fiction and the Work of William Gibson,” , 2000.
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@Article{ noauthor_cyberpunk_2000,
title = {Cyberpunk and {Cyberculture} : {Science} {Fiction} and the
{Work} of {William} {Gibson}},
isbn = {978-0-485-00412-0 978-0-485-00607-0 978-1-4725-4555-8},
language  = {en},
year = {2000},
doi = {10.5040/9781472545558}
}

R. Cavell, “Speechsong: The Gould/Schoenberg Dialogues,” , 2020.
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@Article{ cavell_speechsong_2020,
title = {Speechsong: {The} {Gould}/{Schoenberg} {Dialogues}},
isbn = {978-1-950192-49-6},
language  = {en},
author  = {Cavell, Richard},
year = {2020},
doi = {10.21983/P3.0267.1.00}
}

G. Celani and G. H. Martins, “GEOMETRIC TRANSFORMATION AS AN ARCHITECTURAL FORM GENERATION STRATEGY: A CASE STUDY IN THE WORK OF SANTIAGO CALATRAVA.”
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@Article{ celani_geometric_nodate,
title = {{GEOMETRIC} {TRANSFORMATION} {AS} {AN} {ARCHITECTURAL}
{FORM} {GENERATION} {STRATEGY}: {A} {CASE} {STUDY} {IN}
{THE} {WORK} {OF} {SANTIAGO} {CALATRAVA}},
language  = {en},
author  = {Celani, Gabriela and Martins, Guilherme Henrique
Stroeder}
}

M. Celik, S. Shekhar, J. P. Rogers, and J. A. Shine, “Sustained Emerging Spatio-Temporal Co-occurrence Pattern Mining: A Summary of Results,” , 2006.
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@Article{ celik_sustained_2006,
address  = {Arlington, VA},
title = {Sustained {Emerging} {Spatio}-{Temporal} {Co}-occurrence
{Pattern} {Mining}: {A} {Summary} of {Results}},
isbn = {978-0-7695-2728-4},
doi = {10.1109/ICTAI.2006.108},
language  = {en},
booktitle  = {2006 18th {IEEE} {International} {Conference} on {Tools}
with {Artificial} {Intelligence} ({ICTAI}'06)},
author  = {Celik, Mete and Shekhar, Shashi and Rogers, James P. and
Shine, James A.},
month = nov,
year = {2006}
}

S. Giedion, “Space, Time and Architecture: An Analysis of Modern Architectural Historiography,” , 2008.
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@Article{ giedion_space_2008,
title = {Space, {Time} and {Architecture}: {An} {Analysis} of
{Modern} {Architectural} {Historiography}},
language  = {en},
author  = {Giedion, Sigfried},
year = {2008}
}

J. Chadabe, “Electric sound: the past and promise of electronic music,” , 1997.
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@Article{ chadabe_electric_1997,
address  = {Upper Saddle River, N.J},
title = {Electric sound: the past and promise of electronic music},
isbn = {978-0-13-303231-4},
language  = {en},
author  = {Chadabe, Joel},
year = {1997}
}

C. Chafe, “I am Streaming in a Room,” Frontiers in digital humanities, 2018.
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@Article{ chafe_i_2018,
title = {I am {Streaming} in a {Room}},
issn = {2297-2668},
doi = {10.3389/fdigh.2018.00027},
language  = {en},
journal  = {Frontiers in Digital Humanities},
author  = {Chafe, Chris},
month = nov,
year = {2018}
}

W. Chai, “Semantic Segmentation and Summarization of Music.”
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@Article{ chai_semantic_nodate,
title = {Semantic {Segmentation} and {Summarization} of {Music}},
language  = {en},
author  = {Chai, Wei}
}

S. Chakraborty, G. Mazzola, S. Tewari, and M. Patra, “Computational Musicology in Hindustani Music,” , 2014.
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@Article{ chakraborty_computational_2014,
address  = {Cham},
title = {Computational {Musicology} in {Hindustani} {Music}},
isbn = {978-3-319-11471-2 978-3-319-11472-9},
language  = {en},
author  = {Chakraborty, Soubhik and Mazzola, Guerino and Tewari,
Swarima and Patra, Moujhuri},
year = {2014},
doi = {10.1007/978-3-319-11472-9}
}

K. Cham, “The Architecture of the Image,” , 2011.
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@Article{ cham_architecture_2011,
title = {The {Architecture} of the {Image}},
doi = {10.14236/ewic/EVA2011.31},
language  = {en},
author  = {Cham, Karen},
year = {2011}
}

B. W. Chan, “Lenia – Biology of Artificial Life,” Complex systems, 2019.
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@Article{ chan_lenia_2019,
title = {Lenia - {Biology} of {Artificial} {Life}},
issn = {08912513},
doi = {10.25088/ComplexSystems.28.3.251},
language  = {en},
journal  = {Complex Systems},
author  = {Chan, Bert Wang-Chak},
month = oct,
year = {2019}
}

J. Chareyron, “Digital Synthesis of Self-Modifying Waveforms by Means of Linear Automata,” Computer music journal, 1990.
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@Article{ chareyron_digital_1990,
title = {Digital {Synthesis} of {Self}-{Modifying} {Waveforms} by
{Means} of {Linear} {Automata}},
issn = {01489267},
doi = {10.2307/3680789},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chareyron, Jacques},
year = {1990}
}

R. Chatham, “New York, années 1980 : dix ans de recherches en immersion,” Volume !, 2010.
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@Article{ chatham_new_2010,
title = {New {York}, années 1980 : dix ans de recherches en
immersion},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.812},
language  = {fr},
journal  = {Volume !},
author  = {Chatham, Rhys},
month = oct,
year = {2010}
}

D. J. N. Cheeke, “Fundamentals and Applications of Ultrasonic Waves, Second Edition.”
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@Article{ cheeke_fundamentals_nodate,
title = {Fundamentals and {Applications} of {Ultrasonic} {Waves},
{Second} {Edition}},
language  = {en},
author  = {Cheeke, J David N}
}

R. K. C. Cheng, “Inside Rhinoceros 5,” , 2014.
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@Article{ cheng_inside_2014,
address  = {Stamford, CT},
title = {Inside {Rhinoceros} 5},
isbn = {978-1-111-12491-5},
language  = {en},
author  = {Cheng, Ron K. C.},
year = {2014}
}

W. Cheong, “Symmetrical Permutation, the Twelve Tones, and Messiaen’s “Catalogue d’oiseaux”,” Perspectives of new music, 2007.
[Bibtex]

@Article{ cheong_symmetrical_2007,
title = {Symmetrical {Permutation}, the {Twelve} {Tones}, and
{Messiaen}'s "{Catalogue} d'oiseaux"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Cheong, Wai-Ling},
year = {2007}
}

G. Mazzola and P. B. Cherlin, “Flow, gesture, and spaces in free jazz: towards a theory of collaboration,” , 2009.
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@Article{ mazzola_flow_2009,
address  = {New York},
title = {Flow, gesture, and spaces in free jazz: towards a theory
of collaboration},
isbn = {978-3-540-92194-3},
language  = {en},
author  = {Mazzola, G. and Cherlin, Paul B.},
year = {2009}
}

E. Chew and Y. Chen, “Real-Time Pitch Spelling Using the Spiral Array,” Computer music journal, 2005.
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@Article{ chew_real-time_2005,
title = {Real-{Time} {Pitch} {Spelling} {Using} the {Spiral}
{Array}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926054094378},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chew, Elaine and Chen, Yun-Ching},
month = jun,
year = {2005}
}

X. J. Shi, Y. Y. Cai, and C. W. Chan, “Electronic Music for Bio-Molecules Using Short Music Phrases,” Leonardo, 2007.
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@Article{ shi_electronic_2007,
title = {Electronic {Music} for {Bio}-{Molecules} {Using} {Short}
{Music} {Phrases}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/leon.2007.40.2.137},
language  = {en},
journal  = {Leonardo},
author  = {Shi, X.J. and Cai, Y.Y. and Chan, C.W.},
month = apr,
year = {2007}
}

T. Chi, P. Ru, and S. A. Shamma, “Multiresolution spectrotemporal analysis of complex sounds,” The journal of the acoustical society of america, 2005.
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@Article{ chi_multiresolution_2005,
title = {Multiresolution spectrotemporal analysis of complex
sounds},
issn = {0001-4966},
doi = {10.1121/1.1945807},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Chi, Taishih and Ru, Powen and Shamma, Shihab A.},
month = aug,
year = {2005}
}

L. Chiariglione, “A vision made real Past, present and future of MPEG.”
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@Article{ chiariglione_vision_nodate,
title = {A vision made real {Past}, present and future of {MPEG}},
language  = {en},
author  = {Chiariglione, Leonardo}
}

G. W. Childs, “Making music with mobile devices,” , 2011.
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@Article{ childs_making_2011,
address  = {Boston, MA},
title = {Making music with mobile devices},
isbn = {978-1-4354-5533-7},
language  = {en},
author  = {Childs, G. W.},
year = {2011}
}

F. Chin and S. Wu, “An Efficient Algorithm for Rhythm-Finding,” Computer music journal, 1992.
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@Article{ chin_efficient_1992,
title = {An {Efficient} {Algorithm} for {Rhythm}-{Finding}},
issn = {01489267},
doi = {10.2307/3680714},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chin, Francis and Wu, Stephen},
year = {1992}
}

M. Chion, “100 Concepts Pour Penser Et Décrire Le Cinéma Sonore,” , 2012.
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@Article{ chion_100_2012,
title = {100 {Concepts} {Pour} {Penser} {Et} {Décrire} {Le}
{Cinéma} {Sonore}},
language  = {en},
author  = {Chion, Michel},
year = {2012}
}

M. Chion, C. Gorbman, and W. Murch, “Audio-vision: sound on screen,” , 1994.
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@Article{ chion_audio-vision_1994,
address  = {New York},
title = {Audio-vision: sound on screen},
isbn = {978-0-231-07898-6 978-0-231-07899-3},
language  = {en},
author  = {Chion, Michel and Gorbman, Claudia and Murch, Walter},
year = {1994}
}

M. Chion, “Le Promeneur Ecoutant Essais d’Acoulogie,” , 2009.
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@Article{ chion_promeneur_2009,
title = {Le {Promeneur} {Ecoutant} {Essais} d’{Acoulogie}},
language  = {fr},
author  = {Chion, Michel},
year = {2009}
}

M. Chion and C. Gorbman, “The voice in cinema,” , 1999.
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@Article{ chion_voice_1999,
address  = {New York},
title = {The voice in cinema},
isbn = {978-0-231-10822-5 978-0-231-10823-2},
language  = {en},
author  = {Chion, Michel and Gorbman, Claudia},
year = {1999}
}

Y. Choe, J. Kwon, and J. R. Chung, “TIME, CONSCIOUSNESS, AND MIND UPLOADING,” International journal of machine consciousness, 2012.
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@Article{ choe_time_2012,
title = {{TIME}, {CONSCIOUSNESS}, {AND} {MIND} {UPLOADING}},
issn = {1793-8430, 1793-8473},
doi = {10.1142/S179384301240015X},
language  = {en},
journal  = {International Journal of Machine Consciousness},
author  = {Choe, Yoonsuck and Kwon, Jaerock and Chung, Ji Ryang},
month = jun,
year = {2012}
}

K. Choi, G. Fazekas, and M. Sandler, “Explaining Deep Convolutional Neural Networks on Music Classification,” , 2016.
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@Article{ choi_explaining_2016,
title = {Explaining {Deep} {Convolutional} {Neural} {Networks} on
{Music} {Classification}},
language  = {en},
author  = {Choi, Keunwoo and Fazekas, George and Sandler, Mark},
month = jul,
year = {2016}
}

N. Chomsky, “Necessary illusions: thought control in democratic societies,” , 1989.
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@Article{ chomsky_necessary_1989,
address  = {Boston, MA},
title = {Necessary illusions: thought control in democratic
societies},
isbn = {978-0-89608-366-0 978-0-89608-367-7},
language  = {en},
author  = {Chomsky, Noam},
year = {1989}
}

N. Chomsky, “Syntactic structures,” , 2002.
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@Article{ chomsky_syntactic_2002,
address  = {Berlin ; New York},
title = {Syntactic structures},
isbn = {978-3-11-017279-9},
language  = {en},
author  = {Chomsky, Noam},
year = {2002}
}

N. Chomsky, P. R. Mitchell, and J. Schoeffel, “Understanding power: the indispensable Chomsky,” , 2002.
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@Article{ chomsky_understanding_2002,
address  = {New York},
title = {Understanding power: the indispensable {Chomsky}},
isbn = {978-1-56584-703-3},
language  = {en},
author  = {Chomsky, Noam and Mitchell, Peter R. and Schoeffel, John},
year = {2002}
}

J. Chomyszyn, “Loudness of musical sounds in a reverberant environment,” , 1994.
[Bibtex]

@Article{ chomyszyn_loudness_1994,
title = {Loudness of musical sounds in a reverberant environment},
language  = {en},
author  = {Chomyszyn, Jan},
year = {1994}
}

P. Chordia, A. Sastry, and S. Şentürk, “Predictive Tabla Modelling Using Variable-length Markov and Hidden Markov Models,” Journal of new music research, 2011.
[Bibtex]

@Article{ chordia_predictive_2011,
title = {Predictive {Tabla} {Modelling} {Using} {Variable}-length
{Markov} and {Hidden} {Markov} {Models}},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298215.2011.576318},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Chordia, Parag and Sastry, Avinash and Şentürk, Sertan},
month = jun,
year = {2011}
}

H. Chou and J. A. Reggia, “Emergence of self-replicating structures in a cellular automata space,” Physica d: nonlinear phenomena, 1997.
[Bibtex]

@Article{ chou_emergence_1997,
title = {Emergence of self-replicating structures in a cellular
automata space},
issn = {01672789},
doi = {10.1016/S0167-2789(97)00132-2},
language  = {en},
journal  = {Physica D: Nonlinear Phenomena},
author  = {Chou, Hui-Hsien and Reggia, James A.},
month = dec,
year = {1997}
}

J. Chouvel, “Iannis Xenakis ou l’avenir de la musique.”
[Bibtex]

@Article{ chouvel_iannis_nodate,
title = {Iannis {Xenakis} ou l’avenir de la musique},
language  = {fr},
author  = {Chouvel, Jean-Marc}
}

M. Chouvel, “LE « POURQUOI PAS » ET LE « N’IMPORTE QUOI ». DU DIFFICILE PASSAGE DE LA PERCEPTION AU JUGEMENT.”
[Bibtex]

@Article{ chouvel__nodate,
title = {{LE} « {POURQUOI} {PAS} » {ET} {LE} « {N}’{IMPORTE}
{QUOI} ». {DU} {DIFFICILE} {PASSAGE} {DE} {LA}
{PERCEPTION} {AU} {JUGEMENT}},
language  = {fr},
author  = {Chouvel, Marc}
}

M. Chouvel, “Tradition et Création.”
[Bibtex]

@Article{ chouvel_tradition_nodate,
title = {Tradition et {Création}},
language  = {fr},
author  = {Chouvel, Marc}
}

J. Chowdhury, “Bad Circuit Modelling,” , 2020.
[Bibtex]

@Article{ chowdhury_bad_2020,
title = {Bad {Circuit} {Modelling}},
language  = {en},
author  = {Chowdhury, Jatin},
year = {2020}
}

J. Chowdhury, “Complex Nonlinearities for Audio Signal Processing.”
[Bibtex]

@Article{ chowdhury_complex_nodate,
title = {Complex {Nonlinearities} for {Audio} {Signal}
{Processing}},
language  = {en},
author  = {Chowdhury, Jatin}
}

J. Chowning, “FIFTY YEARS OF COMPUTER MUSIC: IDEAS OF THE PAST SPEAK TO A FUTURE—IMMERSED IN RICH DETAIL.”
[Bibtex]

@Article{ chowning_fifty_nodate,
title = {{FIFTY} {YEARS} {OF} {COMPUTER} {MUSIC}: {IDEAS} {OF}
{THE} {PAST} {SPEAK} {TO} {A} {FUTURE}—{IMMERSED} {IN}
{RICH} {DETAIL}},
language  = {en},
author  = {Chowning, John}
}

J. Chowning, “\textitStria: Lines to Its Reconstruction,” Computer music journal, 2007.
[Bibtex]

@Article{ chowning_stria_2007,
title = {\textit{{Stria}:} {Lines} to {Its} {Reconstruction}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.3.23},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chowning, John},
month = sep,
year = {2007}
}

J. M. Chowning, “The Simulation of Moving Sound Sources,” Computer music journal, 1977.
[Bibtex]

@Article{ chowning_simulation_1977,
title = {The {Simulation} of {Moving} {Sound} {Sources}},
issn = {01489267},
doi = {10.2307/3679609},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chowning, John M.},
month = jun,
year = {1977}
}

J. M. Chowning, “The Synthesis of Complex Audio Spectra by Means of Frequency Modulation,” , 1973.
[Bibtex]

@Article{ chowning_synthesis_1973,
title = {The {Synthesis} of {Complex} {Audio} {Spectra} by {Means}
of {Frequency} {Modulation}},
language  = {en},
author  = {Chowning, John M},
year = {1973}
}

J. Christiaens, “”Absolute Purity Projected into Sound”: Goeyvaerts, Heidegger and Early Serialism,” Perspectives of new music, 2003.
[Bibtex]

@Article{ christiaens_absolute_2003,
title = {"{Absolute} {Purity} {Projected} into {Sound}":
{Goeyvaerts}, {Heidegger} and {Early} {Serialism}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Christiaens, Jan},
year = {2003}
}

C. Bader, W. G. Patrick, D. Kolb, S. G. Hays, S. Keating, S. Sharma, D. Dikovsky, B. Belocon, J. C. Weaver, P. A. Silver, and N. Oxman, “Grown, Printed, and Biologically Augmented: An Additively Manufactured Microfluidic Wearable, Functionally Templated for Synthetic Microbes,” 3d printing and additive manufacturing, 2016.
[Bibtex]

@Article{ bader_grown_2016,
title = {Grown, {Printed}, and {Biologically} {Augmented}: {An}
{Additively} {Manufactured} {Microfluidic} {Wearable},
{Functionally} {Templated} for {Synthetic} {Microbes}},
issn = {2329-7662, 2329-7670},
doi = {10.1089/3dp.2016.0027},
language  = {en},
journal  = {3D Printing and Additive Manufacturing},
author  = {Bader, Christoph and Patrick, William G. and Kolb, Dominik
and Hays, Stephanie G. and Keating, Steven and Sharma,
Sunanda and Dikovsky, Daniel and Belocon, Boris and Weaver,
James C. and Silver, Pamela A. and Oxman, Neri},
month = jun,
year = {2016}
}

“Chua’s circuit: a paradigm for chaos,” , 1993.
[Bibtex]

@Article{ madan_chuas_1993,
address  = {Singapore},
title = {Chua's circuit: a paradigm for chaos},
isbn = {978-981-02-1366-4},
language  = {en},
year = {1993}
}

C. Chuan and E. Chew, “Generating and Evaluating Musical Harmonizations That Emulate Style,” Computer music journal, 2011.
[Bibtex]

@Article{ chuan_generating_2011,
title = {Generating and {Evaluating} {Musical} {Harmonizations}
{That} {Emulate} {Style}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00091},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chuan, Ching‐Hua and Chew, Elaine},
month = dec,
year = {2011}
}

R. Scott, “Pulse!, July 1994 © Justin Green, reproduced by kind permission of the artist..”
[Bibtex]

@Article{ scott_pulse_nodate,
title = {Pulse!, {July} 1994 © {Justin} {Green}, reproduced by
kind permission of the artist.},
language  = {en},
author  = {Scott, Raymond}
}

M. Cicconet, T. Franco, and P. C. Carvalho, “PLANE TESSELLATION WITH MUSICAL SCALE TILES AND BIDIMENSIONAL AUTOMATIC COMPOSITION.”
[Bibtex]

@Article{ cicconet_plane_nodate,
title = {{PLANE} {TESSELLATION} {WITH} {MUSICAL} {SCALE} {TILES}
{AND} {BIDIMENSIONAL} {AUTOMATIC} {COMPOSITION}},
language  = {en},
author  = {Cicconet, Marcelo and Franco, Tertuliano and Carvalho,
Paulo Cezar}
}

R. Cilibrasi, P. Vitányi, and R. D. Wolf, “Algorithmic Clustering of Music Based on String Compression,” Computer music journal, 2004.
[Bibtex]

@Article{ cilibrasi_algorithmic_2004,
title = {Algorithmic {Clustering} of {Music} {Based} on {String}
{Compression}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926042728449},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cilibrasi, Rudi and Vitányi, Paul and Wolf, Ronald De},
month = dec,
year = {2004}
}

M. M. Cirkovic, “Fermi’s Paradox – The Last Challenge for Copernicanism?,” Serbian astronomical journal, 2009.
[Bibtex]

@Article{ cirkovic_fermis_2009,
title = {Fermi's {Paradox} - {The} {Last} {Challenge} for
{Copernicanism}?},
issn = {1450-698X, 1820-9289},
doi = {10.2298/SAJ0978001C},
language  = {en},
journal  = {Serbian Astronomical Journal},
author  = {Cirkovic, Milan M.},
year = {2009}
}

R. Clark, “Mixing, recording, and producing techniques of the pros,” , 2011.
[Bibtex]

@Article{ clark_mixing_2011,
address  = {Boston, MA},
title = {Mixing, recording, and producing techniques of the pros},
isbn = {978-1-59863-840-0},
language  = {en},
author  = {Clark, Rick},
year = {2011}
}

M. Clarke, “Extending Contacts: The Concept of Unity in Computer Music,” Perspectives of new music, 1998.
[Bibtex]

@Article{ clarke_extending_1998,
title = {Extending {Contacts}: {The} {Concept} of {Unity} in
{Computer} {Music}},
issn = {00316016},
doi = {10.2307/833581},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Clarke, Michael},
year = {1998}
}

M. Clarke and X. Rodet, “Real-time FOF and FOG synthesis in MSP and its integration with PSOLA.”
[Bibtex]

@Article{ clarke_real-time_nodate,
title = {Real-time {FOF} and {FOG} synthesis in {MSP} and its
integration with {PSOLA}},
language  = {en},
author  = {Clarke, Michael and Rodet, Xavier}
}

P. Clarkson and R. Rosenfeld, “Statistical language modeling using the CMU-cambridge toolkit,” , 1997.
[Bibtex]

@Article{ clarkson_statistical_1997,
title = {Statistical language modeling using the {CMU}-cambridge
toolkit},
doi = {10.21437/Eurospeech.1997-683},
language  = {en},
booktitle  = {5th {European} {Conference} on {Speech} {Communication}
and {Technology} ({Eurospeech} 1997)},
author  = {Clarkson, Philip and Rosenfeld, Ronald},
month = sep,
year = {1997}
}

R. Clifford, “Multi-Level Symmetries in Webern’s Op. 11, No. 1,” Perspectives of new music, 2002.
[Bibtex]

@Article{ clifford_multi-level_2002,
title = {Multi-{Level} {Symmetries} in {Webern}'s {Op}. 11, {No}.
1},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Clifford, Robert},
year = {2002}
}

D. Cline, “Allover Method and Holism in Morton Feldman’s Graphs,” Perspectives of new music.
[Bibtex]

@Article{ cline_allover_nodate,
title = {Allover {Method} and {Holism} in {Morton} {Feldman}’s
{Graphs}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Cline, David}
}

M. E. Clynes, “Altering man’s bodily functions to meet the requirements of extrater- restrial environments would be more logical than providing an earthly environment for him in space . . . Artifact-organism systems which would extend man’s unconscious, self-regulatory controls are one possibility.”
[Bibtex]

@Article{ clynes_altering_nodate,
title = {Altering man’s bodily functions to meet the requirements
of extrater- restrial environments would be more logical
than providing an earthly environment for him in space . .
. {Artifact}-organism systems which would extend man’s
unconscious, self-regulatory controls are one possibility},
language  = {en},
author  = {Clynes, Manfred E}
}

J. Coddington, J. Elton, D. Rockmore, and Y. Wang, “Multifractal analysis and authentication of Jackson Pollock paintings,” , 2008.
[Bibtex]

@Article{ coddington_multifractal_2008,
address  = {San Jose, CA},
title = {Multifractal analysis and authentication of {Jackson}
{Pollock} paintings},
doi = {10.1117/12.765015},
language  = {en},
author  = {Coddington, Jim and Elton, John and Rockmore, Daniel and
Wang, Yang},
month = feb,
year = {2008}
}

P. Codognet, “L’art numérique entre collaboration et résistance.”
[Bibtex]

@Article{ codognet_lart_nodate,
title = {L’art numérique entre collaboration et résistance},
language  = {fr},
author  = {Codognet, Philippe}
}

P. Codognet, “Nature artificielle et artifice naturel.”
[Bibtex]

@Article{ codognet_nature_nodate,
title = {Nature artificielle et artifice naturel},
language  = {fr},
author  = {Codognet, Philippe}
}

P. Codognet, “The Geometry of Interaction.”
[Bibtex]

@Article{ codognet_geometry_nodate,
title = {The {Geometry} of {Interaction}},
language  = {en},
author  = {Codognet, Philippe}
}

J. Cody and P. Lansky, “An Interview with Paul Lansky,” Computer music journal, 1996.
[Bibtex]

@Article{ cody_interview_1996,
title = {An {Interview} with {Paul} {Lansky}},
issn = {01489267},
doi = {10.2307/3681266},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cody, Joshua and Lansky, Paul},
year = {1996}
}

G. Raimundo, “Real Time Facial Expression and Animation.”
[Bibtex]

@Article{ raimundo_real_nodate,
title = {Real {Time} {Facial} {Expression} and {Animation}},
author  = {Raimundo, Guilherme}
}

R. Cogan, “Imaging Sonic Structure,” , 1986.
[Bibtex]

@Article{ cogan_imaging_1986,
title = {Imaging {Sonic} {Structure}},
language  = {en},
author  = {Cogan, Robert},
year = {1986}
}

L. Cohen, “The history of noise,” , 2004.
[Bibtex]

@Article{ cohen_history_2004,
address  = {Maspalomas, Gran Canaria Island, Spain},
title = {The history of noise},
doi = {10.1117/12.547847},
language  = {en},
author  = {Cohen, Leon},
month = may,
year = {2004}
}

M. D. Colagrosso and M. C. Mozer, “Theories of Access Consciousness,” , 2004.
[Bibtex]

@Article{ colagrosso_theories_2004,
title = {Theories of {Access} {Consciousness}},
language  = {en},
author  = {Colagrosso, Michael D and Mozer, Michael C},
year = {2004}
}

J. Colannino, F. Gómez, and G. T. Toussaint, “Analysis of Emergent Beat-Class Sets in Steve Reich’s “Clapping Music” and the Yoruba Bell Timeline,” Perspectives of new music, 2009.
[Bibtex]

@Article{ colannino_analysis_2009,
title = {Analysis of {Emergent} {Beat}-{Class} {Sets} in {Steve}
{Reich}'s "{Clapping} {Music}" and the {Yoruba} {Bell}
{Timeline}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Colannino, Justin and Gómez, Francisco and Toussaint,
Godfried T.},
year = {2009}
}

N. Collins, “A Microtonal Tempo Canon Generator After Nancarrow and Jaffe,” , 2003.
[Bibtex]

@Article{ collins_microtonal_2003,
title = {A {Microtonal} {Tempo} {Canon} {Generator} {After}
{Nancarrow} and {Jaffe}},
language  = {en},
author  = {Collins, Nick},
year = {2003}
}

N. Collins and A. McLean, “Algorave: Live Performance of Algorithmic Electronic Dance Music.”
[Bibtex]

@Article{ collins_algorave_nodate,
title = {Algorave: {Live} {Performance} of {Algorithmic}
{Electronic} {Dance} {Music}},
language  = {en},
author  = {Collins, Nick and McLean, Alex}
}

N. Collins, “Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening,” Computer music journal, 2012.
[Bibtex]

@Article{ collins_automatic_2012,
title = {Automatic {Composition} of {Electroacoustic} {Art} {Music}
{Utilizing} {Machine} {Listening}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00135},
language  = {en},
journal  = {Computer Music Journal},
author  = {Collins, Nick},
month = sep,
year = {2012}
}

N. Collins, “INTRODUCTION: LMJ 21: Beyond Notation: Communicating Music,” Leonardo music journal, 2011.
[Bibtex]

@Article{ collins_introduction_2011,
title = {{INTRODUCTION}: {LMJ} 21: {Beyond} {Notation}:
{Communicating} {Music}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Collins, Nicolas},
year = {2011}
}

N. Collins, “Department of Informatics, University of Sussex N.Collins@sussex.ac.uk.”
[Bibtex]

@Article{ collins_department_nodate,
title = {Department of {Informatics}, {University} of {Sussex}
{N}.{Collins}@sussex.ac.uk},
language  = {en},
author  = {Collins, Nick}
}

K. Collins, “Game sound: an introduction to the history, theory, and practice of video game music and sound design,” , 2008.
[Bibtex]

@Article{ collins_game_2008,
address  = {Cambridge, Mass},
title = {Game sound: an introduction to the history, theory, and
practice of video game music and sound design},
isbn = {978-0-262-03378-7},
language  = {en},
author  = {Collins, Karen},
year = {2008}
}

H. M. Collins, “Gravity’s kiss: the detection of gravitational waves,” , 2017.
[Bibtex]

@Article{ collins_gravitys_2017,
address  = {Cambridge, Massachusetts},
title = {Gravity's kiss: the detection of gravitational waves},
isbn = {978-0-262-03618-4},
language  = {en},
author  = {Collins, H. M.},
year = {2017}
}

N. Collins, “Handmade electronic music: the art of hardware hacking,” , 2006.
[Bibtex]

@Article{ collins_handmade_2006,
address  = {New York},
title = {Handmade electronic music: the art of hardware hacking},
isbn = {978-0-415-97592-6 978-0-415-97591-9},
language  = {en},
author  = {Collins, Nicolas},
year = {2006}
}

“Introduction: Composers inside Electronics: Music after David Tudor.”
[Bibtex]

@Article{ noauthor_introduction_nodate,
title = {Introduction: {Composers} inside {Electronics}: {Music}
after {David} {Tudor}},
language  = {en}
}

N. Collins, “LL: LISTENING AND LEARNING IN AN INTERACTIVE IMPROVISATION SYSTEM.”
[Bibtex]

@Article{ collins_ll_nodate,
title = {{LL}: {LISTENING} {AND} {LEARNING} {IN} {AN} {INTERACTIVE}
{IMPROVISATION} {SYSTEM}},
language  = {en},
author  = {Collins, Nick}
}

N. Collins, “Introduction: Noises off: Sound beyond Music,” Leonardo music journal, 2006.
[Bibtex]

@Article{ collins_introduction_2006,
title = {Introduction: {Noises} off: {Sound} beyond {Music}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Collins, Nicolas},
year = {2006}
}

N. Collins, “Sound Cross-synthesis and Morphing Using Dictionary-based Methods.”
[Bibtex]

@Article{ collins_sound_nodate,
title = {Sound {Cross}-synthesis and {Morphing} {Using}
{Dictionary}-based {Methods}},
language  = {en},
author  = {Collins, Nick}
}

N. Collins, “The Analysis of Generative Music Programs,” Organised sound, 2008.
[Bibtex]

@Article{ collins_analysis_2008,
title = {The {Analysis} of {Generative} {Music} {Programs}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771808000332},
language  = {en},
journal  = {Organised Sound},
author  = {Collins, Nick},
month = dec,
year = {2008}
}

F. Collopy, “Color, Form, and Motion: Dimensions of a Musical Art of Light,” Leonardo, 2000.
[Bibtex]

@Article{ collopy_color_2000,
title = {Color, {Form}, and {Motion}: {Dimensions} of a {Musical}
{Art} of {Light}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/002409400552829},
language  = {en},
journal  = {Leonardo},
author  = {Collopy, Fred},
month = oct,
year = {2000}
}

G. Colmenares, R. Escalante, J. F. Sans, and R. Surós, “Computational Modeling of Reproducing-Piano Rolls,” Computer music journal, 2011.
[Bibtex]

@Article{ colmenares_computational_2011,
title = {Computational {Modeling} of {Reproducing}-{Piano}
{Rolls}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00040},
language  = {en},
journal  = {Computer Music Journal},
author  = {Colmenares, Gustavo and Escalante, René and Sans, Juan F.
and Surós, Rina},
month = mar,
year = {2011}
}

F. Colombo, S. P. Muscinelli, A. Seeholzer, J. Brea, and W. Gerstner, “Algorithmic Composition of Melodies with Deep Recurrent Neural Networks,” , 2016.
[Bibtex]

@Article{ colombo_algorithmic_2016,
title = {Algorithmic {Composition} of {Melodies} with {Deep}
{Recurrent} {Neural} {Networks}},
doi = {10.13140/RG.2.1.2436.5683},
language  = {en},
author  = {Colombo, Florian and Muscinelli, Samuel P. and Seeholzer,
Alexander and Brea, Johanni and Gerstner, Wulfram},
year = {2016}
}

“Computational Creativity Research: Towards Creative Machines,” , 2015.
[Bibtex]

@Article{ besold_computational_2015,
address  = {Paris},
title = {Computational {Creativity} {Research}: {Towards}
{Creative} {Machines}},
isbn = {978-94-6239-084-3 978-94-6239-085-0},
language  = {en},
year = {2015},
doi = {10.2991/978-94-6239-085-0}
}

C. Colyer, “CENTRE D’ETUDES DE MA THEMA TIQUE ET AUTOMATIQUE MUSICALES.”
[Bibtex]

@Article{ colyer_centre_nodate,
title = {{CENTRE} {D}'{ETUDES} {DE} {MA} {THEMA} {TIQUE} {ET}
{AUTOMATIQUE} {MUSICALES}},
language  = {en},
author  = {Colyer, Cornelia}
}

M. Rigo, “LIRMM – Universit´e Montpelier II – CNRS UMR 5506 161 rue Ada, F-34392 Montpellier Cedex 5, France.”
[Bibtex]

@Article{ rigo_lirmm_nodate,
title = {{LIRMM} - {Universit}´e {Montpelier} {II} - {CNRS} {UMR}
5506 161 rue {Ada}, {F}-34392 {Montpellier} {Cedex} 5,
{France}},
language  = {en},
author  = {Rigo, Michel}
}

“Teaching Composition As a Social Process,” , 2014.
[Bibtex]

@Article{ noauthor_teaching_2014,
address  = {Logan},
title = {Teaching {Composition} {As} a {Social} {Process}},
isbn = {978-0-87421-352-2},
language  = {en},
year = {2014}
}

“Directing Matter and Energy: Five Challenges for Science and the Imagination.”
[Bibtex]

@Article{ noauthor_directing_nodate,
title = {Directing {Matter} and {Energy}: {Five} {Challenges} for
{Science} and the {Imagination}},
language  = {en}
}

“Conceptual art: a critical anthology,” , 2000.
[Bibtex]

@Article{ alberro_conceptual_2000,
address  = {Cambridge, Massachusetts London, England},
title = {Conceptual art: a critical anthology},
isbn = {978-0-262-51117-9 978-0-262-01173-0},
language  = {en},
year = {2000}
}

D. Conklin and M. Bergeron, “Feature Set Patterns in Music,” Computer music journal, 2008.
[Bibtex]

@Article{ conklin_feature_2008,
title = {Feature {Set} {Patterns} in {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.1.60},
language  = {en},
journal  = {Computer Music Journal},
author  = {Conklin, Darrell and Bergeron, Mathieu},
month = mar,
year = {2008}
}

D. Conklin and R. Ramirez, “Introduction to the Special Issue on Music and Machine Learning,” Journal of new music research, 2011.
[Bibtex]

@Article{ conklin_introduction_2011,
title = {Introduction to the {Special} {Issue} on {Music} and
{Machine} {Learning}},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298215.2011.573565},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Conklin, Darrell and Ramirez, Rafael},
month = jun,
year = {2011}
}

A. Connes, “Motivic Rhythms,” , 2020.
[Bibtex]

@Article{ connes_motivic_2020,
title = {Motivic {Rhythms}},
language  = {en},
author  = {Connes, Alain},
month = aug,
year = {2020}
}

T. Constanten, “Computer Music Reflections: A Midstream Night’s Summary,” Computer music journal, 1984.
[Bibtex]

@Article{ constanten_computer_1984,
title = {Computer {Music} {Reflections}: {A} {Midstream} {Night}'s
{Summary}},
issn = {01489267},
doi = {10.2307/3679806},
language  = {en},
journal  = {Computer Music Journal},
author  = {Constanten, Tom},
year = {1984}
}

A. Cont, “A survey of Machine Learning techniques,” , 2008.
[Bibtex]

@Article{ cont_survey_2008,
title = {A survey of {Machine} {Learning} techniques},
language  = {en},
author  = {Cont, Arshia},
year = {2008}
}

A. Cont, “Antescofo: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music,” , 2008.
[Bibtex]

@Article{ cont_antescofo_2008,
title = {Antescofo: {Anticipatory} {Synchronization} and {Control}
of {Interactive} {Parameters} in {Computer} {Music}},
language  = {en},
author  = {Cont, Arshia},
year = {2008}
}

A. Cont, “Artiﬁcial Intelligence and Music:,” , 2005.
[Bibtex]

@Article{ cont_articial_2005,
title = {Artiﬁcial {Intelligence} and {Music}:},
language  = {en},
author  = {Cont, Arshia},
year = {2005}
}

A. Cont, M. Stroppa, and C. Laurenzi, “Chromax, the other side of the spectral delay between signal processing and composition,” , 2013.
[Bibtex]

@Article{ cont_chromax_2013,
title = {Chromax, the other side of the spectral delay between
signal processing and composition},
language  = {en},
author  = {Cont, Arshia and Stroppa, Marco and Laurenzi, Carlo},
year = {2013}
}

A. Cont, “Introduction: Musical Research at IRCAM,” Contemporary music review, 2013.
[Bibtex]

@Article{ cont_introduction_2013,
title = {Introduction: {Musical} {Research} at {IRCAM}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2013.774121},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Cont, Arshia},
month = feb,
year = {2013}
}

A. Cont, “Improvement of Observation Modeling for Score Following.”
[Bibtex]

@Article{ cont_improvement_nodate,
title = {Improvement of {Observation} {Modeling} for {Score}
{Following}},
language  = {en},
author  = {Cont, Arshia}
}

A. Cont, “Modeling Musical Anticipation: From the time of music to the music of time.”
[Bibtex]

@Article{ cont_modeling_nodate,
title = {Modeling {Musical} {Anticipation}: {From} the time of
music to the music of time},
language  = {en},
author  = {Cont, Arshia}
}

A. Cont, S. Dubnov, and G. Assayag, “On the Information Geometry of Audio Streams With Applications to Similarity Computing,” Ieee transactions on audio, speech, and language processing, 2011.
[Bibtex]

@Article{ cont_information_2011,
title = {On the {Information} {Geometry} of {Audio} {Streams}
{With} {Applications} to {Similarity} {Computing}},
issn = {1558-7916, 1558-7924},
doi = {10.1109/TASL.2010.2066266},
language  = {en},
journal  = {IEEE Transactions on Audio, Speech, and Language
Processing},
author  = {Cont, Arshia and Dubnov, Shlomo and Assayag, Gérard},
month = may,
year = {2011}
}

A. Cont, “Realtime Multiple-pitch and Multiple-instrument Recognition For Music Signals Using Sparse Non-Negative Constraints,” , 2007.
[Bibtex]

@Article{ cont_realtime_2007,
title = {Realtime {Multiple}-pitch and {Multiple}-instrument
{Recognition} {For} {Music} {Signals} {Using} {Sparse}
{Non}-{Negative} {Constraints}},
language  = {en},
author  = {Cont, Arshia},
year = {2007}
}

A. Cont and A. Gerzso, “The ‘C’ in Ircam: Coordinating Musical Research at Ircam,” , 2010.
[Bibtex]

@Article{ cont_c_2010,
title = {The ‘{C}’ in {Ircam}: {Coordinating} {Musical}
{Research} at {Ircam}},
language  = {en},
author  = {Cont, Arshia and Gerzso, Andrew},
year = {2010}
}

R. Conte, “La poïétique de Paul Valéry,” , 1996.
[Bibtex]

@Article{ conte_poietique_1996,
title = {La poïétique de {Paul} {Valéry}},
language  = {fr},
author  = {Conte, Richard},
year = {1996}
}

J. K. Randall, “Contrapunktus XI.2 (In Memoriam David Lewin),” Perspectives of new music, 2003.
[Bibtex]

@Article{ randall_contrapunktus_2003,
title = {Contrapunktus {XI}.2 ({In} {Memoriam} {David} {Lewin})},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Randall, J. K.},
year = {2003}
}

J. H. Conway and S. Kochen, “The Strong Free Will Theorem,” , 2011.
[Bibtex]

@Article{ halvorson_strong_2011,
title = {The {Strong} {Free} {Will} {Theorem}},
isbn = {978-1-107-00570-9 978-0-511-97697-1},
language  = {en},
booktitle  = {Deep {Beauty}},
author  = {Conway, John H. and Kochen, Simon},
month = apr,
year = {2011},
doi = {10.1017/CBO9780511976971.014}
}

J. H. Conway, H. Burgiel, and C. Goodman-Strauss, “The symmetries of things,” , 2008.
[Bibtex]

@Article{ conway_symmetries_2008,
address  = {Wellesley, Mass},
title = {The symmetries of things},
isbn = {978-1-56881-220-5},
language  = {en},
author  = {Conway, John Horton and Burgiel, Heidi and
Goodman-Strauss, Chaim},
year = {2008}
}

P. R. Cook, “REVERBERATION CANCELLATION IN MUSICAL SIGNALS USING ADAPTIVE FILl.”
[Bibtex]

@Article{ cook_reverberation_nodate,
title = {{REVERBERATION} {CANCELLATION} {IN} {MUSICAL} {SIGNALS}
{USING} {ADAPTIVE} {FILl}},
language  = {en},
author  = {Cook, Perry R}
}

P. R. Cook, “Singing Voice Synthesis: History, Current Work, and Future Directions,” Computer music journal, 1996.
[Bibtex]

@Article{ cook_singing_1996,
title = {Singing {Voice} {Synthesis}: {History}, {Current} {Work},
and {Future} {Directions}},
issn = {01489267},
doi = {10.2307/3680822},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cook, Perry R.},
year = {1996}
}

N. Cook, “The Schenker project: culture, race, and music theory in fin-de-siècle Vienna,” , 2007.
[Bibtex]

@Article{ cook_schenker_2007,
address  = {Oxford ; New York},
title = {The {Schenker} project: culture, race, and music theory in
fin-de-siècle {Vienna}},
isbn = {978-0-19-517056-6},
language  = {en},
author  = {Cook, Nicholas},
year = {2007}
}

D. Cooper and K. C. Ng, “A Monophonic Pitch-Tracking Algorithm Based on Waveform Periodicity Determinations Using Landmark Points,” Computer music journal, 1996.
[Bibtex]

@Article{ cooper_monophonic_1996,
title = {A {Monophonic} {Pitch}-{Tracking} {Algorithm} {Based} on
{Waveform} {Periodicity} {Determinations} {Using}
{Landmark} {Points}},
issn = {01489267},
doi = {10.2307/3680825},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cooper, David and Ng, Kia C.},
year = {1996}
}

S. B. Cooper and J. van Leeuwen, “Alan Turing: his work and impact,” , 2013.
[Bibtex]

@Article{ cooper_alan_2013,
address  = {Waltham, MA : Kidlington, Oxford},
title = {Alan {Turing}: his work and impact},
isbn = {978-0-12-386980-7},
language  = {en},
author  = {Cooper, S. B. and Leeuwen, J. van},
year = {2013}
}

D. Cooper and E. Fermi, “Enrico Fermi: and the revolutions in modern physics,” , 1999.
[Bibtex]

@Article{ cooper_enrico_1999,
address  = {New York},
title = {Enrico {Fermi}: and the revolutions in modern physics},
isbn = {978-0-19-511762-2},
language  = {en},
author  = {Cooper, Dan and Fermi, Enrico},
year = {1999}
}

M. Cooper, J. Foote, E. Pampalk, and G. Tzanetakis, “Visualization in Audio-Based Music Information Retrieval,” Computer music journal, 2006.
[Bibtex]

@Article{ cooper_visualization_2006,
title = {Visualization in {Audio}-{Based} {Music} {Information}
{Retrieval}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.2.42},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cooper, Matthew and Foote, Jonathan and Pampalk, Elias and
Tzanetakis, George},
month = jun,
year = {2006}
}

D. Cope, “A Musical Learning Algorithm,” Computer music journal, 2004.
[Bibtex]

@Article{ cope_musical_2004,
title = {A {Musical} {Learning} {Algorithm}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926041790685},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cope, David},
month = sep,
year = {2004}
}

D. Cope, “An Expert System for Computer-Assisted Composition,” Computer music journal, 1987.
[Bibtex]

@Article{ cope_expert_1987,
title = {An {Expert} {System} for {Computer}-{Assisted}
{Composition}},
issn = {01489267},
doi = {10.2307/3680238},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cope, David},
year = {1987}
}

D. Cope, “Computer Analysis and Composition Using Atonal Voice-Leading Techniques,” Perspectives of new music, 2002.
[Bibtex]

@Article{ cope_computer_2002,
title = {Computer {Analysis} and {Composition} {Using} {Atonal}
{Voice}-{Leading} {Techniques}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Cope, David},
year = {2002}
}

D. Cope, “Computer Modeling of Musical Intelligence in EMI,” Computer music journal, 1992.
[Bibtex]

@Article{ cope_computer_1992,
title = {Computer {Modeling} of {Musical} {Intelligence} in {EMI}},
issn = {01489267},
doi = {10.2307/3680717},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cope, David},
year = {1992}
}

I. Rivi, “CONTEMPORARY COMPOSER.”
[Bibtex]

@Article{ rivi_contemporary_nodate,
title = {{CONTEMPORARY} {COMPOSER}},
language  = {en},
author  = {Rivi, I}
}

L. Correia, “Self-organised systems: fundamental properties,” , 2006.
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@Article{ correia_self-organised_2006,
title = {Self-organised systems: fundamental properties},
language  = {en},
author  = {Correia, Luís},
year = {2006}
}

M. Cory and B. Haggh, “Horspiel as Music: Music as Horspiel: The Creative Dialogue between Experimental Radio Drama and Avant-Garde Music,” German studies review, 1981.
[Bibtex]

@Article{ cory_horspiel_1981,
title = {Horspiel as {Music}: {Music} as {Horspiel}: {The}
{Creative} {Dialogue} between {Experimental} {Radio}
{Drama} and {Avant}-{Garde} {Music}},
issn = {01497952},
doi = {10.2307/1429272},
language  = {en},
journal  = {German Studies Review},
author  = {Cory, Mark and Haggh, Barbara},
month = may,
year = {1981}
}

Rogério Costa, “Free Musical Improvisation and the Philosophy of Gilles Deleuze,” Perspectives of new music, 2011.
[Bibtex]

@Article{ rogerio_costa_free_2011,
title = {Free {Musical} {Improvisation} and the {Philosophy} of
{Gilles} {Deleuze}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.1.0127},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Rogério Costa}},
year = {2011}
}

P. Couprie, M. Solomos, A. Georgaki, G. Zervos, and S. I. Xenakis, “Une Analyse Détaillée de Bohor (1962),” , 2005.
[Bibtex]

@Article{ couprie_analyse_2005,
title = {Une {Analyse} {Détaillée} de {Bohor} (1962)},
language  = {fr},
author  = {Couprie, Pierre and Solomos, Makis and Georgaki, Anastasia
and Zervos, Giorgos and Xenakis, Symposium Iannis},
year = {2005}
}

K. S. Courchene, “A Conversation with Beatriz Ferreyra,” Computer music journal, 2001.
[Bibtex]

@Article{ courchene_conversation_2001,
title = {A {Conversation} with {Beatriz} {Ferreyra}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601753189501},
language  = {en},
journal  = {Computer Music Journal},
author  = {Courchene, Kim S.},
month = sep,
year = {2001}
}

B. R. Tully, H. Courtois, Y. Hoffman, and D. Pomarède, “The Laniakea supercluster of galaxies,” Nature, 2014.
[Bibtex]

@Article{ tully_laniakea_2014,
title = {The {Laniakea} supercluster of galaxies},
issn = {0028-0836, 1476-4687},
doi = {10.1038/nature13674},
language  = {en},
journal  = {Nature},
author  = {Tully, R. Brent and Courtois, Hélène and Hoffman, Yehuda
and Pomarède, Daniel},
month = sep,
year = {2014}
}

“The Cosmic Octave.”
[Bibtex]

@Article{ noauthor_cosmic_nodate,
title = {The {Cosmic} {Octave}},
language  = {en}
}

B. C. Coutinho, S. Hong, K. Albrecht, A. Dey, A. Barabási, P. Torrey, M. Vogelsberger, and L. Hernquist, “The Network Behind the Cosmic Web,” , 2016.
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@Article{ coutinho_network_2016,
title = {The {Network} {Behind} the {Cosmic} {Web}},
language  = {en},
author  = {Coutinho, B. C. and Hong, Sungryong and Albrecht, Kim and
Dey, Arjun and Barabási, Albert-László and Torrey, Paul
and Vogelsberger, Mark and Hernquist, Lars},
month = apr,
year = {2016}
}

H. Cowell and D. Nicholls, “New musical resources,” , 1996.
[Bibtex]

@Article{ cowell_new_1996,
address  = {Cambridge [England] ; New York},
title = {New musical resources},
isbn = {978-0-521-49651-3 978-0-521-49974-3},
language  = {en},
author  = {Cowell, Henry and Nicholls, David},
year = {1996}
}

D. Nicholls, “NEW MUSICAL R E S Q U R C ‘ES.”
[Bibtex]

@Article{ nicholls_new_nodate,
title = {{NEW} {MUSICAL} {R} {E} {S} {Q} {U} {R} {C} '{ES}},
language  = {en},
author  = {Nicholls, David}
}

G. Cox, A. McLean, and A. Ward, “The Aesthetics of Generative Code.”
[Bibtex]

@Article{ cox_aesthetics_nodate,
title = {The {Aesthetics} of {Generative} {Code}},
language  = {en},
author  = {Cox, Geoff and McLean, Alex and Ward, Adrian}
}

D. Cox and M. Cox, “The Mathematics of Banking and Finance,” The mathematics of banking and finance.
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@Article{ cox_mathematics_nodate,
title = {The {Mathematics} of {Banking} and {Finance}},
language  = {en},
journal  = {The Mathematics of Banking and Finance},
author  = {Cox, Dennis and Cox, Michael}
}

Y. Kawaguchi, “Yoichiro Kawaguchi,” , 2005.
[Bibtex]

@Article{ kawaguchi_yoichiro_2005,
address  = {Los Angeles California},
title = {Yoichiro {Kawaguchi}},
isbn = {978-1-59593-101-6},
doi = {10.1145/1086057.1086101},
language  = {en},
booktitle  = {{ACM} {SIGGRAPH} 2005 {Electronic} {Art} and {Animation}
{Catalog}},
author  = {Kawaguchi, Yoichiro},
month = aug,
year = {2005}
}

A. Cremaschi and F. Giomi, “\textitParrrole : Berio’s Words on Music Technology,” Computer music journal, 2004.
[Bibtex]

@Article{ cremaschi_parrrole_2004,
title = {\textit{{Parrrole}} : {Berio}'s {Words} on {Music}
{Technology}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892604322970625},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cremaschi, Andrea and Giomi, Francesco},
month = mar,
year = {2004}
}

D. Crimp, “Richard Serra: Sculpture Exceeded,” October, 1981.
[Bibtex]

@Article{ crimp_richard_1981,
title = {Richard {Serra}: {Sculpture} {Exceeded}},
issn = {01622870},
doi = {10.2307/778411},
language  = {en},
journal  = {October},
author  = {Crimp, Douglas},
year = {1981}
}

C. Critchlow and D. Eck, “Foundations of Computation,” , 2011.
[Bibtex]

@Article{ critchlow_foundations_2011,
title = {Foundations of {Computation}},
language  = {en},
author  = {Critchlow, Carol and Eck, David},
year = {2011}
}

L. Cross, “Electronic Music, 1948-1953,” Perspectives of new music, 1968.
[Bibtex]

@Article{ cross_electronic_1968,
title = {Electronic {Music}, 1948-1953},
issn = {00316016},
doi = {10.2307/832425},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Cross, Lowell},
year = {1968}
}

D. Crowley and D. Muzyczuk, “Sounding The Body Electric: Experiments in art and music in Eastern Europe 1957–1984,” , 2012.
[Bibtex]

@Article{ crowley_sounding_2012,
title = {Sounding {The} {Body} {Electric}: {Experiments} in art and
music in {Eastern} {Europe} 1957–1984},
language  = {pl},
author  = {Crowley, David and Muzyczuk, Daniel},
year = {2012}
}

T. Wilfred, “Sons & Lumières – Une histoire du son dans l’art du 20e siècle,” , 2005.
[Bibtex]

@Article{ wilfred_sons_2005,
title = {Sons \& {Lumières} - {Une} histoire du son dans l’art
du 20e siècle},
language  = {fr},
author  = {Wilfred, Thomas},
year = {2005}
}

J. P. Crutchﬁeld and K. Young, “Computation at the Onset of Chaos.”
[Bibtex]

@Article{ crutcheld_computation_nodate,
title = {Computation at the {Onset} of {Chaos}},
language  = {en},
author  = {Crutchﬁeld, James P and Young, Karl}
}

“Software studies: a lexicon,” , 2008.
[Bibtex]

@Article{ fuller_software_2008,
address  = {Cambridge, Mass},
title = {Software studies: a lexicon},
isbn = {978-0-262-06274-9},
language  = {en},
year = {2008}
}

G. Stocker and C. Schöpf, “Simplicity: the art of complexity,” , 2006.
[Bibtex]

@Article{ stocker_simplicity_2006,
address  = {Ostfildern},
title = {Simplicity: the art of complexity},
isbn = {978-3-7757-1834-9},
language  = {en},
author  = {Stocker, Gerfried and Schöpf, Christine},
collaborator  = {Ars Electronica festival},
year = {2006}
}

S. Cubitt, “The practice of light: a genealogy of visual technologies from prints to pixels,” , 2014.
[Bibtex]

@Article{ cubitt_practice_2014,
address  = {Cambridge, Massachusetts},
title = {The practice of light: a genealogy of visual technologies
from prints to pixels},
isbn = {978-0-262-02765-6},
language  = {en},
author  = {Cubitt, Sean},
year = {2014}
}

F. Cucker, “Manifold Mirrors.”
[Bibtex]

@Article{ cucker_manifold_nodate,
title = {Manifold {Mirrors}},
language  = {en},
author  = {Cucker, Felipe}
}

S. E. Culpepper, “Musical time and information theory entropy,” Master of {Arts} PhD Thesis, 2010.
[Bibtex]

@PhDThesis{ culpepper_musical_2010,
type = {Master of {Arts}},
title = {Musical time and information theory entropy},
language  = {en},
school  = {University of Iowa},
author  = {Culpepper, Sarah Elizabeth},
month = jul,
year = {2010},
doi = {10.17077/etd.xe2tdyvf}
}

M. Bailey and S. Cunningham, “Graphics Shaders: Theory and Practice.”
[Bibtex]

@Article{ bailey_graphics_nodate,
title = {Graphics {Shaders}: {Theory} and {Practice}},
language  = {en},
author  = {Bailey, Mike and Cunningham, Steve}
}

J. Ames Robert Currie, “Spookier than Spooky,” Popular music, 2007.
[Bibtex]

@Article{ ames_robert_currie_spookier_2007,
title = {Spookier than {Spooky}},
issn = {0261-1430, 1474-0095},
doi = {10.1017/S0261143007001419},
language  = {en},
journal  = {Popular Music},
author  = {Ames Robert Currie, J},
month = oct,
year = {2007}
}

A. Cutrofello, “Discipline and critique: Kant, poststructuralism, and the problem of resistance,” , 1994.
[Bibtex]

@Article{ cutrofello_discipline_1994,
address  = {Albany, N.Y},
title = {Discipline and critique: {Kant}, poststructuralism, and
the problem of resistance},
isbn = {978-0-7914-1855-0 978-0-7914-1856-7},
language  = {en},
author  = {Cutrofello, Andrew},
year = {1994}
}

R. E. Cytowic, “Synesthesia: a union of the senses,” , 2002.
[Bibtex]

@Article{ cytowic_synesthesia_2002,
address  = {Cambridge, Mass},
title = {Synesthesia: a union of the senses},
isbn = {978-0-262-03296-4},
language  = {en},
author  = {Cytowic, Richard E.},
year = {2002}
}

N. D’Alessandro, R. Sebbe, B. Bozkurt, and T. Dutoit, “A Max/MSP MBROLA-based Tool for Real-Time Voice Synthesis,” , 2004.
[Bibtex]

@Article{ dalessandro_maxmsp_2004,
title = {A {Max}/{MSP} {MBROLA}-based {Tool} for {Real}-{Time}
{Voice} {Synthesis}},
language  = {en},
author  = {D’Alessandro, Nicolas and Sebbe, Raphael and Bozkurt,
Baris and Dutoit, Thierry},
year = {2004}
}

A. D’Ausilio, L. Badino, Y. Li, S. Tokay, L. Craighero, R. Canto, Y. Aloimonos, and L. Fadiga, “Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics,” Plos one, 2012.
[Bibtex]

@Article{ dausilio_leadership_2012,
title = {Leadership in {Orchestra} {Emerges} from the {Causal}
{Relationships} of {Movement} {Kinematics}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0035757},
language  = {en},
journal  = {PLoS ONE},
author  = {D'Ausilio, Alessandro and Badino, Leonardo and Li, Yi and
Tokay, Sera and Craighero, Laila and Canto, Rosario and
Aloimonos, Yiannis and Fadiga, Luciano},
month = may,
year = {2012}
}

J. d’ Escrivan Rincón, “Music technology,” , 2012.
[Bibtex]

@Article{ escrivan_rincon_music_2012,
address  = {Cambridge ; New York},
title = {Music technology},
isbn = {978-1-107-00080-3 978-0-521-17042-0},
language  = {en},
author  = {Escrivan Rincón, Julio d'},
year = {2012}
}

W. D’haes and X. Rodet, “Discrete Cepstrum Coefficients as Perceptual Features.”
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@Article{ dhaes_discrete_nodate,
title = {Discrete {Cepstrum} {Coefficients} as {Perceptual}
{Features}},
language  = {en},
author  = {D'haes, Wim and Rodet, Xavier}
}

M. Welford, “Proto-materials: Material Practices in Architecture at Molecular and Cellular Scales,” , 2013.
[Bibtex]

@Article{ welford_proto-materials_2013,
title = {Proto-materials: {Material} {Practices} in {Architecture}
at {Molecular} and {Cellular} {Scales}},
language  = {en},
author  = {Welford, Malcolm},
year = {2013}
}

K. Dahan, “Surface Tensions: Dynamics of \textitStria,” Computer music journal, 2007.
[Bibtex]

@Article{ dahan_surface_2007,
title = {Surface {Tensions}: {Dynamics} of \textit{{Stria}}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.3.65},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dahan, Kevin},
month = sep,
year = {2007}
}

R. Dahl, M. Norouzi, and J. Shlens, “Pixel Recursive Super Resolution,” , 2017.
[Bibtex]

@Article{ dahl_pixel_2017,
title = {Pixel {Recursive} {Super} {Resolution}},
language  = {en},
author  = {Dahl, Ryan and Norouzi, Mohammad and Shlens, Jonathon},
month = mar,
year = {2017}
}

“Evolution, Complexity and Artificial Life,” , 2014.
[Bibtex]

@Article{ cagnoni_evolution_2014,
address  = {Berlin, Heidelberg},
title = {Evolution, {Complexity} and {Artificial} {Life}},
isbn = {978-3-642-37576-7 978-3-642-37577-4},
language  = {en},
year = {2014},
doi = {10.1007/978-3-642-37577-4}
}

M. Danks, “The Graphics Environment for Max,” , 1996.
[Bibtex]

@Article{ danks_graphics_1996,
title = {The {Graphics} {Environment} for {Max}},
language  = {en},
author  = {Danks, Mark},
year = {1996}
}

R. B. Dannenberg, “A Brief Survey of Music Representation Issues, Techniques, and Systems,” , 1998.
[Bibtex]

@Article{ dannenberg_brief_1998,
title = {A {Brief} {Survey} of {Music} {Representation} {Issues},
{Techniques}, and {Systems}},
language  = {en},
author  = {Dannenberg, Roger B},
year = {1998}
}

R. B. Dannenberg, “A Perspective on Computer Music,” Computer music journal, 1996.
[Bibtex]

@Article{ dannenberg_perspective_1996,
title = {A {Perspective} on {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3681271},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dannenberg, Roger B.},
year = {1996}
}

R. B. Dannenberg, “Abstract Time Warping of Compound Events and Signals,” Computer music journal, 1997.
[Bibtex]

@Article{ dannenberg_abstract_1997,
title = {Abstract {Time} {Warping} of {Compound} {Events} and
{Signals}},
issn = {01489267},
doi = {10.2307/3681014},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dannenberg, Roger B.},
year = {1997}
}

R. B. Dannenberg, N. E. Gold, D. Liang, and G. Xia, “Active Scores: Representation and Synchronization in Human–Computer Performance of Popular Music,” Computer music journal, 2014.
[Bibtex]

@Article{ dannenberg_active_2014,
title = {Active {Scores}: {Representation} and {Synchronization} in
{Human}–{Computer} {Performance} of {Popular} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00239},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dannenberg, Roger B. and Gold, Nicolas E. and Liang, Dawen
and Xia, Guangyu},
month = jun,
year = {2014}
}

R. B. Dannenberg, “An On-Line Algorithm for Real-Time Accompaniment..”
[Bibtex]

@Article{ dannenberg_-line_nodate,
title = {An {On}-{Line} {Algorithm} for {Real}-{Time}
{Accompaniment}.},
language  = {en},
author  = {Dannenberg, Roger B}
}

R. B. Dannenberg and N. Hu, “Discovering Musical Structure in Audio Recordings,” , 2002.
[Bibtex]

@Article{ goos_discovering_2002,
address  = {Berlin, Heidelberg},
title = {Discovering {Musical} {Structure} in {Audio}
{Recordings}},
isbn = {978-3-540-44145-8 978-3-540-45722-0},
language  = {en},
booktitle  = {Music and {Artificial} {Intelligence}},
author  = {Dannenberg, Roger B. and Hu, Ning},
year = {2002},
doi = {10.1007/3-540-45722-4_6}
}

R. B. Dannenberg, “Interactive Visual Music: A Personal Perspective,” Computer music journal, 2005.
[Bibtex]

@Article{ dannenberg_interactive_2005,
title = {Interactive {Visual} {Music}: {A} {Personal}
{Perspective}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892605775179964},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dannenberg, Roger B.},
month = dec,
year = {2005}
}

R. B. Dannenberg, N. E. Gold, D. Liang, and G. Xia, “Methods and Prospects for Human–Computer Performance of Popular Music,” Computer music journal, 2014.
[Bibtex]

@Article{ dannenberg_methods_2014,
title = {Methods and {Prospects} for {Human}–{Computer}
{Performance} of {Popular} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00238},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dannenberg, Roger B. and Gold, Nicolas E. and Liang, Dawen
and Xia, Guangyu},
month = jun,
year = {2014}
}

R. B. Dannenberg and N. Hu, “Dannenberg and Hu Polyphonic Audio Matching for Score Following and Intelligent Audio Editors.”
[Bibtex]

@Article{ dannenberg_dannenberg_nodate,
title = {Dannenberg and {Hu} {Polyphonic} {Audio} {Matching} for
{Score} {Following} and {Intelligent} {Audio} {Editors}},
language  = {en},
author  = {Dannenberg, Roger B and Hu, Ning}
}

R. B. Dannenberg and N. Thompson, “Real-Time Software Synthesis on Superscalar Architectures,” Computer music journal, 1997.
[Bibtex]

@Article{ dannenberg_real-time_1997,
title = {Real-{Time} {Software} {Synthesis} on {Superscalar}
{Architectures}},
issn = {01489267},
doi = {10.2307/3681016},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dannenberg, Roger B. and Thompson, Nick},
year = {1997}
}

R. B. Dannenberg, “The Interpretation of MIDI Velocity.”
[Bibtex]

@Article{ dannenberg_interpretation_nodate,
title = {The {Interpretation} of {MIDI} {Velocity}},
language  = {en},
author  = {Dannenberg, Roger B}
}

J. Dashow, “Spectra as Chords,” Computer music journal, 1980.
[Bibtex]

@Article{ dashow_spectra_1980,
title = {Spectra as {Chords}},
issn = {01489267},
doi = {10.2307/3679441},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dashow, James},
year = {1980}
}

J. Dashow, “The Dyad System (Part One),” Perspectives of new music, 1999.
[Bibtex]

@Article{ dashow_dyad_1999,
title = {The {Dyad} {System} ({Part} {One})},
issn = {00316016},
doi = {10.2307/833625},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Dashow, James},
year = {1999}
}

J. Dashow, “The Dyad System (Parts Two and Three),” Perspectives of new music, 1999.
[Bibtex]

@Article{ dashow_dyad_1999-1,
title = {The {Dyad} {System} ({Parts} {Two} and {Three})},
issn = {00316016},
doi = {10.2307/833515},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Dashow, James},
year = {1999}
}

G. Datseris, A. Ziereis, T. Albrecht, Y. Hagmayer, V. Priesemann, and T. Geisel, “Does it Swing? Microtiming Deviations and Swing Feeling in Jazz,” , 2019.
[Bibtex]

@Article{ datseris_does_2019,
title = {Does it {Swing}? {Microtiming} {Deviations} and {Swing}
{Feeling} in {Jazz}},
language  = {en},
author  = {Datseris, George and Ziereis, Annika and Albrecht,
Thorsten and Hagmayer, York and Priesemann, Viola and
Geisel, Theo},
month = apr,
year = {2019}
}

L. Daudet, “A Review on Techniques for the Extraction of Transients in Musical Signals,” , 2006.
[Bibtex]

@Article{ kronland-martinet_review_2006,
address  = {Berlin, Heidelberg},
title = {A {Review} on {Techniques} for the {Extraction} of
{Transients} in {Musical} {Signals}},
isbn = {978-3-540-34027-0 978-3-540-34028-7},
language  = {en},
booktitle  = {Computer {Music} {Modeling} and {Retrieval}},
author  = {Daudet, Laurent},
year = {2006},
doi = {10.1007/11751069_20}
}

J. Davalan, “PERFECT RHYTHMIC TILINGS,” Perspectives of new music.
[Bibtex]

@Article{ davalan_perfect_nodate,
title = {{PERFECT} {RHYTHMIC} {TILINGS}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Davalan, Jean-Paul}
}

“Economic Science Fictions.”
[Bibtex]

@Article{ noauthor_economic_nodate,
title = {Economic {Science} {Fictions}},
language  = {en}
}

T. Davis, “Complexity as Process: Complexity-inspired approaches to composition,” Organised sound, 2010.
[Bibtex]

@Article{ davis_complexity_2010,
title = {Complexity as {Process}: {Complexity}-inspired approaches
to composition},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771810000130},
language  = {en},
journal  = {Organised Sound},
author  = {Davis, Tom},
month = aug,
year = {2010}
}

“Computability, complexity, and languages: fundamentals of theoretical computer science,” Choice reviews online, 1994.
[Bibtex]

@Article{ noauthor_computability_1994,
title = {Computability, complexity, and languages: fundamentals of
theoretical computer science},
issn = {0009-4978, 1523-8253},
doi = {10.5860/CHOICE.32-0356},
language  = {en},
journal  = {Choice Reviews Online},
month = sep,
year = {1994}
}

D. M. Marques, “Federation Modeler: A Tool for Engaging Change and Complexity in Design.”
[Bibtex]

@Article{ marques_federation_nodate,
title = {Federation {Modeler}: {A} {Tool} for {Engaging} {Change}
and {Complexity} in {Design}},
language  = {en},
author  = {Marques, Davis M}
}

S. B. Davis and C. Hill, “Just in time: defining historical chronographics.”
[Bibtex]

@Article{ davis_just_nodate,
title = {Just in time: defining historical chronographics},
language  = {en},
author  = {Davis, Stephen Boyd and Hill, Cat}
}

J. R. Dawin and D. Volchenkov, “Markov Chain Analysis of Musical Dice Games,” , 2010.
[Bibtex]

@Article{ dawin_markov_2010,
title = {Markov {Chain} {Analysis} of {Musical} {Dice} {Games}},
language  = {en},
author  = {Dawin, J. R. and Volchenkov, D.},
month = apr,
year = {2010}
}

L. Dawson, “War in Space: The Science and Technology Behind Our Next Theater of Conflict,” , 2018.
[Bibtex]

@Article{ dawson_war_2018,
address  = {Cham},
title = {War in {Space}: {The} {Science} and {Technology} {Behind}
{Our} {Next} {Theater} of {Conflict}},
isbn = {978-3-319-93051-0 978-3-319-93052-7},
language  = {en},
author  = {Dawson, Linda},
year = {2018},
doi = {10.1007/978-3-319-93052-7}
}

H. Id, “Poétiques de la répétition,” , 2012.
[Bibtex]

@Article{ id_poetiques_2012,
title = {Poétiques de la répétition},
language  = {fr},
author  = {Id, HAL},
year = {2012}
}

“Sound & score: essays on sound, score and notation,” , 2013.
[Bibtex]

@Article{ assis_sound_2013,
address  = {Leuven},
title = {Sound \& score: essays on sound, score and notation},
isbn = {978-90-5867-976-5},
language  = {en},
year = {2013}
}

F. D. Bernardinis, R. Roncella, R. Saletti, P. Terreni, and G. Bertini, “A New VLSI Implementation of Additive Synthesis,” Computer music journal, 1998.
[Bibtex]

@Article{ bernardinis_new_1998,
title = {A {New} {VLSI} {Implementation} of {Additive}
{Synthesis}},
issn = {01489267},
doi = {10.2307/3681157},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bernardinis, Fernando De and Roncella, Roberto and
Saletti, Roberto and Terreni, Pierangelo and Bertini,
Graziano},
year = {1998}
}

A. de Campo, “Science By Ear. An Interdisciplinary Approach to Sonifying Scientiﬁc Data.”
[Bibtex]

@Article{ de_campo_science_nodate,
title = {Science {By} {Ear}. {An} {Interdisciplinary} {Approach} to
{Sonifying} {Scientiﬁc} {Data}},
language  = {en},
author  = {de Campo, Alberto}
}

“ICAD 2007 Proceedings,” , 2007.
[Bibtex]

@Article{ noauthor_icad_2007,
title = {{ICAD} 2007 {Proceedings}},
language  = {en},
year = {2007}
}

A. de Cheveigne and H. Kawahara, “YIN, A Fundamental Frequency Estimator For Speech And Music,” J. acoust. soc. am., 2002.
[Bibtex]

@Article{ de_cheveigne_yin_2002,
title = {{YIN}, {A} {Fundamental} {Frequency} {Estimator} {For}
{Speech} {And} {Music}},
language  = {en},
journal  = {J. Acoust. Soc. Am.},
author  = {de Cheveigne, Alain and Kawahara, Hideki},
year = {2002}
}

F. De Goes, K. Breeden, V. Ostromoukhov, and M. Desbrun, “Blue noise through optimal transport,” Acm transactions on graphics, 2012.
[Bibtex]

@Article{ de_goes_blue_2012,
title = {Blue noise through optimal transport},
issn = {0730-0301, 1557-7368},
doi = {10.1145/2366145.2366190},
language  = {en},
journal  = {ACM Transactions on Graphics},
author  = {De Goes, Fernando and Breeden, Katherine and Ostromoukhov,
Victor and Desbrun, Mathieu},
month = nov,
year = {2012}
}

B. W. De Haas, J. P. Magalhães, F. Wiering, and R. C. Veltkamp, “Automatic Functional Harmonic Analysis,” Computer music journal, 2013.
[Bibtex]

@Article{ de_haas_automatic_2013,
title = {Automatic {Functional} {Harmonic} {Analysis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00209},
language  = {en},
journal  = {Computer Music Journal},
author  = {De Haas, W. Bas and Magalhães, José Pedro and Wiering,
Frans and C. Veltkamp, Remco},
month = dec,
year = {2013}
}

R. de La Riva, “Architecture and music on rhythm, harmony and order,” , 1991.
[Bibtex]

@Article{ la_riva_architecture_1991,
address  = {Ottawa},
title = {Architecture and music on rhythm, harmony and order},
isbn = {978-0-315-66360-2},
language  = {en},
author  = {La Riva, Richard de},
year = {1991}
}

J. M. Iñesta, “Statistical description models for melody analysis and characterization,” , 2004.
[Bibtex]

@Article{ inesta_statistical_2004,
title = {Statistical description models for melody analysis and
characterization},
language  = {en},
author  = {Iñesta, José M},
year = {2004}
}

A. de Mesmay, J. Purcell, S. Schleimer, and E. Sedgwick, “ON THE TREE-WIDTH OF KNOT DIAGRAMS,” , 2019.
[Bibtex]

@Article{ de_mesmay_tree-width_2019,
title = {{ON} {THE} {TREE}-{WIDTH} {OF} {KNOT} {DIAGRAMS}},
language  = {en},
author  = {de Mesmay, Arnaud and Purcell, Jessica and Schleimer, Saul
and Sedgwick, Eric},
year = {2019}
}

“Islamic art and geometric design: activities for learning,” , 2004.
[Bibtex]

@Article{ noauthor_islamic_2004,
address  = {New York, N.Y.},
title = {Islamic art and geometric design: activities for
learning},
isbn = {978-1-58839-084-4},
language  = {en},
year = {2004}
}

J. de Mul, “The Convergence of Evolution Humanism and Information Technology,” , 2010.
[Bibtex]

@Article{ de_mul_convergence_2010,
title = {The {Convergence} of {Evolution} {Humanism} and
{Information} {Technology}},
language  = {en},
author  = {de Mul, Jos},
year = {2010}
}

C. P. de Santana, J. Bresson, and M. Andreatta, “Modeling and Simulation: The Spectral Canon for Conlon Nancarrow by James Tenney,” , 2013.
[Bibtex]

@Article{ santana_modeling_2013,
title = {Modeling and {Simulation}: {The} {Spectral} {Canon} for
{Conlon} {Nancarrow} by {James} {Tenney}},
language  = {en},
author  = {Santana, Charles de Paiva and Bresson, Jean and Andreatta,
Moreno},
year = {2013}
}

G. D. Poli, “In Search of New Sounds,” Computer music journal, 1996.
[Bibtex]

@Article{ poli_search_1996,
title = {In {Search} of {New} {Sounds}},
issn = {01489267},
doi = {10.2307/3681330},
language  = {en},
journal  = {Computer Music Journal},
author  = {Poli, Giovanni De},
year = {1996}
}

J. de Sanna, “Metaphysical Mathematics.”
[Bibtex]

@Article{ de_sanna_metaphysical_nodate,
title = {Metaphysical {Mathematics}},
language  = {en},
author  = {de Sanna, Jole}
}

L. De Vos, “Jan Fabre’s Crusade Against Shopping Culture,” Paj: a journal of performance and art, 2009.
[Bibtex]

@Article{ de_vos_jan_2009,
title = {Jan {Fabre}'s {Crusade} {Against} {Shopping} {Culture}},
issn = {1520-281X, 1537-9477},
doi = {10.1162/pajj.2009.31.3.66},
language  = {en},
journal  = {PAJ: A Journal of Performance and Art},
author  = {De Vos, Laurens},
month = sep,
year = {2009}
}

M. Wheeldon, “Debussy’s “Soupir”: An Experiment in Permutational Analysis,” Perspectives of new music, 2000.
[Bibtex]

@Article{ wheeldon_debussys_2000,
title = {Debussy's "{Soupir}": {An} {Experiment} in {Permutational}
{Analysis}},
issn = {00316016},
doi = {10.2307/833662},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Wheeldon, Marianne},
year = {2000}
}

F. Decarsin, “Metamorphoses of Invention,” Perspectives of new music, 1998.
[Bibtex]

@Article{ decarsin_metamorphoses_1998,
title = {Metamorphoses of {Invention}},
issn = {00316016},
doi = {10.2307/833521},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Decarsin, Francois},
year = {1998}
}

P. Decroupet, E. Ungeheuer, and J. Kohl, “Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge,” Perspectives of new music, 1998.
[Bibtex]

@Article{ decroupet_through_1998,
title = {Through the {Sensory} {Looking}-{Glass}: {The} {Aesthetic}
and {Serial} {Foundations} of {Gesang} der {Jünglinge}},
issn = {00316016},
doi = {10.2307/833578},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Decroupet, Pascal and Ungeheuer, Elena and Kohl, Jerome},
year = {1998}
}

S. DeDeo, “Information Theory for Intelligent People.”
[Bibtex]

@Article{ dedeo_information_nodate,
title = {Information {Theory} for {Intelligent} {People}},
language  = {en},
author  = {DeDeo, Simon}
}

B. Degazio, “Musical Aspects Of Fractal Geometry,” , 1986.
[Bibtex]

@Article{ degazio_musical_1986,
title = {Musical {Aspects} {Of} {Fractal} {Geometry}},
language  = {en},
author  = {Degazio, Bruno},
year = {1986}
}

K. Déguernel, E. Vincent, and G. Assayag, “Probabilistic Factor Oracles for Multidimensional Machine Improvisation,” Computer music journal, 2018.
[Bibtex]

@Article{ deguernel_probabilistic_2018,
title = {Probabilistic {Factor} {Oracles} for {Multidimensional}
{Machine} {Improvisation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00460},
language  = {en},
journal  = {Computer Music Journal},
author  = {Déguernel, Ken and Vincent, Emmanuel and Assayag,
Gérard},
month = jun,
year = {2018}
}

T. Delatour, “Molecular Music: The Acoustic Conversion of Molecular Vibrational Spectra,” Computer music journal, 2000.
[Bibtex]

@Article{ delatour_molecular_2000,
title = {Molecular {Music}: {The} {Acoustic} {Conversion} of
{Molecular} {Vibrational} {Spectra}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892600559335},
language  = {en},
journal  = {Computer Music Journal},
author  = {Delatour, Thierry},
month = sep,
year = {2000}
}

T. DeLio, “Xenakis,” Perspectives of new music, 2001.
[Bibtex]

@Article{ delio_xenakis_2001,
title = {Xenakis},
language  = {en},
journal  = {Perspectives of New Music},
author  = {DeLio, Thomas},
year = {2001}
}

E. D. Demaine and J. O’Rourke, “Geometric folding algorithms: linkages, origami, polyhedra,” , 2007.
[Bibtex]

@Article{ demaine_geometric_2007,
address  = {Cambridge ; New York},
title = {Geometric folding algorithms: linkages, origami,
polyhedra},
isbn = {978-0-521-85757-4},
language  = {en},
author  = {Demaine, Erik D. and O'Rourke, Joseph},
year = {2007}
}

E. D. Demaine, F. Gomez-Martin, H. Meijer, D. Rappaport, P. Taslakian, G. T. Toussaint, T. Winograd, and D. Wood, “The distance geometry of music,” Computational geometry, 2009.
[Bibtex]

@Article{ demaine_distance_2009,
title = {The distance geometry of music},
issn = {09257721},
doi = {10.1016/j.comgeo.2008.04.005},
language  = {en},
journal  = {Computational Geometry},
author  = {Demaine, Erik D. and Gomez-Martin, Francisco and Meijer,
Henk and Rappaport, David and Taslakian, Perouz and
Toussaint, Godfried T. and Winograd, Terry and Wood, David
R.},
month = jul,
year = {2009}
}

S. Dembski, “An Idea of Order,” Perspectives of new music, 2006.
[Bibtex]

@Article{ dembski_idea_2006,
title = {An {Idea} of {Order}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Dembski, Stephen},
year = {2006}
}

É. Demers, “Le Temps : Conséquences Philosophiques,” , 2011.
[Bibtex]

@Article{ demers_temps_2011,
title = {Le {Temps} : {Conséquences} {Philosophiques}},
language  = {fr},
author  = {Demers, Éric},
year = {2011}
}

J. T. Demers, “Listening through the noise: the aesthetics of experimental electronic music,” , 2010.
[Bibtex]

@Article{ demers_listening_2010,
address  = {Oxford ; New York},
title = {Listening through the noise: the aesthetics of
experimental electronic music},
isbn = {978-0-19-538765-0 978-0-19-538766-7},
language  = {en},
author  = {Demers, Joanna Teresa},
year = {2010}
}

C. D. Tandt, “La Culture rock entre utopie moderniste et construction d’une industrie alternative,” Volume !, 2012.
[Bibtex]

@Article{ tandt_culture_2012,
title = {La {Culture} rock entre utopie moderniste et construction
d’une industrie alternative},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.3247},
language  = {fr},
journal  = {Volume !},
author  = {Tandt, Christophe Den},
month = dec,
year = {2012}
}

J. Déotte, “« L’espace et l’architecture : état des lieux »: Présentation du colloque – Maison des sciences de l’Homme Paris Nord, 4-5 mars 2013,” Appareil, 2013.
[Bibtex]

@Article{ deotte__2013,
title = {« {L}’espace et l’architecture : état des lieux »:
{Présentation} du colloque – {Maison} des sciences de
l’{Homme} {Paris} {Nord}, 4-5 mars 2013},
issn = {2101-0714},
doi = {10.4000/appareil.1586},
language  = {fr},
journal  = {Appareil},
author  = {Déotte, Jean-Louis},
month = jul,
year = {2013}
}

J. Déotte, “Déotte_les Immatériaux de Lyotard_(1985)_un_programme_2012,” Appareil, 2012.
[Bibtex]

@Article{ deotte_deotte_les_2012,
title = {Déotte\_Les {Immatériaux} de
{Lyotard}\_(1985)\_un\_programme\_2012},
issn = {2101-0714},
doi = {10.4000/appareil.797},
language  = {fr},
journal  = {Appareil},
author  = {Déotte, Jean-Louis},
month = dec,
year = {2012}
}

P. Desain, H. Honing, and K. de Rijk, “A Connectionist Quantizer.”
[Bibtex]

@Article{ desain_connectionist_nodate,
title = {A {Connectionist} {Quantizer}},
language  = {en},
author  = {Desain, Peter and Honing, Henkjan and de Rijk, Klaus}
}

P. Desain and H. Honing, “The Quantization of Musical Time: A Connectionist Approach,” Computer music journal, 1989.
[Bibtex]

@Article{ desain_quantization_1989,
title = {The {Quantization} of {Musical} {Time}: {A}
{Connectionist} {Approach}},
issn = {01489267},
doi = {10.2307/3680012},
language  = {en},
journal  = {Computer Music Journal},
author  = {Desain, Peter and Honing, Henkjan},
year = {1989}
}

P. Desain and H. Honing, “Time Functions Function Best as Functions of Multiple Times,” Computer music journal, 1992.
[Bibtex]

@Article{ desain_time_1992,
title = {Time {Functions} {Function} {Best} as {Functions} of
{Multiple} {Times}},
issn = {01489267},
doi = {10.2307/3680713},
language  = {en},
journal  = {Computer Music Journal},
author  = {Desain, Peter and Honing, Henkjan},
year = {1992}
}

S. Desantos, C. Roads, and F. Bayle, “Acousmatic Morphology: An Interview with Francois Bayle,” Computer music journal, 1997.
[Bibtex]

@Article{ desantos_acousmatic_1997,
title = {Acousmatic {Morphology}: {An} {Interview} with {Francois}
{Bayle}},
issn = {01489267},
doi = {10.2307/3681010},
language  = {en},
journal  = {Computer Music Journal},
author  = {Desantos, Sandra and Roads, Curtis and Bayle, Francois},
year = {1997}
}

H. Descottes and C. E. Ramos, “Architectural lighting: designing with light and space,” , 2011.
[Bibtex]

@Article{ descottes_architectural_2011,
address  = {New York},
title = {Architectural lighting: designing with light and space},
isbn = {978-1-56898-938-9},
language  = {en},
author  = {Descottes, Hervé and Ramos, Cecilia E.},
year = {2011}
}

A. Desolneux, L. Moisan, and J. Morel, “From Gestalt Theory to Image Analysis: A Probabilistic Approach,” , 2008.
[Bibtex]

@Article{ desolneux_gestalt_2008,
address  = {New York, NY},
title = {From {Gestalt} {Theory} to {Image} {Analysis}: {A}
{Probabilistic} {Approach}},
isbn = {978-0-387-72635-9 978-0-387-74378-3},
language  = {en},
author  = {Desolneux, Agnés and Moisan, Lionel and Morel,
Jean-Michel},
year = {2008},
doi = {10.1007/978-0-387-74378-3}
}

P. Manning, “Institut de Recherche et Coordination Acoustique/Musique,” , 2001.
[Bibtex]

@Article{ manning_institut_2001,
title = {Institut de {Recherche} et {Coordination}
{Acoustique}/{Musique}},
language  = {en},
author  = {Manning, Peter},
year = {2001},
doi = {10.1093/gmo/9781561592630.article.42130}
}

A. Dessein, A. Cont, and G. Lemaitre, “Real-Time Detection of Overlapping Sound Events with Non-Negative Matrix Factorization,” , 2013.
[Bibtex]

@Article{ nielsen_real-time_2013,
address  = {Berlin, Heidelberg},
title = {Real-{Time} {Detection} of {Overlapping} {Sound} {Events}
with {Non}-{Negative} {Matrix} {Factorization}},
isbn = {978-3-642-30231-2 978-3-642-30232-9},
language  = {en},
booktitle  = {Matrix {Information} {Geometry}},
author  = {Dessein, Arnaud and Cont, Arshia and Lemaitre, Guillaume},
year = {2013},
doi = {10.1007/978-3-642-30232-9_14}
}

A. Deutsch and S. Dormann, “Cellular automaton modeling of biological pattern formation: characterization, applications, and analysis,” , 2005.
[Bibtex]

@Article{ deutsch_cellular_2005,
address  = {Boston},
title = {Cellular automaton modeling of biological pattern
formation: characterization, applications, and analysis},
isbn = {978-0-8176-4281-5},
language  = {en},
author  = {Deutsch, Andreas and Dormann, Sabine},
year = {2005}
}

K. Devine, “Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction,” Popular music, 2013.
[Bibtex]

@Article{ devine_imperfect_2013,
title = {Imperfect sound forever: loudness wars, listening
formations and the history of sound reproduction},
issn = {0261-1430, 1474-0095},
doi = {10.1017/S0261143013000032},
language  = {en},
journal  = {Popular Music},
author  = {Devine, Kyle},
month = may,
year = {2013}
}

T. DeWitt, “Visual Music: Searching for an Aesthetic,” Leonardo, 1987.
[Bibtex]

@Article{ dewitt_visual_1987,
title = {Visual {Music}: {Searching} for an {Aesthetic}},
issn = {0024094X},
doi = {10.2307/1578326},
language  = {en},
journal  = {Leonardo},
author  = {DeWitt, Tom},
year = {1987}
}

“Acoustic Metamaterials and Phononic Crystals,” , 2013.
[Bibtex]

@Article{ deymier_acoustic_2013,
address  = {Berlin, Heidelberg},
title = {Acoustic {Metamaterials} and {Phononic} {Crystals}},
isbn = {978-3-642-31231-1 978-3-642-31232-8},
language  = {en},
year = {2013},
doi = {10.1007/978-3-642-31232-8}
}

F. Dhomont, “Le postmodernisme en musique: Aventure néo-baroque ou Nouvelle aventure de la modernité?,” Circuit, 2010.
[Bibtex]

@Article{ dhomont_postmodernisme_2010,
title = {Le postmodernisme en musique: {Aventure} néo-baroque ou
{Nouvelle} aventure de la modernité?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902002ar},
language  = {fr},
journal  = {Circuit},
author  = {Dhomont, Francis},
month = jan,
year = {2010}
}

P. Di Bello, “SEDUCTIONS AND FLIRTATIONS: Photographs, histories, theories,” Photographies, 2008.
[Bibtex]

@Article{ di_bello_seductions_2008,
title = {{SEDUCTIONS} {AND} {FLIRTATIONS}: {Photographs},
histories, theories},
issn = {1754-0763, 1754-0771},
doi = {10.1080/17540760802285106},
language  = {en},
journal  = {Photographies},
author  = {Di Bello, Patrizia},
month = sep,
year = {2008}
}

R. Di Pietro, “Dialogues with Boulez,” , 2001.
[Bibtex]

@Article{ di_pietro_dialogues_2001,
address  = {Lanham, Md},
title = {Dialogues with {Boulez}},
isbn = {978-0-8108-3932-8},
language  = {en},
author  = {Di Pietro, Rocco},
year = {2001}
}

A. D. Scipio, “Compositional Models in Xenakis’s Electroacoustic Music,” Perspectives of new music, 1998.
[Bibtex]

@Article{ scipio_compositional_1998,
title = {Compositional {Models} in {Xenakis}'s {Electroacoustic}
{Music}},
issn = {00316016},
doi = {10.2307/833529},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Scipio, Agostino Di},
year = {1998}
}

J. Rogers, “Dialogue de L’Ombre Double: Construction by Assemblage,” Perspectives of new music, 2000.
[Bibtex]

@Article{ rogers_dialogue_2000,
title = {Dialogue de {L}'{Ombre} {Double}: {Construction} by
{Assemblage}},
issn = {00316016},
doi = {10.2307/833658},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rogers, Joe},
year = {2000}
}

G. Diaz-Jerez, “ALGORITHMIC MUSIC: USING MATHEMATICAL MODELS IN MUSIC COMPOSITION.”
[Bibtex]

@Article{ diaz-jerez_algorithmic_nodate,
title = {{ALGORITHMIC} {MUSIC}: {USING} {MATHEMATICAL} {MODELS}
{IN} {MUSIC} {COMPOSITION}},
language  = {en},
author  = {Diaz-Jerez, Gustavo}
}

S. Dieleman and B. Schrauwen, “End-to-end learning for music audio,” , 2014.
[Bibtex]

@Article{ dieleman_end--end_2014,
address  = {Florence, Italy},
title = {End-to-end learning for music audio},
isbn = {978-1-4799-2893-4},
doi = {10.1109/ICASSP.2014.6854950},
language  = {en},
booktitle  = {2014 {IEEE} {International} {Conference} on {Acoustics},
{Speech} and {Signal} {Processing} ({ICASSP})},
author  = {Dieleman, Sander and Schrauwen, Benjamin},
month = may,
year = {2014}
}

T. Dimitrios and M. Eleni, “A GA Tool for Computer Assisted Music Composition.”
[Bibtex]

@Article{ dimitrios_ga_nodate,
title = {A {GA} {Tool} for {Computer} {Assisted} {Music}
{Composition}},
language  = {en},
author  = {Dimitrios, Tzimeas and Eleni, Mangina}
}

H. Ding, “Ding Level of detail for granular audio-graphic rendering: representation, implementation, and user-based evaluation 2013.”
[Bibtex]

@Article{ ding_ding_nodate,
title = {Ding {Level} of detail for granular audio-graphic
rendering: representation, implementation, and user-based
evaluation 2013},
language  = {en},
author  = {Ding, Hui}
}

“Creative Design Exploration By Parametric Generative Systems In Architecture,” Metu journal of the faculty of architecture, 2012.
[Bibtex]

@Article{ noauthor_creative_2012,
title = {Creative {Design} {Exploration} {By} {Parametric}
{Generative} {Systems} {In} {Architecture}},
issn = {02585316},
doi = {10.4305/METU.JFA.2012.1.12},
language  = {en},
journal  = {METU JOURNAL OF THE FACULTY OF ARCHITECTURE},
month = jun,
year = {2012}
}

S. DiPaola, “Face, portrait, mask – using a parameterised system to explore synthetic face space,” , 2010.
[Bibtex]

@Article{ dipaola_face_2010,
title = {Face, portrait, mask – using a parameterised system to
explore synthetic face space},
language  = {en},
author  = {DiPaola, Steve},
year = {2010}
}

S. Dixon, “Onset Detection Revisited,” , 2006.
[Bibtex]

@Article{ dixon_onset_2006,
title = {Onset {Detection} {Revisited}},
language  = {en},
author  = {Dixon, Simon},
year = {2006}
}

P. Djoharian, “Generating Models for Modal Synthesis,” Computer music journal, 1993.
[Bibtex]

@Article{ djoharian_generating_1993,
title = {Generating {Models} for {Modal} {Synthesis}},
issn = {01489267},
doi = {10.2307/3680570},
language  = {en},
journal  = {Computer Music Journal},
author  = {Djoharian, Pirouz},
year = {1993}
}

L. Döbereiner, “Models of Constructed Sound: Nonstandard Synthesis as an Aesthetic Perspective,” Computer music journal, 2011.
[Bibtex]

@Article{ dobereiner_models_2011,
title = {Models of {Constructed} {Sound}: {Nonstandard} {Synthesis}
as an {Aesthetic} {Perspective}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00067},
language  = {en},
journal  = {Computer Music Journal},
author  = {Döbereiner, Luc},
month = sep,
year = {2011}
}

A. Valle, V. Lombardo, K. Tazelaar, R. Dobson, and J. Ffitch, “Varese’s Poeme Electronique Regained: Evidence from the VEP Project.”
[Bibtex]

@Article{ valle_vareses_nodate,
title = {Varese's {Poeme} {Electronique} {Regained}: {Evidence}
from the {VEP} {Project}},
language  = {en},
author  = {Valle, Andrea and Lombardo, Vincenzo and Tazelaar, Kees
and Dobson, Richard and Ffitch, John}
}

C. Dodge and T. A. Jerse, “Computer music: synthesis, composition, and performance,” , 1997.
[Bibtex]

@Article{ dodge_computer_1997,
address  = {New York},
title = {Computer music: synthesis, composition, and performance},
isbn = {978-0-02-864682-4},
language  = {en},
author  = {Dodge, Charles and Jerse, Thomas A.},
year = {1997}
}

E. Doering, “Frequency Modulation (FM) Mathematics.”
[Bibtex]

@Article{ doering_frequency_nodate,
title = {Frequency {Modulation} ({FM}) {Mathematics}},
language  = {en},
author  = {Doering, Ed}
}

J. F. Doerksen, “Segmentation and Interpretation in Atonal Music,” , 1999.
[Bibtex]

@Article{ doerksen_segmentation_1999,
title = {Segmentation and {Interpretation} in {Atonal} {Music}},
language  = {en},
author  = {Doerksen, John F},
year = {1999}
}

M. Dolnik, I. Berenstein, A. Zhabotinsky, and I. R. Epstein, “Spatial Periodic Forcing of Turing Structures,” Physical review letters, 2001.
[Bibtex]

@Article{ dolnik_spatial_2001,
title = {Spatial {Periodic} {Forcing} of {Turing} {Structures}},
issn = {0031-9007, 1079-7114},
doi = {10.1103/PhysRevLett.87.238301},
language  = {en},
journal  = {Physical Review Letters},
author  = {Dolnik, Milos and Berenstein, Igal and Zhabotinsky, Anatol
M. and Epstein, Irving R.},
month = nov,
year = {2001}
}

F. Dompierre, “Musique et séduction,” Transposition, 2012.
[Bibtex]

@Article{ dompierre_musique_2012,
title = {Musique et séduction},
issn = {2110-6134},
doi = {10.4000/transposition.317},
language  = {fr},
journal  = {Transposition},
author  = {Dompierre, François},
month = may,
year = {2012}
}

G. W. Don, K. K. Muir, G. B. Volk, and J. S. Walker, “Music: Broken Symmetry, Geometry, and Complexity,” , 2010.
[Bibtex]

@Article{ don_music_2010,
title = {Music: {Broken} {Symmetry}, {Geometry}, and {Complexity}},
language  = {en},
author  = {Don, Gary W and Muir, Karyn K and Volk, Gordon B and
Walker, James S},
year = {2010}
}

P. Donat-Bouillud, F. Jacquemard, and M. Sakai, “Towards an Equational Theory of Rhythm Notation.”
[Bibtex]

@Article{ donat-bouillud_towards_nodate,
title = {Towards an {Equational} {Theory} of {Rhythm} {Notation}},
language  = {en},
author  = {Donat-Bouillud, Pierre and Jacquemard, Florent and Sakai,
Masahiko}
}

N. Donin, “ECRITS DE COMPOSITEURS un siècle réflexif.”
[Bibtex]

@Article{ donin_ecrits_nodate,
title = {{ECRITS} {DE} {COMPOSITEURS} un siècle réflexif},
language  = {fr},
author  = {Donin, Nicolas}
}

N. Donin and J. Theureau, “L’atelier d’un réalisateur en informatique musicale: Entretien avec Gilbert Nouno,” Circuit, 2008.
[Bibtex]

@Article{ donin_latelier_2008,
title = {L’atelier d’un réalisateur en informatique musicale:
{Entretien} avec {Gilbert} {Nouno}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/017906ar},
language  = {fr},
journal  = {Circuit},
author  = {Donin, Nicolas and Theureau, Jacques},
month = apr,
year = {2008}
}

N. Donin, “Histoire de sa theorie au 20e siecle.”
[Bibtex]

@Article{ donin_histoire_nodate,
title = {histoire de sa theorie au 20e siecle},
language  = {fr},
author  = {Donin, Nicolas}
}

N. Donin, “Le travail de la répétition: Deux dispositifs d’écoute et deux époques de la reproductibilité musicale, du premier au second après-guerre,” Circuit, 2010.
[Bibtex]

@Article{ donin_travail_2010,
title = {Le travail de la répétition: {Deux} dispositifs
d’écoute et deux époques de la reproductibilité
musicale, du premier au second après-guerre},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902301ar},
language  = {fr},
journal  = {Circuit},
author  = {Donin, Nicolas},
month = feb,
year = {2010}
}

N. Donin, “Quand l’étude génétique est contemporaine du processus de création : nouveaux objets, nouveaux problèmes,” Genesis, 2010.
[Bibtex]

@Article{ donin_quand_2010,
title = {Quand l’étude génétique est contemporaine du
processus de création : nouveaux objets, nouveaux
problèmes},
issn = {1167-5101, 2268-1590},
doi = {10.4000/genesis.327},
language  = {fr},
journal  = {Genesis},
author  = {Donin, Nicolas},
month = oct,
year = {2010}
}

N. Donin, “Spatialization as a Compositional Tool and Individual Access to Music in the Future: Jonathan Harvey in Conversation with Nicolas Donin”.”
[Bibtex]

@Article{ donin_spatialization_nodate,
title = {Spatialization as a {Compositional} {Tool} and
{Individual} {Access} to {Music} in the {Future}:
{Jonathan} {Harvey} in {Conversation} with {Nicolas}
{Donin}"},
language  = {en},
author  = {Donin, Nicolas}
}

P. J. Donnelly and J. W. Sheppard, “Classification of Musical Timbre Using Bayesian Networks,” Computer music journal, 2013.
[Bibtex]

@Article{ donnelly_classification_2013,
title = {Classification of {Musical} {Timbre} {Using} {Bayesian}
{Networks}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00210},
language  = {en},
journal  = {Computer Music Journal},
author  = {Donnelly, Patrick J. and Sheppard, John W.},
month = dec,
year = {2013}
}

P. Doornbusch, “Composers’ views on mapping in algorithmic composition,” Organised sound, 2002.
[Bibtex]

@Article{ doornbusch_composers_2002,
title = {Composers' views on mapping in algorithmic composition},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771802002066},
language  = {en},
journal  = {Organised Sound},
author  = {Doornbusch, Paul},
month = aug,
year = {2002}
}

P. Doornbusch, “Computer Sound Synthesis in 1951: The Music of CSIRAC,” Computer music journal, 2004.
[Bibtex]

@Article{ doornbusch_computer_2004,
title = {Computer {Sound} {Synthesis} in 1951: {The} {Music} of
{CSIRAC}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892604322970616},
language  = {en},
journal  = {Computer Music Journal},
author  = {Doornbusch, Paul},
month = mar,
year = {2004}
}

O. Dor and Y. Reich, “An Evaluation of Musical Score Characteristics for Automatic Classification of Composers,” Computer music journal, 2011.
[Bibtex]

@Article{ dor_evaluation_2011,
title = {An {Evaluation} of {Musical} {Score} {Characteristics} for
{Automatic} {Classification} of {Composers}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00071},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dor, Ofer and Reich, Yoram},
month = sep,
year = {2011}
}

S. Dorin, “L’Ensemble Intercontemporain et ses Publics,” , 2011.
[Bibtex]

@Article{ dorin_lensemble_2011,
title = {L’{Ensemble} {Intercontemporain} et ses {Publics}},
language  = {fr},
author  = {Dorin, Stéphane},
year = {2011}
}

A. Dorin and J. McCormack, “Self-Assembling Dynamical Hierarchies.”
[Bibtex]

@Article{ dorin_self-assembling_nodate,
title = {Self-{Assembling} {Dynamical} {Hierarchies}},
language  = {en},
author  = {Dorin, Alan and McCormack, Jon}
}

A. Dosovitskiy and T. Brox, “Generating Images with Perceptual Similarity Metrics based on Deep Networks,” , 2016.
[Bibtex]

@Article{ dosovitskiy_generating_2016,
title = {Generating {Images} with {Perceptual} {Similarity}
{Metrics} based on {Deep} {Networks}},
language  = {en},
author  = {Dosovitskiy, Alexey and Brox, Thomas},
month = feb,
year = {2016}
}

G. Downie, “Aesthetic Necrophilia: Reification, New Music, and the Commodification of Affectivity,” Perspectives of new music, 2004.
[Bibtex]

@Article{ downie_aesthetic_2004,
title = {Aesthetic {Necrophilia}: {Reification}, {New} {Music}, and
the {Commodification} of {Affectivity}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Downie, Gordon},
year = {2004}
}

G. Downie, “Cultural Production as Self-Surveillance: Making the Right Impression,” Perspectives of new music, 2008.
[Bibtex]

@Article{ downie_cultural_2008,
title = {Cultural {Production} as {Self}-{Surveillance}: {Making}
the {Right} {Impression}},
issn = {2325-7180},
doi = {10.1353/pnm.2008.0018},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Downie, Gordon},
year = {2008}
}

“Drawing, the process,” , 2005.
[Bibtex]

@Article{ davies_drawing_2005,
address  = {Bristol, UK ; Portland, OR},
title = {Drawing, the process},
isbn = {978-1-84150-076-8},
language  = {en},
year = {2005}
}

E. Drott, “Lines, Masses, Micropolyphony: Ligeti’s Kyrie and the “Crisis of the Figure”,” Perspectives of new music.
[Bibtex]

@Article{ drott_lines_nodate,
title = {Lines, {Masses}, {Micropolyphony}: {Ligeti}’s {Kyrie}
and the “{Crisis} of the {Figure}”},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Drott, Eric}
}

J. Drucker, “The alphabetic labyrinth: the letters in history and imagination,” , 1999.
[Bibtex]

@Article{ drucker_alphabetic_1999,
address  = {London},
title = {The alphabetic labyrinth: the letters in history and
imagination},
isbn = {978-0-500-28068-3},
language  = {en},
author  = {Drucker, Johanna},
year = {1999}
}

J. Dubiel, “Theory as Mindset and as Text: Some Observations,” Perspectives of new music, 2006.
[Bibtex]

@Article{ dubiel_theory_2006,
title = {Theory as {Mindset} and as {Text}: {Some} {Observations}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Dubiel, Joseph},
year = {2006}
}

E. Dubinets, “Between Mobility and Stability: Earle Brown’s Compositional Process1,” Contemporary music review, 2007.
[Bibtex]

@Article{ dubinets_between_2007,
title = {Between {Mobility} and {Stability}: {Earle} {Brown}'s
{Compositional} {Process1}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460701414405},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Dubinets, Elena},
month = jun,
year = {2007}
}

S. Dubnov, G. Assayag, G. Bejerano, and O. Lartillot, “A System for Computer Music Generation by Learning and Improvisation in a Particular Style.”
[Bibtex]

@Article{ dubnov_system_nodate,
title = {A {System} for {Computer} {Music} {Generation} by
{Learning} and {Improvisation} in a {Particular} {Style}},
language  = {en},
author  = {Dubnov, S and Assayag, G and Bejerano, G and Lartillot,
O}
}

S. Dubnov, G. Assayag, and A. Cont, “Audio Oracle: A New Algorithm for Fast Learning of Audio Structures,” , 2007.
[Bibtex]

@Article{ dubnov_audio_2007,
title = {Audio {Oracle}: {A} {New} {Algorithm} for {Fast}
{Learning} of {Audio} {Structures}},
language  = {en},
author  = {Dubnov, Shlomo and Assayag, Gerard and Cont, Arshia},
year = {2007}
}

S. Dubnov, “Spectral Anticipations,” Computer music journal, 2006.
[Bibtex]

@Article{ dubnov_spectral_2006,
title = {Spectral {Anticipations}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.2.63},
language  = {en},
journal  = {Computer Music Journal},
author  = {Dubnov, Shlomo},
month = jun,
year = {2006}
}

S. Dubnov, Z. Bar-Joseph, R. El-Yaniv, D. Lischinski, and M. Werman, “Synthesis of Sound Textures by Learning and Resampling of Wavelet Trees.”
[Bibtex]

@Article{ dubnov_synthesis_nodate,
title = {Synthesis of {Sound} {Textures} by {Learning} and
{Resampling} of {Wavelet} {Trees}},
language  = {en},
author  = {Dubnov, Shlomo and Bar-Joseph, Ziv and El-Yaniv, Ran and
Lischinski, Dani and Werman, Michael}
}

R. L. DuBois, “Applications of Generative String-Substitution Systems in Computer Music,” , 2003.
[Bibtex]

@Article{ dubois_applications_2003,
title = {Applications of {Generative} {String}-{Substitution}
{Systems} in {Computer} {Music}},
language  = {en},
author  = {DuBois, Roger Luke},
year = {2003}
}

V. Dubois, “Politiques culturelles et polémiques médiatiques Lectures croisées en guise d’introduction.”
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@Article{ dubois_politiques_nodate,
title = {Politiques culturelles et polémiques médiatiques
{Lectures} croisées en guise d'introduction},
language  = {fr},
author  = {Dubois, Vincent}
}

F. Dufeu, “Temps réel et temps différé dans l’instrument de musique numérique.”
[Bibtex]

@Article{ dufeu_temps_nodate,
title = {Temps réel et temps différé dans l’instrument de
musique numérique},
language  = {fr},
author  = {Dufeu, Frédéric}
}

H. Dufourt, “Pierre Boulez, musicien de l’ère industrielle.”
[Bibtex]

@Article{ dufourt_pierre_nodate,
title = {Pierre {Boulez}, musicien de l'ère industrielle},
language  = {fr},
author  = {Dufourt, Hugues}
}

P. Duker, “Resulting Patterns, Palimpsests, and “Pointing Out” the Role of the Listener in Reich’s Drumming,” Perspectives of new music, 2013.
[Bibtex]

@Article{ duker_resulting_2013,
title = {Resulting {Patterns}, {Palimpsests}, and “{Pointing}
{Out}” the {Role} of the {Listener} in {Reich}’s
{Drumming}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Duker, Philip},
year = {2013}
}

S. Dumas, “The 1999 and 2003 messages explained.”
[Bibtex]

@Article{ dumas_1999_nodate,
title = {The 1999 and 2003 messages explained},
language  = {en},
author  = {Dumas, S}
}

A. Roberts, “Interview with Arthur Roberts.”
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@Article{ roberts_interview_nodate,
title = {Interview with {Arthur} {Roberts}},
language  = {en},
author  = {Roberts, Arthur}
}

S. P. Duncan, “Re-Complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the “New Complexity”,” Perspectives of new music, 2010.
[Bibtex]

@Article{ duncan_re-complexifying_2010,
title = {Re-{Complexifying} the {Function}(s) of {Notation} in the
{Music} of {Brian} {Ferneyhough} and the "{New}
{Complexity}"},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0015},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Duncan, Stuart Paul},
year = {2010}
}

X. Dupuis and B. Labarre, “Le renouveau du spectacle musical en France:,” Culture études, 2013.
[Bibtex]

@Article{ dupuis_renouveau_2013,
title = {Le renouveau du spectacle musical en {France}:},
issn = {1959-691X},
doi = {10.3917/cule.136.0001},
language  = {fr},
journal  = {Culture études},
author  = {Dupuis, Xavier and Labarre, Bertrand},
month = dec,
year = {2013}
}

J. Duro-Royo, K. Zolotovsky, L. Mogas-Soldevila, S. Varshney, N. Oxman, M. C. Boyce, and C. Ortiz, “MetaMesh: A hierarchical computational model for design and fabrication of biomimetic armored surfaces,” Computer-aided design, 2015.
[Bibtex]

@Article{ duro-royo_metamesh_2015,
title = {{MetaMesh}: {A} hierarchical computational model for
design and fabrication of biomimetic armored surfaces},
issn = {00104485},
doi = {10.1016/j.cad.2014.05.005},
language  = {en},
journal  = {Computer-Aided Design},
author  = {Duro-Royo, Jorge and Zolotovsky, Katia and
Mogas-Soldevila, Laia and Varshney, Swati and Oxman, Neri
and Boyce, Mary C. and Ortiz, Christine},
month = mar,
year = {2015}
}

C. Dwyre and C. Perry, “Architecture Beyond Architecture.”
[Bibtex]

@Article{ dwyre_architecture_nodate,
title = {Architecture {Beyond} {Architecture}},
language  = {en},
author  = {Dwyre, Cathryn and Perry, Chris}
}

“Dynamical properties of solids. 7: Phonon physics – the cutting edge,” , 1995.
[Bibtex]

@Article{ noauthor_dynamical_1995,
address  = {Amsterdam},
title = {Dynamical properties of solids. 7: {Phonon} physics - the
cutting edge},
isbn = {978-0-444-82262-8},
language  = {en},
year = {1995}
}

F. J. Dyson, “Death of a Project: Research is stopped on a system of space propulsion which broke all the rules of the political game.,” Science, 1965.
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@Article{ dyson_death_1965,
title = {Death of a {Project}: {Research} is stopped on a system of
space propulsion which broke all the rules of the political
game.},
issn = {0036-8075, 1095-9203},
doi = {10.1126/science.149.3680.141},
language  = {en},
journal  = {Science},
author  = {Dyson, Freeman J.},
month = jul,
year = {1965}
}

G. Dzemyda, O. Kurasova, and J. Žilinskas, “Multidimensional Data Visualization: Methods and Applications,” , 2013.
[Bibtex]

@Article{ dzemyda_multidimensional_2013,
address  = {New York, NY},
title = {Multidimensional {Data} {Visualization}: {Methods} and
{Applications}},
isbn = {978-1-4419-0235-1 978-1-4419-0236-8},
language  = {en},
author  = {Dzemyda, Gintautas and Kurasova, Olga and Žilinskas,
Julius},
year = {2013},
doi = {10.1007/978-1-4419-0236-8}
}

D. Eck and J. Schmidhuber, “A First Look at Music Composition using LSTM Recurrent Neural Networks,” , 2002.
[Bibtex]

@Article{ eck_first_2002,
title = {A {First} {Look} at {Music} {Composition} using {LSTM}
{Recurrent} {Neural} {Networks}},
language  = {en},
author  = {Eck, Douglas and Schmidhuber, Jurgen},
year = {2002}
}

D. Eck and J. Schmidhuber, “Finding Temporal Structure in Music: Blues Improvisation with LSTM Recurrent Networks.”
[Bibtex]

@Article{ eck_finding_nodate,
title = {Finding {Temporal} {Structure} in {Music}: {Blues}
{Improvisation} with {LSTM} {Recurrent} {Networks}},
language  = {en},
author  = {Eck, Douglas and Schmidhuber, Jurgen}
}

J. Eckardt, “Surface Elaboration of Pitch-Class Sets Using Nonpitched Musical Dimensions,” Perspectives of new music, 2005.
[Bibtex]

@Article{ eckardt_surface_2005,
title = {Surface {Elaboration} of {Pitch}-{Class} {Sets} {Using}
{Nonpitched} {Musical} {Dimensions}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Eckardt, Jason},
year = {2005}
}

Y. P. Emelianova, V. V. Emelyanov, and N. M. Ryskin, “Synchronization of two coupled multimode oscillators with time-delayed feedback,” Communications in nonlinear science and numerical simulation, 2014.
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@Article{ emelianova_synchronization_2014,
title = {Synchronization of two coupled multimode oscillators with
time-delayed feedback},
issn = {10075704},
doi = {10.1016/j.cnsns.2014.03.031},
language  = {en},
journal  = {Communications in Nonlinear Science and Numerical
Simulation},
author  = {Emelianova, Yulia P. and Emelyanov, Valeriy V. and Ryskin,
Nikita M.},
month = oct,
year = {2014}
}

J. Engel, M. D. Hoffman, and A. Roberts, “LATENT CONSTRAINTS: LEARNING TO GENERATE CONDITIONALLY FROM UNCONDITIONAL GENERATIVE MODELS,” , 2018.
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@Article{ engel_latent_2018,
title = {{LATENT} {CONSTRAINTS}: {LEARNING} {TO} {GENERATE}
{CONDITIONALLY} {FROM} {UNCONDITIONAL} {GENERATIVE}
{MODELS}},
language  = {en},
author  = {Engel, Jesse and Hoffman, Matthew D and Roberts, Adam},
year = {2018}
}

J. Engel, C. Resnick, A. Roberts, S. Dieleman, D. Eck, K. Simonyan, and M. Norouzi, “Neural Audio Synthesis of Musical Notes with WaveNet Autoencoders,” , 2017.
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@Article{ engel_neural_2017,
title = {Neural {Audio} {Synthesis} of {Musical} {Notes} with
{WaveNet} {Autoencoders}},
language  = {en},
author  = {Engel, Jesse and Resnick, Cinjon and Roberts, Adam and
Dieleman, Sander and Eck, Douglas and Simonyan, Karen and
Norouzi, Mohammad},
month = apr,
year = {2017}
}

F. Engels, “Socialisme utopique et socialisme scientifique,” , 2002.
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@Article{ engels_socialisme_2002,
address  = {Chicoutimi},
title = {Socialisme utopique et socialisme scientifique},
isbn = {978-1-55441-255-6},
language  = {fr},
author  = {Engels, Friedrich},
year = {2002},
doi = {10.1522/cla.enf.soc}
}

G. Englert, O. Laske, and C. Roads, “Automated Composition and Composed Automation,” Computer music journal, 1981.
[Bibtex]

@Article{ englert_automated_1981,
title = {Automated {Composition} and {Composed} {Automation}},
issn = {01489267},
doi = {10.2307/3679504},
language  = {en},
journal  = {Computer Music Journal},
author  = {Englert, Giuseppe and Laske, Otto and Roads, C.},
year = {1981}
}

F. Enkel, “THE TECHNICAL FACILITIES OF THE ELECTRONIC MUSIC STUDIO [OF THE COLOGNE BROADCASTING STATION],” , 1954.
[Bibtex]

@Article{ enkel_technical_1954,
title = {{THE} {TECHNICAL} {FACILITIES} {OF} {THE} {ELECTRONIC}
{MUSIC} {STUDIO} [{OF} {THE} {COLOGNE} {BROADCASTING}
{STATION}]},
language  = {en},
author  = {Enkel, Fritz},
year = {1954}
}

M. J. Erickson, “Introduction to Combinatorics.”
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@Article{ erickson_introduction_nodate,
title = {Introduction to {Combinatorics}},
language  = {en},
author  = {Erickson, Martin J}
}

M. A. Ermann, “Architectural Acoustics Illustrated,” , 2015.
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@Article{ ermann_architectural_2015,
title = {Architectural {Acoustics} {Illustrated}},
language  = {en},
author  = {Ermann, Michael A},
year = {2015}
}

J. García Escudero, “Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy,” , 2005.
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@Article{ hutchison_harmonizations_2005,
address  = {Berlin, Heidelberg},
title = {Harmonizations of {Time} with {Non} {Periodic} {Ordered}
{Structures} in {Discrete} {Geometry} and {Astronomy}},
isbn = {978-3-540-24458-5 978-3-540-31807-1},
language  = {en},
booktitle  = {Computer {Music} {Modeling} and {Retrieval}},
author  = {García Escudero, Juan},
year = {2005},
doi = {10.1007/978-3-540-31807-1_8}
}

G. Essl, “CIRCLE MAPS AS A SIMPLE OSCILLATORS FOR COMPLEX BEHAVIOR: II. EXPERIMENTS,” , 2006.
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@Article{ essl_circle_2006,
title = {{CIRCLE} {MAPS} {AS} {A} {SIMPLE} {OSCILLATORS} {FOR}
{COMPLEX} {BEHAVIOR}: {II}. {EXPERIMENTS}},
language  = {en},
author  = {Essl, Georg},
year = {2006}
}

J. Estrada, “Focusing on Freedom and Movement in Music: Methods of Transcription inside a Continuum of Rhythm and Sound,” Perspectives of new music, 2002.
[Bibtex]

@Article{ estrada_focusing_2002,
title = {Focusing on {Freedom} and {Movement} in {Music}: {Methods}
of {Transcription} inside a {Continuum} of {Rhythm} and
{Sound}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Estrada, Julio},
year = {2002}
}

J. Estrada and B. Derfler, “The Radiance of Iannis Xenakis (1922-2001),” Perspectives of new music, 2001.
[Bibtex]

@Article{ estrada_radiance_2001,
title = {The {Radiance} of {Iannis} {Xenakis} (1922-2001)},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Estrada, Julio and Derfler, Brandon},
year = {2001}
}

M. Evans, J. J. Noble, J. Hochenbaum, and J. Noble, “Arduino in Action,” , 2013.
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@Article{ evans_arduino_2013,
address  = {Shelter Island, NY},
title = {Arduino in {Action}},
isbn = {978-1-61729-024-4},
language  = {en},
author  = {Evans, Martin and Noble, Joshua J. and Hochenbaum, Jordan
and Noble, Joshua},
year = {2013}
}

B. Evans, “Foundations of a Visual Music,” Computer music journal, 2005.
[Bibtex]

@Article{ evans_foundations_2005,
title = {Foundations of a {Visual} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892605775179955},
language  = {en},
journal  = {Computer Music Journal},
author  = {Evans, Brian},
month = dec,
year = {2005}
}

A. F. Everest and K. C. Pohlmann, “Master handbook of acoustics,” , 2009.
[Bibtex]

@Article{ everest_master_2009,
address  = {New York},
title = {Master handbook of acoustics},
isbn = {978-0-07-160333-1},
language  = {en},
author  = {Everest, F. Alton and Pohlmann, Ken C.},
year = {2009}
}

“Evolutionary and Biologically Inspired Music, Sound, Art and Design,” , 2012.
[Bibtex]

@Article{ machado_evolutionary_2012,
address  = {Berlin, Heidelberg},
title = {Evolutionary and {Biologically} {Inspired} {Music},
{Sound}, {Art} and {Design}},
isbn = {978-3-642-29141-8 978-3-642-29142-5},
language  = {en},
year = {2012},
doi = {10.1007/978-3-642-29142-5}
}

P. Badcock, “Explaining_how_the_mind_works,” , 2019.
[Bibtex]

@Article{ badcock_explaining_how_the_mind_works_2019,
title = {Explaining\_how\_the\_mind\_works},
language  = {en},
author  = {Badcock, Paul},
year = {2019}
}

R. Fabbri, V. V. S. da Junior, A. C. S. Pessotti, D. Corrêa, and O. N. Oliveira Jr, “Musical elements in the discrete-time representation of sound,” , 2017.
[Bibtex]

@Article{ fabbri_musical_2017,
title = {Musical elements in the discrete-time representation of
sound},
language  = {en},
author  = {Fabbri, Renato and Junior, Vilson Vieira da Silva and
Pessotti, Antônio Carlos Silvano and Corrêa, Débora
Cristina and Oliveira Jr, Osvaldo N.},
month = oct,
year = {2017}
}

M. M. Farbood, “A Quantitative, Parametric Model of Musical Tension,” , 2006.
[Bibtex]

@Article{ farbood_quantitative_2006,
title = {A {Quantitative}, {Parametric} {Model} of {Musical}
{Tension}},
language  = {en},
author  = {Farbood, Morwaread M},
year = {2006}
}

G. Febres, “The Fundamental Scale of Descriptions.”
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@Article{ febres_fundamental_nodate,
title = {The {Fundamental} {Scale} of {Descriptions}},
language  = {en},
author  = {Febres, Gerardo}
}

G. Fedorkow, W. Buxton, and K. C. Smith, “A Computer-Controlled Sound Distribution System for the Performance of Electroacoustic Music,” Computer music journal, 1978.
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@Article{ fedorkow_computer-controlled_1978,
title = {A {Computer}-{Controlled} {Sound} {Distribution} {System}
for the {Performance} of {Electroacoustic} {Music}},
issn = {01489267},
doi = {10.2307/3679455},
language  = {en},
journal  = {Computer Music Journal},
author  = {Fedorkow, Guy and Buxton, William and Smith, K. C.},
month = dec,
year = {1978}
}

D. Felder and K. Stockhausen, “An Interview with Karlheinz Stockhausen,” Perspectives of new music, 1977.
[Bibtex]

@Article{ felder_interview_1977,
title = {An {Interview} with {Karlheinz} {Stockhausen}},
issn = {00316016},
doi = {10.2307/832850},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Felder, David and Stockhausen, Karlheinz},
year = {1977}
}

M. Feldman, “To have known Stefan Wolpe.”
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@Article{ feldman_have_nodate,
title = {To have known {Stefan} {Wolpe}},
language  = {en},
author  = {Feldman, Morton}
}

J. D. F. Rodríguez, “AI Methods in Algorithmic Composition: A Comprehensive Survey,” , 2013.
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@Article{ rodriguez_ai_2013,
title = {{AI} {Methods} in {Algorithmic} {Composition}: {A}
{Comprehensive} {Survey}},
language  = {en},
author  = {Rodríguez, Jose David Fernández},
year = {2013}
}

M. A. Fernández, “Dissonance, Sex And Noise: (Re)building (Hi)stories of Electroacoustic Music.”
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@Article{ fernandez_dissonance_nodate,
title = {Dissonance, {Sex} {And} {Noise}: ({Re})building
({Hi})stories of {Electroacoustic} {Music}},
language  = {en},
author  = {Fernández, Miguel Alvarez}
}

F. Féron, I. Frissen, J. Boissinot, and C. Guastavino, “Upper limits of auditory rotational motion perception,” The journal of the acoustical society of america, 2010.
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@Article{ feron_upper_2010,
title = {Upper limits of auditory rotational motion perception},
issn = {0001-4966},
doi = {10.1121/1.3502456},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Féron, François-Xavier and Frissen, Ilja and Boissinot,
Julien and Guastavino, Catherine},
month = dec,
year = {2010}
}

F. Feschet and L. Tougne, “GENERATING ISOTROPIC DISCRETE WAVES ON CELLULAR AUTOMATA,” International journal of pattern recognition and artificial intelligence, 2001.
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@Article{ feschet_generating_2001,
title = {{GENERATING} {ISOTROPIC} {DISCRETE} {WAVES} {ON}
{CELLULAR} {AUTOMATA}},
issn = {0218-0014, 1793-6381},
doi = {10.1142/S0218001401001301},
language  = {en},
journal  = {International Journal of Pattern Recognition and
Artificial Intelligence},
author  = {Feschet, Fabien and Tougne, Laure},
month = nov,
year = {2001}
}

G. Fiebig, “Acoustic Art Forms in the Age of Recordability,” Organised sound, 2015.
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@Article{ fiebig_acoustic_2015,
title = {Acoustic {Art} {Forms} in the {Age} of {Recordability}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771815000084},
language  = {en},
journal  = {Organised Sound},
author  = {Fiebig, Gerald},
month = aug,
year = {2015}
}

J. Fineberg, “Guide to the Basic Concepts and Techniques of Spectral Music..”
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@Article{ fineberg_guide_nodate,
title = {Guide to the {Basic} {Concepts} and {Techniques} of
{Spectral} {Music}.},
language  = {en},
author  = {Fineberg, Joshua}
}

J. Fineberg, “Robert Rauschenberg’s “Reservoir”,” American art, 1998.
[Bibtex]

@Article{ fineberg_robert_1998,
title = {Robert {Rauschenberg}'s "{Reservoir}"},
language  = {en},
journal  = {American Art},
author  = {Fineberg, Jonathan},
year = {1998}
}

“Finite Frames: Theory and Applications,” , 2013.
[Bibtex]

@Article{ casazza_finite_2013,
address  = {Boston},
title = {Finite {Frames}: {Theory} and {Applications}},
isbn = {978-0-8176-8372-6 978-0-8176-8373-3},
language  = {en},
year = {2013},
doi = {10.1007/978-0-8176-8373-3}
}

B. Finkbeiner, F. Klein, R. Piskac, and M. Santolucito, “Temporal Stream Logic: Synthesis beyond the Bools,” , 2019.
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@Article{ finkbeiner_temporal_2019,
title = {Temporal {Stream} {Logic}: {Synthesis} beyond the
{Bools}},
language  = {en},
author  = {Finkbeiner, Bernd and Klein, Felix and Piskac, Ruzica and
Santolucito, Mark},
month = may,
year = {2019}
}

A. Finlayson and V. Marxer, “Ai_and_music_making_the_state_of_play.”
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@Article{ finlayson_ai_and_music_making_the_state_of_play_nodate,
title = {ai\_and\_music\_making\_the\_state\_of\_play},
language  = {en},
author  = {Finlayson, Angus and Marxer, Veronika}
}

E. Fischer-Lichte, “The Transformative Power of Performance,” , 2008.
[Bibtex]

@Article{ fischer-lichte_transformative_2008,
title = {The {Transformative} {Power} of {Performance}},
isbn = {978-1-134-04750-5},
language  = {en},
author  = {Fischer-Lichte, Erika},
month = jun,
year = {2008},
doi = {10.4324/9780203894989}
}

R. Fischman, “Clouds, Pyramids, and Diamonds: Applying Schrödinger’s Equation to Granular Synthesis and Compositional Structure,” Computer music journal, 2003.
[Bibtex]

@Article{ fischman_clouds_2003,
title = {Clouds, {Pyramids}, and {Diamonds}: {Applying}
{Schrödinger}'s {Equation} to {Granular} {Synthesis} and
{Compositional} {Structure}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892603322022664},
language  = {en},
journal  = {Computer Music Journal},
author  = {Fischman, Rajmil},
month = jun,
year = {2003}
}

R. Fischman, “Microstructure and macrostructure.”
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@Article{ fischman_microstructure_nodate,
title = {Microstructure and macrostructure},
language  = {en},
author  = {Fischman, Rajmil}
}

R. Fischman, “What Do We Know that Varèse Didn’t?,” Organised sound, 2015.
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@Article{ fischman_what_2015,
title = {What {Do} {We} {Know} that {Varèse} {Didn}’t?},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771814000387},
language  = {en},
journal  = {Organised Sound},
author  = {Fischman, Rajmil},
month = apr,
year = {2015}
}

N. H. Fletcher and T. D. Rossing, “The Physics of Musical Instruments,” , 1998.
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@Article{ fletcher_physics_1998,
address  = {New York, NY},
title = {The {Physics} of {Musical} {Instruments}},
isbn = {978-1-4419-3120-7 978-0-387-21603-4},
language  = {en},
author  = {Fletcher, Neville H. and Rossing, Thomas D.},
year = {1998},
doi = {10.1007/978-0-387-21603-4}
}

C. Floros and E. Bernhardt-Kabisch, “György Ligeti: beyond avant-garde and postmodernism,” , 2014.
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@Article{ floros_gyorgy_2014,
address  = {Frankfurt am Main},
title = {György {Ligeti}: beyond avant-garde and postmodernism},
isbn = {978-3-631-65499-6},
language  = {en},
author  = {Floros, Constantin and Bernhardt-Kabisch, Ernest},
year = {2014}
}

C. Floros and N. K. Moran, “The origins of western notation,” , 2011.
[Bibtex]

@Article{ floros_origins_2011,
address  = {New York},
title = {The origins of western notation},
isbn = {978-3-631-61559-1},
language  = {en},
author  = {Floros, Constantin and Moran, Neil K.},
year = {2011}
}

G. C. Foley and C. A. Cusack, “Computer-Assisted Analysis of Music in George Perle’s System of Twelve-Tone Tonality,” Computer music journal, 2006.
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@Article{ foley_computer-assisted_2006,
title = {Computer-{Assisted} {Analysis} of {Music} in {George}
{Perle}'s {System} of {Twelve}-{Tone} {Tonality}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.3.53},
language  = {en},
journal  = {Computer Music Journal},
author  = {Foley, Gretchen C. and Cusack, Charles A.},
month = sep,
year = {2006}
}

N. Fonseca, “3d Particle Systems for Audio Applications,” , 2013.
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@Article{ fonseca_3d_2013,
title = {3d {Particle} {Systems} for {Audio} {Applications}},
language  = {en},
author  = {Fonseca, Nuno},
year = {2013}
}

J. Foote, “Visualizing music and audio using self-similarity,” , 1999.
[Bibtex]

@Article{ foote_visualizing_1999,
address  = {Orlando Florida USA},
title = {Visualizing music and audio using self-similarity},
isbn = {978-1-58113-151-2},
doi = {10.1145/319463.319472},
language  = {en},
booktitle  = {Proceedings of the seventh {ACM} international conference
on {Multimedia} ({Part} 1)},
author  = {Foote, Jonathan},
month = oct,
year = {1999}
}

J. Foote and M. Cooper, “Visualizing Musical Structure and Rhythm via Self-Similarity.”
[Bibtex]

@Article{ foote_visualizing_nodate,
title = {Visualizing {Musical} {Structure} and {Rhythm} via
{Self}-{Similarity}},
language  = {en},
author  = {Foote, Jonathan and Cooper, Matthew}
}

D. Foresta, “Mondes multiples,” , 1991.
[Bibtex]

@Article{ foresta_mondes_1991,
address  = {Editions BáS},
title = {Mondes multiples},
isbn = {978-2-908474-03-9},
language  = {fr},
author  = {Foresta, Don},
year = {1991}
}

A. Forie, “The Structure of Atonal Music,” , 1973.
[Bibtex]

@Article{ forie_structure_1973,
title = {The {Structure} of {Atonal} {Music}},
language  = {en},
author  = {Forie, Allen},
year = {1973}
}

R. L. Forward, “Roundtrip interstellar travel using laser-pushed lightsails,” Journal of spacecraft and rockets, 1984.
[Bibtex]

@Article{ forward_roundtrip_1984,
title = {Roundtrip interstellar travel using laser-pushed
lightsails},
issn = {0022-4650, 1533-6794},
doi = {10.2514/3.8632},
language  = {en},
journal  = {Journal of Spacecraft and Rockets},
author  = {Forward, Robert L.},
month = mar,
year = {1984}
}

“Michel Foucault and Pierre Boulez.”
[Bibtex]

@Article{ noauthor_michel_nodate,
title = {Michel {Foucault} and {Pierre} {Boulez}},
language  = {en}
}

M. Fowler, “Appropriating an architectural design tool for musical ends,” Digital creativity, 2011.
[Bibtex]

@Article{ fowler_appropriating_2011,
title = {Appropriating an architectural design tool for musical
ends},
issn = {1462-6268, 1744-3806},
doi = {10.1080/14626268.2011.622286},
language  = {en},
journal  = {Digital Creativity},
author  = {Fowler, Michael},
month = dec,
year = {2011}
}

M. Fowler, “The Ephemeral Architecture of Stockhausen’s Pole für 2,” Organised sound, 2010.
[Bibtex]

@Article{ fowler_ephemeral_2010,
title = {The {Ephemeral} {Architecture} of {Stockhausen}’s {Pole}
für 2},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771810000269},
language  = {en},
journal  = {Organised Sound},
author  = {Fowler, Michael},
month = dec,
year = {2010}
}

M. Fowler, “Transmediating a Japanese Garden through Spatial Sound Design,” Leonardo music journal, 2011.
[Bibtex]

@Article{ fowler_transmediating_2011,
title = {Transmediating a {Japanese} {Garden} through {Spatial}
{Sound} {Design}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Fowler, Michael},
year = {2011}
}

Daniel Fox, “Multiple Time-Scales in Adès’s Rings,” Perspectives of new music, 2014.
[Bibtex]

@Article{ daniel_fox_multiple_2014,
title = {Multiple {Time}-{Scales} in {Adès}'s {Rings}},
issn = {00316016},
doi = {10.7757/persnewmusi.52.1.0028},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Daniel Fox}},
year = {2014}
}

N. Fox-Gieg and M. Schedel, “In Strange Paradox: Rationalizing Improvisation,” Leonardo music journal, 2010.
[Bibtex]

@Article{ fox-gieg_strange_2010,
title = {In {Strange} {Paradox}: {Rationalizing} {Improvisation}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Fox-Gieg, Nick and Schedel, Margaret},
year = {2010}
}

M. Fraccaro, S. K. Sønderby, U. Paquet, and O. Winther, “Sequential Neural Models with Stochastic Layers,” , 2016.
[Bibtex]

@Article{ fraccaro_sequential_2016,
title = {Sequential {Neural} {Models} with {Stochastic} {Layers}},
language  = {en},
author  = {Fraccaro, Marco and Sønderby, Søren Kaae and Paquet,
Ulrich and Winther, Ole},
month = nov,
year = {2016}
}

R. Francis, “London: Rauschenberg,” The burlington magazine, 1982.
[Bibtex]

@Article{ francis_london_1982,
title = {London: {Rauschenberg}},
language  = {en},
journal  = {The Burlington Magazine},
author  = {Francis, Richard},
year = {1982}
}

“Food + The city,” , 2005.
[Bibtex]

@Article{ franck_food_2005,
address  = {London},
title = {Food + {The} city},
isbn = {978-0-470-09328-3},
language  = {en},
year = {2005}
}

M. Frank, “Tempo relations: Is there a psychological basis for proportional tempo theory?.”
[Bibtex]

@Article{ frank_tempo_nodate,
title = {Tempo relations: {Is} there a psychological basis for
proportional tempo theory?},
language  = {en},
author  = {Frank, Marek}
}

J. François, “Improvisation Orality and Writing Revisited,” Perspectives of new music.
[Bibtex]

@Article{ francois_improvisation_nodate,
title = {Improvisation {Orality} and {Writing} {Revisited}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {François, Jean-Charles}
}

J. Franc, “A Hierarchical Approach for the Design of Gesture-to-sound Mappings.”
[Bibtex]

@Article{ franc_hierarchical_nodate,
title = {A {Hierarchical} {Approach} for the {Design} of
{Gesture}-to-sound {Mappings}},
language  = {en},
author  = {Franc, Jules}
}

P. Manning, “Institut de Recherche et Coordination Acoustique/Musique,” , 2001.
[Bibtex]

@Article{ manning_institut_2001-1,
title = {Institut de {Recherche} et {Coordination}
{Acoustique}/{Musique}},
language  = {en},
author  = {Manning, Peter},
year = {2001},
doi = {10.1093/gmo/9781561592630.article.42130}
}

J. FranÃ, “Probabilistic Models for Designing Motion and Sound Relationships.”
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@Article{ frana_probabilistic_nodate,
title = {Probabilistic {Models} for {Designing} {Motion} and
{Sound} {Relationships}},
language  = {en},
author  = {FranÃ, Jules}
}

J. Françoise, “Realtime Segmentation and Recognition of Gestures using Hierarchical Markov Models,” , 2011.
[Bibtex]

@Article{ francoise_realtime_2011,
title = {Realtime {Segmentation} and {Recognition} of {Gestures}
using {Hierarchical} {Markov} {Models}},
language  = {en},
author  = {Françoise, Jules},
year = {2011}
}

“Ars Electronica: facing the future: a survey of two decades,” , 1999.
[Bibtex]

@Article{ druckrey_ars_1999,
address  = {Cambridge, Mass},
title = {Ars {Electronica}: facing the future: a survey of two
decades},
isbn = {978-0-262-04176-8},
language  = {en},
year = {1999}
}

A. Freed, D. Wessel, and D. Zicarelli, “MAX Objects for Media Integration.”
[Bibtex]

@Article{ freed_max_nodate,
title = {{MAX} {Objects} for {Media} {Integration}},
language  = {en},
author  = {Freed, Adrian and Wessel, David and Zicarelli, David}
}

J. Freeman, “Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance,” Computer music journal, 2008.
[Bibtex]

@Article{ freeman_extreme_2008,
title = {Extreme {Sight}-{Reading}, {Mediated} {Expression}, and
{Audience} {Participation}: {Real}-{Time} {Music}
{Notation} in {Live} {Performance}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.3.25},
language  = {en},
journal  = {Computer Music Journal},
author  = {Freeman, Jason},
month = sep,
year = {2008}
}

K. Freeman and G. McNamara, “In search of dark matter,” , 2006.
[Bibtex]

@Article{ freeman_search_2006,
address  = {Berlin ; New York : Chichester, UK},
title = {In search of dark matter},
isbn = {978-0-387-27616-8},
language  = {en},
author  = {Freeman, Ken and McNamara, Geoff},
year = {2006}
}

N. Freer, ““Zen” In the Art of Spiritual Machine Maintenance.”
[Bibtex]

@Article{ freer_zen_nodate,
title = {“{Zen}” {In} the {Art} of {Spiritual} {Machine}
{Maintenance}},
language  = {en},
author  = {Freer, Neil}
}

B. Frei, “Digital Sound Generation – Part 2.”
[Bibtex]

@Article{ frei_digital_nodate,
title = {Digital {Sound} {Generation} – {Part} 2},
language  = {en},
author  = {Frei, Beat}
}

S. Freud, “Malaise dans la civilisation.”
[Bibtex]

@Article{ freud_malaise_nodate,
title = {Malaise dans la civilisation},
language  = {fr},
author  = {Freud, Sigmund}
}

D. H. Freudenthal, “DESIGN OF A LANGUAGE FOR COSMIC INTERCOURSE PART I.”
[Bibtex]

@Article{ freudenthal_design_nodate,
title = {{DESIGN} {OF} {A} {LANGUAGE} {FOR} {COSMIC} {INTERCOURSE}
{PART} {I}},
language  = {en},
author  = {Freudenthal, Dr HANS}
}

A. Freund, M. Andreatta, and J. Giavitto, “Lattice-based and topological representations of binary relations with an application to music,” Annals of mathematics and artificial intelligence, 2015.
[Bibtex]

@Article{ freund_lattice-based_2015,
title = {Lattice-based and topological representations of binary
relations with an application to music},
issn = {1012-2443, 1573-7470},
doi = {10.1007/s10472-014-9445-3},
language  = {en},
journal  = {Annals of Mathematics and Artificial Intelligence},
author  = {Freund, Anton and Andreatta, Moreno and Giavitto,
Jean-Louis},
month = apr,
year = {2015}
}

A. Friberg, “Generative Rules for Music Performance: A Formal Description of a Rule System,” Computer music journal, 1991.
[Bibtex]

@Article{ friberg_generative_1991,
title = {Generative {Rules} for {Music} {Performance}: {A} {Formal}
{Description} of a {Rule} {System}},
issn = {01489267},
doi = {10.2307/3680917},
language  = {en},
journal  = {Computer Music Journal},
author  = {Friberg, Anders},
year = {1991}
}

A. Friberg, L. Fryden, L. Bodin, and J. Sundberg, “Performance Rules for Computer-Controlled Contemporary Keyboard Music,” Computer music journal, 1991.
[Bibtex]

@Article{ friberg_performance_1991,
title = {Performance {Rules} for {Computer}-{Controlled}
{Contemporary} {Keyboard} {Music}},
issn = {01489267},
doi = {10.2307/3680916},
language  = {en},
journal  = {Computer Music Journal},
author  = {Friberg, Anders and Fryden, Lars and Bodin, Lars-Gunnar
and Sundberg, Johan},
year = {1991}
}

William Fried, “Learning to Perform Murail’s Territoires de l’oubli: Suggestive Content in Synonymous Temporal Musical Notation,” Perspectives of new music, 2014.
[Bibtex]

@Article{ william_fried_learning_2014,
title = {Learning to {Perform} {Murail}'s {Territoires} de l'oubli:
{Suggestive} {Content} in {Synonymous} {Temporal} {Musical}
{Notation}},
issn = {00316016},
doi = {10.7757/persnewmusi.52.3.0069},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{William Fried}},
year = {2014}
}

R. Friedl, “Some Sadomasochistic Aspects of Musical Pleasure,” Leonardo music journal, 2002.
[Bibtex]

@Article{ friedl_sadomasochistic_2002,
title = {Some {Sadomasochistic} {Aspects} of {Musical} {Pleasure}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Friedl, Reinhold},
year = {2002}
}

H. Fripertinger, “Classiﬁcation of motives: a mathematical approach.”
[Bibtex]

@Article{ fripertinger_classication_nodate,
title = {Classiﬁcation of motives: a mathematical approach},
language  = {en},
author  = {Fripertinger, Harald}
}

H. Fripertinger, “Enumeration in Musical Theory.”
[Bibtex]

@Article{ fripertinger_enumeration_nodate,
title = {Enumeration in {Musical} {Theory}},
language  = {en},
author  = {Fripertinger, Harald}
}

H. Fripertinger, “Remarks on Rhythmical Canons.”
[Bibtex]

@Article{ fripertinger_remarks_nodate,
title = {Remarks on {Rhythmical} {Canons}},
language  = {en},
author  = {Fripertinger, Harald}
}

H. Fripertinger, “Tiling problems in music theory.”
[Bibtex]

@Article{ fripertinger_tiling_nodate,
title = {Tiling problems in music theory},
language  = {en},
author  = {Fripertinger, Harald}
}

“Present continuous past(s): media art–strategies of presentation, mediation, and dissemination,” , 2005.
[Bibtex]

@Article{ frohne_present_2005,
address  = {Wien ; New York},
title = {Present continuous past(s): media art--strategies of
presentation, mediation, and dissemination},
isbn = {978-3-211-25468-4},
language  = {en},
year = {2005}
}

“Computer Improvisation.”
[Bibtex]

@Article{ noauthor_computer_nodate,
title = {Computer {Improvisation}},
language  = {en}
}

B. Fry, “Visualizing data,” , 2008.
[Bibtex]

@Article{ fry_visualizing_2008,
address  = {Sebastopol, CA},
title = {Visualizing data},
isbn = {978-0-596-51455-6},
language  = {en},
author  = {Fry, Ben},
year = {2008}
}

M. Hemberg, U. O’Reilly, A. Menges, and K. Jonas, “Exploring generative growth and evolutionary computation in architectural design.”
[Bibtex]

@Article{ hemberg_exploring_nodate,
title = {Exploring generative growth and evolutionary computation
in architectural design},
language  = {en},
author  = {Hemberg, Martin and O’Reilly, Una-May and Menges, Achim
and Jonas, Katrin}
}

R. M. Füchslin, A. Dzyakanchuk, D. Flumini, H. Hauser, K. J. Hunt, R. H. Luchsinger, B. Reller, S. Scheidegger, and R. Walker, “Morphological Computation and Morphological Control: Steps Toward a Formal Theory and Applications,” Artificial life, 2013.
[Bibtex]

@Article{ fuchslin_morphological_2013,
title = {Morphological {Computation} and {Morphological} {Control}:
{Steps} {Toward} a {Formal} {Theory} and {Applications}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/ARTL_a_00079},
language  = {en},
journal  = {Artificial Life},
author  = {Füchslin, Rudolf M. and Dzyakanchuk, Andrej and Flumini,
Dandolo and Hauser, Helmut and Hunt, Kenneth J. and
Luchsinger, Rolf H. and Reller, Benedikt and Scheidegger,
Stephan and Walker, Richard},
month = jan,
year = {2013}
}

B. Fuentes, R. Badeau, and G. Richard, “Adaptive harmonic time-frequency decomposition of audio using shift-invariant PLCA,” , 2011.
[Bibtex]

@Article{ fuentes_adaptive_2011,
address  = {Prague, Czech Republic},
title = {Adaptive harmonic time-frequency decomposition of audio
using shift-invariant {PLCA}},
isbn = {978-1-4577-0538-0},
doi = {10.1109/ICASSP.2011.5946425},
language  = {en},
booktitle  = {2011 {IEEE} {International} {Conference} on {Acoustics},
{Speech} and {Signal} {Processing} ({ICASSP})},
author  = {Fuentes, Benoit and Badeau, Roland and Richard, Gael},
month = may,
year = {2011}
}

R. Fugger, “Money as IOUs in Social Trust Networks & A Proposal for a Decentralized Currency Network Protocol,” , 2004.
[Bibtex]

@Article{ fugger_money_2004,
title = {Money as {IOUs} in {Social} {Trust} {Networks} \& {A}
{Proposal} for a {Decentralized} {Currency} {Network}
{Protocol}},
language  = {en},
author  = {Fugger, Ryan},
year = {2004}
}

F. Fukuyama, “The end of history and the last man,” , 1992.
[Bibtex]

@Article{ fukuyama_end_1992,
address  = {New York : Toronto : New York},
title = {The end of history and the last man},
isbn = {978-0-02-910975-5},
language  = {en},
author  = {Fukuyama, Francis},
year = {1992}
}

“Futurism: an Anthology,” , 2009.
[Bibtex]

@Article{ rainey_futurism_2009,
address  = {New Haven},
title = {Futurism: an {Anthology}},
isbn = {978-0-300-08875-5},
language  = {en},
year = {2009}
}

“Gabor and wavelet frames,” , 2007.
[Bibtex]

@Article{ goh_gabor_2007,
address  = {Hackensack, NJ},
title = {Gabor and wavelet frames},
isbn = {978-981-270-907-3},
language  = {en},
year = {2007}
}

P. Gaboury, “Electronic Music: The Rift between Artist and Public,” The journal of aesthetics and art criticism, 1970.
[Bibtex]

@Article{ gaboury_electronic_1970,
title = {Electronic {Music}: {The} {Rift} between {Artist} and
{Public}},
issn = {00218529},
doi = {10.2307/429500},
language  = {en},
journal  = {The Journal of Aesthetics and Art Criticism},
author  = {Gaboury, Placide},
year = {1970}
}

K. Gaburo, “The Deterioration of an Ideal, Ideally Deteriorized: Reflections on Pietro Grossi’s “Paganini Al Computer”,” , 1952.
[Bibtex]

@Article{ gaburo_deterioration_1952,
title = {The {Deterioration} of an {Ideal}, {Ideally}
{Deteriorized}: {Reflections} on {Pietro} {Grossi}'s
"{Paganini} {Al} {Computer}"},
doi = {10.1098/rstb.1952.0012},
language  = {en},
author  = {Gaburo, Kenneth},
year = {1952}
}

A. Gałecki and T. Burzykowski, “Linear Mixed-Effects Models Using R: A Step-by-Step Approach,” , 2013.
[Bibtex]

@Article{ galecki_linear_2013,
address  = {New York, NY},
title = {Linear {Mixed}-{Effects} {Models} {Using} {R}: {A}
{Step}-by-{Step} {Approach}},
isbn = {978-1-4614-3899-1 978-1-4614-3900-4},
language  = {en},
author  = {Gałecki, Andrzej and Burzykowski, Tomasz},
year = {2013},
doi = {10.1007/978-1-4614-3900-4}
}

D. W. Galenson, “The New York School versus the School of Paris: Who Really Made the Most Important Art after World War II?,” Historical methods: a journal of quantitative and interdisciplinary history, 2002.
[Bibtex]

@Article{ galenson_new_2002,
title = {The {New} {York} {School} versus the {School} of {Paris}:
{Who} {Really} {Made} the {Most} {Important} {Art} after
{World} {War} {II}?},
issn = {0161-5440, 1940-1906},
doi = {10.1080/01615440209601204},
language  = {en},
journal  = {Historical Methods: A Journal of Quantitative and
Interdisciplinary History},
author  = {Galenson, David W.},
month = jan,
year = {2002}
}

B. M. Galeyev, “The Nature and Functions of Synesthesia in Music,” Leonardo, 2007.
[Bibtex]

@Article{ galeyev_nature_2007,
title = {The {Nature} and {Functions} of {Synesthesia} in {Music}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/leon.2007.40.3.285},
language  = {en},
journal  = {Leonardo},
author  = {Galeyev, B.M.},
month = jun,
year = {2007}
}

B. Gallet, “Musique et électronique, retour sur un retour,” Volume !, 2004.
[Bibtex]

@Article{ gallet_musique_2004,
title = {Musique et électronique, retour sur un retour},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2098},
language  = {fr},
journal  = {Volume !},
author  = {Gallet, Bastien},
month = may,
year = {2004}
}

B. Gallet, “Techniques électroniques et art musical : son, geste, écriture,” Volume !, 2002.
[Bibtex]

@Article{ gallet_techniques_2002,
title = {Techniques électroniques et art musical : son, geste,
écriture},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2493},
language  = {fr},
journal  = {Volume !},
author  = {Gallet, Bastien},
month = may,
year = {2002}
}

L. Galliano, “Toshi Ichiyanagi, Japanese Composer and “Fluxus”,” Perspectives of new music, 2006.
[Bibtex]

@Article{ galliano_toshi_2006,
title = {Toshi {Ichiyanagi}, {Japanese} {Composer} and "{Fluxus}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Galliano, Luciana},
year = {2006}
}

D. Gallistl, “The adaptive finite element method,” Snapshots of modern mathematics from oberwolfach; no. 13/2016, 2016.
[Bibtex]

@Article{ gallistl_adaptive_2016,
title = {The adaptive finite element method},
copyright  = {Creative Commons Attribution-ShareAlike 4.0 International
License},
doi = {10.14760/SNAP-2016-013-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach; No.
13/2016},
author  = {Gallistl, Dietmar},
collaborator  = {Cederbaum, Carla and Cooper, Andrew},
year = {2016}
}

M. Gallope, “Is There a Deleuzian Musical Work?,” Perspectives of new music, 2008.
[Bibtex]

@Article{ gallope_is_2008,
title = {Is {There} a {Deleuzian} {Musical} {Work}?},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gallope, Michael},
year = {2008}
}

A. R. Galloway, “The Interface Effect.”
[Bibtex]

@Article{ galloway_interface_nodate,
title = {The {Interface} {Effect}},
language  = {en},
author  = {Galloway, Alexander R}
}

N. Gansterer, “Drawing a hypothesis: figures of thought: a project,” , 2011.
[Bibtex]

@Article{ gansterer_drawing_2011,
address  = {Wien ; New York},
title = {Drawing a hypothesis: figures of thought: a project},
isbn = {978-3-7091-0802-4},
language  = {en},
author  = {Gansterer, Nikolaus},
year = {2011}
}

G. S. Lally, “Energies: New Material Boundaries.”
[Bibtex]

@Article{ lally_energies_nodate,
title = {Energies: {New} {Material} {Boundaries}},
language  = {en},
author  = {Lally, Guest-edited Sean}
}

J. Garcia, D. Bouche, and J. Bresson, “Timed Sequences: A Framework for Computer-Aided Composition with Temporal Structures.”
[Bibtex]

@Article{ garcia_timed_nodate,
title = {Timed {Sequences}: {A} {Framework} for {Computer}-{Aided}
{Composition} with {Temporal} {Structures}},
language  = {en},
author  = {Garcia, Jeremie and Bouche, Dimitri and Bresson, Jean}
}

P. Gärdenfors, “Conceptual spaces: the geometry of thought,” , 2000.
[Bibtex]

@Article{ gardenfors_conceptual_2000,
address  = {Cambridge, Mass},
title = {Conceptual spaces: the geometry of thought},
isbn = {978-0-262-07199-4},
language  = {en},
author  = {Gärdenfors, Peter},
year = {2000}
}

L. Gardi, “The Mandelbrot set and the fractal nature of light, the Universe, and everything,” , 2013.
[Bibtex]

@Article{ roychoudhuri_mandelbrot_2013,
address  = {San Diego, California, United States},
title = {The {Mandelbrot} set and the fractal nature of light, the
{Universe}, and everything},
doi = {10.1117/12.2023739},
language  = {en},
author  = {Gardi, L.},
month = oct,
year = {2013}
}

G. E. Garnett, “The Aesthetics of Interactive Computer Music,” Computer music journal, 2001.
[Bibtex]

@Article{ garnett_aesthetics_2001,
title = {The {Aesthetics} of {Interactive} {Computer} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601300126089},
language  = {en},
journal  = {Computer Music Journal},
author  = {Garnett, Guy E.},
month = mar,
year = {2001}
}

L. A. Gatys, A. S. Ecker, and M. Bethge, “A Neural Algorithm of Artistic Style,” , 2015.
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@Article{ gatys_neural_2015,
title = {A {Neural} {Algorithm} of {Artistic} {Style}},
language  = {en},
author  = {Gatys, Leon A. and Ecker, Alexander S. and Bethge,
Matthias},
month = sep,
year = {2015}
}

L. Gatys, A. S. Ecker, and M. Bethge, “Texture Synthesis Using Convolutional Neural Networks.”
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@Article{ gatys_texture_nodate,
title = {Texture {Synthesis} {Using} {Convolutional} {Neural}
{Networks}},
language  = {en},
author  = {Gatys, Leon and Ecker, Alexander S and Bethge, Matthias}
}

B. Gaulon, “Hardware Hacking and Recycling Strategies in an Age of Technological Obsolescence.”
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@Article{ gaulon_hardware_nodate,
title = {Hardware {Hacking} and {Recycling} {Strategies} in an
{Age} of {Technological} {Obsolescence}},
language  = {en},
author  = {Gaulon, Benjamin}
}

É. Gayou, “The GRM: landmarks on a historic route,” Organised sound, 2007.
[Bibtex]

@Article{ gayou_grm_2007,
title = {The {GRM}: landmarks on a historic route},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001938},
language  = {en},
journal  = {Organised Sound},
author  = {Gayou, Évelyne},
month = dec,
year = {2007}
}

M. Gemici, C. Hung, A. Santoro, G. Wayne, S. Mohamed, D. J. Rezende, D. Amos, and T. Lillicrap, “Generative Temporal Models with Memory,” , 2017.
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@Article{ gemici_generative_2017,
title = {Generative {Temporal} {Models} with {Memory}},
language  = {en},
author  = {Gemici, Mevlana and Hung, Chia-Chun and Santoro, Adam and
Wayne, Greg and Mohamed, Shakir and Rezende, Danilo J. and
Amos, David and Lillicrap, Timothy},
month = feb,
year = {2017}
}

P. Gena, C. Strom, and S. J. Capistrano, “A Physiological Approach to DNA Music,” , 2001.
[Bibtex]

@Article{ gena_physiological_2001,
title = {A {Physiological} {Approach} to {DNA} {Music}},
language  = {en},
author  = {Gena, Peter and Strom, Charles and Capistrano, San Juan},
year = {2001}
}

S. Genel, M. Vogelsberger, V. Springel, D. Sijacki, D. Nelson, G. Snyder, V. Rodriguez-Gomez, P. Torrey, and L. Hernquist, “Introducing the Illustris Project: the evolution of galaxy populations across cosmic time,” Monthly notices of the royal astronomical society, 2014.
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@Article{ genel_introducing_2014,
title = {Introducing the {Illustris} {Project}: the evolution of
galaxy populations across cosmic time},
issn = {0035-8711, 1365-2966},
doi = {10.1093/mnras/stu1654},
language  = {en},
journal  = {Monthly Notices of the Royal Astronomical Society},
author  = {Genel, Shy and Vogelsberger, Mark and Springel, Volker and
Sijacki, Debora and Nelson, Dylan and Snyder, Greg and
Rodriguez-Gomez, Vicente and Torrey, Paul and Hernquist,
Lars},
month = nov,
year = {2014}
}

I. Quinn, “General Equal-Tempered Harmony (Introduction and Part I),” Perspectives of new music, 2006.
[Bibtex]

@Article{ quinn_general_2006,
title = {General {Equal}-{Tempered} {Harmony} ({Introduction} and
{Part} {I})},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Quinn, Ian},
year = {2006}
}

D. N. Schramm, “Cosmological large scale structure,” Physics reports, 1993.
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@Article{ schramm_cosmological_1993,
title = {Cosmological large scale structure},
issn = {03701573},
doi = {10.1016/0370-1573(93)90053-G},
language  = {en},
journal  = {Physics Reports},
author  = {Schramm, David N.},
month = may,
year = {1993}
}

Goran Stojanovski and Mile Stankovski, “Model Predictive Controller Employing Genetic Algorithm Optimization of Thermal Processes with Non-Convex Constraints,” , 2012.
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@Article{ goran_stojanovski_model_2012,
title = {Model {Predictive} {Controller} {Employing} {Genetic}
{Algorithm} {Optimization} of {Thermal} {Processes} with
{Non}-{Convex} {Constraints}},
isbn = {978-953-51-0400-1},
language  = {en},
author  = {{Goran Stojanovski} and {Mile Stankovski}},
year = {2012}
}

“Computational Design Modelling,” , 2012.
[Bibtex]

@Article{ gengnagel_computational_2012,
address  = {Berlin, Heidelberg},
title = {Computational {Design} {Modelling}},
isbn = {978-3-642-23434-7 978-3-642-23435-4},
language  = {en},
year = {2012},
doi = {10.1007/978-3-642-23435-4}
}

S. E. George, “Online Pen-Based Recognition of Music Notation with Artificial Neural Networks,” Computer music journal, 2003.
[Bibtex]

@Article{ george_online_2003,
title = {Online {Pen}-{Based} {Recognition} of {Music} {Notation}
with {Artificial} {Neural} {Networks}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892603322022673},
language  = {en},
journal  = {Computer Music Journal},
author  = {George, Susan E.},
month = jun,
year = {2003}
}

T. Gerou and L. Lusk, “Essential dictionary of music notation: the most practical and concise source for music notation,” , 1996.
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@Article{ gerou_essential_1996,
address  = {Los Angeles, CA},
title = {Essential dictionary of music notation: the most practical
and concise source for music notation},
isbn = {978-0-88284-768-9},
language  = {en},
author  = {Gerou, Tom and Lusk, Linda},
year = {1996}
}

M. Gerzon, “Stabilising stereo images.”
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@Article{ gerzon_stabilising_nodate,
title = {Stabilising stereo images},
language  = {en},
author  = {Gerzon, Michael}
}

M. Gerzon, “Surround sound from 2-channel stereo.”
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@Article{ gerzon_surround_nodate,
title = {Surround sound from 2-channel stereo},
language  = {en},
author  = {Gerzon, Michael}
}

A. Gerzso, “Aspects of Musical Research at IRCAM,” Contemporary music review, 2013.
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@Article{ gerzso_aspects_2013,
title = {Aspects of {Musical} {Research} at {IRCAM}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2013.774123},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Gerzso, Andrew},
month = feb,
year = {2013}
}

A. Gerzso, “Paradigms and Computer Music,” Leonardo music journal, 1992.
[Bibtex]

@Article{ gerzso_paradigms_1992,
title = {Paradigms and {Computer} {Music}},
issn = {09611215},
doi = {10.2307/1513212},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Gerzso, Andrew},
year = {1992}
}

H. Gholizade-Narm, A. Azemi, and M. Khademi, “Phase synchronization and synchronization frequency of two-coupled van der Pol oscillators with delayed coupling,” Chinese physics b, 2013.
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@Article{ gholizade-narm_phase_2013,
title = {Phase synchronization and synchronization frequency of
two-coupled van der {Pol} oscillators with delayed
coupling},
issn = {1674-1056},
doi = {10.1088/1674-1056/22/7/070502},
language  = {en},
journal  = {Chinese Physics B},
author  = {Gholizade-Narm, Hossein and Azemi, Asad and Khademi,
Morteza},
month = jul,
year = {2013}
}

É. Ghys, “The Lorenz Attractor, a Paradigm for Chaos,” , 2013.
[Bibtex]

@Article{ duplantier_lorenz_2013,
address  = {Basel},
title = {The {Lorenz} {Attractor}, a {Paradigm} for {Chaos}},
isbn = {978-3-0348-0696-1 978-3-0348-0697-8},
language  = {en},
booktitle  = {Chaos},
author  = {Ghys, Étienne},
year = {2013},
doi = {10.1007/978-3-0348-0697-8_1}
}

J. Giavitto and A. Spicher, “A Topological Approach of Musical Relationships,” , 2016.
[Bibtex]

@Article{ smith_topological_2016,
title = {A {Topological} {Approach} of {Musical} {Relationships}},
isbn = {978-981-314-009-7 978-981-314-010-3},
language  = {en},
booktitle  = {Lecture {Notes} {Series}, {Institute} for {Mathematical}
{Sciences}, {National} {University} of {Singapore}},
author  = {Giavitto, Jean-Louis and Spicher, Antoine},
collaborator  = {Smith, Jordan B L and Chew, Elaine and Assayag, Gérard},
month = sep,
year = {2016},
doi = {10.1142/9789813140103_0015}
}

J. Giavitto, O. Michel, J. Cohen, and A. Spicher, “Email(s) : [giavitto, michel, acohen, aspicher] @lami.univ-evry.fr.”
[Bibtex]

@Article{ giavitto_emails_nodate,
title = {email(s) : [giavitto, michel, acohen, aspicher]
@lami.univ-evry.fr},
language  = {en},
author  = {Giavitto, Jean-Louis and Michel, Oliviert and Cohen,
Julien and Spicher, Antoine}
}

J. Gilbert and E. Pearson, “DISCOGRAPHIES: Dance music, culture and the politics of sound.”
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@Article{ gilbert_discographies_nodate,
title = {{DISCOGRAPHIES}: {Dance} music, culture and the politics
of sound},
language  = {en},
author  = {Gilbert, Jeremy and Pearson, Ewan}
}

W. R. Gilks, “Markov Chain Monte Carlo in Practice.”
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@Article{ gilks_markov_nodate,
title = {Markov {Chain} {Monte} {Carlo} in {Practice}},
language  = {en},
author  = {Gilks, W R}
}

K. Z. Gill and D. Purves, “A Biological Rationale for Musical Scales,” Plos one, 2009.
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@Article{ gill_biological_2009,
title = {A {Biological} {Rationale} for {Musical} {Scales}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0008144},
language  = {en},
journal  = {PLoS ONE},
author  = {Gill, Kamraan Z. and Purves, Dale},
month = dec,
year = {2009}
}

B. R. Gillespie, B. Yu, R. Grijalva, and S. Awtar, “Characterizing the Feel of the Piano Action,” Computer music journal, 2011.
[Bibtex]

@Article{ gillespie_characterizing_2011,
title = {Characterizing the {Feel} of the {Piano} {Action}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00039},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gillespie, R. Brent and Yu, Bo and Grijalva, Robert and
Awtar, Shorya},
month = mar,
year = {2011}
}

J. Gillick, K. Tang, and R. M. Keller, “Machine Learning of Jazz Grammars,” Computer music journal, 2010.
[Bibtex]

@Article{ gillick_machine_2010,
title = {Machine {Learning} of {Jazz} {Grammars}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00006},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gillick, Jon and Tang, Kevin and Keller, Robert M.},
month = sep,
year = {2010}
}

P. Gilster, “Centauri Dreams,” , 2004.
[Bibtex]

@Article{ gilster_centauri_2004,
address  = {New York, NY},
title = {Centauri {Dreams}},
isbn = {978-1-4419-1818-5 978-1-4757-3894-0},
language  = {en},
author  = {Gilster, Paul},
year = {2004},
doi = {10.1007/978-1-4757-3894-0}
}

F. Giomi, D. Meacci, and K. Schwoon, “Live Electronics in Luciano Berio’s Music,” Computer music journal, 2003.
[Bibtex]

@Article{ giomi_live_2003,
title = {Live {Electronics} in {Luciano} {Berio}'s {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892603322022655},
language  = {en},
journal  = {Computer Music Journal},
author  = {Giomi, Francesco and Meacci, Damiano and Schwoon, Kilian},
month = jun,
year = {2003}
}

G. Stiny and J. Gips, “Shape Grammars and the Generative Specification of Painting and Sculpture,” , 1971.
[Bibtex]

@Article{ stiny_shape_1971,
title = {Shape {Grammars} and the {Generative} {Specification} of
{Painting} and {Sculpture}},
language  = {en},
author  = {Stiny, George and Gips, James},
year = {1971}
}

M. Giraud, R. Groult, E. Leguy, and F. Levé, “Computational Fugue Analysis,” Computer music journal, 2015.
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@Article{ giraud_computational_2015,
title = {Computational {Fugue} {Analysis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00300},
language  = {en},
journal  = {Computer Music Journal},
author  = {Giraud, Mathieu and Groult, Richard and Leguy, Emmanuel
and Levé, Florence},
month = jun,
year = {2015}
}

M. Giraud, K. Déguernel, and E. Cambouropoulos, “Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching,” , 2014.
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@Article{ aramaki_fragmentations_2014,
address  = {Cham},
title = {Fragmentations with {Pitch}, {Rhythm} and {Parallelism}
{Constraints} for {Variation} {Matching}},
isbn = {978-3-319-12975-4 978-3-319-12976-1},
language  = {en},
booktitle  = {Sound, {Music}, and {Motion}},
author  = {Giraud, Mathieu and Déguernel, Ken and Cambouropoulos,
Emilios},
year = {2014},
doi = {10.1007/978-3-319-12976-1_19}
}

“The social psychology of nonverbal communication,” , 2015.
[Bibtex]

@Article{ kostic_social_2015,
address  = {New York},
title = {The social psychology of nonverbal communication},
isbn = {978-1-137-34585-1},
language  = {en},
year = {2015}
}

“Using Connectionist Models to Explore Complex Musical Patterns.”
[Bibtex]

@Article{ noauthor_using_nodate-1,
title = {Using {Connectionist} {Models} to {Explore} {Complex}
{Musical} {Patterns}},
language  = {en}
}

M. E. Gladden, “Sapient Circuits and Digitalized Flesh: The Organization as Locus of Technological Posthumanization (second edition).”
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@Article{ gladden_sapient_nodate,
title = {Sapient {Circuits} and {Digitalized} {Flesh}: {The}
{Organization} as {Locus} of {Technological}
{Posthumanization} (second edition)},
language  = {en},
author  = {Gladden, Matthew E}
}

J. Glassman and A. Chandra, “Inventing Systems: ToMaTo,” , 2006.
[Bibtex]

@Article{ glassman_inventing_2006,
title = {Inventing {Systems}: {ToMaTo}},
language  = {en},
author  = {Glassman, Jeff and Chandra, Arun},
year = {2006}
}

S. Gleason, “(Re)composition at the Edges of Radical Relativism,” Perspectives of new music, 2006.
[Bibtex]

@Article{ gleason_recomposition_2006,
title = {({Re})composition at the {Edges} of {Radical}
{Relativism}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gleason, Scott},
year = {2006}
}

S. Gleason, “Analysis as Improvisation: A Phenomenology of Otomo Yoshihide’s anode 2,” Perspectives of new music, 2015.
[Bibtex]

@Article{ gleason_analysis_2015,
title = {Analysis as {Improvisation}: {A} {Phenomenology} of
{Otomo} {Yoshihide}’s anode 2},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gleason, Scott},
year = {2015}
}

B. Gluck, “Nurturing Young Composers: Morton Subotnick’s Late-1960s Studio in New York City,” Computer music journal, 2012.
[Bibtex]

@Article{ gluck_nurturing_2012,
title = {Nurturing {Young} {Composers}: {Morton} {Subotnick}'s
{Late}-1960s {Studio} in {New} {York} {City}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00106},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gluck, Bob},
month = mar,
year = {2012}
}

J. Goebel, “Freedom and Precision of Control,” Computer music journal, 1996.
[Bibtex]

@Article{ goebel_freedom_1996,
title = {Freedom and {Precision} of {Control}},
issn = {01489267},
doi = {10.2307/3681269},
language  = {en},
journal  = {Computer Music Journal},
author  = {Goebel, Johannes},
year = {1996}
}

J. Goebel, “The ZKM Institute for Music and Acoustics up to 2002: Politics, context and foundations,” Organised sound, 2009.
[Bibtex]

@Article{ goebel_zkm_2009,
title = {The {ZKM} {Institute} for {Music} and {Acoustics} up to
2002: {Politics}, context and foundations},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771809990057},
language  = {en},
journal  = {Organised Sound},
author  = {Goebel, Johannes},
month = dec,
year = {2009}
}

J. W. von Goethe and G. L. Miller, “The Metamorphosis of Plants,” , 2009.
[Bibtex]

@Article{ goethe_metamorphosis_2009,
title = {The {Metamorphosis} of {Plants}},
language  = {en},
author  = {Goethe, Johann Wolfgang von and Miller, Gordon L},
year = {2009}
}

M. Gogins, “Iterated Functions Systems Music,” Computer music journal, 1991.
[Bibtex]

@Article{ gogins_iterated_1991,
title = {Iterated {Functions} {Systems} {Music}},
issn = {01489267},
doi = {10.2307/3680385},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gogins, Michael},
year = {1991}
}

J. Goldman, “Autour du concept de « recherche musicale ». VEITL, A. (1997), Politiques de la musique contemporaine : Le compositeur, la « recherche musicale » et l’état en France de 1958 à 1991 , Paris, éditions L’Harmattan, 254 p.,” Circuit: musiques contemporaines, 1999.
[Bibtex]

@Article{ goldman_autour_1999,
title = {Autour du concept de « recherche musicale ». {VEITL},
{A}. (1997), {Politiques} de la musique contemporaine :
{Le} compositeur, la « recherche musicale » et l’État
en {France} de 1958 à 1991 , {Paris}, Éditions
{L}’{Harmattan}, 254 p.},
issn = {1183-1693, 1488-9692},
doi = {10.7202/004671ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Goldman, Jonathan},
year = {1999}
}

J. Goldman, “Boulez and the Spectralists between Descartes and Rameau: Who Said What about Whom?,” Perspectives of new music, 2010.
[Bibtex]

@Article{ goldman_boulez_2010,
title = {Boulez and the {Spectralists} between {Descartes} and
{Rameau}: {Who} {Said} {What} about {Whom}?},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0006},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Goldman, Jonathan},
year = {2010}
}

J. Goldman, “Pierre Boulez, théoricien de l’écoute,” Circuit, 2010.
[Bibtex]

@Article{ goldman_pierre_2010,
title = {Pierre {Boulez}, théoricien de l’écoute},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902274ar},
language  = {fr},
journal  = {Circuit},
author  = {Goldman, Jonathan},
month = feb,
year = {2010}
}

E. Gollin, “On David Lewin’s “Projective Geometry” and the Aesthetic of Variety,” Perspectives of new music, 2004.
[Bibtex]

@Article{ gollin_david_2004,
title = {On {David} {Lewin}'s "{Projective} {Geometry}" and the
{Aesthetic} of {Variety}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gollin, Edward},
year = {2004}
}

J. Bonada and E. Gómez, “TONALITY VISUALIZATION OF POLYPHONIC AUDIO.”
[Bibtex]

@Article{ bonada_tonality_nodate,
title = {{TONALITY} {VISUALIZATION} {OF} {POLYPHONIC} {AUDIO}},
language  = {en},
author  = {Bonada, Jordi and Gómez, Emilia}
}

R. Gong, P. Cuvillier, N. Obin, and A. Cont, “Real-time audio-to-score alignment of singing voice based on melody and lyric information,” , 2015.
[Bibtex]

@Article{ gong_real-time_2015,
title = {Real-time audio-to-score alignment of singing voice based
on melody and lyric information},
doi = {10.21437/Interspeech.2015-667},
language  = {en},
booktitle  = {Interspeech 2015},
author  = {Gong, Rong and Cuvillier, Philippe and Obin, Nicolas and
Cont, Arshia},
month = sep,
year = {2015}
}

I. J. Goodfellow, J. Pouget-Abadie, M. Mirza, B. Xu, D. Warde-Farley, S. Ozair, A. Courville, and Y. Bengio, “Generative Adversarial Networks,” , 2014.
[Bibtex]

@Article{ goodfellow_generative_2014,
title = {Generative {Adversarial} {Networks}},
language  = {en},
author  = {Goodfellow, Ian J. and Pouget-Abadie, Jean and Mirza,
Mehdi and Xu, Bing and Warde-Farley, David and Ozair,
Sherjil and Courville, Aaron and Bengio, Yoshua},
month = jun,
year = {2014}
}

C. Goodman-Strauss, “Matching Rules and Substitution Tilings,” The annals of mathematics, 1998.
[Bibtex]

@Article{ goodman-strauss_matching_1998,
title = {Matching {Rules} and {Substitution} {Tilings}},
issn = {0003486X},
doi = {10.2307/120988},
language  = {en},
journal  = {The Annals of Mathematics},
author  = {Goodman-Strauss, Chaim},
month = jan,
year = {1998}
}

C. Goodman-Strauss, “Regular Production Systems and Tilings in the Hyperbolic Plane.”
[Bibtex]

@Article{ goodman-strauss_regular_nodate,
title = {Regular {Production} {Systems} and {Tilings} in the
{Hyperbolic} {Plane}},
language  = {en},
author  = {Goodman-Strauss, C}
}

D. Gordon, “Urban Design Reclaimed: Tools, Techniques and Strategies for Planners Grid/Street/Place: Elements of Sustainable Urban Districts,” Journal of urban design, 2011.
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@Article{ gordon_urban_2011,
title = {Urban {Design} {Reclaimed}: {Tools}, {Techniques} and
{Strategies} for {Planners} {Grid}/{Street}/{Place}:
{Elements} of {Sustainable} {Urban} {Districts}},
issn = {1357-4809, 1469-9664},
doi = {10.1080/13574809.2011.573296},
language  = {en},
journal  = {Journal of Urban Design},
author  = {Gordon, David},
month = aug,
year = {2011}
}

S. Gosselin and J. Ottavi, “L’électronique dans la musique, retour sur une histoire: Electronics in Music,” Volume !, 2002.
[Bibtex]

@Article{ gosselin_lelectronique_2002,
title = {L’électronique dans la musique, retour sur une
histoire: {Electronics} in {Music}},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2443},
language  = {fr},
journal  = {Volume !},
author  = {Gosselin, Sophie and Ottavi, Julien},
month = nov,
year = {2002}
}

J. Goßmann, B. Hackbarth, and R. West, “Scalable Auditory Data Signatures for Discovery Oriented Browsing in an Expressive Context,” , 2008.
[Bibtex]

@Article{ gosmann_scalable_2008,
title = {Scalable {Auditory} {Data} {Signatures} for {Discovery}
{Oriented} {Browsing} in an {Expressive} {Context}},
language  = {en},
author  = {Goßmann, Joachim and Hackbarth, Ben and West, Ruth},
year = {2008}
}

M. Gould, “Balzano and Zweifel: Another Look at Generalized Diatonic Scales,” Perspectives of new music, 2000.
[Bibtex]

@Article{ gould_balzano_2000,
title = {Balzano and {Zweifel}: {Another} {Look} at {Generalized}
{Diatonic} {Scales}},
issn = {00316016},
doi = {10.2307/833660},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gould, Mark},
year = {2000}
}

M. Goulthorpe, “The Possibility of (an) Architecture: Collected Essays by Mark Goulthorpe, dECOi Architects,” , 2009.
[Bibtex]

@Article{ goulthorpe_possibility_2009,
title = {The {Possibility} of (an) {Architecture}: {Collected}
{Essays} by {Mark} {Goulthorpe}, {dECOi} {Architects}},
isbn = {978-0-203-86599-6},
language  = {en},
author  = {Goulthorpe, Mark},
month = jun,
year = {2009},
doi = {10.4324/9780203865996}
}

F. Gouyon and S. Dixon, “A Review of Automatic Rhythm Description Systems,” Computer music journal, 2005.
[Bibtex]

@Article{ gouyon_review_2005,
title = {A {Review} of {Automatic} {Rhythm} {Description}
{Systems}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2005.29.1.34},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gouyon, Fabien and Dixon, Simon},
month = mar,
year = {2005}
}

P. beim Graben and R. Blutner, “Quantum approaches to music cognition,” , 2019.
[Bibtex]

@Article{ graben_quantum_2019,
title = {Quantum approaches to music cognition},
language  = {en},
author  = {Graben, Peter beim and Blutner, Reinhard},
month = jan,
year = {2019}
}

S. Graham, “(Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde,” Perspectives of new music, 2010.
[Bibtex]

@Article{ graham_popular_2010,
title = {({Un}){Popular} {Avant}-{Gardes}: {Underground} {Popular}
{Music} and the {Avant}-{Garde}},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0004},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Graham, Stephen},
year = {2010}
}

I. Gramegna, “The Significance of Drawing in Architecture from Andrea Palladio to Michael Hansmeyer Today.”
[Bibtex]

@Article{ gramegna_significance_nodate,
title = {The {Significance} of {Drawing} in {Architecture} from
{Andrea} {Palladio} to {Michael} {Hansmeyer} {Today}},
language  = {en},
author  = {Gramegna, Iris}
}

C. Grandsire, “The METAFONTtutorial.”
[Bibtex]

@Article{ grandsire_metafonttutorial_nodate,
title = {The {METAFONTtutorial}},
language  = {en},
author  = {Grandsire, Christophe}
}

A. Sully, “Dossier de presse Exposition 9 juin – 5 septembre 201.”
[Bibtex]

@Article{ sully_dossier_nodate,
title = {Dossier de presse {Exposition} 9 juin - 5 septembre 201},
language  = {fr},
author  = {Sully, Aile}
}

M. J. Grant, “Pathways to music torture,” Transposition, 2014.
[Bibtex]

@Article{ grant_pathways_2014,
title = {Pathways to music torture},
issn = {2110-6134},
doi = {10.4000/transposition.494},
language  = {en},
journal  = {Transposition},
author  = {Grant, Morag Josephine},
month = jun,
year = {2014}
}

O. Grau, “Integrating Media Art into our Culture.”
[Bibtex]

@Article{ grau_integrating_nodate,
title = {Integrating {Media} {Art} into our {Culture}},
language  = {en},
author  = {Grau, Oliver}
}

L. Graugaard, “Sound Synthesis Affected by Physical Gestures in Real-time.”
[Bibtex]

@Article{ graugaard_sound_nodate,
title = {Sound {Synthesis} {Affected} by {Physical} {Gestures} in
{Real}-time},
language  = {en},
author  = {Graugaard, Lars}
}

A. Graves, M. Liwicki, S. Fernandez, R. Bertolami, H. Bunke, and J. Schmidhuber, “A Novel Connectionist System for Unconstrained Handwriting Recognition,” Ieee transactions on pattern analysis and machine intelligence, 2009.
[Bibtex]

@Article{ graves_novel_2009,
title = {A {Novel} {Connectionist} {System} for {Unconstrained}
{Handwriting} {Recognition}},
issn = {0162-8828},
doi = {10.1109/TPAMI.2008.137},
language  = {en},
journal  = {IEEE Transactions on Pattern Analysis and Machine
Intelligence},
author  = {Graves, A. and Liwicki, M. and Fernandez, S. and
Bertolami, R. and Bunke, H. and Schmidhuber, J.},
month = may,
year = {2009}
}

A. Graves, “Generating Sequences With Recurrent Neural Networks,” , 2014.
[Bibtex]

@Article{ graves_generating_2014,
title = {Generating {Sequences} {With} {Recurrent} {Neural}
{Networks}},
language  = {en},
author  = {Graves, Alex},
month = jun,
year = {2014}
}

A. Graves, G. Wayne, and I. Danihelka, “Neural Turing Machines,” , 2014.
[Bibtex]

@Article{ graves_neural_2014,
title = {Neural {Turing} {Machines}},
language  = {en},
author  = {Graves, Alex and Wayne, Greg and Danihelka, Ivo},
month = dec,
year = {2014}
}

A. Graves, “Practical Variational Inference for Neural Networks.”
[Bibtex]

@Article{ graves_practical_nodate,
title = {Practical {Variational} {Inference} for {Neural}
{Networks}},
language  = {en},
author  = {Graves, Alex}
}

H. Gray, “A Power Stronger Than Itself: The AACM and American Experimental Music,” Jazz perspectives, 2010.
[Bibtex]

@Article{ gray_power_2010,
title = {A {Power} {Stronger} {Than} {Itself}: {The} {AACM} and
{American} {Experimental} {Music}},
issn = {1749-4060, 1749-4079},
doi = {10.1080/17494061003694170},
language  = {en},
journal  = {Jazz Perspectives},
author  = {Gray, Herman},
month = apr,
year = {2010}
}

J. Gray, “Plato’s ghost: the modernist transformation of mathematics,” , 2008.
[Bibtex]

@Article{ gray_platos_2008,
address  = {Princeton, N.J},
title = {Plato's ghost: the modernist transformation of
mathematics},
isbn = {978-0-691-13610-3},
language  = {en},
author  = {Gray, Jeremy},
year = {2008}
}

Sextus and D. D. Greaves, “Against the Musicians: A New Critical Text and Translation on Facing Pages,” , 1986.
[Bibtex]

@Article{ sextus_against_1986,
address  = {Lincoln},
title = {Against the {Musicians}: {A} {New} {Critical} {Text} and
{Translation} on {Facing} {Pages}},
isbn = {978-0-8032-4168-8},
language  = {en},
author  = {Sextus and Greaves, Denise Davidson},
year = {1986}
}

T. Green and J. Eloy, “Interview with Jean-Claude Eloy,” Computer music journal, 1991.
[Bibtex]

@Article{ green_interview_1991,
title = {Interview with {Jean}-{Claude} {Eloy}},
issn = {01489267},
doi = {10.2307/3680382},
language  = {en},
journal  = {Computer Music Journal},
author  = {Green, Tona and Eloy, Jean-Claude},
year = {1991}
}

B. Greene, “The hidden reality: parallel universes and the deep laws of the cosmos,” , 2013.
[Bibtex]

@Article{ greene_hidden_2013,
address  = {New York},
title = {The hidden reality: parallel universes and the deep laws
of the cosmos},
isbn = {978-0-307-59525-6},
language  = {en},
author  = {Greene, Brian},
year = {2013}
}

K. Gregor, I. Danihelka, A. Graves, D. J. Rezende, and D. Wierstra, “DRAW: A Recurrent Neural Network For Image Generation,” , 2015.
[Bibtex]

@Article{ gregor_draw_2015,
title = {{DRAW}: {A} {Recurrent} {Neural} {Network} {For} {Image}
{Generation}},
language  = {en},
author  = {Gregor, Karol and Danihelka, Ivo and Graves, Alex and
Rezende, Danilo Jimenez and Wierstra, Daan},
year = {2015}
}

R. Gribonval and P. Depalle, “Sound Signals Decomposition Using a High Resolution Matching Pursuit,” , 1996.
[Bibtex]

@Article{ gribonval_sound_1996,
title = {Sound {Signals} {Decomposition} {Using} a {High}
{Resolution} {Matching} {Pursuit}},
language  = {en},
author  = {Gribonval, R and Depalle, Ph},
year = {1996}
}

S. Griffith, D. Goldwater, and J. Jacobson, “Self-Replication from Random Parts,” Nature, 2005.
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@Article{ griffith_self-replication_2005,
title = {Self-{Replication} from {Random} {Parts}},
issn = {0028-0836, 1476-4687},
doi = {10.1038/437636a},
language  = {en},
journal  = {Nature},
author  = {Griffith, Saul and Goldwater, Dan and Jacobson, Joseph
M.},
month = sep,
year = {2005}
}

G. Grisey, “\textitTempus ex Machina: A composer’s reflections on musical time,” Contemporary music review, 1987.
[Bibtex]

@Article{ grisey_tempus_1987,
title = {\textit{{Tempus} ex {Machina}:} {A} composer's reflections
on musical time},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494468708567060},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Grisey, Gérard},
month = jan,
year = {1987}
}

P. Grumiaux, R. Michon, E. G. Arias, and P. Jouvelot, “Impulse-Response and CAD-Model-Based Physical Modeling in Faust.”
[Bibtex]

@Article{ grumiaux_impulse-response_nodate,
title = {Impulse-{Response} and {CAD}-{Model}-{Based} {Physical}
{Modeling} in {Faust}},
language  = {en},
author  = {Grumiaux, Pierre-Amaury and Michon, Romain and Arias,
Emilio Gallego and Jouvelot, Pierre}
}

S. Guadarrama, R. Dahl, D. Bieber, M. Norouzi, J. Shlens, and K. Murphy, “PixColor: Pixel Recursive Colorization,” , 2017.
[Bibtex]

@Article{ guadarrama_pixcolor_2017,
title = {{PixColor}: {Pixel} {Recursive} {Colorization}},
language  = {en},
author  = {Guadarrama, Sergio and Dahl, Ryan and Bieber, David and
Norouzi, Mohammad and Shlens, Jonathon and Murphy, Kevin},
month = jun,
year = {2017}
}

E. Guaus and E. Batlle, “Visualization of metre and other rhythm features,” , 2004.
[Bibtex]

@Article{ guaus_visualization_2004,
address  = {Darmstadt, Germany},
title = {Visualization of metre and other rhythm features},
isbn = {978-0-7803-8292-3},
doi = {10.1109/ISSPIT.2003.1341115},
language  = {en},
booktitle  = {Proceedings of the 3rd {IEEE} {International} {Symposium}
on {Signal} {Processing} and {Information} {Technology}
({IEEE} {Cat}. {No}.{03EX795})},
author  = {Guaus, E. and Batlle, E.},
year = {2004}
}

K. Gansing, “Transversal media practices: media archaeology, art and technological development,” , 2013.
[Bibtex]

@Article{ gansing_transversal_2013,
address  = {Malmö},
title = {Transversal media practices: media archaeology, art and
technological development},
isbn = {978-91-7104-481-5},
language  = {en},
author  = {Gansing, Kristoffer},
year = {2013}
}

“Guide to Computing for Expressive Music Performance,” , 2013.
[Bibtex]

@Article{ kirke_guide_2013,
address  = {London},
title = {Guide to {Computing} for {Expressive} {Music}
{Performance}},
isbn = {978-1-4471-4122-8 978-1-4471-4123-5},
language  = {en},
year = {2013},
doi = {10.1007/978-1-4471-4123-5}
}

A. Gunnarsson, “Sidetrack – Robert Rauschenberg,” Konsthistorisk tidskrift/journal of art history, 2007.
[Bibtex]

@Article{ gunnarsson_sidetrack_2007,
title = {Sidetrack – {Robert} {Rauschenberg}},
issn = {0023-3609, 1651-2294},
doi = {10.1080/00233600701349330},
language  = {en},
journal  = {Konsthistorisk Tidskrift/Journal of Art History},
author  = {Gunnarsson, Annika},
month = mar,
year = {2007}
}

J. Gunnell, “An Illustration of Binaural Beats,” , 2009.
[Bibtex]

@Article{ gunnell_illustration_2009,
title = {An {Illustration} of {Binaural} {Beats}},
language  = {en},
author  = {Gunnell, Jonathan},
year = {2009}
}

M. Gurevich, A. Marquez-Borbon, and P. Stapleton, “Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument,” Computer music journal, 2012.
[Bibtex]

@Article{ gurevich_playing_2012,
title = {Playing with {Constraints}: {Stylistic} {Variation} with a
{Simple} {Electronic} {Instrument}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00103},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gurevich, Michael and Marquez-Borbon, Adnan and Stapleton,
Paul},
month = mar,
year = {2012}
}

M. Gurevich, P. Stapleton, and A. Marquez-Borbon, “Style and Constraint in Electronic Musical Instruments,” , 2010.
[Bibtex]

@Article{ gurevich_style_2010,
title = {Style and {Constraint} in {Electronic} {Musical}
{Instruments}},
language  = {en},
author  = {Gurevich, Michael and Stapleton, Paul and Marquez-Borbon,
Adnan},
year = {2010}
}

S. Gustavson, “Simplex noise demystified.”
[Bibtex]

@Article{ gustavson_simplex_nodate,
title = {Simplex noise demystified},
language  = {en},
author  = {Gustavson, Stefan}
}

D. Gutkin, “DRASTIC OR PLASTIC?: THREADS FROM KARLHEINZ STOCKHAUSEN’S “MUSIK UND GRAPHIK,” 1959,” Perspectives of new music.
[Bibtex]

@Article{ gutkin_drastic_nodate,
title = {{DRASTIC} {OR} {PLASTIC}?: {THREADS} {FROM} {KARLHEINZ}
{STOCKHAUSEN}’{S} “{MUSIK} {UND} {GRAPHIK},” 1959},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gutkin, David}
}

D. Ha and D. Eck, “A Neural Representation of Sketch Drawings,” , 2017.
[Bibtex]

@Article{ ha_neural_2017,
title = {A {Neural} {Representation} of {Sketch} {Drawings}},
language  = {en},
author  = {Ha, David and Eck, Douglas},
month = may,
year = {2017}
}

B. Ha, “An Origin of Interactive Art: Nam June Paik’s Progressive Musical Instruments,” Hong kong..
[Bibtex]

@Article{ ha_origin_nodate,
title = {An {Origin} of {Interactive} {Art}: {Nam} {June}
{Paik}’s {Progressive} {Musical} {Instruments}},
language  = {en},
journal  = {Hong Kong.},
author  = {Ha, Byeongwon}
}

D. Ha, A. Dai, and Q. V. Le, “HyperNetworks,” , 2016.
[Bibtex]

@Article{ ha_hypernetworks_2016,
title = {{HyperNetworks}},
language  = {en},
author  = {Ha, David and Dai, Andrew and Le, Quoc V.},
month = dec,
year = {2016}
}

A. Haapaniemi, “Simulation of Acoustic Wall Reflections Using the Finite-Difference Time-Domain Method.”
[Bibtex]

@Article{ haapaniemi_simulation_nodate,
title = {Simulation of {Acoustic} {Wall} {Reflections} {Using} the
{Finite}-{Difference} {Time}-{Domain} {Method}},
language  = {en},
author  = {Haapaniemi, Aki}
}

B. Hackbarth, N. Schnell, P. Esling, and D. Schwarz, “Composing Morphology: Concatenative Synthesis as an Intuitive Medium for Prescribing Sound in Time,” Contemporary music review, 2013.
[Bibtex]

@Article{ hackbarth_composing_2013,
title = {Composing {Morphology}: {Concatenative} {Synthesis} as an
{Intuitive} {Medium} for {Prescribing} {Sound} in {Time}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2013.774513},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Hackbarth, Benjamin and Schnell, Norbert and Esling,
Philippe and Schwarz, Diemo},
month = feb,
year = {2013}
}

M. Hackl, J. Koster-Hale, and J. Varvoutis, “Quantification and ACD: Evidence from Real-Time Sentence Processing,” Journal of semantics, 2012.
[Bibtex]

@Article{ hackl_quantification_2012,
title = {Quantification and {ACD}: {Evidence} from {Real}-{Time}
{Sentence} {Processing}},
issn = {0167-5133, 1477-4593},
doi = {10.1093/jos/ffr009},
language  = {en},
journal  = {Journal of Semantics},
author  = {Hackl, M. and Koster-Hale, J. and Varvoutis, J.},
month = may,
year = {2012}
}

G. Hadjeres, F. Pachet, and F. Nielsen, “DeepBach: a Steerable Model for Bach Chorales Generation,” , 2017.
[Bibtex]

@Article{ hadjeres_deepbach_2017,
title = {{DeepBach}: a {Steerable} {Model} for {Bach} {Chorales}
{Generation}},
language  = {en},
author  = {Hadjeres, Gaëtan and Pachet, François and Nielsen,
Frank},
month = jun,
year = {2017}
}

P. Hadreas, “Deconstruction and the Meaning of Music,” Perspectives of new music, 1999.
[Bibtex]

@Article{ hadreas_deconstruction_1999,
title = {Deconstruction and the {Meaning} of {Music}},
issn = {00316016},
doi = {10.2307/833509},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hadreas, Peter},
year = {1999}
}

J. Haek, “Residue Cycles of Fibonacci Series Modulo m as Tools for Serial Composition,” Perspectives of new music, 2008.
[Bibtex]

@Article{ haek_residue_2008,
title = {Residue {Cycles} of {Fibonacci} {Series} {Modulo} m as
{Tools} for {Serial} {Composition}},
issn = {2325-7180},
doi = {10.1353/pnm.2008.0001},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Haek, Jonathan},
year = {2008}
}

K. L. Hagan, “Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays,” Computer music journal, 2017.
[Bibtex]

@Article{ hagan_textural_2017,
title = {Textural {Composition}: {Aesthetics}, {Techniques}, and
{Spatialization} for {High}-{Density} {Loudspeaker}
{Arrays}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00395},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hagan, Kerry L.},
month = mar,
year = {2017}
}

S. Hainsworth and M. Macleod, “Onset Detection in Musical Audio Signals.”
[Bibtex]

@Article{ hainsworth_onset_nodate,
title = {Onset {Detection} in {Musical} {Audio} {Signals}},
language  = {en},
author  = {Hainsworth, Stephen and Macleod, Malcolm}
}

N. Halbwachs, “Synchronous Programming of Reactive Systems.”
[Bibtex]

@Article{ halbwachs_synchronous_nodate,
title = {Synchronous {Programming} of {Reactive} {Systems}},
language  = {en},
author  = {Halbwachs, Nicolas}
}

C. Hall and J. T. O’Donnell, “Regular Expressions as Violin Bowing Patterns,” Computer music journal, 2012.
[Bibtex]

@Article{ hall_regular_2012,
title = {Regular {Expressions} as {Violin} {Bowing} {Patterns}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00120},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hall, Cordelia and O'Donnell, John T.},
month = jun,
year = {2012}
}

C. R. Marshall, A. Hallam, and P. B. Wignall, “Mass Extinctions and Their Aftermath,” Palaios, 1999.
[Bibtex]

@Article{ marshall_mass_1999,
title = {Mass {Extinctions} and {Their} {Aftermath}},
issn = {08831351},
doi = {10.2307/3515466},
language  = {en},
journal  = {PALAIOS},
author  = {Marshall, Charles R. and Hallam, A. and Wignall, P. B.},
month = aug,
year = {1999}
}

J. J. Ham, “AN ARCHITECTURAL APPROACH TO 3D SPATIAL DRUM NOTATION.”
[Bibtex]

@Article{ ham_architectural_nodate,
title = {{AN} {ARCHITECTURAL} {APPROACH} {TO} {3D} {SPATIAL} {DRUM}
{NOTATION}},
language  = {en},
author  = {Ham, Jeremy J}
}

M. Hamanaka, K. Hirata, and S. Tojo, “Melody Morphing Method based on GTTM,” , 2015.
[Bibtex]

@Article{ hamanaka_melody_2015,
title = {Melody {Morphing} {Method} based on {GTTM}},
language  = {en},
author  = {Hamanaka, Masatoshi and Hirata, Keiji and Tojo, Satoshi},
year = {2015}
}

B. Hamilton, C. J. Webb, A. Gray, and S. Bilbao, “Large Stencil Operations for GPU-based 3-D Acoustics Simulations,” , 2015.
[Bibtex]

@Article{ hamilton_large_2015,
title = {Large {Stencil} {Operations} for {GPU}-based 3-{D}
{Acoustics} {Simulations}},
language  = {en},
author  = {Hamilton, Brian and Webb, Craig J and Gray, Alan and
Bilbao, Stefan},
year = {2015}
}

A. Hamilton, “The Art of Recording and the Aesthetics of Perfection,” The british journal of aesthetics, 2003.
[Bibtex]

@Article{ hamilton_art_2003,
title = {The {Art} of {Recording} and the {Aesthetics} of
{Perfection}},
issn = {0007-0904, 1468-2842},
doi = {10.1093/bjaesthetics/43.4.345},
language  = {en},
journal  = {The British Journal of Aesthetics},
author  = {Hamilton, A.},
month = oct,
year = {2003}
}

M. Hamman, “From Technical to Technological: The Imperative of Technology in Experimental Music Composition,” Perspectives of new music, 2002.
[Bibtex]

@Article{ hamman_technical_2002,
title = {From {Technical} to {Technological}: {The} {Imperative} of
{Technology} in {Experimental} {Music} {Composition}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hamman, Michael},
year = {2002}
}

M. Hamman, “On Technology and Art: Xenakis at Work,” Journal of new music research, 2004.
[Bibtex]

@Article{ hamman_technology_2004,
title = {On {Technology} and {Art}: {Xenakis} at {Work}},
issn = {0929-8215, 1744-5027},
doi = {10.1080/0929821042000310595},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Hamman, Michael},
month = jun,
year = {2004}
}

K. P. Hand, “Alien oceans: the search for life in the depths of space,” , 2020.
[Bibtex]

@Article{ hand_alien_2020,
address  = {Princeton, New Jersey},
title = {Alien oceans: the search for life in the depths of space},
isbn = {978-0-691-17951-3},
language  = {en},
author  = {Hand, Kevin Peter},
year = {2020}
}

E. Handelman, A. Sigler, and D. Donna, “Automatic Orchestration for Automatic Composition,” Proceedings of the aaai conference on artificial intelligence and interactive digital entertainment, 2021.
[Bibtex]

@Article{ handelman_automatic_2021,
title = {Automatic {Orchestration} for {Automatic} {Composition}},
issn = {2334-0924, 2326-909X},
doi = {10.1609/aiide.v8i4.12562},
language  = {en},
journal  = {Proceedings of the AAAI Conference on Artificial
Intelligence and Interactive Digital Entertainment},
author  = {Handelman, Eliot and Sigler, Andie and Donna, David},
month = jun,
year = {2021}
}

P. Hanna, M. Robine, and P. Ferraro, “Visualisation of Musical Structure by Applying Improved Editing Algorithms,” , 2008.
[Bibtex]

@Article{ hanna_visualisation_2008,
title = {Visualisation of {Musical} {Structure} by {Applying}
{Improved} {Editing} {Algorithms}},
language  = {en},
author  = {Hanna, Pierre and Robine, Matthias and Ferraro, Pascal},
year = {2008}
}

D. A. Hanninen, “Understanding Stefan Wolpe’s Musical “Forms”,” Perspectives of new music, 2002.
[Bibtex]

@Article{ hanninen_understanding_2002,
title = {Understanding {Stefan} {Wolpe}'s {Musical} "{Forms}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hanninen, Dora A.},
year = {2002}
}

G. Hanoch-Roe, “Musical Space and Architectural Time: Open Scoring versus Linear Processes,” International review of the aesthetics and sociology of music, 2003.
[Bibtex]

@Article{ hanoch-roe_musical_2003,
title = {Musical {Space} and {Architectural} {Time}: {Open}
{Scoring} versus {Linear} {Processes}},
language  = {en},
journal  = {International Review of the Aesthetics and Sociology of
Music},
author  = {Hanoch-Roe, Galia},
year = {2003}
}

S. C. Foster, “Hans Richter: activism, modernism, and the avant-garde,” , 2000.
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@Article{ foster_hans_2000,
address  = {Cambridge, Mass.},
title = {Hans {Richter}: activism, modernism, and the avant-garde},
isbn = {978-0-262-56129-7},
language  = {en},
author  = {Foster, Stephen C.},
year = {2000}
}

M. Hansmeyer, “From Mesh to Ornament: Subdivision as a generative system,” , 2010.
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@Article{ hansmeyer_mesh_2010,
address  = {Zurich, Switzerland},
title = {From {Mesh} to {Ornament}: {Subdivision} as a generative
system},
doi = {10.52842/conf.ecaade.2010.285},
language  = {en},
author  = {Hansmeyer, Michael},
year = {2010}
}

R. Hanson, “Burning the Cosmic Commons: Evolutionary Strategies for Interstellar Colonization.”
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@Article{ hanson_burning_nodate,
title = {Burning the {Cosmic} {Commons}: {Evolutionary}
{Strategies} for {Interstellar} {Colonization}},
language  = {en},
author  = {Hanson, Robin}
}

P. M. Droz, “Pattern Formation in a New Class of Precipitation Reactions.”
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@Article{ droz_pattern_nodate,
title = {Pattern {Formation} in a {New} {Class} of {Precipitation}
{Reactions}},
language  = {en},
author  = {Droz, Professeur Michel}
}

B. Harbourne and T. Szemberg, “Arrangements of Lines,” Snapshots of modern mathematics from oberwolfach; no. 5/2014, 2014.
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@Article{ harbourne_arrangements_2014,
title = {Arrangements of {Lines}},
copyright  = {Creative Commons Attribution-NonCommercial-ShareAlike 3.0
International License},
doi = {10.14760/SNAP-2014-005-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach; No.
5/2014},
author  = {Harbourne, Brian and Szemberg, Tomasz},
collaborator  = {Cederbaum, Carla and Jahns, Sophia},
year = {2014}
}

A. Harker, “FrameLib: Audio DSP using Frames of Arbitrary Length and Timing,” , 2016.
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@Article{ harker_framelib_2016,
title = {{FrameLib}: {Audio} {DSP} using {Frames} of {Arbitrary}
{Length} and {Timing}},
language  = {en},
author  = {Harker, Alex},
year = {2016}
}

A. Harker and P. A. Tremblay, “The Hisstools Impulse Response Toolbox: Convolution for the Masses,” , 2012.
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@Article{ harker_hisstools_2012,
title = {The {Hisstools} {Impulse} {Response} {Toolbox}:
{Convolution} for the {Masses}},
language  = {en},
author  = {Harker, Alexander and Tremblay, Pierre Alexandre},
year = {2012}
}

S. Connor and R. Harland, “Beyond Superstructuralism: The Syntagmatic Side of Language,” The modern language review, 1996.
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@Article{ connor_beyond_1996,
title = {Beyond {Superstructuralism}: {The} {Syntagmatic} {Side} of
{Language}},
issn = {00267937},
doi = {10.2307/3734094},
language  = {en},
journal  = {The Modern Language Review},
author  = {Connor, Steven and Harland, Richard},
month = jul,
year = {1996}
}

J. Harley, “Generative Processes in Algorithmic Composition: Chaos and Music,” Leonardo, 1995.
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@Article{ harley_generative_1995,
title = {Generative {Processes} in {Algorithmic} {Composition}:
{Chaos} and {Music}},
issn = {0024094X},
doi = {10.2307/1576078},
language  = {en},
journal  = {Leonardo},
author  = {Harley, James},
year = {1995}
}

J. Harley, M. Solomos, A. Georgaki, and G. Zervos, “THE CREATIVE COMPOSITIONAL LEGACY OF IANNIS XENAKIS.”
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@Article{ harley_creative_nodate,
title = {{THE} {CREATIVE} {COMPOSITIONAL} {LEGACY} {OF} {IANNIS}
{XENAKIS}},
language  = {en},
author  = {Harley, James and Solomos, Makis and Georgaki, Anastasia
and Zervos, Giorgos}
}

J. Harley, “The Electroacoustic Music of Iannis Xenakis,” Computer music journal, 2002.
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@Article{ harley_electroacoustic_2002,
title = {The {Electroacoustic} {Music} of {Iannis} {Xenakis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602753633533},
language  = {en},
journal  = {Computer Music Journal},
author  = {Harley, James},
month = mar,
year = {2002}
}

J. Harley, “Xenakis: his life in music,” , 2004.
[Bibtex]

@Article{ harley_xenakis_2004,
address  = {New York},
title = {Xenakis: his life in music},
isbn = {978-0-415-97145-4},
language  = {en},
author  = {Harley, James},
year = {2004}
}

C. R. Harris, “A Composer’s Computer Music System: Practical Considerations,” Computer music journal, 1987.
[Bibtex]

@Article{ harris_composers_1987,
title = {A {Composer}'s {Computer} {Music} {System}: {Practical}
{Considerations}},
issn = {01489267},
doi = {10.2307/3679735},
language  = {en},
journal  = {Computer Music Journal},
author  = {Harris, Craig R.},
year = {1987}
}

F. Harris, “Multirate signal processing for communication systems,” , 2004.
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@Article{ harris_multirate_2004,
address  = {Upper Saddle River, N.J},
title = {Multirate signal processing for communication systems},
isbn = {978-0-13-146511-4},
language  = {en},
author  = {Harris, Fred},
year = {2004}
}

Y. Harris, “\textitScorescapes : On Sound, Environment and Sonic Consciousness,” Leonardo, 2015.
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@Article{ harris_scorescapes_2015,
title = {\textit{{Scorescapes}} : {On} {Sound}, {Environment} and
{Sonic} {Consciousness}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/LEON_a_00863},
language  = {en},
journal  = {Leonardo},
author  = {Harris, Yolande},
month = apr,
year = {2015}
}

J. Harrison, “Sound, space, sculpture: some thoughts on the ‘what’, ‘how’ and ‘why’ of sound diffusion,” Organised sound, 1998.
[Bibtex]

@Article{ harrison_sound_1998,
title = {Sound, space, sculpture: some thoughts on the ‘what’,
‘how’ and ‘why’ of sound diffusion},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771898002040},
language  = {en},
journal  = {Organised Sound},
author  = {Harrison, Jonty},
month = aug,
year = {1998}
}

Robin Hartwell, “Threats and Promises: Lucifer, Hell, and Stockhausen,” Perspectives of new music, 2012.
[Bibtex]

@Article{ robin_hartwell_threats_2012,
title = {Threats and {Promises}: {Lucifer}, {Hell}, and
{Stockhausen}},
issn = {00316016},
doi = {10.7757/persnewmusi.50.1-2.0393},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Robin Hartwell}},
year = {2012}
}

J. Harvey, “Brian Ferneyhough,” The musical times, 1979.
[Bibtex]

@Article{ harvey_brian_1979,
title = {Brian {Ferneyhough}},
issn = {00274666},
doi = {10.2307/962346},
language  = {en},
journal  = {The Musical Times},
author  = {Harvey, Jonathan},
month = sep,
year = {1979}
}

J. Harvey, “How do I compose? (Reflections on Wagner Dream),” Circuit, 2008.
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@Article{ harvey_how_2008,
title = {How do {I} compose? ({Reflections} on {Wagner} {Dream})},
issn = {1488-9692, 1183-1693},
doi = {10.7202/017907ar},
language  = {en},
journal  = {Circuit},
author  = {Harvey, Jonathan},
month = apr,
year = {2008}
}

J. Harvey, “”Mortuos Plango, Vivos Voco”: A Realization at IRCAM,” Computer music journal, 1981.
[Bibtex]

@Article{ harvey_mortuos_1981,
title = {"{Mortuos} {Plango}, {Vivos} {Voco}": {A} {Realization} at
{IRCAM}},
issn = {01489267},
doi = {10.2307/3679502},
language  = {en},
journal  = {Computer Music Journal},
author  = {Harvey, Jonathan},
year = {1981}
}

“Notes on the Realization of “Bhakti”.”
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@Article{ noauthor_notes_nodate,
title = {Notes on the {Realization} of "{Bhakti}"},
language  = {en}
}

J. Harvey, “Stockhausen’s ‘Hymnen’,” The musical times, 1975.
[Bibtex]

@Article{ harvey_stockhausens_1975,
title = {Stockhausen's '{Hymnen}'},
issn = {00274666},
doi = {10.2307/960033},
language  = {en},
journal  = {The Musical Times},
author  = {Harvey, Jonathan},
month = aug,
year = {1975}
}

J. Harvey, “The Composer’s View: Atonality,” The musical times, 1980.
[Bibtex]

@Article{ harvey_composers_1980,
title = {The {Composer}'s {View}: {Atonality}},
issn = {00274666},
doi = {10.2307/963776},
language  = {en},
journal  = {The Musical Times},
author  = {Harvey, Jonathan},
month = nov,
year = {1980}
}

J. F. W. Hasler, “Generating Pitch Material from the Magic Sigils of the Western Esoteric Tradition,” Perspectives of new music, 2007.
[Bibtex]

@Article{ hasler_generating_2007,
title = {Generating {Pitch} {Material} from the {Magic} {Sigils} of
the {Western} {Esoteric} {Tradition}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hasler, Johann F. W.},
year = {2007}
}

D. Hassabis, N. R. Spreng, A. A. Rusu, C. A. Robbins, R. A. Mar, and D. L. Schacter, “Imagine All the People: How the Brain Creates and Uses Personality Models to Predict Behavior,” Cerebral cortex, 2014.
[Bibtex]

@Article{ hassabis_imagine_2014,
title = {Imagine {All} the {People}: {How} the {Brain} {Creates}
and {Uses} {Personality} {Models} to {Predict} {Behavior}},
issn = {1460-2199, 1047-3211},
doi = {10.1093/cercor/bht042},
language  = {en},
journal  = {Cerebral Cortex},
author  = {Hassabis, Demis and Spreng, R. Nathan and Rusu, Andrei A.
and Robbins, Clifford A. and Mar, Raymond A. and Schacter,
Daniel L.},
month = aug,
year = {2014}
}

S. Tibshirani and H. Friedman, “Valerie and Patrick Hastie.”
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@Article{ tibshirani_valerie_nodate,
title = {Valerie and {Patrick} {Hastie}},
language  = {en},
author  = {Tibshirani, Sami and Friedman, Harry}
}

A. Hattrick, “Interview with Manfred Mohr,” , 2012.
[Bibtex]

@Article{ hattrick_interview_2012,
title = {Interview with {Manfred} {Mohr}},
language  = {en},
author  = {Hattrick, Alice},
year = {2012}
}

G. Haus and M. Longari, “A Multi-Layered, Time-Based Music Description Approach Based on XML,” Computer music journal, 2005.
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@Article{ haus_multi-layered_2005,
title = {A {Multi}-{Layered}, {Time}-{Based} {Music} {Description}
{Approach} {Based} on {XML}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2005.29.1.70},
language  = {en},
journal  = {Computer Music Journal},
author  = {Haus, Goffredo and Longari, Maurizio},
month = mar,
year = {2005}
}

H. Haverkort and F. van Walderveen, “Locality and Bounding-Box Quality of Two-Dimensional Space-Filling Curves.”
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@Article{ haverkort_locality_nodate,
title = {Locality and {Bounding}-{Box} {Quality} of
{Two}-{Dimensional} {Space}-{Filling} {Curves}},
language  = {en},
author  = {Haverkort, Herman and van Walderveen, Freek}
}

H. Haverkort, “Sixteen space-filling curves and traversals for d-dimensional cubes and simplices,” , 2018.
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@Article{ haverkort_sixteen_2018,
title = {Sixteen space-filling curves and traversals for
d-dimensional cubes and simplices},
language  = {en},
author  = {Haverkort, Herman},
month = sep,
year = {2018}
}

S. W. Hawking and R. Penrose, “The Nature of Space and Time,” Scientific american, 1996.
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@Article{ hawking_nature_1996,
title = {The {Nature} of {Space} and {Time}},
language  = {en},
journal  = {Scientific American},
author  = {Hawking, Stephen W and Penrose, Roger},
year = {1996}
}

S. W. Hawking, “A Brief History of Time,” , 1988.
[Bibtex]

@Article{ hawking_brief_1988,
title = {A {Brief} {History} of {Time}},
language  = {en},
author  = {Hawking, Stephen W},
year = {1988}
}

S. Hawkings, “Nature Of Space And Time.”
[Bibtex]

@Article{ hawkings_nature_nodate,
title = {Nature {Of} {Space} {And} {Time}},
language  = {en},
author  = {Hawkings, Stephen}
}

S. Hawking, “The Theory of Everything,” , 1998.
[Bibtex]

@Article{ hawking_theory_1998,
title = {The {Theory} of {Everything}},
language  = {en},
author  = {Hawking, Stephen},
year = {1998}
}

C. Haworth, “Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music,” Computer music journal, 2015.
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@Article{ haworth_sound_2015,
title = {Sound {Synthesis} {Procedures} as {Texts}: {An}
{Ontological} {Politics} in {Electroacoustic} and
{Computer} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00284},
language  = {en},
journal  = {Computer Music Journal},
author  = {Haworth, Christopher},
month = mar,
year = {2015}
}

C. Hawthorne, A. Stasyuk, A. Roberts, I. Simon, C. A. Huang, S. Dieleman, E. Elsen, J. Engel, and D. Eck, “Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Dataset,” , 2019.
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@Article{ hawthorne_enabling_2019,
title = {Enabling {Factorized} {Piano} {Music} {Modeling} and
{Generation} with the {MAESTRO} {Dataset}},
language  = {en},
author  = {Hawthorne, Curtis and Stasyuk, Andriy and Roberts, Adam
and Simon, Ian and Huang, Cheng-Zhi Anna and Dieleman,
Sander and Elsen, Erich and Engel, Jesse and Eck, Douglas},
month = jan,
year = {2019}
}

C. Hawthorne, E. Elsen, J. Song, A. Roberts, I. Simon, C. Raffel, J. Engel, S. Oore, and D. Eck, “Onsets and Frames: Dual-Objective Piano Transcription,” , 2018.
[Bibtex]

@Article{ hawthorne_onsets_2018,
title = {Onsets and {Frames}: {Dual}-{Objective} {Piano}
{Transcription}},
language  = {en},
author  = {Hawthorne, Curtis and Elsen, Erich and Song, Jialin and
Roberts, Adam and Simon, Ian and Raffel, Colin and Engel,
Jesse and Oore, Sageev and Eck, Douglas},
month = jun,
year = {2018}
}

A. Hayes, “Death, Creativity, and Voice in Jean Barraqué’s Le temps restitué,” Perspectives of new music, 2015.
[Bibtex]

@Article{ hayes_death_2015,
title = {Death, {Creativity}, and {Voice} in {Jean} {Barraqué}'s
{Le} temps restitué},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hayes, Aaron},
year = {2015}
}

S. Dorin, “6. Dissonance et consonance dans l’amour de la musique contemporaine. Les limites de l’omnivorisme musical dans l’auditoire de l’Ensemble intercontemporain:,” , 2013.
[Bibtex]

@Article{ dorin_6_2013,
title = {6. {Dissonance} et consonance dans l'amour de la musique
contemporaine. {Les} limites de l'omnivorisme musical dans
l'auditoire de l'{Ensemble} intercontemporain:},
isbn = {978-2-7071-7667-7},
language  = {fr},
booktitle  = {Trente ans après {La} {Distinction}, de {Pierre}
{Bourdieu}},
author  = {Dorin, Stéphane},
month = jun,
year = {2013},
doi = {10.3917/dec.coula.2013.01.0099}
}

S. Dubnov, “Stylistic Randomness: about composing NTrope Suite,” Organised sound, 1999.
[Bibtex]

@Article{ dubnov_stylistic_1999,
title = {Stylistic {Randomness}: about composing {NTrope} {Suite}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771899002046},
language  = {en},
journal  = {Organised Sound},
author  = {Dubnov, Shlomo},
month = jun,
year = {1999}
}

V. Dumoulin, J. Shlens, and M. Kudlur, “A Learned Representation For Artistic Style,” , 2017.
[Bibtex]

@Article{ dumoulin_learned_2017,
title = {A {Learned} {Representation} {For} {Artistic} {Style}},
language  = {en},
author  = {Dumoulin, Vincent and Shlens, Jonathon and Kudlur,
Manjunath},
month = feb,
year = {2017}
}

D. Eck, “A Positive-Evidence Model for Rhythmical Beat Induction,” , 2001.
[Bibtex]

@Article{ eck_positive-evidence_2001,
title = {A {Positive}-{Evidence} {Model} for {Rhythmical} {Beat}
{Induction}},
language  = {en},
author  = {Eck, Douglas},
year = {2001}
}

U. Eco, “The open work,” , 1989.
[Bibtex]

@Article{ eco_open_1989,
address  = {Cambridge, Mass},
title = {The open work},
isbn = {978-0-674-63975-1 978-0-674-63976-8},
language  = {en},
author  = {Eco, Umberto},
year = {1989}
}

S. R. Eddy, ““Antedisciplinary” Science,” Plos computational biology, 2005.
[Bibtex]

@Article{ eddy_antedisciplinary_2005,
title = {“{Antedisciplinary}” {Science}},
issn = {1553-734X, 1553-7358},
doi = {10.1371/journal.pcbi.0010006},
language  = {en},
journal  = {PLoS Computational Biology},
author  = {Eddy, Sean R},
year = {2005}
}

M. Edgerton, J. Neubauer, and H. Herzel, “Using Nonlinear Phenomena in Contemporary Musical Composition and Performance,” Perspectives of new music, 2003.
[Bibtex]

@Article{ edgerton_using_2003,
title = {Using {Nonlinear} {Phenomena} in {Contemporary} {Musical}
{Composition} and {Performance}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Edgerton, Michael and Neubauer, Juergen and Herzel,
Hanspeter},
year = {2003}
}

E. Edmonds, “The art of interaction,” Digital creativity, 2010.
[Bibtex]

@Article{ edmonds_art_2010,
title = {The art of interaction},
issn = {1462-6268, 1744-3806},
doi = {10.1080/14626268.2010.556347},
language  = {en},
journal  = {Digital Creativity},
author  = {Edmonds, Ernest},
month = dec,
year = {2010}
}

M. Edwards, “Algorithmic Composition: Computational Thinking in Music DRAFT.”
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@Article{ edwards_algorithmic_nodate,
title = {Algorithmic {Composition}: {Computational} {Thinking} in
{Music} {DRAFT}},
language  = {en},
author  = {Edwards, Michael}
}

P. I. Edwards, “Object, Space, and Fragility in Luigi Nono’s “Das atmende Klarsein”,” Perspectives of new music, 2008.
[Bibtex]

@Article{ edwards_object_2008,
title = {Object, {Space}, and {Fragility} in {Luigi} {Nono}'s
"{Das} atmende {Klarsein}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Edwards, Peter Ivan},
year = {2008}
}

A. Eigenfeldt, “Emergent Rhythms through Multi-agency in Max/MSP,” , 2008.
[Bibtex]

@Article{ kronland-martinet_emergent_2008,
address  = {Berlin, Heidelberg},
title = {Emergent {Rhythms} through {Multi}-agency in {Max}/{MSP}},
isbn = {978-3-540-85034-2 978-3-540-85035-9},
language  = {en},
booktitle  = {Computer {Music} {Modeling} and {Retrieval}. {Sense} of
{Sounds}},
author  = {Eigenfeldt, Arne},
year = {2008},
doi = {10.1007/978-3-540-85035-9_26}
}

“Proceedings of the 2018 International Computer Music Conference: August 5-10, 2018, Daegu, Republic of Korea,” , 2018.
[Bibtex]

@Article{ park_proceedings_2018,
address  = {San Francisco, California, USA},
title = {Proceedings of the 2018 {International} {Computer} {Music}
{Conference}: {August} 5-10, 2018, {Daegu}, {Republic} of
{Korea}},
isbn = {978-0-9845274-7-2},
language  = {en},
year = {2018}
}

H. Eimert, “How Electronic Music Began,” The musical times, 1972.
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@Article{ eimert_how_1972,
title = {How {Electronic} {Music} {Began}},
issn = {00274666},
doi = {10.2307/954658},
language  = {en},
journal  = {The Musical Times},
author  = {Eimert, Herbert},
month = apr,
year = {1972}
}

H. Eimert, F. Enkel, K. Stockhausen, and D. A. Sinclair, “Problems of Electronic Music Notation,” , 1954.
[Bibtex]

@Article{ eimert_problems_1954,
title = {Problems of {Electronic} {Music} {Notation}},
language  = {en},
author  = {Eimert, Herbert and Enkel, Fritz and Stockhausen,
Karlheinz and Sinclair, D A},
year = {1954}
}

H. Eimert, “THE PLACE OF ELECTRONIC MUSIC IN THE MUSICAL SITUATION.”
[Bibtex]

@Article{ eimert_place_nodate,
title = {{THE} {PLACE} {OF} {ELECTRONIC} {MUSIC} {IN} {THE}
{MUSICAL} {SITUATION}},
language  = {en},
author  = {Eimert, Herbert}
}

E. T. Einarsson, “DESIRING-MACHINES: IN BETWEEN DIFFERENCE AND REPETITION, PERFORMER AND CONDUCTOR, CYCLONES AND PHYSICALITY, STRUCTURE AND NOTATION,” Perspectives of new music.
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@Article{ einarsson_desiring-machines_nodate,
title = {{DESIRING}-{MACHINES}: {IN} {BETWEEN} {DIFFERENCE} {AND}
{REPETITION}, {PERFORMER} {AND} {CONDUCTOR}, {CYCLONES}
{AND} {PHYSICALITY}, {STRUCTURE} {AND} {NOTATION}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Einarsson, Einar Torfi}
}

A. Einstein, “Relativity: The Special and General Theory.”
[Bibtex]

@Article{ einstein_relativity_nodate,
title = {Relativity: {The} {Special} and {General} {Theory}},
language  = {en},
author  = {Einstein, Albert}
}

A. E. Gamal and Y. Kim, “Lecture Notes on Network Information Theory,” , 2011.
[Bibtex]

@Article{ gamal_lecture_2011,
title = {Lecture {Notes} on {Network} {Information} {Theory}},
language  = {en},
author  = {Gamal, Abbas El and Kim, Young-Han},
month = dec,
year = {2011}
}

A. C. Eldridge, “NEURAL OSCILLATOR SYNTHESIS: GENERATING ADAPTIVE SIGNALS WITH A CONTINUOUS-TIME NEURAL MODEL.”
[Bibtex]

@Article{ eldridge_neural_nodate,
title = {{NEURAL} {OSCILLATOR} {SYNTHESIS}: {GENERATING} {ADAPTIVE}
{SIGNALS} {WITH} {A} {CONTINUOUS}-{TIME} {NEURAL} {MODEL}},
language  = {en},
author  = {Eldridge, A C}
}

J. Appleton and H. Davies, “Repertoire International des Musiques Electroacoustiques. (International Electronic Music Catalog),” Notes, 1968.
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@Article{ appleton_repertoire_1968,
title = {Repertoire {International} des {Musiques}
{Electroacoustiques}. ({International} {Electronic} {Music}
{Catalog})},
issn = {00274380},
doi = {10.2307/894153},
language  = {en},
journal  = {Notes},
author  = {Appleton, Jon and Davies, Hugh},
month = sep,
year = {1968}
}

“Elster_rationality_and_the_emotions.”
[Bibtex]

@Article{ noauthor_elster_rationality_and_the_emotions_nodate,
title = {Elster\_Rationality\_and\_the\_Emotions},
language  = {en}
}

G. Essl, S. Serafin, P. R. Cook, and J. O. Smith, “Musical Applications of Banded Waveguides,” Computer music journal, 2004.
[Bibtex]

@Article{ essl_musical_2004,
title = {Musical {Applications} of {Banded} {Waveguides}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892604322970643},
language  = {en},
journal  = {Computer Music Journal},
author  = {Essl, Georg and Serafin, Stefania and Cook, Perry R. and
Smith, Julius O.},
month = mar,
year = {2004}
}

G. Essl, S. Serafin, P. R. Cook, and J. O. Smith, “Theory of Banded Waveguides,” Computer music journal, 2004.
[Bibtex]

@Article{ essl_theory_2004,
title = {Theory of {Banded} {Waveguides}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892604322970634},
language  = {en},
journal  = {Computer Music Journal},
author  = {Essl, Georg and Serafin, Stefania and Cook, Perry R. and
Smith, Julius O.},
month = mar,
year = {2004}
}

D. Zicarelli, “Communicating with Meaningless Numbers,” Computer music journal, 1991.
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@Article{ zicarelli_communicating_1991,
title = {Communicating with {Meaningless} {Numbers}},
issn = {01489267},
doi = {10.2307/3681077},
language  = {en},
journal  = {Computer Music Journal},
author  = {Zicarelli, David},
year = {1991}
}

L. Thalheim, “An Introduction to Biocomputing.”
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@Article{ thalheim_introduction_nodate,
title = {An {Introduction} to {Biocomputing}},
language  = {en},
author  = {Thalheim, Lisa}
}

J. McCartney, “Rethinking the Computer Music Language: SuperCollider,” Computer music journal, 2002.
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@Article{ mccartney_rethinking_2002,
title = {Rethinking the {Computer} {Music} {Language}:
{SuperCollider}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602320991383},
language  = {en},
journal  = {Computer Music Journal},
author  = {McCartney, James},
month = dec,
year = {2002}
}

B. Burkhardt, “Natural structures – the research of Frei Otto in natural sciences,” International journal of space structures, 2016.
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@Article{ burkhardt_natural_2016,
title = {Natural structures - the research of {Frei} {Otto} in
natural sciences},
issn = {0956-0599, 2059-8033},
doi = {10.1177/0266351116642060},
language  = {en},
journal  = {International Journal of Space Structures},
author  = {Burkhardt, Berthold},
month = mar,
year = {2016}
}

M. A. Roig-Francolí, “Anthology of Post-Tonal Music: For Use with Understanding Post-Tonal Music,” , 2021.
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@Article{ roig-francoli_anthology_2021,
address  = {Second edition. {\textbar} New York : Routledge, 2021.},
title = {Anthology of {Post}-{Tonal} {Music}: {For} {Use} with
{Understanding} {Post}-{Tonal} {Music}},
isbn = {978-0-429-34014-7},
language  = {en},
author  = {Roig-Francolí, Miguel A.},
month = mar,
year = {2021},
doi = {10.4324/9780429340147}
}

H. H. Eggebrecht, “Understanding music: the nature and limits of musical cognition,” , 2010.
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@Article{ eggebrecht_understanding_2010,
address  = {Farnham, Surrey, England ; Burlington, VT},
title = {Understanding music: the nature and limits of musical
cognition},
isbn = {978-0-7546-6612-7},
language  = {en},
author  = {Eggebrecht, Hans Heinrich},
year = {2010}
}

M. Santa, “Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music,” , 2019.
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@Article{ santa_hearing_2019,
address  = {New York ; London : Routledge, 2019.},
title = {Hearing {Rhythm} and {Meter}: {Analyzing} {Metrical}
{Consonance} and {Dissonance} in {Common}-{Practice}
{Period} {Music}},
isbn = {978-1-351-20431-6},
language  = {en},
author  = {Santa, Matthew},
month = sep,
year = {2019},
doi = {10.4324/9781351204316}
}

A. Lomas, “Synthesis of Abstract Dynamic Quasiperiodic 3D Forms using SIRENs,” , 2022.
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@Article{ lomas_synthesis_2022,
title = {Synthesis of {Abstract} {Dynamic} {Quasiperiodic} {3D}
{Forms} using {SIRENs}},
doi = {10.14236/ewic/EVA2022.2},
language  = {en},
author  = {Lomas, Andy},
month = jul,
year = {2022}
}

S. Savage, “Bytes and backbeats: repurposing music in the digital age,” , 2011.
[Bibtex]

@Article{ savage_bytes_2011,
address  = {Ann Arbor, Mich},
title = {Bytes and backbeats: repurposing music in the digital
age},
isbn = {978-0-472-11785-7},
language  = {en},
author  = {Savage, Steve},
year = {2011}
}

A. Burckhardt, “A Sanctuary of Sounds,” , 2013.
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@Article{ burckhardt_sanctuary_2013,
title = {A {Sanctuary} of {Sounds}},
isbn = {978-0-615-81487-2},
language  = {en},
author  = {Burckhardt, Andreas},
year = {2013}
}

R. C. Baum, “Thoughtrave: An Interdimensional Conversation with Lady Gaga,” , 2020.
[Bibtex]

@Article{ baum_thoughtrave_2020,
address  = {Baltimore, Maryland},
title = {Thoughtrave: {An} {Interdimensional} {Conversation} with
{Lady} {Gaga}},
isbn = {978-0-692-68691-1},
language  = {en},
author  = {Baum, Robert Craig},
year = {2020}
}

“Robotics in Germany and Japan,” , 2014.
[Bibtex]

@Article{ funk_robotics_2014,
title = {Robotics in {Germany} and {Japan}},
isbn = {978-3-653-99964-8 978-3-653-03976-4 978-3-653-99963-1
978-3-631-62071-7},
language  = {en},
month = feb,
year = {2014},
doi = {10.3726/978-3-653-03976-4}
}

W. Cheng and S. McClary, “Just Vibrations: The Purpose of Sounding Good,” , 2016.
[Bibtex]

@Article{ cheng_just_2016,
title = {Just {Vibrations}: {The} {Purpose} of {Sounding} {Good}},
isbn = {978-0-472-90056-5 978-0-472-05325-4},
language  = {en},
author  = {Cheng, William and McClary, Susan},
month = aug,
year = {2016},
doi = {10.3998/mpub.9293551}
}

Y. LeCun, “A Path Towards Autonomous Machine Intelligence,” , 2022.
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@Article{ lecun_path_2022,
title = {A {Path} {Towards} {Autonomous} {Machine} {Intelligence}},
language  = {en},
author  = {LeCun, Yann},
year = {2022}
}

S. Musić and S. Hirche, “Haptic Shared Control for Human-Robot Collaboration: A Game-Theoretical Approach,” Ifac-papersonline, 2020.
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@Article{ music_haptic_2020,
title = {Haptic {Shared} {Control} for {Human}-{Robot}
{Collaboration}: {A} {Game}-{Theoretical} {Approach}},
issn = {24058963},
doi = {10.1016/j.ifacol.2020.12.2751},
language  = {en},
journal  = {IFAC-PapersOnLine},
author  = {Musić, Selma and Hirche, Sandra},
year = {2020}
}

H. Wierstorf, “Perception of Focused Sources in Wave Field Synthesis,” J. audio eng. soc., 2013.
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@Article{ wierstorf_perception_2013,
title = {Perception of {Focused} {Sources} in {Wave} {Field}
{Synthesis}},
language  = {en},
journal  = {J. Audio Eng. Soc.},
author  = {Wierstorf, Hagen},
year = {2013}
}

M. Lewis, D. Yarats, Y. N. Dauphin, D. Parikh, and D. Batra, “Deal or No Deal? End-to-End Learning for Negotiation Dialogues,” , 2017.
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@Article{ lewis_deal_2017,
title = {Deal or {No} {Deal}? {End}-to-{End} {Learning} for
{Negotiation} {Dialogues}},
language  = {en},
author  = {Lewis, Mike and Yarats, Denis and Dauphin, Yann N. and
Parikh, Devi and Batra, Dhruv},
month = jun,
year = {2017}
}

R. Scheibler, E. Bezzam, and I. Dokmanić, “Pyroomacoustics: A Python package for audio room simulations and array processing algorithms,” , 2018.
[Bibtex]

@Article{ scheibler_pyroomacoustics_2018,
title = {Pyroomacoustics: {A} {Python} package for audio room
simulations and array processing algorithms},
doi = {10.1109/ICASSP.2018.8461310},
language  = {en},
booktitle  = {2018 {IEEE} {International} {Conference} on {Acoustics},
{Speech} and {Signal} {Processing} ({ICASSP})},
author  = {Scheibler, Robin and Bezzam, Eric and Dokmanić, Ivan},
month = apr,
year = {2018}
}

N. J. Hudson, “Musical beauty and information compression: Complex to the ear but simple to the mind?,” Bmc research notes, 2011.
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@Article{ hudson_musical_2011,
title = {Musical beauty and information compression: {Complex} to
the ear but simple to the mind?},
issn = {1756-0500},
doi = {10.1186/1756-0500-4-9},
language  = {en},
journal  = {BMC Research Notes},
author  = {Hudson, Nicholas J},
month = dec,
year = {2011}
}

K. Cao, A. Lazaridou, M. Lanctot, J. Z. Leibo, K. Tuyls, and S. Clark, “Emergent Communication through Negotiation,” , 2018.
[Bibtex]

@Article{ cao_emergent_2018,
title = {Emergent {Communication} through {Negotiation}},
language  = {en},
author  = {Cao, Kris and Lazaridou, Angeliki and Lanctot, Marc and
Leibo, Joel Z. and Tuyls, Karl and Clark, Stephen},
month = apr,
year = {2018}
}

C. A. Huang, A. Vaswani, J. Uszkoreit, N. Shazeer, I. Simon, C. Hawthorne, A. M. Dai, M. D. Hoffman, M. Dinculescu, and D. Eck, “Music Transformer,” , 2018.
[Bibtex]

@Article{ huang_music_2018,
title = {Music {Transformer}},
language  = {en},
author  = {Huang, Cheng-Zhi Anna and Vaswani, Ashish and Uszkoreit,
Jakob and Shazeer, Noam and Simon, Ian and Hawthorne,
Curtis and Dai, Andrew M. and Hoffman, Matthew D. and
Dinculescu, Monica and Eck, Douglas},
month = dec,
year = {2018}
}

T. Scantamburlo, A. Charlesworth, and N. Cristianini, “Machine Decisions and Human Consequences,” , 2019.
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@Article{ scantamburlo_machine_2019,
title = {Machine {Decisions} and {Human} {Consequences}},
isbn = {978-0-19-883849-4 978-0-19-187472-7},
language  = {en},
booktitle  = {Algorithmic {Regulation}},
author  = {Scantamburlo, Teresa and Charlesworth, Andrew and
Cristianini, Nello},
collaborator  = {Scantamburlo, Teresa and Charlesworth, Andrew and
Cristianini, Nello},
month = sep,
year = {2019},
doi = {10.1093/oso/9780198838494.003.0003}
}

G. J. Matranga, W. C. Ottinger, C. Jarvis, and W. C. D. Gelzer, “Unconventional, Contrary, and Ugly: The Lunar Landing Research Vehicle,” , 2005.
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@Article{ matranga_unconventional_2005,
title = {Unconventional, {Contrary}, and {Ugly}: {The} {Lunar}
{Landing} {Research} {Vehicle}},
language  = {en},
author  = {Matranga, Gene J and Ottinger, C Wayne and Jarvis, Calvin
R and Gelzer, With D Christian},
year = {2005}
}

H. Caracalla and A. Roebel, “Sound texture synthesis using convolutional neural networks,” , 2019.
[Bibtex]

@Article{ caracalla_sound_2019,
title = {Sound texture synthesis using convolutional neural
networks},
language  = {en},
author  = {Caracalla, Hugo and Roebel, Axel},
month = may,
year = {2019}
}

M. Lanctot, E. Lockhart, J. Lespiau, V. Zambaldi, S. Upadhyay, J. Pérolat, S. Srinivasan, F. Timbers, K. Tuyls, S. Omidshafiei, D. Hennes, D. Morrill, P. Muller, T. Ewalds, R. Faulkner, J. Kramár, B. De Vylder, B. Saeta, J. Bradbury, D. Ding, S. Borgeaud, M. Lai, J. Schrittwieser, T. Anthony, E. Hughes, I. Danihelka, and J. Ryan-Davis, “OpenSpiel: A Framework for Reinforcement Learning in Games,” , 2020.
[Bibtex]

@Article{ lanctot_openspiel_2020,
title = {{OpenSpiel}: {A} {Framework} for {Reinforcement}
{Learning} in {Games}},
language  = {en},
author  = {Lanctot, Marc and Lockhart, Edward and Lespiau,
Jean-Baptiste and Zambaldi, Vinicius and Upadhyay, Satyaki
and Pérolat, Julien and Srinivasan, Sriram and Timbers,
Finbarr and Tuyls, Karl and Omidshafiei, Shayegan and
Hennes, Daniel and Morrill, Dustin and Muller, Paul and
Ewalds, Timo and Faulkner, Ryan and Kramár, János and De
Vylder, Bart and Saeta, Brennan and Bradbury, James and
Ding, David and Borgeaud, Sebastian and Lai, Matthew and
Schrittwieser, Julian and Anthony, Thomas and Hughes,
Edward and Danihelka, Ivo and Ryan-Davis, Jonah},
month = sep,
year = {2020}
}

J. O. Smith III, “A Spatial Sampling Approach to Wave Field Synthesis: PBAP and Huygens Arrays,” , 2019.
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@Article{ smith_iii_spatial_2019,
title = {A {Spatial} {Sampling} {Approach} to {Wave} {Field}
{Synthesis}: {PBAP} and {Huygens} {Arrays}},
language  = {en},
author  = {Smith III, Julius O.},
month = nov,
year = {2019}
}

S. Risi and J. Togelius, “Increasing Generality in Machine Learning through Procedural Content Generation,” , 2020.
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@Article{ risi_increasing_2020,
title = {Increasing {Generality} in {Machine} {Learning} through
{Procedural} {Content} {Generation}},
language  = {en},
author  = {Risi, Sebastian and Togelius, Julian},
month = mar,
year = {2020}
}

T. Karras, S. Laine, M. Aittala, J. Hellsten, J. Lehtinen, and T. Aila, “Analyzing and Improving the Image Quality of StyleGAN,” , 2020.
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@Article{ karras_analyzing_2020,
title = {Analyzing and {Improving} the {Image} {Quality} of
{StyleGAN}},
language  = {en},
author  = {Karras, Tero and Laine, Samuli and Aittala, Miika and
Hellsten, Janne and Lehtinen, Jaakko and Aila, Timo},
month = mar,
year = {2020}
}

J. Briot, “From Artificial Neural Networks to Deep Learning for Music Generation – History, Concepts and Trends,” , 2020.
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@Article{ briot_artificial_2020,
title = {From {Artificial} {Neural} {Networks} to {Deep} {Learning}
for {Music} {Generation} -- {History}, {Concepts} and
{Trends}},
language  = {en},
author  = {Briot, Jean-Pierre},
month = oct,
year = {2020}
}

B. W. Chan, “Lenia and Expanded Universe,” , 2020.
[Bibtex]

@Article{ chan_lenia_2020,
title = {Lenia and {Expanded} {Universe}},
doi = {10.1162/isal_a_00297},
language  = {en},
booktitle  = {The 2020 {Conference} on {Artificial} {Life}},
author  = {Chan, Bert Wang-Chak},
year = {2020}
}

E. R. Miranda, “Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition,” , 2021.
[Bibtex]

@Article{ miranda_creative_2021,
title = {Creative {Quantum} {Computing}: {Inverse} {FFT} {Sound}
{Synthesis}, {Adaptive} {Sequencing} and {Musical}
{Composition}},
language  = {en},
author  = {Miranda, Eduardo R.},
month = oct,
year = {2021},
doi = {10.1142/9789811235740_0017}
}

E. R. Miranda, “Quantum Computer: Hello, Music!,” , 2021.
[Bibtex]

@Article{ miranda_quantum_2021,
address  = {Cham},
title = {Quantum {Computer}: {Hello}, {Music}!},
isbn = {978-3-030-72115-2 978-3-030-72116-9},
language  = {en},
booktitle  = {Handbook of {Artificial} {Intelligence} for {Music}},
author  = {Miranda, Eduardo Reck},
year = {2021},
doi = {10.1007/978-3-030-72116-9_34}
}

Y. Ren, J. He, X. Tan, T. Qin, Z. Zhao, and T. Liu, “PopMAG: Pop Music Accompaniment Generation,” , 2020.
[Bibtex]

@Article{ ren_popmag_2020,
title = {{PopMAG}: {Pop} {Music} {Accompaniment} {Generation}},
language  = {en},
author  = {Ren, Yi and He, Jinzheng and Tan, Xu and Qin, Tao and
Zhao, Zhou and Liu, Tie-Yan},
month = aug,
year = {2020}
}

J. Chen, X. Tan, J. Luan, T. Qin, and T. Liu, “HiFiSinger: Towards High-Fidelity Neural Singing Voice Synthesis,” , 2020.
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@Article{ chen_hifisinger_2020,
title = {{HiFiSinger}: {Towards} {High}-{Fidelity} {Neural}
{Singing} {Voice} {Synthesis}},
language  = {en},
author  = {Chen, Jiawei and Tan, Xu and Luan, Jian and Qin, Tao and
Liu, Tie-Yan},
month = sep,
year = {2020}
}

J. Kong, J. Kim, and J. Bae, “HiFi-GAN: Generative Adversarial Networks for Efficient and High Fidelity Speech Synthesis,” , 2020.
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@Article{ kong_hifi-gan_2020,
title = {{HiFi}-{GAN}: {Generative} {Adversarial} {Networks} for
{Efficient} and {High} {Fidelity} {Speech} {Synthesis}},
language  = {en},
author  = {Kong, Jungil and Kim, Jaehyeon and Bae, Jaekyoung},
month = oct,
year = {2020}
}

“Musical Haptics,” , 2018.
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@Article{ papetti_musical_2018,
address  = {Cham},
title = {Musical {Haptics}},
isbn = {978-3-319-58315-0 978-3-319-58316-7},
language  = {en},
year = {2018},
doi = {10.1007/978-3-319-58316-7}
}

J. McCormack, C. C. Gambardella, and A. Lomas, “The Enigma of Complexity,” , 2021.
[Bibtex]

@Article{ mccormack_enigma_2021,
title = {The {Enigma} of {Complexity}},
language  = {en},
author  = {McCormack, Jon and Gambardella, Camilo Cruz and Lomas,
Andy},
month = feb,
year = {2021}
}

S. Sudhakaran, D. Grbic, S. Li, A. Katona, E. Najarro, C. Glanois, and S. Risi, “Growing 3D Artefacts and Functional Machines with Neural Cellular Automata,” , 2021.
[Bibtex]

@Article{ sudhakaran_growing_2021,
title = {Growing {3D} {Artefacts} and {Functional} {Machines} with
{Neural} {Cellular} {Automata}},
language  = {en},
author  = {Sudhakaran, Shyam and Grbic, Djordje and Li, Siyan and
Katona, Adam and Najarro, Elias and Glanois, Claire and
Risi, Sebastian},
month = jun,
year = {2021}
}

T. Bazin, G. Hadjeres, P. Esling, and M. Malt, “Spectrogram Inpainting for Interactive Generation of Instrument Sounds,” , 2021.
[Bibtex]

@Article{ bazin_spectrogram_2021,
title = {Spectrogram {Inpainting} for {Interactive} {Generation} of
{Instrument} {Sounds}},
language  = {en},
author  = {Bazin, Théis and Hadjeres, Gaëtan and Esling, Philippe
and Malt, Mikhail},
year = {2021},
doi = {10.30746/978-91-519-5560-5}
}

B. Rozemberczki, P. Scherer, Y. He, G. Panagopoulos, A. Riedel, M. Astefanoaei, O. Kiss, F. Beres, G. López, N. Collignon, and R. Sarkar, “PyTorch Geometric Temporal: Spatiotemporal Signal Processing with Neural Machine Learning Models,” , 2021.
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@Article{ rozemberczki_pytorch_2021,
title = {{PyTorch} {Geometric} {Temporal}: {Spatiotemporal}
{Signal} {Processing} with {Neural} {Machine} {Learning}
{Models}},
language  = {en},
author  = {Rozemberczki, Benedek and Scherer, Paul and He, Yixuan and
Panagopoulos, George and Riedel, Alexander and Astefanoaei,
Maria and Kiss, Oliver and Beres, Ferenc and López,
Guzmán and Collignon, Nicolas and Sarkar, Rik},
month = jun,
year = {2021}
}

S. Rouard and G. Hadjeres, “CRASH: Raw Audio Score-based Generative Modeling for Controllable High-resolution Drum Sound Synthesis,” , 2021.
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@Article{ rouard_crash_2021,
title = {{CRASH}: {Raw} {Audio} {Score}-based {Generative}
{Modeling} for {Controllable} {High}-resolution {Drum}
{Sound} {Synthesis}},
language  = {en},
author  = {Rouard, Simon and Hadjeres, Gaëtan},
month = jun,
year = {2021}
}

C. Zhang, J. Yu, L. Chang, X. Tan, J. Chen, T. Qin, and K. Zhang, “PDAugment: Data Augmentation by Pitch and Duration Adjustments for Automatic Lyrics Transcription,” , 2021.
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@Article{ zhang_pdaugment_2021,
title = {{PDAugment}: {Data} {Augmentation} by {Pitch} and
{Duration} {Adjustments} for {Automatic} {Lyrics}
{Transcription}},
language  = {en},
author  = {Zhang, Chen and Yu, Jiaxing and Chang, LuChin and Tan, Xu
and Chen, Jiawei and Qin, Tao and Zhang, Kejun},
month = sep,
year = {2021}
}

J. Li, D. Li, C. Xiong, and S. Hoi, “BLIP: Bootstrapping Language-Image Pre-training for Unified Vision-Language Understanding and Generation,” , 2022.
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@Article{ li_blip_2022,
title = {{BLIP}: {Bootstrapping} {Language}-{Image} {Pre}-training
for {Unified} {Vision}-{Language} {Understanding} and
{Generation}},
language  = {en},
author  = {Li, Junnan and Li, Dongxu and Xiong, Caiming and Hoi,
Steven},
month = feb,
year = {2022}
}

A. Ramesh, P. Dhariwal, A. Nichol, C. Chu, and M. Chen, “Hierarchical Text-Conditional Image Generation with CLIP Latents,” , 2022.
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@Article{ ramesh_hierarchical_2022,
title = {Hierarchical {Text}-{Conditional} {Image} {Generation}
with {CLIP} {Latents}},
language  = {en},
author  = {Ramesh, Aditya and Dhariwal, Prafulla and Nichol, Alex and
Chu, Casey and Chen, Mark},
month = apr,
year = {2022}
}

B. Yu, P. Lu, R. Wang, W. Hu, X. Tan, W. Ye, S. Zhang, T. Qin, and T. Liu, “Museformer: Transformer with Fine- and Coarse-Grained Attention for Music Generation,” , 2022.
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@Article{ yu_museformer_2022,
title = {Museformer: {Transformer} with {Fine}- and
{Coarse}-{Grained} {Attention} for {Music} {Generation}},
language  = {en},
author  = {Yu, Botao and Lu, Peiling and Wang, Rui and Hu, Wei and
Tan, Xu and Ye, Wei and Zhang, Shikun and Qin, Tao and Liu,
Tie-Yan},
month = oct,
year = {2022}
}

J. Bernstein, “30 days to market mastery: a step-by-step guide to profitable trading,” , 2007.
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@Article{ bernstein_30_2007,
address  = {Hoboken, N.J},
title = {30 days to market mastery: a step-by-step guide to
profitable trading},
isbn = {978-0-470-10987-8},
language  = {en},
author  = {Bernstein, Jacob},
year = {2007}
}

J. Kang and F. Aletta, “Historical Acoustics: Relationships between People and Sound over Time,” , 2020.
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@Article{ kang_historical_2020,
title = {Historical {Acoustics}: {Relationships} between {People}
and {Sound} over {Time}},
isbn = {978-3-03928-526-6},
language  = {en},
author  = {Kang, Jian and Aletta, Francesco},
year = {2020}
}

J. Briot, G. Hadjeres, and F. Pachet, “Deep Learning Techniques for Music Generation,” , 2020.
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@Article{ briot_deep_2020,
address  = {Cham},
title = {Deep {Learning} {Techniques} for {Music} {Generation}},
isbn = {978-3-319-70162-2 978-3-319-70163-9},
language  = {en},
author  = {Briot, Jean-Pierre and Hadjeres, Gaëtan and Pachet,
François-David},
year = {2020},
doi = {10.1007/978-3-319-70163-9}
}

V. Meelberg, “New Sounds, New Stories : Narrativity in Contemporary Music,” , 2006.
[Bibtex]

@Article{ meelberg_new_2006,
address  = {Amsterdam},
title = {New {Sounds}, {New} {Stories} : {Narrativity} in
{Contemporary} {Music}},
isbn = {978-90-8728-002-4},
language  = {en},
author  = {Meelberg, Vincent},
year = {2006},
doi = {10.5117/9789087280024}
}

“Repenser les politiques en faveur de la créativité: la culture, un bien public mondial,” , 2022.
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@Article{ noauthor_repenser_2022,
address  = {Paris},
title = {Repenser les politiques en faveur de la créativité: la
culture, un bien public mondial},
isbn = {978-92-3-200250-1},
language  = {fr},
year = {2022}
}

“Deleuze and music,” , 2006.
[Bibtex]

@Article{ buchanan_deleuze_2006,
address  = {Edinburgh},
title = {Deleuze and music},
isbn = {978-0-7486-1891-0 978-0-7486-1869-9},
language  = {en},
year = {2006}
}

A. Creswell, M. Shannahan, and I. Higgins, “SELECTION-INFERENCE: EXPLOITING LARGE LAN- GUAGE MODELS FOR INTERPRETABLE LOGICAL REA- SONING,” , 2023.
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@Article{ creswell_selection-inference_2023,
title = {{SELECTION}-{INFERENCE}: {EXPLOITING} {LARGE} {LAN}-
{GUAGE} {MODELS} {FOR} {INTERPRETABLE} {LOGICAL} {REA}-
{SONING}},
language  = {en},
author  = {Creswell, Antonia and Shannahan, Murray and Higgins,
Irina},
year = {2023}
}

J. Nechvatal, “Immersion into noise,” , 2011.
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@Article{ nechvatal_immersion_2011,
address  = {Ann Arbor},
title = {Immersion into noise},
isbn = {978-1-60785-241-4},
language  = {en},
author  = {Nechvatal, Joseph},
year = {2011}
}

W. J. Hess, “Pitch and Vo 10. Pitch and Voicing Determination of Speech with an Extension Toward Music Signals,” Part b.
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@Article{ hess_pitch_nodate,
title = {Pitch and {Vo} 10. {Pitch} and {Voicing} {Determination}
of {Speech} with an {Extension} {Toward} {Music}
{Signals}},
language  = {en},
journal  = {Part B},
author  = {Hess, W J}
}

P. Worth, “Technology and ontology in electronic music Mego 1994-present.”
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@Article{ worth_technology_nodate,
title = {Technology and ontology in electronic music {Mego}
1994-present},
language  = {en},
author  = {Worth, Peter}
}

P. R. Cook, “Real Sound Synthesis for Interactive Applications,” , 2002.
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@Article{ cook_real_2002,
title = {Real {Sound} {Synthesis} for {Interactive}
{Applications}},
isbn = {978-0-429-09152-0},
language  = {en},
author  = {Cook, Perry R.},
month = jul,
year = {2002},
doi = {10.1201/b19597}
}

R. Faragher, “Understanding the Basis of the Kalman Filter Via a Simple and Intuitive Derivation [Lecture Notes],” Ieee signal processing magazine, 2012.
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@Article{ faragher_understanding_2012,
title = {Understanding the {Basis} of the {Kalman} {Filter} {Via} a
{Simple} and {Intuitive} {Derivation} [{Lecture} {Notes}]},
issn = {1053-5888},
doi = {10.1109/MSP.2012.2203621},
language  = {en},
journal  = {IEEE Signal Processing Magazine},
author  = {Faragher, Ramsey},
month = sep,
year = {2012}
}

“Sleep, Neuronal Plasticity and Brain Function,” , 2015.
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@Article{ meerlo_sleep_2015,
address  = {Berlin, Heidelberg},
title = {Sleep, {Neuronal} {Plasticity} and {Brain} {Function}},
isbn = {978-3-662-46877-7 978-3-662-46878-4},
language  = {en},
year = {2015},
doi = {10.1007/978-3-662-46878-4}
}

S. P. Butchart, R. A. Champine, S. A. Crossfield, J. Griffith, and R. P. Hallion, “THE DOUGLAS D-558 PROGRAM.”
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@Article{ butchart_douglas_nodate,
title = {{THE} {DOUGLAS} {D}-558 {PROGRAM}},
language  = {en},
author  = {Butchart, Stanley P and Champine, Robert A and Crossfield,
A Scott and Griffith, John and Hallion, Richard P}
}

A. L. Braslow, “A History of suction-Type Laminar-Flow control.”
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@Article{ braslow_history_nodate,
title = {A {History} of suction-{Type} {Laminar}-{Flow} control},
language  = {en},
author  = {Braslow, Albert L}
}

M. O. Thompson, “Flight Research: Problems Encountered and What They Should Teach Us.”
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@Article{ thompson_flight_nodate,
title = {Flight {Research}: {Problems} {Encountered} and {What}
{They} {Should} {Teach} {Us}},
language  = {en},
author  = {Thompson, Milton O}
}

P. W. Merlin, “Mach 3+ NASA/USAF YF-12 Flight Research, 1969-1979.”
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@Article{ merlin_mach_nodate,
title = {Mach 3+ {NASA}/{USAF} {YF}-12 {Flight} {Research},
1969-1979},
language  = {en},
author  = {Merlin, Peter W}
}

T. Chemi, J. Borup Jensen, and L. Hersted, “Behind the Scenes of Artistic Creativity,” , 2015.
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@Article{ chemi_behind_2015,
title = {Behind the {Scenes} of {Artistic} {Creativity}},
isbn = {978-3-653-98216-9 978-3-653-04415-7 978-3-653-98215-2
978-3-631-65397-5},
language  = {en},
author  = {Chemi, Tatiana and Borup Jensen, Julie and Hersted, Lone},
month = jan,
year = {2015},
doi = {10.3726/978-3-653-04415-7}
}

B. Farnsworth, “Curating Contemporary Music Festivals: A New Perspective on Music’s Mediation,” , 2020.
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@Article{ farnsworth_curating_2020,
address  = {Bielefeld, Germany},
title = {Curating {Contemporary} {Music} {Festivals}: {A} {New}
{Perspective} on {Music}'s {Mediation}},
isbn = {978-3-8376-5243-7 978-3-8394-5243-1},
language  = {en},
author  = {Farnsworth, Brandon},
month = aug,
year = {2020},
doi = {10.14361/9783839452431}
}

S. Wolfram, “A project to find the fundamental theory of physics,” , 2020.
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@Article{ wolfram_project_2020,
address  = {Champaign, IL},
title = {A project to find the fundamental theory of physics},
isbn = {978-1-57955-035-6},
language  = {en},
author  = {Wolfram, Stephen},
collaborator  = {Wolfram Research (Firm)},
year = {2020}
}

“Alt-Form: indeterminacy and disorder,” , 2022.
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@Article{ ago_alt-form_2022,
address  = {Oxford},
title = {Alt-{Form}: indeterminacy and disorder},
isbn = {978-1-119-74879-3},
language  = {en},
year = {2022}
}

“Machine hallucinations: architecture and artificial intelligence,” , 2022.
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@Article{ campo_machine_2022,
address  = {Oxford},
title = {Machine hallucinations: architecture and artificial
intelligence},
isbn = {978-1-119-74884-7},
language  = {en},
year = {2022}
}

J. Nika and J. Bresson, “Composing Structured Music Generation Processes with Creative Agents,” , 2021.
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@Article{ nika_composing_2021,
title = {Composing {Structured} {Music} {Generation} {Processes}
with {Creative} {Agents}},
language  = {en},
author  = {Nika, Jerome and Bresson, Jean},
year = {2021}
}

S. Grossberg, “Adaptive Resonance Theory: How a brain learns to consciously attend, learn, and recognize a changing world,” Neural networks, 2013.
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@Article{ grossberg_adaptive_2013,
title = {Adaptive {Resonance} {Theory}: {How} a brain learns to
consciously attend, learn, and recognize a changing world},
issn = {08936080},
doi = {10.1016/j.neunet.2012.09.017},
language  = {en},
journal  = {Neural Networks},
author  = {Grossberg, Stephen},
month = jan,
year = {2013}
}

“A_new_approach_to_computation.”
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@Article{ noauthor_a_new_approach_to_computation_nodate,
title = {A\_New\_Approach\_to\_Computation},
language  = {en}
}

M. Currie, “About time: narrative, fiction and the philosophy of time,” , 2007.
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@Article{ currie_about_2007,
address  = {Edinburgh},
title = {About time: narrative, fiction and the philosophy of
time},
isbn = {978-0-7486-2424-9},
language  = {en},
author  = {Currie, Mark},
year = {2007}
}

K. Terzidis, “Algorithmic architecture,” , 2006.
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@Article{ terzidis_algorithmic_2006,
address  = {Amsterdam ; Boston},
title = {Algorithmic architecture},
isbn = {978-0-7506-6725-8},
language  = {en},
author  = {Terzidis, Kostas},
year = {2006}
}

“Algorithmic Game Theory,” , 2007.
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@Article{ nisan_algorithmic_2007,
address  = {Cambridge ; New York},
title = {Algorithmic {Game} {Theory}},
isbn = {978-0-521-87282-9},
language  = {en},
year = {2007}
}

F. Lee, J. Bier, J. Christensen, L. Engelmann, C. Helgesson, and R. Williams, “Algorithms as folding: Reframing the analytical focus,” Big data & society, 2019.
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@Article{ lee_algorithms_2019,
title = {Algorithms as folding: {Reframing} the analytical focus},
issn = {2053-9517, 2053-9517},
doi = {10.1177/2053951719863819},
language  = {en},
journal  = {Big Data \& Society},
author  = {Lee, Francis and Bier, Jess and Christensen, Jeffrey and
Engelmann, Lukas and Helgesson, Claes-Fredrik and Williams,
Robin},
month = jul,
year = {2019}
}

“Arcana V: music, magic and mysticism,” , 2010.
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@Article{ zorn_arcana_2010,
address  = {New York},
title = {Arcana {V}: music, magic and mysticism},
isbn = {978-0-9788337-9-4},
language  = {en},
year = {2010}
}

K. A. Franck, “Architecture timed: designing with time in mind,” , 2016.
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@Article{ franck_architecture_2016,
address  = {Hoboken},
title = {Architecture timed: designing with time in mind},
isbn = {978-1-118-91064-1},
language  = {en},
author  = {Franck, Karen A.},
year = {2016}
}

“Architecture in the digital age: design and manufacturing,” , 2003.
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@Article{ kolarevic_architecture_2003,
address  = {New York, NY},
title = {Architecture in the digital age: design and
manufacturing},
isbn = {978-0-415-27820-1},
language  = {en},
year = {2003}
}

M. Langlois, N. Blanchet-Cohen, and T. Beer, “The Art of the Nudge: Five Practices for Developmental Evaluators,” Canadian journal of program evaluation, 2012.
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@Article{ langlois_art_2012,
title = {The {Art} of the {Nudge}: {Five} {Practices} for
{Developmental} {Evaluators}},
issn = {0834-1516, 1496-7308},
doi = {10.3138/cjpe.27.003},
language  = {en},
journal  = {Canadian Journal of Program Evaluation},
author  = {Langlois, Marc and Blanchet-Cohen, Natasha and Beer,
Tanya},
month = sep,
year = {2012}
}

J. Pitrat, “Artificial beings: the conscience of a conscious machine,” , 2009.
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@Article{ pitrat_artificial_2009,
address  = {London : Hoboken, NJ},
title = {Artificial beings: the conscience of a conscious machine},
isbn = {978-1-84821-101-8},
language  = {en},
author  = {Pitrat, J.},
year = {2009}
}

Z. Khanjani, G. Watson, and V. Janeja, “Audio deepfakes: A survey,” Frontiers in big data, 2023.
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@Article{ khanjani_audio_2023,
title = {Audio deepfakes: {A} survey},
issn = {2624-909X},
doi = {10.3389/fdata.2022.1001063},
language  = {en},
journal  = {Frontiers in Big Data},
author  = {Khanjani, Zahra and Watson, Gabrielle and Janeja, Vandana
P.},
month = jan,
year = {2023}
}

R. L. D. Mántaras, “Artificial Intelligence and the Arts: Toward Computational Creativity,” , 2014.
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@Article{ mantaras_artificial_2014,
title = {Artificial {Intelligence} and the {Arts}: {Toward}
{Computational} {Creativity}},
language  = {en},
author  = {Mántaras, Ramón López De},
year = {2014}
}

E. C. R. Hehner, “Beautifying Gödel,” , 1990.
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@Article{ feijen_beautifying_1990,
address  = {New York, NY},
title = {Beautifying {Gödel}},
isbn = {978-1-4612-8792-6 978-1-4612-4476-9},
language  = {en},
booktitle  = {Beauty {Is} {Our} {Business}},
author  = {Hehner, Eric C. R.},
year = {1990},
doi = {10.1007/978-1-4612-4476-9_19}
}

P. C. Hogan, “Beauty and Sublimity,” , 2016.
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@Article{ hogan_beauty_2016,
title = {Beauty and {Sublimity}},
language  = {en},
author  = {Hogan, Patrick Colm},
year = {2016}
}

J. R. Beniger, “The control revolution: technological and economic origins of the Information Society,” , 1997.
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@Article{ beniger_control_1997,
address  = {Cambridge, Mass.},
title = {The control revolution: technological and economic origins
of the {Information} {Society}},
isbn = {978-0-674-16986-9},
language  = {en},
author  = {Beniger, James Ralph},
year = {1997}
}

L. Benaroya, N. Obin, and A. Roebel, “Beyond Voice Identity Conversion: Manipulating Voice Attributes by Adversarial Learning of Structured Disentangled Representations,” , 2021.
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@Article{ benaroya_beyond_2021,
title = {Beyond {Voice} {Identity} {Conversion}: {Manipulating}
{Voice} {Attributes} by {Adversarial} {Learning} of
{Structured} {Disentangled} {Representations}},
language  = {en},
author  = {Benaroya, Laurent and Obin, Nicolas and Roebel, Axel},
month = jul,
year = {2021}
}

A. Ling, “Biopolymers for Responsive Architectural Scaffolds.”
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@Article{ ling_biopolymers_nodate,
title = {Biopolymers for {Responsive} {Architectural} {Scaffolds}},
language  = {en},
author  = {Ling, Andrea}
}

“British music and modernism, 1895-1960,” , 2010.
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@Article{ riley_british_2010,
address  = {Farnham, Surrey ; Burlington, VT},
title = {British music and modernism, 1895-1960},
isbn = {978-0-7546-6585-4},
language  = {en},
year = {2010}
}

G. Zanchelli and J. Breton, “Continuing Development of Computational Room Acoustics Module (CRAM): a Cross-Platform, Web-Based Room Acoustics Application.”
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@Article{ zanchelli_continuing_nodate,
title = {Continuing {Development} of {Computational} {Room}
{Acoustics} {Module} ({CRAM}): a {Cross}-{Platform},
{Web}-{Based} {Room} {Acoustics} {Application}},
language  = {en},
author  = {Zanchelli, Greg and Breton, Jack}
}

P. Szendy, “Instruments – Cahiers de l’Ircam,” , 1995.
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@Article{ szendy_instruments_1995,
address  = {Paris},
title = {Instruments - {Cahiers} de l'{Ircam}},
isbn = {978-2-85850-833-4},
language  = {fr},
author  = {Szendy, Peter},
year = {1995}
}

W. Knight and P. G. Wood, “AlphaZero, a computer program that taught itself to be a chess grandmaster in a few hours, exhibits “the essence of creativity,” says its creator..”
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@Article{ knight_alphazero_nodate,
title = {{AlphaZero}, a computer program that taught itself to be a
chess grandmaster in a few hours, exhibits “the essence
of creativity,” says its creator.},
language  = {en},
author  = {Knight, Will and Wood, Portrait Geordie}
}

“Randomness in arithmetic and the decline & fall of reductionism in pure mathematics,” , 2007.
[Bibtex]

@Article{ chaitin_randomness_2007,
title = {Randomness in arithmetic and the decline \& fall of
reductionism in pure mathematics},
isbn = {978-981-270-895-3 978-981-4474-70-2},
language  = {en},
booktitle  = {Thinking about {Gödel} and {Turing}},
collaborator  = {Chaitin, Gregory J and Davies, Paul},
month = aug,
year = {2007},
doi = {10.1142/9789812708977_0007}
}

K. Gotman, “Choreomania: Dance and Disorder,” , 2018.
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@Article{ gotman_choreomania_2018,
address  = {New York},
title = {Choreomania: {Dance} and {Disorder}},
isbn = {978-0-19-084042-6 978-0-19-084041-9},
language  = {en},
author  = {Gotman, Kélina},
year = {2018}
}

“Live electronic music: composition, performance, study,” , 2018.
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@Article{ sallis_live_2018,
address  = {Abingdon, Oxon ; New York, NY},
title = {Live electronic music: composition, performance, study},
isbn = {978-1-138-02260-7},
language  = {en},
year = {2018}
}

“Computational Intelligence in Music, Sound, Art and Design: 7th International Conference, EvoMUSART 2018, Parma, Italy, April 4-6, 2018, Proceedings,” , 2018.
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@Article{ liapis_computational_2018,
address  = {Cham},
title = {Computational {Intelligence} in {Music}, {Sound}, {Art}
and {Design}: 7th {International} {Conference}, {EvoMUSART}
2018, {Parma}, {Italy}, {April} 4-6, 2018, {Proceedings}},
isbn = {978-3-319-77582-1 978-3-319-77583-8},
language  = {en},
year = {2018},
doi = {10.1007/978-3-319-77583-8}
}

S. Reynolds, “The Rise of Conceptronica – Why so much electronic music this decade felt like it belonged in a museum instead of a club,” , 2019.
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@Article{ reynolds_rise_2019,
title = {The {Rise} of {Conceptronica} - {Why} so much electronic
music this decade felt like it belonged in a museum instead
of a club},
language  = {en},
author  = {Reynolds, Simon},
year = {2019}
}

Y. Toyota, M. Komoda, D. Beckmann, M. Quiquerez, and E. Bergal, “Concert Halls by Nagata Acoustics: Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria,” , 2020.
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@Article{ toyota_concert_2020,
address  = {Cham},
title = {Concert {Halls} by {Nagata} {Acoustics}: {Thirty} {Years}
of {Acoustical} {Design} for {Music} {Venues} and
{Vineyard}-{Style} {Auditoria}},
isbn = {978-3-030-42449-7 978-3-030-42450-3},
language  = {en},
author  = {Toyota, Yasuhisa and Komoda, Motoo and Beckmann, Daniel
and Quiquerez, Marc and Bergal, Erik},
year = {2020},
doi = {10.1007/978-3-030-42450-3}
}

F. Lordon, “Conflits et pouvoirs dans les institutions du capitalisme:,” , 2008.
[Bibtex]

@Article{ lordon_conflits_2008,
title = {Conflits et pouvoirs dans les institutions du
capitalisme:},
isbn = {978-2-7246-1072-7},
language  = {fr},
author  = {Lordon, Frédéric},
month = jan,
year = {2008},
doi = {10.3917/scpo.lordo.2008.01}
}

“AD AHMM: constructing a practice,” , 2021.
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@Article{ spiller_ad_2021,
address  = {Oxford},
title = {{AD} {AHMM}: constructing a practice},
isbn = {978-1-119-71748-5},
language  = {en},
year = {2021}
}

J. Nancy, “Corpus,” , 2008.
[Bibtex]

@Article{ nancy_corpus_2008,
address  = {New York},
title = {Corpus},
isbn = {978-0-8232-2961-1 978-0-8232-2962-8},
language  = {en},
author  = {Nancy, Jean-Luc},
year = {2008}
}

P. Bello and D. Garcia, “Cultural Divergence in popular music: the increasing diversity of music consumption on Spotify across countries,” Humanities and social sciences communications, 2021.
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@Article{ bello_cultural_2021,
title = {Cultural {Divergence} in popular music: the increasing
diversity of music consumption on {Spotify} across
countries},
issn = {2662-9992},
doi = {10.1057/s41599-021-00855-1},
language  = {en},
journal  = {Humanities and Social Sciences Communications},
author  = {Bello, Pablo and Garcia, David},
month = jul,
year = {2021}
}

C. Pias, “The Macy Conferences 1946-1953.”
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@Article{ pias_macy_nodate,
title = {The {Macy} {Conferences} 1946-1953},
language  = {en},
author  = {Pias, Claus}
}

S. Hubbard, “Libertarianism in the works of Cage.”
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@Article{ hubbard_libertarianism_nodate,
title = {Libertarianism in the works of {Cage}},
language  = {en},
author  = {Hubbard, Stephen}
}

J. Vaananen, “Dark pools & high frequency trading for dummies,” , 2015.
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@Article{ vaananen_dark_2015,
address  = {Chichester, West Sussex},
title = {Dark pools \& high frequency trading for dummies},
isbn = {978-1-118-87919-1},
language  = {en},
author  = {Vaananen, Jay},
year = {2015}
}

T. Ziemer, “Implementation of the Radiation Characteristics of Musical Instruments in Wave Field Synthesis Applications,” PhD Thesis, Hamburg, 2015.
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@PhDThesis{ ziemer_implementation_2015,
address  = {Hamburg},
title = {Implementation of the {Radiation} {Characteristics} of
{Musical} {Instruments} in {Wave} {Field} {Synthesis}
{Applications}},
language  = {en},
school  = {Universität Hamburg},
author  = {Ziemer, Tim},
month = may,
year = {2015},
doi = {10.25366/2020.06}
}

S. Dockray, “Performing Algorithms: Automation and Accident,” , 2015.
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@Article{ dockray_performing_2015,
title = {Performing {Algorithms}: {Automation} and {Accident}},
language  = {en},
author  = {Dockray, Sean},
year = {2015}
}

B. Truax, “Electroacoustic Music and the Digital Future,” Circuit, 2010.
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@Article{ truax_electroacoustic_2010,
title = {Electroacoustic {Music} and the {Digital} {Future}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902261ar},
language  = {en},
journal  = {Circuit},
author  = {Truax, Barry},
month = feb,
year = {2010}
}

I. Xenakis and F. Bisson, “À gauche : Iannis Xenakis, Premières esquisses et plan au sol pour le Pavillon Philips, 1956. Le Corbusier avait délégué la conception du Pavillon Philips pour l’exposition universelle de Bruxelles de 1958 à Xenakis..”
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@Article{ xenakis_a_nodate,
title = {À gauche : {Iannis} {Xenakis}, {Premières} esquisses et
plan au sol pour le {Pavillon} {Philips}, 1956. {Le}
{Corbusier} avait délégué la conception du {Pavillon}
{Philips} pour l’exposition universelle de {Bruxelles} de
1958 à {Xenakis}.},
language  = {fr},
author  = {Xenakis, Iannis and Bisson, Frédéric}
}

B. H. Smith, B. Clarke, M. B. N. Hansen, and R. E. Weintraub, “Emergence and Embodiment.”
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@Article{ smith_emergence_nodate,
title = {Emergence and {Embodiment}},
language  = {en},
author  = {Smith, Barbara Herrnstein and Clarke, Bruce and Hansen,
Mark B N and Weintraub, E Roy}
}

“Emerging talents: training architects,” , 2021.
[Bibtex]

@Article{ spiller_emerging_2021,
address  = {Oxford},
title = {Emerging talents: training architects},
isbn = {978-1-119-71752-2},
language  = {en},
year = {2021}
}

“Emotion in Video Game Soundtracking,” , 2018.
[Bibtex]

@Article{ williams_emotion_2018,
address  = {Cham},
title = {Emotion in {Video} {Game} {Soundtracking}},
isbn = {978-3-319-72271-9 978-3-319-72272-6},
language  = {en},
year = {2018},
doi = {10.1007/978-3-319-72272-6}
}

A. Cascelli and D. Condon, “Experiencing Music and Visual Cultures: Threshold, Intermediality, Synchresis,” , 2021.
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@Article{ cascelli_experiencing_2021,
title = {Experiencing {Music} and {Visual} {Cultures}: {Threshold},
{Intermediality}, {Synchresis}},
isbn = {978-0-429-19836-6},
language  = {en},
author  = {Cascelli, Antonio and Condon, Denis},
month = jan,
year = {2021},
doi = {10.4324/9780429198366}
}

K. Terzidis, “Expressive Form: A Conceptual Approach to Computational Design,” , 2004.
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@Article{ terzidis_expressive_2004,
title = {Expressive {Form}: {A} {Conceptual} {Approach} to
{Computational} {Design}},
isbn = {978-0-203-58689-1},
language  = {en},
author  = {Terzidis, Kostas},
month = mar,
year = {2004},
doi = {10.4324/9780203586891}
}

J. {Harding, “Advances in Architectural Geometry 2015 – Dimensionality Reduction for Parametric Design Exploration,” , 2016.
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@Article{ harding_john_advances_2016,
title = {Advances in {Architectural} {Geometry} 2015 -
{Dimensionality} {Reduction} for {Parametric} {Design}
{Exploration}},
language  = {en},
author  = {{Harding, John}},
year = {2016},
doi = {10.3218/3778-4_19}
}

M. Ohriner, “Flow: the rhythmic voice in rap music,” , 2019.
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@Article{ ohriner_flow_2019,
address  = {New York, NY},
title = {Flow: the rhythmic voice in rap music},
isbn = {978-0-19-067041-2},
language  = {en},
author  = {Ohriner, Mitchell},
year = {2019}
}

J. Lester, “Between modes and keys: German theory, 1592-1802,” , 1989.
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@Article{ lester_between_1989,
address  = {Stuyvesant, NY},
title = {Between modes and keys: {German} theory, 1592-1802},
isbn = {978-0-918728-77-7},
language  = {en},
author  = {Lester, Joel},
year = {1989}
}

F. Ciepły, “Freedom of Artistic Creation in the Constitution of Poland,” , 2016.
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@Article{ cieply_freedom_2016,
title = {Freedom of {Artistic} {Creation} in the {Constitution} of
{Poland}},
language  = {en},
author  = {Ciepły, Filip},
year = {2016}
}

“Game Audio Programming 2.”
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@Article{ noauthor_game_nodate,
title = {Game {Audio} {Programming} 2},
language  = {en}
}

A. K. Dixit, S. Skeath, and D. H. Reiley, “Games of strategy,” , 2015.
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@Article{ dixit_games_2015,
address  = {New York},
title = {Games of strategy},
isbn = {978-0-393-91968-4},
language  = {en},
author  = {Dixit, Avinash K. and Skeath, Susan and Reiley, David H.},
year = {2015}
}

M. Reid and B. Szendrői, “Geometry and topology,” , 2005.
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@Article{ reid_geometry_2005,
address  = {Cambridge, UK},
title = {Geometry and topology},
isbn = {978-0-511-13733-4},
language  = {en},
author  = {Reid, Miles and Szendrői, Balász},
year = {2005}
}

G. Griziotti, “Neurocapitalism: technological mediation and vanishing lines,” , 2019.
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@Article{ griziotti_neurocapitalism_2019,
address  = {New York},
title = {Neurocapitalism: technological mediation and vanishing
lines},
isbn = {978-1-57027-342-1},
language  = {en},
author  = {Griziotti, Giorgio},
translator  = {McGimsey, Jason Francis},
collaborator  = {Terranova, Tiziana},
year = {2019}
}

J. M. Diamond, “Guns, germs, and steel: the fates of human societies,” , 1999.
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@Article{ diamond_guns_1999,
address  = {New York},
title = {Guns, germs, and steel: the fates of human societies},
isbn = {978-0-393-31755-8},
language  = {en},
author  = {Diamond, Jared M.},
year = {1999}
}

“Handbook of Artificial Intelligence for Music: Foundations, Advanced Approaches, and Developments for Creativity,” , 2021.
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@Article{ miranda_handbook_2021,
address  = {Cham},
title = {Handbook of {Artificial} {Intelligence} for {Music}:
{Foundations}, {Advanced} {Approaches}, and {Developments}
for {Creativity}},
isbn = {978-3-030-72115-2 978-3-030-72116-9},
language  = {en},
year = {2021},
doi = {10.1007/978-3-030-72116-9}
}

“Handbook of constraint programming,” , 2006.
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@Article{ rossi_handbook_2006,
address  = {Amsterdam ; Boston},
title = {Handbook of constraint programming},
isbn = {978-0-444-52726-4},
language  = {en},
year = {2006}
}

D. Adams, “Artificial Neural Networks.”
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@Article{ adams_artificial_nodate,
title = {Artificial {Neural} {Networks}},
language  = {en},
author  = {Adams, Douglas}
}

M. Ruf, “Le dilemme des compositeurs.”
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@Article{ ruf_dilemme_nodate,
title = {Le dilemme des compositeurs},
language  = {fr},
author  = {Ruf, Matthieu}
}

K. Snell and J. Söderman, “Hip-hop within and without the academy,” , 2014.
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@Article{ snell_hip-hop_2014,
address  = {Lanham},
title = {Hip-hop within and without the academy},
isbn = {978-0-7391-7649-8},
language  = {en},
author  = {Snell, Karen and Söderman, Johan},
year = {2014}
}

D. Thompson, “Hit makers: the science of popularity in an age of distraction,” , 2017.
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@Article{ thompson_hit_2017,
address  = {New York},
title = {Hit makers: the science of popularity in an age of
distraction},
isbn = {978-1-101-98032-3},
language  = {en},
author  = {Thompson, Derek},
year = {2017}
}

D. P. Schroeder, “Hitchcock’s ear: music and the director’s art,” , 2012.
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@Article{ schroeder_hitchcocks_2012,
address  = {New York},
title = {Hitchcock's ear: music and the director's art},
isbn = {978-1-4411-0888-3},
language  = {en},
author  = {Schroeder, David P},
year = {2012}
}

J. Goldman, “How I Became a Composer An Interview with Vinko,” Tempo, 2014.
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@Article{ goldman_how_2014,
title = {How {I} {Became} a {Composer} {An} {Interview} with
{Vinko}},
issn = {0040-2982, 1478-2286},
doi = {10.1017/S0040298213001307},
language  = {en},
journal  = {Tempo},
author  = {Goldman, Jonathan},
month = jan,
year = {2014}
}

A. Ness and S. Pluta, “The NessStretch: This PaulStretch Algorithm Goes to 9,” , 2021.
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@Article{ ness_nessstretch_2021,
title = {The {NessStretch}: {This} {PaulStretch} {Algorithm} {Goes}
to 9},
language  = {en},
author  = {Ness, Alex and Pluta, Sam},
year = {2021}
}

P. A. Tremblay, G. Roma, and O. Green, “Digging it: Programmatic Data Mining as Musicking,” , 2021.
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@Article{ tremblay_digging_2021,
title = {Digging it: {Programmatic} {Data} {Mining} as
{Musicking}},
language  = {en},
author  = {Tremblay, Pierre Alexandre and Roma, Gerard and Green,
Owen},
year = {2021}
}

J. Morley, “Introduction: Phenomenology of imagination,” Phenomenology and the cognitive sciences, 2005.
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@Article{ morley_introduction_2005,
title = {Introduction: {Phenomenology} of imagination},
issn = {1568-7759, 1572-8676},
doi = {10.1007/s11097-005-0134-x},
language  = {en},
journal  = {Phenomenology and the Cognitive Sciences},
author  = {Morley, James},
month = jun,
year = {2005}
}

R. J. Davies, “Japanese Culture: The Religious and Philosophical Foundations,” , 2016.
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@Article{ davies_japanese_2016,
address  = {Tokyo ; Rutland, Vermont},
title = {Japanese {Culture}: {The} {Religious} and {Philosophical}
{Foundations}},
isbn = {978-4-8053-1163-9},
language  = {en},
author  = {Davies, Roger J.},
year = {2016}
}

R. A. Freitas and R. C. Merkle, “Kinematic self-replicating machines,” , 2004.
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@Article{ freitas_kinematic_2004,
address  = {Georgetown, Tex},
title = {Kinematic self-replicating machines},
isbn = {978-1-57059-690-2},
language  = {en},
author  = {Freitas, Robert A. and Merkle, Ralph C.},
year = {2004}
}

S. Shannon and K. J. Messick, “Through the Looking Glass: Kraftwerk’s Influence on Music Technology & German Cultural Identity,” Open Science Framework, preprint , 2020.
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@TechReport{ shannon_through_2020,
type = {preprint},
title = {Through the {Looking} {Glass}: {Kraftwerk}’s {Influence}
on {Music} {Technology} \& {German} {Cultural}
{Identity}},
language  = {en},
institution  = {Open Science Framework},
author  = {Shannon, Scott and Messick, Kyle J.},
month = jun,
year = {2020},
doi = {10.31219/osf.io/a2n6z}
}

H. Kissinger, E. Schmidt, and D. Huttenlocher, “La métamorphose – Le Grand Continent,” , 2020.
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@Article{ kissinger_metamorphose_2020,
title = {La métamorphose - {Le} {Grand} {Continent}},
language  = {fr},
author  = {Kissinger, Henry and Schmidt, Eric and Huttenlocher,
Daniel},
year = {2020}
}

B. Riado, “L’art sous couverture médiatique,” Nouvelle revue d’esthétique, 2011.
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@Article{ riado_art_2011,
title = {L'art sous couverture médiatique},
issn = {1969-2269, 2264-2595},
doi = {10.3917/nre.008.0020},
language  = {fr},
journal  = {Nouvelle revue d’esthétique},
author  = {Riado, Benjamin},
year = {2011}
}

P. Cécilia, “La Nouvelle Musique de l’Ircam,” , 2023.
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@Article{ cecilia_nouvelle_2023,
title = {La {Nouvelle} {Musique} de l'{Ircam}},
language  = {fr},
author  = {Cécilia, Par},
year = {2023}
}

H. Liechti, “This Track Contains Politics: The Culture of Sampling in Experimental Electronica,” , 2022.
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@Article{ liechti_this_2022,
title = {This {Track} {Contains} {Politics}: {The} {Culture} of
{Sampling} in {Experimental} {Electronica}},
doi = {10.24451/ARBOR.17486},
language  = {en},
author  = {Liechti, Hannes},
month = sep,
year = {2022}
}

S. Emmerson, “Living electronic music,” , 2007.
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@Article{ emmerson_living_2007,
address  = {Aldershot, Hants, England ; Burlington, VT},
title = {Living electronic music},
isbn = {978-0-7546-5546-6 978-0-7546-5548-0},
language  = {en},
author  = {Emmerson, Simon},
year = {2007}
}

L. Chessa, “Luigi Russolo, futurist: noise, visual arts, and the occult,” , 2012.
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@Article{ chessa_luigi_2012,
address  = {Berkeley},
title = {Luigi {Russolo}, futurist: noise, visual arts, and the
occult},
isbn = {978-0-520-27063-3 978-0-520-27064-0 978-0-520-95156-3},
language  = {en},
author  = {Chessa, Luciano},
year = {2012}
}

C. Lévi-Strauss and J. Kawada, “L’autre face de la lune: écrits sur le Japon,” , 2011.
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@Article{ levi-strauss_autre_2011,
address  = {Paris},
title = {L'autre face de la lune: écrits sur le {Japon}},
isbn = {978-2-02-103525-4},
language  = {fr},
author  = {Lévi-Strauss, Claude and Kawada, Junzō},
year = {2011}
}

W. E. Lorensen and H. E. Cline, “Marching Cubes: A High Resolution 3d Surface Construction Algorithm.”
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@Article{ lorensen_marching_nodate,
title = {Marching {Cubes}: {A} {High} {Resolution} 3d {Surface}
{Construction} {Algorithm}},
language  = {en},
author  = {Lorensen, William E and Cline, Harvey E}
}

“Communication and class struggle: an anthology in 2 volumes,” , 1979.
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@Article{ mattelart_communication_1979,
address  = {New York : Bagnolet, France},
title = {Communication and class struggle: an anthology in 2
volumes},
isbn = {978-0-88477-011-4},
language  = {en},
year = {1979}
}

N. Chomsky, “Media control: the spectacular achievements of propaganda,” , 1997.
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@Article{ chomsky_media_1997,
address  = {New York},
title = {Media control: the spectacular achievements of
propaganda},
isbn = {978-1-888363-49-4},
language  = {en},
author  = {Chomsky, Noam},
year = {1997}
}

G. L. Mosse, “Fascist Aesthetics and Society: Some Considerations,” Journal of contemporary history, 1996.
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@Article{ mosse_fascist_1996,
title = {Fascist {Aesthetics} and {Society}: {Some}
{Considerations}},
language  = {en},
journal  = {Journal of Contemporary History},
author  = {Mosse, George L.},
year = {1996}
}

E. Campbell, “Music After Deleuze,” , 2013.
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@Article{ campbell_music_2013,
title = {Music {After} {Deleuze}},
language  = {en},
author  = {Campbell, Edward},
year = {2013}
}

“Music, politics, and violence,” , 2012.
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@Article{ fast_music_2012,
address  = {Middletown, Conn},
title = {Music, politics, and violence},
isbn = {978-0-8195-7337-7 978-0-8195-7338-4 978-0-8195-7339-1},
language  = {en},
year = {2012}
}

S. Bhagwati, “Musiques non cochléaires – Partition, mouvement, espace.”
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@Article{ bhagwati_musiques_nodate,
title = {Musiques non cochléaires - {Partition}, mouvement,
espace},
language  = {fr},
author  = {Bhagwati, Sandeep}
}

B. Caramiaux, F. Lotte, J. Geurts, G. Amato, M. Behrmann, F. Bimbot, F. Falchi, A. Garcia, J. Gibert, G. Gravier, H. Holken, H. Koenitz, S. Lefebvre, A. Liutkus, A. Perkis, R. Redondo, E. Turrin, T. Viéville, and E. Vincent, “AI in the Media and Creative Industries,” , 2019.
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@Article{ caramiaux_ai_2019,
title = {{AI} in the {Media} and {Creative} {Industries}},
language  = {en},
author  = {Caramiaux, Baptiste and Lotte, Fabien and Geurts, Joost
and Amato, Giuseppe and Behrmann, Malte and Bimbot,
Frédéric and Falchi, Fabrizio and Garcia, Ander and
Gibert, Jaume and Gravier, Guillaume and Holken, Hadmut and
Koenitz, Hartmut and Lefebvre, Sylvain and Liutkus, Antoine
and Perkis, Andrew and Redondo, Rafael and Turrin, Enrico
and Viéville, Thierry and Vincent, Emmanuel},
year = {2019}
}

“Narrative Mechanics: Strategies and Meanings in Games and Real Life,” , 2021.
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@Article{ suter_narrative_2021,
address  = {Bielefeld, Germany},
title = {Narrative {Mechanics}: {Strategies} and {Meanings} in
{Games} and {Real} {Life}},
isbn = {978-3-8376-5345-8 978-3-8394-5345-2},
language  = {en},
month = jun,
year = {2021},
doi = {10.14361/9783839453452}
}

J. Kramár, T. Eccles, I. Gemp, A. Tacchetti, K. R. McKee, M. Malinowski, T. Graepel, and Y. Bachrach, “Negotiation and honesty in artificial intelligence methods for the board game of Diplomacy,” Nature communications, 2022.
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@Article{ kramar_negotiation_2022,
title = {Negotiation and honesty in artificial intelligence methods
for the board game of {Diplomacy}},
issn = {2041-1723},
doi = {10.1038/s41467-022-34473-5},
language  = {en},
journal  = {Nature Communications},
author  = {Kramár, János and Eccles, Tom and Gemp, Ian and
Tacchetti, Andrea and McKee, Kevin R. and Malinowski,
Mateusz and Graepel, Thore and Bachrach, Yoram},
month = dec,
year = {2022}
}

D. Trippett and B. Walton, “Nineteenth-Century Opera and the Scientific Imagination.”
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@Article{ trippett_nineteenth-century_nodate,
title = {Nineteenth-{Century} {Opera} and the {Scientific}
{Imagination}},
language  = {en},
author  = {Trippett, David and Walton, Benjamin}
}

E. Verhulst, “Non-sequential processing: history and future of.”
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@Article{ verhulst_non-sequential_nodate,
title = {Non-sequential processing: history and future of},
language  = {en},
author  = {Verhulst, Eric}
}

A. M. Leroi, B. Lambert, M. Mauch, M. Papadopoulou, S. Ananiadou, S. I. Lindberg, and P. Lindenfors, “On revolutions,” Palgrave communications, 2020.
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@Article{ leroi_revolutions_2020,
title = {On revolutions},
issn = {2055-1045},
doi = {10.1057/s41599-019-0371-1},
language  = {en},
journal  = {Palgrave Communications},
author  = {Leroi, Armand M. and Lambert, Ben and Mauch, Matthias and
Papadopoulou, Marina and Ananiadou, Sophia and Lindberg,
Staffan I. and Lindenfors, Patrik},
month = jan,
year = {2020}
}

P. Descola, “Par-delà nature et culture,” , 2005.
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@Article{ descola_par-a_2005,
title = {Par-delà nature et culture},
language  = {fr},
author  = {Descola, Philippe},
year = {2005}
}

B. Truax, “Paradigm Shifts and Electroacoustic Music: Some personal reflections,” Organised sound, 2015.
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@Article{ truax_paradigm_2015,
title = {Paradigm {Shifts} and {Electroacoustic} {Music}: {Some}
personal reflections},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771814000491},
language  = {en},
journal  = {Organised Sound},
author  = {Truax, Barry},
month = apr,
year = {2015}
}

S. Olive, T. Welti, and O. Khonsaripour, “PERCEPTION & MEASUREMENT OF HEADPHONE SOUND QUALITY: IS THERE A PREFERRED TARGET RESPONSE?.”
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@Article{ olive_perception_nodate,
title = {{PERCEPTION} \& {MEASUREMENT} {OF} {HEADPHONE} {SOUND}
{QUALITY}: {IS} {THERE} {A} {PREFERRED} {TARGET}
{RESPONSE}?},
language  = {en},
author  = {Olive, Sean and Welti, Todd and Khonsaripour, Omid}
}

“« Peut-on encore juger une œuvre pour ce qu’elle est et non en fonction d’une lecture sociétale ? ».”
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@Article{ noauthor__nodate,
title = {« {Peut}-on encore juger une œuvre pour ce qu’elle
est et non en fonction d’une lecture sociétale ? »},
language  = {fr}
}

L. Corbusier and F. Pérez, “Pabellón Philips: Bruselas, Bélgica,” Arq (santiago), 2006.
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@Article{ corbusier_pabellon_2006,
title = {Pabellón {Philips}: {Bruselas}, {Bélgica}},
issn = {0717-6996},
doi = {10.4067/S0717-69962006000200013},
language  = {es},
journal  = {ARQ (Santiago)},
author  = {Corbusier, Le and Pérez, Fernando},
month = aug,
year = {2006}
}

K. G. Binmore, “Playing for real: a text on game theory,” , 2007.
[Bibtex]

@Article{ binmore_playing_2007,
address  = {Oxford ; New York},
title = {Playing for real: a text on game theory},
isbn = {978-0-19-530057-4},
language  = {en},
author  = {Binmore, K. G.},
year = {2007}
}

B. Latour, “Politics of nature: how to bring the sciences into democracy,” , 2004.
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@Article{ latour_politics_2004,
address  = {Cambridge, Mass},
title = {Politics of nature: how to bring the sciences into
democracy},
isbn = {978-0-674-01289-9 978-0-674-01347-6},
language  = {en},
author  = {Latour, Bruno},
year = {2004}
}

“Karl Polanyi: the life and works of an epochal thinker,” , 2020.
[Bibtex]

@Article{ noauthor_karl_2020,
address  = {Wien},
title = {Karl {Polanyi}: the life and works of an epochal thinker},
isbn = {978-3-85439-689-5},
language  = {en},
year = {2020}
}

“Popular music in the post-digital age: politics, economy, culture and technology,” , 2019.
[Bibtex]

@Article{ mazierska_popular_2019,
address  = {New York, NY},
title = {Popular music in the post-digital age: politics, economy,
culture and technology},
isbn = {978-1-5013-3837-3},
language  = {en},
year = {2019}
}

H. Slager and H. Slager, “The postresearch condition,” , 2022.
[Bibtex]

@Article{ slager_postresearch_2022,
address  = {Utrecht},
title = {The postresearch condition},
isbn = {978-90-818302-7-0},
language  = {en},
author  = {Slager, Henk and Slager, Henk},
year = {2022}
}

A. Saranti, G. Eckel, and D. Pirrò, “Quantum Harmonic Oscillator Sonification,” , 2010.
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@Article{ hutchison_quantum_2010,
address  = {Berlin, Heidelberg},
title = {Quantum {Harmonic} {Oscillator} {Sonification}},
isbn = {978-3-642-12438-9 978-3-642-12439-6},
language  = {en},
booktitle  = {Auditory {Display}},
author  = {Saranti, Anna and Eckel, Gerhard and Pirrò, David},
year = {2010},
doi = {10.1007/978-3-642-12439-6_10}
}

J. Bresson, C. Agón, and G. Assayag, “The OM composer’s book,” , 2016.
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@Article{ bresson_om_2016,
address  = {Paris] [Sampzon},
title = {The {OM} composer's book},
isbn = {978-2-7521-0283-6},
language  = {en},
author  = {Bresson, Jean and Agón, Carlos and Assayag, Gérard},
year = {2016}
}

M. J. Puri, “Ravel the decadent: memory, sublimation, and desire,” , 2011.
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@Article{ puri_ravel_2011,
address  = {New York},
title = {Ravel the decadent: memory, sublimation, and desire},
isbn = {978-0-19-973537-2},
language  = {en},
author  = {Puri, Michael J.},
year = {2011}
}

V. Lazzarini, D. Keller, and N. Radivojević, “Issues of Ubimus Archaeology: Reconstructing Risset’s Music,” , 2022.
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@Article{ lazzarini_issues_2022,
title = {Issues of {Ubimus} {Archaeology}: {Reconstructing}
{Risset}’s {Music}},
language  = {en},
author  = {Lazzarini, Victor and Keller, Damián and Radivojević,
Nemanja},
year = {2022}
}

“Rethinking music,” , 1999.
[Bibtex]

@Article{ cook_rethinking_1999,
address  = {Oxford ; New York},
title = {Rethinking music},
isbn = {978-0-19-879003-7 978-0-19-879004-4},
language  = {en},
year = {1999}
}

“Rethinking Reich,” , 2019.
[Bibtex]

@Article{ gopinath_rethinking_2019,
address  = {New York, NY},
title = {Rethinking {Reich}},
isbn = {978-0-19-060528-5 978-0-19-060529-2},
language  = {en},
year = {2019}
}

O. Senn, C. Bullerjahn, L. Kilchenmann, and R. Von Georgi, “Rhythmic Density Affects Listeners’ Emotional Response to Microtiming,” Frontiers in psychology, 2017.
[Bibtex]

@Article{ senn_rhythmic_2017,
title = {Rhythmic {Density} {Affects} {Listeners}' {Emotional}
{Response} to {Microtiming}},
issn = {1664-1078},
doi = {10.3389/fpsyg.2017.01709},
language  = {en},
journal  = {Frontiers in Psychology},
author  = {Senn, Olivier and Bullerjahn, Claudia and Kilchenmann,
Lorenz and Von Georgi, Richard},
month = oct,
year = {2017}
}

X. Rodet, Y. Potard, and J. Barriere, “The CHANT Project: From the Synthesis of the Singing Voice to Synthesis in General,” Computer music journal, 1984.
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@Article{ rodet_chant_1984,
title = {The {CHANT} {Project}: {From} the {Synthesis} of the
{Singing} {Voice} to {Synthesis} in {General}},
issn = {01489267},
doi = {10.2307/3679810},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rodet, Xavier and Potard, Yves and Barriere,
Jean-Baptiste},
year = {1984}
}

“E6mit AbbLitho KH_mc.indd.”
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@Article{ noauthor_e6mit_nodate,
title = {E6mit {AbbLitho} {KH}\_mc.indd},
language  = {en}
}

N. Peleg, “Linear Prediction Coding.”
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@Article{ peleg_linear_nodate,
title = {Linear {Prediction} {Coding}},
language  = {en},
author  = {Peleg, Nimrod}
}

B. C. Hacker and J. M. Grimwood, “On the Shoulders of Titans: A History of Project Gemini.”
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@Article{ hacker_shoulders_nodate,
title = {On the {Shoulders} of {Titans}: {A} {History} of {Project}
{Gemini}},
language  = {en},
author  = {Hacker, Barton C. and Grimwood, James M.}
}

R. B. v. Rucker, P. L. Wilson, R. A. Wilson, M. Saenz, and J. Fleming, “Semiotext(e) SF,” , 1989.
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@Article{ rucker_semiotexte_1989,
address  = {New York, N.Y., USA},
title = {Semiotext(e) {SF}},
isbn = {978-0-936756-43-1},
language  = {eng},
author  = {Rucker, Rudy v. B. and Wilson, Peter Lamborn and Wilson,
Robert Anton and Saenz, Mike and Fleming, Jim},
year = {1989}
}

D. Peters, “Six Propositions on Artistic Research,” Chapter two.
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@Article{ peters_six_nodate,
title = {Six {Propositions} on {Artistic} {Research}},
language  = {en},
journal  = {Chapter Two},
author  = {Peters, Deniz}
}

M. Solomos, “CELLULAR AUTOMATA IN XENAKIS’ MUSIC. THEORY AND PRACTICE.”
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@Article{ solomos_cellular_nodate,
title = {{CELLULAR} {AUTOMATA} {IN} {XENAKIS}’ {MUSIC}. {THEORY}
{AND} {PRACTICE}},
language  = {en},
author  = {Solomos, Makis}
}

B. Eilish, “I grew up on the Beatles; I love Linkin Park and Green Day. I heard hip-hop for the first time at 11 and realized what I was missing.”
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@Article{ eilish_i_nodate,
title = {I grew up on the {Beatles}; {I} love {Linkin} {Park} and
{Green} {Day}. {I} heard hip-hop for the first time at 11
and realized what {I} was missing},
language  = {en},
author  = {Eilish, Billie}
}

M. Hart, “Life is about rhythm. We vibrate, our hearts are pumping blood, we are a rhythm machine, that’s what we are..”
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@Article{ hart_life_nodate,
title = {Life is about rhythm. {We} vibrate, our hearts are pumping
blood, we are a rhythm machine, that’s what we are.},
language  = {en},
author  = {Hart, Mickey}
}

M. Grimshaw and T. Garner, “Sonic virtuality: sound as emergent perception,” , 2015.
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@Article{ grimshaw_sonic_2015,
address  = {Oxford ; New York},
title = {Sonic virtuality: sound as emergent perception},
isbn = {978-0-19-939283-4},
language  = {en},
author  = {Grimshaw, Mark and Garner, Tom},
year = {2015}
}

P. Deymier and K. Runge, “Sound Topology, Duality, Coherence and Wave-Mixing,” , 2017.
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@Article{ deymier_sound_2017,
address  = {Cham},
title = {Sound {Topology}, {Duality}, {Coherence} and
{Wave}-{Mixing}},
isbn = {978-3-319-62379-5 978-3-319-62380-1},
language  = {en},
author  = {Deymier, Pierre and Runge, Keith},
year = {2017},
doi = {10.1007/978-3-319-62380-1}
}

A. V. Gorne and T. J. Guillamat, “Space, Sound And Acousmatic Music: The Heart Of The Research,” , 2015.
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@Article{ gorne_space_2015,
title = {Space, {Sound} {And} {Acousmatic} {Music}: {The} {Heart}
{Of} {The} {Research}},
language  = {en},
author  = {Gorne, Annette Vande and Guillamat, Translation Julien},
year = {2015}
}

B. Stiegler, “Il faut inventer aujourd’hui.”
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@Article{ stiegler_il_nodate,
title = {Il faut inventer aujourd’hui},
language  = {fr},
author  = {Stiegler, Bernard}
}

K. Stockhausen, “Electroacoustic Performance Practice,” Perspectives of new music, 1991.
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@Article{ stockhausen_electroacoustic_1991,
title = {Electroacoustic {Performance} {Practice}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Stockhausen, Karlheinz},
year = {1991}
}

A. Charleson, “Structure as Architecture: A source book for architects and structural engineers,” , 2014.
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@Article{ charleson_structure_2014,
title = {Structure as {Architecture}: {A} source book for
architects and structural engineers},
isbn = {978-1-315-76657-7},
language  = {en},
author  = {Charleson, Andrew},
month = jul,
year = {2014},
doi = {10.4324/9781315766577}
}

A. Lagae, S. Lefebvre, R. Cook, T. DeRose, G. Drettakis, D. S. Ebert, J. P. Lewis, K. Perlin, and M. Zwicker, “A Survey of Procedural Noise Functions,” Computer graphics forum, 2010.
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@Article{ lagae_survey_2010,
title = {A {Survey} of {Procedural} {Noise} {Functions}},
issn = {01677055},
doi = {10.1111/j.1467-8659.2010.01827.x},
language  = {en},
journal  = {Computer Graphics Forum},
author  = {Lagae, A. and Lefebvre, S. and Cook, R. and DeRose, T. and
Drettakis, G. and Ebert, D.S. and Lewis, J.P. and Perlin,
K. and Zwicker, M.},
month = dec,
year = {2010}
}

G. Sioros, M. Miron, M. Davies, F. Gouyon, and G. Madison, “Syncopation creates the sensation of groove in synthesized music examples,” Frontiers in psychology, 2014.
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@Article{ sioros_syncopation_2014,
title = {Syncopation creates the sensation of groove in synthesized
music examples},
issn = {1664-1078},
doi = {10.3389/fpsyg.2014.01036},
language  = {en},
journal  = {Frontiers in Psychology},
author  = {Sioros, George and Miron, Marius and Davies, Matthew and
Gouyon, Fabien and Madison, Guy},
month = sep,
year = {2014}
}

W. C. Mills, “The Sociological Imagination,” , 1959.
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@Article{ mills_sociological_1959,
title = {The {Sociological} {Imagination}},
language  = {en},
author  = {Mills, C Wright},
year = {1959}
}

S. Hagan, “Taking shape: a new contract between architecture and nature,” , 2001.
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@Article{ hagan_taking_2001,
address  = {Oxford Boston},
title = {Taking shape: a new contract between architecture and
nature},
isbn = {978-0-7506-4948-3},
language  = {en},
author  = {Hagan, Susannah},
year = {2001}
}

J. London, “Temporal Complexity in Modern and Post-Modern Music: A Critique from Cognitive Aesthetics.”
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@Article{ london_temporal_nodate,
title = {Temporal {Complexity} in {Modern} and {Post}-{Modern}
{Music}: {A} {Critique} from {Cognitive} {Aesthetics}},
language  = {en},
author  = {London, Justin}
}

G. Mazzola, J. Noer, Y. Pang, S. Yao, J. Afrisando, C. Rochester, and W. Neace, “The Future of Music: Towards a Computational Musical Theory of Everything,” , 2020.
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@Article{ mazzola_future_2020,
address  = {Cham},
title = {The {Future} of {Music}: {Towards} a {Computational}
{Musical} {Theory} of {Everything}},
isbn = {978-3-030-39708-1 978-3-030-39709-8},
language  = {en},
author  = {Mazzola, Guerino and Noer, Jason and Pang, Yan and Yao,
Shuhui and Afrisando, Jay and Rochester, Christopher and
Neace, William},
year = {2020},
doi = {10.1007/978-3-030-39709-8}
}

“The GPT-3 Architecture, on a Napkin.”
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@Article{ noauthor_gpt-3_nodate,
title = {The {GPT}-3 {Architecture}, on a {Napkin}},
language  = {en}
}

“The Illusions of Time: Philosophical and Psychological Essays on Timing and Time Perception,” , 2019.
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@Article{ arstila_illusions_2019,
address  = {Cham},
title = {The {Illusions} of {Time}: {Philosophical} and
{Psychological} {Essays} on {Timing} and {Time}
{Perception}},
isbn = {978-3-030-22047-1 978-3-030-22048-8},
language  = {en},
year = {2019},
doi = {10.1007/978-3-030-22048-8}
}

A. Masschelein, “The unconcept: the Freudian uncanny in late-twentieth-century theory,” , 2011.
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@Article{ masschelein_unconcept_2011,
address  = {Albany},
title = {The unconcept: the {Freudian} uncanny in
late-twentieth-century theory},
isbn = {978-1-4384-3553-4},
author  = {Masschelein, Anneleen},
year = {2011}
}

D. Temperley, “The cognition of basic musical structures,” , 2001.
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@Article{ temperley_cognition_2001,
address  = {Cambridge, Mass},
title = {The cognition of basic musical structures},
isbn = {978-0-262-20134-6},
language  = {en},
author  = {Temperley, David},
year = {2001}
}

P. C. Van den Toorn, “The music of Stravinsky: collected essays,” , 2023.
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@Article{ van_den_toorn_music_2023,
address  = {Singapore},
title = {The music of {Stravinsky}: collected essays},
isbn = {978-1-003-35916-6},
language  = {en},
author  = {Van den Toorn, Pieter C.},
year = {2023}
}

L. Gunther, “The Physics of Music and Color,” , 2012.
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@Article{ gunther_physics_2012,
address  = {New York, NY},
title = {The {Physics} of {Music} and {Color}},
isbn = {978-1-4614-0556-6 978-1-4614-0557-3},
language  = {en},
author  = {Gunther, Leon},
year = {2012},
doi = {10.1007/978-1-4614-0557-3}
}

C. By-Nc-Nd, “Grasshopper Collective Faculty of Architecture Nuremberg Tech.”
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@Article{ by-nc-nd_grasshopper_nodate,
title = {Grasshopper {Collective} {Faculty} of {Architecture}
{Nuremberg} {Tech}},
language  = {en},
author  = {By-Nc-Nd, Cc}
}

“The Tel quel reader: edited by Patrick ffrench and Roland-François Lack,” , 1998.
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@Article{ ffrench_tel_1998,
address  = {London ; New York},
title = {The {Tel} quel reader: edited by {Patrick} ffrench and
{Roland}-{François} {Lack}},
isbn = {978-0-415-15713-1 978-0-415-15714-8},
language  = {en},
year = {1998}
}

M. Mauch, R. M. MacCallum, M. Levy, and A. M. Leroi, “The Evolution of Popular Music: USA 1960-2010,” Royal society open science, 2015.
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@Article{ mauch_evolution_2015,
title = {The {Evolution} of {Popular} {Music}: {USA} 1960-2010},
issn = {2054-5703},
doi = {10.1098/rsos.150081},
language  = {en},
journal  = {Royal Society Open Science},
author  = {Mauch, Matthias and MacCallum, Robert M. and Levy, Mark
and Leroi, Armand M.},
month = may,
year = {2015}
}

J. Bell, “Time and Causation in Gödel’s Universe.”
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@Article{ bell_time_nodate,
title = {Time and {Causation} in {Gödel}’s {Universe}},
language  = {en},
author  = {Bell, John}
}

P. Dutré, “Global Illumination Compendium.”
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@Article{ dutre_global_nodate,
title = {Global {Illumination} {Compendium}},
language  = {en},
author  = {Dutré, Philip}
}

M. G. Kirschenbaum, “Track changes: a literary history of word processing,” , 2016.
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@Article{ kirschenbaum_track_2016,
address  = {Cambridge, Massachusetts},
title = {Track changes: a literary history of word processing},
isbn = {978-0-674-41707-6},
language  = {en},
author  = {Kirschenbaum, Matthew G.},
year = {2016}
}

M. Griffis and L. Epstein, “Trading for dummies,” , 2009.
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@Article{ griffis_trading_2009,
address  = {Hoboken, NJ},
title = {Trading for dummies},
isbn = {978-0-470-43840-4 978-0-470-52710-8 978-0-470-52711-5
978-0-470-52713-9},
language  = {en},
author  = {Griffis, Michael and Epstein, Lita},
year = {2009}
}

G. Allen, “Understanding AI Technology,” , 2020.
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@Article{ allen_understanding_2020,
title = {Understanding {AI} {Technology}},
language  = {en},
author  = {Allen, Greg},
year = {2020}
}

Téo. Sanchez, B. Caramiaux, J. Françoise, F. Bevilacqua, and W. E. Mackay, “How do People Train a Machine?: Strategies and (Mis)Understandings,” Proceedings of the acm on human-computer interaction, 2021.
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@Article{ sanchez_how_2021,
title = {How do {People} {Train} a {Machine}?: {Strategies} and
({Mis}){Understandings}},
issn = {2573-0142},
doi = {10.1145/3449236},
language  = {en},
journal  = {Proceedings of the ACM on Human-Computer Interaction},
author  = {Sanchez, Téo and Caramiaux, Baptiste and Françoise,
Jules and Bevilacqua, Frédéric and Mackay, Wendy E.},
month = apr,
year = {2021}
}

“Vangelis_obituary.”
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@Article{ noauthor_vangelis_obituary_nodate,
title = {Vangelis\_Obituary},
language  = {en}
}

J. Di Leo, “Vinyl Theory,” , 2020.
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@Article{ di_leo_vinyl_2020,
address  = {Ann Arbor, MI},
title = {Vinyl {Theory}},
isbn = {978-1-64315-015-4 978-1-64315-016-1},
language  = {en},
author  = {Di Leo, Jeffrey},
year = {2020},
doi = {10.3998/mpub.11676127}
}

T. Kvifte, P. Donhauser, and D. Toop, “The Oramics Machine and the Origins of British Electronic and Computer Music.”
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@Article{ kvifte_oramics_nodate,
title = {The {Oramics} {Machine} and the {Origins} of {British}
{Electronic} and {Computer} {Music}},
language  = {en},
author  = {Kvifte, Telley and Donhauser, Peter and Toop, David}
}

C. Nast, “What Makes an Artist in the Age of Algorithms?.”
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@Article{ nast_what_nodate,
title = {What {Makes} an {Artist} in the {Age} of {Algorithms}?},
language  = {en},
author  = {Nast, Condé}
}

S. D. Kelly, “Why creativity is, and always will be, a human endeavor.”
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@Article{ kelly_why_nodate,
title = {Why creativity is, and always will be, a human endeavor},
language  = {en},
author  = {Kelly, Sean Dorrance}
}

G. Madison and G. Sioros, “What musicians do to induce the sensation of groove in simple and complex melodies, and how listeners perceive it,” Frontiers in psychology, 2014.
[Bibtex]

@Article{ madison_what_2014,
title = {What musicians do to induce the sensation of groove in
simple and complex melodies, and how listeners perceive
it},
issn = {1664-1078},
doi = {10.3389/fpsyg.2014.00894},
language  = {en},
journal  = {Frontiers in Psychology},
author  = {Madison, Guy and Sioros, George},
month = aug,
year = {2014}
}

C. Metz, “When A.I. Falls in Love.”
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@Article{ metz_when_nodate,
title = {When {A}.{I}. {Falls} in {Love}},
language  = {en},
author  = {Metz, Cade}
}

K. M. Hirt, “When machines play Chopin: musical spirit and automation in Nineteenth-Century German literature,” , 2010.
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@Article{ hirt_when_2010,
address  = {New York},
title = {When machines play {Chopin}: musical spirit and automation
in {Nineteenth}-{Century} {German} literature},
isbn = {978-3-11-023239-4},
language  = {en},
author  = {Hirt, Katherine Maree},
year = {2010}
}

K. Kelly, “Why we need to create AI that thinks in ways that we can’t even imagine.”
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@Article{ kelly_why_nodate-1,
title = {Why we need to create {AI} that thinks in ways that we
can’t even imagine},
language  = {en},
author  = {Kelly, Kevin}
}

M. Loukides, “Why we need to think differently about AI.”
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@Article{ loukides_why_nodate,
title = {Why we need to think differently about {AI}},
language  = {en},
author  = {Loukides, Mike}
}

“World modelling: architectural models in the 21st century,” , 2021.
[Bibtex]

@Article{ morris_world_2021,
address  = {Oxford},
title = {World modelling: architectural models in the 21st
century},
isbn = {978-1-119-74722-2},
language  = {en},
year = {2021}
}

T. Ziemer, “Wave Field Synthesis,” , 2020.
[Bibtex]

@Article{ ziemer_wave_2020,
address  = {Cham},
title = {Wave {Field} {Synthesis}},
isbn = {978-3-030-23032-6 978-3-030-23033-3},
language  = {en},
booktitle  = {Psychoacoustic {Music} {Sound} {Field} {Synthesis}},
author  = {Ziemer, Tim},
collaborator  = {Ziemer, Tim},
year = {2020},
doi = {10.1007/978-3-030-23033-3_8}
}

F. Zotter and M. Frank, “Ambisonics: A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality,” , 2019.
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@Article{ zotter_ambisonics_2019,
address  = {Cham},
title = {Ambisonics: {A} {Practical} {3D} {Audio} {Theory} for
{Recording}, {Studio} {Production}, {Sound}
{Reinforcement}, and {Virtual} {Reality}},
isbn = {978-3-030-17206-0 978-3-030-17207-7},
language  = {en},
author  = {Zotter, Franz and Frank, Matthias},
year = {2019},
doi = {10.1007/978-3-030-17207-7}
}

A. Menges, “Polymorphism Frei Otto,” Architectural design, 2006.
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@Article{ menges_polymorphism_2006,
title = {Polymorphism {Frei} {Otto}},
issn = {0003-8504, 1554-2769},
doi = {10.1002/ad.243},
language  = {en},
journal  = {Architectural Design},
author  = {Menges, Achim},
month = mar,
year = {2006}
}

B. Stiegler, “Our Automated Lives: An Interview with Denis Podalydès.”
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@Article{ stiegler_our_nodate,
title = {Our {Automated} {Lives}: {An} {Interview} with {Denis}
{Podalydès}},
language  = {en},
author  = {Stiegler, Bernard}
}

J. Bellona, “Physical Intentions: Exploring Michel Waisvisz’s \textitThe Hands (Movement 1),” Organised sound, 2017.
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@Article{ bellona_physical_2017,
title = {Physical {Intentions}: {Exploring} {Michel} {Waisvisz}’s
\textit{{The} {Hands} ({Movement} 1)}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771817000450},
language  = {en},
journal  = {Organised Sound},
author  = {Bellona, Jon},
month = dec,
year = {2017}
}

D. Meredith, “Meredith Music Analysis And Kolmogorov Complexity,” , 2012.
[Bibtex]

@Article{ meredith_meredith_2012,
title = {Meredith {Music} {Analysis} {And} {Kolmogorov}
{Complexity}},
language  = {en},
author  = {Meredith, David},
year = {2012}
}

L. Brümmer, “Composition and Perception in Spatial Audio,” Computer music journal, 2017.
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@Article{ brummer_composition_2017,
title = {Composition and {Perception} in {Spatial} {Audio}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00402},
language  = {en},
journal  = {Computer Music Journal},
author  = {Brümmer, Ludger},
month = mar,
year = {2017}
}

C. Ó. Nuanáin, P. Herrera, and S. Jordá, “Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation,” Computer music journal, 2017.
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@Article{ nuanain_rhythmic_2017,
title = {Rhythmic {Concatenative} {Synthesis} for {Electronic}
{Music}: {Techniques}, {Implementation}, and {Evaluation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00412},
language  = {en},
journal  = {Computer Music Journal},
author  = {Nuanáin, Cárthach Ó and Herrera, Perfecto and Jordá,
Sergi},
month = jun,
year = {2017}
}

A. Martin, C. T. Jin, and O. Bown, “Design and Evaluation of Agents that Sequence and Juxtapose Short Musical Patterns in Real Time,” Computer music journal, 2017.
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@Article{ martin_design_2017,
title = {Design and {Evaluation} of {Agents} that {Sequence} and
{Juxtapose} {Short} {Musical} {Patterns} in {Real} {Time}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00439},
language  = {en},
journal  = {Computer Music Journal},
author  = {Martin, Aengus and Jin, Craig T. and Bown, Oliver},
month = dec,
year = {2017}
}

S. Fasciani and L. Wyse, “Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning,” Computer music journal, 2018.
[Bibtex]

@Article{ fasciani_vocal_2018,
title = {Vocal {Control} of {Sound} {Synthesis} {Personalized} by
{Unsupervised} {Machine} {Listening} and {Learning}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00450},
language  = {en},
journal  = {Computer Music Journal},
author  = {Fasciani, Stefano and Wyse, Lonce},
month = apr,
year = {2018}
}

J. Gravner and K. Johnson, “Coupled Map Lattices as Musical Instruments,” Computer music journal, 2018.
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@Article{ gravner_coupled_2018,
title = {Coupled {Map} {Lattices} as {Musical} {Instruments}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00458},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gravner, Janko and Johnson, Kyle},
month = jun,
year = {2018}
}

M. Gentilucci, L. Ardaillon, and M. Liuni, “Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness,” Computer music journal, 2018.
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@Article{ gentilucci_composing_2018,
title = {Composing {Vocal} {Distortion}: {A} {Tool} for
{Real}-{Time} {Generation} of {Roughness}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00485},
language  = {en},
journal  = {Computer Music Journal},
author  = {Gentilucci, Marta and Ardaillon, Luc and Liuni, Marco},
month = dec,
year = {2018}
}

L. Döbereiner, “Between the Abstract and the Concrete: A Constraint-Based Approach to Navigating Instrumental Space,” Computer music journal, 2019.
[Bibtex]

@Article{ dobereiner_between_2019,
title = {Between the {Abstract} and the {Concrete}: {A}
{Constraint}-{Based} {Approach} to {Navigating}
{Instrumental} {Space}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00497},
language  = {en},
journal  = {Computer Music Journal},
author  = {Döbereiner, Luc},
month = jan,
year = {2019}
}

S. Bilbao, C. Desvages, M. Ducceschi, B. Hamilton, R. Harrison-Harsley, A. Torin, and C. Webb, “Physical Modeling, Algorithms, and Sound Synthesis: The NESS Project,” Computer music journal, 2019.
[Bibtex]

@Article{ bilbao_physical_2019,
title = {Physical {Modeling}, {Algorithms}, and {Sound}
{Synthesis}: {The} {NESS} {Project}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00516},
language  = {en},
journal  = {Computer Music Journal},
author  = {Bilbao, Stefan and Desvages, Charlotte and Ducceschi,
Michele and Hamilton, Brian and Harrison-Harsley, Reginald
and Torin, Alberto and Webb, Craig},
month = jun,
year = {2019}
}

K. Déguernel, E. Vincent, J. Nika, G. Assayag, and K. Smaïli, “Learning of Hierarchical Temporal Structures for Guided Improvisation,” Computer music journal, 2019.
[Bibtex]

@Article{ deguernel_learning_2019,
title = {Learning of {Hierarchical} {Temporal} {Structures} for
{Guided} {Improvisation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00521},
language  = {en},
journal  = {Computer Music Journal},
author  = {Déguernel, Ken and Vincent, Emmanuel and Nika, Jérôme
and Assayag, Gérard and Smaïli, Kamel},
month = jun,
year = {2019}
}

G. Wassermann and M. Glickman, “Automated Harmonization of Bass Lines from Bach Chorales: A Hybrid Approach,” Computer music journal, 2019.
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@Article{ wassermann_automated_2019,
title = {Automated {Harmonization} of {Bass} {Lines} from {Bach}
{Chorales}: {A} {Hybrid} {Approach}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00523},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wassermann, Gilbert and Glickman, Mark},
month = jun,
year = {2019}
}

T. Mudd, S. Holland, and P. Mulholland, “The Role of Nonlinear Dynamics in Musicians’ Interactions with Digital and Acoustic Musical Instruments,” Computer music journal, 2019.
[Bibtex]

@Article{ mudd_role_2019,
title = {The {Role} of {Nonlinear} {Dynamics} in {Musicians}'
{Interactions} with {Digital} and {Acoustic} {Musical}
{Instruments}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00535},
language  = {en},
journal  = {Computer Music Journal},
author  = {Mudd, Tom and Holland, Simon and Mulholland, Paul},
month = dec,
year = {2019}
}

S. Canazza and G. D. Poli, “Four Decades of Music Research, Creation, and Education at Padua’s Centro di Sonologia Computazionale,” Computer music journal, 2019.
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@Article{ canazza_four_2019,
title = {Four {Decades} of {Music} {Research}, {Creation}, and
{Education} at {Padua}'s {Centro} di {Sonologia}
{Computazionale}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00537},
language  = {en},
journal  = {Computer Music Journal},
author  = {Canazza, Sergio and Poli, Giovanni De},
month = dec,
year = {2019}
}

R. Bunschoten, D. Fantini van Ditmar, R. Espejo, M. Hohl, T. Jachna, and A. Jain, “Cybernetics: state of the art,” , 2017.
[Bibtex]

@Article{ werner_cybernetics_2017,
address  = {Berlin},
title = {Cybernetics: state of the art},
isbn = {978-3-7983-2953-9},
language  = {en},
author  = {Bunschoten, Raoul and Fantini van Ditmar, Delfina and
Espejo, Raúl and Hohl, Michael and Jachna, Tim and Jain,
Arun},
year = {2017}
}

J. Sheaﬀer, “WaveCloud: an open source room acoustics simulator using the ﬁnite difference time domain method,” , 2014.
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@Article{ sheaer_wavecloud_2014,
title = {{WaveCloud}: an open source room acoustics simulator using
the ﬁnite difference time domain method},
language  = {en},
author  = {Sheaﬀer, Jonathan},
year = {2014}
}

V. Kostka, P. F. de Castro, and W. A. Everett, “Intertextuality in music: dialogic composition,” , 2021.
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@Article{ kostka_intertextuality_2021,
address  = {Place of publication not identified},
title = {Intertextuality in music: dialogic composition},
isbn = {978-1-000-39732-1},
language  = {en},
author  = {Kostka, Violetta and Castro, Paulo F. de and Everett,
William A.},
year = {2021}
}

J. Engel, K. K. Agrawal, S. Chen, I. Gulrajani, C. Donahue, and A. Roberts, “GanSynth: Adversial Neural Audio Synthesis,” , 2019.
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@Article{ engel_gansynth_2019,
title = {{GanSynth}: {Adversial} {Neural} {Audio} {Synthesis}},
language  = {en},
author  = {Engel, Jesse and Agrawal, Kumar Krishna and Chen, Shuo and
Gulrajani, Ishaan and Donahue, Chris and Roberts, Adam},
year = {2019}
}

G. Toussaint, “The Geometry of Musical Rhythm,” , 2005.
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@Article{ hutchison_geometry_2005,
address  = {Berlin, Heidelberg},
title = {The {Geometry} of {Musical} {Rhythm}},
isbn = {978-3-540-30467-8 978-3-540-32089-0},
language  = {en},
booktitle  = {Discrete and {Computational} {Geometry}},
author  = {Toussaint, Godfried},
year = {2005},
doi = {10.1007/11589440_20}
}

N. Chare and M. Swiboda, “The Ghost in the Interview: Spectres of Mnemotechnics in “Our Automated Lives”.”
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@Article{ chare_ghost_nodate,
title = {The {Ghost} in the {Interview}: {Spectres} of
{Mnemotechnics} in “{Our} {Automated} {Lives}”},
language  = {en},
author  = {Chare, Nicholas and Swiboda, Marcel}
}

R. B. Greve, E. J. Jacobsen, and S. Risi, “Evolving Neural Turing Machines for Reward-based Learning,” , 2016.
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@Article{ greve_evolving_2016,
address  = {Denver Colorado USA},
title = {Evolving {Neural} {Turing} {Machines} for {Reward}-based
{Learning}},
isbn = {978-1-4503-4206-3},
doi = {10.1145/2908812.2908930},
language  = {en},
booktitle  = {Proceedings of the {Genetic} and {Evolutionary}
{Computation} {Conference} 2016},
author  = {Greve, Rasmus Boll and Jacobsen, Emil Juul and Risi,
Sebastian},
month = jul,
year = {2016}
}

G. Debord, “Society of the Spectacle.”
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@Article{ debord_society_nodate,
title = {Society of the {Spectacle}},
author  = {Debord, Guy}
}

J. C. Hart, “Sphere tracing: a geometric method for the antialiased ray tracing of implicit surfaces,” The visual computer, 1996.
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@Article{ hart_sphere_1996,
title = {Sphere tracing: a geometric method for the antialiased ray
tracing of implicit surfaces},
issn = {01782789},
doi = {10.1007/s003710050084},
language  = {en},
journal  = {The Visual Computer},
author  = {Hart, John C.},
month = dec,
year = {1996}
}

S. Helmreich, “An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography,” American ethnologist, 2007.
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@Article{ helmreich_anthropologist_2007,
title = {An anthropologist underwater: {Immersive} soundscapes,
submarine cyborgs, and transductive ethnography},
issn = {00940496},
doi = {10.1525/ae.2007.34.4.621},
language  = {en},
journal  = {American Ethnologist},
author  = {Helmreich, Stefan},
month = nov,
year = {2007}
}

J. Kleimola, “Nonlinear Abstract Sound Synthesis Algorithms.”
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@Article{ kleimola_nonlinear_nodate,
title = {Nonlinear {Abstract} {Sound} {Synthesis} {Algorithms}},
language  = {en},
author  = {Kleimola, Jari}
}

I. Salakka, A. Pitkäniemi, E. Pentikäinen, K. Mikkonen, P. Saari, P. Toiviainen, and T. Särkämö, “What makes music memorable? Relationships between acoustic musical features and music-evoked emotions and memories in older adults,” Plos one, 2021.
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@Article{ salakka_what_2021,
title = {What makes music memorable? {Relationships} between
acoustic musical features and music-evoked emotions and
memories in older adults},
issn = {1932-6203},
doi = {10.1371/journal.pone.0251692},
language  = {en},
journal  = {PLOS ONE},
author  = {Salakka, Ilja and Pitkäniemi, Anni and Pentikäinen, Emmi
and Mikkonen, Kari and Saari, Pasi and Toiviainen, Petri
and Särkämö, Teppo},
month = may,
year = {2021}
}

J. T. Kajiya, “THE RENDERING EQUATION,” , 1986.
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@Article{ kajiya_rendering_1986,
title = {{THE} {RENDERING} {EQUATION}},
language  = {en},
author  = {Kajiya, James T},
year = {1986}
}

S. Bartlett and M. L. Wong, “Defining Lyfe in the Universe: From Three Privileged Functions to Four Pillars,” Life, 2020.
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@Article{ bartlett_defining_2020,
title = {Defining {Lyfe} in the {Universe}: {From} {Three}
{Privileged} {Functions} to {Four} {Pillars}},
issn = {2075-1729},
doi = {10.3390/life10040042},
language  = {en},
journal  = {Life},
author  = {Bartlett, Stuart and Wong, Michael L.},
month = apr,
year = {2020}
}

V. G. Perminov, “The Difficult Road to Mars.”
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@Article{ perminov_difficult_nodate,
title = {The {Difficult} {Road} to {Mars}},
language  = {en},
author  = {Perminov, V G}
}

R. F. Moore, “Dreams of Computer Music: Then and Now,” Computer music journal, 1996.
[Bibtex]

@Article{ moore_dreams_1996,
title = {Dreams of {Computer} {Music}: {Then} and {Now}},
issn = {01489267},
doi = {10.2307/3681267},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moore, F. Richard},
year = {1996}
}

B. Rappin, “Algorithme, management, crise : le triptyque cybernétique du gouvernement de l’exception permanente,” Quaderni, 2018.
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@Article{ rappin_algorithme_2018,
title = {Algorithme, management, crise : le triptyque cybernétique
du gouvernement de l’exception permanente},
issn = {0987-1381, 2105-2956},
doi = {10.4000/quaderni.1182},
language  = {fr},
journal  = {Quaderni},
author  = {Rappin, Baptiste},
month = may,
year = {2018}
}

B. F. G. Katz and M. Mervant-Roux, “Comment entendre le passé ? Quelques leçons d’une collaboration de recherche entre acousticiens et spécialistes d’études théâtrales,” Revue sciences/lettres, 2019.
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@Article{ katz_comment_2019,
title = {Comment entendre le passé ? {Quelques} leçons d’une
collaboration de recherche entre acousticiens et
spécialistes d’études théâtrales},
issn = {2271-6246},
doi = {10.4000/rsl.1645},
language  = {fr},
journal  = {Revue Sciences/Lettres},
author  = {Katz, Brian F. G. and Mervant-Roux, Marie-Madeleine},
month = feb,
year = {2019}
}

H. Bouvier, “De l’usage expérimental des archives audio dans la recherche sur la mémoire des spectateurs,” Revue sciences/lettres, 2019.
[Bibtex]

@Article{ bouvier_lusage_2019,
title = {De l’usage expérimental des archives audio dans la
recherche sur la mémoire des spectateurs},
issn = {2271-6246},
doi = {10.4000/rsl.1743},
language  = {fr},
journal  = {Revue Sciences/Lettres},
author  = {Bouvier, Hélène},
month = feb,
year = {2019}
}

É. Monin, “Les techniques pionnières des premiers spectacles son et lumière,” Revue sciences/lettres, 2019.
[Bibtex]

@Article{ monin_techniques_2019,
title = {Les techniques pionnières des premiers spectacles son et
lumière},
issn = {2271-6246},
doi = {10.4000/rsl.2154},
language  = {fr},
journal  = {Revue Sciences/Lettres},
author  = {Monin, Éric},
month = feb,
year = {2019}
}

T. M. Waring and Z. T. Wood, “Long-term gene–culture coevolution and the human evolutionary transition,” Proceedings of the royal society b: biological sciences, 2021.
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@Article{ waring_long-term_2021,
title = {Long-term gene–culture coevolution and the human
evolutionary transition},
issn = {0962-8452, 1471-2954},
doi = {10.1098/rspb.2021.0538},
language  = {en},
journal  = {Proceedings of the Royal Society B: Biological Sciences},
author  = {Waring, Timothy M. and Wood, Zachary T.},
month = jun,
year = {2021}
}

N. Cristianini and T. Scantamburlo, “On social machines for algorithmic regulation,” Ai & society, 2020.
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@Article{ cristianini_social_2020,
title = {On social machines for algorithmic regulation},
issn = {0951-5666, 1435-5655},
doi = {10.1007/s00146-019-00917-8},
language  = {en},
journal  = {AI \& SOCIETY},
author  = {Cristianini, Nello and Scantamburlo, Teresa},
month = sep,
year = {2020}
}

M. Puckette, “Maximally uniform sequences from stochastic processes.”
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@Article{ puckette_maximally_nodate,
title = {Maximally uniform sequences from stochastic processes},
language  = {en},
author  = {Puckette, Miller}
}

D. Doty, “Theory of algorithmic self-assembly,” Communications of the acm, 2012.
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@Article{ doty_theory_2012,
title = {Theory of algorithmic self-assembly},
issn = {0001-0782, 1557-7317},
doi = {10.1145/2380656.2380675},
language  = {en},
journal  = {Communications of the ACM},
author  = {Doty, David},
month = dec,
year = {2012}
}

T. Taylor and A. Dorin, “Rise of the Self-Replicators.”
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@Article{ taylor_rise_nodate,
title = {Rise of the {Self}-{Replicators}},
language  = {en},
author  = {Taylor, Tim and Dorin, Alan}
}

E. Veach, “ROBUST MONTE CARLO METHODS FOR LIGHT TRANSPORT SIMULATION.”
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@Article{ veach_robust_nodate,
title = {{ROBUST} {MONTE} {CARLO} {METHODS} {FOR} {LIGHT}
{TRANSPORT} {SIMULATION}},
language  = {en},
author  = {Veach, Eric}
}

C. Levaux, “La Monte Young vs The Velvet, Minimalisme vs Punk, savant vs populaire : constructions et déconstructions postmodernes,” Volume !, 2015.
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@Article{ levaux_monte_2015,
title = {La {Monte} {Young} vs {The} {Velvet}, {Minimalisme} vs
{Punk}, savant vs populaire : constructions et
déconstructions postmodernes},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.4441},
language  = {fr},
journal  = {Volume !},
author  = {Levaux, Christophe},
month = jun,
year = {2015}
}

J. Wilk, “Mind, Nature and the Emerging Science of Change: An Introduction to Metamorphology,” , 1999.
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@Article{ cornelis_mind_1999,
address  = {Dordrecht},
title = {Mind, {Nature} and the {Emerging} {Science} of {Change}:
{An} {Introduction} to {Metamorphology}},
isbn = {978-90-481-5242-1 978-94-017-2245-2},
language  = {en},
booktitle  = {Metadebates on {Science}},
author  = {Wilk, James},
year = {1999},
doi = {10.1007/978-94-017-2245-2_6}
}

R. Cendo, “« Nous avons péché par arrogance, persuadés d’être les seuls penseurs de la musique et du son, et nous payons aujourd’hui le prix de notre consanguinité »,” , 2022.
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@Article{ cendo__2022,
title = {« {Nous} avons péché par arrogance, persuadés
d’être les seuls penseurs de la musique et du son, et
nous payons aujourd’hui le prix de notre consanguinité
»},
language  = {fr},
author  = {Cendo, Raphaël},
year = {2022}
}

G. Goos, J. Hartmanis, J. van Leeuwen, D. Hutchison, T. Kanade, J. Kittler, J. M. Kleinberg, A. Kobsa, F. Mattern, J. C. Mitchell, M. Naor, O. Nierstrasz, P. C. Rangan, and B. Steffen, “Lecture Notes in Computer Science.”
[Bibtex]

@Article{ goos_lecture_nodate,
title = {Lecture {Notes} in {Computer} {Science}},
language  = {en},
author  = {Goos, Gerhard and Hartmanis, Juris and van Leeuwen, Jan
and Hutchison, David and Kanade, Takeo and Kittler, Josef
and Kleinberg, Jon M and Kobsa, Alfred and Mattern,
Friedemann and Mitchell, John C and Naor, Moni and
Nierstrasz, Oscar and Rangan, C Pandu and Steffen,
Bernhard}
}

“Evolutionary and Biologically Inspired Music, Sound, Art and Design,” , 2016.
[Bibtex]

@Article{ johnson_evolutionary_2016,
address  = {Cham},
title = {Evolutionary and {Biologically} {Inspired} {Music},
{Sound}, {Art} and {Design}},
isbn = {978-3-319-31007-7 978-3-319-31008-4},
language  = {en},
year = {2016},
doi = {10.1007/978-3-319-31008-4}
}

“Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers,” , 2016.
[Bibtex]

@Article{ kronland-martinet_music_2016,
address  = {Cham},
title = {Music, {Mind}, and {Embodiment}: 11th {International}
{Symposium}, {CMMR} 2015, {Plymouth}, {UK}, {June} 16-19,
2015, {Revised} {Selected} {Papers}},
isbn = {978-3-319-46281-3 978-3-319-46282-0},
language  = {en},
year = {2016},
doi = {10.1007/978-3-319-46282-0}
}

R. Normandeau, “Timbre Spatialisation: The medium is the space,” Organised sound, 2009.
[Bibtex]

@Article{ normandeau_timbre_2009,
title = {Timbre {Spatialisation}: {The} medium is the space},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771809990094},
language  = {en},
journal  = {Organised Sound},
author  = {Normandeau, Robert},
month = dec,
year = {2009}
}

P. Lindborg, “Frederic Voisin A La Recherche D’Une Neuromuse,” , 2003.
[Bibtex]

@Article{ lindborg_frederic_2003,
title = {Frederic {Voisin} {A} {La} {Recherche} {D}’{Une}
{Neuromuse}},
language  = {fr},
author  = {Lindborg, PerMagnus},
year = {2003}
}

T. Hecker, “Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio,” Leonardo music journal, 2008.
[Bibtex]

@Article{ hecker_glenn_2008,
title = {Glenn {Gould}, the {Vanishing} {Performer} and the
{Ambivalence} of the {Studio}},
issn = {0961-1215},
doi = {10.1162/lmj.2008.18.77},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Hecker, Tim},
month = dec,
year = {2008}
}

K. N. Hayles, “Chaos bound: orderly disorder in contemporary literature and science,” , 1990.
[Bibtex]

@Article{ hayles_chaos_1990,
address  = {Ithaca, N.Y},
title = {Chaos bound: orderly disorder in contemporary literature
and science},
isbn = {978-0-8014-2262-1 978-0-8014-9701-8},
language  = {en},
author  = {Hayles, N. Katherine},
year = {1990}
}

B. Haymond, “A Modern Worldview from Plato’s Cave,” , 2009.
[Bibtex]

@Article{ haymond_modern_2009,
title = {A {Modern} {Worldview} from {Plato}'s {Cave}},
language  = {en},
author  = {Haymond, Bryce},
year = {2009}
}

S. Haynes, “The Computer as a Sound Processor: A Tutorial,” Computer music journal, 1982.
[Bibtex]

@Article{ haynes_computer_1982,
title = {The {Computer} as a {Sound} {Processor}: {A} {Tutorial}},
issn = {01489267},
doi = {10.2307/3680354},
language  = {en},
journal  = {Computer Music Journal},
author  = {Haynes, Stanley},
year = {1982}
}

S. Haynes, “The Musician-Machine Interface in Digital Sound Synthesis,” Computer music journal, 1980.
[Bibtex]

@Article{ haynes_musician-machine_1980,
title = {The {Musician}-{Machine} {Interface} in {Digital} {Sound}
{Synthesis}},
issn = {01489267},
doi = {10.2307/3679464},
language  = {en},
journal  = {Computer Music Journal},
author  = {Haynes, Stanley},
year = {1980}
}

C. G. Healey and A. P. Sawant, “On the limits of resolution and visual angle in visualization,” Acm transactions on applied perception, 2012.
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@Article{ healey_limits_2012,
title = {On the limits of resolution and visual angle in
visualization},
issn = {1544-3558, 1544-3965},
doi = {10.1145/2355598.2355603},
language  = {en},
journal  = {ACM Transactions on Applied Perception},
author  = {Healey, Christopher G. and Sawant, Amit P.},
month = oct,
year = {2012}
}

A. Heathcote, “Art, fantasme, idéologie: L’esthétique libidinale de Jean-François Lyotard,” Appareil, 2012.
[Bibtex]

@Article{ heathcote_art_2012,
title = {Art, fantasme, idéologie: {L}’esthétique libidinale de
{Jean}-{François} {Lyotard}},
issn = {2101-0714},
doi = {10.4000/appareil.1507},
language  = {fr},
journal  = {Appareil},
author  = {Heathcote, Abigail},
month = dec,
year = {2012}
}

F. Hedelin, “Formalising Form: An Alternative Approach To Algorithmic Composition,” Organised sound, 2008.
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@Article{ hedelin_formalising_2008,
title = {Formalising {Form}: {An} {Alternative} {Approach} {To}
{Algorithmic} {Composition}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771808000344},
language  = {en},
journal  = {Organised Sound},
author  = {Hedelin, Fredrik},
month = dec,
year = {2008}
}

P. Hegarty, “Noise threshold: Merzbow and the end of natural sound,” Organised sound, 2001.
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@Article{ hegarty_noise_2001,
title = {Noise threshold: {Merzbow} and the end of natural sound},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771801003053},
language  = {en},
journal  = {Organised Sound},
author  = {Hegarty, Paul},
month = dec,
year = {2001}
}

A. M. Hein and S. Baxter, “Artificial Intelligence for Interstellar Travel,” , 2018.
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@Article{ hein_artificial_2018,
title = {Artificial {Intelligence} for {Interstellar} {Travel}},
language  = {en},
author  = {Hein, Andreas M. and Baxter, Stephen},
month = nov,
year = {2018}
}

S. Hein and A. Zakhor, “Halftone to Continuous-Tone Conversion of Error-Diffusion Coded Images,” Ieee transactions on image processing, 1995.
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@Article{ hein_halftone_1995,
title = {Halftone to {Continuous}-{Tone} {Conversion} of
{Error}-{Diffusion} {Coded} {Images}},
language  = {en},
journal  = {IEEE TRANSACTIONS ON IMAGE PROCESSING},
author  = {Hein, SQren and Zakhor, Avideh},
year = {1995}
}

A. Helbo, “Signes du spectacle: des arts vivants aux médias,” , 2006.
[Bibtex]

@Article{ helbo_signes_2006,
address  = {Bruxelles ; New York},
title = {Signes du spectacle: des arts vivants aux médias},
isbn = {978-90-5201-322-0},
language  = {fr},
author  = {Helbo, André},
year = {2006}
}

Aaron Helgeson, “What is Phenomenological Music, and What Does It Have to Do with Salvatore Sciarrino?,” Perspectives of new music, 2013.
[Bibtex]

@Article{ aaron_helgeson_what_2013,
title = {What is {Phenomenological} {Music}, and {What} {Does} {It}
{Have} to {Do} with {Salvatore} {Sciarrino}?},
issn = {00316016},
doi = {10.7757/persnewmusi.51.2.0004},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Aaron Helgeson}},
year = {2013}
}

T. Helie, “Volterra Series and State Transformation for Real-Time Simulations of Audio Circuits Including Saturations: Application to the Moog Ladder Filter,” Ieee transactions on audio, speech, and language processing, 2010.
[Bibtex]

@Article{ helie_volterra_2010,
title = {Volterra {Series} and {State} {Transformation} for
{Real}-{Time} {Simulations} of {Audio} {Circuits}
{Including} {Saturations}: {Application} to the {Moog}
{Ladder} {Filter}},
issn = {1558-7916},
doi = {10.1109/TASL.2009.2035211},
language  = {en},
journal  = {IEEE Transactions on Audio, Speech, and Language
Processing},
author  = {Helie, Thomas},
month = may,
year = {2010}
}

K. A. Heller, Y. W. Teh, and D. Gorur, “Inﬁnite Hierarchical Hidden Markov Models.”
[Bibtex]

@Article{ heller_nite_nodate,
title = {Inﬁnite {Hierarchical} {Hidden} {Markov} {Models}},
language  = {en},
author  = {Heller, Katherine A and Teh, Yee Whye and Gorur, Dilan}
}

E. Hemery and J. Aucouturier, “One hundred ways to process time, frequency, rate and scale in the auditory cortex: a pattern-recognition meta-analysis,” Frontiers in computational neuroscience.
[Bibtex]

@Article{ hemery_one_nodate,
title = {One hundred ways to process time, frequency, rate and
scale in the auditory cortex: a pattern-recognition
meta-analysis},
language  = {en},
journal  = {Frontiers in Computational Neuroscience},
author  = {Hemery, Edgar and Aucouturier, Jean-Julien}
}

P. Lambert, “On Contextual Transformations,” Perspectives of new music, 2000.
[Bibtex]

@Article{ lambert_contextual_2000,
title = {On {Contextual} {Transformations}},
issn = {00316016},
doi = {10.2307/833588},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Lambert, Philip},
year = {2000}
}

I. Misch, F. Hentschel, and J. Kohl, “On the Serial Shaping of Stockhausen’s Gruppen für drei Orchester,” Perspectives of new music, 1998.
[Bibtex]

@Article{ misch_serial_1998,
title = {On the {Serial} {Shaping} of {Stockhausen}'s {Gruppen}
für drei {Orchester}},
issn = {00316016},
doi = {10.2307/833579},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Misch, Imke and Hentschel, Frank and Kohl, Jerome},
year = {1998}
}

A. Odena, C. Olah, and J. Shlens, “Conditional Image Synthesis With Auxiliary Classifier GANs,” , 2017.
[Bibtex]

@Article{ odena_conditional_2017,
title = {Conditional {Image} {Synthesis} {With} {Auxiliary}
{Classifier} {GANs}},
language  = {en},
author  = {Odena, Augustus and Olah, Christopher and Shlens,
Jonathon},
month = jul,
year = {2017}
}

A. Odena, V. Dumoulin, and C. Olah, “Deconvolution and Checkerboard Artifacts,” Distill, 2016.
[Bibtex]

@Article{ odena_deconvolution_2016,
title = {Deconvolution and {Checkerboard} {Artifacts}},
doi = {10.23915/distill.00003},
language  = {en},
journal  = {Distill},
author  = {Odena, Augustus and Dumoulin, Vincent and Olah, Chris},
month = oct,
year = {2016}
}

I. Oh, J. Lee, and A. Majumder, “Multi-scale Image Segmentation Using MSER.”
[Bibtex]

@Article{ oh_multi-scale_nodate,
title = {Multi-scale {Image} {Segmentation} {Using} {MSER}},
language  = {en},
author  = {Oh, Il-Seok and Lee, Jinseon and Majumder, Aditi}
}

A. Ohlin, “Andreas Gursky and the Contemporary Sublime,” Art journal, 2002.
[Bibtex]

@Article{ ohlin_andreas_2002,
title = {Andreas {Gursky} and the {Contemporary} {Sublime}},
issn = {0004-3249, 2325-5307},
doi = {10.1080/00043249.2002.10792133},
language  = {en},
journal  = {Art Journal},
author  = {Ohlin, Alix},
month = dec,
year = {2002}
}

“Neural Networks, Manifolds, and Topology – colah’s blog,” Neural networks.
[Bibtex]

@Article{ noauthor_neural_nodate,
title = {Neural {Networks}, {Manifolds}, and {Topology} -- colah's
blog},
language  = {en},
journal  = {Neural Networks}
}

“Understanding Convolutions – colah’s blog.”
[Bibtex]

@Article{ noauthor_understanding_nodate,
title = {Understanding {Convolutions} - colah's blog},
language  = {en}
}

“Visual Information Theory – colah’s blog.”
[Bibtex]

@Article{ noauthor_visual_nodate,
title = {Visual {Information} {Theory} -- colah's blog},
language  = {en}
}

S. Olivesi, “Pierre Bourdieu et les sciences (critiques) de la communication.”
[Bibtex]

@Article{ olivesi_pierre_nodate,
title = {Pierre {Bourdieu} et les sciences (critiques) de la
communication},
language  = {fr},
author  = {Olivesi, Stéphane}
}

M. J. Olsen, J. S. O. Iii, and J. S. Abel, “A Hybrid Filter–Wavetable Oscillator Technique for Formant-Wave-Function Synthesis,” , 2016.
[Bibtex]

@Article{ olsen_hybrid_2016,
title = {A {Hybrid} {Filter}–{Wavetable} {Oscillator} {Technique}
for {Formant}-{Wave}-{Function} {Synthesis}},
language  = {en},
author  = {Olsen, Michael Jrgen and Iii, Julius O Smith and Abel,
Jonathan S},
year = {2016}
}

R. Nunes, “Organisation of the Organisationless: The Question of Organisation After Networks.”
[Bibtex]

@Article{ nunes_organisation_nodate,
title = {Organisation of the {Organisationless}: {The} {Question}
of {Organisation} {After} {Networks}},
language  = {en},
author  = {Nunes, Rodrigo}
}

M. Novak, “The Music of Architecture: Computation and Composition.”
[Bibtex]

@Article{ novak_music_nodate,
title = {The {Music} of {Architecture}: {Computation} and
{Composition}},
language  = {en},
author  = {Novak, Marcos}
}

S. Nuss, “Counterpoint: A Response to Bernard,” Perspectives of new music, 2001.
[Bibtex]

@Article{ nuss_counterpoint_2001,
title = {Counterpoint: {A} {Response} to {Bernard}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Nuss, Steven},
year = {2001}
}

S. Nuss, “”Yes I Wrote It, but I Didn’t Mean It”: Hearing the Unintended in Niimi Tokuhide’s Ohju (1988),” Perspectives of new music, 1999.
[Bibtex]

@Article{ nuss_yes_1999,
title = {"{Yes} {I} {Wrote} {It}, but {I} {Didn}'t {Mean} {It}":
{Hearing} the {Unintended} in {Niimi} {Tokuhide}'s {Ohju}
(1988)},
issn = {00316016},
doi = {10.2307/833511},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Nuss, Steven},
year = {1999}
}

“Consuming music together: social and collaborative aspects of music consumption technologies,” , 2006.
[Bibtex]

@Article{ ohara_consuming_2006,
address  = {Dordrecht},
title = {Consuming music together: social and collaborative aspects
of music consumption technologies},
isbn = {978-1-4020-4031-3},
language  = {en},
year = {2006}
}

S. Oates and B. Eaglestone, “Analytical Methods for Group Additive Synthesis,” Computer music journal, 1997.
[Bibtex]

@Article{ oates_analytical_1997,
title = {Analytical {Methods} for {Group} {Additive} {Synthesis}},
issn = {01489267},
doi = {10.2307/3681106},
language  = {en},
journal  = {Computer Music Journal},
author  = {Oates, Shaun and Eaglestone, Barry},
year = {1997}
}

N. Obin, “Cries and whispers.classification of vocal effort in expressive speech,” , 2012.
[Bibtex]

@Article{ obin_cries_2012,
title = {Cries and whispers.classification of vocal effort in
expressive speech},
doi = {10.21437/Interspeech.2012-129},
language  = {en},
booktitle  = {Interspeech 2012},
author  = {Obin, Nicolas},
month = sep,
year = {2012}
}

N. Obin, “Lolita, de Joshua Fineberg,” , 2007.
[Bibtex]

@Article{ obin_lolita_2007,
title = {Lolita, de {Joshua} {Fineberg}},
language  = {fr},
author  = {Obin, Nicolas},
year = {2007}
}

N. Obin, “Analysis and Modelling of Speech Prosody and Speaking Style,” , 2011.
[Bibtex]

@Article{ obin_analysis_2011,
title = {Analysis and {Modelling} of {Speech} {Prosody} and
{Speaking} {Style}},
language  = {en},
author  = {Obin, Nicolas},
year = {2011}
}

N. Obin and M. Liuni, “On the generalization of Shannon entropy for speech recognition,” , 2012.
[Bibtex]

@Article{ obin_generalization_2012,
address  = {Miami, FL, USA},
title = {On the generalization of {Shannon} entropy for speech
recognition},
isbn = {978-1-4673-5126-3 978-1-4673-5125-6 978-1-4673-5124-9},
doi = {10.1109/SLT.2012.6424204},
language  = {en},
booktitle  = {2012 {IEEE} {Spoken} {Language} {Technology} {Workshop}
({SLT})},
author  = {Obin, Nicolas and Liuni, Marco},
month = dec,
year = {2012}
}

N. Obin, F. Lamare, and A. Roebel, “Syll-O-Matic: An adaptive time-frequency representation for the automatic segmentation of speech into syllables,” , 2013.
[Bibtex]

@Article{ obin_syll-o-matic_2013,
address  = {Vancouver, BC, Canada},
title = {Syll-{O}-{Matic}: {An} adaptive time-frequency
representation for the automatic segmentation of speech
into syllables},
isbn = {978-1-4799-0356-6},
doi = {10.1109/ICASSP.2013.6638958},
language  = {en},
booktitle  = {2013 {IEEE} {International} {Conference} on {Acoustics},
{Speech} and {Signal} {Processing}},
author  = {Obin, Nicolas and Lamare, Francois and Roebel, Axel},
month = may,
year = {2013}
}

“Obin_symbolic_modeling_of_prosody_2015,” Ieee transactions on audio, speech, and language processing.
[Bibtex]

@Article{ noauthor_obin_symbolic_modeling_of_prosody_2015_nodate,
title = {Obin\_Symbolic\_Modeling\_of\_Prosody\_2015},
issn = {1558-7916, 1558-7924},
language  = {en},
journal  = {IEEE Transactions on Audio, Speech, and Language
Processing}
}

N. Obin, “The Tonal Annotation: Stylization of Complex Melodic Contours over Arbitrary Linguistic Segments,” , 2019.
[Bibtex]

@Article{ obin_tonal_2019,
title = {The {Tonal} {Annotation}: {Stylization} of {Complex}
{Melodic} {Contours} over {Arbitrary} {Linguistic}
{Segments}},
language  = {en},
author  = {Obin, Nicolas},
year = {2019}
}

“The art of artificial evolution: a handbook on evolutionary art and music,” , 2008.
[Bibtex]

@Article{ romero_art_2008,
address  = {Berlin ; New York},
title = {The art of artificial evolution: a handbook on
evolutionary art and music},
isbn = {978-3-540-72876-4},
language  = {en},
year = {2008}
}

D. Pierre, “Letter from John Cage to Pierre Boulez.”
[Bibtex]

@Article{ pierre_letter_nodate,
title = {Letter from {John} {Cage} to {Pierre} {Boulez}},
language  = {en},
author  = {Pierre, Dear}
}

“The Harmony of the spheres: a sourcebook of the Pythagorean tradition in music,” , 1993.
[Bibtex]

@Article{ godwin_harmony_1993,
address  = {Rochester, Vt},
title = {The {Harmony} of the spheres: a sourcebook of the
{Pythagorean} tradition in music},
isbn = {978-0-89281-265-3},
language  = {en},
year = {1993}
}

“The Language Phenomenon: Human Communication from Milliseconds to Millennia,” , 2013.
[Bibtex]

@Article{ binder_language_2013,
address  = {Berlin, Heidelberg},
title = {The {Language} {Phenomenon}: {Human} {Communication} from
{Milliseconds} to {Millennia}},
isbn = {978-3-642-36085-5 978-3-642-36086-2},
language  = {en},
year = {2013},
doi = {10.1007/978-3-642-36086-2}
}

“The MIT encyclopedia of the cognitive sciences,” , 1999.
[Bibtex]

@Article{ wilson_mit_1999,
address  = {Cambridge, Mass},
title = {The {MIT} encyclopedia of the cognitive sciences},
isbn = {978-0-262-73124-9},
language  = {en},
year = {1999}
}

B. R. Lange, “The Politics of Collaborative Performance in the Music of Pauline Oliveros,” Perspectives of new music, 2008.
[Bibtex]

@Article{ lange_politics_2008,
title = {The {Politics} of {Collaborative} {Performance} in the
{Music} of {Pauline} {Oliveros}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Lange, Barbara Rose},
year = {2008}
}

I. L. Buchbinder, S. M. Kuzenko, and S. James Gates, “\textitIdeas and Methods of Supersymmetry and Supergravity, or a Walk Through Superspace,” Physics today, 1996.
[Bibtex]

@Article{ buchbinder_ideas_1996,
title = {\textit{{Ideas} and {Methods} of {Supersymmetry} and
{Supergravity}, or a {Walk} {Through} {Superspace}}},
issn = {0031-9228, 1945-0699},
doi = {10.1063/1.2807514},
language  = {en},
journal  = {Physics Today},
author  = {Buchbinder, Iosef L. and Kuzenko, Sergei M. and James
Gates, S.},
month = feb,
year = {1996}
}

G. Theile, “Audio developments based on psychoacoustics.”
[Bibtex]

@Article{ theile_audio_nodate,
title = {Audio developments based on psychoacoustics},
language  = {en},
author  = {Theile, Günther}
}

G. Theile, H. Wittek, and M. Reisinger, “POTENTIAL WAVEFIELD SYNTHESIS APPLICATIONS IN THE MULTICHANNEL STEREOPHONIC WORLD.”
[Bibtex]

@Article{ theile_potential_nodate,
title = {{POTENTIAL} {WAVEFIELD} {SYNTHESIS} {APPLICATIONS} {IN}
{THE} {MULTICHANNEL} {STEREOPHONIC} {WORLD}},
language  = {en},
author  = {Theile, Günther and Wittek, Helmut and Reisinger,
Markus}
}

G. Theile and H. Wittek, “Wave field synthesis: A promising spatial audio rendering concept,” Acoustical science and technology, 2004.
[Bibtex]

@Article{ theile_wave_2004,
title = {Wave field synthesis: {A} promising spatial audio
rendering concept},
issn = {1346-3969, 1347-5177},
doi = {10.1250/ast.25.393},
language  = {en},
journal  = {Acoustical Science and Technology},
author  = {Theile, Günther and Wittek, Helmut},
year = {2004}
}

L. Theis, A. van den Oord, and M. Bethge, “A note on the evaluation of generative models,” , 2016.
[Bibtex]

@Article{ theis_note_2016,
title = {A note on the evaluation of generative models},
language  = {en},
author  = {Theis, Lucas and Oord, Aäron van den and Bethge,
Matthias},
month = apr,
year = {2016}
}

D. Thibault, “My Physical Approach to Musique Concr`ete Composition Portfolio of Studio Works.”
[Bibtex]

@Article{ thibault_my_nodate,
title = {My {Physical} {Approach} to {Musique} {Concr}`ete
{Composition} {Portfolio} of {Studio} {Works}},
language  = {en},
author  = {Thibault, Dominic}
}

J. Thickstun, Z. Harchaoui, D. P. Foster, and S. M. Kakade, “Coupled Recurrent Models for Polyphonic Music Composition,” , 2019.
[Bibtex]

@Article{ thickstun_coupled_2019,
title = {Coupled {Recurrent} {Models} for {Polyphonic} {Music}
{Composition}},
language  = {en},
author  = {Thickstun, John and Harchaoui, Zaid and Foster, Dean P.
and Kakade, Sham M.},
month = nov,
year = {2019}
}

P. Thomas, “Composition, Orchestration & Arranging.”
[Bibtex]

@Article{ thomas_composition_nodate,
title = {Composition, {Orchestration} \& {Arranging}},
language  = {en},
author  = {Thomas, Pete}
}

M. E. Thomas, “Nancarrow’s Canons: Projections of Temporal and Formal Structures,” Perspectives of new music, 2000.
[Bibtex]

@Article{ thomas_nancarrows_2000,
title = {Nancarrow's {Canons}: {Projections} of {Temporal} and
{Formal} {Structures}},
issn = {00316016},
doi = {10.2307/833661},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Thomas, Margaret E.},
year = {2000}
}

J. Thomas, “Nature and the GRM,” Organised sound, 2007.
[Bibtex]

@Article{ thomas_nature_2007,
title = {Nature and the {GRM}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001987},
language  = {en},
journal  = {Organised Sound},
author  = {Thomas, Jean-Christophe},
month = dec,
year = {2007}
}

P. Thomson, “Atoms and errors: towards a history and aesthetics of microsound,” Organised sound, 2004.
[Bibtex]

@Article{ thomson_atoms_2004,
title = {Atoms and errors: towards a history and aesthetics of
microsound},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771804000299},
language  = {en},
journal  = {Organised Sound},
author  = {Thomson, Phil},
month = aug,
year = {2004}
}

L. Thoresen, “Form-Building Patterns and Metaphorical Meaning,” Organised sound, 2010.
[Bibtex]

@Article{ thoresen_form-building_2010,
title = {Form-{Building} {Patterns} and {Metaphorical} {Meaning}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771810000075},
language  = {en},
journal  = {Organised Sound},
author  = {Thoresen, Lasse},
month = aug,
year = {2010}
}

C. Thornton, “Hierarchical Markov Modeling for Generative Music,” , 2009.
[Bibtex]

@Article{ thornton_hierarchical_2009,
title = {Hierarchical {Markov} {Modeling} for {Generative}
{Music}},
language  = {en},
author  = {Thornton, Chris},
year = {2009}
}

C. Thornton, “Infotropism as the underlying principle of perceptual organization,” Journal of mathematical psychology, 2014.
[Bibtex]

@Article{ thornton_infotropism_2014,
title = {Infotropism as the underlying principle of perceptual
organization},
issn = {00222496},
doi = {10.1016/j.jmp.2014.08.002},
language  = {en},
journal  = {Journal of Mathematical Psychology},
author  = {Thornton, Chris},
month = aug,
year = {2014}
}

C. Thornton, “Is there any Need to Mention Induction?.”
[Bibtex]

@Article{ thornton_is_nodate,
title = {Is there any {Need} to {Mention} {Induction}?},
language  = {en},
author  = {Thornton, Chris}
}

C. Thornton, “Reconstituted Bach: Generative Music from Hierarchical N-Gram Analysis.”
[Bibtex]

@Article{ thornton_reconstituted_nodate,
title = {Reconstituted {Bach}: {Generative} {Music} from
{Hierarchical} {N}-{Gram} {Analysis}},
language  = {en},
author  = {Thornton, Chris}
}

C. Thornton, “Self-redundancy in Music.”
[Bibtex]

@Article{ thornton_self-redundancy_nodate,
title = {Self-redundancy in {Music}},
language  = {en},
author  = {Thornton, Chris}
}

M. Tiampo, “‘Create what has never been done before!’: Historicising Gutai Discourses of Originality,” Third text, 2007.
[Bibtex]

@Article{ tiampo_create_2007,
title = {‘{Create} what has never been done before!’:
{Historicising} {Gutai} {Discourses} of {Originality}},
issn = {0952-8822, 1475-5297},
doi = {10.1080/09528820701761335},
language  = {en},
journal  = {Third Text},
author  = {Tiampo, Ming},
month = nov,
year = {2007}
}

S. Tipei, “FOR AN INTELLIGENT USE OF COMPUTERS IN MUSIC COMPOSITION,” , 1995.
[Bibtex]

@Article{ tipei_for_1995,
title = {{FOR} {AN} {INTELLIGENT} {USE} {OF} {COMPUTERS} {IN}
{MUSIC} {COMPOSITION}},
language  = {en},
author  = {Tipei, Sever},
year = {1995}
}

G. Tissot, “The First Electroacoustic Pieces by Karlheinz Stockhausen: Technologies and Aesthetics,” Organised sound, 2008.
[Bibtex]

@Article{ tissot_first_2008,
title = {The {First} {Electroacoustic} {Pieces} by {Karlheinz}
{Stockhausen}: {Technologies} and {Aesthetics}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771808000265},
language  = {en},
journal  = {Organised Sound},
author  = {Tissot, Gaël},
month = dec,
year = {2008}
}

C. W. S. To, “Stochastic Structural Dynamics.”
[Bibtex]

@Article{ to_stochastic_nodate,
title = {Stochastic {Structural} {Dynamics}},
language  = {en},
author  = {To, Cho W S}
}

P. M. Todd, “A Connectionist Approach to Algorithmic Composition,” , 1999.
[Bibtex]

@Article{ todd_connectionist_1999,
title = {A {Connectionist} {Approach} to {Algorithmic}
{Composition}},
language  = {en},
author  = {Todd, Peter M},
year = {1999}
}

T. Todoroff, “Iana\textasciitilde Instrument d’Analyse en Temps-Reel selon des Criteres Psycho-Acoustiques.”
[Bibtex]

@Article{ todoroff_iana_nodate,
title = {Iana{\textasciitilde} {Instrument} d'{Analyse} en
{Temps}-{Reel} selon des {Criteres} {Psycho}-{Acoustiques}},
language  = {fr},
author  = {Todoroff, Todor}
}

J. Toenjes, “Composing for Interactive Dance: Paradigms for Perception,” Perspectives of new music, 2007.
[Bibtex]

@Article{ toenjes_composing_2007,
title = {Composing for {Interactive} {Dance}: {Paradigms} for
{Perception}},
issn = {2325-7180},
doi = {10.1353/pnm.2007.0004},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Toenjes, John},
year = {2007}
}

P. Toiviainen, “An Interactive MIDI Accompanist,” Computer music journal, 1998.
[Bibtex]

@Article{ toiviainen_interactive_1998,
title = {An {Interactive} {MIDI} {Accompanist}},
issn = {01489267},
doi = {10.2307/3680894},
language  = {en},
journal  = {Computer Music Journal},
author  = {Toiviainen, Petri},
year = {1998}
}

T. Tolonen, “Model-Based Analysis and Resynthesis of Acoustic Guitar Tones.”
[Bibtex]

@Article{ tolonen_model-based_nodate,
title = {Model-{Based} {Analysis} and {Resynthesis} of {Acoustic}
{Guitar} {Tones}},
language  = {en},
author  = {Tolonen, Tero}
}

K. Tomashevsky, “FractalSound: Algorithmic Self-Similar Resonance Space Generation.”
[Bibtex]

@Article{ tomashevsky_fractalsound_nodate,
title = {{FractalSound}: {Algorithmic} {Self}-{Similar} {Resonance}
{Space} {Generation}},
language  = {en},
author  = {Tomashevsky, Konstantin}
}

A. Tomomi and S. Gleason, “Interview with Adachi Tomomi,” Perspectives of new music, 2008.
[Bibtex]

@Article{ tomomi_interview_2008,
title = {Interview with {Adachi} {Tomomi}},
issn = {2325-7180},
doi = {10.1353/pnm.2008.0011},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Tomomi, Adachi and Gleason, Scott},
year = {2008}
}

S. Rings, “Tonality and transformation,” , 2011.
[Bibtex]

@Article{ rings_tonality_2011,
address  = {New York},
title = {Tonality and transformation},
isbn = {978-0-19-538427-7},
language  = {en},
author  = {Rings, Steven},
year = {2011}
}

Y. Tone and R. Ashley, “Yasunao Tone: noise media language,” , 2007.
[Bibtex]

@Article{ tone_yasunao_2007,
address  = {Los Angeles, Calif.},
title = {Yasunao {Tone}: noise media language},
isbn = {978-0-9655570-8-5},
language  = {en},
author  = {Tone, Yasunao and Ashley, Robert},
year = {2007}
}

T. Tono, “The Synthesis of Tradition and Technology,” Computer music journal, 1996.
[Bibtex]

@Article{ tono_synthesis_1996,
title = {The {Synthesis} of {Tradition} and {Technology}},
issn = {01489267},
doi = {10.2307/3680411},
language  = {en},
journal  = {Computer Music Journal},
author  = {Tono, Tamami},
year = {1996}
}

F. E. Toole, “Sound reproduction: loudspeakers and rooms,” , 2008.
[Bibtex]

@Article{ toole_sound_2008,
address  = {Amsterdam ; Boston},
title = {Sound reproduction: loudspeakers and rooms},
isbn = {978-0-240-52009-4},
language  = {en},
author  = {Toole, Floyd E.},
year = {2008}
}

R. Toop, “CROSSING TO THE OTHER SIDE,” Perspectives of new music.
[Bibtex]

@Article{ toop_crossing_nodate,
title = {{CROSSING} {TO} {THE} {OTHER} {SIDE}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Toop, Richard}
}

R. Toop, “”Prima le Parole…” (On the Sketches for Ferneyhough’s Carceri D’invenzione I-III),” Perspectives of new music, 1994.
[Bibtex]

@Article{ toop_prima_1994,
title = {"{Prima} le {Parole}..." ({On} the {Sketches} for
{Ferneyhough}'s {Carceri} {D}'invenzione {I}-{III})},
issn = {00316016},
doi = {10.2307/833160},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Toop, Richard},
year = {1994}
}

R. Toop, “Stockhausen’s Secret Theater: Unfinished Projects from the Sixties and Early Seventies,” Perspectives of new music, 1998.
[Bibtex]

@Article{ toop_stockhausens_1998,
title = {Stockhausen's {Secret} {Theater}: {Unfinished} {Projects}
from the {Sixties} and {Early} {Seventies}},
issn = {00316016},
doi = {10.2307/833525},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Toop, Richard},
year = {1998}
}

R. Torchia and C. Lippe, “Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing.”
[Bibtex]

@Article{ torchia_techniques_nodate,
title = {Techniques for {Multi}-{Channel} {Real}-{Time} {Spatial}
{Distribution} {Using} {Frequency}-{Domain} {Processing}},
language  = {en},
author  = {Torchia, Ryan and Lippe, Cort}
}

P. Torpey, “Media Scores: A Framework for Composing the Modern-Day Gesamtkunstwerk.”
[Bibtex]

@Article{ torpey_media_nodate,
title = {Media {Scores}: {A} {Framework} for {Composing} the
{Modern}-{Day} {Gesamtkunstwerk}},
language  = {en},
author  = {Torpey, Peter}
}

P. Torrey, G. F. Snyder, M. Vogelsberger, C. C. Hayward, S. Genel, D. Sijacki, V. Springel, L. Hernquist, D. Nelson, M. Kriek, A. Pillepich, L. V. Sales, and C. K. McBride, “Synthetic Galaxy Images and Spectra from the Illustris Simulation,” Monthly notices of the royal astronomical society, 2015.
[Bibtex]

@Article{ torrey_synthetic_2015,
title = {Synthetic {Galaxy} {Images} and {Spectra} from the
{Illustris} {Simulation}},
issn = {1365-2966, 0035-8711},
doi = {10.1093/mnras/stu2592},
language  = {en},
journal  = {Monthly Notices of the Royal Astronomical Society},
author  = {Torrey, Paul and Snyder, Gregory F. and Vogelsberger, Mark
and Hayward, Christopher C. and Genel, Shy and Sijacki,
Debora and Springel, Volker and Hernquist, Lars and Nelson,
Dylan and Kriek, Mariska and Pillepich, Annalisa and Sales,
Laura V. and McBride, Cameron K.},
month = mar,
year = {2015}
}

D. E. Tosaki, “Tosaki Painter as Philosopher: Mondrian’s Theorisation of Visual Rhythm David Tudor’s Corporeal Imagination.”
[Bibtex]

@Article{ tosaki_tosaki_nodate,
title = {Tosaki {Painter} as {Philosopher}: {Mondrian}’s
{Theorisation} of {Visual} {Rhythm} {David} {Tudor}’s
{Corporeal} {Imagination}},
language  = {en},
author  = {Tosaki, Dr Eiichi}
}

F. Regis, “Thomas Ostermeier – « En France, un mur existe bel et bien ».”
[Bibtex]

@Article{ regis_thomas_nodate,
title = {Thomas {Ostermeier} - « {En} {France}, un mur existe
bel et bien »},
language  = {fr},
author  = {Regis, Francois}
}

B. Ostertag, “Human Bodies, Computer Music,” Leonardo music journal, 2002.
[Bibtex]

@Article{ ostertag_human_2002,
title = {Human {Bodies}, {Computer} {Music}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Ostertag, Bob},
year = {2002}
}

V. Ostromoukhov, “Mathematical tools for computer-generated ornamental patterns,” , 1998.
[Bibtex]

@Article{ goos_mathematical_1998,
address  = {Berlin, Heidelberg},
title = {Mathematical tools for computer-generated ornamental
patterns},
isbn = {978-3-540-64298-5 978-3-540-69718-3},
language  = {en},
booktitle  = {Electronic {Publishing}, {Artistic} {Imaging}, and
{Digital} {Typography}},
author  = {Ostromoukhov, Victor},
year = {1998},
doi = {10.1007/BFb0053272}
}

B. Ottino-Löffler and S. H. Strogatz, “Frequency spirals,” Chaos: an interdisciplinary journal of nonlinear science, 2016.
[Bibtex]

@Article{ ottino-loffler_frequency_2016,
title = {Frequency spirals},
issn = {1054-1500, 1089-7682},
doi = {10.1063/1.4954038},
language  = {en},
journal  = {Chaos: An Interdisciplinary Journal of Nonlinear Science},
author  = {Ottino-Löffler, Bertrand and Strogatz, Steven H.},
month = sep,
year = {2016}
}

G. Ouzounian, “An Interview with Paul DeMarinis,” Computer music journal, 2010.
[Bibtex]

@Article{ ouzounian_interview_2010,
title = {An {Interview} with {Paul} {DeMarinis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00022},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ouzounian, Gascia},
month = dec,
year = {2010}
}

“Green Design, Materials and Manufacturing Processes,” , 2013.
[Bibtex]

@Article{ ferreira_green_2013,
title = {Green {Design}, {Materials} and {Manufacturing}
{Processes}},
isbn = {978-1-138-00046-9 978-1-315-87948-2},
language  = {en},
month = jun,
year = {2013},
doi = {10.1201/b15002}
}

N. Oxman, “Get Real towards Performance-Driven Computational Geometry,” International journal of architectural computing, 2007.
[Bibtex]

@Article{ oxman_get_2007,
title = {Get {Real} towards {Performance}-{Driven} {Computational}
{Geometry}},
issn = {1478-0771, 2048-3988},
doi = {10.1260/147807707783600771},
language  = {en},
journal  = {International Journal of Architectural Computing},
author  = {Oxman, Neri},
month = dec,
year = {2007}
}

N. Oxman and J. L. Rosenberg, “Material Based Design Computation,” , 2007.
[Bibtex]

@Article{ oxman_material_2007,
address  = {Nanjing, China},
title = {Material {Based} {Design} {Computation}},
doi = {10.52842/conf.caadria.2007.x.d2j},
language  = {en},
author  = {Oxman, Neri and Rosenberg, Jesse L.},
year = {2007}
}

N. Oxman and J. L. Rosenberg, “Material-based Design Computation An Inquiry into Digital Simulation of Physical Material Properties as Design Generators,” International journal of architectural computing, 2007.
[Bibtex]

@Article{ oxman_material-based_2007,
title = {Material-based {Design} {Computation} {An} {Inquiry} into
{Digital} {Simulation} of {Physical} {Material}
{Properties} as {Design} {Generators}},
issn = {1478-0771, 2048-3988},
doi = {10.1260/147807707780912985},
language  = {en},
journal  = {International Journal of Architectural Computing},
author  = {Oxman, Neri and Rosenberg, Jesse Louis},
month = jan,
year = {2007}
}

M. Oza, H. Vaghela, and K. Srivastava, “Progressive Generative Adversarial Binary Networks for Music Generation,” , 2020.
[Bibtex]

@Article{ khanna_progressive_2020,
address  = {Singapore},
title = {Progressive {Generative} {Adversarial} {Binary} {Networks}
for {Music} {Generation}},
isbn = {978-981-15-1285-8 978-981-15-1286-5},
language  = {en},
booktitle  = {International {Conference} on {Innovative} {Computing} and
{Communications}},
author  = {Oza, Manan and Vaghela, Himanshu and Srivastava, Kriti},
year = {2020},
doi = {10.1007/978-981-15-1286-5_16}
}

F. Pachet, “Description-Based Design of Melodies,” Computer music journal, 2009.
[Bibtex]

@Article{ pachet_description-based_2009,
title = {Description-{Based} {Design} of {Melodies}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2009.33.4.56},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pachet, François},
month = dec,
year = {2009}
}

F. Pachet and P. Roy, “Markov constraints: steerable generation of Markov sequences,” Constraints, 2011.
[Bibtex]

@Article{ pachet_markov_2011,
title = {Markov constraints: steerable generation of {Markov}
sequences},
issn = {1383-7133, 1572-9354},
doi = {10.1007/s10601-010-9101-4},
language  = {en},
journal  = {Constraints},
author  = {Pachet, François and Roy, Pierre},
month = apr,
year = {2011}
}

R. P. Paiva, T. Mendes, and A. Cardoso, “Melody Detection in Polyphonic Musical Signals: Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness,” Computer music journal, 2006.
[Bibtex]

@Article{ paiva_melody_2006,
title = {Melody {Detection} in {Polyphonic} {Musical} {Signals}:
{Exploiting} {Perceptual} {Rules}, {Note} {Salience}, and
{Melodic} {Smoothness}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.4.80},
language  = {en},
journal  = {Computer Music Journal},
author  = {Paiva, Rui Pedro and Mendes, Teresa and Cardoso,
Amílcar},
month = dec,
year = {2006}
}

P. Palacio and D. Bisig, “Piano&Dancer: Interaction Between a Dancer and an Acoustic Instrument,” , 2017.
[Bibtex]

@Article{ palacio_pianodancer_2017,
address  = {London United Kingdom},
title = {Piano\&{Dancer}: {Interaction} {Between} a {Dancer} and an
{Acoustic} {Instrument}},
isbn = {978-1-4503-5209-3},
doi = {10.1145/3077981.3078052},
language  = {en},
booktitle  = {Proceedings of the 4th {International} {Conference} on
{Movement} {Computing}},
author  = {Palacio, Pablo and Bisig, Daniel},
month = jun,
year = {2017}
}

B. Paoli, “Meters and formulas: The case of ancient Arabic poetry,” Belgian journal of linguistics, 2001.
[Bibtex]

@Article{ paoli_meters_2001,
title = {Meters and formulas: {The} case of ancient {Arabic}
poetry},
issn = {0774-5141, 1569-9676},
doi = {10.1075/bjl.15.09pao},
language  = {en},
journal  = {Belgian Journal of Linguistics},
author  = {Paoli, Bruno},
month = dec,
year = {2001}
}

G. Papadopoulos and G. Wiggins, “AI Methods for Algorithmic Composition: A Survey, a Critical View and Future Prospects.”
[Bibtex]

@Article{ papadopoulos_ai_nodate,
title = {{AI} {Methods} for {Algorithmic} {Composition}: {A}
{Survey}, a {Critical} {View} and {Future} {Prospects}},
language  = {en},
author  = {Papadopoulos, George and Wiggins, Geraint}
}

A. Papadopoulos, “Papadopoulos Mathematics and group theory in music.”
[Bibtex]

@Article{ papadopoulos_papadopoulos_nodate,
title = {Papadopoulos {Mathematics} and group theory in music},
language  = {en},
author  = {Papadopoulos, Athanase}
}

G. Pape, “Iannis Xenakis and the “Real” of Musical Composition,” Computer music journal, 2002.
[Bibtex]

@Article{ pape_iannis_2002,
title = {Iannis {Xenakis} and the “{Real}” of {Musical}
{Composition}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602753633515},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pape, Gerard},
month = mar,
year = {2002}
}

D. S. Alberts and D. S. Papp, “The Information Age: An Anthology on its Impact and Consequences.”
[Bibtex]

@Article{ alberts_information_nodate,
title = {The {Information} {Age}: {An} {Anthology} on its {Impact}
and {Consequences}},
language  = {en},
author  = {Alberts, David S and Papp, Daniel S}
}

“Computer Graphics for Artists: An Introduction,” , 2008.
[Bibtex]

@Article{ noauthor_computer_2008,
address  = {London},
title = {Computer {Graphics} for {Artists}: {An} {Introduction}},
isbn = {978-1-84800-140-4 978-1-84800-141-1},
language  = {en},
year = {2008},
doi = {10.1007/978-1-84800-141-1}
}

S. Pfeifle, “What is 3d Data Capture,” , 2012.
[Bibtex]

@Article{ pfeifle_what_2012,
title = {What is 3d {Data} {Capture}},
language  = {en},
author  = {Pfeifle, Sam},
year = {2012}
}

J. A. Paradiso and N. Gershenfeld, “Musical Applications of Electric Field Sensing,” Computer music journal, 1997.
[Bibtex]

@Article{ paradiso_musical_1997,
title = {Musical {Applications} of {Electric} {Field} {Sensing}},
issn = {01489267},
doi = {10.2307/3681109},
language  = {en},
journal  = {Computer Music Journal},
author  = {Paradiso, Joseph A. and Gershenfeld, Neil},
year = {1997}
}

G. Pareyón, “On musical self-similarity: intersemiosis as synecdoche and analogy,” , 2011.
[Bibtex]

@Article{ pareyon_musical_2011,
address  = {Imatra},
title = {On musical self-similarity: intersemiosis as synecdoche
and analogy},
isbn = {978-952-5431-32-2},
language  = {en},
author  = {Pareyón, Gabriel},
year = {2011}
}

“The Musical-Mathematical Mind: Patterns and Transformations,” , 2017.
[Bibtex]

@Article{ pareyon_musical-mathematical_2017,
address  = {Cham},
title = {The {Musical}-{Mathematical} {Mind}: {Patterns} and
{Transformations}},
isbn = {978-3-319-47336-9 978-3-319-47337-6},
language  = {en},
year = {2017},
doi = {10.1007/978-3-319-47337-6}
}

Y. I. H. Parish and P. Müller, “Procedural Modeling of Cities.”
[Bibtex]

@Article{ parish_procedural_nodate,
title = {Procedural {Modeling} of {Cities}},
language  = {en},
author  = {Parish, Yoav I H and Müller, Pascal}
}

L. Parisi, “Contagious architecture: computation, aesthetics, and space,” , 2013.
[Bibtex]

@Article{ parisi_contagious_2013,
address  = {Cambridge, Massachusetts l London, England},
title = {Contagious architecture: computation, aesthetics, and
space},
isbn = {978-0-262-01863-0},
language  = {en},
author  = {Parisi, Luciana},
year = {2013}
}

T. H. Park, J. Biguenet, Z. Li, C. Richardson, and T. Scharr, “FEATURE MODULATION SYNTHESIS (FMS).”
[Bibtex]

@Article{ park_feature_nodate,
title = {{FEATURE} {MODULATION} {SYNTHESIS} ({FMS})},
language  = {en},
author  = {Park, Tae Hong and Biguenet, Jonathan and Li, Zhiye and
Richardson, Conner and Scharr, Travis}
}

C. S. Park, “Fundamentals of engineering economics,” , 2004.
[Bibtex]

@Article{ park_fundamentals_2004,
address  = {Upper Saddle River, NJ},
title = {Fundamentals of engineering economics},
isbn = {978-0-13-030791-0},
language  = {en},
author  = {Park, Chan S.},
year = {2004}
}

T. H. Park, “Introduction to digital signal processing: computer musically speaking,” , 2010.
[Bibtex]

@Article{ park_introduction_2010,
address  = {Hackensack, NJ},
title = {Introduction to digital signal processing: computer
musically speaking},
isbn = {978-981-279-027-9},
language  = {en},
author  = {Park, Tae Hong},
year = {2010}
}

J. S. Parker and R. L. Anderson, “Parker and Anderson Low-Energy Lunar Trajectory Design 2014,” , 2014.
[Bibtex]

@Article{ parker_parker_2014,
address  = {Hoboken, NJ, USA},
title = {Parker and {Anderson} {Low}-{Energy} {Lunar} {Trajectory}
{Design} 2014},
isbn = {978-1-118-85506-5 978-1-118-85387-0},
language  = {en},
author  = {Parker, Jeffrey S. and Anderson, Rodney L.},
month = jun,
year = {2014},
doi = {10.1002/9781118855065}
}

D. Parks, “Hardware Design of a Digital Synthesizer,” Computer music journal, 1983.
[Bibtex]

@Article{ parks_hardware_1983,
title = {Hardware {Design} of a {Digital} {Synthesizer}},
issn = {01489267},
doi = {10.2307/3679918},
language  = {en},
journal  = {Computer Music Journal},
author  = {Parks, David},
year = {1983}
}

T. Parmer and Y. Ahn, “Evolution of the Informational Complexity of Contemporary Western Music,” , 2023.
[Bibtex]

@Article{ parmer_evolution_2023,
title = {Evolution of the {Informational} {Complexity} of
{Contemporary} {Western} {Music}},
language  = {en},
author  = {Parmer, Thomas and Ahn, Yong-Yeol},
month = apr,
year = {2023}
}

R. Parncutt and C. Traube, “La Perception Intervallique,” , 2006.
[Bibtex]

@Article{ parncutt_perception_2006,
title = {La {Perception} {Intervallique}},
language  = {fr},
author  = {Parncutt, Richard and Traube, Caroline},
year = {2006}
}

“Parole et musique: aux origines du dialogue humain: colloque annuel 2008,” , 2009.
[Bibtex]

@Article{ dehaene_parole_2009,
address  = {Paris},
title = {Parole et musique: aux origines du dialogue humain:
colloque annuel 2008},
isbn = {978-2-7381-2348-0},
language  = {fr},
year = {2009}
}

A. Pasoulas, “STIMULUS COMPLEXITY AND TIME JUDGMENTS,” , 2011.
[Bibtex]

@Article{ pasoulas_stimulus_2011,
title = {{STIMULUS} {COMPLEXITY} {AND} {TIME} {JUDGMENTS}},
language  = {en},
author  = {Pasoulas, Aki},
year = {2011}
}

P. Codognet and O. Pasquet, “Ambient sound spaces,” Multimedia tools and applications, 2012.
[Bibtex]

@Article{ codognet_ambient_2012,
title = {Ambient sound spaces},
issn = {1380-7501, 1573-7721},
doi = {10.1007/s11042-010-0666-0},
language  = {en},
journal  = {Multimedia Tools and Applications},
author  = {Codognet, Philippe and Pasquet, Olivier},
month = may,
year = {2012}
}

M. Pasquinelli, “Alleys of Your Mind: Augmented Intelligence and Its Traumas,” , 2015.
[Bibtex]

@Article{ pasquinelli_alleys_2015,
title = {Alleys of {Your} {Mind}: {Augmented} {Intelligence} and
{Its} {Traumas}},
language  = {en},
author  = {Pasquinelli, Matteo},
year = {2015}
}

“L’insurrection qui vient,” , 2007.
[Bibtex]

@Article{ comite_invisible_insurrection_2007,
address  = {Paris},
title = {L'insurrection qui vient},
isbn = {978-2-913372-62-7},
language  = {fr},
year = {2007}
}

D. Fober, C. Daudin, Y. Orlarey, and S. Letz, “TIME SYNCHRONIZATION IN GRAPHIC DOMAIN – A NEW PARADIGM FOR AUGMENTED MUSIC SCORES.”
[Bibtex]

@Article{ fober_time_nodate,
title = {{TIME} {SYNCHRONIZATION} {IN} {GRAPHIC} {DOMAIN} - {A}
{NEW} {PARADIGM} {FOR} {AUGMENTED} {MUSIC} {SCORES}},
language  = {en},
author  = {Fober, D and Daudin, C and Orlarey, Y and Letz, S}
}

J. Rudi, “Editorial,” Organised sound, 2009.
[Bibtex]

@Article{ rudi_editorial_2009,
title = {Editorial},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771809000016},
language  = {en},
journal  = {Organised Sound},
author  = {Rudi, Jøran},
month = apr,
year = {2009}
}

Ø. Ore and O. Ore, “Theory of graphs,” , 1995.
[Bibtex]

@Article{ ore_theory_1995,
address  = {Providence, R.I},
title = {Theory of graphs},
isbn = {978-0-8218-1038-5},
language  = {en},
author  = {Ore, Øystein and Ore, Oystein},
year = {1995}
}

A. V. Oppenheim, R. W. Schafer, and J. Buck, “Discrete-time signal processing,” , 1999.
[Bibtex]

@Article{ oppenheim_discrete-time_1999,
address  = {Upper Saddle River, N.J},
title = {Discrete-time signal processing},
isbn = {978-0-13-754920-7},
language  = {en},
author  = {Oppenheim, Alan V. and Schafer, Ronald W. and Buck, John
R.},
year = {1999}
}

J. N. Oppenheim and M. O. Magnasco, “Human Time-Frequency Acuity Beats the Fourier Uncertainty Principle,” Physical review letters, 2013.
[Bibtex]

@Article{ oppenheim_human_2013,
title = {Human {Time}-{Frequency} {Acuity} {Beats} the {Fourier}
{Uncertainty} {Principle}},
issn = {0031-9007, 1079-7114},
doi = {10.1103/PhysRevLett.110.044301},
language  = {en},
journal  = {Physical Review Letters},
author  = {Oppenheim, Jacob N. and Magnasco, Marcelo O.},
month = jan,
year = {2013}
}

“Gesture-based communication in human-computer interaction: international Gesture Workshop, GW ’99, Gif-sur-Yvette, France, March 17-19, 1999: proceedings,” , 1999.
[Bibtex]

@Article{ braffort_gesture-based_1999,
address  = {Berlin ; New York},
title = {Gesture-based communication in human-computer interaction:
international {Gesture} {Workshop}, {GW} '99,
{Gif}-sur-{Yvette}, {France}, {March} 17-19, 1999:
proceedings},
isbn = {978-3-540-66935-7},
language  = {en},
year = {1999}
}

S. J. Hunt, T. Mitchell, and C. Nash, “How can music visualisation techniques reveal different perspectives on musical structure?.”
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@Article{ hunt_how_nodate,
title = {How can music visualisation techniques reveal different
perspectives on musical structure?},
language  = {en},
author  = {Hunt, Samuel J and Mitchell, Tom and Nash, Chris}
}

A. Hunt and M. M. Wanderley, “Mapping performer parameters to synthesis engines,” Organised sound, 2002.
[Bibtex]

@Article{ hunt_mapping_2002,
title = {Mapping performer parameters to synthesis engines},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771802002030},
language  = {en},
journal  = {Organised Sound},
author  = {Hunt, Andy and Wanderley, Marcelo M.},
month = aug,
year = {2002}
}

D. B. Huron, “Sweet anticipation: music and the psychology of expectation,” , 2006.
[Bibtex]

@Article{ huron_sweet_2006,
address  = {Cambridge, Mass},
title = {Sweet anticipation: music and the psychology of
expectation},
isbn = {978-0-262-08345-4},
language  = {en},
author  = {Huron, David Brian},
year = {2006}
}

L. Hutcheon, “A Poetics of Postmodernism: History, Theory Fiction,” , 1988.
[Bibtex]

@Article{ hutcheon_poetics_1988,
title = {A {Poetics} of {Postmodernism}: {History}, {Theory}
{Fiction}},
language  = {en},
author  = {Hutcheon, Linda},
year = {1988}
}

“Hultberg’s David Tudor Interview.”
[Bibtex]

@Article{ noauthor_hultbergs_nodate,
title = {Hultberg's {David} {Tudor} {Interview}},
language  = {en}
}

I. Mcloughlin, “Applied Speech and Audio Processing: With MATLAB Examples,” , 2009.
[Bibtex]

@Article{ mcloughlin_applied_2009,
title = {Applied {Speech} and {Audio} {Processing}: {With} {MATLAB}
{Examples}},
language  = {en},
author  = {Mcloughlin, Ian},
year = {2009}
}

J. Oswald, “An interview with project director.”
[Bibtex]

@Article{ oswald_interview_nodate,
title = {An interview with project director},
language  = {en},
author  = {Oswald, John}
}

R. Ikeshiro, “Audification and Non-Standard Synthesis in \textitConstruction in Self,” Organised sound, 2014.
[Bibtex]

@Article{ ikeshiro_audification_2014,
title = {Audification and {Non}-{Standard} {Synthesis} in
\textit{{Construction} in {Self}}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771813000435},
language  = {en},
journal  = {Organised Sound},
author  = {Ikeshiro, Ryo},
month = apr,
year = {2014}
}

R. Ikeshiro, “Generative Emergent Self-similar Structures.”
[Bibtex]

@Article{ ikeshiro_generative_nodate,
title = {Generative {Emergent} {Self}-similar {Structures}},
language  = {en},
author  = {Ikeshiro, Ryo}
}

R. Ikeshiro, “Live audiovisualisation using emergent generative systems.”
[Bibtex]

@Article{ ikeshiro_live_nodate,
title = {Live audiovisualisation using emergent generative
systems},
language  = {en},
author  = {Ikeshiro, Ryo}
}

M. Iliescu, M. Solomos, A. Georgaki, G. Zervos, and I. Xenakis, “Glissandi and Traces.”
[Bibtex]

@Article{ iliescu_glissandi_nodate,
title = {Glissandi and {Traces}},
language  = {en},
author  = {Iliescu, Mihu and Solomos, Makis and Georgaki, Anastasia
and Zervos, Giorgos and Xenakis, Iannis}
}

“The identity of the architect: culture & communication,” , 2019.
[Bibtex]

@Article{ iloniemi_identity_2019,
address  = {Oxford},
title = {The identity of the architect: culture \& communication},
isbn = {978-1-119-54621-4},
language  = {en},
year = {2019}
}

J. Impett, “Let’s Dance Architecture: Improvisation, Technology and Form,” Leonardo music journal, 2010.
[Bibtex]

@Article{ impett_lets_2010,
title = {Let's {Dance} {Architecture}: {Improvisation},
{Technology} and {Form}},
issn = {0961-1215, 1531-4812},
doi = {10.1162/LMJ_a_00017},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Impett, Jonathan},
month = dec,
year = {2010}
}

C. Impey, “The living cosmos: our search for life in the universe,” , 2007.
[Bibtex]

@Article{ impey_living_2007,
address  = {New York},
title = {The living cosmos: our search for life in the universe},
isbn = {978-1-4000-6506-6},
language  = {en},
author  = {Impey, Chris},
year = {2007}
}

A. Infanti, “Without Fooling the Bird: Structural Anthropology and the “Naturalist” Music of F.-B. Mâche,” Perspectives of new music, 2004.
[Bibtex]

@Article{ infanti_without_2004,
title = {Without {Fooling} the {Bird}: {Structural} {Anthropology}
and the "{Naturalist}" {Music} of {F}.-{B}. {Mâche}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Infanti, Andrew},
year = {2004}
}

D. S. Alberts and D. S. Papp, “Information age anthology,” , 2001.
[Bibtex]

@Article{ alberts_information_2001,
address  = {Washington, D.C.},
title = {Information age anthology},
isbn = {978-1-57906-040-4},
language  = {en},
author  = {Alberts, David S. and Papp, Daniel S.},
year = {2001}
}

T. Ingold, “Lines: A Brief History.”
[Bibtex]

@Article{ ingold_lines_nodate,
title = {Lines: {A} {Brief} {History}},
language  = {en},
author  = {Ingold, Tim}
}

D. Link, “Archaeology of algorithmic artefacts,” , 2016.
[Bibtex]

@Article{ link_archaeology_2016,
address  = {Minneapolis},
title = {Archaeology of algorithmic artefacts},
isbn = {978-1-945414-04-6},
language  = {en},
author  = {Link, David},
year = {2016}
}

C. V. Linné and L. {Salvius, “Caroli Linnaei…Systema naturae per regna tria naturae :secundum classes, ordines, genera, species, cum characteribus, differentiis, synonymis, locis,” , 1758.
[Bibtex]

@Article{ linne_caroli_1758,
address  = {Holmiae},
title = {Caroli {Linnaei}...{Systema} naturae per regna tria
naturae :secundum classes, ordines, genera, species, cum
characteribus, differentiis, synonymis, locis},
author  = {Linné, Carl Von and {Salvius, Lars}},
year = {1758},
doi = {10.5962/bhl.title.542}
}

C. Lippe, J. Appleton, R. F. Pinkston, L. Spiegel, S. Beckwith, L. Seltzer, K. Fields, and K. F. Gerber, “Computer Music: The Next 20 Years,” Computer music journal, 1997.
[Bibtex]

@Article{ lippe_computer_1997,
title = {Computer {Music}: {The} {Next} 20 {Years}},
issn = {01489267},
doi = {10.2307/3681202},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lippe, Cort and Appleton, Jon and Pinkston, Russell F. and
Spiegel, Laurie and Beckwith, Sterling and Seltzer, Linda
and Fields, Ken and Gerber, Karl F.},
year = {1997}
}

E. Littwin and L. Wolf, “Complexity of multiverse networks and their multilayer generalization,” , 2016.
[Bibtex]

@Article{ littwin_complexity_2016,
address  = {Cancun},
title = {Complexity of multiverse networks and their multilayer
generalization},
isbn = {978-1-5090-4847-2},
doi = {10.1109/ICPR.2016.7899662},
language  = {en},
booktitle  = {2016 23rd {International} {Conference} on {Pattern}
{Recognition} ({ICPR})},
author  = {Littwin, Etai and Wolf, Lior},
month = dec,
year = {2016}
}

Y. Liu and G. Toussaint, “A Simple Algorithm for Constructing Perfect Monolinear Sona Tree Drawings, and its Application to Visual Art Education.”
[Bibtex]

@Article{ liu_simple_nodate,
title = {A {Simple} {Algorithm} for {Constructing} {Perfect}
{Monolinear} {Sona} {Tree} {Drawings}, and its
{Application} to {Visual} {Art} {Education}},
language  = {en},
author  = {Liu, Yang and Toussaint, Godfried}
}

I. Liu and B. Ramakrishnan, “Bach in 2014: Music Composition with Recurrent Neural Network,” , 2014.
[Bibtex]

@Article{ liu_bach_2014,
title = {Bach in 2014: {Music} {Composition} with {Recurrent}
{Neural} {Network}},
language  = {en},
author  = {Liu, I.-Ting and Ramakrishnan, Bhiksha},
month = dec,
year = {2014}
}

H. Liu, “Computing point-of-view.”
[Bibtex]

@Article{ liu_computing_nodate,
title = {Computing point-of-view},
language  = {en},
author  = {Liu, Hugo}
}

J. Liu and J. Wu, “Multi-agent robotic systems,” , 2001.
[Bibtex]

@Article{ liu_multi-agent_2001,
address  = {Boca Raton, FL},
title = {Multi-agent robotic systems},
isbn = {978-0-8493-2288-4},
language  = {en},
author  = {Liu, Jiming and Wu, Jianbing},
year = {2001}
}

S. R. Livingstone, R. Muhlberger, A. R. Brown, and W. F. Thompson, “Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance,” Computer music journal, 2010.
[Bibtex]

@Article{ livingstone_changing_2010,
title = {Changing {Musical} {Emotion}: {A} {Computational} {Rule}
{System} for {Modifying} {Score} and {Performance}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.1.41},
language  = {en},
journal  = {Computer Music Journal},
author  = {Livingstone, Steven R. and Muhlberger, Ralf and Brown,
Andrew R. and Thompson, William F.},
month = mar,
year = {2010}
}

M. B. Lobovsky and B. S. Applied, “RattleSnake: Stochastic Folding for Chain Programmable Matter.”
[Bibtex]

@Article{ lobovsky_rattlesnake_nodate,
title = {{RattleSnake}: {Stochastic} {Folding} for {Chain}
{Programmable} {Matter}},
language  = {en},
author  = {Lobovsky, Maxim B and Applied, B S}
}

H. Lohner and I. Xenakis, “Interview with Iannis Xenakis,” Computer music journal, 1986.
[Bibtex]

@Article{ lohner_interview_1986,
title = {Interview with {Iannis} {Xenakis}},
issn = {01489267},
doi = {10.2307/3680096},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lohner, Henning and Xenakis, Iannis},
year = {1986}
}

H. Lohner, “The UPIC System: A User’s Report,” Computer music journal, 1986.
[Bibtex]

@Article{ lohner_upic_1986,
title = {The {UPIC} {System}: {A} {User}'s {Report}},
issn = {01489267},
doi = {10.2307/3680095},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lohner, Henning},
year = {1986}
}

T. L. (Ed), “Sound and Music Computing,” , 2018.
[Bibtex]

@Article{ ed_sound_2018,
address  = {Place of publication not identified},
title = {Sound and {Music} {Computing}},
isbn = {978-3-03842-907-4},
language  = {en},
author  = {(Ed), Tapio Lokki},
year = {2018}
}

A. Lomas, “Aggregation: complexity out of simplicity,” , 2005.
[Bibtex]

@Article{ lomas_aggregation_2005,
address  = {Los Angeles, California},
title = {Aggregation: complexity out of simplicity},
doi = {10.1145/1187112.1187230},
language  = {en},
booktitle  = {{ACM} {SIGGRAPH} 2005 {Sketches} on - {SIGGRAPH} '05},
author  = {Lomas, Andy},
year = {2005}
}

M. Long, “Architectural Acoustics,” , 2006.
[Bibtex]

@Article{ long_architectural_2006,
address  = {Amsterdam ; Boston},
title = {Architectural {Acoustics}},
isbn = {978-0-12-455551-8},
language  = {en},
author  = {Long, Marshall},
year = {2006}
}

K. F. Long, “Deep Space Propulsion,” , 2012.
[Bibtex]

@Article{ long_deep_2012,
address  = {New York, NY},
title = {Deep {Space} {Propulsion}},
isbn = {978-1-4614-0606-8 978-1-4614-0607-5},
language  = {en},
author  = {Long, K. F.},
year = {2012},
doi = {10.1007/978-1-4614-0607-5}
}

A. M. Lopes and J. A. Tenreiro Machado, “On the Complexity Analysis and Visualization of Musical Information,” Entropy, 2019.
[Bibtex]

@Article{ lopes_complexity_2019,
title = {On the {Complexity} {Analysis} and {Visualization} of
{Musical} {Information}},
issn = {1099-4300},
doi = {10.3390/e21070669},
language  = {en},
journal  = {Entropy},
author  = {Lopes, António M. and Tenreiro Machado, J. A.},
month = jul,
year = {2019}
}

“Et si on fermait la Bourse….”
[Bibtex]

@Article{ noauthor_et_nodate,
title = {Et si on fermait la {Bourse}...},
language  = {fr}
}

E. N. Lorenz, “Maximum Simplification of the Dynamic Equations,” Tellus, 1960.
[Bibtex]

@Article{ lorenz_maximum_1960,
title = {Maximum {Simplification} of the {Dynamic} {Equations}},
issn = {00402826, 21533490},
doi = {10.1111/j.2153-3490.1960.tb01307.x},
language  = {en},
journal  = {Tellus},
author  = {Lorenz, Edward N.},
month = aug,
year = {1960}
}

D. Lorrain, “A Panoply of Stochastic ‘Cannons’,” Computer music journal, 1980.
[Bibtex]

@Article{ lorrain_panoply_1980,
title = {A {Panoply} of {Stochastic} '{Cannons}'},
issn = {01489267},
doi = {10.2307/3679442},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lorrain, Denis},
year = {1980}
}

“Lost in space: geographies of science fiction,” , 2002.
[Bibtex]

@Article{ kitchin_lost_2002,
address  = {London},
title = {Lost in space: geographies of science fiction},
isbn = {978-0-8264-7920-4 978-0-8264-5730-1 978-0-8264-5731-8},
language  = {en},
year = {2002}
}

V. Lostanlen and C. Cella, “Deep convolutional networks on the pitch spiral for musical instrument recognition,” , 2017.
[Bibtex]

@Article{ lostanlen_deep_2017,
title = {Deep convolutional networks on the pitch spiral for
musical instrument recognition},
language  = {en},
author  = {Lostanlen, Vincent and Cella, Carmine-Emanuele},
month = jan,
year = {2017}
}

V. Lostanlen, “On Time-frequency Scattering and Computer Music,” , 2019.
[Bibtex]

@Article{ lostanlen_time-frequency_2019,
title = {On {Time}-frequency {Scattering} and {Computer} {Music}},
language  = {en},
author  = {Lostanlen, Vincent},
month = may,
year = {2019}
}

M. Lothaire, “Combinatorics on words,” , 1983.
[Bibtex]

@Article{ lothaire_combinatorics_1983,
address  = {Reading, Mass},
title = {Combinatorics on words},
isbn = {978-0-201-13516-9},
language  = {en},
author  = {Lothaire, M.},
year = {1983}
}

E. Loubet, C. Roads, and B. Robindore, “The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s,” Computer music journal, 1997.
[Bibtex]

@Article{ loubet_beginnings_1997,
title = {The {Beginnings} of {Electronic} {Music} in {Japan}, with
a {Focus} on the {NHK} {Studio}: {The} 1950s and 1960s},
issn = {01489267},
doi = {10.2307/3681132},
language  = {en},
journal  = {Computer Music Journal},
author  = {Loubet, Emmanuelle and Roads, Curtis and Robindore,
Brigitte},
year = {1997}
}

E. Loubet, “The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1970s,” Computer music journal, 1998.
[Bibtex]

@Article{ loubet_beginnings_1998,
title = {The {Beginnings} of {Electronic} {Music} in {Japan}, with
a {Focus} on the {NHK} {Studio}: {The} 1970s},
issn = {01489267},
doi = {10.2307/3681044},
language  = {en},
journal  = {Computer Music Journal},
author  = {Loubet, Emmanuelle},
year = {1998}
}

S. Lourenço, “European Piano Schools: Russian, German and French classical piano interpretation and technique,” Journal of science and technology of the arts, 2010.
[Bibtex]

@Article{ lourenco_european_2010,
title = {European {Piano} {Schools}: {Russian}, {German} and
{French} classical piano interpretation and technique},
copyright  = {Creative Commons Attribution 4.0 International},
doi = {10.7559/CITARJ.V2I1.7},
language  = {en},
journal  = {Journal of Science and Technology of the Arts},
author  = {Lourenço, Sofia},
month = jan,
year = {2010}
}

J. Loviscach, “Spectral Synthesis of Rhythms,” , 2010.
[Bibtex]

@Article{ loviscach_spectral_2010,
title = {Spectral {Synthesis} of {Rhythms}},
language  = {en},
author  = {Loviscach, Jorn},
year = {2010}
}

G. D. Loy, “Life and Times of the Samson Box,” Computer music journal.
[Bibtex]

@Article{ loy_life_nodate,
title = {Life and {Times} of the {Samson} {Box}},
language  = {en},
journal  = {Computer Music Journal},
author  = {Loy, D Gareth}
}

G. D. Loy, “Musimathics: the mathematical foundations of music – Vol 1,” , 2006.
[Bibtex]

@Article{ loy_musimathics_2006,
address  = {Cambridge, Mass. ; London},
title = {Musimathics: the mathematical foundations of music - {Vol}
1},
isbn = {978-0-262-12282-5 978-0-262-12285-6},
language  = {en},
author  = {Loy, D. Gareth},
year = {2006}
}

G. D. Loy, “Musimathics: the mathematical foundations of music – Vol 2,” , 2006.
[Bibtex]

@Article{ loy_musimathics_2006-1,
address  = {Cambridge, Mass. ; London},
title = {Musimathics: the mathematical foundations of music - {Vol}
2},
isbn = {978-0-262-12282-5 978-0-262-12285-6},
language  = {en},
author  = {Loy, D. Gareth},
year = {2006}
}

“Musical Robots and Interactive Multimodal Systems,” , 2011.
[Bibtex]

@Article{ solis_musical_2011,
address  = {Berlin, Heidelberg},
title = {Musical {Robots} and {Interactive} {Multimodal}
{Systems}},
isbn = {978-3-642-22290-0 978-3-642-22291-7},
language  = {en},
year = {2011},
doi = {10.1007/978-3-642-22291-7}
}

M. Muukkonen, “KARL POLANYI AND ‘THE DOUBLE MOVEMENT’.”
[Bibtex]

@Article{ muukkonen_karl_nodate,
title = {{KARL} {POLANYI} {AND} '{THE} {DOUBLE} {MOVEMENT}'},
language  = {en},
author  = {Muukkonen, Martti}
}

J. Myhill, “Controlled Indeterminacy A First Step Towards a Semi-Stochastic Music Language,” Computer music journal, 1979.
[Bibtex]

@Article{ myhill_controlled_1979,
title = {Controlled {Indeterminacy} {A} {First} {Step} {Towards} a
{Semi}-{Stochastic} {Music} {Language}},
issn = {01489267},
doi = {10.2307/3679791},
language  = {en},
journal  = {Computer Music Journal},
author  = {Myhill, John},
month = sep,
year = {1979}
}

A. James and D. Nagasaka, “Architectonic influences of multimedia and their spatial significance,” , 2010.
[Bibtex]

@Article{ james_architectonic_2010,
title = {Architectonic influences of multimedia and their spatial
significance},
doi = {10.14236/ewic/EVA2010.42},
language  = {en},
author  = {James, Anne and Nagasaka, Dai},
year = {2010}
}

O. Nairz, M. Arndt, and A. Zeilinger, “Quantum interference experiments with large molecules,” American journal of physics, 2003.
[Bibtex]

@Article{ nairz_quantum_2003,
title = {Quantum interference experiments with large molecules},
issn = {0002-9505, 1943-2909},
doi = {10.1119/1.1531580},
language  = {en},
journal  = {American Journal of Physics},
author  = {Nairz, Olaf and Arndt, Markus and Zeilinger, Anton},
month = apr,
year = {2003}
}

S. Nakamoto, “Bitcoin: A Peer-to-Peer Electronic Cash System.”
[Bibtex]

@Article{ nakamoto_bitcoin_nodate,
title = {Bitcoin: {A} {Peer}-to-{Peer} {Electronic} {Cash}
{System}},
language  = {en},
author  = {Nakamoto, Satoshi}
}

“Code und Material: Exkursionen ins Undingliche,” , 2010.
[Bibtex]

@Article{ trogemann_code_2010,
address  = {Wien New York, NY},
title = {Code und {Material}: {Exkursionen} ins {Undingliche}},
isbn = {978-3-7091-0120-9 978-3-99043-341-6},
language  = {de},
year = {2010}
}

P. Knauth and J. Schoonman, “NANOSTRUCTURED MATERIALS,” Nanostructured materials.
[Bibtex]

@Article{ knauth_nanostructured_nodate,
title = {{NANOSTRUCTURED} {MATERIALS}},
language  = {en},
journal  = {NANOSTRUCTURED MATERIALS},
author  = {Knauth, Philippe and Schoonman, Joop}
}

N. Bertschinger, T. Natschläger, and R. A. Legenstein, “At the Edge of Chaos: Real-time Computations and Self-Organized Criticality in Recurrent Neural Networks.”
[Bibtex]

@Article{ bertschinger_at_nodate,
title = {At the {Edge} of {Chaos}: {Real}-time {Computations} and
{Self}-{Organized} {Criticality} in {Recurrent} {Neural}
{Networks}},
language  = {en},
author  = {Bertschinger, Nils and Natschläger, Thomas and
Legenstein, Robert A}
}

J. Nattiez, “De quelle tonalité parlez-vous? Benoît Duteurtre, Requiem pour une avant-garde, Paris, Robert Laffont, 1995, 271 p.,” Circuit: musiques contemporaines, 1998.
[Bibtex]

@Article{ nattiez_quelle_1998,
title = {De quelle tonalité parlez-vous? {Benoît} {Duteurtre},
{Requiem} pour une avant-garde, {Paris}, {Robert}
{Laffont}, 1995, 271 p.},
issn = {1183-1693, 1488-9692},
doi = {10.7202/902217ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Nattiez, Jean-Jacques},
year = {1998}
}

J. Nattiez, “Zukunftsmusik? Avenir de la musique?: Pierre Boulez,” Circuit, 2010.
[Bibtex]

@Article{ nattiez_zukunftsmusik_2010,
title = {Zukunftsmusik? {Avenir} de la musique?: {Pierre}
{Boulez}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902034ar},
language  = {fr},
journal  = {Circuit},
author  = {Nattiez, Jean-Jacques},
month = feb,
year = {2010}
}

P. Nauert, “Field Notes: A Study of Fixed-Pitch Formations,” Perspectives of new music, 2003.
[Bibtex]

@Article{ nauert_field_2003,
title = {Field {Notes}: {A} {Study} of {Fixed}-{Pitch}
{Formations}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Nauert, Paul},
year = {2003}
}

P. Nauert, “Timespan Hierarchies and Posttonal Pitch Structure: A Composer’s Strategies,” Perspectives of new music, 2005.
[Bibtex]

@Article{ nauert_timespan_2005,
title = {Timespan {Hierarchies} and {Posttonal} {Pitch}
{Structure}: {A} {Composer}'s {Strategies}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Nauert, Paul},
year = {2005}
}

P. Naur, “Programming as theory building,” Microprocessing and microprogramming, 1985.
[Bibtex]

@Article{ naur_programming_1985,
title = {Programming as theory building},
issn = {01656074},
doi = {10.1016/0165-6074(85)90032-8},
language  = {en},
journal  = {Microprocessing and Microprogramming},
author  = {Naur, Peter},
month = may,
year = {1985}
}

R. M. Neal, “Probabilistic Inference Using Markov Chain Monte Carlo Methods.”
[Bibtex]

@Article{ neal_probabilistic_nodate,
title = {Probabilistic {Inference} {Using} {Markov} {Chain} {Monte}
{Carlo} {Methods}},
language  = {en},
author  = {Neal, Radford M}
}

J. J. Noble, “Programming interactivity: a designer’s guide to processing, Arduino, and openFrameworks,” , 2009.
[Bibtex]

@Article{ noble_programming_2009,
address  = {Beijing ; Sebastopol, CA},
title = {Programming interactivity: a designer's guide to
processing, {Arduino}, and {openFrameworks}},
isbn = {978-0-596-15414-1},
language  = {en},
author  = {Noble, Joshua J.},
year = {2009}
}

H. Nishino, N. Osaka, and R. Nakatsu, “The Microsound Synthesis Framework in the LC Computer Music Programming Language,” Computer music journal, 2015.
[Bibtex]

@Article{ nishino_microsound_2015,
title = {The {Microsound} {Synthesis} {Framework} in the {LC}
{Computer} {Music} {Programming} {Language}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00331},
language  = {en},
journal  = {Computer Music Journal},
author  = {Nishino, Hiroki and Osaka, Naotoshi and Nakatsu, Ryohei},
month = dec,
year = {2015}
}

R. Nikolaidis, B. Walker, and G. Weinberg, “Generative Musical Tension Modeling and Its Application to Dynamic Sonification,” Computer music journal, 2012.
[Bibtex]

@Article{ nikolaidis_generative_2012,
title = {Generative {Musical} {Tension} {Modeling} and {Its}
{Application} to {Dynamic} {Sonification}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00105},
language  = {en},
journal  = {Computer Music Journal},
author  = {Nikolaidis, Ryan and Walker, Bruce and Weinberg, Gil},
month = mar,
year = {2012}
}

“Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition,” , 2015.
[Bibtex]

@Article{ nierhaus_patterns_2015,
address  = {Dordrecht},
title = {Patterns of {Intuition}: {Musical} {Creativity} in the
{Light} of {Algorithmic} {Composition}},
isbn = {978-94-017-9560-9 978-94-017-9561-6},
language  = {en},
year = {2015},
doi = {10.1007/978-94-017-9561-6}
}

S. Nicolls, “Seeking Out the Spaces Between: Using Improvisation in Collaborative Composition with Interactive Technology,” Leonardo music journal, 2010.
[Bibtex]

@Article{ nicolls_seeking_2010,
title = {Seeking {Out} the {Spaces} {Between}: {Using}
{Improvisation} in {Collaborative} {Composition} with
{Interactive} {Technology}},
issn = {0961-1215, 1531-4812},
doi = {10.1162/LMJ_a_00012},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Nicolls, Sarah},
month = dec,
year = {2010}
}

M. Noisternig, T. Carpentier, and O. Warusfel, “Espro 2.0 – Implementation Of A Surrounding 350-Loudspeaker Array For Sound Field Reproduction,” , 2012.
[Bibtex]

@Article{ noisternig_espro_2012,
title = {Espro 2.0 – {Implementation} {Of} {A} {Surrounding}
350-{Loudspeaker} {Array} {For} {Sound} {Field}
{Reproduction}},
language  = {en},
author  = {Noisternig, Markus and Carpentier, Thibaut and Warusfel,
Olivier},
year = {2012}
}

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[Bibtex]

@Article{ noordung_problem_1929,
address  = {Washington},
title = {The {Problem} of {Space} {Travel} {The} {Rocket} {Motor}},
isbn = {978-0-16-045462-2},
language  = {en},
collaborator  = {Noordung, Hermann},
year = {1929}
}

S. Nooteboom, “THE PROSODY OF SPEECH: MELODY AND RHYTHM.”
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@Article{ nooteboom_prosody_nodate,
title = {{THE} {PROSODY} {OF} {SPEECH}: {MELODY} {AND} {RHYTHM}},
language  = {en},
author  = {Nooteboom, Sieb}
}

V. Norilo, “Kronos: A Declarative Metaprogramming Language for Digital Signal Processing,” Computer music journal, 2015.
[Bibtex]

@Article{ norilo_kronos_2015,
title = {Kronos: {A} {Declarative} {Metaprogramming} {Language} for
{Digital} {Signal} {Processing}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00330},
language  = {en},
journal  = {Computer Music Journal},
author  = {Norilo, Vesa},
month = dec,
year = {2015}
}

R. Normandeau, “Qu’est-ce concert?,” Circuit, 2010.
[Bibtex]

@Article{ normandeau_quest-ce_2010,
title = {Qu’est-ce concert?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902264ar},
language  = {fr},
journal  = {Circuit},
author  = {Normandeau, Robert},
month = feb,
year = {2010}
}

L. Nottale, “Scale Relativity and Fractal Space-Time: Theory and Applications,” Foundations of science, 2010.
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@Article{ nottale_scale_2010,
title = {Scale {Relativity} and {Fractal} {Space}-{Time}: {Theory}
and {Applications}},
issn = {1233-1821, 1572-8471},
doi = {10.1007/s10699-010-9170-2},
language  = {en},
journal  = {Foundations of Science},
author  = {Nottale, Laurent},
month = jun,
year = {2010}
}

L. Nottale, “The Theory of Scale Relativity,” International journal of modern physics a, 1992.
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@Article{ nottale_theory_1992,
title = {The {Theory} of {Scale} {Relativity}},
issn = {0217-751X, 1793-656X},
doi = {10.1142/S0217751X92002222},
language  = {en},
journal  = {International Journal of Modern Physics A},
author  = {Nottale, Laurent},
month = aug,
year = {1992}
}

G. Nouno, “Suivi de Tempo Appliqué aux Musiques Improvisées à la recherche du temps perdu ….”
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@Article{ nouno_suivi_nodate,
title = {Suivi de {Tempo} {Appliqué} aux {Musiques} {Improvisées}
à la recherche du temps perdu ...},
language  = {fr},
author  = {Nouno, Gilbert}
}

M. Supper, “A Few Remarks on Algorithmic Composition,” Computer music journal, 2001.
[Bibtex]

@Article{ supper_few_2001,
title = {A {Few} {Remarks} on {Algorithmic} {Composition}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601300126106},
language  = {en},
journal  = {Computer Music Journal},
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month = mar,
year = {2001}
}

S. D. Young, “Apocalyptic Music: Reflections on Countercultural Christian Influence,” Volume !, 2012.
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@Article{ young_apocalyptic_2012,
title = {Apocalyptic {Music}: {Reflections} on {Countercultural}
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issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.3273},
language  = {en},
journal  = {Volume !},
author  = {Young, Shawn David},
month = dec,
year = {2012}
}

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address  = {Oxford},
title = {Machine landscapes: architectures of the
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language  = {en},
year = {2019}
}

J. Young, “Practice, process and aesthetic reflection in electroacoustic music,” Organised sound, 2007.
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@Article{ young_practice_2007,
title = {Practice, process and aesthetic reflection in
electroacoustic music},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001628},
language  = {en},
journal  = {Organised Sound},
author  = {Young, John},
month = apr,
year = {2007}
}

G. Youngblood, “Cinema and the Code,” Leonardo. supplemental issue, 1989.
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@Article{ youngblood_cinema_1989,
title = {Cinema and the {Code}},
issn = {17487331},
doi = {10.2307/1557940},
language  = {en},
journal  = {Leonardo. Supplemental Issue},
author  = {Youngblood, Gene},
year = {1989}
}

M. Yunik and G. W. Swift, “Tempered Music Scales for Sound Synthesis,” Computer music journal, 1980.
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@Article{ yunik_tempered_1980,
title = {Tempered {Music} {Scales} for {Sound} {Synthesis}},
issn = {01489267},
doi = {10.2307/3679466},
language  = {en},
journal  = {Computer Music Journal},
author  = {Yunik, M. and Swift, G. W.},
year = {1980}
}

J. Yust, “Organized time: rhythm, tonality, and form,” , 2018.
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@Article{ yust_organized_2018,
address  = {New York, NY},
title = {Organized time: rhythm, tonality, and form},
isbn = {978-0-19-069648-1 978-0-19-069651-1},
language  = {en},
author  = {Yust, Jason},
year = {2018}
}

S. Zagny and A. Rovner, “Imitation: Traditional and Nontraditional Transformations of Melodies,” Perspectives of new music, 1999.
[Bibtex]

@Article{ zagny_imitation_1999,
title = {Imitation: {Traditional} and {Nontraditional}
{Transformations} of {Melodies}},
issn = {00316016},
doi = {10.2307/833514},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Zagny, Sergei and Rovner, Anton},
year = {1999}
}

M. Zaplitny and I. Xenakis, “Conversation with Iannis Xenakis,” Perspectives of new music, 1975.
[Bibtex]

@Article{ zaplitny_conversation_1975,
title = {Conversation with {Iannis} {Xenakis}},
issn = {00316016},
doi = {10.2307/832544},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Zaplitny, Michael and Xenakis, Iannis},
year = {1975}
}

M. H. Zareei, A. Kapur, and D. A. Carnegie, “NOISE ON THE GRID: RHYTHMIC PULSE IN EXPERIMENTAL AND ELECTRONIC NOISE MUSIC,” New zealand, 2013.
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@Article{ zareei_noise_2013,
title = {{NOISE} {ON} {THE} {GRID}: {RHYTHMIC} {PULSE} {IN}
{EXPERIMENTAL} {AND} {ELECTRONIC} {NOISE} {MUSIC}},
language  = {en},
journal  = {New Zealand},
author  = {Zareei, Mo H and Kapur, Ajay and Carnegie, Dale A},
year = {2013}
}

M. H. Zareei, D. Mckinnon, D. A. Carnegie, and A. Kapur, “Sound-based Brutalism: An emergent aesthetic,” Organised sound, 2016.
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@Article{ zareei_sound-based_2016,
title = {Sound-based {Brutalism}: {An} emergent aesthetic},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771815000370},
language  = {en},
journal  = {Organised Sound},
author  = {Zareei, Mo H. and Mckinnon, Dugal and Carnegie, Dale A.
and Kapur, Ajay},
month = apr,
year = {2016}
}

L. Zattra, “LES ORIGINES DU NOM DE RIM (REALISATEUR EN INFORMATIQUE MUSICALE).”
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@Article{ zattra_origines_nodate,
title = {{LES} {ORIGINES} {DU} {NOM} {DE} {RIM} ({REALISATEUR} {EN}
{INFORMATIQUE} {MUSICALE})},
language  = {fr},
author  = {Zattra, Laura}
}

L. Zattra, “The Assembling of \textitStria by John Chowning: A Philological Investigation,” Computer music journal, 2007.
[Bibtex]

@Article{ zattra_assembling_2007,
title = {The {Assembling} of \textit{{Stria}} by {John} {Chowning}:
{A} {Philological} {Investigation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.3.38},
language  = {en},
journal  = {Computer Music Journal},
author  = {Zattra, Laura},
month = sep,
year = {2007}
}

V. Zavalishin, “Computational optimization of nonlinear zero-delay feedback by second-order piecewise approximation.”
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@Article{ zavalishin_computational_nodate,
title = {Computational optimization of nonlinear zero-delay
feedback by second-order piecewise approximation},
language  = {en},
author  = {Zavalishin, Vadim}
}

L. M. Zbikowski, “Conceptualizing music: cognitive structure, theory, and analysis,” , 2002.
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@Article{ zbikowski_conceptualizing_2002,
address  = {Oxford ; New York},
title = {Conceptualizing music: cognitive structure, theory, and
analysis},
isbn = {978-0-19-514023-1},
language  = {en},
author  = {Zbikowski, Lawrence Michael},
year = {2002}
}

M. D. Zeiler, D. Krishnan, G. Taylor, and R. Fergus, “Deconvolutional networks,” , 2010.
[Bibtex]

@Article{ zeiler_deconvolutional_2010,
address  = {San Francisco, CA, USA},
title = {Deconvolutional networks},
isbn = {978-1-4244-6984-0},
doi = {10.1109/CVPR.2010.5539957},
language  = {en},
booktitle  = {2010 {IEEE} {Computer} {Society} {Conference} on
{Computer} {Vision} and {Pattern} {Recognition}},
author  = {Zeiler, Matthew D. and Krishnan, Dilip and Taylor, Graham
W. and Fergus, Rob},
month = jun,
year = {2010}
}

S. Bringsjord, “Free Will and A New Kind of Science,” , 2013.
[Bibtex]

@Article{ zenil_free_2013,
address  = {Berlin, Heidelberg},
title = {Free {Will} and {A} {New} {Kind} of {Science}},
isbn = {978-3-642-35481-6 978-3-642-35482-3},
language  = {en},
booktitle  = {Irreducibility and {Computational} {Equivalence}},
author  = {Bringsjord, Selmer},
year = {2013},
doi = {10.1007/978-3-642-35482-3_23}
}

X. Zhang, M. Li, and R. Bridson, “Resolving fluid boundary layers with particle strength exchange and weak adaptivity,” Acm transactions on graphics, 2016.
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@Article{ zhang_resolving_2016,
title = {Resolving fluid boundary layers with particle strength
exchange and weak adaptivity},
issn = {0730-0301, 1557-7368},
doi = {10.1145/2897824.2925910},
language  = {en},
journal  = {ACM Transactions on Graphics},
author  = {Zhang, Xinxin and Li, Minchen and Bridson, Robert},
month = jul,
year = {2016}
}

J. Zhao, U. Hahn, and D. Osherson, “Perception and identification of random events.,” Journal of experimental psychology: human perception and performance, 2014.
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@Article{ zhao_perception_2014,
title = {Perception and identification of random events.},
issn = {1939-1277, 0096-1523},
doi = {10.1037/a0036816},
language  = {en},
journal  = {Journal of Experimental Psychology: Human Perception and
Performance},
author  = {Zhao, Jiaying and Hahn, Ulrike and Osherson, Daniel},
year = {2014}
}

D. Zicarelli, “How I Learned to Love a Program That Does Nothing,” Computer music journal, 2002.
[Bibtex]

@Article{ zicarelli_how_2002,
title = {How {I} {Learned} to {Love} a {Program} {That} {Does}
{Nothing}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602320991365},
language  = {en},
journal  = {Computer Music Journal},
author  = {Zicarelli, David},
month = dec,
year = {2002}
}

S. Zielinski, “Deep time of the media: toward an archaeology of hearing and seeing by technical means,” , 2006.
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@Article{ zielinski_deep_2006,
address  = {Cambridge, Mass},
title = {Deep time of the media: toward an archaeology of hearing
and seeing by technical means},
isbn = {978-0-262-24049-9},
language  = {en},
author  = {Zielinski, Siegfried},
year = {2006}
}

“Four Texts by Bernd Alois Zimmermann,” The opera quarterly, 2014.
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@Article{ noauthor_four_2014,
title = {Four {Texts} by {Bernd} {Alois} {Zimmermann}},
issn = {0736-0053, 1476-2870},
doi = {10.1093/oq/kbu016},
language  = {en},
journal  = {The Opera Quarterly},
month = mar,
year = {2014}
}

B. Zimmermann, “Technology Is Culture: Two Paradigms,” , 2005.
[Bibtex]

@Article{ zimmermann_technology_2005,
title = {Technology {Is} {Culture}: {Two} {Paradigms}},
language  = {en},
author  = {Zimmermann, Basile},
year = {2005}
}

R. Zitellini and L. Pugin, “Representing atypical music notation practices: An example with late 17th century music,” , 2016.
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@Article{ zitellini_representing_2016,
title = {Representing atypical music notation practices: {An}
example with late 17th century music},
language  = {en},
author  = {Zitellini, Rodolfo and Pugin, Laurent},
year = {2016}
}

I. Zuk, D. Keane, and L. Cuddy, “Factors of Musical Perception: Three Points of View,” Canadian university music review, 1982.
[Bibtex]

@Article{ zuk_factors_1982,
title = {Factors of {Musical} {Perception}: {Three} {Points} of
{View}},
issn = {0710-0353, 2291-2436},
doi = {10.7202/1013830ar},
language  = {en},
journal  = {Canadian University Music Review},
author  = {Zuk, Ireneus and Keane, David and Cuddy, Lola},
year = {1982}
}

G. G. Yin and Q. Zhang, “Continuous-Time Markov Chains and Applications,” , 2013.
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@Article{ yin_continuous-time_2013,
address  = {New York, NY},
title = {Continuous-{Time} {Markov} {Chains} and {Applications}},
isbn = {978-1-4614-4345-2 978-1-4614-4346-9},
language  = {en},
author  = {Yin, G. George and Zhang, Qing},
year = {2013},
doi = {10.1007/978-1-4614-4346-9}
}

W. S. Yeo and J. Berger, “Raster Scanning: A New Approach to Image Soniﬁcation, Sound Visualization, Sound Analysis And Synthesis.”
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@Article{ yeo_raster_nodate,
title = {Raster {Scanning}: {A} {New} {Approach} to {Image}
{Soniﬁcation}, {Sound} {Visualization}, {Sound}
{Analysis} {And} {Synthesis}},
language  = {en},
author  = {Yeo, Woon Seung and Berger, Jonathan}
}

W. S. Yeo and J. Berger, “Application of Raster Scanning Method to Image Sonification, Sound Visualization, Sound Analysis and Synthesis,” , 2006.
[Bibtex]

@Article{ yeo_application_2006,
title = {Application of {Raster} {Scanning} {Method} to {Image}
{Sonification}, {Sound} {Visualization}, {Sound} {Analysis}
and {Synthesis}},
language  = {en},
author  = {Yeo, Woon Seung and Berger, Jonathan},
year = {2006}
}

D. Yeh, “Numerical Solution of Nonlinear Differential Equations in Musical Synthesis.”
[Bibtex]

@Article{ yeh_numerical_nodate,
title = {Numerical {Solution} of {Nonlinear} {Differential}
{Equations} in {Musical} {Synthesis}},
language  = {en},
author  = {Yeh, David}
}

A. Ycart, “Quantification rythmique dans OpenMusic.”
[Bibtex]

@Article{ ycart_quantification_nodate,
title = {Quantification rythmique dans {OpenMusic}},
language  = {fr},
author  = {Ycart, Adrien}
}

R. McNiece and L. R. Smith, “America Zen: a gathering of poets,” , 2004.
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@Article{ mcniece_america_2004,
address  = {Huron, Ohio},
title = {America {Zen}: a gathering of poets},
isbn = {978-0-933087-91-0},
language  = {en},
author  = {McNiece, Ray and Smith, Larry R.},
year = {2004}
}

“Music-Inspired Harmony Search Algorithm,” , 2009.
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@Article{ geem_music-inspired_2009,
address  = {Berlin, Heidelberg},
title = {Music-{Inspired} {Harmony} {Search} {Algorithm}},
isbn = {978-3-642-00184-0 978-3-642-00185-7},
language  = {en},
year = {2009},
doi = {10.1007/978-3-642-00185-7}
}

M. Yako, “The Hierarchical Structure of Time and Meter,” Computer music journal, 1997.
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@Article{ yako_hierarchical_1997,
title = {The {Hierarchical} {Structure} of {Time} and {Meter}},
issn = {01489267},
doi = {10.2307/3681218},
language  = {en},
journal  = {Computer Music Journal},
author  = {Yako, Masato},
year = {1997}
}

J. Yaffé, “An Interview with Composer Earle Brown,” Contemporary music review, 2007.
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@Article{ yaffe_interview_2007,
title = {An {Interview} with {Composer} {Earle} {Brown}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460701414124},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Yaffé, John},
month = jun,
year = {2007}
}

S. Yadegari, “Chaotic Signal Synthesis with Real-time Control: Solving Differential Equations in Pd, Max/MSP, and jMAX,” , 2003.
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@Article{ yadegari_chaotic_2003,
title = {Chaotic {Signal} {Synthesis} with {Real}-time {Control}:
{Solving} {Differential} {Equations} in {Pd}, {Max}/{MSP},
and {jMAX}},
language  = {en},
author  = {Yadegari, Shahrokh},
year = {2003}
}

X. Yang and Y. Young, “Cellular Automata, PDEs, and Pattern Formation,” Handbook of bioinspired algorithms and applications.
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@Article{ yang_cellular_nodate,
title = {Cellular {Automata}, {PDEs}, and {Pattern} {Formation}},
language  = {en},
journal  = {Handbook of Bioinspired Algorithms and Applications},
author  = {Yang, Xin-She and Young, Y}
}

I. Xenakis, “Determinacy and indeterminacy.”
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@Article{ xenakis_determinacy_nodate,
title = {Determinacy and indeterminacy},
language  = {en},
author  = {Xenakis, Iannis}
}

I. Xenakis, “Mycenae – Alpha 1978,” Perspectives of new music, 1987.
[Bibtex]

@Article{ xenakis_mycenae_1987,
title = {Mycenae - {Alpha} 1978},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Xenakis, Iannis},
year = {1987}
}

I. Xenakis, R. Brown, and J. Rahn, “Xenakis on Xenakis,” Perspectives of new music, 1987.
[Bibtex]

@Article{ xenakis_xenakis_1987,
title = {Xenakis on {Xenakis}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Xenakis, Iannis and Brown, Roberta and Rahn, John},
year = {1987}
}

S. Worley, “A cellular texture basis function,” , 1996.
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@Article{ worley_cellular_1996,
title = {A cellular texture basis function},
isbn = {978-0-89791-746-9},
doi = {10.1145/237170.237267},
language  = {en},
booktitle  = {Proceedings of the 23rd annual conference on {Computer}
graphics and interactive techniques},
author  = {Worley, Steven},
month = aug,
year = {1996}
}

D. Worrall, “Complex systems in composition and improvisation,” Organised sound, 2004.
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@Article{ worrall_complex_2004,
title = {Complex systems in composition and improvisation},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771804000202},
language  = {en},
journal  = {Organised Sound},
author  = {Worrall, David},
month = aug,
year = {2004}
}

D. Worrall, “Space in sound: sound of space,” Organised sound, 1998.
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@Article{ worrall_space_1998,
title = {Space in sound: sound of space},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771898002027},
language  = {en},
journal  = {Organised Sound},
author  = {Worrall, David},
month = aug,
year = {1998}
}

M. Wright, J. Beauchamp, K. Fitz, X. Rodet, A. Röbel, X. Serra, and G. Wakefield, “Analysis/synthesis comparison,” Organised sound, 2000.
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@Article{ wright_analysissynthesis_2000,
title = {Analysis/synthesis comparison},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771800005070},
language  = {en},
journal  = {Organised Sound},
author  = {Wright, Matthew and Beauchamp, James and Fitz, Kelly and
Rodet, Xavier and Röbel, Axel and Serra, Xavier and
Wakefield, Gregory},
month = dec,
year = {2000}
}

M. Wright, “Shifty Looping: meter-aware, non-repeating rhythmic loops.”
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@Article{ wright_shifty_nodate,
title = {Shifty {Looping}: meter-aware, non-repeating rhythmic
loops},
language  = {en},
author  = {Wright, Matthew}
}

Y. Polyanskiy and Y. Wu, “Application of information-percolation method to reconstruction problems on graphs,” , 2020.
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@Article{ polyanskiy_application_2020,
title = {Application of information-percolation method to
reconstruction problems on graphs},
language  = {en},
author  = {Polyanskiy, Yury and Wu, Yihong},
month = may,
year = {2020}
}

A. Wuensche, “Exploring discrete dynamics,” , 2011.
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@Article{ wuensche_exploring_2011,
address  = {Frome, England},
title = {Exploring discrete dynamics},
isbn = {978-1-905986-31-6},
language  = {en},
author  = {Wuensche, Andrew},
year = {2011}
}

J. S. B. Wyithe and E. L. Turner, “Determining the microlens mass function from quasar microlensing statistics,” Monthly notices of the royal astronomical society, 2001.
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@Article{ wyithe_determining_2001,
title = {Determining the microlens mass function from quasar
microlensing statistics},
issn = {0035-8711, 1365-2966},
doi = {10.1046/j.1365-8711.2001.03917.x},
language  = {en},
journal  = {Monthly Notices of the Royal Astronomical Society},
author  = {Wyithe, J. S. B. and Turner, E. L.},
month = jan,
year = {2001}
}

M. L. Chance, “Sacralisation et profanation du geste performatif : Sept remarques faciles.”
[Bibtex]

@Article{ chance_sacralisation_nodate,
title = {Sacralisation et profanation du geste performatif : {Sept}
remarques faciles},
language  = {fr},
author  = {Chance, Michaël La}
}

M. H. Tencer, “First published by Heiner Friedrich, Munchen © La Monte Young and Marian Zazeela 1969 Printed in West Germany in an edition of 2,100.,” , 2004.
[Bibtex]

@Article{ tencer_first_2004,
title = {First published by {Heiner} {Friedrich}, {Munchen} © {La}
{Monte} {Young} and {Marian} {Zazeela} 1969 {Printed} in
{West} {Germany} in an edition of 2,100.},
language  = {en},
author  = {Tencer, Michael H},
year = {2004}
}

D. Laborde, “Faire la musique: Enquête sur une création,” Appareil, 2009.
[Bibtex]

@Article{ laborde_faire_2009,
title = {Faire la musique: {Enquête} sur une création},
issn = {2101-0714},
doi = {10.4000/appareil.850},
language  = {fr},
journal  = {Appareil},
author  = {Laborde, Denis},
month = may,
year = {2009}
}

O. Labs, “Algebraic Surfaces with many Singularities.”
[Bibtex]

@Article{ labs_algebraic_nodate,
title = {Algebraic {Surfaces} with many {Singularities}},
language  = {en},
author  = {Labs, Oliver}
}

A. Labussiere, “PIERRE BOULEZ : MEMORIALE (. ..EXPLOSANTE-FIXE… ORIGINEL).”
[Bibtex]

@Article{ labussiere_pierre_nodate,
title = {{PIERRE} {BOULEZ} : {MEMORIALE} (.
..{EXPLOSANTE}-{FIXE}... {ORIGINEL})},
language  = {fr},
author  = {Labussiere, Annie}
}

D. Ryan and H. Lachenmann, “Composer in Interview: Helmut Lachenmann,” Tempo, new series, 1999.
[Bibtex]

@Article{ ryan_composer_1999,
title = {Composer in {Interview}: {Helmut} {Lachenmann}},
language  = {en},
journal  = {Tempo, New Series},
author  = {Ryan, David and Lachenmann, Helmut},
year = {1999}
}

H. Lachenmann, “Composing in the Shadow of Darmstadt $^{\textrm{1}}$,” Contemporary music review, 2004.
[Bibtex]

@Article{ lachenmann_composing_2004,
title = {Composing in the {Shadow} of {Darmstadt} $^{\textrm{1}}$},
issn = {0749-4467, 1477-2256},
doi = {10.1080/0749446042000285663},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Lachenmann, Helmut},
month = sep,
year = {2004}
}

H. Lachenmann, “Four Questions Regarding New Music,” Contemporary music review, 2004.
[Bibtex]

@Article{ lachenmann_four_2004,
title = {Four {Questions} {Regarding} {New} {Music}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/0749446042000285672},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Lachenmann, Helmut},
month = sep,
year = {2004}
}

H. Lachenmann, “On My Second String Quartet (‘ \textitReigen seliger Geister’ ) $^{\textrm{1}}$,” Contemporary music review, 2004.
[Bibtex]

@Article{ lachenmann_my_2004,
title = {On {My} {Second} {String} {Quartet} (' \textit{{Reigen}
seliger {Geister}'} ) $^{\textrm{1}}$},
issn = {0749-4467, 1477-2256},
doi = {10.1080/0749445042000285681},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Lachenmann, Helmut},
month = sep,
year = {2004}
}

H. Lachenmann and J. Stadelman, “Open Letter to Hans Werner Henze,” Perspectives of new music, 1997.
[Bibtex]

@Article{ lachenmann_open_1997,
title = {Open {Letter} to {Hans} {Werner} {Henze}},
issn = {00316016},
doi = {10.2307/833650},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Lachenmann, Helmut and Stadelman, Jeffrey},
year = {1997}
}

H. Lachenmann, “The ‘Beautiful’ in Music Today,” Tempo, new series, 1980.
[Bibtex]

@Article{ lachenmann_beautiful_1980,
title = {The '{Beautiful}' in {Music} {Today}},
language  = {en},
journal  = {Tempo, New Series},
author  = {Lachenmann, Helmut},
year = {1980}
}

“The Representation of Pitch in a Neural Net Model of Chord Classification.”
[Bibtex]

@Article{ noauthor_representation_nodate,
title = {The {Representation} of {Pitch} in a {Neural} {Net}
{Model} of {Chord} {Classification}},
language  = {en}
}

N. Lago and F. Kon, “The Quest for Low Latency,” , 2004.
[Bibtex]

@Article{ lago_quest_2004,
title = {The {Quest} for {Low} {Latency}},
language  = {en},
author  = {Lago, Nelson and Kon, Fabio},
year = {2004}
}

P. Lalitte, “« Rythme et espace chez Varèse ».”
[Bibtex]

@Article{ lalitte__nodate,
title = {« {Rythme} et espace chez {Varèse} »},
language  = {fr},
author  = {Lalitte, Philippe}
}

F. Laloë, “L’argument de Einstein, Podolsky et Rosen,” Bibnum, 2010.
[Bibtex]

@Article{ laloe_largument_2010,
title = {L’argument de {Einstein}, {Podolsky} et {Rosen}},
issn = {2554-4470},
doi = {10.4000/bibnum.826},
language  = {fr},
journal  = {BibNum},
author  = {Laloë, Franck},
month = oct,
year = {2010}
}

C. Lambeau, “Exercice du Pouvoir Dans Les Groupes Musicaux : Une Approche Psychosociale,” Transposition, 2015.
[Bibtex]

@Article{ lambeau_exercice_2015,
title = {Exercice du {Pouvoir} {Dans} {Les} {Groupes} {Musicaux} :
{Une} {Approche} {Psychosociale}},
issn = {2110-6134},
doi = {10.4000/transposition.1153},
language  = {fr},
journal  = {Transposition},
author  = {Lambeau, Céline},
month = sep,
year = {2015}
}

A. Lambert, T. Weyde, and N. Armstrong, “Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks.”
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@Article{ lambert_beyond_nodate,
title = {Beyond the {Beat}: {Towards} {Metre}, {Rhythm} and
{Melody} {Modelling} with {Hybrid} {Oscillator}
{Networks}},
language  = {en},
author  = {Lambert, Andrew and Weyde, Tillman and Armstrong, Newton}
}

M. Lamme, “Without music, life would be a mistake..”
[Bibtex]

@Article{ lamme_without_nodate,
title = {Without music, life would be a mistake.},
language  = {en},
author  = {Lamme, Maryse}
}

P. Lanchantin, S. Farner, C. Veaux, G. Degottex, A. Roebel, and X. Rodet, “A short review of research on voice transformations at IRCAM.”
[Bibtex]

@Article{ lanchantin_short_nodate,
title = {A short review of research on voice transformations at
{IRCAM}},
language  = {en},
author  = {Lanchantin, P and Farner, S and Veaux, C and Degottex, G
and Roebel, A and Rodet, X}
}

L. Landy, “Composition and Performance in the 1990s,” Computer music journal, 1994.
[Bibtex]

@Article{ landy_composition_1994,
title = {Composition and {Performance} in the 1990s},
issn = {01489267},
doi = {10.2307/3680443},
language  = {en},
journal  = {Computer Music Journal},
author  = {Landy, Leigh},
year = {1994}
}

L. Landy, “IS MORE THAN THREE DECADES OF COMPUTER MUSIC REACHING THE PUBLIC IT DESERVES?,” , 1990.
[Bibtex]

@Article{ landy_is_1990,
title = {{IS} {MORE} {THAN} {THREE} {DECADES} {OF} {COMPUTER}
{MUSIC} {REACHING} {THE} {PUBLIC} {IT} {DESERVES}?},
language  = {en},
author  = {Landy, Leigh},
year = {1990}
}

L. Landy, “Understanding the art of sound organization,” , 2007.
[Bibtex]

@Article{ landy_understanding_2007,
address  = {Cambridge, Mass},
title = {Understanding the art of sound organization},
isbn = {978-0-262-12292-4},
language  = {en},
author  = {Landy, Leigh},
year = {2007}
}

W. K. Langford, “Electronic Digital Materials.”
[Bibtex]

@Article{ langford_electronic_nodate,
title = {Electronic {Digital} {Materials}},
language  = {en},
author  = {Langford, William Kai}
}

J. Langner and W. Goebl, “Visualizing Expressive Performance in Tempo—Loudness Space,” Computer music journal, 2003.
[Bibtex]

@Article{ langner_visualizing_2003,
title = {Visualizing {Expressive} {Performance} in
{Tempo}—{Loudness} {Space}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892603322730514},
language  = {en},
journal  = {Computer Music Journal},
author  = {Langner, Jörg and Goebl, Werner},
month = dec,
year = {2003}
}

“Language in mind: advances in the study of language and thought,” , 2003.
[Bibtex]

@Article{ gentner_language_2003,
address  = {Cambridge, Mass},
title = {Language in mind: advances in the study of language and
thought},
isbn = {978-0-262-07243-4 978-0-262-57163-0},
language  = {en},
year = {2003}
}

Paul Lansky, “Paul Lansky Interview,” Perspectives of new music, 2012.
[Bibtex]

@Article{ paul_lansky_paul_2012,
title = {Paul {Lansky} {Interview}},
issn = {00316016},
doi = {10.7757/persnewmusi.50.1-2.0175},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Paul Lansky}},
year = {2012}
}

P. Lansky, “Keynote Address: Reflections on Spent Time,” , 2009.
[Bibtex]

@Article{ lansky_keynote_2009,
title = {Keynote {Address}: {Reflections} on {Spent} {Time}},
language  = {en},
author  = {Lansky, Paul},
year = {2009}
}

C. Laroche, M. Kowalski, H. Papadopoulos, and G. Richard, “Hybrid Projective Nonnegative Matrix Factorization With Drum Dictionaries for Harmonic/Percussive Source Separation,” Ieee/acm transactions on audio, speech, and language processing, 2018.
[Bibtex]

@Article{ laroche_hybrid_2018,
title = {Hybrid {Projective} {Nonnegative} {Matrix} {Factorization}
{With} {Drum} {Dictionaries} for {Harmonic}/{Percussive}
{Source} {Separation}},
issn = {2329-9290, 2329-9304},
doi = {10.1109/TASLP.2018.2830116},
language  = {en},
journal  = {IEEE/ACM Transactions on Audio, Speech, and Language
Processing},
author  = {Laroche, Clement and Kowalski, Matthieu and Papadopoulos,
Helene and Richard, Gael},
month = sep,
year = {2018}
}

O. Lartillot, S. Dubnov, G. Assayag, and G. Bejerano, “Automatic Modeling of Musical Style.”
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@Article{ lartillot_automatic_nodate,
title = {Automatic {Modeling} of {Musical} {Style}},
language  = {en},
author  = {Lartillot, O and Dubnov, S and Assayag, G and Bejerano,
G}
}

O. Lartillot, “Perception-Based Musical Pattern Discovery.”
[Bibtex]

@Article{ lartillot_perception-based_nodate,
title = {Perception-{Based} {Musical} {Pattern} {Discovery}},
language  = {en},
author  = {Lartillot, Olivier}
}

O. Laske, “Composition Theory in Koenig’s Project One and Project Two,” Computer music journal, 1981.
[Bibtex]

@Article{ laske_composition_1981,
title = {Composition {Theory} in {Koenig}'s {Project} {One} and
{Project} {Two}},
issn = {01489267},
doi = {10.2307/3679506},
language  = {en},
journal  = {Computer Music Journal},
author  = {Laske, Otto},
year = {1981}
}

J. Risset, “Clarification on C.P.R.I.M.,” Computer music journal, 1984.
[Bibtex]

@Article{ risset_clarification_1984,
title = {Clarification on {C}.{P}.{R}.{I}.{M}.},
issn = {01489267},
doi = {10.2307/3679767},
language  = {en},
journal  = {Computer Music Journal},
author  = {Risset, Jean-Claude},
year = {1984}
}

E. Latham, “Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas,” , 2008.
[Bibtex]

@Article{ latham_tonality_2008,
title = {Tonality as {Drama} : {Closure} and {Interruption} in
{Four} {Twentieth}-{Century} {American} {Operas}},
isbn = {978-1-57441-249-9},
language  = {en},
author  = {Latham, Edward},
year = {2008},
doi = {10.26530/OAPEN_625265}
}

B. Latour, “La Société comme Possession.”
[Bibtex]

@Article{ latour_societe_nodate,
title = {La {Société} comme {Possession}},
language  = {fr},
author  = {Latour, Bruno}
}

B. Latour, “Science in action: how to follow scientists and engineers through society,” , 1987.
[Bibtex]

@Article{ latour_science_1987,
address  = {Cambridge, Mass},
title = {Science in action: how to follow scientists and engineers
through society},
isbn = {978-0-674-79290-6},
language  = {en},
author  = {Latour, Bruno},
year = {1987}
}

C. Schönlieb and F. Schubert, “Random simulations for generative art construction – some examples,” Journal of mathematics and the arts, 2013.
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@Article{ schonlieb_random_2013,
title = {Random simulations for generative art construction –
some examples},
issn = {1751-3472, 1751-3480},
doi = {10.1080/17513472.2013.769833},
language  = {en},
journal  = {Journal of Mathematics and the Arts},
author  = {Schönlieb, Carola-Bibiane and Schubert, Franz},
month = mar,
year = {2013}
}

G. Stocker and C. Schöpf, “Hybrid: living in paradox Ars electronica 2005, [Ars electronica center Linz, 01.-06. 09. 2005],” , 2005.
[Bibtex]

@Article{ stocker_hybrid_2005,
address  = {Ostfildern},
title = {Hybrid: living in paradox {Ars} electronica 2005, [{Ars}
electronica center {Linz}, 01.-06. 09. 2005]},
isbn = {978-3-7757-1659-8},
language  = {de},
author  = {Stocker, Gerfried and Schöpf, Christine},
collaborator  = {Ars Electronica festival},
year = {2005}
}

E. Schrödinger, “Space-time structure,” , 1985.
[Bibtex]

@Article{ schrodinger_space-time_1985,
address  = {Cambridge [Cambridgeshire] ; New York},
title = {Space-time structure},
isbn = {978-0-521-31520-3},
language  = {en},
author  = {Schrödinger, Erwin},
year = {1985}
}

E. Schrödinger, “What is life? the physical aspect of the living cell ; with, Mind and matter ; & Autobiographical sketches,” , 1992.
[Bibtex]

@Article{ schrodinger_what_1992,
address  = {Cambridge ; New York},
title = {What is life? the physical aspect of the living cell ;
with, {Mind} and matter ; \& {Autobiographical} sketches},
isbn = {978-0-521-42708-1},
language  = {en},
author  = {Schrödinger, Erwin},
year = {1992}
}

S. Schuppli, “Deadly Algorithms.”
[Bibtex]

@Article{ schuppli_deadly_nodate,
title = {Deadly {Algorithms}},
language  = {en},
author  = {Schuppli, Susan}
}

H. G. Schuster and W. Just, “Deterministic chaos: an introduction,” , 2005.
[Bibtex]

@Article{ schuster_deterministic_2005,
address  = {Weinheim},
title = {Deterministic chaos: an introduction},
isbn = {978-3-527-40415-5},
language  = {en},
author  = {Schuster, Heinz Georg and Just, Wolfram},
year = {2005}
}

M. Schwab, “Early Computer Art and the Meaning of Information.”
[Bibtex]

@Article{ schwab_early_nodate,
title = {Early {Computer} {Art} and the {Meaning} of
{Information}},
language  = {en},
author  = {Schwab, Michael}
}

E. Schwartz, “Electronic Music: A Thirty-Year Retrospective,” Music educators journal, 1978.
[Bibtex]

@Article{ schwartz_electronic_1978,
title = {Electronic {Music}: {A} {Thirty}-{Year} {Retrospective}},
issn = {0027-4321, 1945-0087},
doi = {10.2307/3395445},
language  = {en},
journal  = {Music Educators Journal},
author  = {Schwartz, Elliott},
month = mar,
year = {1978}
}

D. Schwarz, “A Modular Sound Descriptor Analysis Framework for Relaxed-Real-Time Applications,” New york, 2010.
[Bibtex]

@Article{ schwarz_modular_2010,
title = {A {Modular} {Sound} {Descriptor} {Analysis} {Framework}
for {Relaxed}-{Real}-{Time} {Applications}},
language  = {en},
journal  = {New York},
author  = {Schwarz, Diemo},
year = {2010}
}

D. Schwarz, “Concatenative sound synthesis: The early years,” Journal of new music research, 2006.
[Bibtex]

@Article{ schwarz_concatenative_2006,
title = {Concatenative sound synthesis: {The} early years},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298210600696857},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Schwarz, Diemo},
month = mar,
year = {2006}
}

D. Schwarz and M. Wright, “Extensions and Applications of the SDIF Sound Description Interchange Format,” , 2000.
[Bibtex]

@Article{ schwarz_extensions_2000,
title = {Extensions and {Applications} of the {SDIF} {Sound}
{Description} {Interchange} {Format}},
language  = {en},
author  = {Schwarz, Diemo and Wright, Matthew},
year = {2000}
}

D. Schwarzenbach, “Crystallography,” , 1996.
[Bibtex]

@Article{ schwarzenbach_crystallography_1996,
address  = {New York},
title = {Crystallography},
isbn = {978-0-471-95598-6},
language  = {en},
author  = {Schwarzenbach, Dieter},
year = {1996}
}

C. Scotto, “A Hybrid Compositional System: Pitch-Class Composition with Tonal Syntax,” Perspectives of new music, 2000.
[Bibtex]

@Article{ scotto_hybrid_2000,
title = {A {Hybrid} {Compositional} {System}: {Pitch}-{Class}
{Composition} with {Tonal} {Syntax}},
issn = {00316016},
doi = {10.2307/833592},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Scotto, Ciro},
year = {2000}
}

D. Scott and E. J. Isaacson, “The Interval Angle: A Similarity Measure for Pitch-Class Sets,” Perspectives of new music, 1998.
[Bibtex]

@Article{ scott_interval_1998,
title = {The {Interval} {Angle}: {A} {Similarity} {Measure} for
{Pitch}-{Class} {Sets}},
issn = {00316016},
doi = {10.2307/833526},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Scott, Damon and Isaacson, Eric J.},
year = {1998}
}

C. Scotto, “REEXAMINING PC-SET MULTIPLICATION, COMPLEX MULTIPLICATION, AND TRANSPOSITIONAL COMBINATION TO DETERMINE THEIR FORMAL AND FUNCTIONAL EQUIVALENCE,” Perspectives of new music.
[Bibtex]

@Article{ scotto_reexamining_nodate,
title = {{REEXAMINING} {PC}-{SET} {MULTIPLICATION}, {COMPLEX}
{MULTIPLICATION}, {AND} {TRANSPOSITIONAL} {COMBINATION}
{TO} {DETERMINE} {THEIR} {FORMAL} {AND} {FUNCTIONAL}
{EQUIVALENCE}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Scotto, Ciro}
}

C. Scotto, “THE INTERPRETATION OF A MUSICAL LANGUAGE FROM THE PERSPECTIVE OF A COMPOSITIONAL UNIT,” Perspectives of new music.
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@Article{ scotto_interpretation_nodate,
title = {{THE} {INTERPRETATION} {OF} {A} {MUSICAL} {LANGUAGE}
{FROM} {THE} {PERSPECTIVE} {OF} {A} {COMPOSITIONAL}
{UNIT}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Scotto, Ciro}
}

J. Scrivener, “Applications of Fractal Geometry to the Player Piano Music of Conlon Nancarrow,” , 2000.
[Bibtex]

@Article{ scrivener_applications_2000,
title = {Applications of {Fractal} {Geometry} to the {Player}
{Piano} {Music} of {Conlon} {Nancarrow}},
language  = {en},
author  = {Scrivener, Julie},
year = {2000}
}

J. R. Searle, D. C. Dennett, and D. Chalmers, “The mystery of consciousness,” , 1997.
[Bibtex]

@Article{ searle_mystery_1997,
address  = {New York},
title = {The mystery of consciousness},
isbn = {978-0-940322-06-6},
language  = {en},
author  = {Searle, John R. and Dennett, D. C. and Chalmers, David
John},
year = {1997}
}

N. P. Seaver, “A Brief History of Re-performance,” , 2007.
[Bibtex]

@Article{ seaver_brief_2007,
title = {A {Brief} {History} of {Re}-performance},
language  = {en},
author  = {Seaver, Nicholas Patrick},
year = {2007}
}

J. Seca and B. Voisin, “Éléments pour une appréhension structurale et socio-historique de la représentation sociale de la musique dans les courants techno et punk,” Volume !, 2004.
[Bibtex]

@Article{ seca_elements_2004,
title = {Éléments pour une appréhension structurale et
socio-historique de la représentation sociale de la
musique dans les courants techno et punk},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2063},
language  = {fr},
journal  = {Volume !},
author  = {Seca, Jean-Marie and Voisin, Bertrand},
month = may,
year = {2004}
}

B. Unner, “ADDISON-WESLEY PUBLISHING COMPANY Reading, Massachusetts l Menlo Park, California London l Amsterdam l Don Mills, Ontario l Sydney.”
[Bibtex]

@Article{ unner_addison-wesley_nodate,
title = {{ADDISON}-{WESLEY} {PUBLISHING} {COMPANY} {Reading},
{Massachusetts} l {Menlo} {Park}, {California} {London} l
{Amsterdam} l {Don} {Mills}, {Ontario} l {Sydney}},
language  = {en},
author  = {Unner, Brown}
}

D. Self, “Small signal audio design,” , 2010.
[Bibtex]

@Article{ self_small_2010,
address  = {Oxford ; Burlington, MA},
title = {Small signal audio design},
isbn = {978-0-240-52177-0},
language  = {en},
author  = {Self, Douglas},
year = {2010}
}

D. Silver, A. Huang, C. J. Maddison, A. Guez, L. Sifre, G. Van Den Driessche, J. Schrittwieser, I. Antonoglou, V. Panneershelvam, M. Lanctot, S. Dieleman, D. Grewe, J. Nham, N. Kalchbrenner, I. Sutskever, T. Lillicrap, M. Leach, K. Kavukcuoglu, T. Graepel, and D. Hassabis, “Mastering the game of Go with deep neural networks and tree search,” Nature, 2016.
[Bibtex]

@Article{ silver_mastering_2016,
title = {Mastering the game of {Go} with deep neural networks and
tree search},
issn = {0028-0836, 1476-4687},
doi = {10.1038/nature16961},
language  = {en},
journal  = {Nature},
author  = {Silver, David and Huang, Aja and Maddison, Chris J. and
Guez, Arthur and Sifre, Laurent and Van Den Driessche,
George and Schrittwieser, Julian and Antonoglou, Ioannis
and Panneershelvam, Veda and Lanctot, Marc and Dieleman,
Sander and Grewe, Dominik and Nham, John and Kalchbrenner,
Nal and Sutskever, Ilya and Lillicrap, Timothy and Leach,
Madeleine and Kavukcuoglu, Koray and Graepel, Thore and
Hassabis, Demis},
month = jan,
year = {2016}
}

M. P. Silverman, “A certain uncertainty: nature’s random ways,” , 2014.
[Bibtex]

@Article{ silverman_certain_2014,
address  = {Cambridge ; New York},
title = {A certain uncertainty: nature's random ways},
isbn = {978-1-107-03281-1},
language  = {en},
author  = {Silverman, Mark P.},
year = {2014}
}

B. R. Simms, “The atonal music of Arnold Schoenberg, 1908-1923,” , 2000.
[Bibtex]

@Article{ simms_atonal_2000,
address  = {New York},
title = {The atonal music of {Arnold} {Schoenberg}, 1908-1923},
isbn = {978-0-19-512826-0},
language  = {en},
author  = {Simms, Bryan R.},
year = {2000}
}

H. A. Simon, “The sciences of the artificial,” , 2008.
[Bibtex]

@Article{ simon_sciences_2008,
address  = {Cambridge, Mass.},
title = {The sciences of the artificial},
isbn = {978-0-262-19374-0 978-0-262-69191-8},
language  = {en},
author  = {Simon, Herbert Alexander},
year = {2008}
}

K. Sims, “Evolving 3D Morphology and Behavior by Competition.”
[Bibtex]

@Article{ sims_evolving_nodate,
title = {Evolving {3D} {Morphology} and {Behavior} by
{Competition}},
language  = {en},
author  = {Sims, Karl}
}

K. Sims, “Evolving virtual creatures,” , 1994.
[Bibtex]

@Article{ sims_evolving_1994,
address  = {Not Known},
title = {Evolving virtual creatures},
isbn = {978-0-89791-667-7},
doi = {10.1145/192161.192167},
language  = {en},
booktitle  = {Proceedings of the 21st annual conference on {Computer}
graphics and interactive techniques - {SIGGRAPH} '94},
author  = {Sims, Karl},
year = {1994}
}

A. Siska, “Chaos: Another Toll For Synthesis.”
[Bibtex]

@Article{ siska_chaos_nodate,
title = {Chaos: {Another} {Toll} {For} {Synthesis}},
language  = {en},
author  = {Siska, Adam}
}

H. Hnaidi, E. Guérin, S. Akkouche, A. Peytavie, and E. Galin, “Feature based terrain generation using diffusion equation,” Computer graphics forum, 2010.
[Bibtex]

@Article{ hnaidi_feature_2010,
title = {Feature based terrain generation using diffusion
equation},
issn = {01677055},
doi = {10.1111/j.1467-8659.2010.01806.x},
language  = {en},
journal  = {Computer Graphics Forum},
author  = {Hnaidi, Houssam and Guérin, Eric and Akkouche, Samir and
Peytavie, Adrien and Galin, Eric},
month = sep,
year = {2010}
}

J. Ho, A. Jain, and P. Abbeel, “Denoising Diffusion Probabilistic Models,” , 2020.
[Bibtex]

@Article{ ho_denoising_2020,
title = {Denoising {Diffusion} {Probabilistic} {Models}},
language  = {en},
author  = {Ho, Jonathan and Jain, Ajay and Abbeel, Pieter},
month = dec,
year = {2020}
}

R. Hoadley, “Sculpture as Music Interface,” , 2011.
[Bibtex]

@Article{ hoadley_sculpture_2011,
title = {Sculpture as {Music} {Interface}},
language  = {en},
author  = {Hoadley, Richard},
year = {2011}
}

“The Universal Turing Machine A Half-Century Survey,” , 1995.
[Bibtex]

@Article{ herken_universal_1995,
address  = {Vienna},
title = {The {Universal} {Turing} {Machine} {A} {Half}-{Century}
{Survey}},
isbn = {978-3-211-82637-9 978-3-7091-6597-3},
language  = {en},
year = {1995},
doi = {10.1007/978-3-7091-6597-3}
}

T. Hodgkinson, “On Listening,” Perspectives of new music, 2010.
[Bibtex]

@Article{ hodgkinson_listening_2010,
title = {On {Listening}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hodgkinson, Tim},
year = {2010}
}

E. S. Hoerdt, “A Classical View of the Atom as a Tensegrity Structure,” , 1998.
[Bibtex]

@Article{ hoerdt_classical_1998,
title = {A {Classical} {View} of the {Atom} as a {Tensegrity}
{Structure}},
language  = {en},
author  = {Hoerdt, Edward Suzuki},
year = {1998}
}

E. Hoffman, “Textural “Klangfarben” in James Dillon’s “La femme invisible” (1989): An Explanatory Model,” Perspectives of new music, 2005.
[Bibtex]

@Article{ hoffman_textural_2005,
title = {Textural "{Klangfarben}" in {James} {Dillon}'s "{La} femme
invisible" (1989): {An} {Explanatory} {Model}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hoffman, Elizabeth},
year = {2005}
}

P. Hoﬀmann, “A Rigorous Approach to Algorithmic Composition by Iannis Xenakis,” , 2009.
[Bibtex]

@Article{ homann_rigorous_2009,
title = {A {Rigorous} {Approach} to {Algorithmic} {Composition} by
{Iannis} {Xenakis}},
language  = {en},
author  = {Hoﬀmann, Peter},
year = {2009}
}

S. Holland, “Learning about harmony with Harmony Space: an overview,” , 1994.
[Bibtex]

@Article{ van_rijsbergen_learning_1994,
address  = {London},
title = {Learning about harmony with {Harmony} {Space}: an
overview},
isbn = {978-3-540-19873-4 978-1-4471-3571-5},
language  = {en},
booktitle  = {Music {Education}: {An} {Artificial} {Intelligence}
{Approach}},
author  = {Holland, Simon},
year = {1994},
doi = {10.1007/978-1-4471-3571-5_2}
}

F. Hollerweger, “An Introduction to Higher Order Ambisonic.”
[Bibtex]

@Article{ hollerweger_introduction_nodate,
title = {An {Introduction} to {Higher} {Order} {Ambisonic}},
language  = {en},
author  = {Hollerweger, Florian}
}

A. Shields, “Early Synthesizers and Experimenters.”
[Bibtex]

@Article{ shields_early_nodate,
title = {Early {Synthesizers} and {Experimenters}},
language  = {en},
author  = {Shields, Alice}
}

T. Holmes, “Electronic and experimental music: technology, music, and culture,” , 2008.
[Bibtex]

@Article{ holmes_electronic_2008,
address  = {New York},
title = {Electronic and experimental music: technology, music, and
culture},
isbn = {978-0-415-95781-6 978-0-415-95782-3 978-0-203-92959-9},
language  = {en},
author  = {Holmes, Thom},
year = {2008}
}

J. L. Holsopple, “Toward a Poetic of Visual Music.”
[Bibtex]

@Article{ holsopple_toward_nodate,
title = {Toward a {Poetic} of {Visual} {Music}},
language  = {en},
author  = {Holsopple, Jerry L}
}

S. R. Holtzman, “An Automated Digital Sound Synthesis Instrument,” Computer music journal, 1979.
[Bibtex]

@Article{ holtzman_automated_1979,
title = {An {Automated} {Digital} {Sound} {Synthesis}
{Instrument}},
issn = {01489267},
doi = {10.2307/3680284},
language  = {en},
journal  = {Computer Music Journal},
author  = {Holtzman, S. R.},
month = jun,
year = {1979}
}

S. R. Holtzman, “Using Generative Grammars for Music Composition,” Computer music journal, 1981.
[Bibtex]

@Article{ holtzman_using_1981,
title = {Using {Generative} {Grammars} for {Music} {Composition}},
issn = {01489267},
doi = {10.2307/3679694},
language  = {en},
journal  = {Computer Music Journal},
author  = {Holtzman, S. R.},
year = {1981}
}

I. Hölzl, “Moving Stills: Images That are no Longer Immobile,” Photographies, 2010.
[Bibtex]

@Article{ holzl_moving_2010,
title = {Moving {Stills}: {Images} {That} are no {Longer}
{Immobile}},
issn = {1754-0763, 1754-0771},
doi = {10.1080/17540760903561215},
language  = {en},
journal  = {Photographies},
author  = {Hölzl, Ingrid},
month = apr,
year = {2010}
}

F. T. Hong, “The role of pattern recognition in creative problem solving: A case study in search of new mathematics for biology,” Progress in biophysics and molecular biology, 2013.
[Bibtex]

@Article{ hong_role_2013,
title = {The role of pattern recognition in creative problem
solving: {A} case study in search of new mathematics for
biology},
issn = {00796107},
doi = {10.1016/j.pbiomolbio.2013.03.017},
language  = {en},
journal  = {Progress in Biophysics and Molecular Biology},
author  = {Hong, Felix T.},
month = sep,
year = {2013}
}

H. Honing, “From Time to Time: The Representation of Timing and Tempo,” Computer music journal, 2001.
[Bibtex]

@Article{ honing_time_2001,
title = {From {Time} to {Time}: {The} {Representation} of {Timing}
and {Tempo}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601753189538},
language  = {en},
journal  = {Computer Music Journal},
author  = {Honing, Henkjan},
month = sep,
year = {2001}
}

H. Honing, “The Vibrato Problem: Comparing Two Solutions,” Computer music journal, 1995.
[Bibtex]

@Article{ honing_vibrato_1995,
title = {The {Vibrato} {Problem}: {Comparing} {Two} {Solutions}},
issn = {01489267},
doi = {10.2307/3680653},
language  = {en},
journal  = {Computer Music Journal},
author  = {Honing, Henkjan},
year = {1995}
}

J. Hook and J. Douthett, “Uniform Triadic Transformations and the Twelve-Tone Music of Webern,” Perspectives of new music, 2008.
[Bibtex]

@Article{ hook_uniform_2008,
title = {Uniform {Triadic} {Transformations} and the
{Twelve}-{Tone} {Music} of {Webern}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hook, Julian and Douthett, Jack},
year = {2008}
}

A. K. Hoover, P. A. Szerlip, and K. Stanley, “Functional Scaffolding for Composing Additional Musical Voices,” Computer music journal, 2014.
[Bibtex]

@Article{ hoover_functional_2014,
title = {Functional {Scaffolding} for {Composing} {Additional}
{Musical} {Voices}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00269},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hoover, Amy K. and Szerlip, Paul A. and Stanley, Kenneth
O.},
month = dec,
year = {2014}
}

J. E. Hopcroft, R. Motwani, and J. Ullman, “Introduction to automata theory, languages, and computation,” , 2001.
[Bibtex]

@Article{ hopcroft_introduction_2001,
address  = {Boston},
title = {Introduction to automata theory, languages, and
computation},
isbn = {978-0-201-44124-6},
language  = {en},
author  = {Hopcroft, John E. and Motwani, Rajeev and Ullman, Jeffrey
D.},
year = {2001}
}

D. S. Horenstein, “Understanding Supersaturation: A Musical Phenomenon Affecting Perceived Time,” , 2004.
[Bibtex]

@Article{ horenstein_understanding_2004,
title = {Understanding {Supersaturation}: {A} {Musical}
{Phenomenon} {Affecting} {Perceived} {Time}},
language  = {en},
author  = {Horenstein, Dr Stephen},
year = {2004}
}

W. Horn, “TONALITY, MUSICAL FORM, AND AESTHETIC VALUE,” Perspectives of new music.
[Bibtex]

@Article{ horn_tonality_nodate,
title = {{TONALITY}, {MUSICAL} {FORM}, {AND} {AESTHETIC} {VALUE}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Horn, Walter}
}

D. Hornel and W. Menzel, “Learning Musical Structure and Style with Neural Networks,” Computer music journal, 1998.
[Bibtex]

@Article{ hornel_learning_1998,
title = {Learning {Musical} {Structure} and {Style} with {Neural}
{Networks}},
issn = {01489267},
doi = {10.2307/3680893},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hornel, Dominik and Menzel, Wolfram},
year = {1998}
}

A. Horner, “A Comparison of Wavetable and FM Parameter Spaces,” Computer music journal, 1997.
[Bibtex]

@Article{ horner_comparison_1997,
title = {A {Comparison} of {Wavetable} and {FM} {Parameter}
{Spaces}},
issn = {01489267},
doi = {10.2307/3681135},
language  = {en},
journal  = {Computer Music Journal},
author  = {Horner, Andrew},
year = {1997}
}

G. Horny, “La Bourse pour les nuls,” , 2012.
[Bibtex]

@Article{ horny_bourse_2012,
address  = {Paris},
title = {La {Bourse} pour les nuls},
isbn = {978-2-7540-3865-2},
language  = {fr},
author  = {Horny, Gérard},
year = {2012}
}

S. Horvitz, “Analysis of Brahms’ Intermezzo in Bb minor Op. 117 No. 2.”
[Bibtex]

@Article{ horvitz_analysis_nodate,
title = {Analysis of {Brahms}’ {Intermezzo} in {Bb} minor {Op}.
117 {No}. 2},
language  = {en},
author  = {Horvitz, Seth}
}

S. Horvitz, “BOUNDARIES OF PERCEPTION AND THE ENDLESS STRUGGLE FOR UNITY IN THE MUSIC OF KARLHEINZ STOCKHAUSEN.”
[Bibtex]

@Article{ horvitz_boundaries_nodate,
title = {{BOUNDARIES} {OF} {PERCEPTION} {AND} {THE} {ENDLESS}
{STRUGGLE} {FOR} {UNITY} {IN} {THE} {MUSIC} {OF}
{KARLHEINZ} {STOCKHAUSEN}},
language  = {en},
author  = {Horvitz, Seth}
}

C. Hourdin, G. Charbonneau, and T. Moussa, “A Multidimensional Scaling Analysis of Musical Instruments’ Time-Varying Spectra,” Computer music journal, 1997.
[Bibtex]

@Article{ hourdin_multidimensional_1997,
title = {A {Multidimensional} {Scaling} {Analysis} of {Musical}
{Instruments}' {Time}-{Varying} {Spectra}},
issn = {01489267},
doi = {10.2307/3681107},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hourdin, Christophe and Charbonneau, Gerard and Moussa,
Tarek},
year = {1997}
}

C. Hourdin, G. Charbonneau, and T. Moussa, “A Sound-Synthesis Technique Based on Multidimensional Scaling of Spectra,” Computer music journal, 1997.
[Bibtex]

@Article{ hourdin_sound-synthesis_1997,
title = {A {Sound}-{Synthesis} {Technique} {Based} on
{Multidimensional} {Scaling} of {Spectra}},
issn = {01489267},
doi = {10.2307/3681108},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hourdin, Christophe and Charbonneau, Gerard and Moussa,
Tarek},
year = {1997}
}

H. Hirsch and H. Finster, “A new approach for the adaptation of HMMs to reverberation and background noise,” Speech communication, 2008.
[Bibtex]

@Article{ hirsch_new_2008,
title = {A new approach for the adaptation of {HMMs} to
reverberation and background noise},
issn = {01676393},
doi = {10.1016/j.specom.2007.09.004},
language  = {en},
journal  = {Speech Communication},
author  = {Hirsch, Hans-Günter and Finster, Harald},
month = mar,
year = {2008}
}

K. Hirata, S. Tojo, and M. Hamanaka, “T4: Techniques for Implementing the Generative Theory of Tonal Music.”
[Bibtex]

@Article{ hirata_t4_nodate,
title = {T4: {Techniques} for {Implementing} the {Generative}
{Theory} of {Tonal} {Music}},
language  = {en},
author  = {Hirata, Keiji and Tojo, Satoshi and Hamanaka, Masatoshi}
}

K. Hirata and T. Aoyagi, “Computational Music Representation Based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database,” Computer music journal, 2003.
[Bibtex]

@Article{ hirata_computational_2003,
title = {Computational {Music} {Representation} {Based} on the
{Generative} {Theory} of {Tonal} {Music} and the
{Deductive} {Object}-{Oriented} {Database}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892603322482547},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hirata, Keiji and Aoyagi, Tatsuya},
month = sep,
year = {2003}
}

J. Felici, “The Complete Manual of Typography, Second Edition.”
[Bibtex]

@Article{ felici_complete_nodate,
title = {The {Complete} {Manual} of {Typography}, {Second}
{Edition}},
language  = {en},
author  = {Felici, James}
}

J. D. Vantomme, “Score Following by Temporal Pattern,” Computer music journal, 1995.
[Bibtex]

@Article{ vantomme_score_1995,
title = {Score {Following} by {Temporal} {Pattern}},
issn = {01489267},
doi = {10.2307/3680654},
language  = {en},
journal  = {Computer Music Journal},
author  = {Vantomme, Jason D.},
year = {1995}
}

J. E. Variego, “Architecture in Motion: A Model for Music Composition.”
[Bibtex]

@Article{ variego_architecture_nodate,
title = {Architecture in {Motion}: {A} {Model} for {Music}
{Composition}},
language  = {en},
author  = {Variego, Jorge Elias}
}

F. T. Vasʹko and O. E. Raichev, “Quantum kinetic theory and applications: electrons, photons, phonons,” , 2005.
[Bibtex]

@Article{ vasko_quantum_2005,
address  = {New York},
title = {Quantum kinetic theory and applications: electrons,
photons, phonons},
isbn = {978-0-387-26028-0 978-0-387-28041-7},
language  = {en},
author  = {Vasʹko, F. T. and Raichev, Oleg E.},
year = {2005}
}

S. Vasquez and M. Lewis, “MelNet: A Generative Model for Audio in the Frequency Domain,” , 2019.
[Bibtex]

@Article{ vasquez_melnet_2019,
title = {{MelNet}: {A} {Generative} {Model} for {Audio} in the
{Frequency} {Domain}},
language  = {en},
author  = {Vasquez, Sean and Lewis, Mike},
month = jun,
year = {2019}
}

S. Vauthey, S. Santoso, H. Gong, N. Watson, and S. Zhang, “Molecular self-assembly of surfactant-like peptides to form nanotubes and nanovesicles,” Proceedings of the national academy of sciences, 2002.
[Bibtex]

@Article{ vauthey_molecular_2002,
title = {Molecular self-assembly of surfactant-like peptides to
form nanotubes and nanovesicles},
issn = {0027-8424, 1091-6490},
doi = {10.1073/pnas.072089599},
language  = {en},
journal  = {Proceedings of the National Academy of Sciences},
author  = {Vauthey, Sylvain and Santoso, Steve and Gong, Haiyan and
Watson, Nicki and Zhang, Shuguang},
month = apr,
year = {2002}
}

R. Venturi, “Complexity and contradiction in architecture,” , 1977.
[Bibtex]

@Article{ venturi_complexity_1977,
address  = {New York : Boston},
title = {Complexity and contradiction in architecture},
isbn = {978-0-87070-281-5 978-0-87070-282-2},
language  = {en},
author  = {Venturi, Robert},
collaborator  = {Museum of Modern Art (New York, N.Y.)},
year = {1977}
}

S. Venugopalan, H. Xu, J. Donahue, M. Rohrbach, R. Mooney, and K. Saenko, “Translating Videos to Natural Language Using Deep Recurrent Neural Networks,” , 2015.
[Bibtex]

@Article{ venugopalan_translating_2015,
title = {Translating {Videos} to {Natural} {Language} {Using}
{Deep} {Recurrent} {Neural} {Networks}},
language  = {en},
author  = {Venugopalan, Subhashini and Xu, Huijuan and Donahue, Jeff
and Rohrbach, Marcus and Mooney, Raymond and Saenko, Kate},
month = apr,
year = {2015}
}

J. Deer and R. Dal Vera, “Acting in musical theatre: a comprehensive course,” , 2008.
[Bibtex]

@Article{ deer_acting_2008,
address  = {London ; New York},
title = {Acting in musical theatre: a comprehensive course},
isbn = {978-0-415-77318-8 978-0-415-77319-5 978-0-203-93107-3},
language  = {en},
author  = {Deer, Joe and Dal Vera, Rocco},
year = {2008}
}

B. L. Vercoe, “Synthetic listeners and synthetic performers,” The journal of the acoustical society of america, 1990.
[Bibtex]

@Article{ vercoe_synthetic_1990,
title = {Synthetic listeners and synthetic performers},
issn = {0001-4966},
doi = {10.1121/1.2029123},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Vercoe, Barry L.},
month = nov,
year = {1990}
}

L. Verdi, “The History of Set Theory from a European Point of View,” Perspectives of new music, 2007.
[Bibtex]

@Article{ verdi_history_2007,
title = {The {History} of {Set} {Theory} from a {European} {Point}
of {View}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Verdi, Luigi},
year = {2007}
}

P. Verma, C. Chafe, and J. Berger, “Neuralogram: A Deep Neural Network Based Representation for Audio Signals,” , 2019.
[Bibtex]

@Article{ verma_neuralogram_2019,
title = {Neuralogram: {A} {Deep} {Neural} {Network} {Based}
{Representation} for {Audio} {Signals}},
language  = {en},
author  = {Verma, Prateek and Chafe, Chris and Berger, Jonathan},
month = apr,
year = {2019}
}

E. Vernooij, “TWELVE-TONE TECHNIQUE IN VARÈSE’S SKETCHES OF DÉSERTS,” Perspectives of new music.
[Bibtex]

@Article{ vernooij_twelve-tone_nodate,
title = {{TWELVE}-{TONE} {TECHNIQUE} {IN} {VARÈSE}’{S}
{SKETCHES} {OF} {DÉSERTS}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Vernooij, Eveline}
}

E. Verón, M. Levasseur, and J. Barbier-Bouvet, “Ethnographie de l’exposition: l’espace, le corps et le sens,” , 1989.
[Bibtex]

@Article{ veron_ethnographie_1989,
address  = {Paris},
title = {Ethnographie de l'exposition: l'espace, le corps et le
sens},
isbn = {978-2-902706-19-8},
language  = {fr},
author  = {Verón, Eliseo and Levasseur, Martine and Barbier-Bouvet,
Jean-François},
year = {1989}
}

Alexander, Vezhnevets, V. Mnih, J. Agapiou, S. Osindero, A. Graves, O. Vinyals, and K. Kavukcuoglu, “Strategic Attentive Writer for Learning Macro-Actions,” , 2016.
[Bibtex]

@Article{ alexander_strategic_2016,
title = {Strategic {Attentive} {Writer} for {Learning}
{Macro}-{Actions}},
language  = {en},
author  = {Alexander and Vezhnevets and Mnih, Volodymyr and Agapiou,
John and Osindero, Simon and Graves, Alex and Vinyals,
Oriol and Kavukcuoglu, Koray},
month = jun,
year = {2016}
}

S. Vial, “The art of musical phrasing in the eighteenth century: punctuating the classical period,” , 2008.
[Bibtex]

@Article{ vial_art_2008,
address  = {Rochester},
title = {The art of musical phrasing in the eighteenth century:
punctuating the classical period},
isbn = {978-1-58046-034-7},
language  = {en},
author  = {Vial, Stephanie},
year = {2008}
}

E. Viara, “CPOS: A Real-Time Operating System for the IRCAM Musical Workstation,” Computer music journal, 1991.
[Bibtex]

@Article{ viara_cpos_1991,
title = {{CPOS}: {A} {Real}-{Time} {Operating} {System} for the
{IRCAM} {Musical} {Workstation}},
issn = {01489267},
doi = {10.2307/3680765},
language  = {en},
journal  = {Computer Music Journal},
author  = {Viara, Eric},
year = {1991}
}

S. Vickers, “Toposes pour les vraiment nuls.”
[Bibtex]

@Article{ vickers_toposes_nodate,
title = {Toposes pour les vraiment nuls},
language  = {en},
author  = {Vickers, Steven}
}

E. G. Díez, “Bitcoin: A cryptographic currency.”
[Bibtex]

@Article{ diez_bitcoin_nodate,
title = {Bitcoin: {A} cryptographic currency},
language  = {en},
author  = {Díez, Elena García}
}

C. Vidal, “The Beginning and the End: The Meaning of Life in a Cosmological Perspective,” , 2014.
[Bibtex]

@Article{ vidal_beginning_2014,
address  = {Cham},
title = {The {Beginning} and the {End}: {The} {Meaning} of {Life}
in a {Cosmological} {Perspective}},
isbn = {978-3-319-05061-4 978-3-319-05062-1},
language  = {en},
author  = {Vidal, Clément},
year = {2014},
doi = {10.1007/978-3-319-05062-1}
}

G. Vidyamurthy and J. Chakrapani, “Cognition of Tonal Centers: A Fuzzy Approach,” Computer music journal, 1992.
[Bibtex]

@Article{ vidyamurthy_cognition_1992,
title = {Cognition of {Tonal} {Centers}: {A} {Fuzzy} {Approach}},
issn = {01489267},
doi = {10.2307/3680715},
language  = {en},
journal  = {Computer Music Journal},
author  = {Vidyamurthy, G. and Chakrapani, Jaishankar},
year = {1992}
}

R. Vigil, “Compositional Parameters: “Projection 4″ and an Analytical Methodology for Morton Feldman’s Graphic Works,” Perspectives of new music, 2009.
[Bibtex]

@Article{ vigil_compositional_2009,
title = {Compositional {Parameters}: "{Projection} 4" and an
{Analytical} {Methodology} for {Morton} {Feldman}'s
{Graphic} {Works}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Vigil, Ryan},
year = {2009}
}

N. Virgo, C. Fernando, B. Bigge, and P. Husbands, “Evolvable Physical Self-Replicators,” Artificial life, 2012.
[Bibtex]

@Article{ virgo_evolvable_2012,
title = {Evolvable {Physical} {Self}-{Replicators}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl_a_00056},
language  = {en},
journal  = {Artificial Life},
author  = {Virgo, Nathaniel and Fernando, Chrisantha and Bigge, Bill
and Husbands, Phil},
month = apr,
year = {2012}
}

“Visual catalog: Greg Lynn’s studio: at the University of Applied Arts Vienna,” , 2010.
[Bibtex]

@Article{ balliet_visual_2010,
address  = {Wien, Austria ; New York},
title = {Visual catalog: {Greg} {Lynn}'s studio: at the
{University} of {Applied} {Arts} {Vienna}},
isbn = {978-3-211-99192-3},
language  = {en},
year = {2010}
}

A. Uspensky, “Godel’s Incompleteness Theorem,” , 1994.
[Bibtex]

@Article{ uspensky_godels_1994,
title = {Godel’s {Incompleteness} {Theorem}},
language  = {en},
author  = {Uspensky, A},
year = {1994}
}

“Film, art, new media: museum without walls?,” , 2012.
[Bibtex]

@Article{ dalle_vacche_film_2012,
address  = {Houndmills, Basingstoke, Hampshire ; New York},
title = {Film, art, new media: museum without walls?},
isbn = {978-0-230-27292-7},
language  = {en},
year = {2012}
}

H. Vaggione, “Articulating Microtime,” Computer music journal, 1996.
[Bibtex]

@Article{ vaggione_articulating_1996,
title = {Articulating {Microtime}},
issn = {01489267},
doi = {10.2307/3681329},
language  = {en},
journal  = {Computer Music Journal},
author  = {Vaggione, Horacio},
year = {1996}
}

H. Vaggione, “Some Ontological Remarks about Music Composition Processes,” Computer music journal, 2001.
[Bibtex]

@Article{ vaggione_ontological_2001,
title = {Some {Ontological} {Remarks} about {Music} {Composition}
{Processes}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601300126115},
language  = {en},
journal  = {Computer Music Journal},
author  = {Vaggione, Horacio},
month = mar,
year = {2001}
}

“The Making of Octuor.”
[Bibtex]

@Article{ noauthor_making_nodate,
title = {The {Making} of {Octuor}},
language  = {en}
}

J. Vail, “A theory of power,” , 2004.
[Bibtex]

@Article{ vail_theory_2004,
address  = {New York},
title = {A theory of power},
isbn = {978-0-595-33030-0},
language  = {en},
author  = {Vail, Jeff},
year = {2004}
}

R. Howe, “Comrade Feel the Noise,” , 1994.
[Bibtex]

@Article{ howe_comrade_1994,
title = {Comrade {Feel} the {Noise}},
language  = {en},
author  = {Howe, Rupert},
year = {1994}
}

K. J. Hsu and A. J. Hsut, “Fractal Geometry of Music,” , 1989.
[Bibtex]

@Article{ hsu_fractal_1989,
title = {Fractal {Geometry} of {Music}},
language  = {en},
author  = {Hsu, Kenneth J and Hsut, Andreas J},
year = {1989}
}

Feng-Hsiung Hsu, “IBM’s Deep Blue Chess Grandmaster Chips,” Ieee micro, 1999.
[Bibtex]

@Article{ feng-hsiung_hsu_ibms_1999,
title = {{IBM}'s {Deep} {Blue} {Chess} {Grandmaster} {Chips}},
issn = {02721732},
doi = {10.1109/40.755469},
language  = {en},
journal  = {IEEE Micro},
author  = {{Feng-Hsiung Hsu}},
month = apr,
year = {1999}
}

C. A. Huang, T. Cooijmans, A. Roberts, A. Courville, and D. Eck, “Counterpoint by Convolution,” , 2017.
[Bibtex]

@Article{ huang_counterpoint_2017,
title = {Counterpoint by {Convolution}},
language  = {en},
author  = {Huang, Cheng-Zhi Anna and Cooijmans, Tim and Roberts, Adam
and Courville, Aaron and Eck, Douglas},
year = {2017}
}

X. Huang, Y. Li, O. Poursaeed, J. Hopcroft, and S. Belongie, “Stacked Generative Adversarial Networks,” , 2017.
[Bibtex]

@Article{ huang_stacked_2017,
title = {Stacked {Generative} {Adversarial} {Networks}},
language  = {en},
author  = {Huang, Xun and Li, Yixuan and Poursaeed, Omid and
Hopcroft, John and Belongie, Serge},
month = apr,
year = {2017}
}

E. Diemente, “NEW MUSIC AND OTHER HAPPENINGS – 1972.”
[Bibtex]

@Article{ diemente_new_nodate,
title = {{NEW} {MUSIC} {AND} {OTHER} {HAPPENINGS} - 1972},
language  = {en},
author  = {Diemente, Edward}
}

D. A. Huffman, “A Method for the Construction of Minimum-Redundancy Codes,” , 1952.
[Bibtex]

@Article{ huffman_method_1952,
title = {A {Method} for the {Construction} of
{Minimum}-{Redundancy} {Codes}},
language  = {en},
author  = {Huffman, David A},
year = {1952}
}

H. Davies, “A history of sampling,” Organised sound, 1996.
[Bibtex]

@Article{ davies_history_1996,
title = {A history of sampling},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S135577189600012X},
language  = {en},
journal  = {Organised Sound},
author  = {Davies, Hugh},
month = apr,
year = {1996}
}

A. Hugill, “On Style in Electroacoustic Music,” Organised sound, 2016.
[Bibtex]

@Article{ hugill_style_2016,
title = {On {Style} in {Electroacoustic} {Music}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771815000333},
language  = {en},
journal  = {Organised Sound},
author  = {Hugill, Andrew},
month = apr,
year = {2016}
}

“30 Years After Les Immatériaux,” , 2015.
[Bibtex]

@Article{ hui_30_2015,
address  = {DE},
title = {30 {Years} {After} {Les} {Immatériaux}},
language  = {en},
month = may,
year = {2015}
}

Brian Hulse, “Becoming-Composer,” Perspectives of new music, 2015.
[Bibtex]

@Article{ brian_hulse_becoming-composer_2015,
title = {Becoming-{Composer}},
issn = {00316016},
doi = {10.7757/persnewmusi.53.1.0219},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Brian Hulse}},
year = {2015}
}

B. Hulse, “Of Art and Artifice: Style and Technique in the Music of Morris Rosenzweig,” Perspectives of new music, 2005.
[Bibtex]

@Article{ hulse_art_2005,
title = {Of {Art} and {Artifice}: {Style} and {Technique} in the
{Music} of {Morris} {Rosenzweig}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hulse, Brian},
year = {2005}
}

“Sounds of the future: essays on music in science fiction film,” , 2010.
[Bibtex]

@Article{ bartkowiak_sounds_2010,
address  = {Jefferson, N.C},
title = {Sounds of the future: essays on music in science fiction
film},
isbn = {978-0-7864-4480-9},
language  = {en},
year = {2010}
}

G. Sorel, “Réflexions sur la violence.”
[Bibtex]

@Article{ sorel_reflexions_nodate,
title = {Réflexions sur la violence},
language  = {fr},
author  = {Sorel, Georges}
}

A. Sorensen, B. Swift, and A. Riddell, “The Many Meanings of Live Coding,” Computer music journal, 2014.
[Bibtex]

@Article{ sorensen_many_2014,
title = {The {Many} {Meanings} of {Live} {Coding}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00230},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sorensen, Andrew and Swift, Ben and Riddell, Alistair},
month = mar,
year = {2014}
}

D. Lewin, “Some Compositional Uses of Projective Geometry,” Perspectives of new music, 2004.
[Bibtex]

@Article{ lewin_compositional_2004,
title = {Some {Compositional} {Uses} of {Projective} {Geometry}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Lewin, David},
year = {2004}
}

J. Liang and W. Song, “DIFFERENCE EQUATION OF LORENZ SYSTEM,” International journal of pure and apllied mathematics, 2013.
[Bibtex]

@Article{ liang_difference_2013,
title = {{DIFFERENCE} {EQUATION} {OF} {LORENZ} {SYSTEM}},
issn = {1311-8080, 1314-3395},
doi = {10.12732/ijpam.v83i1.9},
language  = {en},
journal  = {International Journal of Pure and Apllied Mathematics},
author  = {Liang, J. and Song, W.},
month = feb,
year = {2013}
}

F. Otto, J. M. Songel, and F. Otto, “A conversation with Frei Otto,” , 2010.
[Bibtex]

@Article{ otto_conversation_2010,
address  = {New York},
title = {A conversation with {Frei} {Otto}},
isbn = {978-1-56898-884-9},
language  = {en},
author  = {Otto, Frei and Songel, Juan María and Otto, Frei},
year = {2010}
}

C. Poggi, “Inventing futurism: the art and politics of artificial optimism,” , 2009.
[Bibtex]

@Article{ poggi_inventing_2009,
address  = {Princeton},
title = {Inventing futurism: the art and politics of artificial
optimism},
isbn = {978-0-691-13370-6},
language  = {en},
author  = {Poggi, Christine},
year = {2009}
}

H. Poincaré, “La Science et l’Hypothèse.”
[Bibtex]

@Article{ poincare_science_nodate,
title = {La {Science} et l'{Hypothèse}},
language  = {fr},
author  = {Poincaré, Henri}
}

J. Poinsot, “Beaubourg, un trust culturel?.”
[Bibtex]

@Article{ poinsot_beaubourg_nodate,
title = {Beaubourg, un trust culturel?},
language  = {fr},
author  = {Poinsot, Jean-Marc}
}

P. Poirrier, “Poirrier Ministère de la culture (débat sur le).”
[Bibtex]

@Article{ poirrier_poirrier_nodate,
title = {Poirrier {Ministère} de la culture (débat sur le)},
language  = {fr},
author  = {Poirrier, Philippe}
}

L. Polansky, A. Barnett, and M. Winter, “A few more words about James Tenney: dissonant counterpoint and statistical feedback,” Journal of mathematics and music, 2011.
[Bibtex]

@Article{ polansky_few_2011,
title = {A few more words about {James} {Tenney}: dissonant
counterpoint and statistical feedback},
issn = {1745-9737, 1745-9745},
doi = {10.1080/17459737.2011.614732},
language  = {en},
journal  = {Journal of Mathematics and Music},
author  = {Polansky, Larry and Barnett, Alex and Winter, Michael},
month = jul,
year = {2011}
}

L. Polansky, D. Rockmore, M. K. Johnson, D. Repetto, and W. Pan, “A Mathematical Model for Optimal Tuning Systems,” Perspectives of new music, 2009.
[Bibtex]

@Article{ polansky_mathematical_2009,
title = {A {Mathematical} {Model} for {Optimal} {Tuning}
{Systems}},
issn = {2325-7180},
doi = {10.1353/pnm.2009.0012},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Polansky, Larry and Rockmore, Daniel and Johnson, Micah K.
and Repetto, Douglas and Pan, Wei},
year = {2009}
}

L. Polansky and D. Rosenboom, “Interview with David Rosenboom,” Computer music journal, 1983.
[Bibtex]

@Article{ polansky_interview_1983,
title = {Interview with {David} {Rosenboom}},
issn = {01489267},
doi = {10.2307/3679532},
language  = {en},
journal  = {Computer Music Journal},
author  = {Polansky, Larry and Rosenboom, David},
year = {1983}
}

L. Polansky, “Morphological metrics,” Journal of new music research, 1996.
[Bibtex]

@Article{ polansky_morphological_1996,
title = {Morphological metrics},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298219608570710},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Polansky, Larry},
month = dec,
year = {1996}
}

L. Polansky and R. Bassein, “Possible and Impossible Melody: Some Formal Aspects of Contour,” Journal of music theory, 1992.
[Bibtex]

@Article{ polansky_possible_1992,
title = {Possible and {Impossible} {Melody}: {Some} {Formal}
{Aspects} of {Contour}},
issn = {00222909},
doi = {10.2307/843933},
language  = {en},
journal  = {Journal of Music Theory},
author  = {Polansky, Larry and Bassein, Richard},
year = {1992}
}

Y. Poleg and S. Peleg, “Alignment and mosaicing of non-overlapping images,” , 2012.
[Bibtex]

@Article{ poleg_alignment_2012,
address  = {Seattle, WA, USA},
title = {Alignment and mosaicing of non-overlapping images},
isbn = {978-1-4673-1662-0 978-1-4673-1660-6 978-1-4673-1661-3},
doi = {10.1109/ICCPhot.2012.6215214},
language  = {en},
booktitle  = {2012 {IEEE} {International} {Conference} on
{Computational} {Photography} ({ICCP})},
author  = {Poleg, Yair and Peleg, Shmuel},
month = apr,
year = {2012}
}

M. Poletti, T. Mays, and C. Faia, “Assistant musical ou producteur ? Esquisse d’un nouveau métier,” , 2002.
[Bibtex]

@Article{ poletti_assistant_2002,
title = {Assistant musical ou producteur ? {Esquisse} d’un
nouveau métier},
language  = {fr},
author  = {Poletti, Manuel and Mays, Tom and Faia, Carl},
year = {2002}
}

D. Politis, D. Margounakis, S. Lazaropoulos, L. Papaleontiou, G. Botsaris, and K. Vandikas, “Emulation of Ancient Greek Music Using Sound Synthesis and Historical Notation,” Computer music journal, 2008.
[Bibtex]

@Article{ politis_emulation_2008,
title = {Emulation of {Ancient} {Greek} {Music} {Using} {Sound}
{Synthesis} and {Historical} {Notation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.4.48},
language  = {en},
journal  = {Computer Music Journal},
author  = {Politis, Dionysios and Margounakis, Dimitrios and
Lazaropoulos, Spyridon and Papaleontiou, Leontios and
Botsaris, George and Vandikas, Konstantinos},
month = dec,
year = {2008}
}

M. Pollefeys, D. Nistér, J. -M. Frahm, A. Akbarzadeh, P. Mordohai, B. Clipp, C. Engels, D. Gallup, S. -J. Kim, P. Merrell, C. Salmi, S. Sinha, B. Talton, L. Wang, Q. Yang, H. Stewénius, R. Yang, G. Welch, and H. Towles, “Detailed Real-Time Urban 3D Reconstruction from Video,” International journal of computer vision, 2008.
[Bibtex]

@Article{ pollefeys_detailed_2008,
title = {Detailed {Real}-{Time} {Urban} {3D} {Reconstruction} from
{Video}},
issn = {0920-5691, 1573-1405},
doi = {10.1007/s11263-007-0086-4},
language  = {en},
journal  = {International Journal of Computer Vision},
author  = {Pollefeys, M. and Nistér, D. and Frahm, J.-M. and
Akbarzadeh, A. and Mordohai, P. and Clipp, B. and Engels,
C. and Gallup, D. and Kim, S.-J. and Merrell, P. and Salmi,
C. and Sinha, S. and Talton, B. and Wang, L. and Yang, Q.
and Stewénius, H. and Yang, R. and Welch, G. and Towles,
H.},
month = jul,
year = {2008}
}

J. L. Pollock, “How to build a person: a prolegomenon,” , 1989.
[Bibtex]

@Article{ pollock_how_1989,
address  = {Cambridge, Mass},
title = {How to build a person: a prolegomenon},
isbn = {978-0-262-16113-8},
language  = {en},
author  = {Pollock, John L.},
year = {1989}
}

Q. Smith, “Epistemology,” , 2008.
[Bibtex]

@Article{ smith_epistemology_2008,
title = {Epistemology},
isbn = {978-0-19-926493-3},
language  = {en},
author  = {Smith, Quentin},
month = jun,
year = {2008},
doi = {10.1093/acprof:oso/9780199264933.001.0001}
}

P. Polotti, “Fractal Additive Synthesis: A Pitch-Synchronous Extension of the Method for the Analysis and Synthesis of Natural Voiced-Sounds.”
[Bibtex]

@Article{ polotti_fractal_nodate,
title = {Fractal {Additive} {Synthesis}: {A} {Pitch}-{Synchronous}
{Extension} of the {Method} for the {Analysis} and
{Synthesis} of {Natural} {Voiced}-{Sounds}},
language  = {en},
author  = {Polotti, Pietro}
}

S. T. Pope, J. Rahn, C. Cerana, H. Katayose, F. Pecquet, and R. Karpen, “Pope et al. Touched by Machine?- Composition and Performance in the Digital Age,” Computer music journal, 1995.
[Bibtex]

@Article{ pope_pope_1995,
title = {Pope et al. {Touched} by {Machine}?- {Composition} and
{Performance} in the {Digital} {Age}},
issn = {01489267},
doi = {10.2307/3680650},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pope, Stephen Travis and Rahn, John and Cerana, Carlos and
Katayose, Haruhiro and Pecquet, Frank and Karpen, Richard},
year = {1995}
}

J. Popelard, “La fabrique de l’harmonie. Le chef d’orchestre et l’imaginaire du pouvoir: Entretien avec Esteban Buch et éric Michaud,” Transposition, 2015.
[Bibtex]

@Article{ popelard_fabrique_2015,
title = {La fabrique de l’harmonie. {Le} chef d’orchestre et
l’imaginaire du pouvoir: {Entretien} avec {Esteban}
{Buch} et Éric {Michaud}},
issn = {2110-6134},
doi = {10.4000/transposition.1362},
language  = {fr},
journal  = {Transposition},
author  = {Popelard, Johan},
month = sep,
year = {2015}
}

A. Popoff, “John Cage’s Number Pieces: The Meta-Structure of Time-Brackets and the Notion of Time,” Perspectives of new music, 2010.
[Bibtex]

@Article{ popoff_john_2010,
title = {John {Cage}'s {Number} {Pieces}: {The} {Meta}-{Structure}
of {Time}-{Brackets} and the {Notion} of {Time}},
issn = {2325-7180},
doi = {10.1353/pnm.2010.0019},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Popoff, Alexandre},
year = {2010}
}

A. Popoff, “Popoff Points and Lines to Plane: The Influence of the Support in John Cage’s Variations II,” Perspectives of new music.
[Bibtex]

@Article{ popoff_popoff_nodate,
title = {Popoff {Points} and {Lines} to {Plane}: {The} {Influence}
of the {Support} in {John} {Cage}'s {Variations} {II}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Popoff, Alexandre}
}

A. Popov, “Using Perlin noise in sound synthesis.”
[Bibtex]

@Article{ popov_using_nodate,
title = {Using {Perlin} noise in sound synthesis},
language  = {en},
author  = {Popov, Artem}
}

T. C. Van Veen, “Sonic Warfare: Sound, Affect, and the Ecology of Fear (Steve Goodman),” Dancecult, 2011.
[Bibtex]

@Article{ van_veen_sonic_2011,
title = {Sonic {Warfare}: {Sound}, {Affect}, and the {Ecology} of
{Fear} ({Steve} {Goodman})},
issn = {19475403},
doi = {10.12801/1947-5403.2011.02.01.09},
language  = {en},
journal  = {Dancecult},
author  = {Van Veen, Tobias C.},
year = {2011}
}

M. Potter, “”A License to Do Anything”: Robert Rauschenberg and the Merce Cunningham Dance Company,” Dance chronicle, 1993.
[Bibtex]

@Article{ potter_license_1993,
title = {"{A} {License} to {Do} {Anything}": {Robert}
{Rauschenberg} and the {Merce} {Cunningham} {Dance}
{Company}},
language  = {en},
journal  = {Dance Chronicle},
author  = {Potter, Michelle},
year = {1993}
}

H. Pottmann, “Geometry of architectural freeform structures,” , 2008.
[Bibtex]

@Article{ pottmann_geometry_2008,
address  = {Stony Brook New York},
title = {Geometry of architectural freeform structures},
isbn = {978-1-60558-106-4},
doi = {10.1145/1364901.1364903},
language  = {en},
booktitle  = {Proceedings of the 2008 {ACM} symposium on {Solid} and
physical modeling},
author  = {Pottmann, Helmut},
month = jun,
year = {2008}
}

H. Pottmann and J. Wallner, “The focal geometry of circular and conical meshes,” Advances in computational mathematics, 2008.
[Bibtex]

@Article{ pottmann_focal_2008,
title = {The focal geometry of circular and conical meshes},
issn = {1019-7168, 1572-9044},
doi = {10.1007/s10444-007-9045-4},
language  = {en},
journal  = {Advances in Computational Mathematics},
author  = {Pottmann, Helmut and Wallner, Johannes},
month = oct,
year = {2008}
}

R. Povall, “Sociological, Artistic, and Pedagogical Frameworks for Electronic Art,” Computer music journal, 1997.
[Bibtex]

@Article{ povall_sociological_1997,
title = {Sociological, {Artistic}, and {Pedagogical} {Frameworks}
for {Electronic} {Art}},
issn = {01489267},
doi = {10.2307/3681211},
language  = {en},
journal  = {Computer Music Journal},
author  = {Povall, Richard},
year = {1997}
}

B. B. Powell, “Writing: theory and history of the technology of civilization,” , 2009.
[Bibtex]

@Article{ powell_writing_2009,
address  = {Chichester, U.K. ; Malden, MA},
title = {Writing: theory and history of the technology of
civilization},
isbn = {978-1-4051-6256-2},
language  = {en},
author  = {Powell, Barry B.},
year = {2009}
}

A. F. Prasol, “Modern Japan: origins of the mind: Japanese traditions and approaches to contemporary life,” , 2010.
[Bibtex]

@Article{ prasol_modern_2010,
address  = {Singapore ; Hackensack, NJ : London},
title = {Modern {Japan}: origins of the mind: {Japanese} traditions
and approaches to contemporary life},
isbn = {978-981-4295-63-5},
language  = {en},
author  = {Prasol, A. F.},
year = {2010}
}

A. Prechtl, A. J. Milne, S. Holland, R. Laney, and D. B. Sharp, “A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings,” Computer music journal, 2012.
[Bibtex]

@Article{ prechtl_midi_2012,
title = {A {MIDI} {Sequencer} {That} {Widens} {Access} to the
{Compositional} {Possibilities} of {Novel} {Tunings}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00104},
language  = {en},
journal  = {Computer Music Journal},
author  = {Prechtl, Anthony and Milne, Andrew J. and Holland, Simon
and Laney, Robin and Sharp, David B.},
month = mar,
year = {2012}
}

J. L. Schiff, “Cellular automata: a discrete view of the world,” , 2008.
[Bibtex]

@Article{ schiff_cellular_2008,
address  = {Hoboken, N.J},
title = {Cellular automata: a discrete view of the world},
isbn = {978-0-470-16879-0},
language  = {en},
author  = {Schiff, Joel L.},
year = {2008}
}

C. C. King, “Exploring Quantum, Classical and Semi-Classical Chaos in the Stadium Billiard,” Quanta, 2014.
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@Article{ king_exploring_2014,
title = {Exploring {Quantum}, {Classical} and {Semi}-{Classical}
{Chaos} in the {Stadium} {Billiard}},
issn = {1314-7374},
doi = {10.12743/quanta.v3i1.23},
language  = {en},
journal  = {Quanta},
author  = {King, Chris C.},
month = jan,
year = {2014}
}

D. A. King, “The ciphers of the monks: a forgotten number-notation of the Middle Ages,” , 2001.
[Bibtex]

@Article{ king_ciphers_2001,
address  = {Stuttgart},
title = {The ciphers of the monks: a forgotten number-notation of
the {Middle} {Ages}},
isbn = {978-3-515-07640-1},
language  = {en},
author  = {King, David A.},
year = {2001}
}

D. P. Kingma, T. Salimans, R. Jozefowicz, X. Chen, I. Sutskever, and M. Welling, “Improving Variational Inference with Inverse Autoregressive Flow,” , 2017.
[Bibtex]

@Article{ kingma_improving_2017,
title = {Improving {Variational} {Inference} with {Inverse}
{Autoregressive} {Flow}},
language  = {en},
author  = {Kingma, Diederik P. and Salimans, Tim and Jozefowicz,
Rafal and Chen, Xi and Sutskever, Ilya and Welling, Max},
month = jan,
year = {2017}
}

D. Kipping, “The Halo Drive: Fuel-free Relativistic Propulsion of Large Masses via Recycled Boomerang Photons.”
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@Article{ kipping_halo_nodate,
title = {The {Halo} {Drive}: {Fuel}-free {Relativistic}
{Propulsion} of {Large} {Masses} via {Recycled} {Boomerang}
{Photons}},
language  = {en},
author  = {Kipping, David}
}

A. Kirby, “Digimodernism: how new technologies dismantle the postmodern and reconfigure our culture,” , 2009.
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@Article{ kirby_digimodernism_2009,
address  = {New York},
title = {Digimodernism: how new technologies dismantle the
postmodern and reconfigure our culture},
isbn = {978-0-8264-2951-3 978-1-4411-7528-1},
language  = {en},
author  = {Kirby, Alan},
year = {2009}
}

H. W. Janson, “Janson Paul Klee Pedagogical Sketch Book,” College art journal, 1945.
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@Article{ janson_janson_1945,
title = {Janson {Paul} {Klee} {Pedagogical} {Sketch} {Book}},
issn = {1543-6322},
doi = {10.1080/15436322.1945.10795135},
language  = {en},
journal  = {College Art Journal},
author  = {Janson, H. W.},
month = may,
year = {1945}
}

J. Klein, M. Stern, G. Franchin, M. Kayser, C. Inamura, S. Dave, J. C. Weaver, P. Houk, P. Colombo, M. Yang, and N. Oxman, “Additive Manufacturing of Optically Transparent Glass,” 3d printing and additive manufacturing, 2015.
[Bibtex]

@Article{ klein_additive_2015,
title = {Additive {Manufacturing} of {Optically} {Transparent}
{Glass}},
issn = {2329-7662, 2329-7670},
doi = {10.1089/3dp.2015.0021},
language  = {en},
journal  = {3D Printing and Additive Manufacturing},
author  = {Klein, John and Stern, Michael and Franchin, Giorgia and
Kayser, Markus and Inamura, Chikara and Dave, Shreya and
Weaver, James C. and Houk, Peter and Colombo, Paolo and
Yang, Maria and Oxman, Neri},
month = sep,
year = {2015}
}

E. Valéry, “La Physique et l’Art,” , 2004.
[Bibtex]

@Article{ valery_physique_2004,
title = {La {Physique} et l'{Art}},
language  = {fr},
author  = {Valéry, Etienne},
year = {2004}
}

Y. Klein, “Selected Writings,” , 1974.
[Bibtex]

@Article{ klein_selected_1974,
title = {Selected {Writings}},
language  = {en},
author  = {Klein, Yves},
year = {1974}
}

R. Klette, “Cell complexes through time,” , 2000.
[Bibtex]

@Article{ klette_cell_2000,
address  = {San Diego, CA},
title = {Cell complexes through time},
doi = {10.1117/12.404813},
author  = {Klette, Reinhard},
month = oct,
year = {2000}
}

R. Klette and A. Rosenfeld, “Digital straightness—a review,” Discrete applied mathematics, 2004.
[Bibtex]

@Article{ klette_digital_2004,
title = {Digital straightness—a review},
issn = {0166218X},
doi = {10.1016/j.dam.2002.12.001},
language  = {en},
journal  = {Discrete Applied Mathematics},
author  = {Klette, Reinhard and Rosenfeld, Azriel},
month = apr,
year = {2004}
}

A. N. Knaian, “Design of Programmable Matter.”
[Bibtex]

@Article{ knaian_design_nodate,
title = {Design of {Programmable} {Matter}},
language  = {en},
author  = {Knaian, Ara N}
}

B. R. Knapp and H. S. Lusted, “A Bioelectric Controller for Computer Music Applications,” Computer music journal, 1990.
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@Article{ knapp_bioelectric_1990,
title = {A {Bioelectric} {Controller} for {Computer} {Music}
{Applications}},
issn = {01489267},
doi = {10.2307/3680115},
language  = {en},
journal  = {Computer Music Journal},
author  = {Knapp, R. Benjamin and Lusted, Hugh S.},
year = {1990}
}

A. Knowles, “Quantum diffusion,” Snapshots of modern mathematics from oberwolfach; no. 14/2015, 2015.
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@Article{ knowles_quantum_2015,
title = {Quantum diffusion},
copyright  = {Creative Commons Attribution-ShareAlike 4.0 International
License},
doi = {10.14760/SNAP-2015-014-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach; No.
14/2015},
author  = {Knowles, Antti},
collaborator  = {Cederbaum, Carla and Tokus, Sabiha},
year = {2015}
}

D. E. Knuth and D. E. Knuth, “The METAFONTbook,” , 1986.
[Bibtex]

@Article{ knuth_metafontbook_1986,
address  = {Reading, Mass},
title = {The {METAFONTbook}},
isbn = {978-0-201-13445-2 978-0-201-13444-5},
language  = {en},
author  = {Knuth, Donald Ervin and Knuth, Donald Ervin},
year = {1986}
}

D. E. Knuth and D. E. Knuth, “The TeXbook,” , 1986.
[Bibtex]

@Article{ knuth_texbook_1986,
address  = {Reading, Mass},
title = {The {TeXbook}},
isbn = {978-0-201-13447-6 978-0-201-13448-3},
language  = {en},
author  = {Knuth, Donald Ervin and Knuth, Donald Ervin},
year = {1986}
}

R. Kobayashi, “Sound Clustering Synthesis Using Spectral Data.”
[Bibtex]

@Article{ kobayashi_sound_nodate,
title = {Sound {Clustering} {Synthesis} {Using} {Spectral} {Data}},
language  = {en},
author  = {Kobayashi, Ryoho}
}

L. Koblyakov and R. Rowe, “Score/Music Orientation: An Interview with Robert Rowe,” Computer music journal, 1992.
[Bibtex]

@Article{ koblyakov_scoremusic_1992,
title = {Score/{Music} {Orientation}: {An} {Interview} with
{Robert} {Rowe}},
issn = {01489267},
doi = {10.2307/3680848},
language  = {en},
journal  = {Computer Music Journal},
author  = {Koblyakov, Lev and Rowe, Robert},
year = {1992}
}

B. Kobow, “The “Sound of Power”: Investigating Polyphone Actions and the Perception of Polyphony,” Transposition, 2011.
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@Article{ kobow_sound_2011,
title = {The "{Sound} of {Power}": {Investigating} {Polyphone}
{Actions} and the {Perception} of {Polyphony}},
issn = {2110-6134},
doi = {10.4000/transposition.137},
language  = {en},
journal  = {Transposition},
author  = {Kobow, Beatrice},
month = feb,
year = {2011}
}

G. M. Koenig, “Aesthetic Integration of Computer-Composed Scores,” Computer music journal, 1983.
[Bibtex]

@Article{ koenig_aesthetic_1983,
title = {Aesthetic {Integration} of {Computer}-{Composed}
{Scores}},
issn = {01489267},
doi = {10.2307/3679530},
language  = {en},
journal  = {Computer Music Journal},
author  = {Koenig, Gottfried Michael},
year = {1983}
}

G. M. Koenig and C. Roads, “An Interview with Gottfried Michael Koenig,” Computer music journal, 1978.
[Bibtex]

@Article{ koenig_interview_1978,
title = {An {Interview} with {Gottfried} {Michael} {Koenig}},
issn = {01489267},
doi = {10.2307/3679451},
language  = {en},
journal  = {Computer Music Journal},
author  = {Koenig, Gottfried Michael and Roads, C.},
month = dec,
year = {1978}
}

G. M. Koenig, “Genesis of form in technically conditioned environments,” Interface, 1987.
[Bibtex]

@Article{ koenig_genesis_1987,
title = {Genesis of form in technically conditioned environments},
issn = {0303-3902},
doi = {10.1080/09298218708570499},
language  = {en},
journal  = {Interface},
author  = {Koenig, Gottfried Michael},
month = jan,
year = {1987}
}

G. Koenig, “The Use of Computer Programmes in Creating Music,” , 2009.
[Bibtex]

@Article{ koenig_use_2009,
title = {The {Use} of {Computer} {Programmes} in {Creating}
{Music}},
language  = {en},
author  = {Koenig, Gotifried},
year = {2009}
}

G. M. Koenig, “Working with ‘Project 1’ my experiences with computer composition,” Interface, 1991.
[Bibtex]

@Article{ koenig_working_1991,
title = {Working with ‘{Project} 1’ my experiences with
computer composition},
issn = {0303-3902},
doi = {10.1080/09298219108570588},
language  = {en},
journal  = {Interface},
author  = {Koenig, Gottfried Michael},
month = jan,
year = {1991}
}

E. S. Koh, S. Dubnov, and D. Wright, “Rethinking Recurrent Latent Variable Model for Music Composition,” , 2018.
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@Article{ koh_rethinking_2018,
title = {Rethinking {Recurrent} {Latent} {Variable} {Model} for
{Music} {Composition}},
language  = {en},
author  = {Koh, Eunjeong Stella and Dubnov, Shlomo and Wright,
Dustin},
month = oct,
year = {2018}
}

J. Kohl, “A Gedenkschrift for Karlheinz Stockhausen,” Perspectives of new music.
[Bibtex]

@Article{ kohl_gedenkschrift_nodate,
title = {A {Gedenkschrift} for {Karlheinz} {Stockhausen}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kohl, Jerome}
}

Jerome Kohl, “Harmonies and the Path from Beauty to Awakening: Hours 5 to 12 of Stockhausen’s Klang,” Perspectives of new music, 2012.
[Bibtex]

@Article{ jerome_kohl_harmonies_2012,
title = {Harmonies and the {Path} from {Beauty} to {Awakening}:
{Hours} 5 to 12 of {Stockhausen}'s {Klang}},
issn = {00316016},
doi = {10.7757/persnewmusi.50.1-2.0476},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Jerome Kohl}},
year = {2012}
}

J. Kohn, “La « shadokologie » dans la première et la deuxième série des Shadoks,” Arts et savoirs, 2015.
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@Article{ kohn__2015,
title = {La « shadokologie » dans la première et la deuxième
série des {Shadoks}},
issn = {2258-093X},
doi = {10.4000/aes.332},
language  = {fr},
journal  = {Arts et Savoirs},
author  = {Kohn, Jessica},
month = mar,
year = {2015}
}

R. Erickson, “Sound structure in music,” , 1975.
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@Article{ erickson_sound_1975,
address  = {Berkeley},
title = {Sound structure in music},
isbn = {978-0-520-02376-5},
language  = {en},
author  = {Erickson, Robert},
year = {1975}
}

V. F. Kolchin, “Random graphs,” , 1999.
[Bibtex]

@Article{ kolchin_random_1999,
address  = {Cambridge, UK ; New York},
title = {Random graphs},
isbn = {978-0-521-44081-3},
language  = {en},
author  = {Kolchin, V. F.},
year = {1999}
}

P. Kollias, “The Self-Organising Work of Music,” Organised sound, 2011.
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@Article{ kollias_self-organising_2011,
title = {The {Self}-{Organising} {Work} of {Music}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771811000148},
language  = {en},
journal  = {Organised Sound},
author  = {Kollias, Phivos-Angelos},
month = aug,
year = {2011}
}

T. Komatsuzaki and Y. Iwata, “Study on Acoustic Field with Fractal Boundary using Cellular Automata.”
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@Article{ komatsuzaki_study_nodate,
title = {Study on {Acoustic} {Field} with {Fractal} {Boundary}
using {Cellular} {Automata}},
language  = {en},
author  = {Komatsuzaki, Toshihiko and Iwata, Yoshio}
}

“Aspects de l’art musical des Tchaman de Côte d’Ivoire,” , 2010.
[Bibtex]

@Article{ konin_aspects_2010,
address  = {Tervuren},
title = {Aspects de l'art musical des {Tchaman} de {Côte}
d'{Ivoire}},
isbn = {978-90-74752-78-7},
language  = {fr},
collaborator  = {Konin, Aka},
year = {2010}
}

K. B. Korb and A. E. Nicholson, “Bayesian artificial intelligence,” , 2004.
[Bibtex]

@Article{ korb_bayesian_2004,
address  = {Boca Raton},
title = {Bayesian artificial intelligence},
isbn = {978-1-58488-387-6},
language  = {en},
author  = {Korb, Kevin B. and Nicholson, Ann E.},
year = {2004}
}

Y. L. Kosovske, “Historical harpsichord technique: developing la douceur du toucher,” , 2011.
[Bibtex]

@Article{ kosovske_historical_2011,
address  = {Bloomington},
title = {Historical harpsichord technique: developing la douceur du
toucher},
isbn = {978-0-253-35647-5},
language  = {en},
author  = {Kosovske, Yonit Lea},
year = {2011}
}

“Lofty Dogmas: Poets on Poetics,” , 2005.
[Bibtex]

@Article{ brown_lofty_2005,
title = {Lofty {Dogmas}: {Poets} on {Poetics}},
isbn = {978-1-61075-244-2 978-1-55728-791-5},
language  = {en},
month = sep,
year = {2005},
doi = {10.2307/j.ctvmx3j3j}
}

T. Kowaliw, A. Dorin, and J. McCormack, “An Empirical Exploration of a Definition of Creative Novelty for Generative Art,” , 2009.
[Bibtex]

@Article{ hutchison_empirical_2009,
address  = {Berlin, Heidelberg},
title = {An {Empirical} {Exploration} of a {Definition} of
{Creative} {Novelty} for {Generative} {Art}},
isbn = {978-3-642-10426-8 978-3-642-10427-5},
language  = {en},
booktitle  = {Artificial {Life}: {Borrowing} from {Biology}},
author  = {Kowaliw, Taras and Dorin, Alan and McCormack, Jon},
year = {2009},
doi = {10.1007/978-3-642-10427-5_1}
}

M. J. Kowalski and A. Glassner, “The N.Y.I.T. Digital Sound Editor,” Computer music journal, 1982.
[Bibtex]

@Article{ kowalski_nyit_1982,
title = {The {N}.{Y}.{I}.{T}. {Digital} {Sound} {Editor}},
issn = {01489267},
doi = {10.2307/3680359},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kowalski, Michael J. and Glassner, Andrew},
year = {1982}
}

E. Kozłowski, J. Żera, and R. Młyński, “Effect of Musician’s Earplugs on Sound Level and Spectrum During Musical Performances,” International journal of occupational safety and ergonomics, 2011.
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@Article{ kozlowski_effect_2011,
title = {Effect of {Musician}’s {Earplugs} on {Sound} {Level} and
{Spectrum} {During} {Musical} {Performances}},
issn = {1080-3548, 2376-9130},
doi = {10.1080/10803548.2011.11076890},
language  = {en},
journal  = {International Journal of Occupational Safety and
Ergonomics},
author  = {Kozłowski, Emil and Żera, Jan and Młyński, Rafał},
month = jan,
year = {2011}
}

J. D. Kramer, “Beginnings and Endings in Western Art Music,” Canadian university music review, 1982.
[Bibtex]

@Article{ kramer_beginnings_1982,
title = {Beginnings and {Endings} in {Western} {Art} {Music}},
issn = {0710-0353, 2291-2436},
doi = {10.7202/1013824ar},
language  = {en},
journal  = {Canadian University Music Review},
author  = {Kramer, Jonathan D.},
year = {1982}
}

J. D. Kramer, “Karlheinz in California: A Personal Reminiscence,” Perspectives of new music, 1998.
[Bibtex]

@Article{ kramer_karlheinz_1998,
title = {Karlheinz in {California}: {A} {Personal} {Reminiscence}},
issn = {00316016},
doi = {10.2307/833582},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kramer, Jonathan D.},
year = {1998}
}

J. D. Kramer, “The time of music: new meanings, new temporalities, new listening strategies,” , 1988.
[Bibtex]

@Article{ kramer_time_1988,
address  = {New York : London},
title = {The time of music: new meanings, new temporalities, new
listening strategies},
isbn = {978-0-02-872590-1},
language  = {en},
author  = {Kramer, Jonathan D.},
year = {1988}
}

J. S. Krasner, “Motion graphic design: applied history and aesthetics,” , 2008.
[Bibtex]

@Article{ krasner_motion_2008,
address  = {Amsterdam ; Boston},
title = {Motion graphic design: applied history and aesthetics},
isbn = {978-0-240-80989-2},
language  = {en},
author  = {Krasner, Jon S.},
year = {2008}
}

S. Krasnikov, “Time machine (1988–2001),” , 2003.
[Bibtex]

@Article{ krasnikov_time_2003,
title = {Time machine (1988--2001)},
language  = {en},
author  = {Krasnikov, S.},
month = may,
year = {2003}
}

W. Krause, G. Seidel, B. Schack, and F. Heinrich, “ENTROPY REDUCTION IN MEMORY AND THINKING.”
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@Article{ krause_entropy_nodate,
title = {{ENTROPY} {REDUCTION} {IN} {MEMORY} {AND} {THINKING}},
language  = {en},
author  = {Krause, Werner and Seidel, Gundula and Schack, Bärbel and
Heinrich, Frank}
}

W. Krauth, “Statistical mechanics: algorithms and computations,” , 2006.
[Bibtex]

@Article{ krauth_statistical_2006,
address  = {Oxford},
title = {Statistical mechanics: algorithms and computations},
isbn = {978-0-19-851535-7},
language  = {en},
author  = {Krauth, Werner},
year = {2006}
}

V. Krefeld and M. Waisvisz, “The Hand in the Web: An Interview with Michel Waisvisz,” Computer music journal, 1990.
[Bibtex]

@Article{ krefeld_hand_1990,
title = {The {Hand} in the {Web}: {An} {Interview} with {Michel}
{Waisvisz}},
issn = {01489267},
doi = {10.2307/3679709},
language  = {en},
journal  = {Computer Music Journal},
author  = {Krefeld, Volker and Waisvisz, Michel},
year = {1990}
}

E. Krenek, “EXTENTS AND LIMITS OF SERIAL TECHNIQUES,” The musical quarterly, 1960.
[Bibtex]

@Article{ krenek_extents_1960,
title = {{EXTENTS} {AND} {LIMITS} {OF} {SERIAL} {TECHNIQUES}},
issn = {0027-4631, 1741-8399},
doi = {10.1093/mq/XLVI.2.210},
language  = {en},
journal  = {The Musical Quarterly},
author  = {Krenek, Ernst},
year = {1960}
}

Jeffrey Kresky, “Soft Speaking,” Perspectives of new music, 2012.
[Bibtex]

@Article{ jeffrey_kresky_soft_2012,
title = {Soft {Speaking}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2s.0347},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Jeffrey Kresky}},
year = {2012}
}

C. Kreutzer, J. Walker, and M. O’Neill, “A parametric model for spectral sound synthesis of musical sounds,” , 2008.
[Bibtex]

@Article{ kreutzer_parametric_2008,
address  = {Shanghai, China},
title = {A parametric model for spectral sound synthesis of musical
sounds},
isbn = {978-1-4244-1723-0},
doi = {10.1109/ICALIP.2008.4590233},
language  = {en},
booktitle  = {2008 {International} {Conference} on {Audio}, {Language}
and {Image} {Processing}},
author  = {Kreutzer, Cornelia and Walker, Jacqueline and O'Neill,
Michael},
month = jul,
year = {2008}
}

M. Kriele, “Spacetime: foundations of general relativity and differential geometry,” , 2001.
[Bibtex]

@Article{ kriele_spacetime_2001,
address  = {Berlin ; New York},
title = {Spacetime: foundations of general relativity and
differential geometry},
isbn = {978-3-540-66377-5},
language  = {en},
author  = {Kriele, Marcus},
year = {2001}
}

V. Krishnan, “Probability and random processes,” , 2006.
[Bibtex]

@Article{ krishnan_probability_2006,
address  = {Hoboken, N.J},
title = {Probability and random processes},
isbn = {978-0-471-70354-9},
language  = {en},
author  = {Krishnan, Venkatarama},
year = {2006}
}

U. R. Kristiansen and E. M. Viggen, “COMPUTATIONAL METHODS IN ACOUSTICS.”
[Bibtex]

@Article{ kristiansen_computational_nodate,
title = {{COMPUTATIONAL} {METHODS} {IN} {ACOUSTICS}},
language  = {en},
author  = {Kristiansen, Ulf R and Viggen, Erlend M}
}

A. Krizhevsky, I. Sutskever, and G. Hinton, “ImageNet classification with deep convolutional neural networks,” Communications of the acm, 2017.
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@Article{ krizhevsky_imagenet_2017,
title = {{ImageNet} classification with deep convolutional neural
networks},
issn = {0001-0782, 1557-7317},
doi = {10.1145/3065386},
language  = {en},
journal  = {Communications of the ACM},
author  = {Krizhevsky, Alex and Sutskever, Ilya and Hinton, Geoffrey
E.},
month = may,
year = {2017}
}

R. Kronland-Martinet, “The Wavelet Transform for Analysis, Synthesis, and Processing of Speech and Music Sounds,” Computer music journal, 1988.
[Bibtex]

@Article{ kronland-martinet_wavelet_1988,
title = {The {Wavelet} {Transform} for {Analysis}, {Synthesis}, and
{Processing} of {Speech} and {Music} {Sounds}},
issn = {01489267},
doi = {10.2307/3680149},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kronland-Martinet, Richard},
year = {1988}
}

F. Kropfl, “Electronic Music: From Analog Control to Computers,” Computer music journal, 1997.
[Bibtex]

@Article{ kropfl_electronic_1997,
title = {Electronic {Music}: {From} {Analog} {Control} to
{Computers}},
issn = {01489267},
doi = {10.2307/3681212},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kropfl, Francisco},
year = {1997}
}

M. Rodden, “Working in the Berlin Techno Scene: Theoretical Sketch of an Electronic Music “Scene Economy”.”
[Bibtex]

@Article{ rodden_working_nodate,
title = {Working in the {Berlin} {Techno} {Scene}: {Theoretical}
{Sketch} of an {Electronic} {Music} “{Scene}
{Economy}”},
language  = {en},
author  = {Rodden, Martin}
}

R. Kuivila, “Open Sources: Words, Circuits and the Notation-Realization Relation in the Music of David Tudor,” Leonardo music journal, 2004.
[Bibtex]

@Article{ kuivila_open_2004,
title = {Open {Sources}: {Words}, {Circuits} and the
{Notation}-{Realization} {Relation} in the {Music} of
{David} {Tudor}},
issn = {0961-1215, 1531-4812},
doi = {10.1162/0961121043067424},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Kuivila, Ron},
month = dec,
year = {2004}
}

H. Kumar and B. Ravindran, “Polyphonic Music Composition with LSTM Neural Networks and Reinforcement Learning,” , 2019.
[Bibtex]

@Article{ kumar_polyphonic_2019,
title = {Polyphonic {Music} {Composition} with {LSTM} {Neural}
{Networks} and {Reinforcement} {Learning}},
language  = {en},
author  = {Kumar, Harish and Ravindran, Balaraman},
month = mar,
year = {2019}
}

U. Kutschera and K. Niklas, “The modern theory of biological evolution: an expanded synthesis,” Naturwissenschaften, 2004.
[Bibtex]

@Article{ kutschera_modern_2004,
title = {The modern theory of biological evolution: an expanded
synthesis},
issn = {0028-1042, 1432-1904},
doi = {10.1007/s00114-004-0515-y},
language  = {en},
journal  = {Naturwissenschaften},
author  = {Kutschera, Ulrich and Niklas, KarlJ.},
month = jun,
year = {2004}
}

B. Kutschke, “Improvisation: An Always-Accessible Instrument of Innovation,” Perspectives of new music, 1999.
[Bibtex]

@Article{ kutschke_improvisation_1999,
title = {Improvisation: {An} {Always}-{Accessible} {Instrument} of
{Innovation}},
issn = {00316016},
doi = {10.2307/833513},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kutschke, Beate},
year = {1999}
}

M. Kuuskankare and M. Laurson, “ENP-Expressions, Score-BPF as a Case Study.”
[Bibtex]

@Article{ kuuskankare_enp-expressions_nodate,
title = {{ENP}-{Expressions}, {Score}-{BPF} as a {Case} {Study}},
language  = {en},
author  = {Kuuskankare, Mika and Laurson, Mikael}
}

M. Kuuskankare and M. Laurson, “EXPRESSIVE NOTATION PACKAGE – AN OVERVIEW.”
[Bibtex]

@Article{ kuuskankare_expressive_nodate,
title = {{EXPRESSIVE} {NOTATION} {PACKAGE} - {AN} {OVERVIEW}},
language  = {en},
author  = {Kuuskankare, Mika and Laurson, Mikael}
}

M. Kuuskankare and M. Laurson, “Expressive Notation Package,” Computer music journal, 2006.
[Bibtex]

@Article{ kuuskankare_expressive_2006,
title = {Expressive {Notation} {Package}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.4.67},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kuuskankare, Mika and Laurson, Mikael},
month = dec,
year = {2006}
}

V. Kwatra, I. Essa, A. Bobick, and N. Kwatra, “Texture Optimization for Example-based Synthesis.”
[Bibtex]

@Article{ kwatra_texture_nodate,
title = {Texture {Optimization} for {Example}-based {Synthesis}},
language  = {en},
author  = {Kwatra, Vivek and Essa, Irfan and Bobick, Aaron and
Kwatra, Nipun}
}

E. Wold and J. Tenney, “A History of Consonance and Dissonance,” Computer music journal, 1989.
[Bibtex]

@Article{ wold_history_1989,
title = {A {History} of {Consonance} and {Dissonance}},
issn = {01489267},
doi = {10.2307/3680020},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wold, Erling and Tenney, James},
year = {1989}
}

R. Walker and R. Hoban, “James Tenney on Intention, Harmony and Phenomenology; A Different View of the Larger Picture.,” , 2000.
[Bibtex]

@Article{ walker_james_2000,
title = {James {Tenney} on {Intention}, {Harmony} and
{Phenomenology}; {A} {Different} {View} of the {Larger}
{Picture}.},
language  = {en},
author  = {Walker, Ridley and Hoban, Russell},
year = {2000}
}

J. Tenney and L. Polansky, “Temporal Gestalt Perception in Music,” Journal of music theory, 1980.
[Bibtex]

@Article{ tenney_temporal_1980,
title = {Temporal {Gestalt} {Perception} in {Music}},
issn = {00222909},
doi = {10.2307/843503},
language  = {en},
journal  = {Journal of Music Theory},
author  = {Tenney, James and Polansky, Larry},
year = {1980}
}

M. Terrell and M. Sandler, “An Offline, Automatic Mixing Method for Live Music, Incorporating Multiple Sources, Loudspeakers, and Room Effects,” Computer music journal, 2012.
[Bibtex]

@Article{ terrell_offline_2012,
title = {An {Offline}, {Automatic} {Mixing} {Method} for {Live}
{Music}, {Incorporating} {Multiple} {Sources},
{Loudspeakers}, and {Room} {Effects}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00118},
language  = {en},
journal  = {Computer Music Journal},
author  = {Terrell, Michael and Sandler, Mark},
month = jun,
year = {2012}
}

C. Terroni and N. Heinich, “Comment définir l’art contemporain ?.”
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@Article{ terroni_comment_nodate,
title = {Comment définir l’art contemporain ?},
language  = {fr},
author  = {Terroni, Cristelle and Heinich, Nathalie}
}

J. S. Hendrix, “Topological Theory in Bioconstructivism.”
[Bibtex]

@Article{ hendrix_topological_nodate,
title = {Topological {Theory} in {Bioconstructivism}},
language  = {en},
author  = {Hendrix, John Shannon}
}

J. J. Hennessy, “Beneath the Skin of Time: Alternative Temporalities in Grisey’s “Prologue for Solo Viola”,” Perspectives of new music, 2009.
[Bibtex]

@Article{ hennessy_beneath_2009,
title = {Beneath the {Skin} of {Time}: {Alternative}
{Temporalities} in {Grisey}'s "{Prologue} for {Solo}
{Viola}"},
issn = {2325-7180},
doi = {10.1353/pnm.2009.0005},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hennessy, Jeffrey J.},
year = {2009}
}

H. Hennig, R. Fleischmann, A. Fredebohm, Y. Hagmayer, J. Nagler, A. Witt, F. J. Theis, and T. Geisel, “The Nature and Perception of Fluctuations in Human Musical Rhythms,” Plos one, 2011.
[Bibtex]

@Article{ hennig_nature_2011,
title = {The {Nature} and {Perception} of {Fluctuations} in {Human}
{Musical} {Rhythms}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0026457},
language  = {en},
journal  = {PLoS ONE},
author  = {Hennig, Holger and Fleischmann, Ragnar and Fredebohm,
Anneke and Hagmayer, York and Nagler, Jan and Witt, Annette
and Theis, Fabian J. and Geisel, Theo},
month = oct,
year = {2011}
}

P. Guyotat, “Joyeux animaux de la misère.”
[Bibtex]

@Article{ guyotat_joyeux_nodate,
title = {joyeux animaux de la misère},
language  = {fr},
author  = {Guyotat, Pierre}
}

N. Henrich, “Physiologie de la voix chantée:,” , 2012.
[Bibtex]

@Article{ henrich_physiologie_2012,
title = {Physiologie de la voix chantée:},
language  = {fr},
author  = {Henrich, Nathalie},
year = {2012}
}

A. Henrici and M. Neukom, “Synchronization in Chains of Van Der Pol Oscillators,” , 2016.
[Bibtex]

@Article{ henrici_synchronization_2016,
title = {Synchronization in {Chains} of {Van} {Der} {Pol}
{Oscillators}},
language  = {en},
author  = {Henrici, Andreas and Neukom, Martin},
year = {2016}
}

M. Hensel, “Performance-Oriented Architecture.”
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@Article{ hensel_performance-oriented_nodate,
title = {Performance-{Oriented} {Architecture}},
language  = {en},
author  = {Hensel, Michael}
}

R. Hermann, “The Online Journal of the Society for Music Theory.”
[Bibtex]

@Article{ hermann_online_nodate,
title = {The {Online} {Journal} of the {Society} for {Music}
{Theory}},
language  = {en},
author  = {Hermann, Richard}
}

T. Hermann, A. Hunt, and J. G. Neuhoff, “The Sonification Handbook.”
[Bibtex]

@Article{ hermann_sonification_nodate,
title = {The {Sonification} {Handbook}},
language  = {en},
author  = {Hermann, Thomas and Hunt, Andy and Neuhoff, John G}
}

D. Herremans, C. Chuan, and E. Chew, “A Functional Taxonomy of Music Generation Systems,” Acm computing surveys, 2018.
[Bibtex]

@Article{ herremans_functional_2018,
title = {A {Functional} {Taxonomy} of {Music} {Generation}
{Systems}},
issn = {0360-0300, 1557-7341},
doi = {10.1145/3108242},
language  = {en},
journal  = {ACM Computing Surveys},
author  = {Herremans, Dorien and Chuan, Ching-Hua and Chew, Elaine},
month = sep,
year = {2018}
}

D. Herremans, K. Sörensen, and D. Martens, “Classification and Generation of Composer-Specific Music Using Global Feature Models and Variable Neighborhood Search,” Computer music journal, 2015.
[Bibtex]

@Article{ herremans_classification_2015,
title = {Classification and {Generation} of {Composer}-{Specific}
{Music} {Using} {Global} {Feature} {Models} and {Variable}
{Neighborhood} {Search}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00316},
language  = {en},
journal  = {Computer Music Journal},
author  = {Herremans, Dorien and Sörensen, Kenneth and Martens,
David},
month = sep,
year = {2015}
}

P. Hertz, “Art, Code, and the Engine of Change,” Art journal, 2009.
[Bibtex]

@Article{ hertz_art_2009,
title = {Art, {Code}, and the {Engine} of {Change}},
issn = {0004-3249, 2325-5307},
doi = {10.1080/00043249.2009.10791336},
language  = {en},
journal  = {Art Journal},
author  = {Hertz, Paul},
month = mar,
year = {2009}
}

M. J. Hewitt, “Harmony for Computer Musicians,” , 2011.
[Bibtex]

@Article{ hewitt_harmony_2011,
address  = {Boston},
title = {Harmony for {Computer} {Musicians}},
isbn = {978-1-4354-5672-3},
language  = {en},
author  = {Hewitt, Michael John},
year = {2011}
}

S. Hewitt and P. A. Tremblay, “Sound Communication: A Standard Syntax for Inter-Application, Inter-Device and Inter-Player Communication over OSC,” , 2008.
[Bibtex]

@Article{ hewitt_sound_2008,
title = {Sound {Communication}: {A} {Standard} {Syntax} for
{Inter}-{Application}, {Inter}-{Device} and
{Inter}-{Player} {Communication} over {OSC}},
language  = {en},
author  = {Hewitt, Scott and Tremblay, Pierre Alexandre},
year = {2008}
}

F. Heylighen and C. Joslyn, “Cybernetics and Second-Order Cybernetics,” , 2003.
[Bibtex]

@Article{ heylighen_cybernetics_2003,
title = {Cybernetics and {Second}-{Order} {Cybernetics}},
isbn = {978-0-12-227410-7},
language  = {en},
booktitle  = {Encyclopedia of {Physical} {Science} and {Technology}},
author  = {Heylighen, Francis and Joslyn, Cliff},
year = {2003},
doi = {10.1016/B0-12-227410-5/00161-7}
}

D. Hibbert-Jones, “Contemporary Art from Studio to Situation and Situation,” Public art dialogue, 2011.
[Bibtex]

@Article{ hibbert-jones_contemporary_2011,
title = {Contemporary {Art} from {Studio} to {Situation} and
{Situation}},
issn = {2150-2552, 2150-2560},
doi = {10.1080/21502552.2011.537113},
language  = {en},
journal  = {Public Art Dialogue},
author  = {Hibbert-Jones, Dee},
month = mar,
year = {2011}
}

M. Hicks, “Interval and Form in Ligeti’s Continuum and Coulée,” Perspectives of new music, 1993.
[Bibtex]

@Article{ hicks_interval_1993,
title = {Interval and {Form} in {Ligeti}'s {Continuum} and
{Coulée}},
issn = {00316016},
doi = {10.2307/833048},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Hicks, Michael},
year = {1993}
}

I. Higgins, L. Matthey, X. Glorot, A. Pal, B. Uria, C. Blundell, S. Mohamed, and A. Lerchner, “Early Visual Concept Learning with Unsupervised Deep Learning,” , 2016.
[Bibtex]

@Article{ higgins_early_2016,
title = {Early {Visual} {Concept} {Learning} with {Unsupervised}
{Deep} {Learning}},
language  = {en},
author  = {Higgins, Irina and Matthey, Loic and Glorot, Xavier and
Pal, Arka and Uria, Benigno and Blundell, Charles and
Mohamed, Shakir and Lerchner, Alexander},
month = sep,
year = {2016}
}

H. Higgins, “The grid book,” , 2009.
[Bibtex]

@Article{ higgins_grid_2009,
address  = {Cambridge, Mass},
title = {The grid book},
isbn = {978-0-262-51240-4},
language  = {en},
author  = {Higgins, Hannah},
year = {2009}
}

V. Ri, “High Performance Mining.”
[Bibtex]

@Article{ ri_high_nodate,
title = {High {Performance} {Mining}},
language  = {en},
author  = {Ri, Vvxh}
}

L. Hiller, “Composing with Computers: A Progress Report,” Computer music journal, 1981.
[Bibtex]

@Article{ hiller_composing_1981,
title = {Composing with {Computers}: {A} {Progress} {Report}},
issn = {01489267},
doi = {10.2307/3679501},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hiller, Lejaren},
year = {1981}
}

L. A. Hiller, “Electronic Music at the University of Illinois,” Journal of music theory, 1963.
[Bibtex]

@Article{ hiller_electronic_1963,
title = {Electronic {Music} at the {University} of {Illinois}},
issn = {00222909},
doi = {10.2307/843024},
language  = {en},
journal  = {Journal of Music Theory},
author  = {Hiller, Lejaren A.},
year = {1963}
}

G. Hinton, L. Deng, D. Yu, G. Dahl, A. Mohamed, N. Jaitly, A. Senior, V. Vanhoucke, P. Nguyen, T. Sainath, and B. Kingsbury, “Deep Neural Networks for Acoustic Modeling in Speech Recognition: The Shared Views of Four Research Groups,” Ieee signal processing magazine, 2012.
[Bibtex]

@Article{ hinton_deep_2012,
title = {Deep {Neural} {Networks} for {Acoustic} {Modeling} in
{Speech} {Recognition}: {The} {Shared} {Views} of {Four}
{Research} {Groups}},
issn = {1053-5888},
doi = {10.1109/MSP.2012.2205597},
language  = {en},
journal  = {IEEE Signal Processing Magazine},
author  = {Hinton, Geoffrey and Deng, Li and Yu, Dong and Dahl,
George and Mohamed, Abdel-rahman and Jaitly, Navdeep and
Senior, Andrew and Vanhoucke, Vincent and Nguyen, Patrick
and Sainath, Tara and Kingsbury, Brian},
month = nov,
year = {2012}
}

“Minski Music, Mind and Meaning.”
[Bibtex]

@Article{ noauthor_minski_nodate,
title = {Minski {Music}, {Mind} and {Meaning}},
language  = {en}
}

“Music, Mind, and Meaning.”
[Bibtex]

@Article{ noauthor_music_nodate,
title = {Music, {Mind}, and {Meaning}},
language  = {en}
}

E. R. Miranda, “An Artificial Intelligence Approach to Sound Design,” Computer music journal, 1995.
[Bibtex]

@Article{ miranda_artificial_1995,
title = {An {Artificial} {Intelligence} {Approach} to {Sound}
{Design}},
issn = {01489267},
doi = {10.2307/3680600},
language  = {en},
journal  = {Computer Music Journal},
author  = {Miranda, Eduardo Reck},
year = {1995}
}

E. R. Miranda and D. Williams, “Artificial Intelligence in \textitOrganised Sound,” Organised sound, 2015.
[Bibtex]

@Article{ miranda_artificial_2015,
title = {Artificial {Intelligence} in \textit{{Organised} {Sound}}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771814000454},
language  = {en},
journal  = {Organised Sound},
author  = {Miranda, Eduardo R. and Williams, Duncan},
month = apr,
year = {2015}
}

E. R. Miranda, “Emergent Sound Repertoires in Virtual Societies,” Computer music journal, 2002.
[Bibtex]

@Article{ miranda_emergent_2002,
title = {Emergent {Sound} {Repertoires} in {Virtual} {Societies}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602760137194},
language  = {en},
journal  = {Computer Music Journal},
author  = {Miranda, Eduardo Reck},
month = jun,
year = {2002}
}

“Evolutionary computer music,” , 2007.
[Bibtex]

@Article{ miranda_evolutionary_2007,
address  = {London},
title = {Evolutionary computer music},
isbn = {978-1-84628-599-8},
language  = {en},
year = {2007}
}

“Guide to Brain-Computer Music Interfacing,” , 2014.
[Bibtex]

@Article{ miranda_guide_2014,
address  = {London},
title = {Guide to {Brain}-{Computer} {Music} {Interfacing}},
isbn = {978-1-4471-6583-5 978-1-4471-6584-2},
language  = {en},
year = {2014},
doi = {10.1007/978-1-4471-6584-2}
}

S. M. Mirkin, “DNA Topology: Fundamentals,” , 2001.
[Bibtex]

@Article{ john_wiley__sons_ltd_dna_2001,
title = {{DNA} {Topology}: {Fundamentals}},
isbn = {978-0-470-01617-6 978-0-470-01590-2},
language  = {en},
booktitle  = {{eLS}},
author  = {Mirkin, Sergei M},
month = may,
year = {2001},
doi = {10.1038/npg.els.0001038}
}

N. Misdariis, F. Nicolas, O. Warusfel, and R. Causse, “Radiation Control on Multi-Loudspeaker Device : La Timée.”
[Bibtex]

@Article{ misdariis_radiation_nodate,
title = {Radiation {Control} on {Multi}-{Loudspeaker} {Device} :
{La} {Timée}},
language  = {en},
author  = {Misdariis, Nicolas and Nicolas, Francois and Warusfel,
Olivier and Causse, Rene}
}

J. Mitani and T. Igarashi, “Interactive Design of Planar Curved Folding by Reﬂection.”
[Bibtex]

@Article{ mitani_interactive_nodate,
title = {Interactive {Design} of {Planar} {Curved} {Folding} by
{Reﬂection}},
language  = {en},
author  = {Mitani, J and Igarashi, T}
}

M. Melanie, “An Introduction to Genetic Algorithms.”
[Bibtex]

@Article{ melanie_introduction_nodate,
title = {An {Introduction} to {Genetic} {Algorithms}},
language  = {en},
author  = {Melanie, Mitchell}
}

M. Mitchell, J. P. Crutchﬁeld, and P. T. Hraber, “Dynamics, Computation, and the “Edge of Chaos”: A Re-Examination.”
[Bibtex]

@Article{ mitchell_dynamics_nodate,
title = {Dynamics, {Computation}, and the “{Edge} of {Chaos}”:
{A} {Re}-{Examination}},
language  = {en},
author  = {Mitchell, Melanie and Crutchﬁeld, James P and Hraber,
Peter T}
}

D. P. Mitchell, “Generating Antialiased Images at Low Sampling Densities.”
[Bibtex]

@Article{ mitchell_generating_nodate,
title = {Generating {Antialiased} {Images} at {Low} {Sampling}
{Densities}},
language  = {en},
author  = {Mitchell, Don P}
}

M. Mitchell, J. P. Crutchfield, and R. Das, “Evolving cellular automata to perform computations,” , 1997.
[Bibtex]

@Article{ bck_evolving_1997,
title = {Evolving cellular automata to perform computations},
isbn = {978-0-7503-0895-3},
language  = {en},
booktitle  = {Handbook of {Evolutionary} {Computation}},
author  = {Mitchell, Melanie and Crutchfield, James P and Das,
Rajarshi},
year = {1997},
doi = {10.1887/0750308958/b386c92}
}

K. D. Mitnick, “THE ART OF DECEPTION.”
[Bibtex]

@Article{ mitnick_art_nodate,
title = {{THE} {ART} {OF} {DECEPTION}},
language  = {en},
author  = {Mitnick, Kevin D}
}

N. J. Mitra and M. Pauly, “Symmetry for Architectural Design.”
[Bibtex]

@Article{ mitra_symmetry_nodate,
title = {Symmetry for {Architectural} {Design}},
language  = {en},
author  = {Mitra, Niloy J and Pauly, Mark}
}

A. Szepanski, “A Mille Plateaux manifesto,” Organised sound, 2001.
[Bibtex]

@Article{ szepanski_mille_2001,
title = {A {Mille} {Plateaux} manifesto},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771801003089},
language  = {en},
journal  = {Organised Sound},
author  = {Szepanski, Achim},
month = dec,
year = {2001}
}

N. Szilas and C. Cadoz, “Analysis Techniques for Physical Modeling Networks,” Computer music journal, 1998.
[Bibtex]

@Article{ szilas_analysis_1998,
title = {Analysis {Techniques} for {Physical} {Modeling}
{Networks}},
issn = {01489267},
doi = {10.2307/3681156},
language  = {en},
journal  = {Computer Music Journal},
author  = {Szilas, Nicolas and Cadoz, Claude},
year = {1998}
}

P. Tagg, “Analysing popular music: theory, method and practice,” Popular music, 1982.
[Bibtex]

@Article{ tagg_analysing_1982,
title = {Analysing popular music: theory, method and practice},
issn = {0261-1430, 1474-0095},
doi = {10.1017/S0261143000001227},
language  = {en},
journal  = {Popular Music},
author  = {Tagg, Philip},
month = jan,
year = {1982}
}

N. Takahashi, M. Gygli, B. Pfister, and L. Van Gool, “Deep Convolutional Neural Networks and Data Augmentation for Acoustic Event Detection,” , 2016.
[Bibtex]

@Article{ takahashi_deep_2016,
title = {Deep {Convolutional} {Neural} {Networks} and {Data}
{Augmentation} for {Acoustic} {Event} {Detection}},
language  = {en},
author  = {Takahashi, Naoya and Gygli, Michael and Pfister, Beat and
Van Gool, Luc},
month = dec,
year = {2016}
}

A. Tangian, “Constructing Rhythmic Canons,” Perspectives of new music, 2003.
[Bibtex]

@Article{ tangian_constructing_2003,
title = {Constructing {Rhythmic} {Canons}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Tangian, Andranik},
year = {2003}
}

A. Tangian, H. Stiftung, and B. De, “Constructing Rhythmic Fugues,” , 2008.
[Bibtex]

@Article{ tangian_constructing_2008,
title = {Constructing {Rhythmic} {Fugues}},
language  = {en},
author  = {Tangian, Andranik and Stiftung, Hans-Bockler and De,
Boeckler},
year = {2008}
}

A. S. Tanguiane, “Artificial perception and music recognition,” , 1993.
[Bibtex]

@Article{ tanguiane_artificial_1993,
address  = {Berlin ; New York},
title = {Artificial perception and music recognition},
isbn = {978-3-540-57394-4 978-0-387-57394-6},
language  = {en},
author  = {Tanguiane, Andranick S.},
year = {1993}
}

R. Tarlet, “Le rituel du concert et la question du sacré,” Appareil, 2009.
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@Article{ tarlet_rituel_2009,
title = {Le rituel du concert et la question du sacré},
issn = {2101-0714},
doi = {10.4000/appareil.841},
language  = {fr},
journal  = {Appareil},
author  = {Tarlet, Renaud},
month = may,
year = {2009}
}

L. G. Tateosian, C. G. Healey, and J. T. Enns, “Engaging viewers through nonphotorealistic visualizations,” , 2007.
[Bibtex]

@Article{ tateosian_engaging_2007,
address  = {San Diego California},
title = {Engaging viewers through nonphotorealistic
visualizations},
isbn = {978-1-59593-624-0},
doi = {10.1145/1274871.1274886},
language  = {en},
booktitle  = {Proceedings of the 5th international symposium on
{Non}-photorealistic animation and rendering},
author  = {Tateosian, Laura G. and Healey, Christopher G. and Enns,
James T.},
month = aug,
year = {2007}
}

“Mainframe experimentalism: early computing and the foundations of the digital arts,” , 2012.
[Bibtex]

@Article{ higgins_mainframe_2012,
address  = {Berkeley},
title = {Mainframe experimentalism: early computing and the
foundations of the digital arts},
isbn = {978-0-520-26837-1 978-0-520-26838-8},
language  = {en},
year = {2012}
}

R. P. Taylor, A. P. Micolich, and D. Jonas, “The Construction of Jackson Pollock’s Fractal Drip Paintings,” Leonardo, 2002.
[Bibtex]

@Article{ taylor_construction_2002,
title = {The {Construction} of {Jackson} {Pollock}'s {Fractal}
{Drip} {Paintings}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/00240940252940603},
language  = {en},
journal  = {Leonardo},
author  = {Taylor, Richard P. and Micolich, Adam P. and Jonas,
David},
month = apr,
year = {2002}
}

G. D. Taylor, “When the machine made art: the troubled history of computer art,” , 2014.
[Bibtex]

@Article{ taylor_when_2014,
address  = {New York},
title = {When the machine made art: the troubled history of
computer art},
isbn = {978-1-62356-795-8 978-1-62356-884-9},
language  = {en},
author  = {Taylor, Grant D.},
year = {2014}
}

R. Wichers, “A theory of individual behavior,” , 1996.
[Bibtex]

@Article{ wichers_theory_1996,
address  = {San Diego},
title = {A theory of individual behavior},
isbn = {978-0-12-748450-1},
language  = {en},
author  = {Wichers, Robert},
year = {1996}
}

B. Widrow and I. Kollár, “Quantization Noise : Roundoff Error in Digital Computation, Signal Processing, Control, and Communications.”
[Bibtex]

@Article{ widrow_quantization_nodate,
title = {Quantization {Noise} : {Roundoff} {Error} in {Digital}
{Computation}, {Signal} {Processing}, {Control}, and
{Communications}},
language  = {en},
author  = {Widrow, Bernard and Kollár, István}
}

F. Regis, “Les nuits berlinoises en sommeil.”
[Bibtex]

@Article{ regis_nuits_nodate,
title = {Les nuits berlinoises en sommeil},
language  = {fr},
author  = {Regis, Francois}
}

J. Wierzbicki, “Reflections on Rochberg and “Postmodernism”,” Perspectives of new music, 2007.
[Bibtex]

@Article{ wierzbicki_reflections_2007,
title = {Reflections on {Rochberg} and "{Postmodernism}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Wierzbicki, James},
year = {2007}
}

G. A. Wiggins, “The Use of Constraint Systems for Musical Composition.”
[Bibtex]

@Article{ wiggins_use_nodate,
title = {The {Use} of {Constraint} {Systems} for {Musical}
{Composition}},
language  = {en},
author  = {Wiggins, Geraint A}
}

M. Wigginton and J. Harris, “Intelligent skins,” , 2002.
[Bibtex]

@Article{ wigginton_intelligent_2002,
address  = {Oxford},
title = {Intelligent skins},
isbn = {978-0-7506-4847-9},
language  = {en},
author  = {Wigginton, Michael and Harris, Jude},
year = {2002}
}

“Computer music modeling and retrieval: International Symposium, CMMR 2003, Montpellier, France, May 26-27, 2003: revised papers,” , 2004.
[Bibtex]

@Article{ wiil_computer_2004,
address  = {Berlin ; New York},
title = {Computer music modeling and retrieval: {International}
{Symposium}, {CMMR} 2003, {Montpellier}, {France}, {May}
26-27, 2003: revised papers},
isbn = {978-3-540-20922-5},
language  = {en},
year = {2004}
}

H. S. Wilf, “Algorithms and Complexity,” , 2003.
[Bibtex]

@Article{ wilf_algorithms_2003,
title = {Algorithms and {Complexity}},
language  = {en},
author  = {Wilf, Herbert S},
year = {2003}
}

C. Gepperth, “Twenty years hence—perhaps much sooner—people will find it hard to believe that, in our atomic generation, many still shook the.”
[Bibtex]

@Article{ gepperth_twenty_nodate,
title = {Twenty years hence—perhaps much sooner—people will
find it hard to believe that, in our atomic generation,
many still shook the},
language  = {en},
author  = {Gepperth, Colleen}
}

C. Williams, S. Borowski, L. Dudzinski, and A. Juhasz, “A spherical torus nuclear fusion reactor space propulsion vehicle concept for fast interplanetary piloted and robotic missions,” , 1999.
[Bibtex]

@Article{ williams_spherical_1999,
address  = {Los Angeles,CA,U.S.A.},
title = {A spherical torus nuclear fusion reactor space propulsion
vehicle concept for fast interplanetary piloted and robotic
missions},
doi = {10.2514/6.1999-2704},
language  = {en},
booktitle  = {35th {Joint} {Propulsion} {Conference} and {Exhibit}},
author  = {Williams, Craig and Borowski, Stanley and Dudzinski,
Leonard and Juhasz, Albert},
month = jun,
year = {1999}
}

A. Williams, “Adorno and the Semantics of Modernism,” Perspectives of new music, 1999.
[Bibtex]

@Article{ williams_adorno_1999,
title = {Adorno and the {Semantics} of {Modernism}},
issn = {00316016},
doi = {10.2307/833510},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Williams, Alastair},
year = {1999}
}

A. E. Williams, “Madness in the Music Theatre Works of Peter Maxwell Davies,” Perspectives of new music, 2000.
[Bibtex]

@Article{ williams_madness_2000,
title = {Madness in the {Music} {Theatre} {Works} of {Peter}
{Maxwell} {Davies}},
issn = {00316016},
doi = {10.2307/833589},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Williams, Alan E.},
year = {2000}
}

A. C. F. Williams, “The Aristoxenian Theory of Musical Rhythm,” , 2009.
[Bibtex]

@Article{ williams_aristoxenian_2009,
title = {The {Aristoxenian} {Theory} of {Musical} {Rhythm}},
isbn = {978-1-108-00487-9 978-0-511-70364-5},
language  = {en},
author  = {Williams, C. F. Abdy},
month = jul,
year = {2009},
doi = {10.1017/CBO9780511703645}
}

G. Willis, “Zero-dimensional symmetry,” Snapshots of modern mathematics from oberwolfach; no. 3/2015, 2015.
[Bibtex]

@Article{ willis_zero-dimensional_2015,
title = {Zero-dimensional symmetry},
copyright  = {Creative Commons Attribution-NonCommercial-ShareAlike 3.0
International License},
doi = {10.14760/SNAP-2015-003-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach; No.
3/2015},
author  = {Willis, George},
collaborator  = {Cederbaum, Carla and Jahns, Sophia},
year = {2015}
}

A. J. Wilson, “A SYMBOLIC SONIFICATION OF L-SYSTEMS,” , 2009.
[Bibtex]

@Article{ wilson_symbolic_2009,
title = {A {SYMBOLIC} {SONIFICATION} {OF} {L}-{SYSTEMS}},
language  = {en},
author  = {Wilson, Adam James},
year = {2009}
}

S. Wilson, “Composition with SuperCollider.”
[Bibtex]

@Article{ wilson_composition_nodate,
title = {Composition with {SuperCollider}},
language  = {en},
author  = {Wilson, Scott}
}

S. Wilson, “Information arts: intersections of art, science, and technology,” , 2002.
[Bibtex]

@Article{ wilson_information_2002,
address  = {Cambridge, Mass},
title = {Information arts: intersections of art, science, and
technology},
isbn = {978-0-262-23209-8},
language  = {en},
author  = {Wilson, Stephen},
year = {2002}
}

J. Whitney, “On the Complementarity of Music and Visual Art.”
[Bibtex]

@Article{ whitney_complementarity_nodate,
title = {On the {Complementarity} of {Music} and {Visual} {Art}},
language  = {en},
author  = {Whitney, John}
}

M. L. Maher, T. Veale, and R. Saunders, “Proceedings of the Fourth International Conference on Computational Creativity,” , 2013.
[Bibtex]

@Article{ maher_proceedings_2013,
title = {Proceedings of the {Fourth} {International} {Conference}
on {Computational} {Creativity}},
language  = {en},
author  = {Maher, Mary Lou and Veale, Tony and Saunders, Rob},
year = {2013}
}

Roy Whelden, “On a Logical Principle Useful in Music Theory,” Perspectives of new music, 2015.
[Bibtex]

@Article{ roy_whelden_logical_2015,
title = {On a {Logical} {Principle} {Useful} in {Music} {Theory}},
issn = {00316016},
doi = {10.7757/persnewmusi.53.2.0189},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Roy Whelden}},
year = {2015}
}

J. Risset, “Composer le son : expériences avec l’ordinateur, 1964-1989,” , 1990.
[Bibtex]

@Article{ albera_composer_1990,
title = {Composer le son : expériences avec l’ordinateur,
1964-1989},
isbn = {978-2-940599-14-1},
language  = {fr},
booktitle  = {Musiques électroniques},
author  = {Risset, Jean-Claude},
year = {1990},
doi = {10.4000/books.contrechamps.1582}
}

J. Risset and L. Pottier, “Some web sites concerning Jean-Claude RISSET.”
[Bibtex]

@Article{ risset_web_nodate,
title = {Some web sites concerning {Jean}-{Claude} {RISSET}},
language  = {en},
author  = {Risset, Jean-Claude and Pottier, Laurent}
}

“Computer Music Experiments 1964 – ….”
[Bibtex]

@Article{ noauthor_computer_nodate-1,
title = {Computer {Music} {Experiments} 1964 - ...},
language  = {en}
}

J. Risset, “World Music Days in Canada.”
[Bibtex]

@Article{ risset_world_nodate,
title = {World {Music} {Days} in {Canada}},
language  = {en},
author  = {Risset, Jean-Claude}
}

J. Risset, “Pitch and rhythm paradoxes: Comments on ‘‘Auditory paradox based on fractal waveform’’ [J. Acoust. Soc. Am. \textbf7 \textbf9 , 186–189 (1986)],” The journal of the acoustical society of america, 1986.
[Bibtex]

@Article{ risset_pitch_1986,
title = {Pitch and rhythm paradoxes: {Comments} on ‘‘{Auditory}
paradox based on fractal waveform’’ [{J}. {Acoust}.
{Soc}. {Am}. \textbf{7} \textbf{9} , 186–189 (1986)]},
issn = {0001-4966},
doi = {10.1121/1.393919},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Risset, Jean‐Claude},
month = sep,
year = {1986}
}

J. Risset, “Rhythmic Paradoxes and Illusions: a Musical Illustration.”
[Bibtex]

@Article{ risset_rhythmic_nodate,
title = {Rhythmic {Paradoxes} and {Illusions}: a {Musical}
{Illustration}},
language  = {en},
author  = {Risset, Jean-Claude}
}

J. Risset, “Some Comments about Future Music Machines,” Computer music journal, 1991.
[Bibtex]

@Article{ risset_comments_1991,
title = {Some {Comments} about {Future} {Music} {Machines}},
issn = {01489267},
doi = {10.2307/3681069},
language  = {en},
journal  = {Computer Music Journal},
author  = {Risset, Jean-Claude},
year = {1991}
}

A. Rivers, A. Adams, and F. Durand, “Sculpting by numbers,” Acm transactions on graphics, 2012.
[Bibtex]

@Article{ rivers_sculpting_2012,
title = {Sculpting by numbers},
issn = {0730-0301, 1557-7368},
doi = {10.1145/2366145.2366176},
language  = {en},
journal  = {ACM Transactions on Graphics},
author  = {Rivers, Alec and Adams, Andrew and Durand, Frédo},
month = nov,
year = {2012}
}

L. Rizo-Salom, E. Daubresse, and M. Noisternig, “Etude Préliminaire Sur L’Ecriture De La Directivité Et Du Rayonnement Instrumental.”
[Bibtex]

@Article{ rizo-salom_etude_nodate,
title = {Etude {Préliminaire} {Sur} {L}'{Ecriture} {De} {La}
{Directivité} {Et} {Du} {Rayonnement} {Instrumental}},
language  = {fr},
author  = {Rizo-Salom, Luis and Daubresse, Eric and Noisternig,
Markus}
}

C. Roads, “A Conversation with James A. Moorer,” , 1982.
[Bibtex]

@Article{ roads_conversation_1982,
title = {A {Conversation} with {James} {A}. {Moorer}},
language  = {en},
author  = {Roads, Curtis},
year = {1982}
}

“An Interview with Harold Cohen.”
[Bibtex]

@Article{ noauthor_interview_nodate,
title = {An {Interview} with {Harold} {Cohen}},
language  = {en}
}

C. Roads, “Artificial Intelligence and Music,” , 1980.
[Bibtex]

@Article{ roads_artificial_1980,
title = {Artificial {Intelligence} and {Music}},
language  = {en},
author  = {Roads, Curtis},
year = {1980}
}

C. Roads, “Automated Granular Synthesis of Sound,” Computer music journal, 1978.
[Bibtex]

@Article{ roads_automated_1978,
title = {Automated {Granular} {Synthesis} of {Sound}},
issn = {01489267},
doi = {10.2307/3680222},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis},
month = sep,
year = {1978}
}

C. Roads, “Early Electronic Music Instruments: Time Line 1899-1950,” Computer music journal, 1996.
[Bibtex]

@Article{ roads_early_1996,
title = {Early {Electronic} {Music} {Instruments}: {Time} {Line}
1899-1950},
issn = {01489267},
doi = {10.2307/3680817},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis},
year = {1996}
}

C. Roads and P. Wieneke, “Grammars as Representations for Music,” Computer music journal, 1979.
[Bibtex]

@Article{ roads_grammars_1979,
title = {Grammars as {Representations} for {Music}},
issn = {01489267},
doi = {10.2307/3679756},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, C. and Wieneke, Paul},
month = mar,
year = {1979}
}

C. Roads and D. Morrill, “Interview with Dexter Morrill,” Computer music journal, 1987.
[Bibtex]

@Article{ roads_interview_1987,
title = {Interview with {Dexter} {Morrill}},
issn = {01489267},
doi = {10.2307/3679733},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis and Morrill, Dexter},
year = {1987}
}

C. Roads and M. Minsky, “Interview with Marvin Minsky,” Computer music journal, 1980.
[Bibtex]

@Article{ roads_interview_1980,
title = {Interview with {Marvin} {Minsky}},
issn = {01489267},
doi = {10.2307/3679636},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, C. and Minsky, Marvin},
year = {1980}
}

C. Roads and M. Mathews, “Interview with Max Mathews,” Computer music journal, 1980.
[Bibtex]

@Article{ roads_interview_1980-1,
title = {Interview with {Max} {Mathews}},
issn = {01489267},
doi = {10.2307/3679463},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, C. and Mathews, Max},
year = {1980}
}

C. Roads and M. Subotnick, “Interview with Morton Subotnick,” Computer music journal, 1988.
[Bibtex]

@Article{ roads_interview_1988,
title = {Interview with {Morton} {Subotnick}},
issn = {01489267},
doi = {10.2307/3679833},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis and Subotnick, Morton},
year = {1988}
}

C. Roads and P. Lansky, “Interview with Paul Lansky,” Computer music journal, 1983.
[Bibtex]

@Article{ roads_interview_1983,
title = {Interview with {Paul} {Lansky}},
issn = {01489267},
doi = {10.2307/3679590},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, C. and Lansky, Paul},
year = {1983}
}

C. Roads, “Introduction to “The Menace of Mechanical Music” by John Philip Sousa,” Computer music journal, 1993.
[Bibtex]

@Article{ roads_introduction_1993,
title = {Introduction to "{The} {Menace} of {Mechanical} {Music}"
by {John} {Philip} {Sousa}},
issn = {01489267},
doi = {10.2307/3680565},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis},
year = {1993}
}

C. Roads, “Microsound,” , 2001.
[Bibtex]

@Article{ roads_microsound_2001,
address  = {Cambridge, Mass},
title = {Microsound},
isbn = {978-0-262-18215-7},
language  = {en},
author  = {Roads, Curtis},
year = {2001}
}

“Report on the IRCAM Conference: The Composer and the Computer.”
[Bibtex]

@Article{ noauthor_report_nodate,
title = {Report on the {IRCAM} {Conference}: {The} {Composer} and
the {Computer}},
language  = {en}
}

C. Roads, “The art of articulation: The electroacoustic music of Horacio Vaggione,” Contemporary music review, 2005.
[Bibtex]

@Article{ roads_art_2005,
title = {The art of articulation: {The} electroacoustic music of
{Horacio} {Vaggione}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460500172121},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Roads, Curtis},
month = oct,
year = {2005}
}

C. Roads, “The Tsukuba Musical Robot,” Computer music journal, 1986.
[Bibtex]

@Article{ roads_tsukuba_1986,
title = {The {Tsukuba} {Musical} {Robot}},
issn = {01489267},
doi = {10.2307/3679483},
language  = {en},
journal  = {Computer Music Journal},
author  = {Roads, Curtis},
year = {1986}
}

A. Robel, “AudioSculpt 2.5/SuperVP 2.68.”
[Bibtex]

@Article{ robel_audiosculpt_nodate,
title = {{AudioSculpt} 2.5/{SuperVP} 2.68},
language  = {en},
author  = {Robel, A}
}

A. Röbel, “Synthesizing Natural Sounds Using Dynamic Models of Sound Attractors,” Computer music journal, 2001.
[Bibtex]

@Article{ robel_synthesizing_2001,
title = {Synthesizing {Natural} {Sounds} {Using} {Dynamic} {Models}
of {Sound} {Attractors}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601750302589},
language  = {en},
journal  = {Computer Music Journal},
author  = {Röbel, Axel},
month = jun,
year = {2001}
}

T. Koivisto, “Syntactical Space and Registral Spacing in Elliott Carter’s “Remembrance”,” Perspectives of new music, 2004.
[Bibtex]

@Article{ koivisto_syntactical_2004,
title = {Syntactical {Space} and {Registral} {Spacing} in {Elliott}
{Carter}'s "{Remembrance}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Koivisto, Tiina},
year = {2004}
}

G. Surges and S. Dubnov, “Feature Selection and Composition Using PyOracle,” Proceedings of the aaai conference on artificial intelligence and interactive digital entertainment, 2021.
[Bibtex]

@Article{ surges_feature_2021,
title = {Feature {Selection} and {Composition} {Using} {PyOracle}},
issn = {2334-0924, 2326-909X},
doi = {10.1609/aiide.v9i5.12653},
language  = {en},
journal  = {Proceedings of the AAAI Conference on Artificial
Intelligence and Interactive Digital Entertainment},
author  = {Surges, Greg and Dubnov, Shlomo},
month = jun,
year = {2021}
}

G. Surges, T. Smyth, and M. Puckette, “Generative Audio Systems Using Power-Preserving All-Pass Filters,” Computer music journal, 2016.
[Bibtex]

@Article{ surges_generative_2016,
title = {Generative {Audio} {Systems} {Using} {Power}-{Preserving}
{All}-{Pass} {Filters}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00344},
language  = {en},
journal  = {Computer Music Journal},
author  = {Surges, Greg and Smyth, Tamara and Puckette, Miller},
month = mar,
year = {2016}
}

“Surrealism and Architecture,” , 2014.
[Bibtex]

@Article{ mical_surrealism_2014,
address  = {Abingdon, Oxon},
title = {Surrealism and {Architecture}},
isbn = {978-0-203-33954-1},
language  = {en},
collaborator  = {Mical, Thomas},
year = {2014}
}

P. Susanni and E. Antokoletz, “Music and twentieth-century tonality: harmonic progression based on modality and the interval cycles,” , 2012.
[Bibtex]

@Article{ susanni_music_2012,
address  = {New York ; London},
title = {Music and twentieth-century tonality: harmonic progression
based on modality and the interval cycles},
isbn = {978-0-415-80888-0},
language  = {en},
author  = {Susanni, Paolo and Antokoletz, Elliott},
year = {2012}
}

S. Suskin, “The sound of Broadway music: a book of orchestrators and orchestrations,” , 2009.
[Bibtex]

@Article{ suskin_sound_2009,
address  = {Oxford ; New York},
title = {The sound of {Broadway} music: a book of orchestrators and
orchestrations},
isbn = {978-0-19-530947-8},
language  = {en},
author  = {Suskin, Steven},
year = {2009}
}

R. Sussan, “Comment apprenons-nous ? Le paradoxe de la créativité.”
[Bibtex]

@Article{ sussan_comment_nodate,
title = {Comment apprenons-nous ? {Le} paradoxe de la
créativité},
language  = {fr},
author  = {Sussan, Rémi}
}

G. P. Sutton and O. Biblarz, “Rocket Propulsion Elements.”
[Bibtex]

@Article{ sutton_rocket_nodate,
title = {Rocket {Propulsion} {Elements}},
language  = {en},
author  = {Sutton, George P and Biblarz, Oscar}
}

“The Solomon R. Guggenheim Museum, New York : Frank Lloyd Wright architect.”
[Bibtex]

@Article{ noauthor_solomon_nodate,
title = {The {Solomon} {R}. {Guggenheim} {Museum}, {New} {York} :
{Frank} {Lloyd} {Wright} architect},
language  = {en}
}

K. Svozil, “Space and time in a quantized world,” International journal of theoretical physics, 2015.
[Bibtex]

@Article{ svozil_space_2015,
title = {Space and time in a quantized world},
issn = {0020-7748, 1572-9575},
doi = {10.1007/s10773-015-2593-3},
language  = {en},
journal  = {International Journal of Theoretical Physics},
author  = {Svozil, Karl},
month = dec,
year = {2015}
}

M. Supper, “Constraints and Freedom: A Conversation with Georg Katzer,” Computer music journal, 2018.
[Bibtex]

@Article{ supper_constraints_2018,
title = {Constraints and {Freedom}: {A} {Conversation} with {Georg}
{Katzer}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00477},
language  = {en},
journal  = {Computer Music Journal},
author  = {Supper, Martin},
month = oct,
year = {2018}
}

“Musical Performance: A Synthesis-by-Rule Approach.”
[Bibtex]

@Article{ noauthor_musical_nodate,
title = {Musical {Performance}: {A} {Synthesis}-by-{Rule}
{Approach}},
language  = {en}
}

T. Christensen, “Baker have translated and.”
[Bibtex]

@Article{ christensen_baker_nodate,
title = {Baker have translated and},
language  = {en},
author  = {Christensen, Thomas}
}

T. Sullivan, “Structural Layers in Alfred Schnittke’s Concerto Grosso No. 3,” Perspectives of new music, 2010.
[Bibtex]

@Article{ sullivan_structural_2010,
title = {Structural {Layers} in {Alfred} {Schnittke}'s {Concerto}
{Grosso} {No}. 3},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Sullivan, Tim},
year = {2010}
}

H. Sugimoto, “Hiroshi Sugimoto History of History.”
[Bibtex]

@Article{ sugimoto_hiroshi_nodate,
title = {Hiroshi {Sugimoto} {History} of {History}},
language  = {en},
author  = {Sugimoto, Hiroshi}
}

R. R. Subotnik, “Developing variations: style and ideology in Western music,” , 1991.
[Bibtex]

@Article{ subotnik_developing_1991,
address  = {Minneapolis},
title = {Developing variations: style and ideology in {Western}
music},
isbn = {978-0-8166-1873-6 978-0-8166-1874-3},
language  = {en},
author  = {Subotnik, Rose Rosengard},
year = {1991}
}

R. R. Subotnik, “Deconstructive variations: music and reason in western society,” , 1996.
[Bibtex]

@Article{ subotnik_deconstructive_1996,
address  = {Minneapolis},
title = {Deconstructive variations: music and reason in western
society},
isbn = {978-0-8166-2197-2 978-0-8166-2198-9},
language  = {en},
author  = {Subotnik, Rose Rosengard},
year = {1996}
}

“VIII. A dynamical theory of the electromagnetic field,” Philosophical transactions of the royal society of london, 1865.
[Bibtex]

@Article{ noauthor_viii_1865,
title = {{VIII}. {A} dynamical theory of the electromagnetic
field},
issn = {0261-0523, 2053-9223},
doi = {10.1098/rstl.1865.0008},
language  = {en},
journal  = {Philosophical Transactions of the Royal Society of
London},
month = dec,
year = {1865}
}

J. B. Maxwell, “GENERATIVE MUSIC, COGNITIVE MODELLING, AND COMPUTER-ASSISTED COMPOSITION IN MUSICOG AND MANUSCORE.”
[Bibtex]

@Article{ maxwell_generative_nodate,
title = {{GENERATIVE} {MUSIC}, {COGNITIVE} {MODELLING}, {AND}
{COMPUTER}-{ASSISTED} {COMPOSITION} {IN} {MUSICOG} {AND}
{MANUSCORE}},
language  = {en},
author  = {Maxwell, James B}
}

“Patenting Compositional Algorithms.”
[Bibtex]

@Article{ noauthor_patenting_nodate,
title = {Patenting {Compositional} {Algorithms}},
language  = {en}
}

A. May, “Philippe Manoury’s Jupiter.”
[Bibtex]

@Article{ may_philippe_nodate,
title = {Philippe {Manoury}’s {Jupiter}},
language  = {en},
author  = {May, Andrew}
}

G. Mazzola, M. Mannone, Y. Pang, M. O’Brien, and N. Torunsky, “All About Music,” , 2016.
[Bibtex]

@Article{ mazzola_all_2016,
address  = {Cham},
title = {All {About} {Music}},
isbn = {978-3-319-47333-8 978-3-319-47334-5},
language  = {en},
author  = {Mazzola, Guerino and Mannone, Maria and Pang, Yan and
O'Brien, Margaret and Torunsky, Nathan},
year = {2016},
doi = {10.1007/978-3-319-47334-5}
}

G. Mazzola and S. Mueller, “Constraint-based Shaping of Gestural Performance.”
[Bibtex]

@Article{ mazzola_constraint-based_nodate,
title = {Constraint-based {Shaping} of {Gestural} {Performance}},
language  = {en},
author  = {Mazzola, Guerino and Mueller, Stefan}
}

G. Mazzola, M. Mannone, and Y. Pang, “Cool Math for Hot Music,” , 2016.
[Bibtex]

@Article{ mazzola_cool_2016,
address  = {Cham},
title = {Cool {Math} for {Hot} {Music}},
isbn = {978-3-319-42935-9 978-3-319-42937-3},
language  = {en},
author  = {Mazzola, Guerino and Mannone, Maria and Pang, Yan},
year = {2016},
doi = {10.1007/978-3-319-42937-3}
}

G. Mazzola and M. Andreatta, “Diagrams, gestures and formulae in music,” Journal of mathematics and music, 2007.
[Bibtex]

@Article{ mazzola_diagrams_2007,
title = {Diagrams, gestures and formulae in music},
issn = {1745-9737, 1745-9745},
doi = {10.1080/17459730601137716},
language  = {en},
journal  = {Journal of Mathematics and Music},
author  = {Mazzola, Guerino and Andreatta, Moreno},
month = mar,
year = {2007}
}

G. Mazzola and M. Andreatta, “From a Categorical Point of View: K-Nets as Limit Denotators,” Perspectives of new music, 2006.
[Bibtex]

@Article{ mazzola_categorical_2006,
title = {From a {Categorical} {Point} of {View}: {K}-{Nets} as
{Limit} {Denotators}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Mazzola, Guerino and Andreatta, Moreno},
year = {2006}
}

G. Mazzola, J. Park, and F. Thalmann, “Musical Creativity: Strategies and Tools in Composition and Improvisation,” , 2011.
[Bibtex]

@Article{ mazzola_musical_2011,
address  = {Berlin, Heidelberg},
title = {Musical {Creativity}: {Strategies} and {Tools} in
{Composition} and {Improvisation}},
isbn = {978-3-642-24516-9 978-3-642-24517-6},
language  = {en},
author  = {Mazzola, Guerino and Park, Joomi and Thalmann, Florian},
year = {2011},
doi = {10.1007/978-3-642-24517-6}
}

G. Mazzola, D. Krömker, and G. Hofmann, “Rasterbild — Bildraster,” , 1987.
[Bibtex]

@Article{ mazzola_rasterbild_1987,
address  = {Berlin, Heidelberg},
title = {Rasterbild — {Bildraster}},
isbn = {978-3-540-17267-3 978-3-642-71700-0},
language  = {de},
author  = {Mazzola, Guerino and Krömker, Detlef and Hofmann, Georg
Rainer},
year = {1987},
doi = {10.1007/978-3-642-71700-0}
}

G. Mazzola, “The Topos of Music,” , 2002.
[Bibtex]

@Article{ mazzola_topos_2002,
address  = {Basel},
title = {The {Topos} of {Music}},
isbn = {978-3-0348-9454-8 978-3-0348-8141-8},
language  = {en},
author  = {Mazzola, Guerino},
year = {2002},
doi = {10.1007/978-3-0348-8141-8}
}

G. Mazzola, “The Topos of Music I: Theory: Geometric Logic, Classification, Harmony, Counterpoint, Motives, Rhythm,” , 2017.
[Bibtex]

@Article{ mazzola_topos_2017,
address  = {Cham},
title = {The {Topos} of {Music} {I}: {Theory}: {Geometric} {Logic},
{Classification}, {Harmony}, {Counterpoint}, {Motives},
{Rhythm}},
isbn = {978-3-319-64363-2 978-3-319-64364-9},
language  = {en},
author  = {Mazzola, Guerino},
year = {2017},
doi = {10.1007/978-3-319-64364-9}
}

G. Mazzola, “The Topos of Music II: Performance: Theory, Software, and Case Studies,” , 2017.
[Bibtex]

@Article{ mazzola_topos_2017-1,
address  = {Cham},
title = {The {Topos} of {Music} {II}: {Performance}: {Theory},
{Software}, and {Case} {Studies}},
isbn = {978-3-319-64443-1 978-3-319-64444-8},
language  = {en},
author  = {Mazzola, Guerino},
year = {2017},
doi = {10.1007/978-3-319-64444-8}
}

G. Mazzola, R. Guitart, J. Ho, A. Lubet, M. Mannone, M. Rahaim, and F. Thalmann, “The Topos of Music III: Gestures: Musical Multiverse Ontologies,” , 2017.
[Bibtex]

@Article{ mazzola_topos_2017-2,
address  = {Cham},
title = {The {Topos} of {Music} {III}: {Gestures}: {Musical}
{Multiverse} {Ontologies}},
isbn = {978-3-319-64479-0 978-3-319-64481-3},
language  = {en},
author  = {Mazzola, Guerino and Guitart, René and Ho, Jocelyn and
Lubet, Alex and Mannone, Maria and Rahaim, Matt and
Thalmann, Florian},
year = {2017},
doi = {10.1007/978-3-319-64481-3}
}

G. Mazzola, “The Topos of Music IV: Roots: Appendices,” , 2017.
[Bibtex]

@Article{ mazzola_topos_2017-3,
address  = {Cham},
title = {The {Topos} of {Music} {IV}: {Roots}: {Appendices}},
isbn = {978-3-319-64494-3 978-3-319-64495-0},
language  = {en},
author  = {Mazzola, Guerino},
year = {2017},
doi = {10.1007/978-3-319-64495-0}
}

S. McAdams and A. Bregman, “Hearing Musical Streams.”
[Bibtex]

@Article{ mcadams_hearing_nodate,
title = {Hearing {Musical} {Streams}},
language  = {en},
author  = {McAdams, Stephen and Bregman, Albert}
}

K. McAlpine, E. Miranda, and S. Hoggar, “Making Music with Algorithms: A Case-Study System,” Computer music journal, 1999.
[Bibtex]

@Article{ mcalpine_making_1999,
title = {Making {Music} with {Algorithms}: {A} {Case}-{Study}
{System}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559733},
language  = {en},
journal  = {Computer Music Journal},
author  = {McAlpine, Kenneth and Miranda, Eduardo and Hoggar,
Stuart},
month = jun,
year = {1999}
}

J. McCammond, “Curvature and Computation,” , 2014.
[Bibtex]

@Article{ mccammond_curvature_2014,
title = {Curvature and {Computation}},
language  = {en},
author  = {McCammond, Jon},
month = dec,
year = {2014}
}

J. McCarthy, “Programs with Common Sense,” , 1959.
[Bibtex]

@Article{ mccarthy_programs_1959,
title = {Programs with {Common} {Sense}},
language  = {en},
author  = {McCarthy, John},
year = {1959}
}

J. McCarthy and P. J. Hayes, “Some Philosophical Problems from the Standpoint of Artificial Intelligence,” , 1981.
[Bibtex]

@Article{ mccarthy_philosophical_1981,
title = {Some {Philosophical} {Problems} from the {Standpoint} of
{Artificial} {Intelligence}},
isbn = {978-0-934613-03-3},
language  = {en},
booktitle  = {Readings in {Artificial} {Intelligence}},
author  = {McCarthy, J. and Hayes, P.J.},
year = {1981},
doi = {10.1016/B978-0-934613-03-3.50033-7}
}

P. Nauert, “Division- and Addition-Based Models of Rhythm in a Computer-Assisted Composition System,” Computer music journal, 2007.
[Bibtex]

@Article{ nauert_division-_2007,
title = {Division- and {Addition}-{Based} {Models} of {Rhythm} in a
{Computer}-{Assisted} {Composition} {System}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.4.59},
language  = {en},
journal  = {Computer Music Journal},
author  = {Nauert, Paul},
month = dec,
year = {2007}
}

“Report from the Synthesizer Explosion.”
[Bibtex]

@Article{ noauthor_report_nodate-1,
title = {Report from the {Synthesizer} {Explosion}},
language  = {en}
}

J. McCormack, “A Method for Generating Phyllotaxis over Surfaces of Revolution,” , 2003.
[Bibtex]

@Article{ mccormack_method_2003,
title = {A {Method} for {Generating} {Phyllotaxis} over {Surfaces}
of {Revolution}},
language  = {en},
author  = {McCormack, Jon},
year = {2003}
}

J. McCormack, P. McIlwain, A. Lane, and A. Dorin, “Generative Composition with Nodal.”
[Bibtex]

@Article{ mccormack_generative_nodate,
title = {Generative {Composition} with {Nodal}},
language  = {en},
author  = {McCormack, Jon and McIlwain, Peter and Lane, Aidan and
Dorin, Alan}
}

J. McCormack, A. Dorin, and T. Innocent, “Generative design: a paradigm for design research.”
[Bibtex]

@Article{ mccormack_generative_nodate-1,
title = {Generative design: a paradigm for design research},
language  = {en},
author  = {McCormack, Jon and Dorin, Alan and Innocent, Troy}
}

J. McCormack, “Generative Modelling with Timed L-Systems,” , 2004.
[Bibtex]

@Article{ gero_generative_2004,
address  = {Dordrecht},
title = {Generative {Modelling} with {Timed} {L}-{Systems}},
isbn = {978-90-481-6650-3 978-1-4020-2393-4},
language  = {en},
booktitle  = {Design {Computing} and {Cognition} ’04},
author  = {McCormack, Jon},
year = {2004},
doi = {10.1007/978-1-4020-2393-4_9}
}

J. McCormack, “Grammar Based Music Composition.”
[Bibtex]

@Article{ mccormack_grammar_nodate,
title = {Grammar {Based} {Music} {Composition}},
language  = {en},
author  = {McCormack, Jon}
}

J. McCormack and O. Bown, “Life’s What You Make: Niche Construction and Evolutionary Art,” , 2009.
[Bibtex]

@Article{ giacobini_lifes_2009,
address  = {Berlin, Heidelberg},
title = {Life’s {What} {You} {Make}: {Niche} {Construction} and
{Evolutionary} {Art}},
isbn = {978-3-642-01128-3 978-3-642-01129-0},
language  = {en},
booktitle  = {Applications of {Evolutionary} {Computing}},
author  = {McCormack, Jon and Bown, Oliver},
year = {2009},
doi = {10.1007/978-3-642-01129-0_59}
}

J. McCormack, O. Bown, A. Dorin, J. McCabe, G. Monro, and M. Whitelaw, “Ten Questions Concerning Generative Computer Art,” Leonardo, 2014.
[Bibtex]

@Article{ mccormack_ten_2014,
title = {Ten {Questions} {Concerning} {Generative} {Computer}
{Art}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/LEON_a_00533},
language  = {en},
journal  = {Leonardo},
author  = {McCormack, Jon and Bown, Oliver and Dorin, Alan and
McCabe, Jonathan and Monro, Gordon and Whitelaw, Mitchell},
month = apr,
year = {2014}
}

W. F. McGee and P. Merkley, “A Real-Time Logarithmic-Frequency Phase Vocoder,” Computer music journal, 1991.
[Bibtex]

@Article{ mcgee_real-time_1991,
title = {A {Real}-{Time} {Logarithmic}-{Frequency} {Phase}
{Vocoder}},
issn = {01489267},
doi = {10.2307/3680383},
language  = {en},
journal  = {Computer Music Journal},
author  = {McGee, W. F. and Merkley, Paul},
year = {1991}
}

J. McCormack, A. Dorin, and A. Lane, “Composing With Nodal Networks.”
[Bibtex]

@Article{ mccormack_composing_nodate,
title = {Composing {With} {Nodal} {Networks}},
language  = {en},
author  = {McCormack, Jon and Dorin, Alan and Lane, Aidan}
}

M. Mcinerney, “NEW NOTATIONAL STRATEGIES FOR NEW INTERPRETATIVE PARADIGMS: REVISITING THE SCORES OF ANESTIS LOGOTHETIS (1921–1994),” Perspectives of new music.
[Bibtex]

@Article{ mcinerney_new_nodate,
title = {{NEW} {NOTATIONAL} {STRATEGIES} {FOR} {NEW}
{INTERPRETATIVE} {PARADIGMS}: {REVISITING} {THE} {SCORES}
{OF} {ANESTIS} {LOGOTHETIS} (1921–1994)},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Mcinerney, Michael}
}

L. McInnes, J. Healy, and J. Melville, “UMAP: Uniform Manifold Approximation and Projection for Dimension Reduction,” , 2020.
[Bibtex]

@Article{ mcinnes_umap_2020,
title = {{UMAP}: {Uniform} {Manifold} {Approximation} and
{Projection} for {Dimension} {Reduction}},
language  = {en},
author  = {McInnes, Leland and Healy, John and Melville, James},
month = sep,
year = {2020}
}

A. McLean, F. F. Leymarie, and G. Wiggins, “Apollonius diagrams and the Representation of Sounds and Music,” , 2007.
[Bibtex]

@Article{ mclean_apollonius_2007,
address  = {Glamorgan, UK},
title = {Apollonius diagrams and the {Representation} of {Sounds}
and {Music}},
isbn = {978-0-7695-2869-4},
doi = {10.1109/ISVD.2007.7},
language  = {en},
booktitle  = {4th {International} {Symposium} on {Voronoi} {Diagrams} in
{Science} and {Engineering} ({ISVD} 2007)},
author  = {McLean, Alex and Leymarie, Frederic Fol and Wiggins,
Geraint},
month = jul,
year = {2007}
}

A. McLean, “Music improvisation and creative systems.”
[Bibtex]

@Article{ mclean_music_nodate,
title = {Music improvisation and creative systems},
language  = {en},
author  = {McLean, Alex}
}

A. McLean, “Voronoi diagrams of music.”
[Bibtex]

@Article{ mclean_voronoi_nodate,
title = {Voronoi diagrams of music},
language  = {en},
author  = {McLean, Alex}
}

P. McLeod, “Fast, Accurate Pitch Detection Tools for Music Analysis,” , 2008.
[Bibtex]

@Article{ mcleod_fast_2008,
title = {Fast, {Accurate} {Pitch} {Detection} {Tools} for {Music}
{Analysis}},
language  = {en},
author  = {McLeod, Philip},
year = {2008}
}

M. McNabb, “”Dreamsong”: The Composition,” Computer music journal, 1981.
[Bibtex]

@Article{ mcnabb_dreamsong_1981,
title = {"{Dreamsong}": {The} {Composition}},
issn = {01489267},
doi = {10.2307/3679505},
language  = {en},
journal  = {Computer Music Journal},
author  = {McNabb, Michael},
year = {1981}
}

“The human reimagined: posthumanism in Russia,” , 2018.
[Bibtex]

@Article{ mcquillen_human_2018,
address  = {Boston},
title = {The human reimagined: posthumanism in {Russia}},
isbn = {978-1-61811-732-8 978-1-61811-779-3},
language  = {en},
year = {2018}
}

“An archaeology of the Iron Curtain: material and metaphor,” , 2013.
[Bibtex]

@Article{ mcwilliams_archaeology_2013,
address  = {Huddinge},
title = {An archaeology of the {Iron} {Curtain}: material and
metaphor},
isbn = {978-91-86069-78-0 978-91-7447-819-8},
language  = {en},
year = {2013}
}

Andrew Mead, “Cultivating an Air: Natural Imagery and Music Making,” Perspectives of new music, 2014.
[Bibtex]

@Article{ andrew_mead_cultivating_2014,
title = {Cultivating an {Air}: {Natural} {Imagery} and {Music}
{Making}},
issn = {00316016},
doi = {10.7757/persnewmusi.52.2.0091},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Andrew Mead}},
year = {2014}
}

A. Mead, “Looking Back: Lessons Learned About Tonal Music from a Post-Tonal Perspective,” Perspectives of new music, 2009.
[Bibtex]

@Article{ mead_looking_2009,
title = {Looking {Back}: {Lessons} {Learned} {About} {Tonal}
{Music} from a {Post}-{Tonal} {Perspective}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Mead, Andrew},
year = {2009}
}

Andrew Mead, “Making Connections: Some Thoughts about Milton Babbitt and His Music,” Perspectives of new music, 2012.
[Bibtex]

@Article{ andrew_mead_making_2012,
title = {Making {Connections}: {Some} {Thoughts} about {Milton}
{Babbitt} and {His} {Music}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2s.0378},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Andrew Mead}},
year = {2012}
}

A. Mead, “On Tempo Relations,” Perspectives of new music, 2007.
[Bibtex]

@Article{ mead_tempo_2007,
title = {On {Tempo} {Relations}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Mead, Andrew},
year = {2007}
}

“An Artificial Intelligence Approach to Tonal Music Theory.”
[Bibtex]

@Article{ noauthor_artificial_nodate,
title = {An {Artificial} {Intelligence} {Approach} to {Tonal}
{Music} {Theory}},
language  = {en}
}

G. Mehrenberger, “Critique de la raison technique – Introduction à la pensée de Bernard Stiegler* –.”
[Bibtex]

@Article{ mehrenberger_critique_nodate,
title = {Critique de la raison technique – {Introduction} à la
pensée de {Bernard} {Stiegler}* –},
language  = {fr},
author  = {Mehrenberger, Gabriel}
}

S. Mehri, K. Kumar, I. Gulrajani, R. Kumar, S. Jain, J. Sotelo, A. Courville, and Y. Bengio, “SampleRNN: An Unconditional End-to-End Neural Audio Generation Model,” , 2017.
[Bibtex]

@Article{ mehri_samplernn_2017,
title = {{SampleRNN}: {An} {Unconditional} {End}-to-{End} {Neural}
{Audio} {Generation} {Model}},
language  = {en},
author  = {Mehri, Soroush and Kumar, Kundan and Gulrajani, Ishaan and
Kumar, Rithesh and Jain, Shubham and Sotelo, Jose and
Courville, Aaron and Bengio, Yoshua},
month = feb,
year = {2017}
}

“Granular Matter: An Interdisciplinary Approach,” , 1994.
[Bibtex]

@Article{ mehta_granular_1994,
address  = {New York, NY},
title = {Granular {Matter}: {An} {Interdisciplinary} {Approach}},
isbn = {978-1-4612-8725-4 978-1-4612-4290-1},
language  = {en},
year = {1994},
doi = {10.1007/978-1-4612-4290-1}
}

R. Meier, F. Voisin, and J. M. Callum, “CLUSTER-BASED GENERATIVE MUSIC SYSTEM FOR DARKEST SYNTH-POP.”
[Bibtex]

@Article{ meier_cluster-based_nodate,
title = {{CLUSTER}-{BASED} {GENERATIVE} {MUSIC} {SYSTEM} {FOR}
{DARKEST} {SYNTH}-{POP}},
language  = {en},
author  = {Meier, Robin and Voisin, Frédéric and Callum, John Mac}
}

R. Meier, “MODÈLES DE LA COGNITION ET LEURS EXPÉRIMENTATIONS ARTISTIQUES.”
[Bibtex]

@Article{ meier_modecognition_nodate,
title = {{MODÈLES} {DE} {LA} {COGNITION} {ET} {LEURS}
{EXPÉRIMENTATIONS} {ARTISTIQUES}},
language  = {fr},
author  = {Meier, Robin}
}

“Mathematics and music: a Diderot Mathematical Forum,” , 2002.
[Bibtex]

@Article{ assayag_mathematics_2002,
address  = {Berlin ; New York},
title = {Mathematics and music: a {Diderot} {Mathematical}
{Forum}},
isbn = {978-3-540-43727-7},
language  = {en},
year = {2002}
}

M. Mathews, “THE ELECTRONIC SOUND STUDIO OF THE 1970’S.”
[Bibtex]

@Article{ mathews_electronic_nodate,
title = {{THE} {ELECTRONIC} {SOUND} {STUDIO} {OF} {THE} 1970'{S}},
language  = {en},
author  = {Mathews, Max}
}

M. V. Mathews, “The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music,” Computer music journal, 1991.
[Bibtex]

@Article{ mathews_radio_1991,
title = {The {Radio} {Baton} and {Conductor} {Program}, or:
{Pitch}, the {Most} {Important} and {Least} {Expressive}
{Part} of {Music}},
issn = {01489267},
doi = {10.2307/3681070},
language  = {en},
journal  = {Computer Music Journal},
author  = {Mathews, Max V.},
year = {1991}
}

“The Technology of Computer Music.”
[Bibtex]

@Article{ noauthor_technology_nodate,
title = {The {Technology} of {Computer} {Music}}
}

M. V. Mathews, “The Technology Of Computer Music,” , 1969.
[Bibtex]

@Article{ mathews_technology_1969,
address  = {Cambridge, Mass.},
title = {The {Technology} {Of} {Computer} {Music}},
isbn = {978-0-262-13050-9},
language  = {en},
author  = {Mathews, Max V.},
year = {1969}
}

G. L. Matloff, “Deep-space probes: to the outer solar system and beyond,” , 2005.
[Bibtex]

@Article{ matloff_deep-space_2005,
address  = {Berlin ; New York : Chichester, UK},
title = {Deep-space probes: to the outer solar system and beyond},
isbn = {978-3-540-24772-2},
language  = {en},
author  = {Matloff, Gregory L.},
year = {2005}
}

M. Turk, “A Random Walk through Eigenspace,” , 2001.
[Bibtex]

@Article{ turk_random_2001,
title = {A {Random} {Walk} through {Eigenspace}},
language  = {en},
author  = {Turk, Matthew},
year = {2001}
}

L. Mattiussi, “La Musique sans musique : Mallarmé, Valéry,” , 2013.
[Bibtex]

@Article{ mattiussi_musique_2013,
title = {La {Musique} sans musique : {Mallarmé}, {Valéry}},
language  = {fr},
author  = {Mattiussi, Laurent},
year = {2013}
}

H. R. Maturana, H. R. Maturana, N. Leser, J. Seitfert, and K. P. Winter, “Maturana The Nature of Time,” The nature of time.
[Bibtex]

@Article{ maturana_maturana_nodate,
title = {Maturana {The} {Nature} of {Time}},
language  = {en},
journal  = {The Nature of Time},
author  = {Maturana, Humberto R and Maturana, Humberto R and Leser,
Norbert and Seitfert, Josef and Winter, Klaus Plitzner
Carl}
}

H. J. Maxile, “Hale Smith’s “Evocation”: The Interaction of Cultural Symbols and Serial Composition,” Perspectives of new music, 2004.
[Bibtex]

@Article{ maxile_hale_2004,
title = {Hale {Smith}'s "{Evocation}": {The} {Interaction} of
{Cultural} {Symbols} and {Serial} {Composition}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Maxile, Horace J.},
year = {2004}
}

S. J. Keyser, “The mental life of modernism: why poetry, painting, and music changed at the turn of the Twentieth Century,” , 2020.
[Bibtex]

@Article{ keyser_mental_2020,
address  = {Cambridge, Massachusetts},
title = {The mental life of modernism: why poetry, painting, and
music changed at the turn of the {Twentieth} {Century}},
isbn = {978-0-262-04349-6},
language  = {en},
author  = {Keyser, Samuel Jay},
year = {2020}
}

Z. Khabazi, “GENERATIVE ALGORITHMS.”
[Bibtex]

@Article{ khabazi_generative_nodate,
title = {{GENERATIVE} {ALGORITHMS}},
language  = {en},
author  = {Khabazi, Zubin}
}

H. Khanjian, “Quantification in Western Armenian,” , 2012.
[Bibtex]

@Article{ keenan_quantification_2012,
address  = {Dordrecht},
title = {Quantification in {Western} {Armenian}},
isbn = {978-94-007-2680-2 978-94-007-2681-9},
language  = {en},
booktitle  = {Handbook of {Quantifiers} in {Natural} {Language}},
author  = {Khanjian, Hrayr},
year = {2012},
doi = {10.1007/978-94-007-2681-9_16}
}

D. Khavinson and G. Neumann, “From the Fundamental Theorem of Algebra to Astrophysics: A “Harmonious” Path,” , 2008.
[Bibtex]

@Article{ khavinson_fundamental_2008,
title = {From the {Fundamental} {Theorem} of {Algebra} to
{Astrophysics}: {A} “{Harmonious}” {Path}},
language  = {en},
author  = {Khavinson, Dmitry and Neumann, Genevra},
year = {2008}
}

A. Khosravani and C. Rasinariu, “Emergence of Benford’s Law in Music,” , 2018.
[Bibtex]

@Article{ khosravani_emergence_2018,
title = {Emergence of {Benford}'s {Law} in {Music}},
language  = {en},
author  = {Khosravani, Azar and Rasinariu, Constantin},
month = nov,
year = {2018}
}

P. Khosravi, “Spectral Spatiality in the Acousmatic Listening Experience.”
[Bibtex]

@Article{ khosravi_spectral_nodate,
title = {Spectral {Spatiality} in the {Acousmatic} {Listening}
{Experience}},
language  = {en},
author  = {Khosravi, Peiman}
}

B. Osborn, “Kid Algebra Radiohead’s Euclidean and Maximally Even Rhythms,” Perspectives of new music.
[Bibtex]

@Article{ osborn_kid_nodate,
title = {Kid {Algebra} {Radiohead}’s {Euclidean} and {Maximally}
{Even} {Rhythms}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Osborn, Brad}
}

M. Kielian-Gilbert, “”Meta-Variations” and the Art of Engaging Music,” Perspectives of new music, 2006.
[Bibtex]

@Article{ kielian-gilbert_meta-variations_2006,
title = {"{Meta}-{Variations}" and the {Art} of {Engaging}
{Music}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kielian-Gilbert, Marianne},
year = {2006}
}

F. G. Kilgour, “The evolution of the book,” , 1998.
[Bibtex]

@Article{ kilgour_evolution_1998,
address  = {New York},
title = {The evolution of the book},
isbn = {978-0-19-511859-9},
language  = {en},
author  = {Kilgour, Frederick G.},
year = {1998}
}

D. Kim-Boyle, “Real-time Score Generation for Extensible Open Forms,” Contemporary music review, 2010.
[Bibtex]

@Article{ kim-boyle_real-time_2010,
title = {Real-time {Score} {Generation} for {Extensible} {Open}
{Forms}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2010.509588},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Kim-Boyle, David},
month = feb,
year = {2010}
}

L. Kimmel, “Un bâtiment comme appareil de vision d’une multiplicité d’images-fragments du paysage et de l’histoire de Berlin,” Appareil, 2015.
[Bibtex]

@Article{ kimmel_batiment_2015,
title = {Un bâtiment comme appareil de vision d’une
multiplicité d’images-fragments du paysage et de
l’histoire de {Berlin}},
issn = {2101-0714},
doi = {10.4000/appareil.1395},
language  = {fr},
journal  = {Appareil},
author  = {Kimmel, Laurence},
month = jul,
year = {2015}
}

M. Kimura, “Computers for Performers: Crossing the Boundaries for the Future,” Computer music journal, 1996.
[Bibtex]

@Article{ kimura_computers_1996,
title = {Computers for {Performers}: {Crossing} the {Boundaries}
for the {Future}},
issn = {01489267},
doi = {10.2307/3680413},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kimura, Mari},
year = {1996}
}

M. Kimura, “Performance Practice in Computer Music,” Computer music journal, 1995.
[Bibtex]

@Article{ kimura_performance_1995,
title = {Performance {Practice} in {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3681300},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kimura, Mari},
year = {1995}
}

T. Paul, “Indéterminisme quantique et imprédictibilité classique,” Noesis, 2010.
[Bibtex]

@Article{ paul_indeterminisme_2010,
title = {Indéterminisme quantique et imprédictibilité
classique},
issn = {1275-7691, 1773-0228},
doi = {10.4000/noesis.1793},
language  = {fr},
journal  = {Noesis},
author  = {Paul, Thierry},
month = oct,
year = {2010}
}

J. Nelson, “Principles of Typography for User Interface Design,” , 1998.
[Bibtex]

@Article{ nelson_principles_1998,
title = {Principles of {Typography} for {User} {Interface}
{Design}},
language  = {en},
author  = {Nelson, Jane},
year = {1998}
}

C. Paul, “Renderings of Digital Art,” Leonardo, 2002.
[Bibtex]

@Article{ paul_renderings_2002,
title = {Renderings of {Digital} {Art}},
language  = {en},
journal  = {Leonardo},
author  = {Paul, Christiane},
year = {2002}
}

M. Pavlović and D. M. Ristić, “Applications of Multifractals in the Analysis of Room Impulse Response – Initial Research,” Telfor journal, 2011.
[Bibtex]

@Article{ pavlovic_applications_2011,
title = {Applications of {Multifractals} in the {Analysis} of
{Room} {Impulse} {Response} - {Initial} {Research}},
language  = {en},
journal  = {Telfor Journal},
author  = {Pavlović, M and Ristić, D M},
year = {2011}
}

K. Peacock, “Instruments to Perform Color-Music: Two Centuries of Technological Experimentation,” Leonardo, 1988.
[Bibtex]

@Article{ peacock_instruments_1988,
title = {Instruments to {Perform} {Color}-{Music}: {Two}
{Centuries} of {Technological} {Experimentation}},
issn = {0024094X},
doi = {10.2307/1578702},
language  = {en},
journal  = {Leonardo},
author  = {Peacock, Kenneth},
year = {1988}
}

M. T. Pearce, “Statistical learning and probabilistic prediction in music cognition: mechanisms of stylistic enculturation: Enculturation: statistical learning and prediction,” Annals of the new york academy of sciences, 2018.
[Bibtex]

@Article{ pearce_statistical_2018,
title = {Statistical learning and probabilistic prediction in music
cognition: mechanisms of stylistic enculturation:
{Enculturation}: statistical learning and prediction},
issn = {00778923},
doi = {10.1111/nyas.13654},
language  = {en},
journal  = {Annals of the New York Academy of Sciences},
author  = {Pearce, Marcus T.},
month = jul,
year = {2018}
}

M. T. Pearce, “THE CONSTRUCTION AND EVALUATION OF STATISTICAL MODELS OF MELODIC STRUCTURE IN MUSIC PERCEPTION AND COMPOSITION.”
[Bibtex]

@Article{ pearce_construction_nodate,
title = {{THE} {CONSTRUCTION} {AND} {EVALUATION} {OF} {STATISTICAL}
{MODELS} {OF} {MELODIC} {STRUCTURE} {IN} {MUSIC}
{PERCEPTION} {AND} {COMPOSITION}},
language  = {en},
author  = {Pearce, Marcus Thomas}
}

V. Pearson, “Authorship and Improvisation: Musical Lost Property,” Contemporary music review, 2010.
[Bibtex]

@Article{ pearson_authorship_2010,
title = {Authorship and {Improvisation}: {Musical} {Lost}
{Property}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2010.587314},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Pearson, Valerie},
month = aug,
year = {2010}
}

M. Pearson, “Generative art: a practical guide using processing,” , 2011.
[Bibtex]

@Article{ pearson_generative_2011,
address  = {Shelter Island, NY : London},
title = {Generative art: a practical guide using processing},
isbn = {978-1-935182-62-7},
language  = {en},
author  = {Pearson, Matt},
year = {2011}
}

A. Pease, K. Mahmoodi, and B. J. West, “Complexity Measures of Music,” Chaos, solitons & fractals, 2018.
[Bibtex]

@Article{ pease_complexity_2018,
title = {Complexity {Measures} of {Music}},
issn = {09600779},
doi = {10.1016/j.chaos.2018.01.021},
language  = {en},
journal  = {Chaos, Solitons \& Fractals},
author  = {Pease, April and Mahmoodi, Korosh and West, Bruce J.},
month = mar,
year = {2018}
}

R. W. Peck, “Operator Sets and Their Functioning in Composite Interval-Cycle Set Relations,” Perspectives of new music, 2004.
[Bibtex]

@Article{ peck_operator_2004,
title = {Operator {Sets} and {Their} {Functioning} in {Composite}
{Interval}-{Cycle} {Set} {Relations}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Peck, Robert W.},
year = {2004}
}

R. W. Peck, “Toward an Interpretation of Xenakis’s “Nomos alpha”,” Perspectives of new music, 2003.
[Bibtex]

@Article{ peck_toward_2003,
title = {Toward an {Interpretation} of {Xenakis}'s "{Nomos}
alpha"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Peck, Robert W.},
year = {2003}
}

R. W. Peck, “Wreath Products in Transformational Music Theory,” Perspectives of new music, 2009.
[Bibtex]

@Article{ peck_wreath_2009,
title = {Wreath {Products} in {Transformational} {Music} {Theory}},
issn = {2325-7180},
doi = {10.1353/pnm.2009.0018},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Peck, Robert W.},
year = {2009}
}

G. Peeters, “‘Copy and Scale’ Method for Doing Time-localized MIR Estimation: Application to Beat-tracking,” Journal of new music research, 2011.
[Bibtex]

@Article{ peeters_copy_2011,
title = {‘{Copy} and {Scale}’ {Method} for {Doing}
{Time}-localized {MIR} {Estimation}: {Application} to
{Beat}-tracking},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298215.2011.574212},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Peeters, Geoffroy},
month = jun,
year = {2011}
}

G. Peeters, “Modeles et modification du signal sonore adaptes a ses caracteristiques locales.”
[Bibtex]

@Article{ peeters_modeles_nodate,
title = {Modeles et modification du signal sonore adaptes a ses
caracteristiques locales},
language  = {fr},
author  = {Peeters, Geoffroy}
}

G. Peeters and X. Rodet, “Signal-based Music Structure Discovery for Music Audio Summary Generation.”
[Bibtex]

@Article{ peeters_signal-based_nodate,
title = {Signal-based {Music} {Structure} {Discovery} for {Music}
{Audio} {Summary} {Generation}},
language  = {en},
author  = {Peeters, Geoffroy and Rodet, Xavier}
}

G. Peeters, B. L. Giordano, P. Susini, N. Misdariis, and S. McAdams, “The Timbre Toolbox: Extracting audio descriptors from musical signals,” The journal of the acoustical society of america, 2011.
[Bibtex]

@Article{ peeters_timbre_2011,
title = {The {Timbre} {Toolbox}: {Extracting} audio descriptors
from musical signals},
issn = {0001-4966},
doi = {10.1121/1.3642604},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Peeters, Geoffroy and Giordano, Bruno L. and Susini,
Patrick and Misdariis, Nicolas and McAdams, Stephen},
month = nov,
year = {2011}
}

E. Peli, “Contrast in complex images.”
[Bibtex]

@Article{ peli_contrast_nodate,
title = {Contrast in complex images},
language  = {en},
author  = {Peli, Eli}
}

M. A. Pelizzari and P. Scrivano, “Intersection of Photography and Architecture—Introduction,” Visual resources, 2011.
[Bibtex]

@Article{ pelizzari_intersection_2011,
title = {Intersection of {Photography} and
{Architecture}—{Introduction}},
issn = {0197-3762, 1477-2809},
doi = {10.1080/01973762.2011.568142},
language  = {en},
journal  = {Visual Resources},
author  = {Pelizzari, Maria Antonella and Scrivano, Paolo},
month = jun,
year = {2011}
}

J. Pelletier, “LA SONIFICATION DE SÉQUENCES D’IMAGES à DES FINS MUSICALES.”
[Bibtex]

@Article{ pelletier_sonification_nodate,
title = {{LA} {SONIFICATION} {DE} {SÉQUENCES} {D}’{IMAGES} À
{DES} {FINS} {MUSICALES}},
language  = {fr},
author  = {Pelletier, Jean-Marc}
}

J. Pelletier, “PERCEPTUALLY MOTIVATED SONIFICATION OF MOVING IMAGES.”
[Bibtex]

@Article{ pelletier_perceptually_nodate,
title = {{PERCEPTUALLY} {MOTIVATED} {SONIFICATION} {OF} {MOVING}
{IMAGES}},
language  = {en},
author  = {Pelletier, Jean-Marc}
}

J. Pelletier, “Soniﬁed Motion Flow Fields as a Means of Musical Expression.”
[Bibtex]

@Article{ pelletier_sonied_nodate,
title = {Soniﬁed {Motion} {Flow} {Fields} as a {Means} of
{Musical} {Expression}},
language  = {en},
author  = {Pelletier, Jean-Marc}
}

F. Pelosi, “Plato on Music, Soul and Body.”
[Bibtex]

@Article{ pelosi_plato_nodate,
title = {Plato on {Music}, {Soul} and {Body}},
language  = {en},
author  = {Pelosi, Francesco}
}

X. Peng, C. Li, Z. Cai, F. Shi, Y. Liu, and J. Li, “A Lightweight Music Texture Transfer System,” , 2021.
[Bibtex]

@Article{ peng_lightweight_2021,
title = {A {Lightweight} {Music} {Texture} {Transfer} {System}},
language  = {en},
author  = {Peng, Xutan and Li, Chen and Cai, Zhi and Shi, Faqiang and
Liu, Yidan and Li, Jianxin},
month = aug,
year = {2021}
}

W. Peng, T. Li, and M. Ogihara, “MUSIC CLUSTERING WITH CONSTRAINTS.”
[Bibtex]

@Article{ peng_music_nodate,
title = {{MUSIC} {CLUSTERING} {WITH} {CONSTRAINTS}},
language  = {en},
author  = {Peng, Wei and Li, Tao and Ogihara, Mitsunori}
}

S. Penny, “Art and Artificial Life – a Primer,” , 2009.
[Bibtex]

@Article{ penny_art_2009,
title = {Art and {Artificial} {Life} – a {Primer}},
language  = {en},
author  = {Penny, Simon},
year = {2009}
}

“A computable universe: understanding and exploring nature as computation,” , 2013.
[Bibtex]

@Article{ zenil_computable_2013,
address  = {Singapore ; Hackensack, N.J},
title = {A computable universe: understanding and exploring nature
as computation},
isbn = {978-981-4374-29-3},
language  = {en},
year = {2013}
}

R. Penrose, “On the Nature of Quantum Geometry.”
[Bibtex]

@Article{ penrose_nature_nodate,
title = {On the {Nature} of {Quantum} {Geometry}},
language  = {en},
author  = {Penrose, Roger}
}

R. Penrose, “Techniques of Differential Topology in Relativity.”
[Bibtex]

@Article{ penrose_techniques_nodate,
title = {Techniques of {Differential} {Topology} in {Relativity}},
language  = {en},
author  = {Penrose, Roger}
}

F. Trautwein and H. A. G. Nathan, “THE ELECTRONIC MONOCHORD.”
[Bibtex]

@Article{ trautwein_electronic_nodate,
title = {{THE} {ELECTRONIC} {MONOCHORD}},
language  = {en},
author  = {Trautwein, Friedrich and Nathan, H A G}
}

H. Comon, M. Dauchet, R. Gilleron, F. Jacquemard, D. Lugiez, C. Loding, S. Tison, and M. Tommasi, “Tree Automata Techniques and Applications,” , 2008.
[Bibtex]

@Article{ comon_tree_2008,
title = {Tree {Automata} {Techniques} and {Applications}},
language  = {en},
author  = {Comon, Hubert and Dauchet, Max and Gilleron, Remi and
Jacquemard, Florent and Lugiez, Denis and Loding, Christof
and Tison, Sophie and Tommasi, Marc},
year = {2008}
}

D. Itzhaki, “A View From Outside The Black Box,” , 2001.
[Bibtex]

@Article{ itzhaki_view_2001,
title = {A {View} {From} {Outside} {The} {Black} {Box}},
language  = {en},
author  = {Itzhaki, Dafna},
year = {2001}
}

P. A. Tremblay, “Pragmatic Considerations in Mixed Music: a Case Study of La Rage.”
[Bibtex]

@Article{ tremblay_pragmatic_nodate,
title = {Pragmatic {Considerations} in {Mixed} {Music}: a {Case}
{Study} of {La} {Rage}},
language  = {en},
author  = {Tremblay, Pierre Alexandre}
}

P. A. Tremblay, N. Boucher, and S. Pohu, “REAL-TIME PROCESSING ON THE ROAD: A GUIDED TOUR OF [IKS]’S ABSTR/CNCR SETUP.”
[Bibtex]

@Article{ tremblay_real-time_nodate,
title = {{REAL}-{TIME} {PROCESSING} {ON} {THE} {ROAD}: {A} {GUIDED}
{TOUR} {OF} [{IKS}]’{S} {ABSTR}/{CNCR} {SETUP}},
language  = {en},
author  = {Tremblay, Pierre Alexandre and Boucher, Nicolas and Pohu,
Sylvain}
}

P. A. Tremblay and D. Schwarz, “Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface,” , 2010.
[Bibtex]

@Article{ tremblay_surfing_2010,
title = {Surfing the {Waves}: {Live} {Audio} {Mosaicing} of an
{Electric} {Bass} {Performance} as a {Corpus} {Browsing}
{Interface}},
language  = {en},
author  = {Tremblay, Pierre Alexandre and Schwarz, Diemo},
year = {2010}
}

P. A. Tremblay and S. McLaughlin, “Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance,” , 2009.
[Bibtex]

@Article{ tremblay_thinking_2009,
title = {Thinking {Inside} the {Box}: {A} {New} {Integrated}
{Approach} to {Mixed} {Music} {Composition} and
{Performance}},
language  = {en},
author  = {Tremblay, Pierre Alexandre and McLaughlin, Scott},
year = {2009}
}

P. A. Tremblay, “Tuning to Trust: System Calibration as Creative Enabler,” , 2017.
[Bibtex]

@Article{ tremblay_tuning_2017,
title = {Tuning to {Trust}: {System} {Calibration} as {Creative}
{Enabler}},
language  = {en},
author  = {Tremblay, Pierre Alexandre},
year = {2017}
}

F. Tria, V. Loreto, V. D. P. Servedio, and S. H. Strogatz, “The dynamics of correlated novelties,” Scientific reports, 2014.
[Bibtex]

@Article{ tria_dynamics_2014,
title = {The dynamics of correlated novelties},
issn = {2045-2322},
doi = {10.1038/srep05890},
language  = {en},
journal  = {Scientific Reports},
author  = {Tria, F. and Loreto, V. and Servedio, V. D. P. and
Strogatz, S. H.},
month = jul,
year = {2014}
}

M. Triclot, “Norbert Wiener’s politics and the history of cybernetics.”
[Bibtex]

@Article{ triclot_norbert_nodate,
title = {Norbert {Wiener}’s politics and the history of
cybernetics},
language  = {en},
author  = {Triclot, Mathieu}
}

J. L. Triviño-Rodriguez and R. Morales-Bueno, “Using Multiattribute Prediction Suffix Graphs to Predict and Generate Music,” Computer music journal, 2001.
[Bibtex]

@Article{ trivino-rodriguez_using_2001,
title = {Using {Multiattribute} {Prediction} {Suffix} {Graphs} to
{Predict} and {Generate} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601753189547},
language  = {en},
journal  = {Computer Music Journal},
author  = {Triviño-Rodriguez, J. L. and Morales-Bueno, R.},
month = sep,
year = {2001}
}

K. Trohidis and L. Hadjileontiadis, “Tempo Induction from Music Recordings Using Ensemble Empirical Mode Decomposition Analysis,” Computer music journal, 2011.
[Bibtex]

@Article{ trohidis_tempo_2011,
title = {Tempo {Induction} from {Music} {Recordings} {Using}
{Ensemble} {Empirical} {Mode} {Decomposition} {Analysis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00092},
language  = {en},
journal  = {Computer Music Journal},
author  = {Trohidis, Konstantinos and Hadjileontiadis, Leontios},
month = dec,
year = {2011}
}

I. Trowell, “Auto-synthesis,” Organised sound, 2001.
[Bibtex]

@Article{ trowell_auto-synthesis_2001,
title = {Auto-synthesis},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771801003077},
language  = {en},
journal  = {Organised Sound},
author  = {Trowell, Ian},
month = dec,
year = {2001}
}

B. Truax, “Computer Music as Commercial or Public Culture: A Personal View,” Computer music journal, 1996.
[Bibtex]

@Article{ truax_computer_1996,
title = {Computer {Music} as {Commercial} or {Public} {Culture}:
{A} {Personal} {View}},
issn = {01489267},
doi = {10.2307/3680414},
language  = {en},
journal  = {Computer Music Journal},
author  = {Truax, Barry},
year = {1996}
}

B. Truax, “Discovering Inner Complexity: Time Shifting and Transposition with a Real-Time Granulation Technique,” Computer music journal, 1994.
[Bibtex]

@Article{ truax_discovering_1994,
title = {Discovering {Inner} {Complexity}: {Time} {Shifting} and
{Transposition} with a {Real}-{Time} {Granulation}
{Technique}},
issn = {01489267},
doi = {10.2307/3680442},
language  = {en},
journal  = {Computer Music Journal},
author  = {Truax, Barry},
year = {1994}
}

B. Truax, “Electroacoustic Music of Extended Duration: A Question of Format.”
[Bibtex]

@Article{ truax_electroacoustic_nodate,
title = {Electroacoustic {Music} of {Extended} {Duration}: {A}
{Question} of {Format}},
language  = {en},
author  = {Truax, Barry}
}

“Organizational Techniques for C:M Ratios in Frequency Modulation.”
[Bibtex]

@Article{ noauthor_organizational_nodate,
title = {Organizational {Techniques} for {C}:{M} {Ratios} in
{Frequency} {Modulation}},
language  = {en}
}

B. Truax, “Sounds and sources in \textitPowers of Two : towards a contemporary myth,” Organised sound, 1996.
[Bibtex]

@Article{ truax_sounds_1996,
title = {Sounds and sources in \textit{{Powers} of {Two}} : towards
a contemporary myth},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771896000131},
language  = {en},
journal  = {Organised Sound},
author  = {Truax, Barry},
month = apr,
year = {1996}
}

B. Truax, “The Inner and Outer Complexity of Music,” Perspectives of new music, 1994.
[Bibtex]

@Article{ truax_inner_1994,
title = {The {Inner} and {Outer} {Complexity} of {Music}},
issn = {00316016},
doi = {10.2307/833161},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Truax, Barry},
year = {1994}
}

B. Truax, “Timbral Construction in “Arras” as a Stochastic Process,” Computer music journal, 1982.
[Bibtex]

@Article{ truax_timbral_1982,
title = {Timbral {Construction} in "{Arras}" as a {Stochastic}
{Process}},
issn = {01489267},
doi = {10.2307/3680200},
language  = {en},
journal  = {Computer Music Journal},
author  = {Truax, Barry},
year = {1982}
}

A. Russell and A. R. Trubitt, “The shaping of musical elements,” , 1992.
[Bibtex]

@Article{ russell_shaping_1992,
address  = {New York : Toronto : New York},
title = {The shaping of musical elements},
isbn = {978-0-02-872080-7 978-0-02-872120-0},
language  = {en},
author  = {Russell, Armand and Trubitt, Allen R.},
year = {1992}
}

C. Truchet, C. Agon, and P. Codognet, “A Constraint Programming System for Music Composition, Preliminary Results.”
[Bibtex]

@Article{ truchet_constraint_nodate,
title = {A {Constraint} {Programming} {System} for {Music}
{Composition}, {Preliminary} {Results}},
language  = {en},
author  = {Truchet, Charlotte and Agon, Carlos and Codognet,
Philippe}
}

C. Truchet, “Contraintes, Recherche Locale et Composition Assistée par Ordinateur,” , 2004.
[Bibtex]

@Article{ truchet_contraintes_2004,
title = {Contraintes, {Recherche} {Locale} et {Composition}
{Assistée} par {Ordinateur}},
language  = {fr},
author  = {Truchet, Charlotte},
year = {2004}
}

S. Truelove, “The Translation of Rhythm into Pitch in Stockhausen’s Klavierstück XI,” Perspectives of new music, 1998.
[Bibtex]

@Article{ truelove_translation_1998,
title = {The {Translation} of {Rhythm} into {Pitch} in
{Stockhausen}'s {Klavierstück} {XI}},
issn = {00316016},
doi = {10.2307/833580},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Truelove, Stephen},
year = {1998}
}

P. Tsai and Y. Chuang, “Target-Driven Moire Pattern Synthesis by Phase Modulation,” , 2013.
[Bibtex]

@Article{ tsai_target-driven_2013,
address  = {Sydney, Australia},
title = {Target-{Driven} {Moire} {Pattern} {Synthesis} by {Phase}
{Modulation}},
isbn = {978-1-4799-2840-8},
doi = {10.1109/ICCV.2013.240},
language  = {en},
booktitle  = {2013 {IEEE} {International} {Conference} on {Computer}
{Vision}},
author  = {Tsai, Pei-Hen and Chuang, Yung-Yu},
month = dec,
year = {2013}
}

M. Tsao, “Helmut_lachenmann’s Sound Types,” Perspectives of new music.
[Bibtex]

@Article{ tsao_helmut_lachenmanns_nodate,
title = {Helmut\_Lachenmann’s {Sound} {Types}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Tsao, Ming}
}

P. Tschmuck, “Creativity and Innovation in the Music Industry,” , 2012.
[Bibtex]

@Article{ tschmuck_creativity_2012,
address  = {Berlin, Heidelberg},
title = {Creativity and {Innovation} in the {Music} {Industry}},
isbn = {978-3-642-28429-8 978-3-642-28430-4},
language  = {en},
author  = {Tschmuck, Peter},
year = {2012},
doi = {10.1007/978-3-642-28430-4}
}

M. Tsetsos, M. Solomos, A. Georgaki, G. Zervos, and I. Xenakis, “Causality and Freedom in Xenakis: A Critical Examination.”
[Bibtex]

@Article{ tsetsos_causality_nodate,
title = {Causality and {Freedom} in {Xenakis}: {A} {Critical}
{Examination}},
language  = {en},
author  = {Tsetsos, Markos and Solomos, Makis and Georgaki, Anastasia
and Zervos, Giorgos and Xenakis, Iannis}
}

E. Tsiranidou, E. Bernikola, V. Tornari, T. Fankhauser, M. Läuchli, C. Palmbach, and N. Bäschlin, “Holographic monitoring of transportation effects on canvas paintings,” Spie newsroom, 2011.
[Bibtex]

@Article{ tsiranidou_holographic_2011,
title = {Holographic monitoring of transportation effects on canvas
paintings},
issn = {18182259},
doi = {10.1117/2.1201106.003767},
language  = {en},
journal  = {SPIE Newsroom},
author  = {Tsiranidou, Elsa and Bernikola, Eirini and Tornari, Vivi
and Fankhauser, Thomas and Läuchli, Matthias and Palmbach,
Cornelius and Bäschlin, Nathalie},
month = jun,
year = {2011}
}

I. Tsirikoglou, “Multidimensional Data-Sets for Sound Applications.”
[Bibtex]

@Article{ tsirikoglou_multidimensional_nodate,
title = {Multidimensional {Data}-{Sets} for {Sound}
{Applications}},
language  = {en},
author  = {Tsirikoglou, Ioannis}
}

R. Tubb and S. Dixon, “A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves,” Computer music journal, 2014.
[Bibtex]

@Article{ tubb_zoomable_2014,
title = {A {Zoomable} {Mapping} of a {Musical} {Parameter} {Space}
{Using} {Hilbert} {Curves}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00254},
language  = {en},
journal  = {Computer Music Journal},
author  = {Tubb, Robert and Dixon, Simon},
month = sep,
year = {2014}
}

M. Schmidt, “The New Atlantis – The Promise and Perils of Synthetic Biology – Jonathan B. Tucker and Raymond A. Zilinskas.”
[Bibtex]

@Article{ schmidt_new_nodate,
title = {The {New} {Atlantis} - {The} {Promise} and {Perils} of
{Synthetic} {Biology} - {Jonathan} {B}. {Tucker} and
{Raymond} {A}. {Zilinskas}},
language  = {en},
author  = {Schmidt, Markus}
}

“Twentieth-century organ music,” , 2012.
[Bibtex]

@Article{ anderson_twentieth-century_2012,
address  = {New York, NY},
title = {Twentieth-century organ music},
isbn = {978-0-415-87565-3 978-0-415-87566-0},
language  = {en},
year = {2012}
}

F. Turner, “Technology and the future of the imagination,” , 2003.
[Bibtex]

@Article{ turner_technology_2003,
title = {Technology and the future of the imagination},
language  = {en},
author  = {Turner, Frederick},
year = {2003}
}

L. Winner, “Do Artifacts Have Politics?,” Daedalus, 1980.
[Bibtex]

@Article{ winner_artifacts_1980,
title = {Do {Artifacts} {Have} {Politics}?},
language  = {en},
journal  = {Daedalus},
author  = {Winner, Langdon},
year = {1980}
}

E. B. Winsberg, “Science in the age of computer simulation,” , 2010.
[Bibtex]

@Article{ winsberg_science_2010,
address  = {Chicago},
title = {Science in the age of computer simulation},
isbn = {978-0-226-90202-9 978-0-226-90204-3},
language  = {en},
author  = {Winsberg, Eric B.},
year = {2010}
}

T. Wishart, “The Composition of “Vox-5″,” Computer music journal, 1988.
[Bibtex]

@Article{ wishart_composition_1988,
title = {The {Composition} of "{Vox}-5"},
issn = {01489267},
doi = {10.2307/3680150},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wishart, Trevor},
year = {1988}
}

M. A. G. Witek, “Filling In: Syncopation, Pleasure and Distributed Embodiment in Groove: Filling In,” Music analysis, 2017.
[Bibtex]

@Article{ witek_filling_2017,
title = {Filling {In}: {Syncopation}, {Pleasure} and {Distributed}
{Embodiment} in {Groove}: {Filling} {In}},
issn = {02625245},
doi = {10.1111/musa.12082},
language  = {en},
journal  = {Music Analysis},
author  = {Witek, Maria A. G.},
month = mar,
year = {2017}
}

M. A. G. Witek, E. F. Clarke, M. Wallentin, M. L. Kringelbach, and P. Vuust, “Syncopation, Body-Movement and Pleasure in Groove Music,” Plos one, 2014.
[Bibtex]

@Article{ witek_syncopation_2014,
title = {Syncopation, {Body}-{Movement} and {Pleasure} in {Groove}
{Music}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0094446},
language  = {en},
journal  = {PLoS ONE},
author  = {Witek, Maria A. G. and Clarke, Eric F. and Wallentin,
Mikkel and Kringelbach, Morten L. and Vuust, Peter},
month = apr,
year = {2014}
}

H. Wittek, “M/S Techniques for Stereo and Surround,” , 2009.
[Bibtex]

@Article{ wittek_ms_2009,
title = {M/{S} {Techniques} for {Stereo} and {Surround}},
language  = {en},
author  = {Wittek, Helmut},
year = {2009}
}

R. Witts and K. Stockhausen, “Stockhausen vs. the “Technocrats”.”
[Bibtex]

@Article{ witts_stockhausen_nodate,
title = {Stockhausen vs. the “{Technocrats}”},
language  = {en},
author  = {Witts, Richard and Stockhausen, Karlheinz}
}

C. Wolff and D. Patterson, “Cage and Beyond: An Annotated Interview with Christian Wolff,” Perspectives of new music, 1994.
[Bibtex]

@Article{ wolff_cage_1994,
title = {Cage and {Beyond}: {An} {Annotated} {Interview} with
{Christian} {Wolff}},
issn = {00316016},
doi = {10.2307/833599},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Wolff, Christian and Patterson, David},
year = {1994}
}

C. Wolff, L. Polansky, K. Dong, C. Asplund, and M. Hicks, “Improvisation, Heterophony, Politics, Composition,” Perspectives of new music, 2007.
[Bibtex]

@Article{ wolff_improvisation_2007,
title = {Improvisation, {Heterophony}, {Politics}, {Composition}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Wolff, Christian and Polansky, Larry and Dong, Kui and
Asplund, Christian and Hicks, Michael},
year = {2007}
}

S. Wolfram, “Cellular automata as models of complexity.”
[Bibtex]

@Article{ wolfram_cellular_nodate,
title = {Cellular automata as models of complexity},
language  = {en},
author  = {Wolfram, Stephen}
}

S. Wolfram, “Cellular Automata as Simple Self-Organizing Systems.”
[Bibtex]

@Article{ wolfram_cellular_nodate-1,
title = {Cellular {Automata} as {Simple} {Self}-{Organizing}
{Systems}},
language  = {en},
author  = {Wolfram, Stephen}
}

S. Wolfram, “Cellular Automaton Supercomputing,” , 2018.
[Bibtex]

@Article{ wolfram_cellular_2018,
title = {Cellular {Automaton} {Supercomputing}},
isbn = {978-0-429-49409-3},
language  = {en},
booktitle  = {Cellular {Automata} and {Complexity}},
author  = {Wolfram, Stephen},
collaborator  = {Wolfram, Stephen},
month = mar,
year = {2018},
doi = {10.1201/9780429494093-19}
}

S. Wolfram, “Computation Theory of Cellular Automata,” Cellular automata.
[Bibtex]

@Article{ wolfram_computation_nodate,
title = {Computation {Theory} of {Cellular} {Automata}},
language  = {en},
journal  = {Cellular Automata},
author  = {Wolfram, Stephen}
}

S. Wolfram, “Cryptography with Cellular Automata.”
[Bibtex]

@Article{ wolfram_cryptography_nodate,
title = {Cryptography with {Cellular} {Automata}},
language  = {en},
author  = {Wolfram, Stephen}
}

S. Wolfram, “Minimal Cellular Automaton Approximations to Continuum Systems,” , 2018.
[Bibtex]

@Article{ wolfram_minimal_2018,
title = {Minimal {Cellular} {Automaton} {Approximations} to
{Continuum} {Systems}},
isbn = {978-0-429-49409-3},
language  = {en},
booktitle  = {Cellular {Automata} and {Complexity}},
author  = {Wolfram, Stephen},
collaborator  = {Wolfram, Stephen},
month = mar,
year = {2018},
doi = {10.1201/9780429494093-11}
}

S. Wolfram, “Random Sequence Generation by Cellular Automata,” Cellular automata.
[Bibtex]

@Article{ wolfram_random_nodate,
title = {Random {Sequence} {Generation} by {Cellular} {Automata}},
language  = {en},
journal  = {CELLULAR AUTOMATA},
author  = {Wolfram, Stephen}
}

S. Wolfram, “Statistical mechanics of cellular automata.”
[Bibtex]

@Article{ wolfram_statistical_nodate,
title = {Statistical mechanics of cellular automata},
language  = {en},
author  = {Wolfram, Stephen}
}

S. Wolfram, “Twenty Problems in the Theory of Cellular Automata,” Physica scripta t.
[Bibtex]

@Article{ wolfram_twenty_nodate,
title = {Twenty {Problems} in the {Theory} of {Cellular}
{Automata}},
language  = {en},
journal  = {Physica Scripta T},
author  = {Wolfram, Stephen}
}

“Music and mathematics: from Pythagoras to fractals,” , 2003.
[Bibtex]

@Article{ fauvel_music_2003,
address  = {Oxford ; New York},
title = {Music and mathematics: from {Pythagoras} to fractals},
isbn = {978-0-19-851187-8},
language  = {en},
year = {2003}
}

“An Invitation for Discussion.”
[Bibtex]

@Article{ noauthor_invitation_nodate,
title = {An {Invitation} for {Discussion}},
language  = {en}
}

P. C. M. Wong, V. Ciocca, A. H. D. Chan, L. Y. Y. Ha, L. Tan, and I. Peretz, “Effects of Culture on Musical Pitch Perception,” Plos one, 2012.
[Bibtex]

@Article{ wong_effects_2012,
title = {Effects of {Culture} on {Musical} {Pitch} {Perception}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0033424},
language  = {en},
journal  = {PLoS ONE},
author  = {Wong, Patrick C. M. and Ciocca, Valter and Chan, Alice H.
D. and Ha, Louisa Y. Y. and Tan, Li-Hai and Peretz,
Isabelle},
month = apr,
year = {2012}
}

M. Woo, “L’interprétation musicale des phonèmes, des gestes et des images dans Machinations de Georges Aperghis,” , 2011.
[Bibtex]

@Article{ woo_interpretation_2011,
title = {L'interprétation musicale des phonèmes, des gestes et
des images dans {Machinations} de {Georges} {Aperghis}},
language  = {fr},
author  = {Woo, Minjung},
year = {2011}
}

P. Wood and J. R. Pierce, “Recollections with John Robinson Pierce,” Computer music journal, 1991.
[Bibtex]

@Article{ wood_recollections_1991,
title = {Recollections with {John} {Robinson} {Pierce}},
issn = {01489267},
doi = {10.2307/3681066},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wood, Patte and Pierce, John Robinson},
year = {1991}
}

L. J. Wood, “The Evolution of Deep Space Navigation:.”
[Bibtex]

@Article{ wood_evolution_nodate,
title = {The {Evolution} of {Deep} {Space} {Navigation}:},
language  = {en},
author  = {Wood, Lincoln J}
}

L. J. Wood, “THE EVOLUTION OF DEEP SPACE NAVIGATION: 1989-1999.”
[Bibtex]

@Article{ wood_evolution_nodate-1,
title = {{THE} {EVOLUTION} {OF} {DEEP} {SPACE} {NAVIGATION}:
1989-1999},
language  = {en},
author  = {Wood, Lincoln J}
}

L. J. Wood, “THE EVOLUTION OF DEEP SPACE NAVIGATION: 1999-2004.”
[Bibtex]

@Article{ wood_evolution_nodate-2,
title = {{THE} {EVOLUTION} {OF} {DEEP} {SPACE} {NAVIGATION}:
1999-2004},
language  = {en},
author  = {Wood, Lincoln J}
}

L. J. Wood, “THE EVOLUTION OF DEEP SPACE NAVIGATION: 2004-2006.”
[Bibtex]

@Article{ wood_evolution_nodate-3,
title = {{THE} {EVOLUTION} {OF} {DEEP} {SPACE} {NAVIGATION}:
2004-2006},
language  = {en},
author  = {Wood, Lincoln J}
}

J. Woodhouse, “Physical Modeling of Bowed Strings,” Computer music journal, 1992.
[Bibtex]

@Article{ woodhouse_physical_1992,
title = {Physical {Modeling} of {Bowed} {Strings}},
issn = {01489267},
doi = {10.2307/3680468},
language  = {en},
journal  = {Computer Music Journal},
author  = {Woodhouse, James},
year = {1992}
}

J. F. Woodward, “Making Starships and Stargates: The Science of Interstellar Transport and Absurdly Benign Wormholes,” , 2013.
[Bibtex]

@Article{ woodward_making_2013,
address  = {New York, NY},
title = {Making {Starships} and {Stargates}: {The} {Science} of
{Interstellar} {Transport} and {Absurdly} {Benign}
{Wormholes}},
isbn = {978-1-4614-5622-3 978-1-4614-5623-0},
language  = {en},
author  = {Woodward, James F.},
year = {2013},
doi = {10.1007/978-1-4614-5623-0}
}

E. H. Durfee, “Distributed Problem Solving and Planning,” , 2001.
[Bibtex]

@Article{ goos_distributed_2001,
address  = {Berlin, Heidelberg},
title = {Distributed {Problem} {Solving} and {Planning}},
isbn = {978-3-540-42312-6 978-3-540-47745-7},
language  = {en},
booktitle  = {Multi-{Agent} {Systems} and {Applications}},
author  = {Durfee, Edmund H.},
year = {2001},
doi = {10.1007/3-540-47745-4_6}
}

E. Ungeheuer, “Statistical gestalts — Perceptible features in serial music,” , 1997.
[Bibtex]

@Article{ carbonell_statistical_1997,
address  = {Berlin, Heidelberg},
title = {Statistical gestalts — {Perceptible} features in serial
music},
isbn = {978-3-540-63526-0 978-3-540-69591-2},
language  = {en},
booktitle  = {Music, {Gestalt}, and {Computing}},
author  = {Ungeheuer, Elena},
year = {1997},
doi = {10.1007/BFb0034110}
}

H. Uscka-Wehlou, “Two equivalence relations on digital lines with irrational slopes. A continued fraction approach to upper mechanical words,” Theoretical computer science, 2009.
[Bibtex]

@Article{ uscka-wehlou_two_2009,
title = {Two equivalence relations on digital lines with irrational
slopes. {A} continued fraction approach to upper mechanical
words},
issn = {03043975},
doi = {10.1016/j.tcs.2009.04.026},
language  = {en},
journal  = {Theoretical Computer Science},
author  = {Uscka-Wehlou, Hanna},
month = sep,
year = {2009}
}

R. Teitelbaum, “Intervallic Relations in Atonal Music,” Journal of music theory, 1965.
[Bibtex]

@Article{ teitelbaum_intervallic_1965,
title = {Intervallic {Relations} in {Atonal} {Music}},
issn = {00222909},
doi = {10.2307/843150},
language  = {en},
journal  = {Journal of Music Theory},
author  = {Teitelbaum, Richard},
year = {1965}
}

A. Tellgren, “Rauschenberg’s Swedish Combines,” Konsthistorisk tidskrift/journal of art history, 2007.
[Bibtex]

@Article{ tellgren_rauschenbergs_2007,
title = {Rauschenberg's {Swedish} {Combines}},
issn = {0023-3609, 1651-2294},
doi = {10.1080/00233600701349736},
language  = {en},
journal  = {Konsthistorisk Tidskrift/Journal of Art History},
author  = {Tellgren, Anna},
month = mar,
year = {2007}
}

D. Temperley, “An Evaluation System for Metrical Models,” Computer music journal, 2004.
[Bibtex]

@Article{ temperley_evaluation_2004,
title = {An {Evaluation} {System} for {Metrical} {Models}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926041790621},
language  = {en},
journal  = {Computer Music Journal},
author  = {Temperley, David},
month = sep,
year = {2004}
}

G. Stocker and C. Schöpf, “A new cultural economy: the limits of intellectual property [Ars Electronica 2008],” , 2008.
[Bibtex]

@Article{ stocker_new_2008,
address  = {Ostfildern},
title = {A new cultural economy: the limits of intellectual
property [{Ars} {Electronica} 2008]},
isbn = {978-3-7757-2224-7},
language  = {de},
author  = {Stocker, Gerfried and Schöpf, Christine},
collaborator  = {Ars Electronica festival},
year = {2008}
}

“C … what it takes to change: [Ars Electronica 2014, Festival for Art, Technology, and Society, September 4 – 8 2014, Ars Electronica, Linz] ed. by Hannes Leopoldseder,” , 2014.
[Bibtex]

@Article{ leopoldseder_c_2014,
address  = {Ostfildern},
title = {C ... what it takes to change: [{Ars} {Electronica} 2014,
{Festival} for {Art}, {Technology}, and {Society},
{September} 4 - 8 2014, {Ars} {Electronica}, {Linz}] ed. by
{Hannes} {Leopoldseder}},
isbn = {978-3-7757-3849-1},
language  = {en},
year = {2014}
}

G. Stocker and C. Schöpf, “Code – the language of our time: code = law code = art code = life Ars electronica 2003, [Ars electronica center Linz],” , 2003.
[Bibtex]

@Article{ stocker_code_2003,
address  = {Ostfildern},
title = {Code - the language of our time: code = law code = art
code = life {Ars} electronica 2003, [{Ars} electronica
center {Linz}]},
isbn = {978-3-7757-1356-6},
language  = {en},
author  = {Stocker, Gerfried and Schöpf, Christine},
collaborator  = {Ars Electronica festival},
year = {2003}
}

“Goodbye privacy: Ars Electronica 2007, Festival für Kunst, Technologie und Gesellschaft … Linz,” , 2007.
[Bibtex]

@Article{ stocker_goodbye_2007,
address  = {Ostfildern},
title = {Goodbye privacy: {Ars} {Electronica} 2007, {Festival} für
{Kunst}, {Technologie} und {Gesellschaft} ... {Linz}},
isbn = {978-3-7757-2025-0},
language  = {ger eng},
year = {2007}
}

“Next sex: sex in the age of its procreative superfluousness = Sex im Zeitalter seiner reproduktionstechnischen überflüssigkeit ; Ars Electrica 2000,” , 2000.
[Bibtex]

@Article{ stocker_next_2000,
address  = {Wien New York},
title = {Next sex: sex in the age of its procreative
superfluousness = {Sex} im {Zeitalter} seiner
reproduktionstechnischen Überflüssigkeit ; {Ars}
{Electrica} 2000},
isbn = {978-3-211-83499-2},
language  = {en},
year = {2000}
}

E. G. Stocker, C. Schöpf, and H. Leopoldseder, “Habitats for the 21st Century,” , 2015.
[Bibtex]

@Article{ stocker_habitats_2015,
title = {Habitats for the 21st {Century}},
language  = {en},
author  = {Stocker, Edited Gerfried and Schöpf, Christine and
Leopoldseder, Hannes},
year = {2015}
}

“Takeover: who’s doing the art of tomorrow = Wer macht die Kunst von morgen ; [Ars Electonica 2001],” , 2001.
[Bibtex]

@Article{ stocker_takeover_2001,
address  = {Wien New York},
title = {Takeover: who's doing the art of tomorrow = {Wer} macht
die {Kunst} von morgen ; [{Ars} {Electonica} 2001]},
isbn = {978-3-211-83629-3},
language  = {en},
year = {2001}
}

“The Big Picture: new concepts for a new world ; [Ars Electronica 2012, Festival für Kunst, Technologie und Gesellschaft, 30. August – 3. September 2012],” , 2012.
[Bibtex]

@Article{ leopoldseder_big_2012,
address  = {Ostfildern},
title = {The {Big} {Picture}: new concepts for a new world ; [{Ars}
{Electronica} 2012, {Festival} für {Kunst}, {Technologie}
und {Gesellschaft}, 30. {August} - 3. {September} 2012]},
isbn = {978-3-7757-3434-9},
language  = {en},
year = {2012}
}

“Timeshift: the world in twenty-five years,” , 2004.
[Bibtex]

@Article{ stocker_timeshift_2004,
address  = {Ostfildern-Ruit},
title = {Timeshift: the world in twenty-five years},
isbn = {978-3-7757-1492-1},
language  = {en},
year = {2004}
}

“Total recall: the evolution of memory ; [Ars Electronica 2013, Festival für Kunst, Technologie und Gesellschaft, 5. – 9. September 2013, Linz],” , 2013.
[Bibtex]

@Article{ leopoldseder_total_2013,
address  = {Ostfildern},
title = {Total recall: the evolution of memory ; [{Ars}
{Electronica} 2013, {Festival} für {Kunst}, {Technologie}
und {Gesellschaft}, 5. - 9. {September} 2013, {Linz}]},
isbn = {978-3-7757-3630-5},
language  = {en},
year = {2013}
}

G. Stiny, “Shape: talking about seeing and doing,” , 2006.
[Bibtex]

@Article{ stiny_shape_2006,
address  = {Cambridge, Mass},
title = {Shape: talking about seeing and doing},
isbn = {978-0-262-19531-7},
language  = {en},
author  = {Stiny, George},
year = {2006}
}

G. Stiny and J. Gips, “Algorithmic aesthetics: computer models for criticism and design in the arts,” , 1978.
[Bibtex]

@Article{ stiny_algorithmic_1978,
address  = {Berkeley},
title = {Algorithmic aesthetics: computer models for criticism and
design in the arts},
isbn = {978-0-520-03467-9},
language  = {en},
author  = {Stiny, George and Gips, James},
year = {1978}
}

T. Stoppani, “People Meet in Architecture,” The journal of architecture, 2011.
[Bibtex]

@Article{ stoppani_people_2011,
title = {People {Meet} in {Architecture}},
issn = {1360-2365, 1466-4410},
doi = {10.1080/13602365.2011.591609},
language  = {en},
journal  = {The Journal of Architecture},
author  = {Stoppani, Teresa},
month = jun,
year = {2011}
}

D. Stowell, “Scheduling and Composing with Risset Eternal Accelerando Rhythms.”
[Bibtex]

@Article{ stowell_scheduling_nodate,
title = {Scheduling and {Composing} with {Risset} {Eternal}
{Accelerando} {Rhythms}},
language  = {en},
author  = {Stowell, Dan}
}

W. Straw, “Cultural Production and the Generative Matrix: A Response to Georgina Born,” Cultural sociology, 2010.
[Bibtex]

@Article{ straw_cultural_2010,
title = {Cultural {Production} and the {Generative} {Matrix}: {A}
{Response} to {Georgina} {Born}},
issn = {1749-9755, 1749-9763},
doi = {10.1177/1749975510368472},
language  = {en},
journal  = {Cultural Sociology},
author  = {Straw, Will},
month = jul,
year = {2010}
}

J. Strawn, “Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis,” Computer music journal, 1980.
[Bibtex]

@Article{ strawn_approximation_1980,
title = {Approximation and {Syntactic} {Analysis} of {Amplitude}
and {Frequency} {Functions} for {Digital} {Sound}
{Synthesis}},
issn = {01489267},
doi = {10.2307/3679635},
language  = {en},
journal  = {Computer Music Journal},
author  = {Strawn, John},
year = {1980}
}

“Electroacoustic Music in Japan.”
[Bibtex]

@Article{ noauthor_electroacoustic_nodate,
title = {Electroacoustic {Music} in {Japan}},
language  = {en}
}

K. E. Iverson, “Notation as a Tool of Thought,” , 1980.
[Bibtex]

@Article{ iverson_notation_1980,
title = {Notation as a {Tool} of {Thought}},
language  = {en},
author  = {Iverson, Kenneth E},
year = {1980}
}

T. Iwatake and B. Truax, “An Interview with Barry Truax,” Computer music journal, 1994.
[Bibtex]

@Article{ iwatake_interview_1994,
title = {An {Interview} with {Barry} {Truax}},
issn = {01489267},
doi = {10.2307/3681181},
language  = {en},
journal  = {Computer Music Journal},
author  = {Iwatake, Toru and Truax, Barry},
year = {1994}
}

R. Izhaki, “Mixing audio: concepts, practices and tools,” , 2008.
[Bibtex]

@Article{ izhaki_mixing_2008,
address  = {Amsterdam},
title = {Mixing audio: concepts, practices and tools},
isbn = {978-0-240-52068-1},
language  = {en},
author  = {Izhaki, Roey},
year = {2008}
}

P. Jackson, “Folding techniques for designers: from sheet to form,” , 2019.
[Bibtex]

@Article{ jackson_folding_2019,
address  = {London},
title = {Folding techniques for designers: from sheet to form},
isbn = {978-1-85669-721-7},
language  = {en},
author  = {Jackson, Paul},
year = {2019}
}

R. N. Jackson, “The Future of Electronic Music,” Computer music journal, 1989.
[Bibtex]

@Article{ jackson_future_1989,
title = {The {Future} of {Electronic} {Music}},
issn = {01489267},
doi = {10.2307/3679850},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jackson, Randolph N.},
year = {1989}
}

A. Jacquard, “Éloge de la différence,” Spirale. revue de recherches en éducation, 1999.
[Bibtex]

@Article{ jacquard_eloge_1999,
title = {Éloge de la différence},
issn = {0994-3722},
doi = {10.3406/spira.1999.1562},
language  = {fr},
journal  = {Spirale. Revue de recherches en éducation},
author  = {Jacquard, Albert},
year = {1999}
}

F. Jacquemard, P. Donat-Bouillud, and J. Bresson, “A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting,” , 2015.
[Bibtex]

@Article{ collins_structural_2015,
address  = {Cham},
title = {A {Structural} {Theory} of {Rhythm} {Notation} {Based} on
{Tree} {Representations} and {Term} {Rewriting}},
isbn = {978-3-319-20602-8 978-3-319-20603-5},
language  = {en},
booktitle  = {Mathematics and {Computation} in {Music}},
author  = {Jacquemard, Florent and Donat-Bouillud, Pierre and
Bresson, Jean},
year = {2015},
doi = {10.1007/978-3-319-20603-5_1}
}

F. Jacquemard, P. Donat-Bouillud, and J. Bresson, “A Term Rewriting Based Structural Theory of Rhythm Notation,” , 2015.
[Bibtex]

@Article{ jacquemard_term_2015,
title = {A {Term} {Rewriting} {Based} {Structural} {Theory} of
{Rhythm} {Notation}},
language  = {en},
author  = {Jacquemard, Florent and Donat-Bouillud, Pierre and
Bresson, Jean},
year = {2015}
}

F. Jacquemard, A. Ycart, and M. Sakai, “Generating Equivalent Rhythmic Notations based on Rhythm Tree Languages,” , 2017.
[Bibtex]

@Article{ jacquemard_generating_2017,
title = {Generating {Equivalent} {Rhythmic} {Notations} based on
{Rhythm} {Tree} {Languages}},
language  = {en},
author  = {Jacquemard, Florent and Ycart, Adrien and Sakai,
Masahiko},
year = {2017}
}

“Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings,” , 2015.
[Bibtex]

@Article{ collins_mathematics_2015,
address  = {Cham},
title = {Mathematics and {Computation} in {Music}: 5th
{International} {Conference}, {MCM} 2015, {London}, {UK},
{June} 22-25, 2015, {Proceedings}},
isbn = {978-3-319-20602-8 978-3-319-20603-5},
language  = {en},
year = {2015},
doi = {10.1007/978-3-319-20603-5}
}

M. Jaderberg, K. Simonyan, A. Zisserman, and K. Kavukcuoglu, “Spatial Transformer Networks,” , 2016.
[Bibtex]

@Article{ jaderberg_spatial_2016,
title = {Spatial {Transformer} {Networks}},
language  = {en},
author  = {Jaderberg, Max and Simonyan, Karen and Zisserman, Andrew
and Kavukcuoglu, Koray},
month = feb,
year = {2016}
}

S. Keller and H. M. Jaeger, “Aleatory architectures,” Granular matter, 2016.
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@Article{ keller_aleatory_2016,
title = {Aleatory architectures},
issn = {1434-5021, 1434-7636},
doi = {10.1007/s10035-016-0629-x},
language  = {en},
journal  = {Granular Matter},
author  = {Keller, Sean and Jaeger, Heinrich M.},
month = may,
year = {2016}
}

D. A. Jaffe and J. O. Smith, “Extensions of the Karplus-Strong Plucked-String Algorithm,” Computer music journal, 1983.
[Bibtex]

@Article{ jaffe_extensions_1983,
title = {Extensions of the {Karplus}-{Strong} {Plucked}-{String}
{Algorithm}},
issn = {01489267},
doi = {10.2307/3680063},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jaffe, David A. and Smith, Julius O.},
year = {1983}
}

D. A. Jaffe, “Ten Criteria for Evaluating Synthesis Techniques,” Computer music journal, 1995.
[Bibtex]

@Article{ jaffe_ten_1995,
title = {Ten {Criteria} for {Evaluating} {Synthesis} {Techniques}},
issn = {01489267},
doi = {10.2307/3681301},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jaffe, David A.},
year = {1995}
}

F. Sohil, M. U. Sohali, and J. Shabbir, “An introduction to statistical learning with applications in R,” Statistical theory and related fields, 2022.
[Bibtex]

@Article{ sohil_introduction_2022,
title = {An introduction to statistical learning with applications
in {R}},
issn = {2475-4269, 2475-4277},
doi = {10.1080/24754269.2021.1980261},
language  = {en},
journal  = {Statistical Theory and Related Fields},
author  = {Sohil, Fariha and Sohali, Muhammad Umair and Shabbir,
Javid},
month = jan,
year = {2022}
}

S. G. James, “Developing a flexible and expressive realtime polyphonic wave terrain synthesis instrument based on a visual and multidimensional methodology,” , 2005.
[Bibtex]

@Article{ james_developing_2005,
title = {Developing a flexible and expressive realtime polyphonic
wave terrain synthesis instrument based on a visual and
multidimensional methodology},
language  = {en},
author  = {James, Stuart G},
year = {2005}
}

O. James, E. V. Tunzelmann, P. Franklin, and K. S. Thorne, “Gravitational lensing by spinning black holes in astrophysics, and in the movie \textitInterstellar,” Classical and quantum gravity, 2015.
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@Article{ james_gravitational_2015,
title = {Gravitational lensing by spinning black holes in
astrophysics, and in the movie \textit{{Interstellar}}},
issn = {0264-9381, 1361-6382},
doi = {10.1088/0264-9381/32/6/065001},
language  = {en},
journal  = {Classical and Quantum Gravity},
author  = {James, Oliver and Tunzelmann, Eugénie Von and Franklin,
Paul and Thorne, Kip S},
month = mar,
year = {2015}
}

D. Jamini, “Jamini Basics to Intermediate.”
[Bibtex]

@Article{ jamini_jamini_nodate,
title = {Jamini {Basics} to {Intermediate}},
language  = {en},
author  = {Jamini, Deborah}
}

A. Jansch, “Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from ﬁxity.”
[Bibtex]

@Article{ jansch_towards_nodate,
title = {Towards the open outcome record: a portfolio of works
exploring strategies of freeing the record from ﬁxity},
language  = {en},
author  = {Jansch, Adam}
}

T. E. Janzen, “Aesthetic Appeal in Computer Music,” Computer music journal, 1986.
[Bibtex]

@Article{ janzen_aesthetic_1986,
title = {Aesthetic {Appeal} in {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3680263},
language  = {en},
journal  = {Computer Music Journal},
author  = {Janzen, Thomas E.},
year = {1986}
}

B. Boretz, “Is Music Necessary?,” Perspectives of new music, 2003.
[Bibtex]

@Article{ boretz_is_2003,
title = {Is {Music} {Necessary}?},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Boretz, Benjamin},
year = {2003}
}

M. J. Isakson and N. P. Chotiros, “Finite element modeling of reverberation and transmission loss in shallow water waveguides with rough boundaries,” The journal of the acoustical society of america, 2011.
[Bibtex]

@Article{ isakson_finite_2011,
title = {Finite element modeling of reverberation and transmission
loss in shallow water waveguides with rough boundaries},
issn = {0001-4966},
doi = {10.1121/1.3531810},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Isakson, Marcia J. and Chotiros, Nicholas P.},
month = mar,
year = {2011}
}

N. Isherwood, “Vocal Vibrato: New Directions,” , 2009.
[Bibtex]

@Article{ isherwood_vocal_2009,
title = {Vocal {Vibrato}: {New} {Directions}},
language  = {en},
author  = {Isherwood, Nicholas},
year = {2009}
}

T. Ishizu and S. Zeki, “Toward A Brain-Based Theory of Beauty,” Plos one, 2011.
[Bibtex]

@Article{ ishizu_toward_2011,
title = {Toward {A} {Brain}-{Based} {Theory} of {Beauty}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0021852},
language  = {en},
journal  = {PLoS ONE},
author  = {Ishizu, Tomohiro and Zeki, Semir},
month = jul,
year = {2011}
}

W. Vitale, “Balinese Kebyar Music Breaks the Five-Tone Barrier: New Composition for Seven-Tone Gamelan,” Perspectives of new music, 2002.
[Bibtex]

@Article{ vitale_balinese_2002,
title = {Balinese {Kebyar} {Music} {Breaks} the {Five}-{Tone}
{Barrier}: {New} {Composition} for {Seven}-{Tone}
{Gamelan}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Vitale, Wayne},
year = {2002}
}

S. Voegelin, “Listening to noise and silence: towards a philosophy of sound art,” , 2010.
[Bibtex]

@Article{ voegelin_listening_2010,
address  = {New York},
title = {Listening to noise and silence: towards a philosophy of
sound art},
isbn = {978-1-4411-2643-6 978-1-4411-6207-6},
language  = {en},
author  = {Voegelin, Salomé},
year = {2010}
}

V. Lesbros, “From Images to Sounds, A Dual Representation,” Computer music journal, 1996.
[Bibtex]

@Article{ lesbros_images_1996,
title = {From {Images} to {Sounds}, {A} {Dual} {Representation}},
issn = {01489267},
doi = {10.2307/3680824},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lesbros, Vincent},
year = {1996}
}

V. Lesbros, “Phonograms, Elastic Couplings, and Trajectories,” Computer music journal, 1999.
[Bibtex]

@Article{ lesbros_phonograms_1999,
title = {Phonograms, {Elastic} {Couplings}, and {Trajectories}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559760},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lesbros, Vincent},
month = jun,
year = {1999}
}

D. Lesser, “Score, Identity and Experience in Earle Brown’s \textitTwentyfive Pages,” Contemporary music review, 2007.
[Bibtex]

@Article{ lesser_score_2007,
title = {Score, {Identity} and {Experience} in {Earle} {Brown}'s
\textit{{Twentyfive} {Pages}}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460701414496},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Lesser, David},
month = jun,
year = {2007}
}

L. Lessig and L. Lessig, “Code,” , 2006.
[Bibtex]

@Article{ lessig_code_2006,
address  = {New York},
title = {Code},
isbn = {978-0-465-03914-2},
language  = {en},
author  = {Lessig, Lawrence and Lessig, Lawrence},
year = {2006}
}

S. Levesque, “Des formes linguistiques atypiques dans le texte d’Edoardo Sanguineti pour la partition de Laborintus II de Luciano Berio..”
[Bibtex]

@Article{ levesque_formes_nodate,
title = {Des formes linguistiques atypiques dans le texte
d’{Edoardo} {Sanguineti} pour la partition de
{Laborintus} {II} de {Luciano} {Berio}.},
language  = {fr},
author  = {Levesque, Sylvie}
}

G. Levin, “Audiovisual Software Art: A Partial History.”
[Bibtex]

@Article{ levin_audiovisual_nodate,
title = {Audiovisual {Software} {Art}: {A} {Partial} {History}},
language  = {en},
author  = {Levin, Golan}
}

G. Levin, “Levin_painterly_interfaces_for_audiovisual_performance.”
[Bibtex]

@Article{ levin_levin_painterly_interfaces_for_audiovisual_performance_nodate,
title = {Levin\_Painterly\_Interfaces\_for\_Audiovisual\_Performance},
language  = {en},
author  = {Levin, Golan}
}

T. Y. Levin, ““Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound.”
[Bibtex]

@Article{ levin_tones_nodate,
title = {“{Tones} from out of {Nowhere}”: {Rudolph}
{Pfenninger} and the {Archaeology} of {Synthetic} {Sound}},
language  = {en},
author  = {Levin, Thomas Y}
}

T. Y. Levin, “Rudolf Pfenninger and the Archaeology of Synthetic Sound.”
[Bibtex]

@Article{ levin_rudolf_nodate,
title = {Rudolf {Pfenninger} and the {Archaeology} of {Synthetic}
{Sound}},
language  = {en},
author  = {Levin, Thomas Y}
}

“Levitz David Tudor’s Corporeal Imagination,” , 2001.
[Bibtex]

@Article{ noauthor_levitz_2001,
title = {Levitz {David} {Tudor}’s {Corporeal} {Imagination}},
language  = {en},
year = {2001}
}

F. Lévy, “Le son peut-il prendre forme,” , 2013.
[Bibtex]

@Article{ levy_son_2013,
title = {Le son peut-il prendre forme},
language  = {fr},
author  = {Lévy, Fabien},
year = {2013}
}

B. R. Levy, “Shades of the Studio: Electronic Influences on Ligeti’s “Apparitions”,” Perspectives of new music, 2009.
[Bibtex]

@Article{ levy_shades_2009,
title = {Shades of the {Studio}: {Electronic} {Influences} on
{Ligeti}'s "{Apparitions}"},
issn = {2325-7180},
doi = {10.1353/pnm.2009.0010},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Levy, Benjamin R.},
year = {2009}
}

F. Lévy and T. Seelig, “Soliloque sur [x, x, x et x], Musical Commentaries from a Computer about a Concert Misunderstood by it,” , 2004.
[Bibtex]

@Article{ levy_soliloque_2004,
title = {Soliloque sur [x, x, x et x], {Musical} {Commentaries}
from a {Computer} about a {Concert} {Misunderstood} by it},
language  = {en},
author  = {Lévy, Fabien and Seelig, Thomas},
year = {2004}
}

F. Lévy, “Three Uses of Vuza Canons,” Perspectives of new music.
[Bibtex]

@Article{ levy_three_nodate,
title = {Three {Uses} of {Vuza} {Canons}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Lévy, Fabien}
}

D. Lewin, “Generalized musical intervals and transformations,” , 2007.
[Bibtex]

@Article{ lewin_generalized_2007,
address  = {New York},
title = {Generalized musical intervals and transformations},
isbn = {978-0-19-531713-8},
language  = {en},
author  = {Lewin, David},
year = {2007}
}

D. Lewin, “Musical form and transformation: four analytic essays,” , 2007.
[Bibtex]

@Article{ lewin_musical_2007,
address  = {New York},
title = {Musical form and transformation: four analytic essays},
isbn = {978-0-19-531712-1},
language  = {en},
author  = {Lewin, David},
year = {2007}
}

D. Lewin, “Studies in music with text,” , 2006.
[Bibtex]

@Article{ lewin_studies_2006,
address  = {New York ; Oxford},
title = {Studies in music with text},
isbn = {978-0-19-518208-8},
language  = {en},
author  = {Lewin, David},
year = {2006}
}

T. Lewiner, C. Marques, J. Paixão, S. De Botton, A. Cabral, R. Nascimento, V. Mello, A. Peixoto, D. Martinez, and T. Vieira, “Stereo music visualization through manifold harmonics,” The visual computer, 2011.
[Bibtex]

@Article{ lewiner_stereo_2011,
title = {Stereo music visualization through manifold harmonics},
issn = {0178-2789, 1432-2315},
doi = {10.1007/s00371-011-0617-4},
language  = {en},
journal  = {The Visual Computer},
author  = {Lewiner, Thomas and Marques, Clarissa and Paixão, João
and De Botton, Scarlett and Cabral, Allyson and Nascimento,
Renata and Mello, Vinícius and Peixoto, Adelailson and
Martinez, Dimas and Vieira, Thales},
month = oct,
year = {2011}
}

M. Lewis, “Evolutionary Visual Art and Design,” , 2008.
[Bibtex]

@Article{ romero_evolutionary_2008,
address  = {Berlin, Heidelberg},
title = {Evolutionary {Visual} {Art} and {Design}},
isbn = {978-3-540-72876-4},
language  = {en},
booktitle  = {The {Art} of {Artificial} {Evolution}},
author  = {Lewis, Matthew},
year = {2008},
doi = {10.1007/978-3-540-72877-1_1}
}

R. Leydon, “The Soft-Focus Sound: Reverb as a Gendered Attribute in Mid-Century Mood Music,” Perspectives of new music, 2001.
[Bibtex]

@Article{ leydon_soft-focus_2001,
title = {The {Soft}-{Focus} {Sound}: {Reverb} as a {Gendered}
{Attribute} in {Mid}-{Century} {Mood} {Music}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Leydon, Rebecca},
year = {2001}
}

Y. Li, N. Wang, J. Liu, and X. Hou, “Demystifying Neural Style Transfer,” , 2017.
[Bibtex]

@Article{ li_demystifying_2017,
title = {Demystifying {Neural} {Style} {Transfer}},
language  = {en},
author  = {Li, Yanghao and Wang, Naiyan and Liu, Jiaying and Hou,
Xiaodi},
month = jul,
year = {2017}
}

X. Li and R. Miikkulainen, “Evolving Artificial Language through Evolutionary Reinforcement Learning,” , 2016.
[Bibtex]

@Article{ li_evolving_2016,
address  = {Cancun, Mexico},
title = {Evolving {Artificial} {Language} through {Evolutionary}
{Reinforcement} {Learning}},
isbn = {978-0-262-33936-0},
doi = {10.7551/978-0-262-33936-0-ch079},
language  = {en},
booktitle  = {Proceedings of the {Artificial} {Life} {Conference} 2016},
author  = {Li, Xun and Miikkulainen, Risto},
year = {2016}
}

R. Rowe, “Pattern Processing in Music,” , 1994.
[Bibtex]

@Article{ rowe_pattern_1994,
title = {Pattern {Processing} in {Music}},
language  = {en},
author  = {Rowe, Robert},
year = {1994}
}

“Intelligent Computer Graphics 2010,” , 2010.
[Bibtex]

@Article{ plemenos_intelligent_2010,
address  = {Berlin, Heidelberg},
title = {Intelligent {Computer} {Graphics} 2010},
isbn = {978-3-642-15689-2 978-3-642-15690-8},
language  = {en},
year = {2010},
doi = {10.1007/978-3-642-15690-8}
}

P. Plessas and G. Boutard, “TRANSMISSION ET INTERPRÉTATION DE L’INSTRUMENT éLECTRONIQUE COMPOSÉ.”
[Bibtex]

@Article{ plessas_transmission_nodate,
title = {{TRANSMISSION} {ET} {INTERPRÉTATION} {DE}
{L}’{INSTRUMENT} É{LECTRONIQUE} {COMPOSÉ}},
language  = {fr},
author  = {Plessas, Peter and Boutard, Guillaume}
}

R. Plomp, “The intelligent ear: on the nature of sound perception,” , 2002.
[Bibtex]

@Article{ plomp_intelligent_2002,
address  = {Mahwah, N.J},
title = {The intelligent ear: on the nature of sound perception},
isbn = {978-0-8058-3867-1},
language  = {en},
author  = {Plomp, Reinier},
year = {2002}
}

A. Plotnitsky, “Niels Bohr and Complementarity: An Introduction,” , 2012.
[Bibtex]

@Article{ plotnitsky_niels_2012,
address  = {New York, NY},
title = {Niels {Bohr} and {Complementarity}: {An} {Introduction}},
isbn = {978-1-4614-4516-6 978-1-4614-4517-3},
language  = {en},
author  = {Plotnitsky, Arkady},
year = {2012},
doi = {10.1007/978-1-4614-4517-3}
}

A. Plotnitsky, “Critical Theory and General Economy.”
[Bibtex]

@Article{ plotnitsky_critical_nodate,
title = {Critical {Theory} and {General} {Economy}},
language  = {en},
author  = {Plotnitsky, Arkady}
}

J. Pressing, “Cybernetic Issues in Interactive Performance Systems,” Computer music journal, 1990.
[Bibtex]

@Article{ pressing_cybernetic_1990,
title = {Cybernetic {Issues} in {Interactive} {Performance}
{Systems}},
issn = {01489267},
doi = {10.2307/3680113},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pressing, Jeff},
year = {1990}
}

J. Sloboda, “Generative Processes in Music – The Psychology of Performance, Improvisation, and Composition,” , 2001.
[Bibtex]

@Article{ sloboda_generative_2001,
title = {Generative {Processes} in {Music} - {The} {Psychology} of
{Performance}, {Improvisation}, and {Composition}},
isbn = {978-0-19-850846-5},
language  = {en},
author  = {Sloboda, John},
month = jan,
year = {2001},
doi = {10.1093/acprof:oso/9780198508465.001.0001}
}

J. Pressing, “Nonlinear Maps as Generators of Musical Design,” Computer music journal, 1988.
[Bibtex]

@Article{ pressing_nonlinear_1988,
title = {Nonlinear {Maps} as {Generators} of {Musical} {Design}},
issn = {01489267},
doi = {10.2307/3679940},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pressing, Jeff},
year = {1988}
}

S. B. Primrose, R. M. Twyman, S. B. Primrose, and S. B. Primrose, “Principles of gene manipulation and genomics,” , 2006.
[Bibtex]

@Article{ primrose_principles_2006,
address  = {Malden, MA ; Oxford},
title = {Principles of gene manipulation and genomics},
isbn = {978-1-4051-3544-3},
language  = {en},
author  = {Primrose, S. B. and Twyman, Richard M. and Primrose, S. B.
and Primrose, S. B.},
year = {2006}
}

A. Potts, “Review: Robert Rauschenberg and David Smith: Compelling Contiguities,” The art bulletin, 2007.
[Bibtex]

@Article{ potts_review_2007,
title = {Review: {Robert} {Rauschenberg} and {David} {Smith}:
{Compelling} {Contiguities}},
language  = {en},
journal  = {The Art Bulletin},
author  = {Potts, Alex},
year = {2007}
}

“Journal of Art History,” Konsthistorisk tidskrift/journal of art history, 2007.
[Bibtex]

@Article{ noauthor_journal_2007,
title = {Journal of {Art} {History}},
issn = {0023-3609, 1651-2294},
doi = {10.1080/00233600701350205},
language  = {en},
journal  = {Konsthistorisk Tidskrift/Journal of Art History},
month = mar,
year = {2007}
}

A. Roberts, J. Engel, C. Raffel, C. Hawthorne, and D. Eck, “A Hierarchical Latent Vector Model for Learning Long-Term Structure in Music.”
[Bibtex]

@Article{ roberts_hierarchical_nodate,
title = {A {Hierarchical} {Latent} {Vector} {Model} for {Learning}
{Long}-{Term} {Structure} in {Music}},
language  = {en},
author  = {Roberts, Adam and Engel, Jesse and Raffel, Colin and
Hawthorne, Curtis and Eck, Douglas}
}

A. Roberts, J. Engel, and D. Eck, “Hierarchical Variational Autoencoders for Music.”
[Bibtex]

@Article{ roberts_hierarchical_nodate-1,
title = {Hierarchical {Variational} {Autoencoders} for {Music}},
language  = {en},
author  = {Roberts, Adam and Engel, Jesse and Eck, Douglas}
}

D. E. Roberts, “History of Lenticular and Related Autostereoscopic Methods.”
[Bibtex]

@Article{ roberts_history_nodate,
title = {History of {Lenticular} and {Related} {Autostereoscopic}
{Methods}},
language  = {en},
author  = {Roberts, David E}
}

A. Roberts, C. Hawthorne, and I. Simon, “Magenta.js: A JavaScript API for Augmenting Creativity with Deep Learning.pdf,” , 2018.
[Bibtex]

@Article{ roberts_magentajs_2018,
title = {Magenta.js: {A} {JavaScript} {API} for {Augmenting}
{Creativity} with {Deep} {Learning}.pdf},
author  = {Roberts, Adam and Hawthorne, Curtis and Simon, Ian},
year = {2018}
}

A. Robertson, “Interactive Real-time Musical Systems.”
[Bibtex]

@Article{ robertson_interactive_nodate,
title = {Interactive {Real}-time {Musical} {Systems}},
language  = {en},
author  = {Robertson, Andrew}
}

A. Robertson, “Real-Time Visual Beat Tracking using a Comb Filter Matrix.”
[Bibtex]

@Article{ robertson_real-time_nodate,
title = {Real-{Time} {Visual} {Beat} {Tracking} using a {Comb}
{Filter} {Matrix}},
language  = {en},
author  = {Robertson, Andrew}
}

R. Robertson, “Scintillae of Light: Chaos and Emergence,” Psychological perspectives, 2007.
[Bibtex]

@Article{ robertson_scintillae_2007,
title = {Scintillae of {Light}: {Chaos} and {Emergence}},
issn = {0033-2925, 1556-3030},
doi = {10.1080/00332920701319541},
language  = {en},
journal  = {Psychological Perspectives},
author  = {Robertson, Robin},
month = jun,
year = {2007}
}

A. Robida and D. Blaizot, “Albert Robida – Le vingtième siècle – La vie électrique.”
[Bibtex]

@Article{ robida_albert_nodate,
title = {Albert {Robida} - {Le} vingtième siècle - {La} vie
électrique},
language  = {fr},
author  = {Robida, Albert and Blaizot, Denis}
}

B. Robindore and I. Xenakis, “Eskhate Ereuna: Extending the Limits of Musical Thought: Comments on and by Iannis Xenakis,” Computer music journal, 1996.
[Bibtex]

@Article{ robindore_eskhate_1996,
title = {Eskhate {Ereuna}: {Extending} the {Limits} of {Musical}
{Thought}: {Comments} on and by {Iannis} {Xenakis}},
issn = {01489267},
doi = {10.2307/3680410},
language  = {en},
journal  = {Computer Music Journal},
author  = {Robindore, Brigitte and Xenakis, Iannis},
year = {1996}
}

B. Robindore and L. Ferrari, “Luc Ferrari: Interview with an Intimate Iconoclast,” Computer music journal, 1998.
[Bibtex]

@Article{ robindore_luc_1998,
title = {Luc {Ferrari}: {Interview} with an {Intimate}
{Iconoclast}},
issn = {01489267},
doi = {10.2307/3681154},
language  = {en},
journal  = {Computer Music Journal},
author  = {Robindore, Brigitte and Ferrari, Luc},
year = {1998}
}

J. Robinson, “Inside Out in the Open: An Expressionist Journey in the Music Known as Free Jazz,” Jazz perspectives, 2010.
[Bibtex]

@Article{ robinson_inside_2010,
title = {Inside {Out} in the {Open}: {An} {Expressionist} {Journey}
in the {Music} {Known} as {Free} {Jazz}},
issn = {1749-4060, 1749-4079},
doi = {10.1080/17494061003694188},
language  = {en},
journal  = {Jazz Perspectives},
author  = {Robinson, Jason},
month = apr,
year = {2010}
}

X. Rodet and C. Vergez, “Nonlinear Dynamics in Physical Models: From Basic Models to True Musical-Instrument Models,” Computer music journal, 1999.
[Bibtex]

@Article{ rodet_nonlinear_1999,
title = {Nonlinear {Dynamics} in {Physical} {Models}: {From}
{Basic} {Models} to {True} {Musical}-{Instrument}
{Models}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559878},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rodet, Xavier and Vergez, Christophe},
month = sep,
year = {1999}
}

X. Rodet and C. Vergez, “Nonlinear Dynamics in Physical Models: Simple Feedback-Loop Systems and Properties,” Computer music journal, 1999.
[Bibtex]

@Article{ rodet_nonlinear_1999-1,
title = {Nonlinear {Dynamics} in {Physical} {Models}: {Simple}
{Feedback}-{Loop} {Systems} and {Properties}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559869},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rodet, Xavier and Vergez, Christophe},
month = sep,
year = {1999}
}

X. Rodet, “Recent Developments in Computer Sound Analysis and Synthesis,” Computer music journal, 1996.
[Bibtex]

@Article{ rodet_recent_1996,
title = {Recent {Developments} in {Computer} {Sound} {Analysis} and
{Synthesis}},
issn = {01489267},
doi = {10.2307/3681272},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rodet, Xavier},
year = {1996}
}

“Time-Domain Formant-Wave-Function Synthesis.”
[Bibtex]

@Article{ noauthor_time-domain_nodate,
title = {Time-{Domain} {Formant}-{Wave}-{Function} {Synthesis}},
language  = {en}
}

X. Rodet, “What Would We like to See Our Music Machines Capable of Doing?,” Computer music journal, 1991.
[Bibtex]

@Article{ rodet_what_1991,
title = {What {Would} {We} like to {See} {Our} {Music} {Machines}
{Capable} of {Doing}?},
issn = {01489267},
doi = {10.2307/3681072},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rodet, Xavier},
year = {1991}
}

A. Roebel, “Estimation of partial parameters for non stationary sinusoids.”
[Bibtex]

@Article{ roebel_estimation_nodate,
title = {Estimation of partial parameters for non stationary
sinusoids},
language  = {en},
author  = {Roebel, Axel}
}

A. Roebel, “Transient detection and preservation in the phase vocoder.”
[Bibtex]

@Article{ roebel_transient_nodate,
title = {Transient detection and preservation in the phase
vocoder},
language  = {en},
author  = {Roebel, Axel}
}

J. Roeder, “The Craft of Hybrid Composition: Meter, Tonality, and Grouping in Michael Torke’s “Adjustable Wrench”,” Perspectives of new music, 2003.
[Bibtex]

@Article{ roeder_craft_2003,
title = {The {Craft} of {Hybrid} {Composition}: {Meter},
{Tonality}, and {Grouping} in {Michael} {Torke}'s
"{Adjustable} {Wrench}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Roeder, John},
year = {2003}
}

D. Roger, “L’art de l’entente et la règle sociale.”
[Bibtex]

@Article{ roger_lart_nodate,
title = {L’art de l’entente et la règle sociale},
language  = {fr},
author  = {Roger, Danielle}
}

D. W. Rogers, “A Geometric Approach to PCSet Similarity,” Perspectives of new music, 1999.
[Bibtex]

@Article{ rogers_geometric_1999,
title = {A {Geometric} {Approach} to {PCSet} {Similarity}},
issn = {00316016},
doi = {10.2307/833626},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rogers, David W.},
year = {1999}
}

C. M. Roney-Dougal, “Computing with symmetries,” Snapshots of modern mathematics from oberwolfach;2018, 2018.
[Bibtex]

@Article{ roney-dougal_computing_2018,
title = {Computing with symmetries},
copyright  = {Creative Commons Attribution-ShareAlike 4.0 International
License},
doi = {10.14760/SNAP-2018-003-EN},
language  = {en},
journal  = {Snapshots of modern mathematics from Oberwolfach;2018},
author  = {Roney-Dougal, Colva M.},
collaborator  = {Munday, Sara and Cederbaum, Carla},
year = {2018}
}

F. Rose and J. E. Hetrick, “Enhancing Orchestration Technique via Spectrally Based Linear Algebra Methods,” Computer music journal, 2009.
[Bibtex]

@Article{ rose_enhancing_2009,
title = {Enhancing {Orchestration} {Technique} via {Spectrally}
{Based} {Linear} {Algebra} {Methods}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2009.33.1.32},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rose, François and Hetrick, James E.},
month = mar,
year = {2009}
}

F. Rose and F. Rose, “Introduction to the Pitch Organization of French Spectral Music,” Perspectives of new music, 1996.
[Bibtex]

@Article{ rose_introduction_1996,
title = {Introduction to the {Pitch} {Organization} of {French}
{Spectral} {Music}},
issn = {00316016},
doi = {10.2307/833469},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rose, François and Rose, Francois},
year = {1996}
}

R. S. Rosen, “Music and copyright,” , 2008.
[Bibtex]

@Article{ rosen_music_2008,
address  = {Oxford ; New York},
title = {Music and copyright},
isbn = {978-0-19-533836-2},
language  = {en},
author  = {Rosen, Ronald S.},
year = {2008}
}

F. Rosenblatt, “The perceptron: A probabilistic model for information storage and organization in the brain.,” Psychological review, 1958.
[Bibtex]

@Article{ rosenblatt_perceptron_1958,
title = {The perceptron: {A} probabilistic model for information
storage and organization in the brain.},
issn = {1939-1471, 0033-295X},
doi = {10.1037/h0042519},
language  = {en},
journal  = {Psychological Review},
author  = {Rosenblatt, F.},
year = {1958}
}

D. Rosenboom, “The Performing Brain,” Computer music journal, 1990.
[Bibtex]

@Article{ rosenboom_performing_1990,
title = {The {Performing} {Brain}},
issn = {01489267},
doi = {10.2307/3680116},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rosenboom, David},
year = {1990}
}

D. Rosenthal, “Emulation of Human Rhythm Perception,” Computer music journal, 1992.
[Bibtex]

@Article{ rosenthal_emulation_1992,
title = {Emulation of {Human} {Rhythm} {Perception}},
issn = {01489267},
doi = {10.2307/3680495},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rosenthal, David},
year = {1992}
}

D. F. Rosenthal, “Computer Emulation of Human Rhythm Perception.”
[Bibtex]

@Article{ rosenthal_computer_nodate,
title = {Computer {Emulation} of {Human} {Rhythm} {Perception}},
language  = {en},
author  = {Rosenthal, David Felix}
}

C. Rossant, “Learning IPython for interactive computing and data visualization: learn IPython for interactive Python programming, high-performance numerical computing, and data visualization,” , 2013.
[Bibtex]

@Article{ rossant_learning_2013,
address  = {Birmingham},
title = {Learning {IPython} for interactive computing and data
visualization: learn {IPython} for interactive {Python}
programming, high-performance numerical computing, and data
visualization},
isbn = {978-1-78216-993-2},
language  = {en},
author  = {Rossant, Cyrille},
year = {2013}
}

P. Rosser, “Brian Ferneyhough and the “Avant-Garde Experience”: Benjaminian Tropes in “Funérailles”,” Perspectives of new music, 2010.
[Bibtex]

@Article{ rosser_brian_2010,
title = {Brian {Ferneyhough} and the "{Avant}-{Garde}
{Experience}": {Benjaminian} {Tropes} in "{Funérailles}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rosser, Peter},
year = {2010}
}

C. Rossi, “Architecture and mathematics in ancient Egypt,” , 2004.
[Bibtex]

@Article{ rossi_architecture_2004,
address  = {Cambridge ; New York},
title = {Architecture and mathematics in ancient {Egypt}},
isbn = {978-0-521-82954-0},
language  = {en},
author  = {Rossi, Corinna},
year = {2004}
}

“Simulating Musical Skills by Digital Computer.”
[Bibtex]

@Article{ noauthor_simulating_nodate,
title = {Simulating {Musical} {Skills} by {Digital} {Computer}},
language  = {en}
}

S. Roudavski, “Sketching with Robots,” , 2015.
[Bibtex]

@Article{ roudavski_sketching_2015,
title = {Sketching with {Robots}},
language  = {en},
author  = {Roudavski, Stanislav},
year = {2015}
}

L. Rougetet, “Un ordinateur champion du monde d’échecs : histoire d’un affrontement homme-machine,” Sciences du jeu, 2016.
[Bibtex]

@Article{ rougetet_ordinateur_2016,
title = {Un ordinateur champion du monde d’Échecs : histoire
d’un affrontement homme-machine},
issn = {2269-2657},
doi = {10.4000/sdj.598},
language  = {fr},
journal  = {Sciences du jeu},
author  = {Rougetet, Lisa},
month = feb,
year = {2016}
}

F. Rousseaux and F. Pachet, “Acquisition des connaissances et improvisation: la Partition Intérieure Interactive.”
[Bibtex]

@Article{ rousseaux_acquisition_nodate,
title = {Acquisition des connaissances et improvisation: la
{Partition} {Intérieure} {Interactive}},
language  = {fr},
author  = {Rousseaux, Francis and Pachet, François}
}

R. Rowe, “Machine Listening and Composing with Cypher,” Computer music journal, 1992.
[Bibtex]

@Article{ rowe_machine_1992,
title = {Machine {Listening} and {Composing} with {Cypher}},
issn = {01489267},
doi = {10.2307/3680494},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rowe, Robert},
year = {1992}
}

J. Royo-Letelier, “Detection and characterization of singing voice using deep neural networks.”
[Bibtex]

@Article{ royo-letelier_detection_nodate,
title = {Detection and characterization of singing voice using deep
neural networks},
language  = {en},
author  = {Royo-Letelier, Jimena}
}

M. Rozenberg, “Linear Sweep Synthesis,” Computer music journal, 1982.
[Bibtex]

@Article{ rozenberg_linear_1982,
title = {Linear {Sweep} {Synthesis}},
issn = {01489267},
doi = {10.2307/3680199},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rozenberg, Maurice},
year = {1982}
}

C. Rubin, “Le rap est-il soluble dans la chanson française ?,” Volume !, 2004.
[Bibtex]

@Article{ rubin_rap_2004,
title = {Le rap est-il soluble dans la chanson française ?},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.1946},
language  = {fr},
journal  = {Volume !},
author  = {Rubin, Christophe},
month = oct,
year = {2004}
}

J. Rudi, “Computer Music Video: A Composer’s Perspective,” Computer music journal, 2005.
[Bibtex]

@Article{ rudi_computer_2005,
title = {Computer {Music} {Video}: {A} {Composer}'s {Perspective}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892605775179937},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rudi, Jøran},
month = dec,
year = {2005}
}

M. Russ, “Sound synthesis and sampling,” , 2009.
[Bibtex]

@Article{ russ_sound_2009,
address  = {Amsterdam},
title = {Sound synthesis and sampling},
isbn = {978-0-240-52105-3},
language  = {en},
author  = {Russ, Martin},
year = {2009}
}

L. Russolo, “Futurist Manifesto.”
[Bibtex]

@Article{ russolo_futurist_nodate,
title = {Futurist {Manifesto}},
language  = {en},
author  = {Russolo, Luigi}
}

D. Rust, “Two Questions of Perception in Lutosławski’s Second Symphony,” Perspectives of new music, 2004.
[Bibtex]

@Article{ rust_two_2004,
title = {Two {Questions} of {Perception} in {Lutosławski}'s
{Second} {Symphony}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rust, Douglas},
year = {2004}
}

A. A. Rusu, N. C. Rabinowitz, G. Desjardins, H. Soyer, J. Kirkpatrick, K. Kavukcuoglu, R. Pascanu, and R. Hadsell, “Progressive Neural Networks,” , 2022.
[Bibtex]

@Article{ rusu_progressive_2022,
title = {Progressive {Neural} {Networks}},
language  = {en},
author  = {Rusu, Andrei A. and Rabinowitz, Neil C. and Desjardins,
Guillaume and Soyer, Hubert and Kirkpatrick, James and
Kavukcuoglu, Koray and Pascanu, Razvan and Hadsell, Raia},
month = oct,
year = {2022}
}

“Frontiers of propulsion science,” , 2009.
[Bibtex]

@Article{ millis_frontiers_2009,
address  = {Reston, Va},
title = {Frontiers of propulsion science},
isbn = {978-1-56347-956-4},
language  = {en},
year = {2009}
}

D. Rutten, “Evolutionary Principles applied to Problem Solving – Grasshopper,” , 2010.
[Bibtex]

@Article{ rutten_evolutionary_2010,
title = {Evolutionary {Principles} applied to {Problem} {Solving} -
{Grasshopper}},
language  = {en},
author  = {Rutten, David},
year = {2010}
}

M. P. Ryynänen and A. P. Klapuri, “Automatic Transcription of Melody, Bass Line, and Chords in Polyphonic Music,” Computer music journal, 2008.
[Bibtex]

@Article{ ryynanen_automatic_2008,
title = {Automatic {Transcription} of {Melody}, {Bass} {Line}, and
{Chords} in {Polyphonic} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.3.72},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ryynänen, Matti P. and Klapuri, Anssi P.},
month = sep,
year = {2008}
}

M. Sabat, “Shadings in the Chromatic Field.”
[Bibtex]

@Article{ sabat_shadings_nodate,
title = {Shadings in the {Chromatic} {Field}},
language  = {en},
author  = {Sabat, Marc}
}

H. Sabbe, “Goeyvaerts and the Beginnings of ‘Punctual’ Serialism and Electronic Music,” Revue belge de musicologie / belgisch tijdschrift voor muziekwetenschap, 1994.
[Bibtex]

@Article{ sabbe_goeyvaerts_1994,
title = {Goeyvaerts and the {Beginnings} of '{Punctual}'
{Serialism} and {Electronic} {Music}},
issn = {07716788},
doi = {10.2307/3687128},
language  = {en},
journal  = {Revue belge de Musicologie / Belgisch Tijdschrift voor
Muziekwetenschap},
author  = {Sabbe, Herman},
year = {1994}
}

L. Sadun, “Some Generalizations of the Pinwheel Tiling,” , 1997.
[Bibtex]

@Article{ sadun_generalizations_1997,
title = {Some {Generalizations} of the {Pinwheel} {Tiling}},
language  = {en},
author  = {Sadun, Lorenzo},
month = dec,
year = {1997}
}

S. Sakamoto and H. Tachibana, “Visualization of Sound Reflection and Diffraction by the Finite Difference Time-Domain Method.”
[Bibtex]

@Article{ sakamoto_visualization_nodate,
title = {Visualization of {Sound} {Reflection} and {Diffraction} by
the {Finite} {Difference} {Time}-{Domain} {Method}},
language  = {en},
author  = {Sakamoto, Shinichi and Tachibana, Hideki}
}

K. Sakugawa, “On Limit Sets of 4-dimensional Kleinian Groups with 3 Generators,” Tokyo journal of mathematics, 2010.
[Bibtex]

@Article{ sakugawa_limit_2010,
title = {On {Limit} {Sets} of 4-dimensional {Kleinian} {Groups}
with 3 {Generators}},
issn = {0387-3870},
doi = {10.3836/tjm/1279719585},
language  = {en},
journal  = {Tokyo Journal of Mathematics},
author  = {Sakugawa, Keita},
month = jun,
year = {2010}
}

M. Saladin, “La partition graphique et ses usages dans la scène improvisée,” Volume !, 2004.
[Bibtex]

@Article{ saladin_partition_2004,
title = {La partition graphique et ses usages dans la scène
improvisée},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2048},
language  = {fr},
journal  = {Volume !},
author  = {Saladin, Matthieu},
month = may,
year = {2004}
}

M. Saladin, “Processus de création dans l’improvisation,” Volume !, 2002.
[Bibtex]

@Article{ saladin_processus_2002,
title = {Processus de création dans l’improvisation},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2486},
language  = {fr},
journal  = {Volume !},
author  = {Saladin, Matthieu},
month = may,
year = {2002}
}

S. Salazar and G. Wang, “Handwriting Input for Computer-based Music Composition and Design.”
[Bibtex]

@Article{ salazar_handwriting_nodate,
title = {Handwriting {Input} for {Computer}-based {Music}
{Composition} and {Design}},
language  = {en},
author  = {Salazar, Spencer and Wang, Ge}
}

C. Salzberg, A. Antony, and H. Sayama, “Complex Genetic Evolution of Self-Replicating Loops,” , 2004.
[Bibtex]

@Article{ salzberg_complex_2004,
title = {Complex {Genetic} {Evolution} of {Self}-{Replicating}
{Loops}},
language  = {en},
author  = {Salzberg, Chris and Antony, Antony and Sayama, Hiroki},
year = {2004}
}

H. Samani, E. Saadatian, N. Pang, D. Polydorou, O. N. N. Fernando, R. Nakatsu, and J. T. K. V. Koh, “Cultural Robotics: The Culture of Robotics and Robotics in Culture,” International journal of advanced robotic systems, 2013.
[Bibtex]

@Article{ samani_cultural_2013,
title = {Cultural {Robotics}: {The} {Culture} of {Robotics} and
{Robotics} in {Culture}},
issn = {1729-8814, 1729-8814},
doi = {10.5772/57260},
language  = {en},
journal  = {International Journal of Advanced Robotic Systems},
author  = {Samani, Hooman and Saadatian, Elham and Pang, Natalie and
Polydorou, Doros and Fernando, Owen Noel Newton and
Nakatsu, Ryohei and Koh, Jeffrey Tzu Kwan Valino},
month = dec,
year = {2013}
}

L. Saminsky, “Physics and Metaphysics of Music and Essays on the Philosophy of Mathematics,” , 1957.
[Bibtex]

@Article{ saminsky_physics_1957,
address  = {Dordrecht},
title = {Physics and {Metaphysics} of {Music} and {Essays} on the
{Philosophy} of {Mathematics}},
isbn = {978-94-017-4606-9 978-94-017-4822-3},
language  = {en},
author  = {Saminsky, Lazare},
year = {1957},
doi = {10.1007/978-94-017-4822-3}
}

M. Samory, M. Mandanici, S. Canazza, and E. Peserico, “The Counterpoint Game: Rules, Constraints and Computational Spaces.”
[Bibtex]

@Article{ samory_counterpoint_nodate,
title = {The {Counterpoint} {Game}: {Rules}, {Constraints} and
{Computational} {Spaces}},
language  = {en},
author  = {Samory, Mattia and Mandanici, Marcella and Canazza, Sergio
and Peserico, Enoch}
}

F. Samuel, “Le Corbusier in detail,” , 2007.
[Bibtex]

@Article{ samuel_corbusier_2007,
address  = {Amsterdam ; Boston ; London},
title = {Le {Corbusier} in detail},
isbn = {978-0-7506-6354-0},
language  = {en},
author  = {Samuel, Flora},
year = {2007}
}

A. Sandberg, “Monte Carlo model of brain emulation development,” , 2014.
[Bibtex]

@Article{ sandberg_monte_2014,
title = {Monte {Carlo} model of brain emulation development},
language  = {en},
author  = {Sandberg, Anders},
year = {2014}
}

A. Sandberg, S. Armstrong, and M. Cirkovic, “That is not dead which can eternal lie: the aestivation hypothesis for resolving Fermi’s paradox,” , 2017.
[Bibtex]

@Article{ sandberg_that_2017,
title = {That is not dead which can eternal lie: the aestivation
hypothesis for resolving {Fermi}'s paradox},
language  = {en},
author  = {Sandberg, Anders and Armstrong, Stuart and Cirkovic, Milan
M.},
month = apr,
year = {2017}
}

Ö. Sandred, “Approaches to Using Rules as a Composition Method,” Contemporary music review, 2009.
[Bibtex]

@Article{ sandred_approaches_2009,
title = {Approaches to {Using} {Rules} as a {Composition}
{Method}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494460903322430},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Sandred, Örjan},
month = apr,
year = {2009}
}

Ö. Sandred, “PWMC, a Constraint-Solving System for Generating Music Scores,” Computer music journal, 2010.
[Bibtex]

@Article{ sandred_pwmc_2010,
title = {{PWMC}, a {Constraint}-{Solving} {System} for {Generating}
{Music} {Scores}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.2.8},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sandred, Örjan},
month = jun,
year = {2010}
}

C. S. Sapp, “Harmonic Visualizations of Tonal Music.”
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@Article{ sapp_harmonic_nodate,
title = {Harmonic {Visualizations} of {Tonal} {Music}},
language  = {en},
author  = {Sapp, Craig Stuart}
}

W. M. Saslow, “An economic analogy to thermodynamics,” American journal of physics, 1999.
[Bibtex]

@Article{ saslow_economic_1999,
title = {An economic analogy to thermodynamics},
issn = {0002-9505, 1943-2909},
doi = {10.1119/1.19110},
language  = {en},
journal  = {American Journal of Physics},
author  = {Saslow, Wayne M.},
month = dec,
year = {1999}
}

“The business of research: knowledge and learning redefined in architectural practice,” , 2019.
[Bibtex]

@Article{ saunt_business_2019,
address  = {Oxford},
title = {The business of research: knowledge and learning redefined
in architectural practice},
isbn = {978-1-119-54602-3},
language  = {en},
year = {2019}
}

A. Sauvagnargues, “Le goût baroque comme détermination d’un style,” Appareil, 2012.
[Bibtex]

@Article{ sauvagnargues_gout_2012,
title = {Le goût baroque comme détermination d’un style},
issn = {2101-0714},
doi = {10.4000/appareil.1413},
language  = {fr},
journal  = {Appareil},
author  = {Sauvagnargues, Anne},
month = may,
year = {2012}
}

M. Savev, “Deux exemples de presse musicale jeune en France, de 1966 à 1969 : Salut Les Copains et Rock & Folk,” Volume !, 2004.
[Bibtex]

@Article{ savev_deux_2004,
title = {Deux exemples de presse musicale jeune en {France}, de
1966 à 1969 : {Salut} {Les} {Copains} et {Rock} \& {Folk}},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2039},
language  = {fr},
journal  = {Volume !},
author  = {Savev, Marc},
month = may,
year = {2004}
}

H. Sayama, “Self-Protection and Diversity in Self-Replicating Cellular Automata,” Artificial life, 2004.
[Bibtex]

@Article{ sayama_self-protection_2004,
title = {Self-{Protection} and {Diversity} in {Self}-{Replicating}
{Cellular} {Automata}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/106454604322875922},
language  = {en},
journal  = {Artificial Life},
author  = {Sayama, Hiroki},
month = jan,
year = {2004}
}

R. Sazdov, “THE INFLUENCE OF SUBWOOFER FREQUENCIES WITHIN A MULTI-CHANNEL LOUDSPEAKER CONFIGURATION ON THE PERCEPTION OF SPATIAL ATTRIBUTES IN A CONCERT-HALL ENVIRONMENT12,” , 2011.
[Bibtex]

@Article{ sazdov_influence_2011,
title = {{THE} {INFLUENCE} {OF} {SUBWOOFER} {FREQUENCIES} {WITHIN}
{A} {MULTI}-{CHANNEL} {LOUDSPEAKER} {CONFIGURATION} {ON}
{THE} {PERCEPTION} {OF} {SPATIAL} {ATTRIBUTES} {IN} {A}
{CONCERT}-{HALL} {ENVIRONMENT12}},
language  = {en},
author  = {Sazdov, Robert},
year = {2011}
}

C. Scaletti, “Computer Music Languages, Kyma, and the Future,” Computer music journal, 2002.
[Bibtex]

@Article{ scaletti_computer_2002,
title = {Computer {Music} {Languages}, {Kyma}, and the {Future}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602320991392},
language  = {en},
journal  = {Computer Music Journal},
author  = {Scaletti, Carla},
month = dec,
year = {2002}
}

“Scaling, fractals and wavelets,” , 2009.
[Bibtex]

@Article{ abry_scaling_2009,
address  = {London},
title = {Scaling, fractals and wavelets},
isbn = {978-1-84821-072-1},
language  = {en},
year = {2009}
}

T. Lossius and P. Baltazar, “DBAP – DISTANCE-BASED AMPLITUDE PANNING,” , 2009.
[Bibtex]

@Article{ lossius_dbap_2009,
title = {{DBAP} - {DISTANCE}-{BASED} {AMPLITUDE} {PANNING}},
language  = {en},
author  = {Lossius, Trond and Baltazar, Pascal},
year = {2009}
}

R. Sazdov, “LOCALISATON OF SUBWOOFERS IN A CONCERT HALL ENVIRONMENT,” , 2009.
[Bibtex]

@Article{ sazdov_localisaton_2009,
title = {{LOCALISATON} {OF} {SUBWOOFERS} {IN} {A} {CONCERT} {HALL}
{ENVIRONMENT}},
language  = {en},
author  = {Sazdov, Robert},
year = {2009}
}

J. Wolkowicz, S. Brooks, and V. Keselj, “MIDIVIS: VISUALIZING MUSIC STRUCTURE VIA SIMILARITY MATRICES,” , 2009.
[Bibtex]

@Article{ wolkowicz_midivis_2009,
title = {{MIDIVIS}: {VISUALIZING} {MUSIC} {STRUCTURE} {VIA}
{SIMILARITY} {MATRICES}},
language  = {en},
author  = {Wolkowicz, Jacek and Brooks, Stephen and Keselj, Vlado},
year = {2009}
}

“Tempo polyphony p.nb.”
[Bibtex]

@Article{ noauthor_tempo_nodate,
title = {tempo polyphony p.nb},
language  = {en}
}

J. C. Schacher, D. Bisig, and P. Kocher, “The Map and the Flock: Emergence in Mapping with Swarm Algorithms,” Computer music journal, 2014.
[Bibtex]

@Article{ schacher_map_2014,
title = {The {Map} and the {Flock}: {Emergence} in {Mapping} with
{Swarm} {Algorithms}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00256},
language  = {en},
journal  = {Computer Music Journal},
author  = {Schacher, Jan C. and Bisig, Daniel and Kocher, Philippe},
month = sep,
year = {2014}
}

K. Gann, “The music of Conlon Nancarrow,” , 2006.
[Bibtex]

@Article{ gann_music_2006,
address  = {Cambridge},
title = {The music of {Conlon} {Nancarrow}},
isbn = {978-0-521-02807-3},
language  = {en},
author  = {Gann, Kyle},
year = {2006}
}

D. Schacter, D. Addis, D. Hassabis, V. Martin, R. Spreng, and K. Szpunar, “The Future of Memory: Remembering, Imagining, and the Brain,” Neuron, 2012.
[Bibtex]

@Article{ schacter_future_2012,
title = {The {Future} of {Memory}: {Remembering}, {Imagining}, and
the {Brain}},
issn = {08966273},
doi = {10.1016/j.neuron.2012.11.001},
language  = {en},
journal  = {Neuron},
author  = {Schacter, Daniel L. and Addis, Donna Rose and Hassabis,
Demis and Martin, Victoria C. and Spreng, R. Nathan and
Szpunar, Karl K.},
month = nov,
year = {2012}
}

P. Sch, “In Search of a Concrete Music.”
[Bibtex]

@Article{ sch_search_nodate,
title = {In {Search} of a {Concrete} {Music}},
language  = {en},
author  = {Sch, Pierre}
}

I. Schankler, J. B. L. Smith, A. R. J. François, and E. Chew, “Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations,” , 2011.
[Bibtex]

@Article{ agon_emergent_2011,
address  = {Berlin, Heidelberg},
title = {Emergent {Formal} {Structures} of {Factor}
{Oracle}-{Driven} {Musical} {Improvisations}},
isbn = {978-3-642-21589-6 978-3-642-21590-2},
language  = {en},
booktitle  = {Mathematics and {Computation} in {Music}},
author  = {Schankler, Isaac and Smith, Jordan B. L. and François,
Alexandre R. J. and Chew, Elaine},
year = {2011},
doi = {10.1007/978-3-642-21590-2_19}
}

S. Schaub, “AKRATA, FOR 16 WINDS BY IANNIS XENAKIS: ANALYSES.”
[Bibtex]

@Article{ schaub_akrata_nodate,
title = {{AKRATA}, {FOR} 16 {WINDS} {BY} {IANNIS} {XENAKIS}:
{ANALYSES}},
language  = {en},
author  = {Schaub, Stéphan}
}

P. L. Schechter, J. Wambsganss, and G. F. Lewis, “Qualitative Aspects of Quasar Microlensing with Two Mass Components: Magnification Patterns and Probability Distributions,” The astrophysical journal, 2004.
[Bibtex]

@Article{ schechter_qualitative_2004,
title = {Qualitative {Aspects} of {Quasar} {Microlensing} with
{Two} {Mass} {Components}: {Magnification} {Patterns} and
{Probability} {Distributions}},
issn = {0004-637X, 1538-4357},
doi = {10.1086/422907},
language  = {en},
journal  = {The Astrophysical Journal},
author  = {Schechter, Paul L. and Wambsganss, Joachim and Lewis,
Geraint F.},
month = sep,
year = {2004}
}

M. Scherzinger, “Heideggerian Thought in the Early Music of Paul Hindemith (With a Foreword to Benjamin Boretz),” Perspectives of new music, 2006.
[Bibtex]

@Article{ scherzinger_heideggerian_2006,
title = {Heideggerian {Thought} in the {Early} {Music} of {Paul}
{Hindemith} ({With} a {Foreword} to {Benjamin} {Boretz})},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Scherzinger, Martin},
year = {2006}
}

B. Schiettecatte, A. Nackaerts, and B. Moor, “Real-Time Acoustics Simulation using Mesh-Tracing,” , 2003.
[Bibtex]

@Article{ schiettecatte_real-time_2003,
title = {Real-{Time} {Acoustics} {Simulation} using
{Mesh}-{Tracing}},
language  = {en},
author  = {Schiettecatte, Bert and Nackaerts, Axel and Moor, Bart
De},
year = {2003}
}

“Shell structures for architecture: form finding and optimization,” , 2014.
[Bibtex]

@Article{ adriaenssens_shell_2014,
address  = {London ; New York},
title = {Shell structures for architecture: form finding and
optimization},
isbn = {978-0-415-84059-0 978-0-415-84060-6},
language  = {en},
year = {2014}
}

R. Schleifer, “Modernism and Popular Music,” , 2011.
[Bibtex]

@Article{ schleifer_modernism_2011,
title = {Modernism and {Popular} {Music}},
language  = {en},
author  = {Schleifer, Ronald},
year = {2011}
}

J. Schmidhuber, “Developmental robotics, optimal artificial curiosity, creativity, music, and the fine arts,” Connection science, 2006.
[Bibtex]

@Article{ schmidhuber_developmental_2006,
title = {Developmental robotics, optimal artificial curiosity,
creativity, music, and the fine arts},
issn = {0954-0091, 1360-0494},
doi = {10.1080/09540090600768658},
language  = {en},
journal  = {Connection Science},
author  = {Schmidhuber, Jürgen},
month = jun,
year = {2006}
}

J. Schmidhuber, “Driven by Compression Progress: A Simple Principle Explains Essential Aspects of Subjective Beauty, Novelty, Surprise, Interestingness, Attention, Curiosity, Creativity, Art, Science, Music, Jokes,” , 2009.
[Bibtex]

@Article{ schmidhuber_driven_2009,
title = {Driven by {Compression} {Progress}: {A} {Simple}
{Principle} {Explains} {Essential} {Aspects} of
{Subjective} {Beauty}, {Novelty}, {Surprise},
{Interestingness}, {Attention}, {Curiosity}, {Creativity},
{Art}, {Science}, {Music}, {Jokes}},
language  = {en},
author  = {Schmidhuber, Juergen},
month = apr,
year = {2009}
}

J. Schmidhuber, “Goedel Machines: Self-Referential Universal Problem Solvers Making Provably Optimal Self-Improvements,” , 2006.
[Bibtex]

@Article{ schmidhuber_goedel_2006,
title = {Goedel {Machines}: {Self}-{Referential} {Universal}
{Problem} {Solvers} {Making} {Provably} {Optimal}
{Self}-{Improvements}},
language  = {en},
author  = {Schmidhuber, Juergen},
month = dec,
year = {2006}
}

J. Schmidhuber, “Low-Complexity_art,” Leonardo, 1997.
[Bibtex]

@Article{ schmidhuber_low-complexity_art_1997,
title = {Low-{Complexity}\_Art},
issn = {0024094X},
doi = {10.2307/1576418},
journal  = {Leonardo},
author  = {Schmidhuber, Jurgen},
year = {1997}
}

J. Schmidhuber, “The Fastest Way of Computing All Universes,” , 2012.
[Bibtex]

@Article{ zenil_fastest_2012,
title = {The {Fastest} {Way} of {Computing} {All} {Universes}},
isbn = {978-981-4374-29-3 978-981-4374-30-9},
language  = {en},
booktitle  = {A {Computable} {Universe}},
author  = {Schmidhuber, Jürgen},
collaborator  = {Zenil, Hector},
month = dec,
year = {2012},
doi = {10.1142/9789814374309_0020}
}

J. Schmidhuber, “The New AI: General & Sound & Relevant for Physics,” , 2007.
[Bibtex]

@Article{ goertzel_new_2007,
address  = {Berlin, Heidelberg},
title = {The {New} {AI}: {General} \& {Sound} \& {Relevant} for
{Physics}},
isbn = {978-3-540-23733-4},
language  = {en},
booktitle  = {Artificial {General} {Intelligence}},
author  = {Schmidhuber, Jürgen},
year = {2007},
doi = {10.1007/978-3-540-68677-4_6}
}

B. L. Schmidt, “A Natural Language System for Music,” Computer music journal, 1987.
[Bibtex]

@Article{ schmidt_natural_1987,
title = {A {Natural} {Language} {System} for {Music}},
issn = {01489267},
doi = {10.2307/3680317},
language  = {en},
journal  = {Computer Music Journal},
author  = {Schmidt, Brian L.},
year = {1987}
}

D. Schmidt, “Lenz im zeitgenössischen Musiktheater,” , 1993.
[Bibtex]

@Article{ schmidt_lenz_1993,
address  = {Stuttgart},
title = {Lenz im zeitgenössischen {Musiktheater}},
isbn = {978-3-476-00932-6 978-3-476-03483-0},
language  = {de},
author  = {Schmidt, Dörte},
year = {1993},
doi = {10.1007/978-3-476-03483-0}
}

J. B. Schneider, “Understanding the Finite-Difference Time-Domain Method.”
[Bibtex]

@Article{ schneider_understanding_nodate,
title = {Understanding the {Finite}-{Difference} {Time}-{Domain}
{Method}},
language  = {en},
author  = {Schneider, John B}
}

N. Schnell, R. Borghesi, D. Schwarz, F. Bevilacqua, and R. Müller, “FTM — COMPLEX DATA STRUCTURES FOR MAX.”
[Bibtex]

@Article{ schnell_ftm_nodate,
title = {{FTM} — {COMPLEX} {DATA} {STRUCTURES} {FOR} {MAX}},
language  = {en},
author  = {Schnell, Norbert and Borghesi, Riccardo and Schwarz, Diemo
and Bevilacqua, Frederic and Müller, Remy}
}

N. Schnell and D. Schwarz, “GABOR, MULTI-REPRESENTATION REAL-TIME ANALYSIS/SYNTHESIS,” , 2005.
[Bibtex]

@Article{ schnell_gabor_2005,
title = {{GABOR}, {MULTI}-{REPRESENTATION} {REAL}-{TIME}
{ANALYSIS}/{SYNTHESIS}},
language  = {en},
author  = {Schnell, Norbert and Schwarz, Diemo},
year = {2005}
}

N. Schnell, “Playing (with) Sound – Of the Animation of Digitized Sounds and their Reenactment by Playful Scenarios in the Design of Interactive Audio Applications.”
[Bibtex]

@Article{ schnell_playing_nodate,
title = {Playing (with) {Sound} - {Of} the {Animation} of
{Digitized} {Sounds} and their {Reenactment} by {Playful}
{Scenarios} in the {Design} of {Interactive} {Audio}
{Applications}},
language  = {de},
author  = {Schnell, Norbert}
}

O. Schneller and D. Vezza, “Interview with Oliver Schneller,” Perspectives of new music, 2010.
[Bibtex]

@Article{ schneller_interview_2010,
title = {Interview with {Oliver} {Schneller}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Schneller, Oliver and Vezza, Daniel},
year = {2010}
}

J. Schöberl, “NETGEN An advancing front 2D/3D-mesh generator based on abstract rules,” Computing and visualization in science, 1997.
[Bibtex]

@Article{ schoberl_netgen_1997,
title = {{NETGEN} {An} advancing front {2D}/{3D}-mesh generator
based on abstract rules},
issn = {1432-9360, 1433-0369},
doi = {10.1007/s007910050004},
language  = {en},
journal  = {Computing and Visualization in Science},
author  = {Schöberl, Joachim},
month = jul,
year = {1997}
}

A. Schoenberg, “Preliminary exercises in counterpoint,” , 1970.
[Bibtex]

@Article{ schoenberg_preliminary_1970,
address  = {New York},
title = {Preliminary exercises in counterpoint},
isbn = {978-0-312-63875-7},
language  = {en},
author  = {Schoenberg, Arnold},
year = {1970}
}

A. Schönberg, “Structural functions of harmony,” , 1989.
[Bibtex]

@Article{ schonberg_structural_1989,
address  = {London},
title = {Structural functions of harmony},
isbn = {978-0-571-13000-9},
language  = {en},
author  = {Schönberg, Arnold},
year = {1989}
}

X. Rodet and P. Cointe, “FORMES: Composition and Scheduling of Processes,” Computer music journal, 1984.
[Bibtex]

@Article{ rodet_formes_1984,
title = {{FORMES}: {Composition} and {Scheduling} of {Processes}},
issn = {01489267},
doi = {10.2307/3679811},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rodet, Xavier and Cointe, Pierre},
year = {1984}
}

S. Lattner, M. Grachten, and G. Widmer, “Imposing higher-level Structure in Polyphonic Music Generation using Convolutional Restricted Boltzmann Machines and Constraints,” Journal of creative music systems, 2018.
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@Article{ lattner_imposing_2018,
title = {Imposing higher-level {Structure} in {Polyphonic} {Music}
{Generation} using {Convolutional} {Restricted} {Boltzmann}
{Machines} and {Constraints}},
issn = {2399-7656},
doi = {10.5920/jcms.2018.01},
language  = {en},
journal  = {Journal of Creative Music Systems},
author  = {Lattner, Stefan and Grachten, Maarten and Widmer,
Gerhard},
month = mar,
year = {2018}
}

S. Lattner, M. Dörfler, and A. Arzt, “Learning Complex Basis Functions for Invariant Representations of Audio,” , 2019.
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@Article{ lattner_learning_2019,
title = {Learning {Complex} {Basis} {Functions} for {Invariant}
{Representations} of {Audio}},
language  = {en},
author  = {Lattner, Stefan and Dörfler, Monika and Arzt, Andreas},
month = jul,
year = {2019}
}

D. Lau and G. Arce, “Modern Digital Halftoning, Second Edition,” , 2008.
[Bibtex]

@Article{ lau_modern_2008,
title = {Modern {Digital} {Halftoning}, {Second} {Edition}},
isbn = {978-1-4200-4753-0 978-1-4200-4754-7},
language  = {en},
author  = {Lau, Daniel and Arce, Gonzalo},
month = apr,
year = {2008},
doi = {10.1201/9781420047547}
}

B. Laurent, “Democratic Experiments.”
[Bibtex]

@Article{ laurent_democratic_nodate,
title = {Democratic {Experiments}},
language  = {en},
author  = {Laurent, Brice}
}

C. Laurenzi and M. Stroppa, “THE NOTATION OF DYNAMIC LEVELS IN THE PERFORMANCE OF ELECTRONIC MUSIC.”
[Bibtex]

@Article{ laurenzi_notation_nodate,
title = {{THE} {NOTATION} {OF} {DYNAMIC} {LEVELS} {IN} {THE}
{PERFORMANCE} {OF} {ELECTRONIC} {MUSIC}},
language  = {en},
author  = {Laurenzi, Carlo and Stroppa, Marco}
}

M. Laurson, M. Kuuskankare, and K. Kuitunen, “STATISTICAL RULES IN CONSTRAINT-BASED PROGRAMMING,” , 2009.
[Bibtex]

@Article{ laurson_statistical_2009,
title = {{STATISTICAL} {RULES} {IN} {CONSTRAINT}-{BASED}
{PROGRAMMING}},
language  = {en},
author  = {Laurson, Mikael and Kuuskankare, Mika and Kuitunen,
Kimmo},
year = {2009}
}

J. Lauwereyns, “The anatomy of bias: how neural circuits weigh the options,” , 2010.
[Bibtex]

@Article{ lauwereyns_anatomy_2010,
address  = {Cambridge, Mass},
title = {The anatomy of bias: how neural circuits weigh the
options},
isbn = {978-0-262-12310-5},
language  = {en},
author  = {Lauwereyns, Jan},
year = {2010}
}

A. Lavers, “Roland Barthes, structuralism and after,” , 1982.
[Bibtex]

@Article{ lavers_roland_1982,
address  = {London},
title = {Roland {Barthes}, structuralism and after},
isbn = {978-0-416-72380-9},
language  = {en},
author  = {Lavers, Annette},
year = {1982}
}

D. Lavry and L. Engineering, “Sampling Theory For Digital Audio.”
[Bibtex]

@Article{ lavry_sampling_nodate,
title = {Sampling {Theory} {For} {Digital} {Audio}},
language  = {en},
author  = {Lavry, Dan and Engineering, Lavry}
}

V. Lazzarini and J. Timoney, “New Perspectives on Distortion Synthesis for Virtual Analog Oscillators,” Computer music journal, 2010.
[Bibtex]

@Article{ lazzarini_new_2010,
title = {New {Perspectives} on {Distortion} {Synthesis} for
{Virtual} {Analog} {Oscillators}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.1.28},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lazzarini, Victor and Timoney, Joseph},
month = mar,
year = {2010}
}

V. Lazzarini and J. Timoney, “Synthesis of Resonance by Nonlinear Distortion Methods,” Computer music journal, 2013.
[Bibtex]

@Article{ lazzarini_synthesis_2013,
title = {Synthesis of {Resonance} by {Nonlinear} {Distortion}
{Methods}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00160},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lazzarini, Victor and Timoney, Joseph},
month = mar,
year = {2013}
}

V. Lazzarini, J. Timoney, and T. Lysaght, “The Generation of Natural-Synthetic Spectra by Means of Adaptive Frequency Modulation,” Computer music journal, 2008.
[Bibtex]

@Article{ lazzarini_generation_2008,
title = {The {Generation} of {Natural}-{Synthetic} {Spectra} by
{Means} of {Adaptive} {Frequency} {Modulation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.2.9},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lazzarini, Victor and Timoney, Joseph and Lysaght,
Thomas},
month = jun,
year = {2008}
}

F. L. Bel, “Agglomerative Clustering for Audio Classification using Low-level Descriptors.”
[Bibtex]

@Article{ bel_agglomerative_nodate,
title = {Agglomerative {Clustering} for {Audio} {Classification}
using {Low}-level {Descriptors}},
language  = {en},
author  = {Bel, Frédéric LE}
}

L. D. Duy, “HUMAN FACE PROCESSING TECHNIQUES WITH APPLICATION TO LARGE SCALE VIDEO INDEXING.”
[Bibtex]

@Article{ duy_human_nodate,
title = {{HUMAN} {FACE} {PROCESSING} {TECHNIQUES} {WITH}
{APPLICATION} {TO} {LARGE} {SCALE} {VIDEO} {INDEXING}},
language  = {en},
author  = {Duy, Le Dinh}
}

D. Le, S. Satoh, M. E. Houle, and D. P. T. Nguyen, “Finding Important People in Large News Video Databases Using Multimodal and Clustering Analysis,” , 2007.
[Bibtex]

@Article{ le_finding_2007,
address  = {Istanbul, Turkey},
title = {Finding {Important} {People} in {Large} {News} {Video}
{Databases} {Using} {Multimodal} and {Clustering}
{Analysis}},
isbn = {978-1-4244-0831-3 978-1-4244-0832-0},
doi = {10.1109/ICDEW.2007.4400982},
language  = {en},
booktitle  = {2007 {IEEE} 23rd {International} {Conference} on {Data}
{Engineering} {Workshop}},
author  = {Le, Duy-Dinh and Satoh, Shin'ichi and Houle, Michael E.
and Nguyen, Dat Phuoc Tat},
month = apr,
year = {2007}
}

C. Le Rendu-Lizée, “Quelles formes d’implication dans les lieux de Musiques Actuelles et Amplifiées ?,” Volume !, 2005.
[Bibtex]

@Article{ le_rendu-lizee_quelles_2005,
title = {Quelles formes d’implication dans les lieux de
{Musiques} {Actuelles} et {Amplifiées} ?},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.1325},
language  = {fr},
journal  = {Volume !},
author  = {Le Rendu-Lizée, Carole},
month = sep,
year = {2005}
}

J. L. Roux, “Illustrations of the notion of entropy in the two theorems of Claude Shannon in information theory.”
[Bibtex]

@Article{ roux_illustrations_nodate,
title = {Illustrations of the notion of entropy in the two theorems
of {Claude} {Shannon} in information theory},
language  = {en},
author  = {Roux, Joël Le}
}

J. Leach and J. Fitch, “Nature, Music, and Algorithmic Composition,” Computer music journal, 1995.
[Bibtex]

@Article{ leach_nature_1995,
title = {Nature, {Music}, and {Algorithmic} {Composition}},
issn = {01489267},
doi = {10.2307/3680598},
language  = {en},
journal  = {Computer Music Journal},
author  = {Leach, Jeremy and Fitch, John},
year = {1995}
}

J. L. Leach and J. P. Fitch, “The Application of Differential Equations to the Modelling of Musical Change,” , 1995.
[Bibtex]

@Article{ leach_application_1995,
title = {The {Application} of {Differential} {Equations} to the
{Modelling} of {Musical} {Change}},
language  = {en},
author  = {Leach, J L and Fitch, J P},
year = {1995}
}

S. Sterken, “Towards a Space-Time Art: Iannis Xenakis’s Polytopes,” Perspectives of new music, 2001.
[Bibtex]

@Article{ sterken_towards_2001,
title = {Towards a {Space}-{Time} {Art}: {Iannis} {Xenakis}'s
{Polytopes}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Sterken, Sven},
year = {2001}
}

J. Sterne, “Being ‘In the True’ of Sound Studies,” Music, sound, and the moving image, 2008.
[Bibtex]

@Article{ sterne_being_2008,
title = {Being '{In} the {True}' of {Sound} {Studies}},
issn = {1753-0768, 1753-0776},
doi = {10.3828/msmi.2.2.11},
language  = {en},
journal  = {Music, Sound, and the Moving Image},
author  = {Sterne, Jonathan},
month = dec,
year = {2008}
}

B. R. Steunebrink and J. Schmidhuber, “Towards an Actual Gödel Machine Implementation: a Lesson in Self-Reflective Systems,” , 2012.
[Bibtex]

@Article{ wang_towards_2012,
address  = {Paris},
title = {Towards an {Actual} {Gödel} {Machine} {Implementation}: a
{Lesson} in {Self}-{Reflective} {Systems}},
isbn = {978-94-91216-61-9 978-94-91216-62-6},
language  = {en},
booktitle  = {Theoretical {Foundations} of {Artificial} {General}
{Intelligence}},
author  = {Steunebrink, Bas R. and Schmidhuber, JÃ¼rgen},
year = {2012},
doi = {10.2991/978-94-91216-62-6_10}
}

S. Stévance and C. F. de Médicis, “Marcel Duchamp’s Musical Secret Boxed in the Tradition of the Real: A New Instrumental Paradigm,” Perspectives of new music, 2007.
[Bibtex]

@Article{ stevance_marcel_2007,
title = {Marcel {Duchamp}'s {Musical} {Secret} {Boxed} in the
{Tradition} of the {Real}: {A} {New} {Instrumental}
{Paradigm}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Stévance, Sophie and Médicis, Catrina Flint de},
year = {2007}
}

B. Stiegler, “La télécratie contre la démocratie: lettre ouverte aux représentants politiques,” , 2006.
[Bibtex]

@Article{ stiegler_telecratie_2006,
address  = {Paris},
title = {La télécratie contre la démocratie: lettre ouverte aux
représentants politiques},
isbn = {978-2-08-210569-9},
language  = {fr},
author  = {Stiegler, Bernard},
year = {2006}
}

P. B. Stiegler, “LES TEMPS DE LA LECTURE et les nouveaux instruments de la mémoire.”
[Bibtex]

@Article{ stiegler_temps_nodate,
title = {{LES} {TEMPS} {DE} {LA} {LECTURE} et les nouveaux
instruments de la mémoire},
language  = {fr},
author  = {Stiegler, Par Bernard}
}

B. Stiegler, “Nanomutations, hypomnemata and grammatisation.”
[Bibtex]

@Article{ stiegler_nanomutations_nodate,
title = {Nanomutations, hypomnemata and grammatisation},
language  = {en},
author  = {Stiegler, Bernard}
}

T. R. Beardsworth and G. Collins, “Stanford University Press.”
[Bibtex]

@Article{ beardsworth_stanford_nodate,
title = {Stanford {University} {Press}},
language  = {en},
author  = {Beardsworth, Translated Richard and Collins, George}
}

B. Stiegler, B. Stiegler, and B. Stiegler, “The decadence of industrial democracies,” , 2011.
[Bibtex]

@Article{ stiegler_decadence_2011,
address  = {Cambridge},
title = {The decadence of industrial democracies},
isbn = {978-0-7456-4809-5 978-0-7456-4810-1},
language  = {en},
author  = {Stiegler, Bernard and Stiegler, Bernard and Stiegler,
Bernard},
year = {2011}
}

M. Stiglegger, “Celestial Vibrations and the Vortex.”
[Bibtex]

@Article{ stiglegger_celestial_nodate,
title = {Celestial {Vibrations} and the {Vortex}},
language  = {en},
author  = {Stiglegger, Marcus}
}

T. Stilson and J. Smith, “Alias-Free Digital Synthesis of Classic Analog Waveforms.”
[Bibtex]

@Article{ stilson_alias-free_nodate,
title = {Alias-{Free} {Digital} {Synthesis} of {Classic} {Analog}
{Waveforms}},
language  = {en},
author  = {Stilson, Tim and Smith, Julius}
}

D. T. Vuza, “Supplementary Sets and Regular Complementary Unending Canons (Part Three),” Perspectivesof new music.
[Bibtex]

@Article{ vuza_supplementary_nodate,
title = {Supplementary {Sets} and {Regular} {Complementary}
{Unending} {Canons} ({Part} {Three})},
language  = {en},
journal  = {Perspectivesof New Music},
author  = {Vuza, Dan Tudor}
}

R. Wagner, “Art And Revolution.”
[Bibtex]

@Article{ wagner_art_nodate,
title = {Art {And} {Revolution}},
language  = {en},
author  = {Wagner, Richard}
}

R. Wagner, “The Art-Work of the Future,” Richard wagner.
[Bibtex]

@Article{ wagner_art-work_nodate,
title = {The {Art}-{Work} of the {Future}},
language  = {en},
journal  = {Richard Wagner},
author  = {Wagner, Richard}
}

J. Wakefield, “Bayesian and Frequentist Regression Methods,” , 2013.
[Bibtex]

@Article{ wakefield_bayesian_2013,
address  = {New York, NY},
title = {Bayesian and {Frequentist} {Regression} {Methods}},
isbn = {978-1-4419-0924-4 978-1-4419-0925-1},
language  = {en},
author  = {Wakefield, Jon},
year = {2013},
doi = {10.1007/978-1-4419-0925-1}
}

E. Wallin, R. D. Williams, and M. Salinas, “Delta-Sigma Waveguides for Music Synthesis,” Computer music journal, 1999.
[Bibtex]

@Article{ wallin_delta-sigma_1999,
title = {Delta-{Sigma} {Waveguides} for {Music} {Synthesis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559986},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wallin, Eric and Williams, Ronald D. and Salinas, Maximo
H.},
month = dec,
year = {1999}
}

D. Walters, “The Aesthetics of Pierre Boulez.”
[Bibtex]

@Article{ walters_aesthetics_nodate,
title = {The {Aesthetics} of {Pierre} {Boulez}},
language  = {en},
author  = {Walters, David}
}

G. Wang, P. R. Cook, and S. Salazar, “ChucK: A Strongly Timed Computer Music Language,” Computer music journal, 2015.
[Bibtex]

@Article{ wang_chuck_2015,
title = {{ChucK}: {A} {Strongly} {Timed} {Computer} {Music}
{Language}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00324},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wang, Ge and Cook, Perry R. and Salazar, Spencer},
month = dec,
year = {2015}
}

T. Wang, A. Xu, and H. Cölfen, “Formation of Self-Organized Dynamic Structure Patterns of Barium Carbonate Crystals in Polymer-Controlled Crystallization,” Angewandte chemie international edition, 2006.
[Bibtex]

@Article{ wang_formation_2006,
title = {Formation of {Self}-{Organized} {Dynamic} {Structure}
{Patterns} of {Barium} {Carbonate} {Crystals} in
{Polymer}-{Controlled} {Crystallization}},
issn = {1433-7851, 1521-3773},
doi = {10.1002/anie.200601038},
language  = {en},
journal  = {Angewandte Chemie International Edition},
author  = {Wang, Tongxin and Xu, An-Wu and Cölfen, Helmut},
month = jul,
year = {2006}
}

“Machine Audition: Principles, Algorithms and Systems,” , 2011.
[Bibtex]

@Article{ wang_machine_2011,
title = {Machine {Audition}: {Principles}, {Algorithms} and
{Systems}},
isbn = {978-1-61520-919-4 978-1-61520-920-0},
language  = {en},
year = {2011},
doi = {10.4018/978-1-61520-919-4}
}

C. Wang, J. Hsu, and S. Dubnov, “MUSIC PATTERN DISCOVERY WITH VARIABLE MARKOV ORACLE: A UNIFIED APPROACH TO SYMBOLIC AND AUDIO REPRESENTATIONS,” , 2015.
[Bibtex]

@Article{ wang_music_2015,
title = {{MUSIC} {PATTERN} {DISCOVERY} {WITH} {VARIABLE} {MARKOV}
{ORACLE}: {A} {UNIFIED} {APPROACH} {TO} {SYMBOLIC} {AND}
{AUDIO} {REPRESENTATIONS}},
language  = {en},
author  = {Wang, Cheng-i and Hsu, Jennifer and Dubnov, Shlomo},
year = {2015}
}

C. Wang and G. J. Mysore, “Structural segmentation with the Variable Markov Oracle and boundary adjustment,” , 2016.
[Bibtex]

@Article{ wang_structural_2016,
address  = {Shanghai},
title = {Structural segmentation with the {Variable} {Markov}
{Oracle} and boundary adjustment},
isbn = {978-1-4799-9988-0},
doi = {10.1109/ICASSP.2016.7471683},
language  = {en},
booktitle  = {2016 {IEEE} {International} {Conference} on {Acoustics},
{Speech} and {Signal} {Processing} ({ICASSP})},
author  = {Wang, Cheng-i and Mysore, Gautham J.},
month = mar,
year = {2016}
}

P. Gidal, “Warhol and Gidal (The Factory).”
[Bibtex]

@Article{ gidal_warhol_nodate,
title = {Warhol and {Gidal} ({The} {Factory})},
language  = {en},
author  = {Gidal, Peter}
}

“A Hidden Surface Algorithm for Computer Generated Halftone Pictures.”
[Bibtex]

@Article{ noauthor_hidden_nodate,
title = {A {Hidden} {Surface} {Algorithm} for {Computer}
{Generated} {Halftone} {Pictures}},
language  = {en}
}

E. Watkins, “Kant and the metaphysics of causality,” , 2005.
[Bibtex]

@Article{ watkins_kant_2005,
address  = {Cambridge, UK},
title = {Kant and the metaphysics of causality},
isbn = {978-0-511-08217-7},
language  = {en},
author  = {Watkins, Eric},
year = {2005}
}

J. Watkinson, “The art of digital audio,” , 2001.
[Bibtex]

@Article{ watkinson_art_2001,
address  = {Oxford ; Boston},
title = {The art of digital audio},
isbn = {978-0-240-51587-8},
language  = {en},
author  = {Watkinson, John},
year = {2001}
}

M. Wattenberg, “Arc diagrams: visualizing structure in strings,” , 2002.
[Bibtex]

@Article{ wattenberg_arc_2002,
address  = {Boston, MA, USA},
title = {Arc diagrams: visualizing structure in strings},
isbn = {978-0-7695-1751-3},
doi = {10.1109/INFVIS.2002.1173155},
language  = {en},
booktitle  = {{IEEE} {Symposium} on {Information} {Visualization}, 2002.
{INFOVIS} 2002.},
author  = {Wattenberg, M.},
year = {2002}
}

“Wavelets and Multiscale Analysis: Theory and Applications,” , 2011.
[Bibtex]

@Article{ cohen_wavelets_2011,
address  = {Boston},
title = {Wavelets and {Multiscale} {Analysis}: {Theory} and
{Applications}},
isbn = {978-0-8176-8094-7 978-0-8176-8095-4},
language  = {en},
year = {2011},
doi = {10.1007/978-0-8176-8095-4}
}

“Illustrierte Mathematik: Visualisierung von mathematischen Gegenständen,” , 1994.
[Bibtex]

@Article{ gloor_illustrierte_1994,
address  = {Basel},
title = {Illustrierte {Mathematik}: {Visualisierung} von
mathematischen {Gegenständen}},
isbn = {978-3-7643-5100-7},
language  = {en},
year = {1994}
}

C. W. Tyler, “Leonardo da Vinci’s World Map.”
[Bibtex]

@Article{ tyler_leonardo_nodate,
title = {Leonardo da {Vinci}’s {World} {Map}},
language  = {en},
author  = {Tyler, Christopher W}
}

C. W. Tyler, “On the Structure of Consciousness Manifested through Evolution, Psychophysics, and Art,” , 1998.
[Bibtex]

@Article{ tyler_structure_1998,
title = {On the {Structure} of {Consciousness} {Manifested} through
{Evolution}, {Psychophysics}, and {Art}},
language  = {en},
author  = {Tyler, Christopher W},
year = {1998}
}

D. Tymoczko, “A geometry of music: harmony and counterpoint in the extended common practice,” , 2011.
[Bibtex]

@Article{ tymoczko_geometry_2011,
address  = {New York},
title = {A geometry of music: harmony and counterpoint in the
extended common practice},
isbn = {978-0-19-533667-2},
language  = {en},
author  = {Tymoczko, Dmitri},
year = {2011}
}

D. Tymoczko, “Scale Theory, Serial Theory and Voice Leading,” Music analysis, 2008.
[Bibtex]

@Article{ tymoczko_scale_2008,
title = {Scale {Theory}, {Serial} {Theory} and {Voice} {Leading}},
issn = {02625245, 14682249},
doi = {10.1111/j.1468-2249.2008.00257.x},
language  = {en},
journal  = {Music Analysis},
author  = {Tymoczko, Dmitri},
month = mar,
year = {2008}
}

G. Tzanetakis, J. Gao, and P. Steenkiste, “A Scalable Peer-to-Peer System for Music Information Retrieval,” Computer music journal, 2004.
[Bibtex]

@Article{ tzanetakis_scalable_2004,
title = {A {Scalable} {Peer}-to-{Peer} {System} for {Music}
{Information} {Retrieval}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892604323112220},
language  = {en},
journal  = {Computer Music Journal},
author  = {Tzanetakis, George and Gao, Jun and Steenkiste, Peter},
month = jun,
year = {2004}
}

G. Tzanetakis and P. Cook, “A Framework for Audio Analysis,” , 2002.
[Bibtex]

@Article{ tzanetakis_framework_2002,
title = {A {Framework} for {Audio} {Analysis}},
language  = {en},
author  = {Tzanetakis, George and Cook, Perry},
year = {2002}
}

T. Ulrich, “LUCIFER AND MORALITY IN STOCKHAUSEN’S OPERA CYCLE LICHT,” Perspectives of new music.
[Bibtex]

@Article{ ulrich_lucifer_nodate,
title = {{LUCIFER} {AND} {MORALITY} {IN} {STOCKHAUSEN}’{S}
{OPERA} {CYCLE} {LICHT}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Ulrich, Thomas}
}

L. Ultan, “Music theory: problems and practices in the Middle Ages and Renaissance,” , 1977.
[Bibtex]

@Article{ ultan_music_1977,
address  = {Minneapolis},
title = {Music theory: problems and practices in the {Middle}
{Ages} and {Renaissance}},
isbn = {978-0-8166-0802-7},
language  = {en},
author  = {Ultan, Lloyd},
year = {1977}
}

R. Ulyate and D. Bianciardi, “The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment,” Computer music journal, 2002.
[Bibtex]

@Article{ ulyate_interactive_2002,
title = {The {Interactive} {Dance} {Club}: {Avoiding} {Chaos} in a
{Multi}-{Participant} {Environment}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602320582963},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ulyate, Ryan and Bianciardi, David},
month = sep,
year = {2002}
}

B. L. Sturm, “Adaptive Concatenative Sound Synthesis and Its Application to Micromontage Composition,” Computer music journal, 2006.
[Bibtex]

@Article{ sturm_adaptive_2006,
title = {Adaptive {Concatenative} {Sound} {Synthesis} and {Its}
{Application} to {Micromontage} {Composition}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.4.46},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sturm, Bob L.},
month = dec,
year = {2006}
}

B. L. Sturm, “Composing for an ensemble of atoms: the metamorphosis of scientific experiment into music,” Organised sound, 2001.
[Bibtex]

@Article{ sturm_composing_2001,
title = {Composing for an ensemble of atoms: the metamorphosis of
scientific experiment into music},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771801002102},
language  = {en},
journal  = {Organised Sound},
author  = {Sturm, Bob L.},
month = aug,
year = {2001}
}

B. L. Sturm, J. F. Santos, O. Ben-Tal, and I. Korshunova, “Music transcription modelling and composition using deep learning,” , 2016.
[Bibtex]

@Article{ sturm_music_2016,
title = {Music transcription modelling and composition using deep
learning},
language  = {en},
author  = {Sturm, Bob L. and Santos, João Felipe and Ben-Tal, Oded
and Korshunova, Iryna},
month = apr,
year = {2016}
}

A. Styhre, “Perception and organization: art, music, media,” , 2008.
[Bibtex]

@Article{ styhre_perception_2008,
address  = {Basingstoke [England] ; New York},
title = {Perception and organization: art, music, media},
isbn = {978-0-230-51615-1},
language  = {en},
author  = {Styhre, Alexander},
year = {2008}
}

“Fundamentals of the New Artificial Intelligence,” , 2007.
[Bibtex]

@Article{ munakata_fundamentals_2007,
address  = {London},
title = {Fundamentals of the {New} {Artificial} {Intelligence}},
isbn = {978-1-84628-838-8 978-1-84628-839-5},
language  = {en},
year = {2007},
doi = {10.1007/978-1-84628-839-5}
}

P. Codognet, “Pervasive Computing and Interactive Art May 14th, ara, Japan.”
[Bibtex]

@Article{ codognet_pervasive_nodate,
title = {Pervasive {Computing} and {Interactive} {Art} {May} 14th,
ara, {Japan}},
language  = {en},
author  = {Codognet, Philippe}
}

J. R. Mureika and R. P. Taylor, “The Abstract Expressionists and Les Automatistes: A shared multi-fractal depth?,” Signal processing, 2013.
[Bibtex]

@Article{ mureika_abstract_2013,
title = {The {Abstract} {Expressionists} and {Les} {Automatistes}:
{A} shared multi-fractal depth?},
issn = {01651684},
doi = {10.1016/j.sigpro.2012.05.002},
language  = {en},
journal  = {Signal Processing},
author  = {Mureika, J.R. and Taylor, R.P.},
month = mar,
year = {2013}
}

M. Murph, “Max Neuhaus and the musical avant-garde,” Master of {Music} PhD Thesis, 2013.
[Bibtex]

@PhDThesis{ murph_max_2013,
type = {Master of {Music}},
title = {Max {Neuhaus} and the musical avant-garde},
language  = {en},
school  = {Louisiana State University and Agricultural and Mechanical
College},
author  = {Murph, Megan},
month = may,
year = {2013},
doi = {10.31390/gradschool_theses.3777}
}

S. Murphy, “A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki,” Perspectives of new music, 2007.
[Bibtex]

@Article{ murphy_model_2007,
title = {A {Model} of {Melodic} {Expectation} for {Some}
{Neo}-{Romantic} {Music} of {Penderecki}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Murphy, Scott},
year = {2007}
}

K. Muscutt, “Composing with Algorithms: An Interview with David Cope,” Computer music journal, 2007.
[Bibtex]

@Article{ muscutt_composing_2007,
title = {Composing with {Algorithms}: {An} {Interview} with {David}
{Cope}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.3.10},
language  = {en},
journal  = {Computer Music Journal},
author  = {Muscutt, Keith},
month = sep,
year = {2007}
}

C. Lécuyer and D. C. Brock, “Makers of the microchip: a documentary history of Fairchild Semiconductor,” , 2010.
[Bibtex]

@Article{ lecuyer_makers_2010,
address  = {Cambridge, Mass},
title = {Makers of the microchip: a documentary history of
{Fairchild} {Semiconductor}},
isbn = {978-0-262-01424-3},
language  = {en},
author  = {Lécuyer, Christophe and Brock, David C.},
year = {2010}
}

D. Ledent, “L’institutionnalisation des concerts publics: Enjeux politiques et esthétiques,” Appareil, 2009.
[Bibtex]

@Article{ ledent_linstitutionnalisation_2009,
title = {L’institutionnalisation des concerts publics: {Enjeux}
politiques et esthétiques},
issn = {2101-0714},
doi = {10.4000/appareil.809},
language  = {fr},
journal  = {Appareil},
author  = {Ledent, David},
month = may,
year = {2009}
}

D. Ledent, “L’invention du concert: Une révolution du sens musical,” Appareil, 2007.
[Bibtex]

@Article{ ledent_linvention_2007,
title = {L’invention du concert: {Une} révolution du sens
musical},
issn = {2101-0714},
doi = {10.4000/appareil.83},
language  = {fr},
journal  = {Appareil},
author  = {Ledent, David},
month = dec,
year = {2007}
}

H. Lefebvre, D. Nicholson-Smith, and H. Lefebvre, “The production of space,” , 2013.
[Bibtex]

@Article{ lefebvre_production_2013,
address  = {Malden},
title = {The production of space},
isbn = {978-0-631-18177-4},
language  = {en},
author  = {Lefebvre, Henri and Nicholson-Smith, Donald and Lefebvre,
Henri},
year = {2013}
}

A. Lefèvre, “Les N-Lecteurs du GRM Player.”
[Bibtex]

@Article{ lefevre_n-lecteurs_nodate,
title = {Les {N}-{Lecteurs} du {GRM} {Player}},
language  = {fr},
author  = {Lefèvre, Adrien}
}

N. Lefford, “An Interview with Barry Vercoe,” Computer music journal, 1999.
[Bibtex]

@Article{ lefford_interview_1999,
title = {An {Interview} with {Barry} {Vercoe}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559968},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lefford, Nyssim},
month = dec,
year = {1999}
}

S. Legg and M. Hutter, “A Collection of Deﬁnitions of Intelligence,” , 2006.
[Bibtex]

@Article{ legg_collection_2006,
title = {A {Collection} of {Deﬁnitions} of {Intelligence}},
language  = {en},
author  = {Legg, Shane and Hutter, Marcus},
year = {2006}
}

S. Legg and J. Veness, “An Approximation of the Universal Intelligence Measure,” , 2011.
[Bibtex]

@Article{ legg_approximation_2011,
title = {An {Approximation} of the {Universal} {Intelligence}
{Measure}},
language  = {en},
author  = {Legg, Shane and Veness, Joel},
month = sep,
year = {2011}
}

H. Lehmann and K. Jürs-Munby, “Postdramatic theatre,” , 2006.
[Bibtex]

@Article{ lehmann_postdramatic_2006,
address  = {London ; New York},
title = {Postdramatic theatre},
isbn = {978-0-415-26812-7 978-0-415-26813-4},
language  = {en},
author  = {Lehmann, Hans-Thies and Jürs-Munby, Karen},
year = {2006}
}

A. C. Lehmann, J. A. Sloboda, and R. Woody, “Psychology for musicians: understanding and acquiring the skills,” , 2007.
[Bibtex]

@Article{ lehmann_psychology_2007,
address  = {Oxford ; New York},
title = {Psychology for musicians: understanding and acquiring the
skills},
isbn = {978-0-19-514610-3},
language  = {en},
author  = {Lehmann, Andreas C. and Sloboda, John A. and Woody, Robert
H.},
year = {2007}
}

H. Lehtonen, V. Välimäki, and T. I. Laakso, “Canceling and Selecting Partials from Musical Tones Using Fractional-Delay Filters,” Computer music journal, 2008.
[Bibtex]

@Article{ lehtonen_canceling_2008,
title = {Canceling and {Selecting} {Partials} from {Musical}
{Tones} {Using} {Fractional}-{Delay} {Filters}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.2.43},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lehtonen, Heidi-Maria and Välimäki, Vesa and Laakso,
Timo I.},
month = jun,
year = {2008}
}

S. Leitman, “Trimpin: An Interview,” Computer music journal, 2011.
[Bibtex]

@Article{ leitman_trimpin_2011,
title = {Trimpin: {An} {Interview}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00088},
language  = {en},
journal  = {Computer Music Journal},
author  = {Leitman, Sasha},
month = dec,
year = {2011}
}

N. Lem, “An Adaptive Model of Pulse in Jazz Percussion: Rhythmic Generation in Quasi-Periodic Musical Contexts using Sequence-to-Sequence Learning.”
[Bibtex]

@Article{ lem_adaptive_nodate,
title = {An {Adaptive} {Model} of {Pulse} in {Jazz} {Percussion}:
{Rhythmic} {Generation} in {Quasi}-{Periodic} {Musical}
{Contexts} using {Sequence}-to-{Sequence} {Learning}},
language  = {en},
author  = {Lem, Nolan}
}

N. Lem and Y. Orlarey, “Kuroscillator: A Max-MSP Object for Sound Synthesis using Coupled-Oscillator Networks.”
[Bibtex]

@Article{ lem_kuroscillator_nodate,
title = {Kuroscillator: {A} {Max}-{MSP} {Object} for {Sound}
{Synthesis} using {Coupled}-{Oscillator} {Networks}},
language  = {en},
author  = {Lem, Nolan and Orlarey, Yann}
}

M. Leman, “Music and Schema Theory,” , 1995.
[Bibtex]

@Article{ leman_music_1995,
address  = {Berlin, Heidelberg},
title = {Music and {Schema} {Theory}},
isbn = {978-3-642-85215-2 978-3-642-85213-8},
language  = {en},
author  = {Leman, Marc},
year = {1995},
doi = {10.1007/978-3-642-85213-8}
}

S. Lemmetty, “Review of Speech Synthesis Technology.”
[Bibtex]

@Article{ lemmetty_review_nodate,
title = {Review of {Speech} {Synthesis} {Technology}},
language  = {en},
author  = {Lemmetty, Sami}
}

S. Lemouton and A. Schaathun, “Knitting and Weaving: Using OpenMusic to Generate Canonic Musical Material,” , 2008.
[Bibtex]

@Article{ lemouton_knitting_2008,
title = {Knitting and {Weaving}: {Using} {OpenMusic} to {Generate}
{Canonic} {Musical} {Material}},
language  = {en},
author  = {Lemouton, Serge and Schaathun, Asbjørn},
year = {2008}
}

P. Léna, “The Discovery of Extrasolar Planets,” , 2006.
[Bibtex]

@Article{ lena_discovery_2006,
title = {The {Discovery} of {Extrasolar} {Planets}},
language  = {en},
author  = {Léna, Pierre},
year = {2006}
}

P. P. Lennox, J. M. Vaughan, and T. Myatt, “3D audio as an information-environment: manipulating perceptual significance for differentiation and pre-selection.,” , 2001.
[Bibtex]

@Article{ lennox_3d_2001,
title = {{3D} audio as an information-environment: manipulating
perceptual significance for differentiation and
pre-selection.},
language  = {en},
author  = {Lennox, Peter P and Vaughan, John M and Myatt, Tony},
year = {2001}
}

N. Lenssen and D. Needell, “On the Mathematics of Music: From Chords to Fourier Analysis,” , 2013.
[Bibtex]

@Article{ lenssen_mathematics_2013,
title = {On the {Mathematics} of {Music}: {From} {Chords} to
{Fourier} {Analysis}},
language  = {en},
author  = {Lenssen, Nathan and Needell, Deanna},
month = jun,
year = {2013}
}

K. Lent, R. Pinkston, and P. Silsbee, “Accelerando: A Real-Time, General Purpose Computer Music System,” Computer music journal, 1989.
[Bibtex]

@Article{ lent_accelerando_1989,
title = {Accelerando: {A} {Real}-{Time}, {General} {Purpose}
{Computer} {Music} {System}},
issn = {01489267},
doi = {10.2307/3679553},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lent, Keith and Pinkston, Russell and Silsbee, Peter},
year = {1989}
}

J. Leonard, J. Villeneuve, R. Michon, Y. Orlarey, S. Letz, A. Three, and A. Four, “Formalizing Mass-Interaction Physical Modeling in Faust,” Stanford university, 2019.
[Bibtex]

@Article{ leonard_formalizing_2019,
title = {Formalizing {Mass}-{Interaction} {Physical} {Modeling} in
{Faust}},
language  = {en},
journal  = {Stanford University},
author  = {Leonard, James and Villeneuve, Jérôme and Michon, Romain
and Orlarey, Yann and Letz, Stéphane and Three, Author and
Four, Author},
year = {2019}
}

N. Leonard, “Juan Blanco: Cuba’s Pioneer of Electroacoustic Music,” Computer music journal, 1997.
[Bibtex]

@Article{ leonard_juan_1997,
title = {Juan {Blanco}: {Cuba}'s {Pioneer} of {Electroacoustic}
{Music}},
issn = {01489267},
doi = {10.2307/3681105},
language  = {en},
journal  = {Computer Music Journal},
author  = {Leonard, Neil},
year = {1997}
}

G. Leonardi and J. Kohl, “Inori: Microcosm/Macrocosm Relationships and a Logic of Perception,” Perspectives of new music, 1998.
[Bibtex]

@Article{ leonardi_inori_1998,
title = {Inori: {Microcosm}/{Macrocosm} {Relationships} and a
{Logic} of {Perception}},
issn = {00316016},
doi = {10.2307/833524},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Leonardi, Gerson and Kohl, Jerome},
year = {1998}
}

O. Leplatre, “Le téléphone : milieu de souffle,” Appareil, 2007.
[Bibtex]

@Article{ leplatre_telephone_2007,
title = {Le téléphone : milieu de souffle},
issn = {2101-0714},
doi = {10.4000/appareil.121},
language  = {fr},
journal  = {Appareil},
author  = {Leplatre, Olivier},
month = dec,
year = {2007}
}

T. Leppänen, M. Karttunen, R. A. Barrio, and K. Kaski, “Turing systems as models of complex pattern formation,” Brazilian journal of physics, 2004.
[Bibtex]

@Article{ leppanen_turing_2004,
title = {Turing systems as models of complex pattern formation},
issn = {0103-9733},
doi = {10.1590/S0103-97332004000300006},
language  = {en},
journal  = {Brazilian Journal of Physics},
author  = {Leppänen, Teemu and Karttunen, Mikko and Barrio, R.A. and
Kaski, Kimmo},
month = jun,
year = {2004}
}

M. Traichioiu, S. Bakkes, and D. Roijers, “Grammar-based Procedural Content Generation from Designer-provided Difﬁculty Curves.”
[Bibtex]

@Article{ traichioiu_grammar-based_nodate,
title = {Grammar-based {Procedural} {Content} {Generation} from
{Designer}-provided {Difﬁculty} {Curves}},
language  = {en},
author  = {Traichioiu, Mircea and Bakkes, Sander and Roijers,
Diederik}
}

O. Kolman, “Transfer Principles for Generalized Interval Systems,” Perspectives of new music, 2004.
[Bibtex]

@Article{ kolman_transfer_2004,
title = {Transfer {Principles} for {Generalized} {Interval}
{Systems}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kolman, Oren},
year = {2004}
}

“Preface to the Second Special Issue on Parallel Distributed Processing and Neural Networks.”
[Bibtex]

@Article{ noauthor_preface_nodate,
title = {Preface to the {Second} {Special} {Issue} on {Parallel}
{Distributed} {Processing} and {Neural} {Networks}},
language  = {en}
}

G. D. Loy, “The Systems Concepts Digital Synthesizer: An Architectural Retrospective,” Computer music journal, 2013.
[Bibtex]

@Article{ loy_systems_2013,
title = {The {Systems} {Concepts} {Digital} {Synthesizer}: {An}
{Architectural} {Retrospective}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00193},
language  = {en},
journal  = {Computer Music Journal},
author  = {Loy, D. Gareth},
month = sep,
year = {2013}
}

S. Dadc, M. Voest, and L. Ag, “Universität für künstlerische und industrielle Gestaltung Linz.”
[Bibtex]

@Article{ dadc_universitat_nodate,
title = {Universität für künstlerische und industrielle
{Gestaltung} {Linz}},
language  = {en},
author  = {Dadc, Sony and Voest, MCE and Ag, Linz}
}

J. Lu, V. Behbood, P. Hao, H. Zuo, S. Xue, and G. Zhang, “Transfer learning using computational intelligence: A survey,” Knowledge-based systems, 2015.
[Bibtex]

@Article{ lu_transfer_2015,
title = {Transfer learning using computational intelligence: {A}
survey},
issn = {09507051},
doi = {10.1016/j.knosys.2015.01.010},
language  = {en},
journal  = {Knowledge-Based Systems},
author  = {Lu, Jie and Behbood, Vahid and Hao, Peng and Zuo, Hua and
Xue, Shan and Zhang, Guangquan},
month = may,
year = {2015}
}

P. Lubin, “A Roadmap to Interstellar Flight,” , 2016.
[Bibtex]

@Article{ lubin_roadmap_2016,
title = {A {Roadmap} to {Interstellar} {Flight}},
language  = {en},
author  = {Lubin, Philip},
year = {2016}
}

R. Miikkulainen, B. D. Bryant, R. Cornelius, I. V. Karpov, K. O. Stanley, and C. H. Yong, “Computational Intelligence in Games,” , 2006.
[Bibtex]

@Article{ miikkulainen_computational_2006,
title = {Computational {Intelligence} in {Games}},
language  = {en},
author  = {Miikkulainen, Risto and Bryant, Bobby D and Cornelius,
Ryan and Karpov, Igor V and Stanley, Kenneth O and Yong,
Chern Han},
year = {2006}
}

R. Miikkulainen and M. G. Dyer, “Natural Language Processing With Modular PDP Networks and Distributed Lexicon yz.”
[Bibtex]

@Article{ miikkulainen_natural_nodate,
title = {Natural {Language} {Processing} {With} {Modular} {PDP}
{Networks} and {Distributed} {Lexicon} yz},
language  = {en},
author  = {Miikkulainen, Risto and Dyer, Michael G}
}

R. Miikkulainen, “Script-Based Inference and Memory Retrieval in Subsymbolic Story Processing y.”
[Bibtex]

@Article{ miikkulainen_script-based_nodate,
title = {Script-{Based} {Inference} and {Memory} {Retrieval} in
{Subsymbolic} {Story} {Processing} y},
language  = {en},
author  = {Miikkulainen, Risto}
}

M. Mikawa, “PERMUTATIONAL THOUGHT: MAURICIO KAGEL’S ANTITHESE (1962) IN COMPARISON TO UMBERTO ECO’S SERIAL THOUGHT THEORY,” Perspectives of new music.
[Bibtex]

@Article{ mikawa_permutational_nodate,
title = {{PERMUTATIONAL} {THOUGHT}: {MAURICIO} {KAGEL}’{S}
{ANTITHESE} (1962) {IN} {COMPARISON} {TO} {UMBERTO}
{ECO}’{S} {SERIAL} {THOUGHT} {THEORY}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Mikawa, Makoto}
}

S. J. Miklavcic, A. Zita, and P. Arvidsson, “COMPUTATIONAL REAL-TIME SOUND SYNTHESIS OF RAIN,” , 2004.
[Bibtex]

@Article{ miklavcic_computational_2004,
title = {{COMPUTATIONAL} {REAL}-{TIME} {SOUND} {SYNTHESIS} {OF}
{RAIN}},
language  = {en},
author  = {Miklavcic, Stanley J and Zita, Andreas and Arvidsson,
Per},
year = {2004}
}

S. Miles, “Objectivity and Intersubjectivity in Pauline Oliveros’s “Sonic Meditations”,” Perspectives of new music, 2008.
[Bibtex]

@Article{ miles_objectivity_2008,
title = {Objectivity and {Intersubjectivity} in {Pauline}
{Oliveros}'s "{Sonic} {Meditations}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Miles, Stephen},
year = {2008}
}

M. Miles, “The Drive to Archive: Conceptual Documentary Photobook Design,” Photographies, 2010.
[Bibtex]

@Article{ miles_drive_2010,
title = {The {Drive} to {Archive}: {Conceptual} {Documentary}
{Photobook} {Design}},
issn = {1754-0763, 1754-0771},
doi = {10.1080/17540760903561108},
language  = {en},
journal  = {Photographies},
author  = {Miles, Melissa},
month = apr,
year = {2010}
}

D. M. Milicevic and U. MMladen, “Computer Music and the Importance of Fractals, Chaos, and Complexity Theory.”
[Bibtex]

@Article{ milicevic_computer_nodate,
title = {Computer {Music} and the {Importance} of {Fractals},
{Chaos}, and {Complexity} {Theory}},
language  = {en},
author  = {Milicevic, Dr Mladen and MMladen, USA}
}

M. Milicevic, “Deconstructing musical structure,” Organised sound, 1998.
[Bibtex]

@Article{ milicevic_deconstructing_1998,
title = {Deconstructing musical structure},
issn = {13557718},
doi = {10.1017/S1355771898009145},
language  = {en},
journal  = {Organised Sound},
author  = {Milicevic, Mladen},
month = apr,
year = {1998}
}

L. Milinković and B. Malešević, “One Categorization of Microtonal Scales.”
[Bibtex]

@Article{ milinkovic_one_nodate,
title = {One {Categorization} of {Microtonal} {Scales}},
language  = {en},
author  = {Milinković, Luka and Malešević, Branko}
}

Paul Miller, “An Adventure into Outer Space: Stockhausen’s Lichter,” Perspectives of new music, 2012.
[Bibtex]

@Article{ paul_miller_adventure_2012,
title = {An {Adventure} into {Outer} {Space}: {Stockhausen}'s
{Lichter}},
issn = {00316016},
doi = {10.7757/persnewmusi.50.1-2.0342},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Paul Miller}},
year = {2012}
}

R. Miller, “On the art of singing,” , 2011.
[Bibtex]

@Article{ miller_art_2011,
address  = {New York},
title = {On the art of singing},
isbn = {978-0-19-977392-3},
language  = {en},
author  = {Miller, Richard},
year = {2011}
}

J. Miller, “Planetary Spacecraft Navigation,” , 2019.
[Bibtex]

@Article{ miller_planetary_2019,
address  = {Cham},
title = {Planetary {Spacecraft} {Navigation}},
isbn = {978-3-319-78915-6 978-3-319-78916-3},
language  = {en},
author  = {Miller, James},
year = {2019},
doi = {10.1007/978-3-319-78916-3}
}

A. J. Milne and R. T. Dean, “Computational Creation and Morphing of Multilevel Rhythms by Control of Evenness,” Computer music journal, 2016.
[Bibtex]

@Article{ milne_computational_2016,
title = {Computational {Creation} and {Morphing} of {Multilevel}
{Rhythms} by {Control} of {Evenness}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00343},
language  = {en},
journal  = {Computer Music Journal},
author  = {Milne, Andrew J. and Dean, Roger T.},
month = mar,
year = {2016}
}

A. J. Milne, D. Bulger, S. A. Herff, and W. A. Sethares, “Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters,” , 2015.
[Bibtex]

@Article{ collins_perfect_2015,
address  = {Cham},
title = {Perfect {Balance}: {A} {Novel} {Principle} for the
{Construction} of {Musical} {Scales} and {Meters}},
isbn = {978-3-319-20602-8 978-3-319-20603-5},
language  = {en},
booktitle  = {Mathematics and {Computation} in {Music}},
author  = {Milne, Andrew J. and Bulger, David and Herff, Steffen A.
and Sethares, William A.},
year = {2015},
doi = {10.1007/978-3-319-20603-5_9}
}

J. W. Milnor, “Dynamics in one complex variable: introductory lectures,” , 1990.
[Bibtex]

@Article{ milnor_dynamics_1990,
title = {Dynamics in one complex variable: introductory lectures},
language  = {en},
author  = {Milnor, John W.},
month = apr,
year = {1990}
}

M. Andreatta, “Constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a “Mathemusical” Problem,” Perspectives of new music.
[Bibtex]

@Article{ andreatta_constructing_nodate,
title = {Constructing and {Formalizing} {Tiling} {Rhythmic}
{Canons}: {A} {Historical} {Survey} of a
“{Mathemusical}” {Problem}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Andreatta, Moreno}
}

C. Faia, “Collaborative Computer Music Composition and the Emergence of the Computer Music Designer.”
[Bibtex]

@Article{ faia_collaborative_nodate,
title = {Collaborative {Computer} {Music} {Composition} and the
{Emergence} of the {Computer} {Music} {Designer}},
language  = {en},
author  = {Faia, Carl}
}

M. Puckette, “Combining Event and Signal Processing in the MAX Graphical Programming Environment,” Computer music journal, 1991.
[Bibtex]

@Article{ puckette_combining_1991,
title = {Combining {Event} and {Signal} {Processing} in the {MAX}
{Graphical} {Programming} {Environment}},
issn = {01489267},
doi = {10.2307/3680767},
language  = {en},
journal  = {Computer Music Journal},
author  = {Puckette, Miller},
year = {1991}
}

M. Puckette, “FTS: A Real-Time Monitor for Multiprocessor Music Synthesis,” Computer music journal, 1991.
[Bibtex]

@Article{ puckette_fts_1991,
title = {{FTS}: {A} {Real}-{Time} {Monitor} for {Multiprocessor}
{Music} {Synthesis}},
issn = {01489267},
doi = {10.2307/3680766},
language  = {en},
journal  = {Computer Music Journal},
author  = {Puckette, Miller},
year = {1991}
}

M. Puckette, “Phase Bashing for Sample-Based Formant Synthesis,” , 2005.
[Bibtex]

@Article{ puckette_phase_2005,
title = {Phase {Bashing} for {Sample}-{Based} {Formant}
{Synthesis}},
language  = {en},
author  = {Puckette, Miller},
year = {2005}
}

M. Puckette, “Phase-bashed packet synthesis: a musical test.”
[Bibtex]

@Article{ puckette_phase-bashed_nodate,
title = {Phase-bashed packet synthesis: a musical test},
language  = {en},
author  = {Puckette, Miller}
}

M. Puckette, “Some Mathematical Tools for Music-Making.”
[Bibtex]

@Article{ puckette_mathematical_nodate,
title = {Some {Mathematical} {Tools} for {Music}-{Making}},
language  = {en},
author  = {Puckette, Miller}
}

M. Puckette, “Something Digital,” Computer music journal, 1991.
[Bibtex]

@Article{ puckette_something_1991,
title = {Something {Digital}},
issn = {01489267},
doi = {10.2307/3681075},
language  = {en},
journal  = {Computer Music Journal},
author  = {Puckette, Miller},
year = {1991}
}

M. Puckette, “Who owns our software?—a ﬁrst-person case study.”
[Bibtex]

@Article{ puckette_who_nodate,
title = {Who owns our software?—a ﬁrst-person case study},
language  = {en},
author  = {Puckette, Miller}
}

L. J. Putnam, J. Kuchera-Morin, and L. Peliti, “Studies in Composing Hydrogen Atom Wavefunctions,” Leonardo, 2015.
[Bibtex]

@Article{ putnam_studies_2015,
title = {Studies in {Composing} {Hydrogen} {Atom} {Wavefunctions}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/LEON_a_00912},
language  = {en},
journal  = {Leonardo},
author  = {Putnam, Lance J. and Kuchera-Morin, JoAnn and Peliti,
Luca},
month = apr,
year = {2015}
}

“Femme aux Poissons,” New york, 1929.
[Bibtex]

@Article{ noauthor_femme_1929,
title = {Femme aux {Poissons}},
language  = {en},
journal  = {NEW YORK},
year = {1929}
}

V. Putz and K. Svozil, “Quantum music,” Soft computing, 2017.
[Bibtex]

@Article{ putz_quantum_2017,
title = {Quantum music},
issn = {1432-7643, 1433-7479},
doi = {10.1007/s00500-015-1835-x},
language  = {en},
journal  = {Soft Computing},
author  = {Putz, Volkmar and Svozil, Karl},
month = mar,
year = {2017}
}

P. -J. Proudhon, “Qu’est-ce que la propriété ?: ou recherches sur le principe du droit et du gouvernement,” , 2002.
[Bibtex]

@Article{ proudhon_quest-ce_2002,
address  = {Chicoutimi},
title = {Qu'est-ce que la propriété ?: ou recherches sur le
principe du droit et du gouvernement},
isbn = {978-1-55442-291-3},
language  = {fr},
author  = {Proudhon, P.-J.},
year = {2002},
doi = {10.1522/cla.prp.que}
}

E. Prousalidou, “A Parametric System of Representation based on Ruled Surfaces,” , 2006.
[Bibtex]

@Article{ prousalidou_parametric_2006,
title = {A {Parametric} {System} of {Representation} based on
{Ruled} {Surfaces}},
language  = {en},
author  = {Prousalidou, Elena},
year = {2006}
}

P. Prusinkiewicz, “Score Generation with L-Systems,” , 1986.
[Bibtex]

@Article{ prusinkiewicz_score_1986,
title = {Score {Generation} with {L}-{Systems}},
language  = {en},
author  = {Prusinkiewicz, Przemyslaw},
year = {1986}
}

“Progress in Botany: Vol. 75,” , 2014.
[Bibtex]

@Article{ luttge_progress_2014,
address  = {Berlin, Heidelberg},
title = {Progress in {Botany}: {Vol}. 75},
isbn = {978-3-642-38796-8 978-3-642-38797-5},
language  = {en},
year = {2014},
doi = {10.1007/978-3-642-38797-5}
}

Bruce Quaglia, “Compositional Explorations of Robert Morris’s All-Hexachord Chains: Implications and Contexts,” Perspectives of new music, 2014.
[Bibtex]

@Article{ bruce_quaglia_compositional_2014,
title = {Compositional {Explorations} of {Robert} {Morris}'s
{All}-{Hexachord} {Chains}: {Implications} and {Contexts}},
issn = {00316016},
doi = {10.7757/persnewmusi.52.2.0169},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Bruce Quaglia}},
year = {2014}
}

“Quantum aspects of life,” , 2008.
[Bibtex]

@Article{ abbott_quantum_2008,
address  = {London : Hackensack, NJ ; London},
title = {Quantum aspects of life},
isbn = {978-1-84816-253-2 978-1-84816-267-9},
language  = {en},
year = {2008}
}

I. Quinn, “General Equal-Tempered Harmony: Parts 2 and 3,” Perspectives of new music, 2007.
[Bibtex]

@Article{ quinn_general_2007,
title = {General {Equal}-{Tempered} {Harmony}: {Parts} 2 and 3},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Quinn, Ian},
year = {2007}
}

I. Quinn, “Listening to Similarity Relations,” Perspectives of new music, 2001.
[Bibtex]

@Article{ quinn_listening_2001,
title = {Listening to {Similarity} {Relations}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Quinn, Ian},
year = {2001}
}

S. T. Rachev, L. B. Klebanov, S. V. Stoyanov, and F. Fabozzi, “The Methods of Distances in the Theory of Probability and Statistics,” , 2013.
[Bibtex]

@Article{ rachev_methods_2013,
address  = {New York, NY},
title = {The {Methods} of {Distances} in the {Theory} of
{Probability} and {Statistics}},
isbn = {978-1-4614-4868-6 978-1-4614-4869-3},
language  = {en},
author  = {Rachev, Svetlozar T. and Klebanov, Lev B. and Stoyanov,
Stoyan V. and Fabozzi, Frank},
year = {2013},
doi = {10.1007/978-1-4614-4869-3}
}

“Phonographies: Grooves in Sonic Afro-Modernity.”
[Bibtex]

@Article{ noauthor_phonographies_nodate,
title = {Phonographies: {Grooves} in {Sonic} {Afro}-{Modernity}},
language  = {en}
}

Z. Y. Wei, Z. V. Guo, L. Dudte, H. Y. Liang, and L. Mahadevan, “Geometric Mechanics of Periodic Pleated Origami,” Physical review letters, 2013.
[Bibtex]

@Article{ wei_geometric_2013,
title = {Geometric {Mechanics} of {Periodic} {Pleated} {Origami}},
issn = {0031-9007, 1079-7114},
doi = {10.1103/PhysRevLett.110.215501},
language  = {en},
journal  = {Physical Review Letters},
author  = {Wei, Z. Y. and Guo, Z. V. and Dudte, L. and Liang, H. Y.
and Mahadevan, L.},
month = may,
year = {2013}
}

G. Weinberg, “Interconnected Musical Networks: Toward a Theoretical Framework,” Computer music journal, 2005.
[Bibtex]

@Article{ weinberg_interconnected_2005,
title = {Interconnected {Musical} {Networks}: {Toward} a
{Theoretical} {Framework}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926054094350},
language  = {en},
journal  = {Computer Music Journal},
author  = {Weinberg, Gil},
month = jun,
year = {2005}
}

G. Weinberg and S. Driscoll, “Toward Robotic Musicianship,” Computer music journal, 2006.
[Bibtex]

@Article{ weinberg_toward_2006,
title = {Toward {Robotic} {Musicianship}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.4.28},
language  = {en},
journal  = {Computer Music Journal},
author  = {Weinberg, Gil and Driscoll, Scott},
month = dec,
year = {2006}
}

“Experimental sound & radio,” , 2001.
[Bibtex]

@Article{ weiss_experimental_2001,
address  = {Cambridge, Mass},
title = {Experimental sound \& radio},
isbn = {978-0-262-73130-0},
language  = {en},
year = {2001}
}

A. Weiss, “Million dollar consulting: the professional’s guide to growing a practice,” , 2003.
[Bibtex]

@Article{ weiss_million_2003,
address  = {New York},
title = {Million dollar consulting: the professional's guide to
growing a practice},
isbn = {978-0-07-138703-3},
language  = {en},
author  = {Weiss, Alan},
year = {2003}
}

P. Boulez, “QUELQUES PROPRIE´TE´S DE LA TECHNIQUE DE BOULEZ DE MULTIPLICATION DES BLOCS SONORES.”
[Bibtex]

@Article{ boulez_quelques_nodate,
title = {{QUELQUES} {PROPRIE}´{TE}´{S} {DE} {LA} {TECHNIQUE} {DE}
{BOULEZ} {DE} {MULTIPLICATION} {DES} {BLOCS} {SONORES}},
language  = {fr},
author  = {Boulez, Pierre}
}

B. Weisser, “John Cage: “… The Whole Paper Would Potentially Be Sound”: Time-Brackets and the Number Pieces (1981-92),” Perspectives of new music, 2003.
[Bibtex]

@Article{ weisser_john_2003,
title = {John {Cage}: "... {The} {Whole} {Paper} {Would}
{Potentially} {Be} {Sound}": {Time}-{Brackets} and the
{Number} {Pieces} (1981-92)},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Weisser, Benedict},
year = {2003}
}

M. Weizmann, O. Amir, and Y. Grobman, “Topological Interlocking in Architectural Design,” , 2015.
[Bibtex]

@Article{ weizmann_topological_2015,
address  = {Daegu, Taiwan},
title = {Topological {Interlocking} in {Architectural} {Design}},
doi = {10.52842/conf.caadria.2015.107},
language  = {en},
author  = {Weizmann, Michael and Amir, Oded and Grobman, Yasha
Jacob},
year = {2015}
}

J. Werntz, “Adding Pitches: Some New Thoughts, Ten Years after Perspectives of New Music’s “Forum: Microtonality Today”,” Perspectives of new music, 2001.
[Bibtex]

@Article{ werntz_adding_2001,
title = {Adding {Pitches}: {Some} {New} {Thoughts}, {Ten} {Years}
after {Perspectives} of {New} {Music}'s "{Forum}:
{Microtonality} {Today}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Werntz, Julia},
year = {2001}
}

M. Wesdijk, “Modernism and Meaning Sigfried Giedion’s interpretation of modernism explained by his ‘new space conception’.”
[Bibtex]

@Article{ wesdijk_modernism_nodate,
title = {Modernism and {Meaning} {Sigfried} {Giedion}’s
interpretation of modernism explained by his ‘new space
conception’},
language  = {en},
author  = {Wesdijk, Mark}
}

D. Wessel, “Instruments That Learn, Refined Controllers, and Source Model Loudspeakers,” Computer music journal, 1991.
[Bibtex]

@Article{ wessel_instruments_1991,
title = {Instruments {That} {Learn}, {Refined} {Controllers}, and
{Source} {Model} {Loudspeakers}},
issn = {01489267},
doi = {10.2307/3681079},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wessel, David},
year = {1991}
}

D. L. Wessel, “Timbre Space as a Musical Control Structure,” Computer music journal, 1979.
[Bibtex]

@Article{ wessel_timbre_1979,
title = {Timbre {Space} as a {Musical} {Control} {Structure}},
issn = {01489267},
doi = {10.2307/3680283},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wessel, David L.},
month = jun,
year = {1979}
}

T. Weyde, “Grouping, Similarity and the Recognition of Rhythmic Structure.”
[Bibtex]

@Article{ weyde_grouping_nodate,
title = {Grouping, {Similarity} and the {Recognition} of {Rhythmic}
{Structure}},
language  = {en},
author  = {Weyde, Tillman}
}

H. Järveläinen, “Algorithmic Musical Composition,” , 2000.
[Bibtex]

@Article{ jarvelainen_algorithmic_2000,
title = {Algorithmic {Musical} {Composition}},
language  = {en},
author  = {Järveläinen, Hanna},
year = {2000}
}

J. Jarvis and D. Shier, “Graph-Theoretic Analysis of Finite Markov Chains,” , 1999.
[Bibtex]

@Article{ shier_graph-theoretic_1999,
title = {Graph-{Theoretic} {Analysis} of {Finite} {Markov}
{Chains}},
isbn = {978-1-58488-048-6 978-1-4200-5004-2},
language  = {en},
booktitle  = {Applied {Mathematical} {Modeling}},
author  = {Jarvis, J and Shier, D},
month = nov,
year = {1999},
doi = {10.1201/9781420050042.ch13}
}

N. Bacht, “Jean-François Lyotard’s Adaptation of John Cage’s Aesthetics,” Perspectives of new music, 2003.
[Bibtex]

@Article{ bacht_jean-francois_2003,
title = {Jean-{François} {Lyotard}'s {Adaptation} of {John}
{Cage}'s {Aesthetics}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Bacht, Nikolaus},
year = {2003}
}

F. Jedrzejewski, “Applications de la théorie des noeuds au domaine musical,” , 2002.
[Bibtex]

@Article{ jedrzejewski_applications_2002,
title = {Applications de la théorie des noeuds au domaine
musical},
language  = {fr},
author  = {Jedrzejewski, Franck},
year = {2002}
}

F. Jedrzejewski, “Enumeration of Vuza Canons,” , 2014.
[Bibtex]

@Article{ jedrzejewski_enumeration_2014,
title = {Enumeration of {Vuza} {Canons}},
language  = {en},
author  = {Jedrzejewski, Franck},
month = mar,
year = {2014}
}

F. Jedrzejewski, “Seminaire MaMuX Mathematiques, Musiques et Relations avec d’autres disciplines,” , 2003.
[Bibtex]

@Article{ jedrzejewski_seminaire_2003,
title = {Seminaire {MaMuX} {Mathematiques}, {Musiques} et
{Relations} avec d'autres disciplines},
language  = {fr},
author  = {Jedrzejewski, Franck},
year = {2003}
}

F. Jedrzejewski, “Permutation Groups And Chord Tesselations,” , 2005.
[Bibtex]

@Article{ jedrzejewski_permutation_2005,
title = {Permutation {Groups} {And} {Chord} {Tesselations}},
language  = {en},
author  = {Jedrzejewski, Franck},
year = {2005}
}

M. Jenkins and J. Harvey, “A Search for Emptiness: An Interview with Jonathan Harvey,” Perspectives of new music, 2006.
[Bibtex]

@Article{ jenkins_search_2006,
title = {A {Search} for {Emptiness}: {An} {Interview} with
{Jonathan} {Harvey}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Jenkins, Matthew and Harvey, Jonathan},
year = {2006}
}

M. Jensen, “Composing DNA Music Within the Aesthetics of Chance,” Perspectives of new music, 2008.
[Bibtex]

@Article{ jensen_composing_2008,
title = {Composing {DNA} {Music} {Within} the {Aesthetics} of
{Chance}},
issn = {2325-7180},
doi = {10.1353/pnm.2008.0014},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Jensen, Marc},
year = {2008}
}

A. R. Jensenius, “Motion-sound Interaction Using Soniﬁcation based on Motiongrams,” , 2012.
[Bibtex]

@Article{ jensenius_motion-sound_2012,
title = {Motion-sound {Interaction} {Using} {Soniﬁcation} based
on {Motiongrams}},
language  = {en},
author  = {Jensenius, Alexander Refsum},
year = {2012}
}

L. G. Johansen, “PREVIOUS SCIENTIFIC APPROACHES TO LOUDSPEAKER AND ROOM EQUALISATION.”
[Bibtex]

@Article{ johansen_previous_nodate,
title = {{PREVIOUS} {SCIENTIFIC} {APPROACHES} {TO} {LOUDSPEAKER}
{AND} {ROOM} {EQUALISATION}},
language  = {en},
author  = {Johansen, Lars G}
}

L. G. Johansen, “Psychoacoustics and Audibility.”
[Bibtex]

@Article{ johansen_psychoacoustics_nodate,
title = {Psychoacoustics and {Audibility}},
language  = {en},
author  = {Johansen, Lars G}
}

N. Perlove and S. Cherrier, “Transmission, Interpretation, Collaboration-A Performer’s Perspective on the Language of Contemporary Music: An Interview with Sophie Cherrier,” Perspectives of new music, 1998.
[Bibtex]

@Article{ perlove_transmission_1998,
title = {Transmission, {Interpretation}, {Collaboration}-{A}
{Performer}'s {Perspective} on the {Language} of
{Contemporary} {Music}: {An} {Interview} with {Sophie}
{Cherrier}},
issn = {00316016},
doi = {10.2307/833575},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Perlove, Nina and Cherrier, Sophie},
year = {1998}
}

C. J. Perng, J. Smith, and T. Rossing, “Harpsichord Sound Synthesis Using a Physical Plectrum Model Interfaced with the Digital Waveguide,” , 2011.
[Bibtex]

@Article{ perng_harpsichord_2011,
title = {Harpsichord {Sound} {Synthesis} {Using} a {Physical}
{Plectrum} {Model} {Interfaced} with the {Digital}
{Waveguide}},
language  = {en},
author  = {Perng, Chao-Yu Jack and Smith, Julius and Rossing,
Thomas},
year = {2011}
}

M. Perrenoud, “Frank Zappa ou le « fait musical total »,” Volume !, 2004.
[Bibtex]

@Article{ perrenoud_frank_2004,
title = {Frank {Zappa} ou le « fait musical total »},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2057},
language  = {fr},
journal  = {Volume !},
author  = {Perrenoud, Marc},
month = may,
year = {2004}
}

J. L. Person, “A complete guide to technical trading tactics: how to profit using pivot points, candlesticks & other indicators,” , 2004.
[Bibtex]

@Article{ person_complete_2004,
address  = {Hoboken, N.J},
title = {A complete guide to technical trading tactics: how to
profit using pivot points, candlesticks \& other
indicators},
isbn = {978-0-471-58455-1},
language  = {en},
author  = {Person, John L.},
year = {2004}
}

U. Pesavento, “An Implementation of von Neumann’s Self-Reproducing Machine.”
[Bibtex]

@Article{ pesavento_implementation_nodate,
title = {An {Implementation} of von {Neumann}’s
{Self}-{Reproducing} {Machine}},
language  = {en},
author  = {Pesavento, Umberto}
}

X. Pestova, M. T. Marshall, and J. Sudol, “Analogue to Digital: Authenticiy vs. Sustainability in Stockhausen’s Mantra (1970),” , 2008.
[Bibtex]

@Article{ pestova_analogue_2008,
title = {Analogue to {Digital}: {Authenticiy} vs. {Sustainability}
in {Stockhausen}’s {Mantra} (1970)},
language  = {en},
author  = {Pestova, Xenia and Marshall, Mark T and Sudol, Jacob},
year = {2008}
}

G. Peters, M. Schreiber, and G. Peters, “”…How Creation Is Composed”: Spirituality in the Music of Karlheinz Stockhausen,” Perspectives of new music, 1999.
[Bibtex]

@Article{ peters_how_1999,
title = {"...{How} {Creation} {Is} {Composed}": {Spirituality} in
the {Music} of {Karlheinz} {Stockhausen}},
issn = {00316016},
doi = {10.2307/833628},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Peters, Günter and Schreiber, Mark and Peters, Gunter},
year = {1999}
}

G. A. Petsko, “A day in the life of a genome biologist in the not-too-distant future,” Genome biology, 2007.
[Bibtex]

@Article{ petsko_day_2007,
title = {A day in the life of a genome biologist in the
not-too-distant future},
issn = {14656906},
doi = {10.1186/gb-2007-8-3-104},
language  = {en},
journal  = {Genome Biology},
author  = {Petsko, Gregory A},
year = {2007}
}

M. Pharr and P. Hanrahan, “Monte Carlo evaluation of non-linear scattering equations for subsurface reflection,” , 2000.
[Bibtex]

@Article{ pharr_monte_2000,
address  = {Not Known},
title = {Monte {Carlo} evaluation of non-linear scattering
equations for subsurface reflection},
isbn = {978-1-58113-208-3},
doi = {10.1145/344779.344824},
language  = {en},
booktitle  = {Proceedings of the 27th annual conference on {Computer}
graphics and interactive techniques - {SIGGRAPH} '00},
author  = {Pharr, Matt and Hanrahan, Pat},
year = {2000}
}

M. Pharr, W. Jakob, and G. Humphreys, “Physically based rendering: from theory to implementation,” , 2017.
[Bibtex]

@Article{ pharr_physically_2017,
address  = {Cambridge, MA},
title = {Physically based rendering: from theory to
implementation},
isbn = {978-0-12-800645-0},
language  = {en},
author  = {Pharr, Matt and Jakob, Wenzel and Humphreys, Greg},
year = {2017}
}

T. Phillips, “Composed Silence: Microsound and the Quiet Shock of Listening,” Perspectives of new music, 2006.
[Bibtex]

@Article{ phillips_composed_2006,
title = {Composed {Silence}: {Microsound} and the {Quiet} {Shock}
of {Listening}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Phillips, Thomas},
year = {2006}
}

D. K. Phillips, “Multirate Additive Synthesis,” Computer music journal, 1999.
[Bibtex]

@Article{ phillips_multirate_1999,
title = {Multirate {Additive} {Synthesis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892699559625},
language  = {en},
journal  = {Computer Music Journal},
author  = {Phillips, Desmond K.},
month = mar,
year = {1999}
}

F. Raffin, “De l’écoute révoltée du hardcore à la posture du mélomane expert: Autour de l’exemple du Confort Moderne à Poitiers,” Volume !, 2005.
[Bibtex]

@Article{ raffin_lecoute_2005,
title = {De l’écoute révoltée du hardcore à la posture du
mélomane expert: {Autour} de l’exemple du {Confort}
{Moderne} à {Poitiers}},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.1372},
language  = {fr},
journal  = {Volume !},
author  = {Raffin, Fabrice},
month = sep,
year = {2005}
}

Z. Rafii, A. Liutkus, F. Stoter, S. I. Mimilakis, D. FitzGerald, and B. Pardo, “An Overview of Lead and Accompaniment Separation in Music,” Ieee/acm transactions on audio, speech, and language processing, 2018.
[Bibtex]

@Article{ rafii_overview_2018,
title = {An {Overview} of {Lead} and {Accompaniment} {Separation}
in {Music}},
issn = {2329-9290, 2329-9304},
doi = {10.1109/TASLP.2018.2825440},
language  = {en},
journal  = {IEEE/ACM Transactions on Audio, Speech, and Language
Processing},
author  = {Rafii, Zafar and Liutkus, Antoine and Stoter,
Fabian-Robert and Mimilakis, Stylianos Ioannis and
FitzGerald, Derry and Pardo, Bryan},
month = aug,
year = {2018}
}

S. Rafler, “Generalization of Conway’s “Game of Life” to a continuous domain – SmoothLife,” , 2011.
[Bibtex]

@Article{ rafler_generalization_2011,
title = {Generalization of {Conway}'s "{Game} of {Life}" to a
continuous domain - {SmoothLife}},
language  = {en},
author  = {Rafler, Stephan},
month = dec,
year = {2011}
}

R. Rahaoui, “La Techno, entre contestation et normalisation,” Volume !, 2005.
[Bibtex]

@Article{ rahaoui_techno_2005,
title = {La {Techno}, entre contestation et normalisation},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.1384},
language  = {fr},
journal  = {Volume !},
author  = {Rahaoui, Rachid},
month = sep,
year = {2005}
}

J. Rahn, “A Brief Guide to the Tiling Articles,” , 2011.
[Bibtex]

@Article{ rahn_brief_2011,
title = {A {Brief} {Guide} to the {Tiling} {Articles}},
language  = {en},
author  = {Rahn, John},
year = {2011}
}

John Rahn, “Alhambra Mosaics,” Perspectives of new music, 2011.
[Bibtex]

@Article{ john_rahn_alhambra_2011,
title = {Alhambra {Mosaics}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2.0005},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{John Rahn}},
year = {2011}
}

J. Rahn, “Approaching Musical Actions,” Perspectives of new music, 2007.
[Bibtex]

@Article{ rahn_approaching_2007,
title = {Approaching {Musical} {Actions}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rahn, John},
year = {2007}
}

J. Rahn, “Iannis Xenakis: Regard, Disregard; Liberation,” Perspectives of new music, 2001.
[Bibtex]

@Article{ rahn_iannis_2001,
title = {Iannis {Xenakis}: {Regard}, {Disregard}; {Liberation}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rahn, John},
year = {2001}
}

J. Rahn, “”Mille Plateaux,” You Tarzan: A Musicology of (an Anthropology of (an Anthropology of “A Thousand Plateaus”)),” Perspectives of new music, 2008.
[Bibtex]

@Article{ rahn_mille_2008,
title = {"{Mille} {Plateaux}," {You} {Tarzan}: {A} {Musicology} of
(an {Anthropology} of (an {Anthropology} of "{A} {Thousand}
{Plateaus}"))},
issn = {2325-7180},
doi = {10.1353/pnm.2008.0007},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rahn, John},
year = {2008}
}

J. Rahn, “On Some Computational Models of Music Theory,” Computer music journal, 1980.
[Bibtex]

@Article{ rahn_computational_1980,
title = {On {Some} {Computational} {Models} of {Music} {Theory}},
issn = {01489267},
doi = {10.2307/3680084},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rahn, John},
year = {1980}
}

J. Rahn, “The Swerve and the Flow: Music’s Relationship to Mathematics,” Perspectives of new music, 2004.
[Bibtex]

@Article{ rahn_swerve_2004,
title = {The {Swerve} and the {Flow}: {Music}'s {Relationship} to
{Mathematics}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Rahn, John},
year = {2004}
}

“Contemporary Views on Architecture and Representations in Phonology,” , 2009.
[Bibtex]

@Article{ raimy_contemporary_2009,
title = {Contemporary {Views} on {Architecture} and
{Representations} in {Phonology}},
isbn = {978-0-262-25532-5},
language  = {en},
month = mar,
year = {2009},
doi = {10.7551/mitpress/9780262182706.001.0001}
}

M. Rais, “Some Notes about Soviet Computer Music,” Leonardo, 1991.
[Bibtex]

@Article{ rais_notes_1991,
title = {Some {Notes} about {Soviet} {Computer} {Music}},
issn = {0024094X},
doi = {10.2307/1575656},
language  = {en},
journal  = {Leonardo},
author  = {Rais, Mark},
year = {1991}
}

“Idealism without absolutes: philosophy and romantic culture,” , 2004.
[Bibtex]

@Article{ rajan_idealism_2004,
address  = {Albany, N.Y},
title = {Idealism without absolutes: philosophy and romantic
culture},
isbn = {978-0-7914-6001-6 978-0-7914-6002-3},
language  = {en},
year = {2004}
}

R. Ramirez, A. Hazan, E. Maestre, and X. Serra, “A Genetic Rule-Based Model of Expressive Performance for Jazz Saxophone,” Computer music journal, 2008.
[Bibtex]

@Article{ ramirez_genetic_2008,
title = {A {Genetic} {Rule}-{Based} {Model} of {Expressive}
{Performance} for {Jazz} {Saxophone}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.1.38},
language  = {en},
journal  = {Computer Music Journal},
author  = {Ramirez, Rafael and Hazan, Amaury and Maestre, Esteban and
Serra, Xavier},
month = mar,
year = {2008}
}

V. Ramos, F. Almeida, and D. Hofstadter, “Artificial Ant Colonies in Digital Image Habitats – A Mass Behaviour Effect Study on Pattern Recognition.”
[Bibtex]

@Article{ ramos_artificial_nodate,
title = {Artificial {Ant} {Colonies} in {Digital} {Image}
{Habitats} – {A} {Mass} {Behaviour} {Effect} {Study} on
{Pattern} {Recognition}},
language  = {en},
author  = {Ramos, Vitorino and Almeida, Filipe and Hofstadter,
Douglas}
}

M. Ramstrum, “Hegel. Heidegger and Borgmann’s Substantive Implications for Music and Technology.”
[Bibtex]

@Article{ ramstrum_hegel_nodate,
title = {Hegel. {Heidegger} and {Borgmann}'s {Substantive}
{Implications} for {Music} and {Technology}},
language  = {en},
author  = {Ramstrum, Momilani}
}

“21st Century Perspectives on Music, Technology, and Culture,” , 2016.
[Bibtex]

@Article{ purcell_21st_2016,
address  = {London},
title = {21st {Century} {Perspectives} on {Music}, {Technology},
and {Culture}},
isbn = {978-1-349-69803-5 978-1-137-49760-4},
language  = {en},
year = {2016},
doi = {10.1057/9781137497604}
}

C. Raphael, “A Classifier-Based Approach to Score-Guided Source Separation of Musical Audio,” Computer music journal, 2008.
[Bibtex]

@Article{ raphael_classifier-based_2008,
title = {A {Classifier}-{Based} {Approach} to {Score}-{Guided}
{Source} {Separation} of {Musical} {Audio}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.1.51},
language  = {en},
journal  = {Computer Music Journal},
author  = {Raphael, Christopher},
month = mar,
year = {2008}
}

C. Raphael, “A Hybrid Graphical Model for Aligning Polyphonic Audio with Musical Scores,” , 2004.
[Bibtex]

@Article{ raphael_hybrid_2004,
title = {A {Hybrid} {Graphical} {Model} for {Aligning} {Polyphonic}
{Audio} with {Musical} {Scores}},
language  = {en},
author  = {Raphael, Christopher},
year = {2004}
}

C. Raphael and J. Stoddard, “Functional Harmonic Analysis Using Probabilistic Models,” Computer music journal, 2004.
[Bibtex]

@Article{ raphael_functional_2004,
title = {Functional {Harmonic} {Analysis} {Using} {Probabilistic}
{Models}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926041790676},
language  = {en},
journal  = {Computer Music Journal},
author  = {Raphael, Christopher and Stoddard, Joshua},
month = sep,
year = {2004}
}

E. Rasmusen, “GAMES AND INFORMATION, FOURTH EDITION.”
[Bibtex]

@Article{ rasmusen_games_nodate,
title = {{GAMES} {AND} {INFORMATION}, {FOURTH} {EDITION}},
language  = {en},
author  = {Rasmusen, Eric}
}

C. E. Rasmussen and C. K. I. Williams, “Gaussian processes for machine learning,” , 2006.
[Bibtex]

@Article{ rasmussen_gaussian_2006,
address  = {Cambridge, Mass},
title = {Gaussian processes for machine learning},
isbn = {978-0-262-18253-9},
language  = {en},
author  = {Rasmussen, Carl Edward and Williams, Christopher K. I.},
year = {2006}
}

J. Rauhala, M. Laurson, V. Välimäki, H. Lehtonen, and V. Norilo, “A Parametric Piano Synthesizer,” Computer music journal, 2008.
[Bibtex]

@Article{ rauhala_parametric_2008,
title = {A {Parametric} {Piano} {Synthesizer}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.4.17},
language  = {en},
journal  = {Computer Music Journal},
author  = {Rauhala, Jukka and Laurson, Mikael and Välimäki, Vesa
and Lehtonen, Heidi-Maria and Norilo, Vesa},
month = dec,
year = {2008}
}

J. Rauhala and V. Välimäki, “F0 ESTIMATION OF INHARMONIC PIANO TONES USING PARTIAL FREQUENCIES DEVIATION METHOD.”
[Bibtex]

@Article{ rauhala_f0_nodate,
title = {F0 {ESTIMATION} {OF} {INHARMONIC} {PIANO} {TONES} {USING}
{PARTIAL} {FREQUENCIES} {DEVIATION} {METHOD}},
language  = {en},
author  = {Rauhala, Jukka and Välimäki, Vesa}
}

“Robert Rauschenberg: Soundings,” Members newsletter, 1968.
[Bibtex]

@Article{ noauthor_robert_1968,
title = {Robert {Rauschenberg}: {Soundings}},
language  = {en},
journal  = {Members Newsletter},
year = {1968}
}

J. Rea, “The Sorcerer as Apprentice: his Notes (The computer in/and teaching the craft of composition),” Circuit, 2008.
[Bibtex]

@Article{ rea_sorcerer_2008,
title = {The {Sorcerer} as {Apprentice}: his {Notes} ({The}
computer in/and teaching the craft of composition)},
issn = {1488-9692, 1183-1693},
doi = {10.7202/017910ar},
language  = {en},
journal  = {Circuit},
author  = {Rea, John},
month = apr,
year = {2008}
}

R. C. Read and L. Yen, “A Note on the Stockhausen Problem,” Journal of combinatorial theory, series a, 1996.
[Bibtex]

@Article{ read_note_1996,
title = {A {Note} on the {Stockhausen} {Problem}},
issn = {00973165},
doi = {10.1006/jcta.1996.0085},
language  = {en},
journal  = {Journal of Combinatorial Theory, Series A},
author  = {Read, Ronald C. and Yen, Lily},
month = oct,
year = {1996}
}

S. Voegelin, “Listening to Noise and Silence: Towards a Philosophy of Sound Art,” , 2010.
[Bibtex]

@Article{ voegelin_listening_2010-1,
title = {Listening to {Noise} and {Silence}: {Towards} a
{Philosophy} of {Sound} {Art}},
isbn = {978-1-5013-8290-1 978-1-4411-6207-6},
language  = {en},
author  = {Voegelin, Salomé},
year = {2010},
doi = {10.5040/9781501382901}
}

K. Vogt, T. Bovermann, and P. Huber, “EXPLORATION OF 4D-DATA SPACES. SONIFICATION IN LATTICE QCD.,” , 2008.
[Bibtex]

@Article{ vogt_exploration_2008,
title = {{EXPLORATION} {OF} {4D}-{DATA} {SPACES}. {SONIFICATION}
{IN} {LATTICE} {QCD}.},
language  = {en},
author  = {Vogt, Katharina and Bovermann, Till and Huber, Philipp},
year = {2008}
}

F. Voisin, “DISSEMBLANCE ET ESPACES COMPOSITIONNELS.”
[Bibtex]

@Article{ voisin_dissemblance_nodate,
title = {{DISSEMBLANCE} {ET} {ESPACES} {COMPOSITIONNELS}},
language  = {fr},
author  = {Voisin, Frédéric}
}

H. V. Foerster, “Biological Principles of Information Storage and Retrieval.”
[Bibtex]

@Article{ foerster_biological_nodate,
title = {Biological {Principles} of {Information} {Storage} and
{Retrieval}},
language  = {en},
author  = {Foerster, Heinz Von}
}

H. V. Foerster, “Communication Amongst Automata,” American journal of psychiatry, 1962.
[Bibtex]

@Article{ foerster_communication_1962,
title = {Communication {Amongst} {Automata}},
issn = {0002-953X, 1535-7228},
doi = {10.1176/ajp.118.10.865},
language  = {en},
journal  = {American Journal of Psychiatry},
author  = {Foerster, Heinz Von},
month = apr,
year = {1962}
}

H. V. Foerster, “Form Perception, Representation and Symbolization.”
[Bibtex]

@Article{ foerster_form_nodate,
title = {Form {Perception}, {Representation} and {Symbolization}},
language  = {en},
author  = {Foerster, Heinz Von}
}

H. V. Foerster, “From Stimulus To Symbol: The Economy Of Biological Computation.”
[Bibtex]

@Article{ foerster_stimulus_nodate,
title = {From {Stimulus} {To} {Symbol}: {The} {Economy} {Of}
{Biological} {Computation}},
language  = {en},
author  = {Foerster, Heinz Von}
}

H. V. Foerster, “Logical Structure of Environment and Its Internal Representation.”
[Bibtex]

@Article{ foerster_logical_nodate,
title = {Logical {Structure} of {Environment} and {Its} {Internal}
{Representation}},
language  = {en},
author  = {Foerster, Heinz Von}
}

H. V. Foerster, “Notes On An Epistemology For Living Things.”
[Bibtex]

@Article{ foerster_notes_nodate,
title = {Notes {On} {An} {Epistemology} {For} {Living} {Things}},
language  = {en},
author  = {Foerster, Heinz Von}
}

H. V. Foerster, “Perception of Form in Biological and Man-Made Systems.”
[Bibtex]

@Article{ foerster_perception_nodate,
title = {Perception of {Form} in {Biological} and {Man}-{Made}
{Systems}},
language  = {en},
author  = {Foerster, Heinz Von}
}

H. Von Foerster, “Responsibilities of Competence,” , 2003.
[Bibtex]

@Article{ von_foerster_responsibilities_2003,
address  = {New York, NY},
title = {Responsibilities of {Competence}},
isbn = {978-0-387-95392-2 978-0-387-21722-2},
language  = {en},
booktitle  = {Understanding {Understanding}},
author  = {Von Foerster, Heinz},
collaborator  = {Von Foerster, Heinz},
year = {2003},
doi = {10.1007/0-387-21722-3_6}
}

G. Woodill, “Understanding Understanding: Essays on Cybernetics and Cognition,” Complicity: an international journal of complexity and education, 2005.
[Bibtex]

@Article{ woodill_understanding_2005,
title = {Understanding {Understanding}: {Essays} on {Cybernetics}
and {Cognition}},
issn = {17105668, 17105668},
doi = {10.29173/cmplct8737},
language  = {en},
journal  = {Complicity: An International Journal of Complexity and
Education},
author  = {Woodill, Gary},
month = dec,
year = {2005}
}

“Computational Complexity: Theory, Techniques, and Applications,” , 2012.
[Bibtex]

@Article{ meyers_computational_2012,
address  = {New York, NY},
title = {Computational {Complexity}: {Theory}, {Techniques}, and
{Applications}},
isbn = {978-1-4614-1799-6 978-1-4614-1800-9},
language  = {en},
year = {2012},
doi = {10.1007/978-1-4614-1800-9}
}

“The Mechanisms of DNA Replication,” , 2013.
[Bibtex]

@Article{ stuart_mechanisms_2013,
title = {The {Mechanisms} of {DNA} {Replication}},
isbn = {978-953-51-0991-4},
language  = {en},
month = feb,
year = {2013},
doi = {10.5772/3433}
}

L. Bigo, M. Andreatta, J. Giavitto, O. Michel, and A. Spicher, “Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes,” , 2013.
[Bibtex]

@Article{ hutchison_computation_2013,
address  = {Berlin, Heidelberg},
title = {Computation and {Visualization} of {Musical} {Structures}
in {Chord}-{Based} {Simplicial} {Complexes}},
isbn = {978-3-642-39356-3 978-3-642-39357-0},
language  = {en},
booktitle  = {Mathematics and {Computation} in {Music}},
author  = {Bigo, Louis and Andreatta, Moreno and Giavitto, Jean-Louis
and Michel, Olivier and Spicher, Antoine},
year = {2013},
doi = {10.1007/978-3-642-39357-0_3}
}

L. Spiegel, “Should Music-Making Be Reserved for an Elite?,” Computer music journal, 1998.
[Bibtex]

@Article{ spiegel_should_1998,
title = {Should {Music}-{Making} {Be} {Reserved} for an {Elite}?},
issn = {01489267},
doi = {10.2307/3681038},
language  = {en},
journal  = {Computer Music Journal},
author  = {Spiegel, Laurie},
year = {1998}
}

“That was Then: This Is Now.”
[Bibtex]

@Article{ noauthor_that_nodate,
title = {That was {Then}: {This} {Is} {Now}},
language  = {en}
}

D. I. Spivak, “Category theory for the sciences,” , 2014.
[Bibtex]

@Article{ spivak_category_2014,
address  = {Cambridge, Massachusetts},
title = {Category theory for the sciences},
isbn = {978-0-262-02813-4},
language  = {en},
author  = {Spivak, David I.},
year = {2014}
}

S. Spors and J. Ahrens, “A Comparison of Wave Field Synthesis and Higher-Order Ambisonics with Respect to Physical Properties and Spatial Sampling,” , 2008.
[Bibtex]

@Article{ spors_comparison_2008,
title = {A {Comparison} of {Wave} {Field} {Synthesis} and
{Higher}-{Order} {Ambisonics} with {Respect} to {Physical}
{Properties} and {Spatial} {Sampling}},
language  = {en},
author  = {Spors, Sascha and Ahrens, Jens},
year = {2008}
}

V. Springel, “The cosmological simulation code GADGET-2,” Monthly notices of the royal astronomical society, 2005.
[Bibtex]

@Article{ springel_cosmological_2005,
title = {The cosmological simulation code {GADGET}-2},
issn = {0035-8711, 1365-2966},
doi = {10.1111/j.1365-2966.2005.09655.x},
language  = {en},
journal  = {Monthly Notices of the Royal Astronomical Society},
author  = {Springel, Volker},
month = dec,
year = {2005}
}

V. Springel, C. S. Frenk, and S. D. M. White, “The large-scale structure of the Universe,” Nature, 2006.
[Bibtex]

@Article{ springel_large-scale_2006,
title = {The large-scale structure of the {Universe}},
issn = {0028-0836, 1476-4687},
doi = {10.1038/nature04805},
language  = {en},
journal  = {Nature},
author  = {Springel, Volker and Frenk, Carlos S. and White, Simon D.
M.},
month = apr,
year = {2006}
}

“Springer handbook of speech processing,” , 2008.
[Bibtex]

@Article{ benesty_springer_2008,
address  = {Berlin ; London},
title = {Springer handbook of speech processing},
isbn = {978-3-540-49125-5},
language  = {en},
year = {2008}
}

L. Spuybroek, “Gothic Ontology and Sympathy,” , 2017.
[Bibtex]

@Article{ spuybroek_gothic_2017,
title = {Gothic {Ontology} and {Sympathy}},
language  = {en},
author  = {Spuybroek, Lars},
year = {2017}
}

L. Spuybroek, “Gothic Ontology and Sympathy: Moving Away from the Fold,” , 2017.
[Bibtex]

@Article{ spuybroek_gothic_2017-1,
title = {Gothic {Ontology} and {Sympathy}: {Moving} {Away} from the
{Fold}},
language  = {en},
author  = {Spuybroek, Lars},
year = {2017}
}

R. Squibbs, “Mycenae-Alpha: A Listener’s Guide.”
[Bibtex]

@Article{ squibbs_mycenae-alpha_nodate,
title = {Mycenae-{Alpha}: {A} {Listener}’s {Guide}},
language  = {en},
author  = {Squibbs, Ronald}
}

R. Squibbs, “Xenakis in Miniature: Style and Structure in “à r. (Hommage à Ravel)” for Piano (1987),” Perspectives of new music, 2003.
[Bibtex]

@Article{ squibbs_xenakis_2003,
title = {Xenakis in {Miniature}: {Style} and {Structure} in "à r.
({Hommage} à {Ravel})" for {Piano} (1987)},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Squibbs, Ronald},
year = {2003}
}

J. H. Staal, “Propaganda Art – From the 20th to the 21st Century.”
[Bibtex]

@Article{ staal_propaganda_nodate,
title = {Propaganda {Art} - {From} the 20th to the 21st {Century}},
language  = {en},
author  = {Staal, Jonas Hendrik}
}

K. Siedenburg, “An Exploration of Real-Time Visualizations of Musical Timbre,” , 2009.
[Bibtex]

@Article{ siedenburg_exploration_2009,
title = {An {Exploration} of {Real}-{Time} {Visualizations} of
{Musical} {Timbre}},
language  = {en},
author  = {Siedenburg, Kai},
year = {2009}
}

S. Shukaitis, “The composition of movements to come: aesthetics and cultural labor after the avant-garde,” , 2016.
[Bibtex]

@Article{ shukaitis_composition_2016,
address  = {London ; New York},
title = {The composition of movements to come: aesthetics and
cultural labor after the avant-garde},
isbn = {978-1-78348-172-9 978-1-78348-173-6},
language  = {en},
author  = {Shukaitis, Stevphen},
year = {2016}
}

K. Sicchio, “Hacking Choreography: Dance and Live Coding,” Computer music journal, 2014.
[Bibtex]

@Article{ sicchio_hacking_2014,
title = {Hacking {Choreography}: {Dance} and {Live} {Coding}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00218},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sicchio, Kate},
month = mar,
year = {2014}
}

Y. Shoham, “Multiagent Systems: Algorithmic, Game-Theoretic, and Logical Foundations,” , 2010.
[Bibtex]

@Article{ shoham_multiagent_2010,
title = {Multiagent {Systems}: {Algorithmic}, {Game}-{Theoretic},
and {Logical} {Foundations}},
language  = {en},
author  = {Shoham, Yoav},
year = {2010}
}

P. Shirley, “Fundamentals of Computer Graphics,” , 2009.
[Bibtex]

@Article{ shirley_fundamentals_2009,
title = {Fundamentals of {Computer} {Graphics}},
language  = {en},
author  = {Shirley, Peter},
year = {2009}
}

M. Shimizu, “What Is Plura-Monism?,” Perspectives of new music, 2001.
[Bibtex]

@Article{ shimizu_what_2001,
title = {What {Is} {Plura}-{Monism}?},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Shimizu, Minoru},
year = {2001}
}

T. Shimazu, “The History of Electronic and Computer Music in Japan: Significant Composers and Their Works,” Leonardo music journal, 1994.
[Bibtex]

@Article{ shimazu_history_1994,
title = {The {History} of {Electronic} and {Computer} {Music} in
{Japan}: {Significant} {Composers} and {Their} {Works}},
issn = {09611215},
doi = {10.2307/1513190},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Shimazu, Takehito},
year = {1994}
}

H. Sigurgeirsson, A. Stuart, and W. Wan, “Algorithms for Particle-Field Simulations with Collisions,” Journal of computational physics, 2001.
[Bibtex]

@Article{ sigurgeirsson_algorithms_2001,
title = {Algorithms for {Particle}-{Field} {Simulations} with
{Collisions}},
issn = {00219991},
doi = {10.1006/jcph.2001.6858},
language  = {en},
journal  = {Journal of Computational Physics},
author  = {Sigurgeirsson, Hersir and Stuart, Andrew and Wan,
Wing-Lok},
month = sep,
year = {2001}
}

D. Sijacki, M. Vogelsberger, S. Genel, V. Springel, P. Torrey, G. Snyder, D. Nelson, and L. Hernquist, “The Illustris simulation: the evolving population of black holes across cosmic time,” Monthly notices of the royal astronomical society, 2015.
[Bibtex]

@Article{ sijacki_illustris_2015,
title = {The {Illustris} simulation: the evolving population of
black holes across cosmic time},
issn = {0035-8711, 1365-2966},
doi = {10.1093/mnras/stv1340},
language  = {en},
journal  = {Monthly Notices of the Royal Astronomical Society},
author  = {Sijacki, Debora and Vogelsberger, Mark and Genel, Shy and
Springel, Volker and Torrey, Paul and Snyder, Greg and
Nelson, Dylan and Hernquist, Lars},
month = sep,
year = {2015}
}

R. Shapiro, “Qu’est-ce que l’Artification ?,” , 2004.
[Bibtex]

@Article{ shapiro_quest-ce_2004,
title = {Qu’est-ce que l’{Artification} ?},
language  = {fr},
author  = {Shapiro, Roberta},
year = {2004}
}

G. J. Shapley, “Sound of Failure : Experimental electronic music in our post-digital era,” , 2010.
[Bibtex]

@Article{ shapley_sound_2010,
title = {Sound of {Failure} : {Experimental} electronic music in
our post-digital era},
language  = {en},
author  = {Shapley, Gregory James},
year = {2010}
}

W. A. Sheppard, “Extreme exoticism: Japan in the American musical imagination,” , 2019.
[Bibtex]

@Article{ sheppard_extreme_2019,
address  = {New York, NY},
title = {Extreme exoticism: {Japan} in the {American} musical
imagination},
isbn = {978-0-19-007270-4},
language  = {en},
author  = {Sheppard, William Anthony},
year = {2019}
}

P. Sherburne, “12k: between two points,” Organised sound, 2001.
[Bibtex]

@Article{ sherburne_12k_2001,
title = {12k: between two points},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771801003028},
language  = {en},
journal  = {Organised Sound},
author  = {Sherburne, Philip},
month = dec,
year = {2001}
}

M. Shibata, “Music and Technology in Japan,” , 2010.
[Bibtex]

@Article{ shibata_music_2010,
title = {Music and {Technology} in {Japan}},
language  = {en},
author  = {Shibata, Minao},
year = {2010}
}

D. Shiffman, “Learning Processing: a beginner’s guide to programming images, animation, and interaction,” , 2008.
[Bibtex]

@Article{ shiffman_learning_2008,
address  = {Amsterdam ; Boston},
title = {Learning {Processing}: a beginner's guide to programming
images, animation, and interaction},
isbn = {978-0-12-373602-4},
language  = {en},
author  = {Shiffman, Daniel},
year = {2008}
}

D. Shiffman, “The nature of code,” , 2012.
[Bibtex]

@Article{ shiffman_nature_2012,
address  = {s.l.},
title = {The nature of code},
isbn = {978-0-9859308-0-6},
language  = {en},
author  = {Shiffman, Daniel},
year = {2012}
}

J. Shafer, “The Two-Part and Three-Part Inventions of Bach: A Mathematical Analysis.”
[Bibtex]

@Article{ shafer_two-part_nodate,
title = {The {Two}-{Part} and {Three}-{Part} {Inventions} of
{Bach}: {A} {Mathematical} {Analysis}},
language  = {en},
author  = {Shafer, Jennifer}
}

D. E. A. Shanken, “Historicizing Art and Technology: Forging a Method and Firing a Canon.”
[Bibtex]

@Article{ shanken_historicizing_nodate,
title = {Historicizing {Art} and {Technology}: {Forging} a {Method}
and {Firing} a {Canon}},
language  = {en},
author  = {Shanken, Dr Edward A}
}

C. E. Shannon, “A Mathematical Theory of Communication,” , 1948.
[Bibtex]

@Article{ shannon_mathematical_1948,
title = {A {Mathematical} {Theory} of {Communication}},
language  = {en},
author  = {Shannon, C E},
year = {1948}
}

C. E. Shannon, “A Symbolic Analysis of Relay and Switching Circuits,” , 1936.
[Bibtex]

@Article{ shannon_symbolic_1936,
title = {A {Symbolic} {Analysis} of {Relay} and {Switching}
{Circuits}},
language  = {en},
author  = {Shannon, Claude Elwood},
year = {1936}
}

N. Nezvanova, “The Internet, A Musical Instrument in Perpetual Flux,” Computer music journal, 2000.
[Bibtex]

@Article{ nezvanova_internet_2000,
title = {The {Internet}, {A} {Musical} {Instrument} in {Perpetual}
{Flux}},
language  = {en},
journal  = {Computer Music Journal},
author  = {Nezvanova, Netochka},
year = {2000}
}

E. Nichols, “LYRIC-BASED RHYTHM SUGGESTION,” , 2009.
[Bibtex]

@Article{ nichols_lyric-based_2009,
title = {{LYRIC}-{BASED} {RHYTHM} {SUGGESTION}},
language  = {en},
author  = {Nichols, Eric},
year = {2009}
}

T. Nickson, “Pattern Formations with Discrete Waves and Broadcasting Sequences.,” , 2013.
[Bibtex]

@Article{ nickson_pattern_2013,
title = {Pattern {Formations} with {Discrete} {Waves} and
{Broadcasting} {Sequences}.},
language  = {en},
author  = {Nickson, Thomas},
year = {2013}
}

C. Nicolai, “Milch, 2000,” Organised sound, 2001.
[Bibtex]

@Article{ nicolai_milch_2001,
title = {Milch, 2000},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771801003065},
language  = {de},
journal  = {Organised Sound},
author  = {Nicolai, Carsten},
month = dec,
year = {2001}
}

D. M. Mount, “David M. Mount Department of Computer Science University of Maryland Fall 2002.”
[Bibtex]

@Article{ mount_david_nodate,
title = {David {M}. {Mount} {Department} of {Computer} {Science}
{University} of {Maryland} {Fall} 2002},
language  = {en},
author  = {Mount, David M}
}

R. Mountain, “From Wire to Computer: Francis Dhomont at 80,” Computer music journal, 2006.
[Bibtex]

@Article{ mountain_wire_2006,
title = {From {Wire} to {Computer}: {Francis} {Dhomont} at 80},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.3.10},
language  = {en},
journal  = {Computer Music Journal},
author  = {Mountain, Rosemary},
month = sep,
year = {2006}
}

B. M. M. Rmit, “Sound and Video Installation: Existence as a state of immanence..”
[Bibtex]

@Article{ rmit_sound_nodate,
title = {Sound and {Video} {Installation}: {Existence} as a state
of immanence.},
language  = {en},
author  = {Rmit, Bruce Mowson MA}
}

M. C. Mozer, “Neural network music composition by prediction: Exploring the benefits of psychoacoustic constraints and multiscale processing,” , 1994.
[Bibtex]

@Article{ mozer_neural_1994,
title = {Neural network music composition by prediction:
{Exploring} the benefits of psychoacoustic constraints and
multiscale processing},
language  = {en},
author  = {Mozer, Michael C},
year = {1994}
}

M. Müller, M. Goto, and M. Schedl, “Multimodal Music Processing,” , 2012.
[Bibtex]

@Article{ muller_multimodal_2012,
title = {Multimodal {Music} {Processing}},
doi = {10.4230/DFU.VOL3.11041.I},
language  = {en},
author  = {Müller, Meinard and Goto, Masataka and Schedl, Markus},
collaborator  = {Herbstritt, Marc},
year = {2012}
}

T. A. Johnson, “Foundations of diatonic theory: a mathematically based approach to music fundamentals,” , 2008.
[Bibtex]

@Article{ johnson_foundations_2008,
address  = {Lanham, Md.},
title = {Foundations of diatonic theory: a mathematically based
approach to music fundamentals},
isbn = {978-0-8108-6213-5},
language  = {en},
author  = {Johnson, Timothy A.},
year = {2008}
}

T. Johnson, “Musical Questions for Mathematicians.”
[Bibtex]

@Article{ johnson_musical_nodate,
title = {Musical {Questions} for {Mathematicians}},
language  = {en},
author  = {Johnson, Tom}
}

R. Johnstone, “The Sound of One Chip Clapping: Yamaha and FM_synthesis.”
[Bibtex]

@Article{ johnstone_sound_nodate,
title = {The {Sound} of {One} {Chip} {Clapping}: {Yamaha} and
{FM}\_Synthesis},
language  = {en},
author  = {Johnstone, Robert}
}

J. Katz, E. Chemla, and C. Pallier, “An Attentional Effect of Musical Metrical Structure,” Plos one, 2015.
[Bibtex]

@Article{ katz_attentional_2015,
title = {An {Attentional} {Effect} of {Musical} {Metrical}
{Structure}},
issn = {1932-6203},
doi = {10.1371/journal.pone.0140895},
language  = {en},
journal  = {PLOS ONE},
author  = {Katz, Jonah and Chemla, Emmanuel and Pallier, Christophe},
month = nov,
year = {2015}
}

D. E. Jones, “A Computational Composer’s Assistant for Atonal Counterpoint,” Computer music journal, 2000.
[Bibtex]

@Article{ jones_computational_2000,
title = {A {Computational} {Composer}'s {Assistant} for {Atonal}
{Counterpoint}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892600559506},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jones, David Evan},
month = dec,
year = {2000}
}

I. Xenakis’s, “An Acoustic Analysis of Col Legno Articulation in Iannis Xenakis’s Nomos Alpha,” Computer music journal.
[Bibtex]

@Article{ xenakiss_acoustic_nodate,
title = {An {Acoustic} {Analysis} of {Col} {Legno} {Articulation}
in {Iannis} {Xenakis}’s {Nomos} {Alpha}},
language  = {en},
journal  = {Computer Music Journal},
author  = {Xenakis’s, Iannis}
}

K. Jones, “Compositional Applications of Stochastic Processes,” Computer music journal, 1981.
[Bibtex]

@Article{ jones_compositional_1981,
title = {Compositional {Applications} of {Stochastic} {Processes}},
issn = {01489267},
doi = {10.2307/3679879},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jones, Kevin},
year = {1981}
}

R. Jones and B. Nevile, “Creating Visual Music in Jitter: Approaches and Techniques,” Computer music journal, 2005.
[Bibtex]

@Article{ jones_creating_2005,
title = {Creating {Visual} {Music} in {Jitter}: {Approaches} and
{Techniques}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892605775179900},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jones, Randy and Nevile, Ben},
month = dec,
year = {2005}
}

D. L. Jones and T. W. Parks, “Generation and Combination of Grains for Music Synthesis,” Computer music journal, 1988.
[Bibtex]

@Article{ jones_generation_1988,
title = {Generation and {Combination} of {Grains} for {Music}
{Synthesis}},
issn = {01489267},
doi = {10.2307/3679939},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jones, Douglas L. and Parks, Thomas W.},
year = {1988}
}

“Music Perception,” , 2010.
[Bibtex]

@Article{ riess_jones_music_2010,
address  = {New York, NY},
title = {Music {Perception}},
isbn = {978-1-4419-6113-6 978-1-4419-6114-3},
language  = {en},
year = {2010},
doi = {10.1007/978-1-4419-6114-3}
}

R. A. L. Jones, “Soft machines: nanotechnology and life,” , 2007.
[Bibtex]

@Article{ jones_soft_2007,
address  = {Oxford},
title = {Soft machines: nanotechnology and life},
isbn = {978-0-19-922662-7 978-0-19-852855-5},
language  = {en},
author  = {Jones, Richard A. L.},
year = {2007}
}

P. X. Joris, C. E. Schreiner, and A. Rees, “Neural Processing of Amplitude-Modulated Sounds,” Physiological reviews, 2004.
[Bibtex]

@Article{ joris_neural_2004,
title = {Neural {Processing} of {Amplitude}-{Modulated} {Sounds}},
issn = {0031-9333, 1522-1210},
doi = {10.1152/physrev.00029.2003},
language  = {en},
journal  = {Physiological Reviews},
author  = {Joris, P. X. and Schreiner, C. E. and Rees, A.},
month = apr,
year = {2004}
}

B. W. Joseph, “”A Duplication Containing Duplications”: Robert Rauschenberg’s Split Screens,” October, 2001.
[Bibtex]

@Article{ joseph_duplication_2001,
title = {"{A} {Duplication} {Containing} {Duplications}": {Robert}
{Rauschenberg}'s {Split} {Screens}},
language  = {en},
journal  = {October},
author  = {Joseph, Branden W.},
year = {2001}
}

B. W. Joseph, “Robert Morris and John Cage: Reconstructing a Dialogue,” October, 1997.
[Bibtex]

@Article{ joseph_robert_1997,
title = {Robert {Morris} and {John} {Cage}: {Reconstructing} a
{Dialogue}},
issn = {01622870},
doi = {10.2307/779018},
language  = {en},
journal  = {October},
author  = {Joseph, Branden W.},
year = {1997}
}

A. Daniels, A. Mann, and J. Edmunds, “The Study of Counterpoint. From Johann Joseph Fux’s Gradus ad Parnassum,” Notes, 1967.
[Bibtex]

@Article{ daniels_study_1967,
title = {The {Study} of {Counterpoint}. {From} {Johann} {Joseph}
{Fux}'s {Gradus} ad {Parnassum}},
issn = {00274380},
doi = {10.2307/894303},
language  = {en},
journal  = {Notes},
author  = {Daniels, Arthur and Mann, Alfred and Edmunds, John},
month = jun,
year = {1967}
}

J. Jot, L. Cerveau, and O. Warusfel, “Analysis and synthesis of room reverberation based on a statistical time-frequency model,” , 1997.
[Bibtex]

@Article{ jot_analysis_1997,
title = {Analysis and synthesis of room reverberation based on a
statistical time-frequency model},
language  = {en},
author  = {Jot, Jean-Marc and Cerveau, Laurent and Warusfel,
Olivier},
year = {1997}
}

J. Jot and O. Warusfel, “Spat\textasciitilde : A Spatial Processor for Musicians and Sound Engineers,” , 1995.
[Bibtex]

@Article{ jot_spat_1995,
title = {Spat{\textasciitilde} : {A} {Spatial} {Processor} for
{Musicians} and {Sound} {Engineers}},
language  = {en},
author  = {Jot, Jean-Marc and Warusfel, Olivier},
year = {1995}
}

G. Jowett, V. O’Donnell, and G. Jowett, “Propaganda & Persuasion,” , 2012.
[Bibtex]

@Article{ jowett_propaganda_2012,
address  = {Thousand Oaks, Calif},
title = {Propaganda \& {Persuasion}},
isbn = {978-1-4129-7782-1},
language  = {en},
author  = {Jowett, Garth and O'Donnell, Victoria and Jowett, Garth},
year = {2012}
}

L. Juiller, “Come to Daddy! Aphex Twin et Jean-François Lyotard,” Volume !, 2004.
[Bibtex]

@Article{ juiller_come_2004,
title = {Come to {Daddy}! {Aphex} {Twin} et {Jean}-{François}
{Lyotard}},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2164},
language  = {fr},
journal  = {Volume !},
author  = {Juiller, Laurent},
month = jan,
year = {2004}
}

C. G. Jung and R. F. C. Hull, “Synchronicity: an acausal connecting principle,” , 2011.
[Bibtex]

@Article{ jung_synchronicity_2011,
address  = {Princeton},
title = {Synchronicity: an acausal connecting principle},
isbn = {978-0-691-15050-5},
language  = {en},
author  = {Jung, Carl Gustav and Hull, Richard Francis Carrington},
year = {2011}
}

F. D. Wilhelmsen, “The Failure Of Technology,” , 1956.
[Bibtex]

@Article{ wilhelmsen_failure_1956,
title = {The {Failure} {Of} {Technology}},
language  = {en},
author  = {Wilhelmsen, Frederick D.},
year = {1956}
}

J. Montelione, “Forging Pathways to Improvise Music: For Classical, Jazz, Comedic, and Church Musicians,” , 2023.
[Bibtex]

@Article{ montelione_forging_2023,
address  = {New York},
title = {Forging {Pathways} to {Improvise} {Music}: {For}
{Classical}, {Jazz}, {Comedic}, and {Church} {Musicians}},
isbn = {978-1-003-34185-7},
language  = {en},
author  = {Montelione, Joseph},
month = jun,
year = {2023},
doi = {10.4324/9781003341857}
}

“Computer Assisted Music and Dramatics: Possibilities and Challenges,” , 2023.
[Bibtex]

@Article{ salgaonkar_computer_2023,
address  = {Singapore},
title = {Computer {Assisted} {Music} and {Dramatics}:
{Possibilities} and {Challenges}},
isbn = {978-981-99-0886-8 978-981-99-0887-5},
language  = {en},
year = {2023},
doi = {10.1007/978-981-99-0887-5}
}

M. Vissault, “L’oeuvre d’art à l’ère de sa reproductibilité technique / Joseph Beuys, Editionen, Hamburger Bahnhof, Berlin. Du 20 février au 13 juin 1999,” , 1999.
[Bibtex]

@Article{ vissault_loeuvre_1999,
title = {L’oeuvre d’art à l’ère de sa reproductibilité
technique / {Joseph} {Beuys}, {Editionen}, {Hamburger}
{Bahnhof}, {Berlin}. {Du} 20 février au 13 juin 1999},
language  = {fr},
author  = {Vissault, Maïté},
year = {1999}
}

W. A. Sethares, “Consonance-Based Spectral Mappings,” Computer music journal, 1998.
[Bibtex]

@Article{ sethares_consonance-based_1998,
title = {Consonance-{Based} {Spectral} {Mappings}},
issn = {01489267},
doi = {10.2307/3681045},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sethares, William A.},
year = {1998}
}

J. Serquera and E. R. Miranda, “Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design,” Computer music journal, 2014.
[Bibtex]

@Article{ serquera_histogram_2014,
title = {Histogram {Mapping} {Synthesis}: {A} {Cellular}
{Automata}-{Based} {Technique} for {Flexible} {Sound}
{Design}},
issn = {0148-9267},
doi = {10.1162/COMJ_a_00267},
language  = {en},
journal  = {Computer Music Journal},
author  = {Serquera, Jaime and Miranda, Eduardo Reck},
month = dec,
year = {2014}
}

J. Serrà, Á. Corral, M. Boguñá, M. Haro, and J. L. Arcos, “Measuring the Evolution of Contemporary Western Popular Music,” Scientific reports, 2012.
[Bibtex]

@Article{ serra_measuring_2012,
title = {Measuring the {Evolution} of {Contemporary} {Western}
{Popular} {Music}},
issn = {2045-2322},
doi = {10.1038/srep00521},
language  = {en},
journal  = {Scientific Reports},
author  = {Serrà, Joan and Corral, Álvaro and Boguñá, Marián and
Haro, Martín and Arcos, Josep Ll.},
month = jul,
year = {2012}
}

X. Serra and J. Smith, “Spectral Modeling Synthesis: A Sound Analysis/Synthesis System Based on a Deterministic Plus Stochastic Decomposition,” Computer music journal, 1990.
[Bibtex]

@Article{ serra_spectral_1990,
title = {Spectral {Modeling} {Synthesis}: {A} {Sound}
{Analysis}/{Synthesis} {System} {Based} on a
{Deterministic} {Plus} {Stochastic} {Decomposition}},
issn = {01489267},
doi = {10.2307/3680788},
language  = {en},
journal  = {Computer Music Journal},
author  = {Serra, Xavier and Smith, Julius},
year = {1990}
}

M. Serra and M. Serra, “Stochastic Composition and Stochastic Timbre: GENDY3 by Iannis Xenakis,” Perspectives of new music, 1993.
[Bibtex]

@Article{ serra_stochastic_1993,
title = {Stochastic {Composition} and {Stochastic} {Timbre}:
{GENDY3} by {Iannis} {Xenakis}},
issn = {00316016},
doi = {10.2307/833052},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Serra, Marie-Hélène and Serra, Marie-Helene},
year = {1993}
}

J. Serra, “Supplementary Information: “Measuring the Evolution of Contemporary Western Popular Music”.”
[Bibtex]

@Article{ serra_supplementary_nodate,
title = {Supplementary {Information}: “{Measuring} the
{Evolution} of {Contemporary} {Western} {Popular}
{Music}”},
language  = {en},
author  = {Serra, Joan}
}

Z. Settel and C. Lippe, “Real-Time Musical Applications using FFT-based Resynthesis,” , 1994.
[Bibtex]

@Article{ settel_real-time_1994,
title = {Real-{Time} {Musical} {Applications} using {FFT}-based
{Resynthesis}},
language  = {en},
author  = {Settel, Zack and Lippe, Colt},
year = {1994}
}

A. Rehding, “Music and monumentality: commemoration and wonderment in nineteenth-century Germany,” , 2009.
[Bibtex]

@Article{ rehding_music_2009,
address  = {Oxford ; New York},
title = {Music and monumentality: commemoration and wonderment in
nineteenth-century {Germany}},
isbn = {978-0-19-538538-0},
language  = {en},
author  = {Rehding, Alexander},
year = {2009}
}

D. W. Reich, “A Guide to Alban Berg’s Opera Wozzeck.”
[Bibtex]

@Article{ reich_guide_nodate,
title = {A {Guide} to {Alban} {Berg}’s {Opera} {Wozzeck}},
language  = {en},
author  = {Reich, Dr Willi}
}

W. T. Reid, “Riccati Differential Equations.”
[Bibtex]

@Article{ reid_riccati_nodate,
title = {Riccati {Differential} {Equations}},
language  = {en},
author  = {Reid, William Thomas}
}

“Beauty matters: human judgement and the pursuit of new beauties in post-digital architecture,” , 2019.
[Bibtex]

@Article{ reisner_beauty_2019,
address  = {Oxford},
title = {Beauty matters: human judgement and the pursuit of new
beauties in post-digital architecture},
isbn = {978-1-119-54624-5},
language  = {en},
year = {2019}
}

J. D. Reiss and M. B. Sandler, “NONLINEAR TIME SERIES ANALYSIS OF MUSICAL SIGNALS,” , 2003.
[Bibtex]

@Article{ reiss_nonlinear_2003,
title = {{NONLINEAR} {TIME} {SERIES} {ANALYSIS} {OF} {MUSICAL}
{SIGNALS}},
language  = {en},
author  = {Reiss, J D and Sandler, M B},
year = {2003}
}

P. Valéry and P. Valéry, “Discours sur l’Esthétique,” , 2002.
[Bibtex]

@Article{ valery_discours_2002,
address  = {Chicoutimi},
title = {Discours sur l'{Esthétique}},
isbn = {978-1-55442-430-6},
language  = {fr},
author  = {Valéry, Paul and Valéry, Paul},
year = {2002},
doi = {10.1522/cla.sif.vap.dis2}
}

V. Välimäki and A. Huovilainen, “Oscillator and Filter Algorithms for Virtual Analog Synthesis,” Computer music journal, 2006.
[Bibtex]

@Article{ valimaki_oscillator_2006,
title = {Oscillator and {Filter} {Algorithms} for {Virtual}
{Analog} {Synthesis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2006.30.2.19},
language  = {en},
journal  = {Computer Music Journal},
author  = {Välimäki, Vesa and Huovilainen, Antti},
month = jun,
year = {2006}
}

P. Valiquet, “THE SPATIALISATION OF STEREOPHONY: TAKING POSITIONS IN POST-WAR ELECTROACOUSTIC MUSIC,” , 2011.
[Bibtex]

@Article{ valiquet_spatialisation_2011,
title = {{THE} {SPATIALISATION} {OF} {STEREOPHONY}: {TAKING}
{POSITIONS} {IN} {POST}-{WAR} {ELECTROACOUSTIC} {MUSIC}},
language  = {en},
author  = {Valiquet, Patrick},
year = {2011}
}

A. Valle, K. Tazelaar, and V. Lombardo, “In a concrete space. Reconstructing the spatialization of Iannis Xenakis’ Concret PH on a multichannel setup.”
[Bibtex]

@Article{ valle_concrete_nodate,
title = {In a concrete space. {Reconstructing} the spatialization
of {Iannis} {Xenakis}' {Concret} {PH} on a multichannel
setup},
language  = {en},
author  = {Valle, Andrea and Tazelaar, Kees and Lombardo, Vincenzo}
}

N. Valsamakis, “Aesthetics and Techniques in the Electroacoustic Music of Iannis Xenakis.”
[Bibtex]

@Article{ valsamakis_aesthetics_nodate,
title = {Aesthetics and {Techniques} in the {Electroacoustic}
{Music} of {Iannis} {Xenakis}},
language  = {en},
author  = {Valsamakis, Nikolas}
}

S. V. Cauwelaert, G. Gutierrez, and P. Van Roy, “A new approach for constraint programming in music using relation domains,” , 2012.
[Bibtex]

@Article{ cauwelaert_new_2012,
title = {A new approach for constraint programming in music using
relation domains},
language  = {en},
author  = {Cauwelaert, Sascha Van and Gutierrez, Gustavo and Van Roy,
Peter},
year = {2012}
}

A. van den Oord, N. Kalchbrenner, O. Vinyals, L. Espeholt, A. Graves, and K. Kavukcuoglu, “Conditional Image Generation with PixelCNN Decoders,” , 2016.
[Bibtex]

@Article{ oord_conditional_2016,
title = {Conditional {Image} {Generation} with {PixelCNN}
{Decoders}},
language  = {en},
author  = {Oord, Aaron van den and Kalchbrenner, Nal and Vinyals,
Oriol and Espeholt, Lasse and Graves, Alex and Kavukcuoglu,
Koray},
month = jun,
year = {2016}
}

A. van den Oord, S. Dieleman, H. Zen, K. Simonyan, O. Vinyals, A. Graves, N. Kalchbrenner, A. Senior, and K. Kavukcuoglu, “WaveNet: A Generative Model for Raw Audio,” , 2016.
[Bibtex]

@Article{ oord_wavenet_2016,
title = {{WaveNet}: {A} {Generative} {Model} for {Raw} {Audio}},
language  = {en},
author  = {Oord, Aaron van den and Dieleman, Sander and Zen, Heiga
and Simonyan, Karen and Vinyals, Oriol and Graves, Alex and
Kalchbrenner, Nal and Senior, Andrew and Kavukcuoglu,
Koray},
month = sep,
year = {2016}
}

L. V. Eecke, “ON THE IDEA OF THE IMMANENT–SUBLIME TO THE MINDS OF JEAN-FRANÇOIS LYOTARD AND HELMUT LACHENMANN,” Perspectives of new music.
[Bibtex]

@Article{ eecke_idea_nodate,
title = {{ON} {THE} {IDEA} {OF} {THE} {IMMANENT}–{SUBLIME} {TO}
{THE} {MINDS} {OF} {JEAN}-{FRANÇOIS} {LYOTARD} {AND}
{HELMUT} {LACHENMANN}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Eecke, Livine Van}
}

D. Van Nort, M. M. Wanderley, and P. Depalle, “Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives,” Computer music journal, 2014.
[Bibtex]

@Article{ van_nort_mapping_2014,
title = {Mapping {Control} {Structures} for {Sound} {Synthesis}:
{Functional} and {Topological} {Perspectives}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00253},
language  = {en},
journal  = {Computer Music Journal},
author  = {Van Nort, Doug and Wanderley, Marcelo M. and Depalle,
Philippe},
month = sep,
year = {2014}
}

D. van Straten, “Geraden, Kurven und Kuspen.”
[Bibtex]

@Article{ van_straten_geraden_nodate,
title = {Geraden, {Kurven} und {Kuspen}},
language  = {de},
author  = {van Straten, Duco}
}

“The Neural Network Zoo – The Asimov Institute.”
[Bibtex]

@Article{ noauthor_neural_nodate-1,
title = {The {Neural} {Network} {Zoo} - {The} {Asimov}
{Institute}},
language  = {en}
}

G. Marcotte, “Le nouveau; le neuf,” , 1999.
[Bibtex]

@Article{ marcotte_nouveau_1999,
title = {Le nouveau; le neuf},
language  = {fr},
author  = {Marcotte, Gilles},
year = {1999}
}

E. H. Margulis and A. P. Beatty, “Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool,” Computer music journal, 2008.
[Bibtex]

@Article{ margulis_musical_2008,
title = {Musical {Style}, {Psychoaesthetics}, and {Prospects} for
{Entropy} as an {Analytic} {Tool}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2008.32.4.64},
language  = {en},
journal  = {Computer Music Journal},
author  = {Margulis, Elizabeth Hellmuth and Beatty, Andrew P.},
month = dec,
year = {2008}
}

A. Maratti and M. Traversa, “Music and Science: An Interview with Martino Traversa,” Computer music journal, 1996.
[Bibtex]

@Article{ maratti_music_1996,
title = {Music and {Science}: {An} {Interview} with {Martino}
{Traversa}},
issn = {01489267},
doi = {10.2307/3680816},
language  = {en},
journal  = {Computer Music Journal},
author  = {Maratti, Adriana and Traversa, Martino},
year = {1996}
}

R. Gangolli, “Music and Mathematics,” Perspectives of new music, 2007.
[Bibtex]

@Article{ gangolli_music_2007,
title = {Music and {Mathematics}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gangolli, Ramesh},
year = {2007}
}

R. Meier and F. Voisin, “Music for Last Manoeuvres in the Dark.”
[Bibtex]

@Article{ meier_music_nodate,
title = {Music for {Last} {Manoeuvres} in the {Dark}},
language  = {en},
author  = {Meier, Robin and Voisin, Frédéric}
}

“Music, power, and politics,” , 2005.
[Bibtex]

@Article{ randall_music_2005,
address  = {New York},
title = {Music, power, and politics},
isbn = {978-0-415-94364-2},
language  = {en},
year = {2005}
}

“Music, theater, and cultural transfer: Paris, 1830-1914,” , 2009.
[Bibtex]

@Article{ fauser_music_2009,
address  = {Chicago},
title = {Music, theater, and cultural transfer: {Paris},
1830-1914},
isbn = {978-0-226-23926-2 978-0-226-23927-9},
language  = {en},
year = {2009}
}

D. Morrill, “Loudspeakers and Performers: Some Problems and Proposals,” Computer music journal, 1981.
[Bibtex]

@Article{ morrill_loudspeakers_1981,
title = {Loudspeakers and {Performers}: {Some} {Problems} and
{Proposals}},
issn = {01489267},
doi = {10.2307/3679503},
language  = {en},
journal  = {Computer Music Journal},
author  = {Morrill, Dexter},
year = {1981}
}

R. Morris, “CALLIGRAPHY, CHANGES, AUTONOMY,” Perspectives of new music.
[Bibtex]

@Article{ morris_calligraphy_nodate,
title = {{CALLIGRAPHY}, {CHANGES}, {AUTONOMY}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Morris, Robert}
}

R. Morris, “Compositional Spaces and Other Territories.”
[Bibtex]

@Article{ morris_compositional_nodate,
title = {Compositional {Spaces} and {Other} {Territories}},
language  = {en},
author  = {Morris, Robert}
}

R. Morris, “Continuous project altered daily: the writings of Robert Morris,” , 1993.
[Bibtex]

@Article{ morris_continuous_1993,
address  = {Cambridge, Mass. : New York, N.Y},
title = {Continuous project altered daily: the writings of {Robert}
{Morris}},
isbn = {978-0-262-13294-7},
language  = {en},
author  = {Morris, Robert},
year = {1993}
}

R. Morris, “Listening to Milton Babbitt’s Electronic Music: The Medium and the Message,” Perspectives of new music, 1997.
[Bibtex]

@Article{ morris_listening_1997,
title = {Listening to {Milton} {Babbitt}'s {Electronic} {Music}:
{The} {Medium} and the {Message}},
issn = {00316016},
doi = {10.2307/833644},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Morris, Robert},
year = {1997}
}

R. Morris, “Mathematics and the Twelve-Tone System: Past, Present, and Future,” Perspectives of new music, 2007.
[Bibtex]

@Article{ morris_mathematics_2007,
title = {Mathematics and the {Twelve}-{Tone} {System}: {Past},
{Present}, and {Future}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Morris, Robert},
year = {2007}
}

R. Morris, “Pitch-Class Duplication in Serial Music: Partitions of the Double Aggregate,” Perspectives of new music, 2003.
[Bibtex]

@Article{ morris_pitch-class_2003,
title = {Pitch-{Class} {Duplication} in {Serial} {Music}:
{Partitions} of the {Double} {Aggregate}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Morris, Robert},
year = {2003}
}

Robert Morris, “Structure and Infra-Structure in Milton Babbitt’s Music: Listening to Babbitt’s Concerti for Orchestra,” Perspectives of new music, 2012.
[Bibtex]

@Article{ robert_morris_structure_2012,
title = {Structure and {Infra}-{Structure} in {Milton} {Babbitt}'s
{Music}: {Listening} to {Babbitt}'s {Concerti} for
{Orchestra}},
issn = {00316016},
doi = {10.7757/persnewmusi.49.2s.0390},
journal  = {Perspectives of New Music},
author  = {{Robert Morris}},
year = {2012}
}

J. D. Morrison and J. Adrien, “MOSAIC: A Framework for Modal Synthesis,” Computer music journal, 1993.
[Bibtex]

@Article{ morrison_mosaic_1993,
title = {{MOSAIC}: {A} {Framework} for {Modal} {Synthesis}},
issn = {01489267},
doi = {10.2307/3680569},
language  = {en},
journal  = {Computer Music Journal},
author  = {Morrison, Joseph Derek and Adrien, Jean-Marie},
year = {1993}
}

E. V. Gasseling and M. Nieuwenhuizen, “Morton Feldman and Iannis Xenakis In conversation.”
[Bibtex]

@Article{ gasseling_morton_nodate,
title = {Morton {Feldman} and {Iannis} {Xenakis} {In}
conversation},
language  = {en},
author  = {Gasseling, Edited Vincent and Nieuwenhuizen, Michael}
}

N. Montgermont, “MSD Externals for Pure Data / Max-MSP,” , 2007.
[Bibtex]

@Article{ montgermont_msd_2007,
title = {{MSD} {Externals} for {Pure} {Data} / {Max}-{MSP}},
language  = {en},
author  = {Montgermont, Nicolas},
year = {2007}
}

N. Young, “24/192: Music Downloads are Very Silly Indeed,” , 2014.
[Bibtex]

@Article{ young_24192_2014,
title = {24/192: {Music} {Downloads} are {Very} {Silly} {Indeed}},
language  = {en},
author  = {Young, Neil},
year = {2014}
}

H. Lohner and R. Moog, “Interview with Robert Moog,” Computer music journal, 1985.
[Bibtex]

@Article{ lohner_interview_1985,
title = {Interview with {Robert} {Moog}},
issn = {01489267},
doi = {10.2307/3679623},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lohner, Henning and Moog, Robert},
year = {1985}
}

R. F. Moore, “A General Model for Spatial Processing of Sounds,” Computer music journal, 1983.
[Bibtex]

@Article{ moore_general_1983,
title = {A {General} {Model} for {Spatial} {Processing} of
{Sounds}},
issn = {01489267},
doi = {10.2307/3679589},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moore, F. Richard},
year = {1983}
}

R. F. Moore, “The Computer Audio Research Laboratory at UCSD,” Computer music journal, 1982.
[Bibtex]

@Article{ moore_computer_1982,
title = {The {Computer} {Audio} {Research} {Laboratory} at {UCSD}},
issn = {01489267},
doi = {10.2307/3680355},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moore, F. Richard},
year = {1982}
}

R. F. Moore, “The Dysfunctions of MIDI,” Computer music journal, 1988.
[Bibtex]

@Article{ moore_dysfunctions_1988,
title = {The {Dysfunctions} of {MIDI}},
issn = {01489267},
doi = {10.2307/3679834},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moore, F. Richard},
year = {1988}
}

V. Moorefield, “The producer as composer: shaping the sounds of popular music,” , 2005.
[Bibtex]

@Article{ moorefield_producer_2005,
address  = {Cambridge, Mass},
title = {The producer as composer: shaping the sounds of popular
music},
isbn = {978-0-262-13457-6},
language  = {en},
author  = {Moorefield, Virgil},
year = {2005}
}

J. A. Moorer, “About This Reverberation Business,” Computer music journal, 1979.
[Bibtex]

@Article{ moorer_about_1979,
title = {About {This} {Reverberation} {Business}},
issn = {01489267},
doi = {10.2307/3680280},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moorer, James A.},
month = jun,
year = {1979}
}

J. A. Moorer, “On the Transcription of Musical Sound by Computer.”
[Bibtex]

@Article{ moorer_transcription_nodate,
title = {On the {Transcription} of {Musical} {Sound} by
{Computer}},
language  = {en},
author  = {Moorer, James A}
}

F. Morawitz, “Molecular Sonification of Nuclear Magnetic Resonance Data as a Novel Tool for Sound Creation,” Science and music, 2016.
[Bibtex]

@Article{ morawitz_molecular_2016,
title = {Molecular {Sonification} of {Nuclear} {Magnetic}
{Resonance} {Data} as a {Novel} {Tool} for {Sound}
{Creation}},
language  = {en},
journal  = {SCIENCE AND MUSIC},
author  = {Morawitz, Falk},
year = {2016}
}

E. Morin, “Restricted Complexity, General Complexity.”
[Bibtex]

@Article{ morin_restricted_nodate,
title = {Restricted {Complexity}, {General} {Complexity}},
language  = {en},
author  = {Morin, Edgar}
}

B. T. Moritz, “The Music and Thought of Friedrich Nietzsche,” , 2002.
[Bibtex]

@Article{ moritz_music_2002,
title = {The {Music} and {Thought} of {Friedrich} {Nietzsche}},
language  = {en},
author  = {Moritz, Benjamin T},
year = {2002}
}

A. Moroni, J. Manzolli, F. Zuben, and R. G. R. work(s):, “Vox Populi: An Interactive Evolutionary System for Algorithmic Music Composition,” Leonardo music journal, 2000.
[Bibtex]

@Article{ moroni_vox_2000,
title = {Vox {Populi}: {An} {Interactive} {Evolutionary} {System}
for {Algorithmic} {Music} {Composition}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Moroni, Artemis and Manzolli, Jônatas and Zuben, Fernando
von and work(s):, Ricardo Gudwin Reviewed},
year = {2000}
}

A. Monnerot-Dumaine, “The Fibonacci Word fractal,” , 2009.
[Bibtex]

@Article{ monnerot-dumaine_fibonacci_2009,
title = {The {Fibonacci} {Word} fractal},
language  = {en},
author  = {Monnerot-Dumaine, Alexis},
year = {2009}
}

G. Monro, “Fractal Interpolation Waveforms,” Computer music journal, 1995.
[Bibtex]

@Article{ monro_fractal_1995,
title = {Fractal {Interpolation} {Waveforms}},
issn = {01489267},
doi = {10.2307/3681302},
language  = {en},
journal  = {Computer Music Journal},
author  = {Monro, Gordon},
year = {1995}
}

G. Monro and J. Pressing, “Sound Visualization Using Embedding: The Art and Science of Auditory Autocorrelation,” Computer music journal, 1998.
[Bibtex]

@Article{ monro_sound_1998,
title = {Sound {Visualization} {Using} {Embedding}: {The} {Art} and
{Science} of {Auditory} {Autocorrelation}},
issn = {01489267},
doi = {10.2307/3680961},
language  = {en},
journal  = {Computer Music Journal},
author  = {Monro, Gordon and Pressing, Jeff},
year = {1998}
}

M. Solomon, “The art of typography: an introduction to typo-icon-ography,” , 1994.
[Bibtex]

@Article{ solomon_art_1994,
address  = {New York},
title = {The art of typography: an introduction to
typo-icon-ography},
isbn = {978-0-88108-119-0},
language  = {en},
author  = {Solomon, Martin},
year = {1994}
}

R. J. Solomonoff, “A formal theory of inductive inference. Part II,” Information and control, 1964.
[Bibtex]

@Article{ solomonoff_formal_1964,
title = {A formal theory of inductive inference. {Part} {II}},
issn = {00199958},
doi = {10.1016/S0019-9958(64)90131-7},
language  = {en},
journal  = {Information and Control},
author  = {Solomonoff, R.J.},
month = jun,
year = {1964}
}

R. J. Solomonoﬀ, “A Preliminary Report on a General Theory of Inductive Inference.”
[Bibtex]

@Article{ solomono_preliminary_nodate,
title = {A {Preliminary} {Report} on a {General} {Theory} of
{Inductive} {Inference}},
language  = {en},
author  = {Solomonoﬀ, R J}
}

M. Solomos, “An introduction to Horacio Vaggione musical-theoretical Thought.”
[Bibtex]

@Article{ solomos_introduction_nodate,
title = {An introduction to {Horacio} {Vaggione}
musical-theoretical {Thought}},
language  = {en},
author  = {Solomos, Makis}
}

M. Solomos, “Le Diatope et La Légende d’Eer de Iannis Xenakis,” , 2006.
[Bibtex]

@Article{ solomos_diatope_2006,
title = {Le {Diatope} et {La} {Légende} d'{Eer} de {Iannis}
{Xenakis}},
language  = {fr},
author  = {Solomos, Makis},
year = {2006}
}

M. Solomos, “Notes sur la notion d’« émergence » et sur Agostino Di Scipio.”
[Bibtex]

@Article{ solomos_notes_nodate,
title = {Notes sur la notion d’« émergence » et sur {Agostino}
{Di} {Scipio}},
language  = {fr},
author  = {Solomos, Makis}
}

M. Solomos, “The Unity of Xenakis’s Instrumental and Electroacoustic Music: The Case for “Brownian Movements”,” Perspectives of new music, 2001.
[Bibtex]

@Article{ solomos_unity_2001,
title = {The {Unity} of {Xenakis}'s {Instrumental} and
{Electroacoustic} {Music}: {The} {Case} for "{Brownian}
{Movements}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Solomos, Makis},
year = {2001}
}

C. Soddu, “Generative Baroque Algorithms.”
[Bibtex]

@Article{ soddu_generative_nodate,
title = {Generative {Baroque} {Algorithms}},
language  = {en},
author  = {Soddu, Celestino}
}

M. Sogorski, T. Geisel, and V. Priesemann, “Correlated microtiming deviations in jazz and rock music,” Plos one, 2018.
[Bibtex]

@Article{ sogorski_correlated_2018,
title = {Correlated microtiming deviations in jazz and rock music},
issn = {1932-6203},
doi = {10.1371/journal.pone.0186361},
language  = {en},
journal  = {PLOS ONE},
author  = {Sogorski, Mathias and Geisel, Theo and Priesemann, Viola},
month = jan,
year = {2018}
}

A. N. Soklakov, “Elasticity theory of structuring,” , 2016.
[Bibtex]

@Article{ soklakov_elasticity_2016,
title = {Elasticity theory of structuring},
language  = {en},
author  = {Soklakov, Andrei N.},
month = dec,
year = {2016}
}

T. Carpentier, M. Noisternig, and O. Warusfel, “Twenty Years of Ircam Spat: Looking Back, Looking Forward.”
[Bibtex]

@Article{ carpentier_twenty_nodate,
title = {Twenty {Years} of {Ircam} {Spat}: {Looking} {Back},
{Looking} {Forward}},
language  = {en},
author  = {Carpentier, Thibaut and Noisternig, Markus and Warusfel,
Olivier}
}

F. Bous and A. Roebel, “A Bottleneck Auto-Encoder for F0 Transformations on Speech and Singing Voice,” Information, 2022.
[Bibtex]

@Article{ bous_bottleneck_2022,
title = {A {Bottleneck} {Auto}-{Encoder} for {F0} {Transformations}
on {Speech} and {Singing} {Voice}},
issn = {2078-2489},
doi = {10.3390/info13030102},
language  = {en},
journal  = {Information},
author  = {Bous, Frederik and Roebel, Axel},
month = feb,
year = {2022}
}

D. M. Richard, “Computer Music and the Post-Modern: A Case of Schizophrenia,” Computer music journal, 1994.
[Bibtex]

@Article{ richard_computer_1994,
title = {Computer {Music} and the {Post}-{Modern}: {A} {Case} of
{Schizophrenia}},
issn = {01489267},
doi = {10.2307/3681355},
language  = {en},
journal  = {Computer Music Journal},
author  = {Richard, Dominique M.},
year = {1994}
}

A. Richard, “INTERROGATORY OF A MUSICIAN.”
[Bibtex]

@Article{ richard_interrogatory_nodate,
title = {{INTERROGATORY} {OF} {A} {MUSICIAN}},
language  = {en},
author  = {Richard, Albert}
}

B. Richard, “Warm Bitch: The Practice of Bootlegging as a Clash of Club Sound Cultures,” Volume !, 2004.
[Bibtex]

@Article{ richard_warm_2004,
title = {Warm {Bitch}: {The} {Practice} of {Bootlegging} as a
{Clash} of {Club} {Sound} {Cultures}},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2071},
language  = {en},
journal  = {Volume !},
author  = {Richard, Birgit},
month = may,
year = {2004}
}

B. Richards, “Chopin’s Nocturnes and Entropy,” , 2006.
[Bibtex]

@Article{ richards_chopins_2006,
title = {Chopin’s {Nocturnes} and {Entropy}},
language  = {en},
author  = {Richards, Benjamin},
year = {2006}
}

Sam L. Richards, “From Quotation, through Collage, to Parody: Postmodernism’s Relationship with Its Past,” Perspectives of new music, 2015.
[Bibtex]

@Article{ sam_l_richards_quotation_2015,
title = {From {Quotation}, through {Collage}, to {Parody}:
{Postmodernism}'s {Relationship} with {Its} {Past}},
issn = {00316016},
doi = {10.7757/persnewmusi.53.1.0077},
language  = {en},
journal  = {Perspectives of New Music},
author  = {{Sam L. Richards}},
year = {2015}
}

C. Gepperth, “”The square is the sign of a new humanity,” , 1952.
[Bibtex]

@Article{ gepperth_square_1952,
title = {"{The} square is the sign of a new humanity},
language  = {en},
author  = {Gepperth, Colleen},
year = {1952}
}

C. Richter and H. Lipson, “Untethered Hovering Flapping Flight of a 3D-Printed Mechanical Insect,” Artificial life, 2011.
[Bibtex]

@Article{ richter_untethered_2011,
title = {Untethered {Hovering} {Flapping} {Flight} of a
{3D}-{Printed} {Mechanical} {Insect}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl_a_00020},
language  = {en},
journal  = {Artificial Life},
author  = {Richter, Charles and Lipson, Hod},
month = apr,
year = {2011}
}

A. Rieber, “Art et temps: Les catégories historiques à l’épreuve de l’art préhistorique,” Appareil, 2012.
[Bibtex]

@Article{ rieber_art_2012,
title = {Art et temps: {Les} catégories historiques à
l’épreuve de l’art préhistorique},
issn = {2101-0714},
doi = {10.4000/appareil.1442},
language  = {fr},
journal  = {Appareil},
author  = {Rieber, Audrey},
month = may,
year = {2012}
}

A. Rieber, “L’art comme forme symbolique: Présupposés de la conception cassirérienne de la musique,” Appareil, 2009.
[Bibtex]

@Article{ rieber_lart_2009,
title = {L’art comme forme symbolique: {Présupposés} de la
conception cassirérienne de la musique},
issn = {2101-0714},
doi = {10.4000/appareil.825},
language  = {fr},
journal  = {Appareil},
author  = {Rieber, Audrey},
month = may,
year = {2009}
}

A. Rigopulos, “Growing Music from Seeds: Parametric Generation and Control of Seed-Based Music for Interactive Composition and Performance.”
[Bibtex]

@Article{ rigopulos_growing_nodate,
title = {Growing {Music} from {Seeds}: {Parametric} {Generation}
and {Control} of {Seed}-{Based} {Music} for {Interactive}
{Composition} and {Performance}},
language  = {en},
author  = {Rigopulos, Alexander}
}

J. Riionheimo and V. Valimaki, “Parameter Estimation of a Plucked String Synthesis Model with Genetic Algorithm.”
[Bibtex]

@Article{ riionheimo_parameter_nodate,
title = {Parameter {Estimation} of a {Plucked} {String} {Synthesis}
{Model} with {Genetic} {Algorithm}},
language  = {en},
author  = {Riionheimo, Janne and Valimaki, Vesa}
}

P. Riker, “The Serialism of Milton Babbitt.”
[Bibtex]

@Article{ riker_serialism_nodate,
title = {The {Serialism} of {Milton} {Babbitt}},
language  = {en},
author  = {Riker, Paul}
}

J. H. Rindel, “The Use of Computer Modeling in Room Acoustics,” Journal of vibroengineering, 2000.
[Bibtex]

@Article{ rindel_use_2000,
title = {The {Use} of {Computer} {Modeling} in {Room} {Acoustics}},
language  = {en},
journal  = {JOURNAL OF VIBROENGINEERING},
author  = {Rindel, J H},
year = {2000}
}

“How Nature Works: Complexity in Interdisciplinary Research and Applications,” , 2014.
[Bibtex]

@Article{ zelinka_how_2014,
address  = {Heidelberg},
title = {How {Nature} {Works}: {Complexity} in {Interdisciplinary}
{Research} and {Applications}},
isbn = {978-3-319-00253-8 978-3-319-00254-5},
language  = {en},
year = {2014},
doi = {10.1007/978-3-319-00254-5}
}

R. Reynolds, “Xenakis:… Tireless Renewal at Every Instant, at Every Death…,” Perspectives of new music, 2003.
[Bibtex]

@Article{ reynolds_xenakis_2003,
title = {Xenakis:... {Tireless} {Renewal} at {Every} {Instant}, at
{Every} {Death}...},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Reynolds, Roger},
year = {2003}
}

P. Newspaper, E. C. Andersen, and G. Cox, “AU AARHUS UNIVERSITET.”
[Bibtex]

@Article{ newspaper_au_nodate,
title = {{AU} {AARHUS} {UNIVERSITET}},
language  = {en},
author  = {Newspaper, Peer-reviewed and Andersen, Edited Christian
Ulrik and Cox, Geoff}
}

“Representations, Wavelets, and Frames,” , 2008.
[Bibtex]

@Article{ jorgensen_representations_2008,
address  = {Boston, MA},
title = {Representations, {Wavelets}, and {Frames}},
isbn = {978-0-8176-4682-0 978-0-8176-4683-7},
language  = {en},
year = {2008},
doi = {10.1007/978-0-8176-4683-7}
}

M. Peters, “From Strange to Impossible: Interactive Attractor Music,” Contemporary music review, 2010.
[Bibtex]

@Article{ peters_strange_2010,
title = {From {Strange} to {Impossible}: {Interactive} {Attractor}
{Music}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2010.587317},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Peters, Michael},
month = aug,
year = {2010}
}

M. A. Stroscio and M. Dutta, “Phonons in Nanostructures.”
[Bibtex]

@Article{ stroscio_phonons_nodate,
title = {Phonons in {Nanostructures}},
language  = {en},
author  = {Stroscio, Michael A and Dutta, Mitra}
}

M. Chouvel, “Le spectateur (l’auditeur) s’est-il absenté ? La rhétorique du public: quelques réflexions sur la présence de l’autre dans les stratégies artistiques,” , 2008.
[Bibtex]

@Article{ chouvel_spectateur_2008,
title = {Le spectateur (l'auditeur) s'est-il absenté ? {La}
rhétorique du public: quelques réflexions sur la
présence de l'autre dans les stratégies artistiques},
language  = {fr},
author  = {Chouvel, Marc},
year = {2008}
}

C. Reas and B. Fry, “Processing: a programming handbook for visual designers and artists,” , 2007.
[Bibtex]

@Article{ reas_processing_2007,
address  = {Cambridge, Mass},
title = {Processing: a programming handbook for visual designers
and artists},
isbn = {978-0-262-18262-1},
language  = {en},
author  = {Reas, Casey and Fry, Ben},
year = {2007}
}

N. Gillian, B. R. Knapp, and S. O’Modhrain, “Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping.”
[Bibtex]

@Article{ gillian_recognition_nodate,
title = {Recognition {Of} {Multivariate} {Temporal} {Musical}
{Gestures} {Using} {N}-{Dimensional} {Dynamic} {Time}
{Warping}},
language  = {en},
author  = {Gillian, Nicholas and Knapp, R Benjamin and O’Modhrain,
Sile}
}

B. Recht and B. Whitman, “MUSICALLY EXPRESSIVE SOUND TEXTURES FROM GENERALIZED AUDIO,” , 2003.
[Bibtex]

@Article{ recht_musically_2003,
title = {{MUSICALLY} {EXPRESSIVE} {SOUND} {TEXTURES} {FROM}
{GENERALIZED} {AUDIO}},
language  = {en},
author  = {Recht, Ben and Whitman, Brian},
year = {2003}
}

S. E. Reed, Y. Zhang, Y. Zhang, and H. Lee, “Deep Visual Analogy-Making.”
[Bibtex]

@Article{ reed_deep_nodate,
title = {Deep {Visual} {Analogy}-{Making}},
language  = {en},
author  = {Reed, Scott E and Zhang, Yi and Zhang, Yuting and Lee,
Honglak}
}

J. Reeds, “WILLIAM F. FRIEDMAN’S TRANSCRIPTION OF THE VOYNICH MANUSCRIPT,” Cryptologia, 1995.
[Bibtex]

@Article{ reeds_william_1995,
title = {{WILLIAM} {F}. {FRIEDMAN}'{S} {TRANSCRIPTION} {OF} {THE}
{VOYNICH} {MANUSCRIPT}},
issn = {0161-1194, 1558-1586},
doi = {10.1080/0161-119591883737},
language  = {en},
journal  = {Cryptologia},
author  = {Reeds, Jim},
month = jan,
year = {1995}
}

K. Reese, “Computationally generated music using reinforcement learning.,” PhD Thesis, 2011.
[Bibtex]

@PhDThesis{ reese_computationally_2011,
title = {Computationally generated music using reinforcement
learning.},
language  = {en},
school  = {University of Louisville},
author  = {Reese, Kristopher},
year = {2011},
doi = {10.18297/etd/1195}
}

“Soto : a retrospective exhibition : The Solomon R. Guggenheim Museum, New York.”
[Bibtex]

@Article{ noauthor_soto_nodate,
title = {Soto : a retrospective exhibition : {The} {Solomon} {R}.
{Guggenheim} {Museum}, {New} {York}},
language  = {en}
}

M. Pivato and R. Yassawi, “Asymptotic Randomization of Multidimensional Finite-type Subshifts by Linear Cellular Automata,” Cellular automata.
[Bibtex]

@Article{ pivato_asymptotic_nodate,
title = {Asymptotic {Randomization} of {Multidimensional}
{Finite}-type {Subshifts} by {Linear} {Cellular}
{Automata}},
language  = {en},
journal  = {Cellular Automata},
author  = {Pivato, Marcus and Yassawi, Reem}
}

P. Guillot, “LES TRAITEMENTS MUSICAUX EN AMBISONIE.”
[Bibtex]

@Article{ guillot_traitements_nodate,
title = {{LES} {TRAITEMENTS} {MUSICAUX} {EN} {AMBISONIE}},
language  = {fr},
author  = {Guillot, Pierre}
}

“Pierre Soulages: (geb. 1919 Rodez) ; Malerei und Grafik,” , 2009.
[Bibtex]

@Article{ soulages_pierre_2009,
address  = {Köln},
title = {Pierre {Soulages}: (geb. 1919 {Rodez}) ; {Malerei} und
{Grafik}},
isbn = {978-3-938907-18-4},
language  = {de},
year = {2009}
}

J. R. Pieslak, “Sound targets: American soldiers and music in the Iraq War,” , 2009.
[Bibtex]

@Article{ pieslak_sound_2009,
address  = {Bloomington},
title = {Sound targets: {American} soldiers and music in the {Iraq}
{War}},
isbn = {978-0-253-35323-8 978-0-253-22087-5},
language  = {en},
author  = {Pieslak, Jonathan R.},
year = {2009}
}

P. Polotti and G. Evangelista, “Fractal Additive Synthesis via Harmonic-Band Wavelets,” Computer music journal, 2001.
[Bibtex]

@Article{ polotti_fractal_2001,
title = {Fractal {Additive} {Synthesis} via {Harmonic}-{Band}
{Wavelets}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892601753189510},
language  = {en},
journal  = {Computer Music Journal},
author  = {Polotti, Pietro and Evangelista, Gianpaolo},
month = sep,
year = {2001}
}

T. Piketty and A. Goldhammer, “Capital in the twenty-first century,” , 2014.
[Bibtex]

@Article{ piketty_capital_2014,
address  = {Cambridge Massachusetts},
title = {Capital in the twenty-first century},
isbn = {978-0-674-43000-6},
language  = {en},
author  = {Piketty, Thomas and Goldhammer, Arthur},
year = {2014}
}

T. Piketty, “L’ économie des inégalités,” , 2004.
[Bibtex]

@Article{ piketty_economie_2004,
address  = {Paris},
title = {L' économie des inégalités},
isbn = {978-2-7071-4291-7},
language  = {fr},
author  = {Piketty, Thomas},
year = {2004}
}

T. Pinch and F. Trocco, “Analog days: the invention and impact of the Moog synthesizer,” , 2002.
[Bibtex]

@Article{ pinch_analog_2002,
address  = {Cambridge, MA},
title = {Analog days: the invention and impact of the {Moog}
synthesizer},
isbn = {978-0-674-00889-2},
language  = {en},
author  = {Pinch, Trevor and Trocco, Frank},
year = {2002}
}

F. Pinot, “Cross Frequency Modulation.”
[Bibtex]

@Article{ pinot_cross_nodate,
title = {Cross {Frequency} {Modulation}},
language  = {en},
author  = {Pinot, François}
}

A. Pirnia and J. McCormack, “COMPRESSED MULTIDIMENSIONAL TREES FOR EVOLUTIONARY MUSIC REPRESENTATION.”
[Bibtex]

@Article{ pirnia_compressed_nodate,
title = {{COMPRESSED} {MULTIDIMENSIONAL} {TREES} {FOR}
{EVOLUTIONARY} {MUSIC} {REPRESENTATION}},
language  = {en},
author  = {Pirnia, Abbas and McCormack, Jon}
}

“Spectral Surfaces from Performed Music Part 2.”
[Bibtex]

@Article{ noauthor_spectral_nodate,
title = {Spectral {Surfaces} from {Performed} {Music} {Part} 2},
language  = {en}
}

P. Pagliani and M. Chakraborty, “A geometry of approximation: rough set theory: logic, algebra and topology of conceptual patterns,” , 2008.
[Bibtex]

@Article{ pagliani_geometry_2008,
address  = {Berlin},
title = {A geometry of approximation: rough set theory: logic,
algebra and topology of conceptual patterns},
isbn = {978-1-4020-8621-2},
language  = {en},
author  = {Pagliani, Piero and Chakraborty, Mihir},
year = {2008}
}

“Surprises and Music.”
[Bibtex]

@Article{ noauthor_surprises_nodate,
title = {Surprises and {Music}},
language  = {en}
}

F. Picard, “Rythmes et durées, pour une musicologie généralisée.”
[Bibtex]

@Article{ picard_rythmes_nodate,
title = {Rythmes et durées, pour une musicologie généralisée},
language  = {fr},
author  = {Picard, François}
}

C. A. Pickover, “Representation of Melody Patterns Using Topographic Spectral Distribution Functions,” Computer music journal, 1986.
[Bibtex]

@Article{ pickover_representation_1986,
title = {Representation of {Melody} {Patterns} {Using}
{Topographic} {Spectral} {Distribution} {Functions}},
issn = {01489267},
doi = {10.2307/3680261},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pickover, Clifford A.},
year = {1986}
}

A. Pickering, “The cybernetic brain: sketches of another future,” , 2010.
[Bibtex]

@Article{ pickering_cybernetic_2010,
address  = {Chicago ; London},
title = {The cybernetic brain: sketches of another future},
isbn = {978-0-226-66789-8},
language  = {en},
author  = {Pickering, Andrew},
year = {2010}
}

G. Piccinini, “The First Computational Theory of Mind and Brain: A Close Look at Mcculloch and Pitts’s “Logical Calculus of Ideas Immanent in Nervous Activity”,” Synthese, 2004.
[Bibtex]

@Article{ piccinini_first_2004,
title = {The {First} {Computational} {Theory} of {Mind} and
{Brain}: {A} {Close} {Look} at {Mcculloch} and {Pitts}'s
“{Logical} {Calculus} of {Ideas} {Immanent} in {Nervous}
{Activity}”},
issn = {0039-7857},
doi = {10.1023/B:SYNT.0000043018.52445.3e},
language  = {en},
journal  = {Synthese},
author  = {Piccinini, Gualtiero},
month = aug,
year = {2004}
}

N. Piégay-Gros, “L’érudition imaginaire,” Arts et savoirs, 2015.
[Bibtex]

@Article{ piegay-gros_lerudition_2015,
title = {L’érudition imaginaire},
issn = {2258-093X},
doi = {10.4000/aes.306},
language  = {fr},
journal  = {Arts et Savoirs},
author  = {Piégay-Gros, Nathalie},
month = mar,
year = {2015}
}

J. R. Pierce, “Computer Music, Coming and Going,” Computer music journal, 1996.
[Bibtex]

@Article{ pierce_computer_1996,
title = {Computer {Music}, {Coming} and {Going}},
issn = {01489267},
doi = {10.2307/3681270},
language  = {en},
journal  = {Computer Music Journal},
author  = {Pierce, John R.},
year = {1996}
}

R. Pibrcb, “Mechanistic muses are expanding their domain to encompass every face t of creative activity.”
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@Article{ pibrcb_mechanistic_nodate,
title = {mechanistic muses are expanding their domain to encompass
every face t of creative activity},
language  = {en},
author  = {Pibrcb, R}
}

K. Neumann-Braun, ““… computer music is cool!” Theoretical Implications of Ambivalences in Contemporary Trends in Music Reception,” Volume !, 2004.
[Bibtex]

@Article{ neumann-braun__2004,
title = {“… computer music is cool!” {Theoretical}
{Implications} of {Ambivalences} in {Contemporary} {Trends}
in {Music} {Reception}},
issn = {2117-4148, 1950-568X},
doi = {10.4000/volume.2089},
language  = {en},
journal  = {Volume !},
author  = {Neumann-Braun, Klaus},
month = may,
year = {2004}
}

E. Melkus, “Frederick Neumann: Ornamentation in Baroque and Post-Baroque Music,” Österreichische musikzeitschrift, 1982.
[Bibtex]

@Article{ melkus_frederick_1982,
title = {Frederick {Neumann}: {Ornamentation} in {Baroque} and
{Post}-{Baroque} {Music}},
issn = {2307-2970, 0029-9316},
doi = {10.7767/omz.1982.37.12.717},
language  = {en},
journal  = {Österreichische Musikzeitschrift},
author  = {Melkus, Eduard},
month = jan,
year = {1982}
}

I. Neuman, “Generative Tools for Interactive Composition: Real-Time Musical Structures Based on Schaeffer’s TARTYP and on Klumpenhouwer Networks,” Computer music journal, 2014.
[Bibtex]

@Article{ neuman_generative_2014,
title = {Generative {Tools} for {Interactive} {Composition}:
{Real}-{Time} {Musical} {Structures} {Based} on
{Schaeffer}'s {TARTYP} and on {Klumpenhouwer} {Networks}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00240},
language  = {en},
journal  = {Computer Music Journal},
author  = {Neuman, Israel},
month = jun,
year = {2014}
}

M. Neukom, “Applications of Synchronization in Sound Synthesis,” , 2011.
[Bibtex]

@Article{ neukom_applications_2011,
title = {Applications of {Synchronization} in {Sound} {Synthesis}},
language  = {en},
author  = {Neukom, Martin},
year = {2011}
}

N. Palk, “Exposition of Music Electronic Television.”
[Bibtex]

@Article{ palk_exposition_nodate,
title = {Exposition of {Music} {Electronic} {Television}},
language  = {en},
author  = {Palk, NamJune}
}

P. Nelson, “Talking About Music – A Dictionary.”
[Bibtex]

@Article{ nelson_talking_nodate,
title = {Talking {About} {Music} - {A} {Dictionary}},
language  = {en},
author  = {Nelson, Paul}
}

P. Nelson, “The Materiality of Space,” Organised sound, 2015.
[Bibtex]

@Article{ nelson_materiality_2015,
title = {The {Materiality} of {Space}},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771815000254},
language  = {en},
journal  = {Organised Sound},
author  = {Nelson, Peter},
month = dec,
year = {2015}
}

S. Nelson and L. Polansky, “The music of the voyager interstellar record,” Journal of applied communication research, 1993.
[Bibtex]

@Article{ nelson_music_1993,
title = {The music of the voyager interstellar record},
issn = {0090-9882, 1479-5752},
doi = {10.1080/00909889309365379},
language  = {en},
journal  = {Journal of Applied Communication Research},
author  = {Nelson, Stephanie and Polansky, Larry},
month = nov,
year = {1993}
}

A. Anderson, F. Malva, and C. Berchild, “The Visual in Performance Practice,” , 2011.
[Bibtex]

@Article{ anderson_visual_2011,
title = {The {Visual} in {Performance} {Practice}},
isbn = {978-1-84888-066-5 978-90-04-40342-0},
language  = {en},
author  = {Anderson, Adele and Malva, Filipa and Berchild, Chris},
month = jan,
year = {2011},
doi = {10.1163/9781848880665}
}

K. M. Moffett, “Forming and centering: foundational aspects of architectural design,” , 2017.
[Bibtex]

@Article{ moffett_forming_2017,
address  = {Bingley, UK},
title = {Forming and centering: foundational aspects of
architectural design},
isbn = {978-1-78635-829-5},
language  = {en},
author  = {Moffett, Kenneth M.},
year = {2017}
}

M. J. Mohlenkamp and M. C. Pereyra, “Wavelets, Their Friends, and What They Can Do for You,” , 2008.
[Bibtex]

@Article{ mohlenkamp_wavelets_2008,
title = {Wavelets, {Their} {Friends}, and {What} {They} {Can} {Do}
for {You}},
isbn = {978-3-03719-018-0 978-3-03719-518-5},
language  = {en},
author  = {Mohlenkamp, Martin J. and Pereyra, María Cristina},
month = jun,
year = {2008},
doi = {10.4171/018}
}

B. Monaco, “Machinic modernism: the Deleuzian literary machines of Woolf, Lawrence and Joyce,” , 2008.
[Bibtex]

@Article{ monaco_machinic_2008,
address  = {Basingstoke [England] ; New York},
title = {Machinic modernism: the {Deleuzian} literary machines of
{Woolf}, {Lawrence} and {Joyce}},
isbn = {978-0-230-21936-6},
language  = {en},
author  = {Monaco, Beatrice},
year = {2008}
}

“Articles from Computational Culture – Algorhythmics: Understanding Micro-Temporality in Computational Cultures.”
[Bibtex]

@Article{ noauthor_articles_nodate,
title = {Articles from {Computational} {Culture} - {Algorhythmics}:
{Understanding} {Micro}-{Temporality} in {Computational}
{Cultures}},
language  = {en}
}

V. Mnih, K. Kavukcuoglu, D. Silver, A. Graves, I. Antonoglou, D. Wierstra, and M. Riedmiller, “Playing Atari with Deep Reinforcement Learning.”
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@Article{ mnih_playing_nodate,
title = {Playing {Atari} with {Deep} {Reinforcement} {Learning}},
language  = {en},
author  = {Mnih, Volodymyr and Kavukcuoglu, Koray and Silver, David
and Graves, Alex and Antonoglou, Ioannis and Wierstra, Daan
and Riedmiller, Martin}
}

D. Mobbs, D. Hassabis, R. Yu, C. Chu, M. Rushworth, E. Boorman, and T. Dalgleish, “Foraging under Competition: The Neural Basis of Input-Matching in Humans,” Journal of neuroscience, 2013.
[Bibtex]

@Article{ mobbs_foraging_2013,
title = {Foraging under {Competition}: {The} {Neural} {Basis} of
{Input}-{Matching} in {Humans}},
issn = {0270-6474, 1529-2401},
doi = {10.1523/JNEUROSCI.2238-12.2013},
language  = {en},
journal  = {Journal of Neuroscience},
author  = {Mobbs, D. and Hassabis, D. and Yu, R. and Chu, C. and
Rushworth, M. and Boorman, E. and Dalgleish, T.},
month = jun,
year = {2013}
}

J. Michelfeit, “Security and Routing in the Ripple Payment Network.”
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@Article{ michelfeit_security_nodate,
title = {Security and {Routing} in the {Ripple} {Payment}
{Network}},
language  = {en},
author  = {Michelfeit, Jan}
}

R. Michon and J. O. Smith, “Faust-STK: A set of linear and nonlinear physical models for the Faust programming language,” , 2011.
[Bibtex]

@Article{ michon_faust-stk_2011,
title = {Faust-{STK}: {A} set of linear and nonlinear physical
models for the {Faust} programming language},
language  = {en},
author  = {Michon, Romain and Smith, Julius O},
year = {2011}
}

A. B. Migdal, “On the psychology of scientific creativity,” Contemporary physics, 1979.
[Bibtex]

@Article{ migdal_psychology_1979,
title = {On the psychology of scientific creativity},
issn = {0010-7514, 1366-5812},
doi = {10.1080/00107517908219097},
language  = {en},
journal  = {Contemporary Physics},
author  = {Migdal, A. B.},
month = mar,
year = {1979}
}

W. Meyer-Eppler, “THE MATHEMATIC – ACOUSTICAL FUNDAMENTALS OF ELECTRICAL SOUND COMPOSITION.”
[Bibtex]

@Article{ meyer-eppler_mathematic_nodate,
title = {{THE} {MATHEMATIC} - {ACOUSTICAL} {FUNDAMENTALS} {OF}
{ELECTRICAL} {SOUND} {COMPOSITION}},
language  = {en},
author  = {Meyer-Eppler, Werner}
}

S. Mezzadra and B. Neilson, “The politics of operations: excavating contemporary capitalism,” , 2019.
[Bibtex]

@Article{ mezzadra_politics_2019,
address  = {Durham},
title = {The politics of operations: excavating contemporary
capitalism},
isbn = {978-1-4780-0326-7},
language  = {en},
author  = {Mezzadra, Sandro and Neilson, Brett},
year = {2019}
}

V. Michalski, R. Memisevic, and K. Konda, “Modeling Deep Temporal Dependencies with Recurrent Grammar Cells””.”
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@Article{ michalski_modeling_nodate,
title = {Modeling {Deep} {Temporal} {Dependencies} with {Recurrent}
{Grammar} {Cells}""},
language  = {en},
author  = {Michalski, Vincent and Memisevic, Roland and Konda,
Kishore}
}

S. S. Skiena, “The Algorithm Design Manual,” , 2008.
[Bibtex]

@Article{ skiena_algorithm_2008,
address  = {London},
title = {The {Algorithm} {Design} {Manual}},
isbn = {978-1-84800-069-8 978-1-84800-070-4},
language  = {en},
author  = {Skiena, Steven S.},
year = {2008},
doi = {10.1007/978-1-84800-070-4}
}

B. Skow, “What Makes Time Different from Space?,” Nous, 2007.
[Bibtex]

@Article{ skow_what_2007,
title = {What {Makes} {Time} {Different} from {Space}?},
issn = {0029-4624, 1468-0068},
doi = {10.1111/j.1468-0068.2007.00645.x},
language  = {en},
journal  = {Nous},
author  = {Skow, Bradford},
month = jun,
year = {2007}
}

D. Slater, “Chaotic Sound Synthesis,” Computer music journal, 1998.
[Bibtex]

@Article{ slater_chaotic_1998,
title = {Chaotic {Sound} {Synthesis}},
issn = {01489267},
doi = {10.2307/3680960},
language  = {en},
journal  = {Computer Music Journal},
author  = {Slater, Dan},
year = {1998}
}

W. Slawson, “Color-Class and Pitch-Class Isomorphisms: Composition and Phenomenology,” Perspectives of new music, 2005.
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@Article{ slawson_color-class_2005,
title = {Color-{Class} and {Pitch}-{Class} {Isomorphisms}:
{Composition} and {Phenomenology}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Slawson, Wayne},
year = {2005}
}

P. Sloterdijk, “\textitRules for the Human Zoo : A Response to the \textitLetter on Humanism,” Environment and planning d: society and space, 2009.
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@Article{ sloterdijk_rules_2009,
title = {\textit{{Rules} for the {Human} {Zoo}} : {A} {Response} to
the \textit{{Letter} on {Humanism}}},
issn = {0263-7758, 1472-3433},
doi = {10.1068/dst3},
language  = {en},
journal  = {Environment and Planning D: Society and Space},
author  = {Sloterdijk, Peter},
month = feb,
year = {2009}
}

B. Sluchin, “A Computer-Assisted Version of Stockhausen’s “Solo for a Melody Instrument with Feedback”,” Computer music journal, 2000.
[Bibtex]

@Article{ sluchin_computer-assisted_2000,
title = {A {Computer}-{Assisted} {Version} of {Stockhausen}'s
"{Solo} for a {Melody} {Instrument} with {Feedback}"},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sluchin, Benny},
year = {2000}
}

B. Sluchin, M. Solomos, A. Georgaki, G. Zervos, and S. I. Xenakis, “LINAIA-AGON TOWARDS AN INTERPRETATION BASED ON THE THEORY.”
[Bibtex]

@Article{ sluchin_linaia-agon_nodate,
title = {{LINAIA}-{AGON} {TOWARDS} {AN} {INTERPRETATION} {BASED}
{ON} {THE} {THEORY}},
language  = {en},
author  = {Sluchin, Benny and Solomos, Makis and Georgaki, Anastasia
and Zervos, Giorgos and Xenakis, Symposium Iannis}
}

J. Smalley, “History and Analysis.”
[Bibtex]

@Article{ smalley_history_nodate,
title = {History and {Analysis}},
language  = {en},
author  = {Smalley, John}
}

D. Smalley, “Space-form and the acousmatic image,” Organised sound, 2007.
[Bibtex]

@Article{ smalley_space-form_2007,
title = {Space-form and the acousmatic image},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001665},
language  = {en},
journal  = {Organised Sound},
author  = {Smalley, Denis},
month = apr,
year = {2007}
}

D. Smalley, “Spectromorphology: explaining sound-shapes,” Organised sound, 1997.
[Bibtex]

@Article{ smalley_spectromorphology_1997,
title = {Spectromorphology: explaining sound-shapes},
issn = {13557718},
doi = {10.1017/S1355771897009059},
language  = {en},
journal  = {Organised Sound},
author  = {Smalley, Denis},
month = aug,
year = {1997}
}

E. Smigel, “Recital Hall of Cruelty: Antonin Artaud, David Tudor, and the 1950s Avant-Garde,” Perspectives of new music, 2007.
[Bibtex]

@Article{ smigel_recital_2007,
title = {Recital {Hall} of {Cruelty}: {Antonin} {Artaud}, {David}
{Tudor}, and the 1950s {Avant}-{Garde}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Smigel, Eric},
year = {2007}
}

P. B. Smit and T. T. Janssen, “Coherent interference and diﬀraction in random waves.”
[Bibtex]

@Article{ smit_coherent_nodate,
title = {Coherent interference and diﬀraction in random waves},
language  = {en},
author  = {Smit, P B and Janssen, T T}
}

J. A. Smith, ““Sell It Black”: Race and Marketing in Miles Davis’s Early Fusion Jazz,” Jazz perspectives, 2010.
[Bibtex]

@Article{ smith_sell_2010,
title = {“{Sell} {It} {Black}”: {Race} and {Marketing} in
{Miles} {Davis}'s {Early} {Fusion} {Jazz}},
issn = {1749-4060, 1749-4079},
doi = {10.1080/17494061003694139},
language  = {en},
journal  = {Jazz Perspectives},
author  = {Smith, Jeremy A.},
month = apr,
year = {2010}
}

R. B. Smith, “An Interview with Tristan Murail,” Computer music journal, 2000.
[Bibtex]

@Article{ smith_interview_2000,
title = {An {Interview} with {Tristan} {Murail}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892600559146},
language  = {en},
journal  = {Computer Music Journal},
author  = {Smith, Ronald Bruce},
month = mar,
year = {2000}
}

J. E. H. Smith, “Divine machines: Leibniz and the sciences of life,” , 2011.
[Bibtex]

@Article{ smith_divine_2011,
address  = {Princeton},
title = {Divine machines: {Leibniz} and the sciences of life},
isbn = {978-0-691-14178-7},
language  = {en},
author  = {Smith, Justin E. H.},
year = {2011}
}

D. Smyth, “Stravinsky’s Second Crisis: Reading the Early Serial Sketches,” Perspectives of new music, 1999.
[Bibtex]

@Article{ smyth_stravinskys_1999,
title = {Stravinsky's {Second} {Crisis}: {Reading} the {Early}
{Serial} {Sketches}},
issn = {00316016},
doi = {10.2307/833512},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Smyth, David},
year = {1999}
}

S. W. Smoliar, “A Computer Aid for Schenkerian Analysis,” , 1980.
[Bibtex]

@Article{ smoliar_computer_1980,
title = {A {Computer} {Aid} for {Schenkerian} {Analysis}},
language  = {en},
author  = {Smoliar, Stephen W},
year = {1980}
}

P. Smolensky, “INFORMATION PROCESSING IN DYNAMICAL SYSTEMS: FOUNDATIONS OF HARMONY THEORY.”
[Bibtex]

@Article{ smolensky_information_nodate,
title = {{INFORMATION} {PROCESSING} {IN} {DYNAMICAL} {SYSTEMS}:
{FOUNDATIONS} {OF} {HARMONY} {THEORY}},
language  = {en},
author  = {Smolensky, Paul}
}

A. Smith, “The Theory of Moral Sentiments,” Adam smith, 1759.
[Bibtex]

@Article{ smith_theory_1759,
title = {The {Theory} of {Moral} {Sentiments}},
language  = {en},
journal  = {Adam Smith},
author  = {Smith, Adam},
year = {1759}
}

J. O. Smith, “Physical Modeling Using Digital Waveguides,” Computer music journal, 1992.
[Bibtex]

@Article{ smith_physical_1992,
title = {Physical {Modeling} {Using} {Digital} {Waveguides}},
issn = {01489267},
doi = {10.2307/3680470},
language  = {en},
journal  = {Computer Music Journal},
author  = {Smith, Julius O.},
year = {1992}
}

J. O. Smith and R. Michon, “Nonlinear Allpass Ladder Filters in FAUST,” , 2011.
[Bibtex]

@Article{ smith_nonlinear_2011,
title = {Nonlinear {Allpass} {Ladder} {Filters} in {FAUST}},
language  = {en},
author  = {Smith, Julius O and Michon, Romain},
year = {2011}
}

Kelsall, “Compositional Techniques in the Music of Stockhausen (1951-1970),” , 1975.
[Bibtex]

@Article{ kelsall_compositional_1975,
title = {Compositional {Techniques} in the {Music} of {Stockhausen}
(1951-1970)},
author  = {Kelsall},
year = {1975}
}

B. Dietz and W. Sullender, “Introducing Ear Wave Event,” , 2014.
[Bibtex]

@Article{ dietz_introducing_2014,
title = {Introducing {Ear} {Wave} {Event}},
author  = {Dietz, Bill and Sullender, Woody},
year = {2014}
}

K. Adams, “Filter Circuits for Electronic Sound Production,” , 1954.
[Bibtex]

@Article{ adams_filter_1954,
title = {Filter {Circuits} for {Electronic} {Sound} {Production}},
author  = {Adams, Karl-Heinz},
year = {1954}
}

“Praat Scripting Manual (Workshop) for Beginners,” , 2015.
[Bibtex]

@Article{ noauthor_praat_2015,
title = {Praat {Scripting} {Manual} ({Workshop}) for {Beginners}},
year = {2015}
}

“Computer Vision – a Modern Approach,” , 2001.
[Bibtex]

@Article{ noauthor_computer_2001,
title = {Computer {Vision} - a {Modern} {Approach}},
year = {2001}
}

J. Croft, “Composition Is Not Research,” , 2015.
[Bibtex]

@Article{ croft_composition_2015,
title = {Composition {Is} {Not} {Research}},
author  = {Croft, John},
year = {2015}
}

“After LM,” , 2020.
[Bibtex]

@Article{ noauthor_after_2020,
title = {After {LM}},
year = {2020}
}

“Modelling and Implementing Tiling Rhythmic Canons in Openmusic Visual Programming Language,” , 2011.
[Bibtex]

@Article{ noauthor_modelling_2011,
title = {Modelling and {Implementing} {Tiling} {Rhythmic} {Canons}
in {Openmusic} {Visual} {Programming} {Language}},
year = {2011}
}

“Algorithmic Composition,” , 2009.
[Bibtex]

@Article{ noauthor_algorithmic_2009,
title = {Algorithmic {Composition}},
year = {2009}
}

Y. Ahn, “L’Analyse Musicale Computationnelle Rapport Avec La Composition La Segmentation Et La Representation A L’Aide Des Graphes,” , 2009.
[Bibtex]

@Article{ ahn_lanalyse_2009,
title = {L’{Analyse} {Musicale} {Computationnelle} {Rapport}
{Avec} {La} {Composition} {La} {Segmentation} {Et} {La}
{Representation} {A} {L}’{Aide} {Des} {Graphes}},
author  = {Ahn, Yun-Kang},
year = {2009}
}

M. Laurson and M. Kuuskankare, “PWGL Book,” , 2013.
[Bibtex]

@Article{ laurson_pwgl_2013,
title = {{PWGL} {Book}},
author  = {Laurson, Mikael and Kuuskankare, Mika},
year = {2013}
}

E. Tosak, “Rhythm As Composition,” , 2011.
[Bibtex]

@Article{ tosak_rhythm_2011,
title = {Rhythm {As} {Composition}},
author  = {Tosak, Eiichi},
year = {2011}
}

“Foundations of Python Network Programming,” , 2010.
[Bibtex]

@Article{ noauthor_foundations_2010,
title = {Foundations of {Python} {Network} {Programming}},
year = {2010}
}

B. Fuller, “Your Private Sky,” , 1999.
[Bibtex]

@Article{ fuller_your_1999,
title = {Your {Private} {Sky}},
author  = {Fuller, Buckminster},
year = {1999}
}

T. Todoroff, E. Daubresse, and J. Fineberg, “Iana,” , 1995.
[Bibtex]

@Article{ todoroff_iana_1995,
title = {Iana},
author  = {Todoroff, Todor and Daubresse, Eric and Fineberg, Joshua},
year = {1995}
}

A. van den Oord, O. Vinyals, and K. Kavukcuoglu, “Neural Discrete Representation Learning,” , 2018.
[Bibtex]

@Article{ oord_neural_2018,
title = {Neural {Discrete} {Representation} {Learning}},
language  = {en},
author  = {Oord, Aaron van den and Vinyals, Oriol and Kavukcuoglu,
Koray},
month = may,
year = {2018}
}

A. Di Scipio, “Qu’est-ce Qui Est “Vivant” Dans La Performance Live Electronics ?,” PhD Thesis, 2020.
[Bibtex]

@PhDThesis{ di_scipio_quest-ce_2020,
title = {Qu’est-ce {Qui} {Est} "{Vivant}" {Dans} {La}
{Performance} {Live} {Electronics} ?},
language  = {fr},
author  = {Di Scipio, Agostino},
year = {2020}
}

L. Pottier, “Analyse Iana – Synthèse sonore Csound. Contrôle par le programme PatchWork,” , 1994.
[Bibtex]

@Article{ pottier_analyse_1994,
title = {Analyse {Iana} - {Synthèse} sonore {Csound}. {Contrôle}
par le programme {PatchWork}},
author  = {Pottier, Laurent},
year = {1994}
}

M. Chouvel, “LE SPECTATEUR (L’AUDITEUR) S’EST-IL ABSENTÉ ? LA RHÉTORIQUE DU PUBLIC : QUELQUES RÉFLEXIONS SUR LA.”
[Bibtex]

@Article{ chouvel_spectateur_nodate,
title = {{LE} {SPECTATEUR} ({L}'{AUDITEUR}) {S}'{EST}-{IL}
{ABSENTÉ} ? {LA} {RHÉTORIQUE} {DU} {PUBLIC} : {QUELQUES}
{RÉFLEXIONS} {SUR} {LA}},
language  = {fr},
author  = {Chouvel, Marc}
}

G. Le Bom, “Psychologie des Foules,” , 1895.
[Bibtex]

@Article{ le_bom_psychologie_1895,
title = {Psychologie des {Foules}},
author  = {Le Bom, Gustave},
year = {1895}
}

P. Prusinkiewicz, “The Algorithmic Beauty of Plants,” , 1990.
[Bibtex]

@Article{ prusinkiewicz_algorithmic_1990,
title = {The {Algorithmic} {Beauty} of {Plants}},
author  = {Prusinkiewicz, Przemyslaw},
year = {1990}
}

J. P. Sousa, “Machine Songs IV: The Menace of Mechanical Music,” Computer music journal, 1993.
[Bibtex]

@Article{ sousa_machine_1993,
title = {Machine {Songs} {IV}: {The} {Menace} of {Mechanical}
{Music}},
issn = {01489267},
doi = {10.2307/3680566},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sousa, John Philip},
year = {1993}
}

M. Spasov, “Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition,” Computer music journal, 2015.
[Bibtex]

@Article{ spasov_using_2015,
title = {Using {Strange} {Attractors} to {Control} {Sound}
{Processing} in {Live} {Electroacoustic} {Composition}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00313},
language  = {en},
journal  = {Computer Music Journal},
author  = {Spasov, Miroslav},
month = sep,
year = {2015}
}

J. Stainer, “A Theory of Harmony: With Questions and Exercises for the Use of Students,” , 2009.
[Bibtex]

@Article{ stainer_theory_2009,
title = {A {Theory} of {Harmony}: {With} {Questions} and
{Exercises} for the {Use} of {Students}},
isbn = {978-1-108-00187-8 978-0-511-69326-7},
language  = {en},
author  = {Stainer, John},
month = sep,
year = {2009},
doi = {10.1017/CBO9780511693267}
}

C. Stankievech, “From Stethoscopes to Headphones: An Acoustic Spatialization of Subjectivity,” Leonardo music journal, 2007.
[Bibtex]

@Article{ stankievech_stethoscopes_2007,
title = {From {Stethoscopes} to {Headphones}: {An} {Acoustic}
{Spatialization} of {Subjectivity}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Stankievech, Charles},
year = {2007}
}

K. O. Stanley, “Compositional pattern producing networks: A novel abstraction of development,” Genetic programming and evolvable machines, 2007.
[Bibtex]

@Article{ stanley_compositional_2007,
title = {Compositional pattern producing networks: {A} novel
abstraction of development},
issn = {1389-2576, 1573-7632},
doi = {10.1007/s10710-007-9028-8},
language  = {en},
journal  = {Genetic Programming and Evolvable Machines},
author  = {Stanley, Kenneth O.},
month = jun,
year = {2007}
}

J. Stautner and M. Puckette, “Designing Multi-Channel Reverberators,” Computer music journal, 1982.
[Bibtex]

@Article{ stautner_designing_1982,
title = {Designing {Multi}-{Channel} {Reverberators}},
issn = {01489267},
doi = {10.2307/3680358},
language  = {en},
journal  = {Computer Music Journal},
author  = {Stautner, John and Puckette, Miller},
year = {1982}
}

D. G. Stavenga, “Thin Film and Multilayer Optics Cause Structural Colors of Many Insects and Birds,” Materials today: proceedings, 2014.
[Bibtex]

@Article{ stavenga_thin_2014,
title = {Thin {Film} and {Multilayer} {Optics} {Cause} {Structural}
{Colors} of {Many} {Insects} and {Birds}},
issn = {22147853},
doi = {10.1016/j.matpr.2014.09.007},
language  = {en},
journal  = {Materials Today: Proceedings},
author  = {Stavenga, Doekele G.},
year = {2014}
}

M. Stavrić, P. Sid̄anin, and B. Tepavc̆evicʹ, “Architectural scale models in the digital age: design, representation and manufacturing,” , 2013.
[Bibtex]

@Article{ stavric_architectural_2013,
address  = {Wien},
title = {Architectural scale models in the digital age: design,
representation and manufacturing},
isbn = {978-3-7091-1447-6 978-3-99043-526-7},
language  = {en},
author  = {Stavrić, Milena and Sid̄anin, Predrag and
Tepavc̆evicʹ, Bojan},
year = {2013}
}

N. Stavropoulos, “Multi-Channel Formats in Electroacoustic Composition: Acoustic Space as a Carrier of Musical Structure,” , 2007.
[Bibtex]

@Article{ stavropoulos_multi-channel_2007,
title = {Multi-{Channel} {Formats} in {Electroacoustic}
{Composition}: {Acoustic} {Space} as a {Carrier} of
{Musical} {Structure}},
language  = {en},
author  = {Stavropoulos, Nikos},
year = {2007}
}

N. Stefanakis, M. Abel, and A. Bergner, “Sound Synthesis Based on Ordinary Differential Equations,” Computer music journal, 2015.
[Bibtex]

@Article{ stefanakis_sound_2015,
title = {Sound {Synthesis} {Based} on {Ordinary} {Differential}
{Equations}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00314},
language  = {en},
journal  = {Computer Music Journal},
author  = {Stefanakis, Nikolaos and Abel, Markus and Bergner,
André},
month = sep,
year = {2015}
}

C. Stein, “Heidegger without Heidegger: The Musical Thinking of Benjamin Boretz,” Perspectives of new music, 2006.
[Bibtex]

@Article{ stein_heidegger_2006,
title = {Heidegger without {Heidegger}: {The} {Musical} {Thinking}
of {Benjamin} {Boretz}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Stein, Charles},
year = {2006}
}

“Guide to Unconventional Computing for Music,” , 2017.
[Bibtex]

@Article{ miranda_guide_2017,
address  = {Cham},
title = {Guide to {Unconventional} {Computing} for {Music}},
isbn = {978-3-319-49880-5 978-3-319-49881-2},
language  = {en},
year = {2017},
doi = {10.1007/978-3-319-49881-2}
}

K. Stockhausen and D. A. Sinclair, “ELECTRONIC MUSICAL COMPOSITION NO.2, 1953.”
[Bibtex]

@Article{ stockhausen_electronic_nodate,
title = {{ELECTRONIC} {MUSICAL} {COMPOSITION} {NO}.2, 1953},
language  = {en},
author  = {Stockhausen, Karlheinz and Sinclair, D A}
}

M. R. Iturbide, “HOW TIME PASSES BY.”
[Bibtex]

@Article{ iturbide_how_nodate,
title = {{HOW} {TIME} {PASSES} {BY}},
language  = {en},
author  = {Iturbide, Manuel Rocha}
}

K. Stockhausen and M. Kendergi, “La mesure du temps : un entretien inédit avec Stockhausen (1958),” Circuit, 2009.
[Bibtex]

@Article{ stockhausen_mesure_2009,
title = {La mesure du temps : un entretien inédit avec
{Stockhausen} (1958)},
issn = {1488-9692, 1183-1693},
doi = {10.7202/037452ar},
language  = {fr},
journal  = {Circuit},
author  = {Stockhausen, Karlheinz and Kendergi, Maryvonne},
month = jun,
year = {2009}
}

R. Mander, J. Mitchenson, and B. Millington, “The Wagner companion,” , 1977.
[Bibtex]

@Article{ mander_wagner_1977,
address  = {London},
title = {The {Wagner} companion},
isbn = {978-0-491-01856-2},
language  = {en},
author  = {Mander, Raymond and Mitchenson, Joe and Millington,
Barry},
year = {1977}
}

P. Manoury, “Composition et environnement informatique.”
[Bibtex]

@Article{ manoury_composition_nodate,
title = {Composition et environnement informatique},
language  = {fr},
author  = {Manoury, Philippe}
}

M. Stroppa, “Musical information organisms: An approach to composition,” Contemporary music review, 1989.
[Bibtex]

@Article{ stroppa_musical_1989,
title = {Musical information organisms: {An} approach to
composition},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494468900640251},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Stroppa, Marco},
month = jan,
year = {1989}
}

Stephen McAdams and I. Deliege, “La Musique Et Les Sciences Cognitives,” , 1989.
[Bibtex]

@Article{ stephen_mcadams_musique_1989,
title = {La {Musique} {Et} {Les} {Sciences} {Cognitives}},
language  = {fr},
author  = {{Stephen McAdams} and Deliege, Irene},
year = {1989}
}

G. Toussaint, “The Euclidean Algorithm Generates Traditional Musical Rhythms.”
[Bibtex]

@Article{ toussaint_euclidean_nodate,
title = {The {Euclidean} {Algorithm} {Generates} {Traditional}
{Musical} {Rhythms}},
language  = {en},
author  = {Toussaint, Godfried}
}

G. T. Toussaint, “Computational Geometry and Morphology,” , 1986.
[Bibtex]

@Article{ ishizaka_computational_1986,
address  = {Dordrecht},
title = {Computational {Geometry} and {Morphology}},
isbn = {978-94-010-8174-0 978-94-009-3757-4},
language  = {en},
booktitle  = {Science on {Form}},
author  = {Toussaint, Godfried T.},
year = {1986},
doi = {10.1007/978-94-009-3757-4_47}
}

J. Colannino, M. Damian, F. Hurtado, S. Langerman, H. Meijer, S. Ramaswami, D. Souvaine, and G. Toussaint, “Efficient Many-To-Many Point Matching in One Dimension,” Graphs and combinatorics, 2007.
[Bibtex]

@Article{ colannino_efficient_2007,
title = {Efficient {Many}-{To}-{Many} {Point} {Matching} in {One}
{Dimension}},
issn = {0911-0119, 1435-5914},
doi = {10.1007/s00373-007-0714-3},
language  = {en},
journal  = {Graphs and Combinatorics},
author  = {Colannino, Justin and Damian, Mirela and Hurtado, Ferran
and Langerman, Stefan and Meijer, Henk and Ramaswami,
Suneeta and Souvaine, Diane and Toussaint, Godfried},
month = jun,
year = {2007}
}

G. T. Toussaint, “Generating “Good” Musical Rhythms Algorithmically.”
[Bibtex]

@Article{ toussaint_generating_nodate,
title = {Generating “{Good}” {Musical} {Rhythms}
{Algorithmically}},
language  = {en},
author  = {Toussaint, Godfried T}
}

G. T. Toussaint, L. Matthews, and M. Campbell, “Measuring musical rhythm similarity: Transformation versus feature-based methods,” Measuring musical rhythm similarity: transformation versus feature-based methods, 2013.
[Bibtex]

@Article{ toussaint_measuring_2013,
title = {Measuring musical rhythm similarity: {Transformation}
versus feature-based methods},
issn = {1306-9055},
doi = {10.4407/jims.2012.12.002},
language  = {en},
journal  = {Measuring musical rhythm similarity: Transformation versus
feature-based methods},
author  = {Toussaint, Godfried T. and Matthews, Luke and Campbell,
Malcolm},
year = {2013}
}

“4dspace: interactive architecture,” , 2005.
[Bibtex]

@Article{ bullivant_4dspace_2005,
address  = {London},
title = {4dspace: interactive architecture},
isbn = {978-0-470-09092-3},
language  = {en},
year = {2005}
}

“Design through making,” , 2005.
[Bibtex]

@Article{ sheil_design_2005,
address  = {London},
title = {Design through making},
isbn = {978-0-470-09093-0},
language  = {en},
year = {2005}
}

H. Ertaş, M. Hensel, and D. Hensel, “Turkey: At the Threshold,” Architectural design, 2010.
[Bibtex]

@Article{ ertas_turkey_2010,
title = {Turkey: {At} the {Threshold}},
issn = {00038504, 15542769},
doi = {10.1002/ad.1003},
language  = {en},
journal  = {Architectural Design},
author  = {Ertaş, Hülya and Hensel, Michael and Hensel, Defne
Sunguroğlu},
month = jan,
year = {2010}
}

“Drawing architecture,” , 2013.
[Bibtex]

@Article{ spiller_drawing_2013,
address  = {Chichester},
title = {Drawing architecture},
isbn = {978-1-118-41879-6},
language  = {en},
year = {2013}
}

“Ecoredux: design remedies for an ailing planet,” , 2010.
[Bibtex]

@Article{ kallipolitti_ecoredux_2010,
address  = {Chichester},
title = {Ecoredux: design remedies for an ailing planet},
isbn = {978-0-470-74662-2},
language  = {en},
year = {2010}
}

G. N. Clear, “Architectures of the Near Future.”
[Bibtex]

@Article{ clear_architectures_nodate,
title = {Architectures of the {Near} {Future}},
language  = {en},
author  = {Clear, Guest-edited Nic}
}

“Exuberance: new virtuosity in contemporary architecture,” , 2010.
[Bibtex]

@Article{ colletti_exuberance_2010,
address  = {Chichester},
title = {Exuberance: new virtuosity in contemporary architecture},
isbn = {978-0-470-71714-1},
language  = {en},
year = {2010}
}

“Future details of architecture,” , 2014.
[Bibtex]

@Article{ garcia_future_2014,
address  = {London},
title = {Future details of architecture},
isbn = {978-1-118-52253-0 978-1-118-52252-3},
language  = {en},
year = {2014}
}

B. Sheil, “High definition: zero tolerance in design and production,” , 2014.
[Bibtex]

@Article{ sheil_high_2014,
address  = {Chichester},
title = {High definition: zero tolerance in design and production},
isbn = {978-1-118-45185-4},
language  = {en},
author  = {Sheil, Bob},
year = {2014}
}

“Latin America at the crossroads,” , 2011.
[Bibtex]

@Article{ leguia_latin_2011,
address  = {London},
title = {Latin {America} at the crossroads},
isbn = {978-0-470-66492-6},
language  = {en},
year = {2011}
}

“Post-traumatic urbanism,” , 2010.
[Bibtex]

@Article{ rice_post-traumatic_2010,
address  = {Chichester},
title = {Post-traumatic urbanism},
isbn = {978-0-470-74498-7},
language  = {en},
year = {2010}
}

“Protocell architecture,” , 2011.
[Bibtex]

@Article{ spiller_protocell_2011,
address  = {Chichester},
title = {Protocell architecture},
isbn = {978-0-470-74828-2},
language  = {en},
year = {2011}
}

E. Verbakel, E. Derman, J. Ortoneda, J. P. Solano, D. District, and K. Kaza, “Sensing the 21st-Century City:.”
[Bibtex]

@Article{ verbakel_sensing_nodate,
title = {Sensing the 21st-{Century} {City}:},
language  = {en},
author  = {Verbakel, Els and Derman, Elie and Ortoneda, Jordi
Mansilla and Solano, Jorge Perea and District, Doshi’s
Aranya and Kaza, Krystina}
}

“System City: Infrastructure and the Space of Flows,” , 2013.
[Bibtex]

@Article{ weinstock_system_2013,
address  = {Chichester},
title = {System {City}: {Infrastructure} and the {Space} of
{Flows}},
isbn = {978-1-118-36142-9},
language  = {en},
year = {2013}
}

“Territory: architecture beyond environment,” , 2010.
[Bibtex]

@Article{ gissen_territory_2010,
address  = {Chichester},
title = {Territory: architecture beyond environment},
isbn = {978-0-470-72165-0},
language  = {en},
year = {2010}
}

“The Architecture of Transgression,” , 2013.
[Bibtex]

@Article{ mosley_architecture_2013,
address  = {Chichester},
title = {The {Architecture} of {Transgression}},
isbn = {978-1-118-36179-5},
language  = {en},
year = {2013}
}

G. S. Caples and E. Jefferson, “The New Mix: Culturally Dynamic Architecture.”
[Bibtex]

@Article{ caples_new_nodate,
title = {The {New} {Mix}: {Culturally} {Dynamic} {Architecture}},
language  = {en},
author  = {Caples, Guest-edited Sara and Jefferson, Everardo}
}

“The new structuralism: design, engineering and architectural technologies,” , 2010.
[Bibtex]

@Article{ oxman_new_2010,
address  = {Chichester},
title = {The new structuralism: design, engineering and
architectural technologies},
isbn = {978-0-470-74227-3},
language  = {en},
year = {2010}
}

G. H. Ertas and D. Sungurog, “Turkey – At the Threshold.”
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@Article{ ertas_turkey_nodate,
title = {Turkey – {At} the {Threshold}},
language  = {en},
author  = {Ertas, Guest-edited Hülya and Sungurog, Defne}
}

G. M. Colletti, “Exuberance in Architecture.”
[Bibtex]

@Article{ colletti_exuberance_nodate,
title = {Exuberance in {Architecture}},
language  = {en},
author  = {Colletti, Guest-edited Marjan}
}

“Typological urbanism: projective cities,” , 2011.
[Bibtex]

@Article{ lee_typological_2011,
address  = {Chichester},
title = {Typological urbanism: projective cities},
isbn = {978-0-470-74720-9},
language  = {en},
year = {2011}
}

P. Manning, “Institut de Recherche et Coordination Acoustique/Musique,” , 2001.
[Bibtex]

@Article{ manning_institut_2001-2,
title = {Institut de {Recherche} et {Coordination}
{Acoustique}/{Musique}},
language  = {fr},
author  = {Manning, Peter},
year = {2001},
doi = {10.1093/gmo/9781561592630.article.42130}
}

G. Grisey and K. Saariaho, “Ateliers répertoire ircam,” , 2006.
[Bibtex]

@Article{ grisey_ateliers_2006,
title = {ateliers répertoire ircam},
language  = {fr},
author  = {Grisey, Gérard and Saariaho, Kaija},
year = {2006}
}

K. Saariaho, S. Gervasoni, and G. Aperghis, “Festival de Lucerne Modern Academy 23 Août – 10 Septembre,” , 2009.
[Bibtex]

@Article{ saariaho_festival_2009,
title = {Festival de {Lucerne} {Modern} {Academy} 23 {Août} - 10
{Septembre}},
language  = {fr},
author  = {Saariaho, Kaija and Gervasoni, Stefano and Aperghis,
Georges},
year = {2009}
}

S. Pleyel, “CENTRE POMPIDOU CENTRE POMPIDOU IRCAM CITÉ DE LA MUSIQUE IRCAM & GAÎTÉ LYRIQUE IRCAM OPÉRA COMIQUE THÉÂTRE DES BOUFFES DU NORD.”
[Bibtex]

@Article{ pleyel_centre_nodate,
title = {{CENTRE} {POMPIDOU} {CENTRE} {POMPIDOU} {IRCAM} {CITÉ}
{DE} {LA} {MUSIQUE} {IRCAM} \& {GAÎTÉ} {LYRIQUE} {IRCAM}
{OPÉRA} {COMIQUE} {THÉÂTRE} {DES} {BOUFFES} {DU} {NORD}},
language  = {fr},
author  = {Pleyel, Salle}
}

P. G. Leroux, “Ecoutez ! Quelque Chose se Produit….”
[Bibtex]

@Article{ leroux_ecoutez_nodate,
title = {Ecoutez ! {Quelque} {Chose} se {Produit}…},
language  = {fr},
author  = {Leroux, Par Gabriel}
}

P. Manning, “Institut de Recherche et Coordination Acoustique/Musique,” , 2001.
[Bibtex]

@Article{ manning_institut_2001-3,
title = {Institut de {Recherche} et {Coordination}
{Acoustique}/{Musique}},
language  = {fr},
author  = {Manning, Peter},
year = {2001},
doi = {10.1093/gmo/9781561592630.article.42130}
}

C. Marquet, “\#3 éDiTÉ PAR L’iRCAM-CENTRE POMPiDOU.”
[Bibtex]

@Article{ marquet_3_nodate,
title = {\#3 É{DiTÉ} {PAR} {L}’{iRCAM}-{CENTRE} {POMPiDOU}},
language  = {fr},
author  = {Marquet, CLAiRE}
}

F. Jullien, “Spécial Festival Agora,” , 2007.
[Bibtex]

@Article{ jullien_special_2007,
title = {Spécial {Festival} {Agora}},
language  = {fr},
author  = {Jullien, François},
year = {2007}
}

“\#4 éDiTÉ PAR L’iRCAM-CENTRE POMPiDOU.”
[Bibtex]

@Article{ noauthor_4_nodate,
title = {\#4 É{DiTÉ} {PAR} {L}’{iRCAM}-{CENTRE} {POMPiDOU}},
language  = {fr}
}

G. Carpentier, “Quelques pensées sur l’écriture dans la complexité.”
[Bibtex]

@Article{ carpentier_quelques_nodate,
title = {Quelques pensées sur l’écriture dans la complexité},
language  = {fr},
author  = {Carpentier, Grégoire}
}

P. Boulez, “Schoenberg/Kandinsky une correspondance ?.”
[Bibtex]

@Article{ boulez_schoenbergkandinsky_nodate,
title = {Schoenberg/{Kandinsky} une correspondance ?},
language  = {fr},
author  = {Boulez, Pierre}
}

“L’Etincelle _ Ircam,” , 2010.
[Bibtex]

@Article{ noauthor_etincelle_2010,
title = {L'{Etincelle} \_ {Ircam}},
language  = {fr},
year = {2010}
}

P. Manning, “Institut de Recherche et Coordination Acoustique/Musique,” , 2001.
[Bibtex]

@Article{ manning_institut_2001-4,
title = {Institut de {Recherche} et {Coordination}
{Acoustique}/{Musique}},
language  = {fr},
author  = {Manning, Peter},
year = {2001},
doi = {10.1093/gmo/9781561592630.article.42130}
}

P. G. Leroux, “MPA.1N4IFESTE, AUJOURD’HUI ? JACQUES RANCIÈRE, ALAIN BADIOU, éTIENNE BALIBAR/.”
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@Article{ leroux_mpa1n4ifeste_nodate,
title = {{MPA}.{1N4IFESTE}, {AUJOURD}’{HUI} ? {JACQUES}
{RANCIÈRE}, {ALAIN} {BADIOU}, É{TIENNE} {BALIBAR}/},
language  = {fr},
author  = {Leroux, Par Gabriel}
}

P. Guyotat, “ENTRETIEN AVEC RAYMOND BELLOUR PAR GABRIEL LEROUX.”
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@Article{ guyotat_entretien_nodate,
title = {{ENTRETIEN} {AVEC} {RAYMOND} {BELLOUR} {PAR} {GABRIEL}
{LEROUX}},
language  = {fr},
author  = {Guyotat, Pierre}
}

P. H. Vinet, “L’Etincelle \#11,” , 2014.
[Bibtex]

@Article{ vinet_letincelle_2014,
title = {L’{Etincelle} \#11},
language  = {fr},
author  = {Vinet, Par Hugues},
year = {2014}
}

M. Kac, “Can One Hear the Shape of a Drum?,” The american mathematical monthly, 1966.
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@Article{ kac_can_1966,
title = {Can {One} {Hear} the {Shape} of a {Drum}?},
issn = {00029890},
doi = {10.2307/2313748},
language  = {en},
journal  = {The American Mathematical Monthly},
author  = {Kac, Mark},
month = apr,
year = {1966}
}

S. Kacunko, “Closed Circuit Videoinstallationen: ein Leitfaden zur Geschichte und Theorie der Medienkunst mit Bausteinen eines Künstlerlexikons,” , 2004.
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@Article{ kacunko_closed_2004,
address  = {Berlin},
title = {Closed {Circuit} {Videoinstallationen}: ein {Leitfaden}
zur {Geschichte} und {Theorie} der {Medienkunst} mit
{Bausteinen} eines {Künstlerlexikons}},
isbn = {978-3-8325-0600-1},
language  = {de},
author  = {Kacunko, Slavko},
year = {2004}
}

L. P. Kadanoff, “From Order to Chaos II: Essays: Critical, Chaotic and Otherwise,” , 1999.
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@Article{ kadanoff_order_1999,
title = {From {Order} to {Chaos} {II}: {Essays}: {Critical},
{Chaotic} and {Otherwise}},
isbn = {978-981-02-3433-1 978-981-238-475-1},
language  = {en},
author  = {Kadanoff, Leo P},
month = mar,
year = {1999},
doi = {10.1142/3756}
}

N. Kalchbrenner, E. Elsen, K. Simonyan, S. Noury, N. Casagrande, E. Lockhart, F. Stimberg, A. van den Oord, S. Dieleman, and K. Kavukcuoglu, “Efficient Neural Audio Synthesis,” , 2018.
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@Article{ kalchbrenner_efficient_2018,
title = {Efficient {Neural} {Audio} {Synthesis}},
language  = {en},
author  = {Kalchbrenner, Nal and Elsen, Erich and Simonyan, Karen and
Noury, Seb and Casagrande, Norman and Lockhart, Edward and
Stimberg, Florian and Oord, Aaron van den and Dieleman,
Sander and Kavukcuoglu, Koray},
month = jun,
year = {2018}
}

H. Kaletha and J. Kohl, “Decomposition of the Sound Continuum: Serialism and Development from a Genetic- Phenomenological Perspective,” Perspectives of new music, 2004.
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@Article{ kaletha_decomposition_2004,
title = {Decomposition of the {Sound} {Continuum}: {Serialism} and
{Development} from a {Genetic}- {Phenomenological}
{Perspective}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kaletha, Holger and Kohl, Jerome},
year = {2004}
}

M. A. Kaliakatsos-Papakostas, A. Floros, and M. N. Vrahatis, “A Clustering Strategy for the Key Segmentation of Musical Audio,” Computer music journal, 2013.
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@Article{ kaliakatsos-papakostas_clustering_2013,
title = {A {Clustering} {Strategy} for the {Key} {Segmentation} of
{Musical} {Audio}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00168},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kaliakatsos-Papakostas, Maximos A. and Floros, Andreas and
Vrahatis, Michael N.},
month = mar,
year = {2013}
}

S. Kanach, “The Writings of Iannis Xenakis (Starting with “Formalized Music”),” Perspectives of new music, 2003.
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@Article{ kanach_writings_2003,
title = {The {Writings} of {Iannis} {Xenakis} ({Starting} with
"{Formalized} {Music}")},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kanach, Sharon},
year = {2003}
}

S. Kanach, “Xenakis’s Hand, or The Visualization of the Creative Process,” Perspectives of new music, 2002.
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@Article{ kanach_xenakiss_2002,
title = {Xenakis's {Hand}, or {The} {Visualization} of the
{Creative} {Process}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Kanach, Sharon},
year = {2002}
}

Y. Kanada, “The Effects of Randomness in Asynchronous 1D Cellular Automata,” , 1984.
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@Article{ kanada_effects_1984,
title = {The {Effects} of {Randomness} in {Asynchronous} {1D}
{Cellular} {Automata}},
language  = {en},
author  = {Kanada, Yasusi},
year = {1984}
}

C. L. Kane, “Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code,” , 2015.
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@Article{ kane_chromatic_2015,
title = {Chromatic {Algorithms}: {Synthetic} {Color}, {Computer}
{Art}, and {Aesthetics} after {Code}},
language  = {en},
author  = {Kane, Carolyn L},
year = {2015}
}

B. Kane, “L’Objet Sonore Maintenant : Pierre Schaeffer, sound objects and the phenomenological reduction,” Organised sound, 2007.
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@Article{ kane_lobjet_2007,
title = {L’{Objet} {Sonore} {Maintenant} : {Pierre} {Schaeffer},
sound objects and the phenomenological reduction},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S135577180700163X},
language  = {en},
journal  = {Organised Sound},
author  = {Kane, Brian},
month = apr,
year = {2007}
}

B. Kane, “Sound unseen: acousmatic sound in theory and practice,” , 2014.
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@Article{ kane_sound_2014,
address  = {New York, NY},
title = {Sound unseen: acousmatic sound in theory and practice},
isbn = {978-0-19-934784-1},
language  = {en},
author  = {Kane, Brian},
year = {2014}
}

E. Kant, “Qu’est-ce que les Lumières? (1784),” , 1784.
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@Article{ kant_quest-ce_1784,
title = {Qu'est-ce que les {Lumières}? (1784)},
language  = {fr},
author  = {Kant, Emmanuel},
year = {1784}
}

H. G. Kaper and S. Tipei, “Formalizing the Concept of Sound I,” , 1999.
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@Article{ kaper_formalizing_1999,
title = {Formalizing the {Concept} of {Sound} {I}},
language  = {en},
author  = {Kaper, Hans G and Tipei, Sever},
year = {1999}
}

C. S. Kaplan, “Aliasing Artifacts and Accidental Algorithmic Art,” , 2005.
[Bibtex]

@Article{ kaplan_aliasing_2005,
title = {Aliasing {Artifacts} and {Accidental} {Algorithmic}
{Art}},
language  = {en},
author  = {Kaplan, Craig S},
year = {2005}
}

C. S. Kaplan, “Computer Graphics and Geometric Ornamental Design,” , 2002.
[Bibtex]

@Article{ kaplan_computer_2002,
title = {Computer {Graphics} and {Geometric} {Ornamental}
{Design}},
language  = {en},
author  = {Kaplan, Craig S},
year = {2002}
}

M. Karjalainen, V. Valimaki, and T. Tolonen, “Plucked-String Models: From the Karplus-Strong Algorithm to Digital Waveguides and beyond,” Computer music journal, 1998.
[Bibtex]

@Article{ karjalainen_plucked-string_1998,
title = {Plucked-{String} {Models}: {From} the {Karplus}-{Strong}
{Algorithm} to {Digital} {Waveguides} and beyond},
issn = {01489267},
doi = {10.2307/3681155},
language  = {en},
journal  = {Computer Music Journal},
author  = {Karjalainen, Matti and Valimaki, Vesa and Tolonen, Tero},
year = {1998}
}

F. Roth, “Orchestre symphonique du SWR Baden-Baden \& Freiburg.”
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@Article{ roth_orchestre_nodate,
title = {Orchestre symphonique du {SWR} {Baden}-{Baden} \&
{Freiburg}},
language  = {fr},
author  = {Roth, François-Xavier}
}

A. Karpathy and L. Fei-Fei, “Deep Visual-Semantic Alignments for Generating Image Descriptions.”
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@Article{ karpathy_deep_nodate,
title = {Deep {Visual}-{Semantic} {Alignments} for {Generating}
{Image} {Descriptions}},
language  = {en},
author  = {Karpathy, Andrej and Fei-Fei, Li}
}

K. Karplus and A. Strong, “Digital Synthesis of Plucked-String and Drum Timbres,” Computer music journal, 1983.
[Bibtex]

@Article{ karplus_digital_1983,
title = {Digital {Synthesis} of {Plucked}-{String} and {Drum}
{Timbres}},
issn = {01489267},
doi = {10.2307/3680062},
language  = {en},
journal  = {Computer Music Journal},
author  = {Karplus, Kevin and Strong, Alex},
year = {1983}
}

T. Karppi and K. Crawford, “Social Media, Financial Algorithms and the Hack Crash,” Theory, culture & society, 2016.
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@Article{ karppi_social_2016,
title = {Social {Media}, {Financial} {Algorithms} and the {Hack}
{Crash}},
issn = {0263-2764, 1460-3616},
doi = {10.1177/0263276415583139},
language  = {en},
journal  = {Theory, Culture \& Society},
author  = {Karppi, Tero and Crawford, Kate},
month = jan,
year = {2016}
}

S. Kaske, “A Conversation with Clarence Barlow,” , 1985.
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@Article{ kaske_conversation_1985,
title = {A {Conversation} with {Clarence} {Barlow}},
language  = {en},
author  = {Kaske, Stephan},
year = {1985}
}

K. Kastner, R. Kumar, T. Cooijmans, and A. Courville, “Harmonic Recomposition using Conditional Autoregressive Modeling,” , 2018.
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@Article{ kastner_harmonic_2018,
title = {Harmonic {Recomposition} using {Conditional}
{Autoregressive} {Modeling}},
language  = {en},
author  = {Kastner, Kyle and Kumar, Rithesh and Cooijmans, Tim and
Courville, Aaron},
month = nov,
year = {2018}
}

H. Katayose and S. Inokuchi, “The Kansei Music System,” Computer music journal, 1989.
[Bibtex]

@Article{ katayose_kansei_1989,
title = {The {Kansei} {Music} {System}},
issn = {01489267},
doi = {10.2307/3679555},
language  = {en},
journal  = {Computer Music Journal},
author  = {Katayose, Haruhiro and Inokuchi, Seiji},
year = {1989}
}

J. Katz, I. J. Nicod, and D. Pesetsky, “Identity thesis for language and music.”
[Bibtex]

@Article{ katz_identity_nodate,
title = {Identity thesis for language and music},
language  = {en},
author  = {Katz, Jonah and Nicod, Institut Jean and Pesetsky, David}
}

A. Katz, “Postmodernism and the politics of “culture”,” , 2000.
[Bibtex]

@Article{ katz_postmodernism_2000,
address  = {Boulder, CO},
title = {Postmodernism and the politics of "culture"},
isbn = {978-0-8133-6807-8},
language  = {en},
author  = {Katz, Adam},
year = {2000}
}

S. A. Kauffman, “Antichaos and Adaptation,” Scientific american, 1991.
[Bibtex]

@Article{ kauffman_antichaos_1991,
title = {Antichaos and {Adaptation}},
issn = {0036-8733},
doi = {10.1038/scientificamerican0891-78},
language  = {en},
journal  = {Scientific American},
author  = {Kauffman, Stuart A.},
month = aug,
year = {1991}
}

D. H. Keefe, “Physical Modeling of Wind Instruments,” Computer music journal, 1992.
[Bibtex]

@Article{ keefe_physical_1992,
title = {Physical {Modeling} of {Wind} {Instruments}},
issn = {01489267},
doi = {10.2307/3680469},
language  = {en},
journal  = {Computer Music Journal},
author  = {Keefe, Douglas H.},
year = {1992}
}

D. Keller and B. Ferneyhough, “Analysis by Modeling: Xenakis’s ST/10-1 080262,” Journal of new music research, 2004.
[Bibtex]

@Article{ keller_analysis_2004,
title = {Analysis by {Modeling}: {Xenakis}'s {ST}/10-1 080262},
issn = {0929-8215, 1744-5027},
doi = {10.1080/0929821042000310630},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Keller, Damián and Ferneyhough, Brian},
month = jun,
year = {2004}
}

R. Keller, A. Schofield, A. Toman-Yih, Z. Merritt, and J. Elliott, “Automating the Explanation of Jazz Chord Progressions Using Idiomatic Analysis,” Computer music journal, 2013.
[Bibtex]

@Article{ keller_automating_2013,
title = {Automating the {Explanation} of {Jazz} {Chord}
{Progressions} {Using} {Idiomatic} {Analysis}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00201},
language  = {en},
journal  = {Computer Music Journal},
author  = {Keller, Robert and Schofield, Alexandra and Toman-Yih,
August and Merritt, Zachary and Elliott, John},
month = dec,
year = {2013}
}

“Process and difference: between cosmological and poststructuralist postmodernisms,” , 2002.
[Bibtex]

@Article{ keller_process_2002,
address  = {Albany},
title = {Process and difference: between cosmological and
poststructuralist postmodernisms},
isbn = {978-0-7914-5288-2 978-0-7914-5287-5},
language  = {en},
year = {2002}
}

“Ubiquitous Music,” , 2014.
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@Article{ keller_ubiquitous_2014,
address  = {Cham},
title = {Ubiquitous {Music}},
isbn = {978-3-319-11151-3 978-3-319-11152-0},
language  = {en},
year = {2014},
doi = {10.1007/978-3-319-11152-0}
}

D. Kellner and {. U. S. N. of York}, “Nietzsche’s Critique of Mass Culture:,” International studies in philosophy, 1999.
[Bibtex]

@Article{ kellner_nietzsches_1999,
title = {Nietzsche’s {Critique} of {Mass} {Culture}:},
issn = {0270-5664},
doi = {10.5840/intstudphil199931353},
language  = {en},
journal  = {International Studies in Philosophy},
author  = {Kellner, Douglas and {Binghamton University State
University of New York}},
year = {1999}
}

L. Savioja, V. Välimäki, P. Huang, and A. Kelloniemi, “ARTIFICIAL REVERBERATION USING A HYPER-DIMENSIONAL FDTD MESH.”
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@Article{ savioja_artificial_nodate,
title = {{ARTIFICIAL} {REVERBERATION} {USING} {A}
{HYPER}-{DIMENSIONAL} {FDTD} {MESH}},
language  = {en},
author  = {Savioja, Lauri and Välimäki, Vesa and Huang, Patty and
Kelloniemi, Antti}
}

E. Kelly, “Deconstructing Speech: new tools for speech manipulation,” Organised sound, 2006.
[Bibtex]

@Article{ kelly_deconstructing_2006,
title = {Deconstructing {Speech}: new tools for speech
manipulation},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771806000100},
language  = {en},
journal  = {Organised Sound},
author  = {Kelly, Edward},
month = apr,
year = {2006}
}

K. Kemp-Welch, “Networking the Bloc: experimental art in Eastern Europe 1965-1981,” , 2018.
[Bibtex]

@Article{ kemp-welch_networking_2018,
address  = {Cambridge, Massachusetts},
title = {Networking the {Bloc}: experimental art in {Eastern}
{Europe} 1965-1981},
isbn = {978-0-262-03830-0},
language  = {en},
author  = {Kemp-Welch, Klara},
year = {2018}
}

G. S. Kendall, “A 3-D Sound Primer: Directional Hearing and Stereo Reproduction,” Computer music journal, 1995.
[Bibtex]

@Article{ kendall_3-d_1995,
title = {A 3-{D} {Sound} {Primer}: {Directional} {Hearing} and
{Stereo} {Reproduction}},
issn = {01489267},
doi = {10.2307/3680989},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kendall, Gary S.},
year = {1995}
}

G. S. Kendall, “Composing from a Geometric Model: “Five-Leaf Rose”,” Computer music journal, 1981.
[Bibtex]

@Article{ kendall_composing_1981,
title = {Composing from a {Geometric} {Model}: "{Five}-{Leaf}
{Rose}"},
issn = {01489267},
doi = {10.2307/3679507},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kendall, Gary S.},
year = {1981}
}

G. S. Kendall, “The Decorrelation of Audio Signals and Its Impact on Spatial Imagery,” Computer music journal, 1995.
[Bibtex]

@Article{ kendall_decorrelation_1995,
title = {The {Decorrelation} of {Audio} {Signals} and {Its}
{Impact} on {Spatial} {Imagery}},
issn = {01489267},
doi = {10.2307/3680992},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kendall, Gary S.},
year = {1995}
}

J. F. Kennedy, R. C. Eberhart, and Y. Shi, “Swarm intelligence,” , 2001.
[Bibtex]

@Article{ kennedy_swarm_2001,
address  = {San Francisco},
title = {Swarm intelligence},
isbn = {978-1-55860-595-4},
language  = {en},
author  = {Kennedy, James F. and Eberhart, Russell C. and Shi,
Yuhui},
year = {2001}
}

J. Kepler, “The harmonies of the world,” , 2008.
[Bibtex]

@Article{ kepler_harmonies_2008,
address  = {Place of publication not identified},
title = {The harmonies of the world},
isbn = {978-1-60620-142-8},
language  = {en},
author  = {Kepler, Johannes},
year = {2008}
}

“Variations on the canon: essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday,” , 2008.
[Bibtex]

@Article{ rosen_variations_2008,
address  = {Rochester, NY},
title = {Variations on the canon: essays on music from {Bach} to
{Boulez} in honor of {Charles} {Rosen} on his eightieth
birthday},
isbn = {978-1-58046-285-3},
language  = {en},
year = {2008}
}

S. Kersten and H. Purwins, “Sound Texture Synthesis with Hidden Markov Tree Models in the Wavelet Domain.”
[Bibtex]

@Article{ kersten_sound_nodate,
title = {Sound {Texture} {Synthesis} with {Hidden} {Markov} {Tree}
{Models} in the {Wavelet} {Domain}},
language  = {en},
author  = {Kersten, Stefan and Purwins, Hendrik}
}

J. M. Keynes, “The?orie ge?ne?rale de l’emploi, de l’inte?re?t et de la monnaie,” , 2002.
[Bibtex]

@Article{ keynes_orie_2002,
address  = {Chicoutimi},
title = {The?orie ge?ne?rale de l'emploi, de l'inte?re?t et de la
monnaie},
isbn = {978-1-55441-386-7},
language  = {fr},
author  = {Keynes, John Maynard},
year = {2002},
doi = {10.1522/cla.kej.the}
}

R. Leavitt, “Artist and Computer,” , 1975.
[Bibtex]

@Article{ leavitt_artist_1975,
title = {Artist and {Computer}},
language  = {en},
author  = {Leavitt, Ruth},
year = {1975}
}

B. Lebrun, “Protest Music in France: Production, Identity and Audiences,” , 2009.
[Bibtex]

@Article{ lebrun_protest_2009,
address  = {Farnham, England ; Burlington, VT},
title = {Protest {Music} in {France}: {Production}, {Identity} and
{Audiences}},
isbn = {978-0-7546-6472-7 978-0-7546-9464-9},
language  = {en},
author  = {Lebrun, Barbara},
year = {2009}
}

G. W. Lecky-Thompson, “AI and artificial life in video games,” , 2008.
[Bibtex]

@Article{ lecky-thompson_ai_2008,
address  = {Boston, MA},
title = {{AI} and artificial life in video games},
isbn = {978-1-58450-558-7},
language  = {en},
author  = {Lecky-Thompson, Guy W.},
year = {2008}
}

O. Lilienthal, “Der Vogelflug als Grundlage der Fliegekunst,” , 1943.
[Bibtex]

@Article{ lilienthal_vogelflug_1943,
title = {Der {Vogelflug} als {Grundlage} der {Fliegekunst}},
isbn = {978-3-486-77518-1},
language  = {de},
author  = {Lilienthal, Otto},
month = dec,
year = {1943},
doi = {10.1515/9783486775181}
}

S. Lilly, “Form as an Outgrowth of Timbre and Rhythm: Wesley Fuller’s “Sherds of Five”,” Perspectives of new music, 2005.
[Bibtex]

@Article{ lilly_form_2005,
title = {Form as an {Outgrowth} of {Timbre} and {Rhythm}: {Wesley}
{Fuller}'s "{Sherds} of {Five}"},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Lilly, Stephen},
year = {2005}
}

P. Lindborg, “Composers’ Rights in a Digital World,” , 2007.
[Bibtex]

@Article{ lindborg_composers_2007,
title = {Composers’ {Rights} in a {Digital} {World}},
language  = {en},
author  = {Lindborg, PerMagnus},
year = {2007}
}

E. Lindemann and M. De Cecco, “Animal: Graphical Data Definition and Manipulation in Real Time,” Computer music journal, 1991.
[Bibtex]

@Article{ lindemann_animal_1991,
title = {Animal: {Graphical} {Data} {Definition} and {Manipulation}
in {Real} {Time}},
issn = {01489267},
doi = {10.2307/3680768},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lindemann, Eric and De Cecco, Maurizio},
year = {1991}
}

E. Lindemann, F. Dechelle, B. Smith, and M. Starkier, “The Architecture of the IRCAM Musical Workstation,” Computer music journal, 1991.
[Bibtex]

@Article{ lindemann_architecture_1991,
title = {The {Architecture} of the {IRCAM} {Musical}
{Workstation}},
issn = {01489267},
doi = {10.2307/3680764},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lindemann, Eric and Dechelle, Francois and Smith, Bennett
and Starkier, Michel},
year = {1991}
}

C. Luccioni-Sauvage, “Le « roman » de la mélancolie aux XVIe et XVIIe siècles: Quand la science se fait fiction,” Arts et savoirs, 2015.
[Bibtex]

@Article{ luccioni-sauvage__2015,
title = {Le « roman » de la mélancolie aux {XVIe} et {XVIIe}
siècles: {Quand} la science se fait fiction},
issn = {2258-093X},
doi = {10.4000/aes.343},
language  = {fr},
journal  = {Arts et Savoirs},
author  = {Luccioni-Sauvage, Carine},
month = mar,
year = {2015}
}

A. Lucier and A. Wellmer, “Everything is real: Alvin Lucier in Den Haag,” , 2010.
[Bibtex]

@Article{ lucier_everything_2010,
address  = {The Hague},
title = {Everything is real: {Alvin} {Lucier} in {Den} {Haag}},
isbn = {978-94-90936-01-3},
language  = {en},
author  = {Lucier, Alvin and Wellmer, Anne},
year = {2010}
}

A. Lucier, “Origins of a Form: Acoustical Exploration, Science and Incessancy,” Leonardo music journal, 1998.
[Bibtex]

@Article{ lucier_origins_1998,
title = {Origins of a {Form}: {Acoustical} {Exploration}, {Science}
and {Incessancy}},
issn = {09611215},
doi = {10.2307/1513391},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Lucier, Alvin},
year = {1998}
}

A. Lucier, “Music 109: notes on experimental music,” , 2012.
[Bibtex]

@Article{ lucier_music_2012,
address  = {Middletown, Connecticut},
title = {Music 109: notes on experimental music},
isbn = {978-0-8195-7297-4 978-0-8195-7298-1},
language  = {en},
author  = {Lucier, Alvin},
year = {2012}
}

A. Lucier, “On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993,” Leonardo music journal, 2001.
[Bibtex]

@Article{ lucier_stuart_2001,
title = {On {Stuart} {Marshall}: {Composer}, {Video} {Artist} and
{Filmmaker}, 1949-1993},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Lucier, Alvin},
year = {2001}
}

O. Luening, “Some Random Remarks about Electronic Music,” Journal of music theory, 1964.
[Bibtex]

@Article{ luening_random_1964,
title = {Some {Random} {Remarks} about {Electronic} {Music}},
issn = {00222909},
doi = {10.2307/842974},
language  = {en},
journal  = {Journal of Music Theory},
author  = {Luening, Otto},
year = {1964}
}

J-P. Luminet, “From Black Holes to Cosmology : The Universe in the Computer,” Journal of physics: conference series, 2014.
[Bibtex]

@Article{ luminet_black_2014,
title = {From {Black} {Holes} to {Cosmology} : {The} {Universe} in
the {Computer}},
issn = {1742-6588, 1742-6596},
doi = {10.1088/1742-6596/523/1/012065},
language  = {en},
journal  = {Journal of Physics: Conference Series},
author  = {Luminet, J-P},
month = jun,
year = {2014}
}

A. Lundström, “4 Americans: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz. Foreword,” Konsthistorisk tidskrift/journal of art history, 2007.
[Bibtex]

@Article{ lundstrom_4_2007,
title = {4 {Americans}: {Jasper} {Johns}, {Alfred} {Leslie},
{Robert} {Rauschenberg}, {Richard} {Stankiewicz}.
{Foreword}},
issn = {0023-3609, 1651-2294},
doi = {10.1080/00233600701350254},
language  = {en},
journal  = {Konsthistorisk Tidskrift/Journal of Art History},
author  = {Lundström, Anna},
month = mar,
year = {2007}
}

E. J. G. Carbonell and J. Siekmann, “Lecture Notes in Artificial Intelligence.”
[Bibtex]

@Article{ carbonell_lecture_nodate,
title = {Lecture {Notes} in {Artificial} {Intelligence}},
language  = {en},
author  = {Carbonell, Edited J G and Siekmann, J}
}

S. Luque, “I would like to thank Paul Berg for helping me so much with this paper.”
[Bibtex]

@Article{ luque_i_nodate,
title = {I would like to thank {Paul} {Berg} for helping me so much
with this paper},
language  = {en},
author  = {Luque, Sergio}
}

S. Luque, “The Stochastic Synthesis of Iannis Xenakis,” Leonardo music journal, 2009.
[Bibtex]

@Article{ luque_stochastic_2009,
title = {The {Stochastic} {Synthesis} of {Iannis} {Xenakis}},
issn = {0961-1215, 1531-4812},
doi = {10.1162/lmj.2009.19.77},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Luque, Sergio},
month = dec,
year = {2009}
}

G. Lynn, “Folds, bodies & blobs: collected essays,” , 1998.
[Bibtex]

@Article{ lynn_folds_1998,
address  = {Bruxelles},
title = {Folds, bodies \& blobs: collected essays},
isbn = {978-2-87317-068-4},
language  = {en},
author  = {Lynn, Greg},
year = {1998}
}

C. W. Lynn, L. Papadopoulos, A. Kahn, and D. S. Bassett, “Human information processing in complex networks,” , 2020.
[Bibtex]

@Article{ lynn_human_2020,
title = {Human information processing in complex networks},
language  = {en},
author  = {Lynn, Christopher W. and Papadopoulos, Lia and Kahn, Ari
E. and Bassett, Danielle S.},
month = mar,
year = {2020}
}

E. Lyon, “Articulated Noise.”
[Bibtex]

@Article{ lyon_articulated_nodate,
title = {Articulated {Noise}},
language  = {en},
author  = {Lyon, Eric}
}

E. Lyon, B. R. Knapp, and G. Ouzounian, “Compositional and Performance Mapping in Computer Chamber Music: A Case Study,” Computer music journal, 2014.
[Bibtex]

@Article{ lyon_compositional_2014,
title = {Compositional and {Performance} {Mapping} in {Computer}
{Chamber} {Music}: {A} {Case} {Study}},
issn = {0148-9267},
doi = {10.1162/COMJ_a_00257},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lyon, Eric and Knapp, R. Benjamin and Ouzounian, Gascia},
month = sep,
year = {2014}
}

R. H. Lyon, “Product sound quality: From perception to design,” The journal of the acoustical society of america, 2000.
[Bibtex]

@Article{ lyon_product_2000,
title = {Product sound quality: {From} perception to design},
issn = {0001-4966, 1520-8524},
doi = {10.1121/1.4743110},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Lyon, Richard H.},
month = nov,
year = {2000}
}

D. Lyon, “Using Stochastic Petri Nets for Real-Time Nth-Order Stochastic Composition,” Computer music journal, 1995.
[Bibtex]

@Article{ lyon_using_1995,
title = {Using {Stochastic} {Petri} {Nets} for {Real}-{Time}
{Nth}-{Order} {Stochastic} {Composition}},
issn = {01489267},
doi = {10.2307/3680988},
language  = {en},
journal  = {Computer Music Journal},
author  = {Lyon, Douglas},
year = {1995}
}

J. Lyotard, “The inhuman: reflections on time,” , 1991.
[Bibtex]

@Article{ lyotard_inhuman_1991,
address  = {Stanford, Calif},
title = {The inhuman: reflections on time},
isbn = {978-0-8047-2006-9 978-0-8047-2008-3},
language  = {en},
author  = {Lyotard, Jean-François},
year = {1991}
}

J. MacCallum, A. Schmeder, and D. Wessel, “TIMBRAL MIGRATION: STOCHASTIC PROCESSES FOR THE CONTROL OF SMOOTH SPECTRAL TRANSFORMATION.”
[Bibtex]

@Article{ maccallum_timbral_nodate,
title = {{TIMBRAL} {MIGRATION}: {STOCHASTIC} {PROCESSES} {FOR}
{THE} {CONTROL} {OF} {SMOOTH} {SPECTRAL} {TRANSFORMATION}},
language  = {en},
author  = {MacCallum, John and Schmeder, Andrew and Wessel, David}
}

C. Maccone, “Deep Space Flight and Communications,” , 2009.
[Bibtex]

@Article{ maccone_deep_2009,
address  = {Berlin, Heidelberg},
title = {Deep {Space} {Flight} and {Communications}},
isbn = {978-3-540-72942-6 978-3-540-72943-3},
language  = {en},
author  = {Maccone, Claudio},
year = {2009},
doi = {10.1007/978-3-540-72943-3}
}

H. Macdonald, “Berlioz’s Orchestration Treatise: A Translation and Commentary.”
[Bibtex]

@Article{ macdonald_berliozs_nodate,
title = {Berlioz’s {Orchestration} {Treatise}: {A} {Translation}
and {Commentary}},
language  = {en},
author  = {Macdonald, Hugh}
}

L. MacDowall, “In Praise of 70K: Cultural Heritage and Graffiti Style,” Continuum, 2006.
[Bibtex]

@Article{ macdowall_praise_2006,
title = {In {Praise} of {70K}: {Cultural} {Heritage} and {Graffiti}
{Style}},
issn = {1030-4312, 1469-3666},
doi = {10.1080/10304310600987320},
language  = {en},
journal  = {Continuum},
author  = {MacDowall, Lachlan},
month = dec,
year = {2006}
}

P. Machado, J. Romero, A. Santos, A. Cardoso, and A. Pazos, “On the development of evolutionary artificial artists,” Computers & graphics, 2007.
[Bibtex]

@Article{ machado_development_2007,
title = {On the development of evolutionary artificial artists},
issn = {00978493},
doi = {10.1016/j.cag.2007.08.010},
language  = {en},
journal  = {Computers \& Graphics},
author  = {Machado, Penousal and Romero, Juan and Santos, Antonino
and Cardoso, Amílcar and Pazos, Alejandro},
month = dec,
year = {2007}
}

J. W. MacLean, “A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances,” , 2002.
[Bibtex]

@Article{ maclean_bayesian_2002,
title = {A {Bayesian} {Technique} for {Distinguishing} {Between}
{Melody} {Notes} and {Grace} {Notes} in {Recorded}
{Performances}},
language  = {en},
author  = {MacLean, W James},
year = {2002}
}

B. MacNevin, “DAT as a Storage Medium,” Computer music journal, 1996.
[Bibtex]

@Article{ macnevin_dat_1996,
title = {{DAT} as a {Storage} {Medium}},
issn = {01489267},
doi = {10.2307/3680403},
language  = {en},
journal  = {Computer Music Journal},
author  = {MacNevin, Bob},
year = {1996}
}

L. Maes, G. Raes, and T. Rogers, “The Man and Machine Robot Orchestra at Logos,” Computer music journal, 2011.
[Bibtex]

@Article{ maes_man_2011,
title = {The {Man} and {Machine} {Robot} {Orchestra} at {Logos}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00089},
language  = {en},
journal  = {Computer Music Journal},
author  = {Maes, Laura and Raes, Godfried‐Willem and Rogers, Troy},
month = dec,
year = {2011}
}

E. Maestre, R. Ramírez, S. Kersten, and X. Serra, “Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings,” Computer music journal, 2009.
[Bibtex]

@Article{ maestre_expressive_2009,
title = {Expressive {Concatenative} {Synthesis} by {Reusing}
{Samples} from {Real} {Performance} {Recordings}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2009.33.4.23},
language  = {en},
journal  = {Computer Music Journal},
author  = {Maestre, Esteban and Ramírez, Rafael and Kersten, Stefan
and Serra, Xavier},
month = dec,
year = {2009}
}

A. Maezawa and H. G. Okuno, “Bayesian Audio-to-Score Alignment Based on Joint Inference of Timbre, Volume, Tempo, and Note Onset Timings,” Computer music journal, 2015.
[Bibtex]

@Article{ maezawa_bayesian_2015,
title = {Bayesian {Audio}-to-{Score} {Alignment} {Based} on {Joint}
{Inference} of {Timbre}, {Volume}, {Tempo}, and {Note}
{Onset} {Timings}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00286},
language  = {en},
journal  = {Computer Music Journal},
author  = {Maezawa, Akira and Okuno, Hiroshi G.},
month = mar,
year = {2015}
}

J. Magee, “Kinds of Blue: Miles Davis, Afro‐Modernism, and the Blues,” Jazz perspectives, 2007.
[Bibtex]

@Article{ magee_kinds_2007,
title = {Kinds of {Blue}: {Miles} {Davis}, {Afro}‐{Modernism},
and the {Blues}},
issn = {1749-4060, 1749-4079},
doi = {10.1080/17494060601061006},
language  = {en},
journal  = {Jazz Perspectives},
author  = {Magee, Jeffrey},
month = may,
year = {2007}
}

T. Magnusson, “Algorithms as Scores: Coding Live Music,” Leonardo music journal, 2011.
[Bibtex]

@Article{ magnusson_algorithms_2011,
title = {Algorithms as {Scores}: {Coding} {Live} {Music}},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Magnusson, Thor},
year = {2011}
}

T. Magnusson, “Herding Cats: Observing Live Coding in the Wild,” Computer music journal, 2014.
[Bibtex]

@Article{ magnusson_herding_2014,
title = {Herding {Cats}: {Observing} {Live} {Coding} in the
{Wild}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00216},
language  = {en},
journal  = {Computer Music Journal},
author  = {Magnusson, Thor},
month = mar,
year = {2014}
}

H. G. Mairson, “Functional geometry and the Traité de Lutherie: functional pearl,” , 2013.
[Bibtex]

@Article{ mairson_functional_2013,
address  = {Boston Massachusetts USA},
title = {Functional geometry and the {Traité} de {Lutherie}:
functional pearl},
isbn = {978-1-4503-2326-0},
doi = {10.1145/2500365.2500617},
language  = {en},
booktitle  = {Proceedings of the 18th {ACM} {SIGPLAN} international
conference on {Functional} programming},
author  = {Mairson, Harry George},
month = sep,
year = {2013}
}

M. O. Majmon, “Analysis of Morton Feldman’s String Quartet No. 2 (1983).”
[Bibtex]

@Article{ majmon_analysis_nodate,
title = {Analysis of {Morton} {Feldman}'s {String} {Quartet} {No}.
2 (1983)},
language  = {en},
author  = {Majmon, Magnus Olsen}
}

A. Majumder and S. Irani, “Contrast enhancement of images using human contrast sensitivity,” , 2006.
[Bibtex]

@Article{ majumder_contrast_2006,
address  = {Boston Massachusetts USA},
title = {Contrast enhancement of images using human contrast
sensitivity},
isbn = {978-1-59593-429-1},
doi = {10.1145/1140491.1140506},
language  = {en},
booktitle  = {Proceedings of the 3rd symposium on {Applied} perception
in graphics and visualization},
author  = {Majumder, Aditi and Irani, Sandy},
month = jul,
year = {2006}
}

K. Makan, “An Interview With Edmund Campion,” Computer music journal, 2004.
[Bibtex]

@Article{ makan_interview_2004,
title = {An {Interview} {With} {Edmund} {Campion}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926042728430},
language  = {en},
journal  = {Computer Music Journal},
author  = {Makan, Keeril},
month = dec,
year = {2004}
}

D. G. Malham and A. Myatt, “3-D Sound Spatialization using Ambisonic Techniques,” Computer music journal, 1995.
[Bibtex]

@Article{ malham_3-d_1995,
title = {3-{D} {Sound} {Spatialization} using {Ambisonic}
{Techniques}},
issn = {01489267},
doi = {10.2307/3680991},
language  = {en},
journal  = {Computer Music Journal},
author  = {Malham, David G. and Myatt, Anthony},
year = {1995}
}

D. G. Malham, “Toward Reality Equivalence in Spatial Sound Diffusion,” Computer music journal, 2001.
[Bibtex]

@Article{ malham_toward_2001,
title = {Toward {Reality} {Equivalence} in {Spatial} {Sound}
{Diffusion}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/01489260152815279},
language  = {en},
journal  = {Computer Music Journal},
author  = {Malham, David G.},
month = dec,
year = {2001}
}

D. Goodman and H. F. Mallgrave, “An Introduction to Architectural Theory.”
[Bibtex]

@Article{ goodman_introduction_nodate,
title = {An {Introduction} to {Architectural} {Theory}},
language  = {en},
author  = {Goodman, David and Mallgrave, Harry Francis}
}

A. K. Mallik, “From natural numbers to numbers and curves in nature – II,” Resonance, 2004.
[Bibtex]

@Article{ mallik_natural_2004,
title = {From natural numbers to numbers and curves in nature -
{II}},
issn = {0971-8044, 0973-712X},
doi = {10.1007/BF02834867},
language  = {en},
journal  = {Resonance},
author  = {Mallik, A. K.},
month = oct,
year = {2004}
}

M. Malt, “Les MathÈmatiques et la Composition AssistÈe par Ordinateur (Concepts, Outils et ModËles),” , 2000.
[Bibtex]

@Article{ malt_mathematiques_2000,
title = {Les {MathÈmatiques} et la {Composition} {AssistÈe} par
{Ordinateur} ({Concepts}, {Outils} et {ModËles})},
language  = {fr},
author  = {Malt, Mikhail},
year = {2000}
}

B. Manaris, J. Romero, P. Machado, D. Krehbiel, T. Hirzel, W. Pharr, and R. B. Davis, “Zipf’s Law, Music Classification, and Aesthetics,” Computer music journal, 2005.
[Bibtex]

@Article{ manaris_zipfs_2005,
title = {Zipf's {Law}, {Music} {Classification}, and {Aesthetics}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2005.29.1.55},
language  = {en},
journal  = {Computer Music Journal},
author  = {Manaris, Bill and Romero, Juan and Machado, Penousal and
Krehbiel, Dwight and Hirzel, Timothy and Pharr, Walter and
Davis, Robert B.},
month = mar,
year = {2005}
}

C. Mancas and B. Gosseli, “Natural Scene Text Understanding,” , 2007.
[Bibtex]

@Article{ obinata_natural_2007,
title = {Natural {Scene} {Text} {Understanding}},
isbn = {978-3-902613-05-9},
language  = {en},
booktitle  = {Vision {Systems}: {Segmentation} and {Pattern}
{Recognition}},
author  = {Mancas, Celine and Gosseli, Bernard},
month = jun,
year = {2007},
doi = {10.5772/4966}
}

B. B. Mandelbrot, “Fractal Geometry: What is it, and What does it do?,” , 1989.
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@Article{ mandelbrot_fractal_1989,
title = {Fractal {Geometry}: {What} is it, and {What} does it do?},
language  = {en},
author  = {Mandelbrot, Benoit B},
year = {1989}
}

B. B. Mandelbrot, “How Fractals Can Explain What’s Wrong with Wall Street,” , 1999.
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@Article{ mandelbrot_how_1999,
title = {How {Fractals} {Can} {Explain} {What}'s {Wrong} with
{Wall} {Street}},
language  = {en},
author  = {Mandelbrot, Benoit B},
year = {1999}
}

B. Mandelbrot, “How Long Is the Coast of Britain? Statistical Self-Similarity and Fractional Dimension,” Science, 1967.
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@Article{ mandelbrot_how_1967,
title = {How {Long} {Is} the {Coast} of {Britain}? {Statistical}
{Self}-{Similarity} and {Fractional} {Dimension}},
issn = {0036-8075, 1095-9203},
doi = {10.1126/science.156.3775.636},
language  = {en},
journal  = {Science},
author  = {Mandelbrot, Benoit},
month = may,
year = {1967}
}

B. B. Mandelbrot, “The fractal geometry of nature,” , 1982.
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@Article{ mandelbrot_fractal_1982,
address  = {San Francisco},
title = {The fractal geometry of nature},
isbn = {978-0-7167-1186-5},
language  = {en},
author  = {Mandelbrot, Benoit B.},
year = {1982}
}

J. Mandereau, D. Ghisi, E. Amiot, M. Andreatta, and C. Agon, “Discrete phase retrieval in musical structures,” Journal of mathematics and music, 2011.
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@Article{ mandereau_discrete_2011,
title = {Discrete phase retrieval in musical structures},
issn = {1745-9737, 1745-9745},
doi = {10.1080/17459737.2011.608820},
language  = {en},
journal  = {Journal of Mathematics and Music},
author  = {Mandereau, John and Ghisi, Daniele and Amiot, Emmanuel and
Andreatta, Moreno and Agon, Carlos},
month = jul,
year = {2011}
}

J. Mandereau, D. Ghisi, E. Amiot, M. Andreatta, and C. Agon, “\textitZ -relation and homometry in musical distributions,” Journal of mathematics and music, 2011.
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@Article{ mandereau_z_2011,
title = {\textit{{Z}} -relation and homometry in musical
distributions},
issn = {1745-9737, 1745-9745},
doi = {10.1080/17459737.2011.608819},
language  = {en},
journal  = {Journal of Mathematics and Music},
author  = {Mandereau, John and Ghisi, Daniele and Amiot, Emmanuel and
Andreatta, Moreno and Agon, Carlos},
month = jul,
year = {2011}
}

P. Manning, “Electronic and computer music,” , 2004.
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@Article{ manning_electronic_2004,
address  = {Oxford ; New York},
title = {Electronic and computer music},
isbn = {978-0-19-514484-0},
language  = {en},
author  = {Manning, Peter},
year = {2004}
}

P. Manoury, “Compositional Procedures in \textitTensio,” Contemporary music review, 2013.
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@Article{ manoury_compositional_2013,
title = {Compositional {Procedures} in \textit{{Tensio}}},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2013.774514},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Manoury, Philippe},
month = feb,
year = {2013}
}

P. Manoury, “Entretien avec Philippe Manoury,” , 2012.
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@Article{ manoury_entretien_2012,
title = {Entretien avec {Philippe} {Manoury}},
language  = {fr},
author  = {Manoury, Philippe},
year = {2012}
}

P. Manoury, “Entretien avec Sarah Pieh..”
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@Article{ manoury_entretien_nodate,
title = {Entretien avec {Sarah} {Pieh}.},
language  = {fr},
author  = {Manoury, Philippe}
}

“Le Temps de “Répons”.”
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@Article{ noauthor_temps_nodate,
title = {Le {Temps} de “{Répons}”},
language  = {fr}
}

P. Manoury, “Philippe Manoury» Blog Archive » Les chaînes de Markov… à l’infini.”
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@Article{ manoury_philippe_nodate,
title = {Philippe {Manoury}» {Blog} {Archive} » {Les} chaînes de
{Markov}… à l’infini},
language  = {fr},
author  = {Manoury, Philippe}
}

P. Manoury, “Les partitions virtuelles.”
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@Article{ manoury_partitions_nodate,
title = {Les partitions virtuelles},
language  = {fr},
author  = {Manoury, Philippe}
}

S. Manousakis, “Non-Standard Sound Synthesis with L-Systems,” Leonardo music journal, 2009.
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@Article{ manousakis_non-standard_2009,
title = {Non-{Standard} {Sound} {Synthesis} with {L}-{Systems}},
issn = {0961-1215, 1531-4812},
doi = {10.1162/lmj.2009.19.85},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Manousakis, Stelios},
month = dec,
year = {2009}
}

“Floss + art,” , 2008.
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@Article{ mansoux_floss_2008,
address  = {[Poitiers, France},
title = {Floss + art},
isbn = {978-1-906496-18-0},
language  = {en},
year = {2008}
}

A. Mansoux, “Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production.”
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@Article{ mansoux_sandbox_nodate,
title = {Sandbox {Culture}: {A} {Study} of the {Application} of
{Free} and {Open} {Source} {Software} {Licensing} {Ideas}
to {Art} and {Cultural} {Production}},
language  = {en},
author  = {Mansoux, Aymeric}
}

V. J. Manzo, “Max/MSP/Jitter for Music,” , 2011.
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@Article{ manzo_maxmspjitter_2011,
title = {Max/{MSP}/{Jitter} for {Music}},
language  = {en},
author  = {Manzo, V J},
year = {2011}
}

J. Manzolli and P. F. M. J. Verschure, “Roboser: A Real-World Composition System,” Computer music journal, 2005.
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@Article{ manzolli_roboser_2005,
title = {Roboser: {A} {Real}-{World} {Composition} {System}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/0148926054798133},
language  = {en},
journal  = {Computer Music Journal},
author  = {Manzolli, Jônatas and Verschure, Paul F. M. J.},
month = sep,
year = {2005}
}

E. Maor, “Music by the numbers: from Pythagoras to Schoenberg,” , 2018.
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@Article{ maor_music_2018,
address  = {Princeton},
title = {Music by the numbers: from {Pythagoras} to {Schoenberg}},
isbn = {978-0-691-17690-1},
language  = {en},
author  = {Maor, Eli},
year = {2018}
}

V. Marsault and J. Sakarovitch, “Rhythmic generation of infinite trees and languages,” , 2014.
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@Article{ marsault_rhythmic_2014,
title = {Rhythmic generation of infinite trees and languages},
language  = {en},
author  = {Marsault, Victor and Sakarovitch, Jacques},
month = may,
year = {2014}
}

R. Marsh, “Heroic Motives. Roger Marsh Considers the Relation between Sign and Sound in ‘Complex’ Music,” The musical times, 1994.
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@Article{ marsh_heroic_1994,
title = {Heroic {Motives}. {Roger} {Marsh} {Considers} the
{Relation} between {Sign} and {Sound} in '{Complex}'
{Music}},
issn = {00274666},
doi = {10.2307/1002976},
language  = {en},
journal  = {The Musical Times},
author  = {Marsh, Roger},
month = feb,
year = {1994}
}

W. Martens, F. Neven, and T. Schwentick, “Deterministic Top-Down Tree Automata: Past, Present, and Future.”
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@Article{ martens_deterministic_nodate,
title = {Deterministic {Top}-{Down} {Tree} {Automata}: {Past},
{Present}, and {Future}},
language  = {en},
author  = {Martens, Wim and Neven, Frank and Schwentick, Thomas}
}

O. Martin, A. M. Odlyzko, and S. Wolfram, “Algebraic Properties of Cellular Automata,” Cellular automata.
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@Article{ martin_algebraic_nodate,
title = {Algebraic {Properties} of {Cellular} {Automata}},
language  = {en},
journal  = {Cellular Automata},
author  = {Martin, Olivier and Odlyzko, Andrew M and Wolfram,
Stephen}
}

A. Martin, “Reaction–diffusion systems for algorithmic composition,” Organised sound, 1996.
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@Article{ martin_reactiondiffusion_1996,
title = {Reaction–diffusion systems for algorithmic composition},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771896000271},
language  = {en},
journal  = {Organised Sound},
author  = {Martin, Andrew},
month = dec,
year = {1996}
}

I. Massey, “The neural imagination: aesthetic and neuroscientific approaches to the arts,” , 2009.
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@Article{ massey_neural_2009,
address  = {Austin},
title = {The neural imagination: aesthetic and neuroscientific
approaches to the arts},
isbn = {978-0-292-75279-5},
language  = {en},
author  = {Massey, Irving},
year = {2009}
}

M. Meneghini, “An Analysis of the Compositional Techniques in John Chowning’s \textitStria,” Computer music journal, 2007.
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@Article{ meneghini_analysis_2007,
title = {An {Analysis} of the {Compositional} {Techniques} in
{John} {Chowning}'s \textit{{Stria}}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2007.31.3.26},
language  = {en},
journal  = {Computer Music Journal},
author  = {Meneghini, Matteo},
month = sep,
year = {2007}
}

M. Meneghini, “STRIA, BY JOHN CHOWNING: ANALYSIS OF THE COMPOSITIONAL PROCESS,” , 2003.
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@Article{ meneghini_stria_2003,
title = {{STRIA}, {BY} {JOHN} {CHOWNING}: {ANALYSIS} {OF} {THE}
{COMPOSITIONAL} {PROCESS}},
language  = {en},
author  = {Meneghini, Matteo},
year = {2003}
}

A. Menges, “Fusing the Computational and the Physical: Towards a Novel Material Culture: Fusing the Computational and the Physical,” Architectural design, 2015.
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@Article{ menges_fusing_2015,
title = {Fusing the {Computational} and the {Physical}: {Towards} a
{Novel} {Material} {Culture}: {Fusing} the {Computational}
and the {Physical}},
issn = {00038504},
doi = {10.1002/ad.1947},
language  = {en},
journal  = {Architectural Design},
author  = {Menges, Achim},
month = sep,
year = {2015}
}

R. Meric, ““Music is not a language…” Listening to Xenakis’s electroacoustic Music.”
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@Article{ meric_music_nodate,
title = {“{Music} is not a language…” {Listening} to
{Xenakis}’s electroacoustic {Music}},
language  = {en},
author  = {Meric, Renaud}
}

P. Merrell and D. Manocha, “Example-based curve synthesis,” Computers & graphics, 2010.
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@Article{ merrell_example-based_2010,
title = {Example-based curve synthesis},
issn = {00978493},
doi = {10.1016/j.cag.2010.05.006},
language  = {en},
journal  = {Computers \& Graphics},
author  = {Merrell, Paul and Manocha, Dinesh},
month = aug,
year = {2010}
}

P. Merrell, “Example-based model synthesis,” , 2007.
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@Article{ merrell_example-based_2007,
address  = {Seattle Washington},
title = {Example-based model synthesis},
isbn = {978-1-59593-628-8},
doi = {10.1145/1230100.1230119},
language  = {en},
booktitle  = {Proceedings of the 2007 symposium on {Interactive} {3D}
graphics and games},
author  = {Merrell, Paul},
month = apr,
year = {2007}
}

P. Merrell and D. Manocha, “Model Synthesis: A General Procedural Modeling Algorithm,” Ieee transactions on visualization and computer graphics, 2011.
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@Article{ merrell_model_2011,
title = {Model {Synthesis}: {A} {General} {Procedural} {Modeling}
{Algorithm}},
issn = {1077-2626},
doi = {10.1109/TVCG.2010.112},
language  = {en},
journal  = {IEEE Transactions on Visualization and Computer Graphics},
author  = {Merrell, P and Manocha, D},
month = jun,
year = {2011}
}

P. Merrell, A. Akbarzadeh, L. Wang, P. Mordohai, J. Frahm, R. Yang, D. Nister, and M. Pollefeys, “Real-Time Visibility-Based Fusion of Depth Maps,” , 2007.
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@Article{ merrell_real-time_2007,
address  = {Rio de Janeiro, Brazil},
title = {Real-{Time} {Visibility}-{Based} {Fusion} of {Depth}
{Maps}},
isbn = {978-1-4244-1630-1},
doi = {10.1109/ICCV.2007.4408984},
language  = {en},
booktitle  = {2007 {IEEE} 11th {International} {Conference} on
{Computer} {Vision}},
author  = {Merrell, Paul and Akbarzadeh, Amir and Wang, Liang and
Mordohai, Philippos and Frahm, Jan-Michael and Yang,
Ruigang and Nister, David and Pollefeys, Marc},
year = {2007}
}

D. Mertins, “Bioconstructivisms 1,” , 2017.
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@Article{ sabin_bioconstructivisms_2017,
address  = {New York : Routledge, 2017. ǀ Includes bibliographical
references and index.},
title = {Bioconstructivisms 1},
isbn = {978-1-315-76841-0},
language  = {en},
booktitle  = {{LabStudio}},
author  = {Mertins, Detlef},
collaborator  = {Sabin, Jenny E. and Jones, Peter Lloyd},
month = jul,
year = {2017},
doi = {10.4324/9781315768410-2}
}

E. W. Galkin, O. Messiaen, and J. Satterfield, “The Technique of My Musical Language,” Notes, 1957.
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@Article{ galkin_technique_1957,
title = {The {Technique} of {My} {Musical} {Language}},
issn = {00274380},
doi = {10.2307/893705},
language  = {en},
journal  = {Notes},
author  = {Galkin, Elliott W. and Messiaen, Olivier and Satterfield,
John},
month = sep,
year = {1957}
}

J. Jarre, “Jean-Michel Jarre Deux ou Trois Mots,” , 2015.
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@Article{ jarre_jean-michel_2015,
title = {Jean-{Michel} {Jarre} {Deux} ou {Trois} {Mots}},
author  = {Jarre, Jean-Michel},
year = {2015}
}

Abreu, “Wavelets Multiscale Systems and Hypercomplex Analysis,” , 2006.
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@Article{ abreu_wavelets_2006,
title = {Wavelets {Multiscale} {Systems} and {Hypercomplex}
{Analysis}},
author  = {Abreu},
year = {2006}
}

M. Fell, “Works in Sound and Pattern Synthesis,” , 2013.
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@Article{ fell_works_2013,
title = {Works in {Sound} and {Pattern} {Synthesis}},
author  = {Fell, Mark},
year = {2013}
}

G. Youngblood, “Expanded Cinema,” , 1970.
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@Article{ youngblood_expanded_1970,
title = {Expanded {Cinema}},
author  = {Youngblood, Gene},
year = {1970}
}

F. Ernoult, “François Bayle Dans Son Studio Magison,” , 1998.
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@Article{ ernoult_francois_1998,
title = {François {Bayle} {Dans} {Son} {Studio} {Magison}},
author  = {Ernoult, Franck},
year = {1998}
}

S. Franco, “Hardware Design of a Real-Time Musical System,” , 1974.
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@Article{ franco_hardware_1974,
title = {Hardware {Design} of a {Real}-{Time} {Musical} {System}},
author  = {Franco, Sergio},
year = {1974}
}

M. Antonioni, “The Architecture of Vision,” , 1995.
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@Article{ antonioni_architecture_1995,
title = {The {Architecture} of {Vision}},
author  = {Antonioni, Michelangelo},
year = {1995}
}

B. Southgate, “Postmordernism in History,” , 2003.
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@Article{ southgate_postmordernism_2003,
title = {Postmordernism in {History}},
author  = {Southgate, Beverley},
year = {2003}
}

R. Ruyer, “La Cybernetique Et L’origine De L’information,” , 1954.
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@Article{ ruyer_cybernetique_1954,
title = {La {Cybernetique} {Et} {L}'origine {De} {L}'information},
author  = {Ruyer, Raymond},
year = {1954}
}

M. Manfred, “Mohr Manfred Computer Graphics 1971,” , 1971.
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@Article{ manfred_mohr_1971,
title = {Mohr {Manfred} {Computer} {Graphics} 1971},
author  = {Manfred, Mohr},
year = {1971}
}

D. Leech-Wilkinson and H. M Prior, “Music and Shape,” , 2017.
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@Article{ leech-wilkinson_music_2017,
title = {Music and {Shape}},
author  = {Leech-Wilkinson, Daniel and M Prior, Helen},
year = {2017}
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O. Messiaen, “The Technique of My Musical Language,” , 1954.
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@Article{ messiaen_technique_1954,
title = {The {Technique} of {My} {Musical} {Language}},
author  = {Messiaen, Olivier},
year = {1954}
}

M. Young, “The Rise of the Meritocracy 1870-2033,” , 1958.
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@Article{ young_rise_1958,
title = {The {Rise} of the {Meritocracy} 1870-2033},
author  = {Young, Michael},
year = {1958}
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D. Toop, “Ocean of Sound,” , 1995.
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@Article{ toop_ocean_1995,
title = {Ocean of {Sound}},
author  = {Toop, David},
year = {1995}
}

T. Lotis, “Audio Browsing Strategies for Soundscape Real-Time Composition,” , 2011.
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@Article{ lotis_audio_2011,
title = {Audio {Browsing} {Strategies} for {Soundscape}
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author  = {Lotis, Theodoros},
year = {2011}
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C. Cox and D. Warner, “Audio Culture Revised Edition,” , 2017.
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@Article{ cox_audio_2017,
title = {Audio {Culture} {Revised} {Edition}},
author  = {Cox, Christoph and Warner, Daniel},
year = {2017}
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C. Balmond, “Conversation Cecil Balmond and Toyo Ito,” , 2006.
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@Article{ balmond_conversation_2006,
title = {Conversation {Cecil} {Balmond} and {Toyo} {Ito}},
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year = {2006}
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W. Vasulka and S. Vasulka, “Machine Media,” , 1996.
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title = {Machine {Media}},
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year = {1996}
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E. Varèse, “The Liberation of Sound,” , 1936.
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@Article{ varese_liberation_1936,
title = {The {Liberation} of {Sound}},
author  = {Varèse, Edgar},
year = {1936}
}

S. Vyzoviti, “Folding Architecture,” , 2005.
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author  = {Vyzoviti, Sophia},
year = {2005}
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M. Ernst, “Max Ernst A Retrospective,” , 1975.
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title = {Max {Ernst} {A} {Retrospective}},
author  = {Ernst, Max},
year = {1975}
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E. Schrödinger, “What Is Life,” , 1944.
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@Article{ schrodinger_what_1944,
title = {What {Is} {Life}},
author  = {Schrödinger, Erwin},
year = {1944}
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W. Piston, “Counterpoint,” , 1970.
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@Article{ piston_counterpoint_1970,
title = {Counterpoint},
author  = {Piston, Walter},
year = {1970}
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F. Voisin, “Voisin Morphologie,” , 1999.
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@Article{ voisin_voisin_1999,
title = {Voisin {Morphologie}},
author  = {Voisin, Frederique},
year = {1999}
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G. Simondon, “La Perception,” , 1964.
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@Article{ simondon_perception_1964,
title = {La {Perception}},
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year = {1964}
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N. Collins, “The BBCut Library,” , 2002.
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@Article{ collins_bbcut_2002,
title = {The {BBCut} {Library}},
author  = {Collins, Nick},
year = {2002}
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L. Mignonneau and C. Sommerer, “Wonderful Life,” , 2012.
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@Article{ mignonneau_wonderful_2012,
title = {Wonderful {Life}},
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year = {2012}
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I. Newton, “Principia,” , 1871.
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title = {Principia},
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year = {1871}
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@Article{ noauthor_ibm_2013,
title = {{IBM} {A} {Boy} and {His} {Atom} {Poster}},
year = {2013}
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H. Brün, “Musical Ideas for Synthetic Sound,” , 1974.
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title = {Musical {Ideas} for {Synthetic} {Sound}},
author  = {Brün, Herbert},
year = {1974}
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S. Mallat, “A Wavelet Tour of Signal Processing,” , 2005.
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@Article{ mallat_wavelet_2005,
title = {A {Wavelet} {Tour} of {Signal} {Processing}},
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year = {2005}
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C. Maridet, “Pierre Schaeffer and the Theory of Sound Objects,” , 2006.
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@Article{ maridet_pierre_2006,
title = {Pierre {Schaeffer} and the {Theory} of {Sound} {Objects}},
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J. Cage, “Notations,” , 1969.
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@Article{ cage_notations_1969,
title = {Notations},
author  = {Cage, John},
year = {1969}
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@Article{ aperghis-tramoni_coding_1978,
title = {Coding and {Drawing} {Music} {Scores}},
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year = {1978}
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K. Perlin, “Improving Noise,” , 2002.
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@Article{ perlin_improving_2002,
title = {Improving {Noise}},
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year = {2002}
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E. Conway, D. Yeomans, and M. Rosenburg, “A History of Near-Earth Object Research,” , 2022.
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@Article{ conway_history_2022,
title = {A {History} of {Near}-{Earth} {Object} {Research}},
author  = {Conway, Erik and Yeomans, Donald and Rosenburg, Meg},
year = {2022}
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author  = {Appel, Arthur},
year = {1968}
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title = {In {Defense} of {Posthuman} {Dignity}},
author  = {Bostrom, Nick},
year = {2005}
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P. Brook, “The Empty Space,” , 1968.
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title = {The {Empty} {Space}},
author  = {Brook, Peter},
year = {1968}
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author  = {Dickinson, Susannah},
year = {2013}
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@Article{ braun_meyerhold_1998,
address  = {London Sydney Auckland (etc.)},
title = {Meyerhold: a revolution in theatre},
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language  = {eng},
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year = {1998}
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address  = {Ostfildern},
title = {The network for art, technology and society: the first 30
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language  = {ger eng},
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year = {2009}
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@Article{ albers_weaving_1974,
address  = {London},
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year = {1974}
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@Article{ xenakis_formalized_1992,
address  = {Stuyvesant, NY},
title = {Formalized music: thought and mathematics in composition},
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author  = {Xenakis, Iannis},
year = {1992}
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year = {1981}
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@Article{ agon_om_2006,
address  = {Paris : [Sampzon]},
title = {The {OM} composer's book},
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title = {Beautiful visualization: looking at data through the eyes
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@Article{ prestinenza_puglisi_theoretical_2009,
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title = {Theoretical {Meltdown}},
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language  = {eng},
year = {2009}
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@Article{ abley_manmade_2006,
address  = {Chichester},
title = {Manmade modular megastructures},
isbn = {978-0-470-01623-7},
language  = {eng},
year = {2006}
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address  = {Chichester},
title = {Versatility and vicissitude: performance in
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language  = {eng},
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T. Möller, E. Haines, and N. Hoffman, “Real-time rendering,” , 2008.
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author  = {Möller, Tomas and Haines, Eric and Hoffman, Naty},
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language  = {eng},
year = {2006}
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title = {Mathematics of space},
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language  = {eng},
year = {2011}
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@Article{ croci_new_2006,
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isbn = {978-0-470-01839-2},
language  = {eng},
year = {2006}
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language  = {eng},
author  = {Ambrose, Gavin and Harris, Paul},
year = {2006}
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language  = {eng},
year = {2005}
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@Article{ liauw_new_2008,
address  = {London},
title = {New urban {China}},
isbn = {978-0-470-75122-0},
language  = {eng},
year = {2008}
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V. Britanak, P. C. Yip, and R. K. Rao, “Discrete cosine and sine transforms: general properties, fast algorithms and integer approximations,” , 2007.
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year = {2008}
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author  = {Butler, Christopher},
year = {2010}
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address  = {Berkeley, Calif.},
title = {Art and visual perception: a psychology of the creative
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year = {1974}
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J. L. Borges and E. Weinberger, “Selected non-fictions,” , 1999.
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language  = {eng},
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year = {1999}
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S. Goodman, “Sonic warfare: sound, affect, and the ecology of fear,” , 2010.
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author  = {Goodman, Steve},
year = {2010}
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G. L. Gordon, “The formula for economic growth on Main Street America,” , 2010.
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address  = {Boca Raton, FL},
title = {The formula for economic growth on {Main} {Street}
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title = {Fun and software: exploring pleasure, paradox, and pain in
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title = {Rationalist traces},
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language  = {eng},
year = {2007}
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title = {4dsocial: interactive design environments},
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year = {2007}
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@Article{ duchamp_essential_1975,
address  = {London},
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language  = {engfre},
author  = {Duchamp, Marcel},
year = {1975}
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title = {How the body shapes the way we think: a new view of
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author  = {Pfeifer, Rolf and Bongard, Josh and Grand, Simon},
year = {2007}
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C. Butler, “Postmodernism: a very short introduction,” , 2002.
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@Article{ butler_postmodernism_2002,
address  = {Oxford ; New York},
title = {Postmodernism: a very short introduction},
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author  = {Butler, Christopher},
year = {2002}
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@Article{ iles_noise_2009,
address  = {San Sebastián, Spain},
title = {Noise \& capitalism},
isbn = {978-84-7907-622-1},
language  = {eng},
author  = {Iles, Anthony},
year = {2009}
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G. McFarland, “Microprocessor design: a practical guide from design planning to manufacturing,” , 2006.
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title = {Microprocessor design: a practical guide from design
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author  = {McFarland, Grant},
year = {2006}
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E. Morin and J. Le Moigne, “L’intelligence de la complexité,” , 1999.
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@Article{ morin_intelligence_1999,
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title = {L'intelligence de la complexité},
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year = {1999}
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@Article{ pollock_knowledge_1975,
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S. Zamir, M. Maschler, and E. Solan, “Game theory,” , 2013.
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@Article{ zamir_game_2013,
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language  = {eng},
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F. A. Kittler, “Musik und Mathematik,” , 2006.
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@Article{ kittler_musik_2006,
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author  = {Kittler, Friedrich A.},
year = {2006}
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@Article{ ashraf_made_2007,
address  = {Chichester},
title = {Made in {India}},
isbn = {978-0-470-03476-7},
language  = {eng},
year = {2007}
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J. Webster, “Haydn’s “Farewell” symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music,” , 2004.
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@Article{ webster_haydns_2004,
address  = {Cambridge, UK ; New York},
title = {Haydn's "{Farewell}" symphony and the idea of classical
style: through-composition and cyclic integration in his
instrumental music},
isbn = {978-0-521-61201-2 978-0-521-38520-6},
author  = {Webster, James},
year = {2004}
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A. Neubauer, J. Freudenberger, and V. Kühn, “Coding theory: algorithms, architectures, and applications,” , 2007.
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@Article{ neubauer_coding_2007,
address  = {Chichester, England ; Hoboken, NJ},
title = {Coding theory: algorithms, architectures, and
applications},
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author  = {Neubauer, Andre and Freudenberger, Jürgen and Kühn,
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year = {2007}
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E. L. Eisenstein, “The printing press as an agent of change: communications and cultural transformations in early-modern Europe ; volumes I and II,” , 1997.
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@Article{ eisenstein_printing_1997,
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isbn = {978-0-521-21967-9 978-0-521-29955-8 978-0-521-22044-6
978-0-521-21969-3},
language  = {eng},
author  = {Eisenstein, Elizabeth L.},
year = {1997}
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R. L. Easton, “Fourier methods in imaging,” , 2010.
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@Article{ easton_fourier_2010,
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@Article{ druckrey_electronic_1996,
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year = {1996}
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@Article{ wolfe_imaging_1998,
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author  = {Wolfe, J. P.},
year = {1998}
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@Article{ kissane_vertical_2010,
address  = {Dublin},
title = {Vertical thoughts: {Morton} {Feldman} and the visual
arts},
isbn = {978-1-907020-08-7},
language  = {eng},
author  = {Kissane, Sean and Bonet, Juan Manuel and Feldman, Morton},
year = {2010}
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@Article{ damisch_origin_1994,
address  = {Cambridge, Mass},
title = {The origin of perspective},
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language  = {eng},
author  = {Damisch, Hubert},
year = {1994}
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B. Stiegler and D. J. Ross, “The Neganthropocene,” , 2018.
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@Article{ stiegler_neganthropocene_2018,
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title = {The {Neganthropocene}},
isbn = {978-1-78542-048-1},
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I. Xenakis and B. A. Varga, “Conversations with Iannis Xenakis,” , 1996.
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@Article{ xenakis_conversations_1996,
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title = {Conversations with {Iannis} {Xenakis}},
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language  = {eng},
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year = {1996}
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@Article{ prestinenza_puglisi_italy_2007,
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title = {Italy: a new architectural landscape},
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language  = {eng},
year = {2007}
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@Article{ goodwin_economix_2012,
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@Article{ leborg_visual_2006,
address  = {New York},
title = {Visual grammar},
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language  = {eng},
author  = {Leborg, Christian},
year = {2006}
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W. Isaacson, “Steve Jobs,” , 2011.
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@Article{ isaacson_steve_2011,
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year = {2011}
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@Article{ nyman_experimental_1999,
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@Article{ pryor_writing_2016,
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title = {The computing universe: a journey through a revolution},
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@Article{ rosen_essays_2000,
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institutionalization of the musical avant-garde},
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author  = {Born, Georgina},
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title = {Modulations: a history of electronic music: throbbing
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M. Locascio, J. Chowning, and D. Bristow, “FM Theory and Applications: By Musicians for Musicians,” Computer music journal, 1987.
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title = {{FM} {Theory} and {Applications}: {By} {Musicians} for
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title = {Development as a {Robust} {Natural} {Process}},
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author  = {Goodwin, Brian},
collaborator  = {Stein, Wilfred},
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Moreno Andreatta, “Constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a “Mathemusical” Problem,” Perspectives of new music, 2011.
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@Article{ moreno_andreatta_constructing_2011,
title = {Constructing and {Formalizing} {Tiling} {Rhythmic}
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{Problem}},
issn = {2325-7180},
doi = {10.1353/pnm.2011.0012},
language  = {en},
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year = {2011}
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R. F. Cádiz, “A Fuzzy-Logic Mapper for Audiovisual Media,” Computer music journal, 2006.
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doi = {10.1162/comj.2006.30.1.67},
language  = {en},
journal  = {Computer Music Journal},
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language  = {en},
booktitle  = {Seminal graphics},
author  = {Catmull, E. and Clark, J.},
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year = {2003}
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M. Chion, “Film, a sound art,” , 2009.
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M. Hensel and A. Menges, “Inclusive Performance: Efficiency Versus Effectiveness Towards a Morpho-Ecological Approach for Design,” Architectural design, 2008.
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doi = {10.1002/ad.642},
language  = {en},
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Tom Johnson, “Tiling in My Music,” Perspectives of new music, 2011.
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@Article{ tom_johnson_tiling_2011,
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doi = {10.1353/pnm.2011.0010},
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doi = {10.2307/832696},
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M. Kassler and I. Xenakis, “Musiques formelles; nouveaux principes formels de composition musicale [Formal music; New Formal Principles of Musical Composition],” Perspectives of new music, 1964.
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title = {Musiques formelles; nouveaux principes formels de
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W. Sack, “The software arts,” , 2019.
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language  = {en},
booktitle  = {{ACM} {SIGGRAPH} 2005 {Papers}},
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@Article{ arnold_art_1932,
title = {The {Art} of {Accompaniment} from a {Thorough} {Bass}},
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J. Nechvatal, “Origins of Virtualism: An Interview with Frank Popper,” Art journal, 2004.
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T. W. Adorno, “Music, Language, and Composition,” The musical quarterly, 1993.
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@Article{ adorno_music_1993,
title = {Music, {Language}, and {Composition}},
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@Article{ arecchi_cognition_2018,
title = {Cognition and {Reality}},
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R. Barthes, “The Death of the Author,” , 2006.
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@Article{ cazeaux_death_2006,
title = {The {Death} of the {Author}},
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@Article{ baraka_3_2019,
title = {3. {The} “{Blues} {Aesthetic}” and the “{Black}
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{Political} {History} of a {Culture}},
isbn = {978-0-520-94309-4},
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F. Benadon, “Gridless Beats,” Perspectives of new music, 2009.
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journal  = {Perspectives of New Music},
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year = {2009}
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M. Bernstein and S. Mason, “Gothic,” , 2012.
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@Article{ bernstein_gothic_2012,
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doi = {10.1145/2310076.2310084},
language  = {en},
booktitle  = {Proceedings of the 2nd workshop on {Narrative} and
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A. Bhattacharya, A. Konar, and A. Mandal, “Parallel and Distributed Logic Programming,” , 2005.
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@Article{ bhattacharya_parallel_2005,
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title = {Parallel and {Distributed} {Logic} {Programming}},
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language  = {en},
booktitle  = {Cognitive {Engineering}},
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C. Brighouse, “Geometric possibility- an argument from dimension,” European journal for philosophy of science, 2014.
[Bibtex]

@Article{ brighouse_geometric_2014,
title = {Geometric possibility- an argument from dimension},
issn = {1879-4912, 1879-4920},
doi = {10.1007/s13194-013-0074-1},
language  = {en},
journal  = {European Journal for Philosophy of Science},
author  = {Brighouse, Carolyn},
month = jan,
year = {2014}
}

E. Rooksby, “Capitalist Realism: Is There No Alternative?, Mark Fisher, Winchester: Zero Books, 2009,” Historical materialism, 2012.
[Bibtex]

@Article{ rooksby_capitalist_2012,
title = {Capitalist {Realism}: {Is} {There} {No} {Alternative}?,
{Mark} {Fisher}, {Winchester}: {Zero} {Books}, 2009},
issn = {1465-4466, 1569-206X},
doi = {10.1163/156920612X632827},
journal  = {Historical Materialism},
author  = {Rooksby, Ed},
year = {2012}
}

J. Saunders, “Modular Music,” , 2008.
[Bibtex]

@Article{ saunders_modular_2008,
title = {Modular {Music}},
doi = {10.3840/08004130},
language  = {en},
author  = {Saunders, James},
year = {2008}
}

“Elementary particles,” , 2018.
[Bibtex]

@Article{ thomas_elementary_2018,
title = {Elementary particles},
isbn = {978-1-315-27383-9},
language  = {en},
booktitle  = {Physics to a {Degree}},
collaborator  = {Thomas, E.G. and Raine, Derek},
month = oct,
year = {2018},
doi = {10.1201/9781315273839-42a}
}

L. Thoresen and A. Hedman, “Spectromorphological analysis of sound objects: an adaptation of Pierre Schaeffer’s typomorphology,” Organised sound, 2004.
[Bibtex]

@Article{ thoresen_spectromorphological_2004,
title = {Spectromorphological analysis of sound objects: an
adaptation of {Pierre} {Schaeffer}'s typomorphology},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771807001793},
language  = {en},
journal  = {Organised Sound},
author  = {Thoresen, Lasse and Hedman, Andreas},
month = aug,
year = {2004}
}

S. Fine, Y. Singer, and N. Tishby, “The Hierarchical Hidden Markov Model: Analysis and Applications,” Machine learning, 1998.
[Bibtex]

@Article{ fine_hierarchical_1998,
title = {The {Hierarchical} {Hidden} {Markov} {Model}: {Analysis}
and {Applications}},
issn = {08856125},
doi = {10.1023/A:1007469218079},
journal  = {Machine Learning},
author  = {Fine, Shai and Singer, Yoram and Tishby, Naftali},
year = {1998}
}

A. Hui, J. Kursell, and M. W. Jackson, “Music, Sound, and the Laboratory from 1750 to 1980,” Osiris, 2013.
[Bibtex]

@Article{ hui_music_2013,
title = {Music, {Sound}, and the {Laboratory} from 1750 to 1980},
issn = {0369-7827, 1933-8287},
doi = {10.1086/671360},
language  = {en},
journal  = {Osiris},
author  = {Hui, Alexandra and Kursell, Julia and Jackson, Myles W.},
month = jan,
year = {2013}
}

“The Limits to growth: a report for the Club of Rome’s project on the predicament of mankind,” , 1972.
[Bibtex]

@Article{ meadows_limits_1972,
address  = {New York},
title = {The {Limits} to growth: a report for the {Club} of
{Rome}'s project on the predicament of mankind},
isbn = {978-0-87663-165-2},
year = {1972}
}

M. O. Jackson, “A Brief Introduction to the Basics of Game Theory,” Ssrn electronic journal, 2011.
[Bibtex]

@Article{ jackson_brief_2011,
title = {A {Brief} {Introduction} to the {Basics} of {Game}
{Theory}},
issn = {1556-5068},
doi = {10.2139/ssrn.1968579},
language  = {en},
journal  = {SSRN Electronic Journal},
author  = {Jackson, Matthew O.},
year = {2011}
}

A. Moles and V. Ussachevsky, “L’emploi du spectrographe acoustique et le problème de la partition en musique expérimentale,” Annales des télécommunications, 1957.
[Bibtex]

@Article{ moles_emploi_1957,
title = {L'emploi du spectrographe acoustique et le problème de la
partition en musique expérimentale},
issn = {0003-4347, 1958-9395},
doi = {10.1007/BF03013730},
language  = {fr},
journal  = {Annales des Télécommunications},
author  = {Moles, Abraham and Ussachevsky, Vladimir},
month = sep,
year = {1957}
}

J. Schmidhuber, “Exploring the Predictable,” , 2003.
[Bibtex]

@Article{ rozenberg_exploring_2003,
address  = {Berlin, Heidelberg},
title = {Exploring the {Predictable}},
isbn = {978-3-642-62386-8 978-3-642-18965-4},
language  = {en},
booktitle  = {Advances in {Evolutionary} {Computing}},
author  = {Schmidhuber, Jürgen},
year = {2003},
doi = {10.1007/978-3-642-18965-4_23}
}

T. Garcia, M. A. Ohm, and J. Cogburn, “Form and object: a treatise on things,” , 2014.
[Bibtex]

@Article{ garcia_form_2014,
address  = {Edinburgh},
title = {Form and object: a treatise on things},
isbn = {978-0-7486-8149-5 978-0-7486-8150-1 978-0-7486-8151-8
978-0-7486-8152-5},
author  = {Garcia, Tristan and Ohm, Mark Allan and Cogburn, Jon},
year = {2014}
}

G. T. Toussaint, “Complexity of computing nice viewpoints of objects in space,” , 2000.
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@Article{ toussaint_complexity_2000,
address  = {San Diego, CA},
title = {Complexity of computing nice viewpoints of objects in
space},
doi = {10.1117/12.404814},
author  = {Toussaint, Godfried T.},
month = oct,
year = {2000}
}

G. Debord, “The society of the spectacle,” , 1994.
[Bibtex]

@Article{ debord_society_1994,
address  = {New York},
title = {The society of the spectacle},
isbn = {978-0-942299-79-3 978-0-942299-80-9},
language  = {eng},
author  = {Debord, Guy},
year = {1994}
}

D. J. Haraway and C. Wolfe, “Manifestly Haraway,” , 1991.
[Bibtex]

@Article{ haraway_manifestly_1991,
title = {Manifestly {Haraway}},
isbn = {978-0-8166-5047-7},
author  = {Haraway, Donna J. and Wolfe, Cary},
month = apr,
year = {1991},
doi = {10.5749/minnesota/9780816650477.001.0001}
}

K. Cascone, “The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music,” Computer music journal, 2000.
[Bibtex]

@Article{ cascone_aesthetics_2000,
title = {The {Aesthetics} of {Failure}: “{Post}-{Digital}”
{Tendencies} in {Contemporary} {Computer} {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892600559489},
language  = {en},
journal  = {Computer Music Journal},
author  = {Cascone, Kim},
month = dec,
year = {2000}
}

L. Nusberg, “Cybertheater,” Leonardo, 1969.
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@Article{ nusberg_cybertheater_1969,
title = {Cybertheater},
issn = {0024094X},
doi = {10.2307/1571928},
journal  = {Leonardo},
author  = {Nusberg, Lev},
month = jan,
year = {1969}
}

L. MacDonald, “The limits of resolution,” , 2010.
[Bibtex]

@Article{ macdonald_limits_2010,
title = {The limits of resolution},
doi = {10.14236/ewic/EVA2010.25},
author  = {MacDonald, Lindsay},
month = jul,
year = {2010}
}

T. Lawrence, “Life and Death on the New York Dance Floor, 1980-1983,” , 2016.
[Bibtex]

@Article{ lawrence_life_2016,
title = {Life and {Death} on the {New} {York} {Dance} {Floor},
1980-1983},
isbn = {978-0-8223-7392-6 978-0-8223-6186-2 978-0-8223-6202-9},
language  = {en},
author  = {Lawrence, Tim},
month = sep,
year = {2016},
doi = {10.1215/9780822373926}
}

A. H. Hastorf and J. L. Kennedy, “Emmert’s Law and Size-Constancy,” The american journal of psychology, 1957.
[Bibtex]

@Article{ hastorf_emmerts_1957,
title = {Emmert's {Law} and {Size}-{Constancy}},
issn = {00029556},
doi = {10.2307/1419240},
journal  = {The American Journal of Psychology},
author  = {Hastorf, Albert H. and Kennedy, John L.},
month = mar,
year = {1957}
}

I. Nelken, “Demonstrations of auditory scene analysis: the perceptual organization of sound,” Trends in neurosciences, 1997.
[Bibtex]

@Article{ nelken_demonstrations_1997,
title = {Demonstrations of auditory scene analysis: the perceptual
organization of sound},
issn = {01662236},
doi = {10.1016/S0166-2236(96)01022-3},
journal  = {Trends in Neurosciences},
author  = {Nelken, I},
month = may,
year = {1997}
}

A. W. Bennett, “The Origin of Species by means of Natural Selection; or the Preservation of Favoured Races in the Struggle for Life,” Nature, 1859.
[Bibtex]

@Article{ bennett_origin_1859,
title = {The {Origin} of {Species} by means of {Natural}
{Selection}; or the {Preservation} of {Favoured} {Races} in
the {Struggle} for {Life}},
issn = {0028-0836, 1476-4687},
doi = {10.1038/005318a0},
language  = {en},
journal  = {Nature},
author  = {Bennett, Alfred W.},
month = feb,
year = {1859}
}

E. Krenek, “Some Current Terms,” Perspectives of new music, 1960.
[Bibtex]

@Article{ krenek_current_1960,
title = {Some {Current} {Terms}},
issn = {00316016},
doi = {10.2307/832216},
journal  = {Perspectives of New Music},
author  = {Krenek, Ernst},
year = {1960}
}

C. Seeger, “Prescriptive and Descriptive Music-Writing,” The musical quarterly, 1958.
[Bibtex]

@Article{ seeger_prescriptive_1958,
title = {Prescriptive and {Descriptive} {Music}-{Writing}},
issn = {0027-4631, 1741-8399},
doi = {10.1093/mq/XLIV.2.184},
language  = {en},
journal  = {The Musical Quarterly},
author  = {Seeger, Charles},
year = {1958}
}

J. W. Schot, L. Hiller, and L. M. Isaacson, “Experimental Music Composition with an Electronic Computer.,” Mathematics of computation, 1959.
[Bibtex]

@Article{ schot_experimental_1959,
title = {Experimental {Music} {Composition} with an {Electronic}
{Computer}.},
issn = {00255718},
doi = {10.2307/2003155},
journal  = {Mathematics of Computation},
author  = {Schot, Joanna Wood and Hiller, Lejaren and Isaacson,
Leonard M.},
month = oct,
year = {1959}
}

A. M. Turing, “The chemical basis of morphogenesis,” Philosophical transactions of the royal society of london. series b, biological sciences, 1952.
[Bibtex]

@Article{ turing_chemical_1952,
title = {The chemical basis of morphogenesis},
issn = {2054-0280},
doi = {10.1098/rstb.1952.0012},
language  = {en},
journal  = {Philosophical Transactions of the Royal Society of London.
Series B, Biological Sciences},
author  = {Turing, A. M.},
month = aug,
year = {1952}
}

H. P. Edmundson, “Theory of self-reproducing automata,” Information storage and retrieval, 1966.
[Bibtex]

@Article{ edmundson_theory_1966,
title = {Theory of self-reproducing automata},
issn = {00200271},
doi = {10.1016/0020-0271(69)90026-6},
language  = {en},
journal  = {Information Storage and Retrieval},
author  = {Edmundson, H.P.},
month = oct,
year = {1966}
}

S. Weinberg and R. V. Wagoner, “Gravitation and Cosmology: Principles and Applications of the General Theory of Relativity,” Physics today, 1972.
[Bibtex]

@Article{ weinberg_gravitation_1972,
title = {Gravitation and {Cosmology}: {Principles} and
{Applications} of the {General} {Theory} of {Relativity}},
issn = {0031-9228, 1945-0699},
doi = {10.1063/1.3128097},
language  = {en},
journal  = {Physics Today},
author  = {Weinberg, Steven and Wagoner, Robert V.},
month = jun,
year = {1972}
}

“Poetics of Music,” Music educators journal, 1947.
[Bibtex]

@Article{ noauthor_poetics_1947,
title = {Poetics of {Music}},
issn = {0027-4321, 1945-0087},
doi = {10.2307/3387263},
language  = {en},
journal  = {Music Educators Journal},
month = feb,
year = {1947}
}

G. Nerlich, “What Spacetime Explains: Metaphysical Essays on Space and Time,” , 1994.
[Bibtex]

@Article{ nerlich_what_1994,
title = {What {Spacetime} {Explains}: {Metaphysical} {Essays} on
{Space} and {Time}},
isbn = {978-0-521-45261-8 978-0-521-04403-5 978-0-511-55453-7},
author  = {Nerlich, Graham},
month = aug,
year = {1994},
doi = {10.1017/CBO9780511554537}
}

P. Wilkin and F. S. {Department of Philosophy, “Chomsky and Foucault on Human Nature and Politics: An Essential Difference?,” Social theory and practice, 1999.
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@Article{ wilkin_chomsky_1999,
title = {Chomsky and {Foucault} on {Human} {Nature} and {Politics}:
{An} {Essential} {Difference}?},
issn = {0037-802X},
doi = {10.5840/soctheorpract199925217},
journal  = {Social Theory and Practice},
author  = {Wilkin, Peter and {Department of Philosophy, Florida State
University}},
year = {1999}
}

M. Yunik, M. Borys, and G. W. Swift, “A Digital Flute,” Computer music journal, 1985.
[Bibtex]

@Article{ yunik_digital_1985,
title = {A {Digital} {Flute}},
issn = {01489267},
doi = {10.2307/3679657},
journal  = {Computer Music Journal},
author  = {Yunik, M. and Borys, M. and Swift, G. W.},
year = {1985}
}

M. O. Rabin, “Probabilistic automata,” Information and control, 1963.
[Bibtex]

@Article{ rabin_probabilistic_1963,
title = {Probabilistic automata},
issn = {00199958},
doi = {10.1016/S0019-9958(63)90290-0},
language  = {en},
journal  = {Information and Control},
author  = {Rabin, Michael O.},
month = sep,
year = {1963}
}

H. Von Foerster, “On Constructing a Reality,” , 1973.
[Bibtex]

@Article{ von_foerster_constructing_1973,
address  = {New York, NY},
title = {On {Constructing} a {Reality}},
isbn = {978-0-387-95392-2 978-0-387-21722-2},
language  = {en},
booktitle  = {Understanding {Understanding}},
author  = {Von Foerster, Heinz},
collaborator  = {Von Foerster, Heinz},
year = {1973},
doi = {10.1007/0-387-21722-3_8}
}

“Emergence: morphogenetic design strategies,” , 2004.
[Bibtex]

@Article{ hensel_emergence_2004,
address  = {Chichester},
title = {Emergence: morphogenetic design strategies},
isbn = {978-0-470-86688-7},
language  = {eng},
year = {2004}
}

J. Hervier, E. Jünger, J. Neugroschel, J. Hervier, and J. Hervier, “The Details of Time: Conversations with Ernst Jünger,” , 1995.
[Bibtex]

@Article{ hervier_details_1995,
address  = {New York},
title = {The {Details} of {Time}: {Conversations} with {Ernst}
{Jünger}},
isbn = {978-0-941419-95-6},
language  = {eng},
author  = {Hervier, Julien and Jünger, Ernst and Neugroschel,
Joachim and Hervier, Julien and Hervier, Julien},
year = {1995}
}

M. Chion, “Guide des objects sonores: Pierre Schaeffer et la recherche musicale,” , 1983.
[Bibtex]

@Article{ chion_guide_1983,
address  = {Paris: Buchet/Chastel [usw.]},
title = {Guide des objects sonores: {Pierre} {Schaeffer} et la
recherche musicale},
isbn = {978-2-7020-1439-4},
author  = {Chion, Michel},
year = {1983}
}

S. McCloud, “Understanding comics,” , 2017.
[Bibtex]

@Article{ mccloud_understanding_2017,
address  = {New York},
title = {Understanding comics},
isbn = {978-0-06-097625-5},
language  = {eng},
author  = {McCloud, Scott},
year = {2017}
}

L. D. Blasius, “Schenker’s argument and the claims of music theory,” , 1996.
[Bibtex]

@Article{ blasius_schenkers_1996,
address  = {Cambridge [England] ; New York},
title = {Schenker's argument and the claims of music theory},
isbn = {978-0-521-55085-7},
author  = {Blasius, Leslie David},
year = {1996}
}

“The Shock Doctrine: The Rise of Disaster Capitalism,” Capital & class, 2007.
[Bibtex]

@Article{ noauthor_shock_2007,
title = {The {Shock} {Doctrine}: {The} {Rise} of {Disaster}
{Capitalism}},
issn = {0309-8168, 2041-0980},
doi = {10.1177/030981680909800119},
language  = {en},
journal  = {Capital \& Class},
month = jul,
year = {2007}
}

F. Kaiser, “Music Structure Segmentation,” , 2012.
[Bibtex]

@Article{ kaiser_music_2012,
title = {Music {Structure} {Segmentation}},
copyright  = {Terms of German Copyright Law},
doi = {10.14279/DEPOSITONCE-3364},
language  = {en},
author  = {Kaiser, Florian},
collaborator  = {{Technische Universität Berlin} and {Technische
Universität Berlin} and Sikora, Thomas},
month = oct,
year = {2012}
}

“Theory of Nonlinear Acoustics in Fluids,” , 2004.
[Bibtex]

@Article{ noauthor_theory_2004,
address  = {Dordrecht},
title = {Theory of {Nonlinear} {Acoustics} in {Fluids}},
isbn = {978-1-4020-0572-5},
language  = {en},
year = {2004},
doi = {10.1007/0-306-48419-6}
}

D. P. Radicioni and V. Lombardo, “A Constraint-based Approach for Annotating Music Scores with Gestural Information,” Constraints, 2007.
[Bibtex]

@Article{ radicioni_constraint-based_2007,
title = {A {Constraint}-based {Approach} for {Annotating} {Music}
{Scores} with {Gestural} {Information}},
issn = {1383-7133, 1572-9354},
doi = {10.1007/s10601-007-9015-y},
language  = {en},
journal  = {Constraints},
author  = {Radicioni, Daniele P. and Lombardo, Vincenzo},
month = oct,
year = {2007}
}

J. Eaton, “The Humanization of Electronic Music,” Music educators journal, 1968.
[Bibtex]

@Article{ eaton_humanization_1968,
title = {The {Humanization} of {Electronic} {Music}},
issn = {0027-4321, 1945-0087},
doi = {10.2307/3392390},
language  = {en},
journal  = {Music Educators Journal},
author  = {Eaton, John},
month = nov,
year = {1968}
}

E. Winters, “Aesthetics and architecture,” , 2007.
[Bibtex]

@Article{ winters_aesthetics_2007,
address  = {London},
title = {Aesthetics and architecture},
isbn = {978-0-8264-8631-8 978-0-8264-8632-5},
author  = {Winters, Edward},
year = {2007}
}

G. T. Dickie and G. Kubler, “The Shape of Time: Remarks on the History of Things,” The journal of aesthetics and art criticism, 1964.
[Bibtex]

@Article{ dickie_shape_1964,
title = {The {Shape} of {Time}: {Remarks} on the {History} of
{Things}},
issn = {00218529},
doi = {10.2307/427800},
journal  = {The Journal of Aesthetics and Art Criticism},
author  = {Dickie, George T. and Kubler, George},
year = {1964}
}

C. G. Langton, “Computation at the edge of chaos: Phase transitions and emergent computation,” Physica d: nonlinear phenomena, 1990.
[Bibtex]

@Article{ langton_computation_1990,
title = {Computation at the edge of chaos: {Phase} transitions and
emergent computation},
issn = {01672789},
doi = {10.1016/0167-2789(90)90064-V},
language  = {en},
journal  = {Physica D: Nonlinear Phenomena},
author  = {Langton, Chris G.},
month = jun,
year = {1990}
}

J. Von Neumann, “First draft of a report on the EDVAC,” Ieee annals of the history of computing, 1945.
[Bibtex]

@Article{ von_neumann_first_1945,
title = {First draft of a report on the {EDVAC}},
issn = {1058-6180},
doi = {10.1109/85.238389},
journal  = {IEEE Annals of the History of Computing},
author  = {Von Neumann, J.},
year = {1945}
}

A. Moore, “Sonic Art,” , 2016.
[Bibtex]

@Article{ moore_sonic_2016,
title = {Sonic {Art}},
isbn = {978-1-317-40793-5},
language  = {en},
author  = {Moore, Adrian},
month = mar,
year = {2016},
doi = {10.4324/9781315684024}
}

M. Campbell, A. Hoane, and F. Hsu, “Deep Blue,” Artificial intelligence, 2001.
[Bibtex]

@Article{ campbell_deep_2001,
title = {Deep {Blue}},
issn = {00043702},
doi = {10.1016/S0004-3702(01)00129-1},
language  = {en},
journal  = {Artificial Intelligence},
author  = {Campbell, Murray and Hoane, A.Joseph and Hsu,
Feng-hsiung},
month = jan,
year = {2001}
}

E. R. Miranda and J. Matthias, “Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks,” Leonardo, 2009.
[Bibtex]

@Article{ miranda_music_2009,
title = {Music {Neurotechnology} for {Sound} {Synthesis}: {Sound}
{Synthesis} with {Spiking} {Neuronal} {Networks}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/leon.2009.42.5.439},
language  = {en},
journal  = {Leonardo},
author  = {Miranda, Eduardo R. and Matthias, John},
month = oct,
year = {2009}
}

A. Medosch, “New tendencies: art at the threshold of the information revolution (1961-1978),” , 2016.
[Bibtex]

@Article{ medosch_new_2016,
address  = {Cambridge, Massachusetts},
title = {New tendencies: art at the threshold of the information
revolution (1961-1978)},
isbn = {978-0-262-03416-6 978-0-262-54663-8},
author  = {Medosch, Armin},
year = {2016}
}

A. B. Marx, “Musical form in the age of Beethoven: selected writings on theory and method,” , 2004.
[Bibtex]

@Article{ marx_musical_2004,
address  = {Cambridge, England},
title = {Musical form in the age of {Beethoven}: selected writings
on theory and method},
isbn = {978-0-511-58272-1},
language  = {eng},
author  = {Marx, Adolf Bernhard},
year = {2004}
}

A. Runions, M. Fuhrer, B. Lane, P. Federl, A. Rolland-Lagan, and P. Prusinkiewicz, “Modeling and visualization of leaf venation patterns,” , 2005.
[Bibtex]

@Article{ runions_modeling_2005,
address  = {Los Angeles California},
title = {Modeling and visualization of leaf venation patterns},
isbn = {978-1-4503-7825-3},
doi = {10.1145/1186822.1073251},
language  = {en},
booktitle  = {{ACM} {SIGGRAPH} 2005 {Papers}},
author  = {Runions, Adam and Fuhrer, Martin and Lane, Brendan and
Federl, Pavol and Rolland-Lagan, Anne-Gaëlle and
Prusinkiewicz, Przemyslaw},
month = jul,
year = {2005}
}

“Rapidly-Exploring Random Trees: Progress and Prospects,” , 2000.
[Bibtex]

@Article{ donald_rapidly-exploring_2000,
title = {Rapidly-{Exploring} {Random} {Trees}: {Progress} and
{Prospects}},
isbn = {978-0-429-06242-1},
language  = {en},
booktitle  = {Algorithmic and {Computational} {Robotics}},
month = apr,
year = {2000},
doi = {10.1201/9781439864135-43}
}

“Dirac Delta Function,” , 2001.
[Bibtex]

@Article{ noauthor_dirac_2001,
title = {Dirac {Delta} {Function}},
isbn = {978-0-444-64246-2},
language  = {en},
booktitle  = {Ideas of {Quantum} {Chemistry}},
year = {2001},
doi = {10.1016/B978-0-44-464246-2.00021-5}
}

C. Callender, “Sturmian Canons,” , 2013.
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@Article{ hutchison_sturmian_2013,
address  = {Berlin, Heidelberg},
title = {Sturmian {Canons}},
isbn = {978-3-642-39356-3 978-3-642-39357-0},
booktitle  = {Mathematics and {Computation} in {Music}},
author  = {Callender, Clifton},
year = {2013},
doi = {10.1007/978-3-642-39357-0_5}
}

N. P. McAngus Todd and G. J. Brown, “Visualization of rhythm, time and metre,” Artificial intelligence review, 1996.
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@Article{ mcangus_todd_visualization_1996,
title = {Visualization of rhythm, time and metre},
issn = {0269-2821, 1573-7462},
doi = {10.1007/BF00127682},
language  = {en},
journal  = {Artificial Intelligence Review},
author  = {McAngus Todd, Neil P. and Brown, Guy J.},
month = aug,
year = {1996}
}

C. Hope, “From Xenakis’s UPIC to Graphic Notation Today, ed. Peter Weibel, Ludger Brümmer and Sharon Kanach. Hatje Cantz. Free download, or £41 hardback.,” Tempo, 2020.
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@Article{ hope_xenakiss_2020,
title = {From {Xenakis}'s {UPIC} to {Graphic} {Notation} {Today},
ed. {Peter} {Weibel}, {Ludger} {Brümmer} and {Sharon}
{Kanach}. {Hatje} {Cantz}. {Free} download, or £41
hardback.},
issn = {0040-2982, 1478-2286},
doi = {10.1017/S0040298220000558},
language  = {en},
journal  = {Tempo},
author  = {Hope, Cat},
month = oct,
year = {2020}
}

J. Derrida, “De la Grammatologie,” , 1967.
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@Article{ derrida_grammatologie_1967,
address  = {Paris},
title = {De la {Grammatologie}},
isbn = {978-2-7073-0012-6},
author  = {Derrida, Jacques},
year = {1967}
}

G. Dale, “Karl Polanyi: the limits of the market,” , 2010.
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@Article{ dale_karl_2010,
address  = {Cambridge ; Malden, MA},
title = {Karl {Polanyi}: the limits of the market},
isbn = {978-0-7456-4071-6 978-0-7456-4072-3},
author  = {Dale, Gareth},
year = {2010}
}

F. Jameson, “Fredric Jameson: ‘Postmodernism, or the Cultural Logic of Late Capitalism’,” , 1991.
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@Article{ newton_fredric_1991,
address  = {London},
title = {Fredric {Jameson}: ‘{Postmodernism}, or the {Cultural}
{Logic} of {Late} {Capitalism}’},
isbn = {978-0-333-67742-1 978-1-349-25934-2},
language  = {en},
booktitle  = {Twentieth-{Century} {Literary} {Theory}},
author  = {Jameson, Fredric},
year = {1991},
doi = {10.1007/978-1-349-25934-2_51}
}

V. Bush, “As we may think,” Interactions, 1945.
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@Article{ bush_as_1945,
title = {As we may think},
issn = {1072-5520, 1558-3449},
doi = {10.1145/227181.227186},
language  = {en},
journal  = {Interactions},
author  = {Bush, Vannevar},
month = mar,
year = {1945}
}

D. Novak, “Japanoise: music at the edge of circulation,” , 2013.
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@Article{ novak_japanoise_2013,
address  = {Durham},
title = {Japanoise: music at the edge of circulation},
isbn = {978-0-8223-5379-9 978-0-8223-5392-8},
author  = {Novak, David},
year = {2013}
}

R. O. Duda, P. E. Hart, and D. G. Stork, “Pattern classification,” , 2001.
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@Article{ duda_pattern_2001,
address  = {New York},
title = {Pattern classification},
isbn = {978-0-471-05669-0},
author  = {Duda, Richard O. and Hart, Peter E. and Stork, David G.},
year = {2001}
}

P. Pearce, “Structure in nature is a strategy for design,” , 1978.
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@Article{ pearce_structure_1978,
address  = {Cambridge},
title = {Structure in nature is a strategy for design},
isbn = {978-0-262-16064-3},
author  = {Pearce, Peter},
year = {1978}
}

C. Rodley and A. Burrell, “On the Art of Writing with Data,” , 2014.
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@Article{ potts_art_2014,
address  = {London},
title = {On the {Art} of {Writing} with {Data}},
isbn = {978-1-349-49447-7 978-1-137-44040-2},
language  = {en},
booktitle  = {The {Future} of {Writing}},
author  = {Rodley, Chris and Burrell, Andrew},
year = {2014},
doi = {10.1057/9781137440402_7}
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D. Wessel and M. Wright, “Problems and Prospects for Intimate Musical Control of Computers,” Computer music journal, 2002.
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@Article{ wessel_problems_2002,
title = {Problems and {Prospects} for {Intimate} {Musical}
{Control} of {Computers}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602320582945},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wessel, David and Wright, Matthew},
month = sep,
year = {2002}
}

“Buildings and signs: Dan Graham ; [… in conjunction with the exhibition Dan Graham: Selected Works, held at The Renaissance Society at The University of Chicago, from October 4 through November 8, 1981],” , 1981.
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@Article{ graham_buildings_1981,
address  = {Chicago},
title = {Buildings and signs: {Dan} {Graham} ; [... in conjunction
with the exhibition {Dan} {Graham}: {Selected} {Works},
held at {The} {Renaissance} {Society} at {The} {University}
of {Chicago}, from {October} 4 through {November} 8,
1981]},
isbn = {978-0-941548-00-7},
language  = {eng},
year = {1981}
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“L’image-temps,” , 2016.
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@Article{ marty_limage-temps_2016,
title = {L’image-temps},
year = {2016}
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P. Silver, W. McLean, S. Veglio, and S. Hardingham, “Fabrication: the designers guide: the illustrated works of twelve specialist UK fabricators,” , 2006.
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@Article{ silver_fabrication_2006,
address  = {Amsterdam ; Boston},
title = {Fabrication: the designers guide: the illustrated works of
twelve specialist {UK} fabricators},
isbn = {978-0-7506-6558-2},
author  = {Silver, Pete and McLean, William and Veglio, Simon and
Hardingham, Samantha},
year = {2006}
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J. L. Borges, “The Library Of Babel,” , 1941.
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@Article{ borges_library_1941,
address  = {S.l.},
title = {The {Library} {Of} {Babel}},
isbn = {978-0-241-63086-0},
language  = {eng},
author  = {Borges, Jorge Luis},
year = {1941}
}

C. Migone, “Sonic somatic: performances of the unsound body,” , 2012.
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@Article{ migone_sonic_2012,
address  = {Los Angeles},
title = {Sonic somatic: performances of the unsound body},
isbn = {978-0-9827439-4-2},
language  = {eng},
author  = {Migone, Christof},
year = {2012}
}

T. Wishart, “Audible design,” , 1994.
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@Article{ wishart_audible_1994,
address  = {York},
title = {Audible design},
isbn = {978-0-9510313-1-5},
language  = {eng},
author  = {Wishart, Trevor},
year = {1994}
}

K. Polanyi, “The great transformation: the political and economic origins of our time,” , 1940.
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@Article{ polanyi_great_1940,
address  = {Boston, MA},
title = {The great transformation: the political and economic
origins of our time},
isbn = {978-0-8070-5643-1},
author  = {Polanyi, Karl},
year = {1940}
}

“Exploring the unknown: selected documents in the history of the U. S. civil space program. Vol. 1,” , 1996.
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@Article{ day_exploring_1996,
address  = {Washington D.C},
title = {Exploring the unknown: selected documents in the history
of the {U}. {S}. civil space program. {Vol}. 1},
isbn = {978-0-16-048899-3},
language  = {eng},
year = {1996}
}

E. Lyon, “Rhythmic Rendering,” , 1997.
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@Article{ lyon_rhythmic_1997,
title = {Rhythmic {Rendering}},
author  = {Lyon, Eric},
year = {1997}
}

T. Chaput and J. Lyotard, “Les immatériaux : épreuves d’écriture,” , 1985.
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@Article{ chaput_immateriaux_1985,
title = {Les immatériaux : Épreuves d'écriture},
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year = {1985}
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A. Livet and G. Celant, “The Record as Artwork : From Futurism to Conceptual Art,” , 1977.
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@Article{ livet_record_1977,
title = {The {Record} as {Artwork} : {From} {Futurism} to
{Conceptual} {Art}},
author  = {Livet, Anne and Celant, Germano},
year = {1977}
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S. Hewitt and P. A. Tremblay, “HELO: The Laptop Ensemble As An Incubator For Individual Laptop Performance,” , 2010.
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@Article{ hewitt_helo_2010,
title = {{HELO}: {The} {Laptop} {Ensemble} {As} {An} {Incubator}
{For} {Individual} {Laptop} {Performance}},
author  = {Hewitt, S. and Tremblay, Pierre Alexandre},
year = {2010}
}

J. L. Elman, “Finding Structure in Time,” Cognitive science, 1990.
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@Article{ elman_finding_1990,
title = {Finding {Structure} in {Time}},
issn = {03640213},
doi = {10.1207/s15516709cog1402_1},
language  = {en},
journal  = {Cognitive Science},
author  = {Elman, Jeffrey L.},
month = mar,
year = {1990}
}

A. C. M. Halavais, “Search engine society,” , 2009.
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@Article{ halavais_search_2009,
address  = {Cambridge ; Malden, MA},
title = {Search engine society},
isbn = {978-0-7456-4214-7 978-0-7456-4215-4},
author  = {Halavais, Alexander M. Campbell},
year = {2009}
}

M. Foucault, F. Ewald, A. Fontana, and B. E. Harcourt, “La société punitive: cours au Collège de France (1972-1973),” , 2013.
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@Article{ foucault_societe_2013,
address  = {Paris},
title = {La société punitive: cours au {Collège} de {France}
(1972-1973)},
isbn = {978-2-02-103803-3},
author  = {Foucault, Michel and Ewald, François and Fontana,
Alessandro and Harcourt, Bernard E.},
collaborator  = {Collège de France},
year = {2013}
}

A. M. Turing, “Computing Machinery and Intelligence,” Mind, 1950.
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@Article{ turing_computing_1950,
title = {Computing {Machinery} and {Intelligence}},
issn = {1460-2113, 0026-4423},
doi = {10.1093/mind/LIX.236.433},
language  = {en},
journal  = {Mind},
author  = {Turing, A. M.},
month = oct,
year = {1950}
}

J. G. Proakis and D. G. Manolakis, “Digital signal processing: principles, algorithms, and applications,” , 1996.
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@Article{ proakis_digital_1996,
address  = {Upper Saddle River, N.J},
title = {Digital signal processing: principles, algorithms, and
applications},
isbn = {978-0-13-373762-2},
author  = {Proakis, John G. and Manolakis, Dimitris G.},
year = {1996}
}

J. Heaton, “Ian Goodfellow, Yoshua Bengio, and Aaron Courville: Deep learning,” Genetic programming and evolvable machines, 2018.
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@Article{ heaton_ian_2018,
title = {Ian {Goodfellow}, {Yoshua} {Bengio}, and {Aaron}
{Courville}: {Deep} learning},
issn = {1389-2576, 1573-7632},
doi = {10.1007/s10710-017-9314-z},
language  = {en},
journal  = {Genetic Programming and Evolvable Machines},
author  = {Heaton, Jeff},
month = jun,
year = {2018}
}

J. Monod, “Le hasard et la nécessité: essai sur la philosophie naturelle de la biologie moderne,” , 1973.
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@Article{ monod_hasard_1973,
address  = {Paris},
title = {Le hasard et la nécessité: essai sur la philosophie
naturelle de la biologie moderne},
isbn = {978-2-02-000618-7},
language  = {fre},
author  = {Monod, Jacques},
year = {1973}
}

P. Collaer and E. Willems, “Le Rythme Musical. Rythme, Rythmique, Metrique,” Revue belge de musicologie / belgisch tijdschrift voor muziekwetenschap, 1954.
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@Article{ collaer_rythme_1954,
title = {Le {Rythme} {Musical}. {Rythme}, {Rythmique}, {Metrique}},
issn = {07716788},
doi = {10.2307/3685847},
journal  = {Revue belge de Musicologie / Belgisch Tijdschrift voor
Muziekwetenschap},
author  = {Collaer, Paul and Willems, Edgar},
year = {1954}
}

“Mathematics and computation in music: first international conference, MCM 2007, Berlin, Germany, May 18-20, 2007: revised selected papers,” , 2009.
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@Article{ klouche_mathematics_2009,
address  = {Berlin ; New York},
title = {Mathematics and computation in music: first international
conference, {MCM} 2007, {Berlin}, {Germany}, {May} 18-20,
2007: revised selected papers},
isbn = {978-3-642-04578-3},
year = {2009}
}

R. D. Hersch and S. Chosson, “Band moiré images,” , 2004.
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@Article{ hersch_band_2004,
address  = {Los Angeles California},
title = {Band moiré images},
isbn = {978-1-4503-7823-9},
doi = {10.1145/1186562.1015709},
language  = {en},
booktitle  = {{ACM} {SIGGRAPH} 2004 {Papers}},
author  = {Hersch, Roger David and Chosson, Sylvain},
month = aug,
year = {2004}
}

B. Bradu, “Réflexions sur la puissance motrice du feu, de Sadi Carnot,” Bibnum, 1872.
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@Article{ bradu_reflexions_1872,
title = {Réflexions sur la puissance motrice du feu, de {Sadi}
{Carnot}},
issn = {2554-4470},
doi = {10.4000/bibnum.858},
journal  = {BibNum},
author  = {Bradu, Benjamin},
year = {1872}
}

“An Algebra for Theoretical Genetics,” , 1936.
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@Article{ shannon_algebra_1936,
title = {An {Algebra} for {Theoretical} {Genetics}},
isbn = {978-0-470-54424-2},
language  = {en},
booktitle  = {An {Algebra} for {Theoretical} {Genetics}},
collaborator  = {Shannon, Claude E.},
year = {1936},
doi = {10.1109/9780470544242.ch76}
}

J. Burnham, “The structure of art,” , 1971.
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@Article{ burnham_structure_1971,
address  = {New York},
title = {The structure of art},
isbn = {978-0-8076-0595-0},
language  = {eng},
author  = {Burnham, Jack},
collaborator  = {Harper, Charles and Burnham, Judith Benjamin},
year = {1971}
}

G. Châtelet, “Vivre et penser comme des porcs: de l’incitation à l’envie et à l’ennui dans les démocraties-marchés,” , 1998.
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@Article{ chatelet_vivre_1998,
address  = {Paris},
title = {Vivre et penser comme des porcs: de l'incitation à
l'envie et à l'ennui dans les démocraties-marchés},
isbn = {978-2-07-041070-5},
author  = {Châtelet, Gilles},
year = {1998}
}

T. C. Bannister and S. Giedion, “Space, Time and Architecture, the Growth of a New Tradition,” The art bulletin, 1944.
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@Article{ bannister_space_1944,
title = {Space, {Time} and {Architecture}, the {Growth} of a {New}
{Tradition}},
issn = {00043079},
doi = {10.2307/3046945},
journal  = {The Art Bulletin},
author  = {Bannister, Turpin C. and Giedion, Sigfried},
month = jun,
year = {1944}
}

“Theory of Nothing,” , 2011.
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@Article{ standish_theory_2011,
address  = {Miejsce nieznane},
title = {Theory of {Nothing}},
isbn = {978-1-921019-63-0},
language  = {en},
collaborator  = {Standish, Russell K.},
year = {2011}
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Y. Sun, Q. Huang, and X. Wu, “Unsupervised Inference of Physiologically Meaningful Articulatory Trajectories with VocalTractLab,” , 2022.
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@Article{ sun_unsupervised_2022,
title = {Unsupervised {Inference} of {Physiologically} {Meaningful}
{Articulatory} {Trajectories} with {VocalTractLab}},
doi = {10.21437/Interspeech.2022-659},
language  = {en},
booktitle  = {Interspeech 2022},
author  = {Sun, Yifan and Huang, Qinlong and Wu, Xihong},
month = sep,
year = {2022}
}

B. Hayes, C. Saitis, and G. Fazekas, “Neural Waveshaping Synthesis,” , 2021.
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@Article{ hayes_neural_2021,
title = {Neural {Waveshaping} {Synthesis}},
language  = {en},
author  = {Hayes, Ben and Saitis, Charalampos and Fazekas, George},
year = {2021}
}

D. R. Jenkins, T. Landis, and J. Miller, “American X-Vehicles: An Inventory – X-1 to X-50: Centennial of Flight Edition,” , 2003.
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@Article{ jenkins_american_2003,
title = {American {X}-{Vehicles}: {An} {Inventory} - {X}-1 to
{X}-50: {Centennial} of {Flight} {Edition}},
author  = {Jenkins, Dennis R. and Landis, Tony and Miller, Jay},
year = {2003}
}

W. Kandinsky and E. R. Napier, “Sounds,” , 1981.
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@Article{ kandinsky_sounds_1981,
address  = {New Haven},
title = {Sounds},
isbn = {978-0-300-02664-1 978-0-300-02510-1},
language  = {engger},
author  = {Kandinsky, Wassily and Napier, Elizabeth R.},
year = {1981}
}

M. Budd and M. Debellis, “Music and Conceptualization,” Philosophy and phenomenological research, 1998.
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@Article{ budd_music_1998,
title = {Music and {Conceptualization}},
issn = {00318205},
doi = {10.2307/2653777},
journal  = {Philosophy and Phenomenological Research},
author  = {Budd, Malcolm and Debellis, Mark},
month = sep,
year = {1998}
}

Augustin d’Hippone, “Les Confessions de Saint Augustin, Evêque d’Hippone,” , 500.
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@Article{ augustin_dhippone_confessions_500,
title = {Les {Confessions} de {Saint} {Augustin}, {Evêque}
d'{Hippone}},
isbn = {978-2-01-996752-9},
language  = {fre},
author  = {{Augustin d'Hippone}},
year = {500}
}

E. R. Tufte, “The visual display of quantitative information,” , 2001.
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@Article{ tufte_visual_2001,
address  = {Cheshire, Conn},
title = {The visual display of quantitative information},
isbn = {978-1-930824-13-3 978-0-9613921-4-7},
language  = {eng},
author  = {Tufte, Edward R.},
year = {2001}
}

“The self-made tapestry: pattern formation in nature,” Choice reviews online, 1999.
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@Article{ noauthor_self-made_1999,
title = {The self-made tapestry: pattern formation in nature},
issn = {0009-4978, 1523-8253},
doi = {10.5860/CHOICE.36-5132},
language  = {en},
journal  = {Choice Reviews Online},
month = may,
year = {1999}
}

D. Portree, “Humans to Mars: Fifty Years of Mission Planning, 1950 – 2000,” , 2001.
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@Article{ portree_humans_2001,
title = {Humans to {Mars}: {Fifty} {Years} of {Mission} {Planning},
1950 - 2000},
author  = {Portree, David},
year = {2001}
}

P. García-Sánchez, G. Yannakakis, and J. Togelius, “Artificial Intelligence and Games,” Genetic programming and evolvable machines, 2019.
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@Article{ garcia-sanchez_artificial_2019,
title = {Artificial {Intelligence} and {Games}},
issn = {1389-2576, 1573-7632},
doi = {10.1007/s10710-018-9337-0},
language  = {en},
journal  = {Genetic Programming and Evolvable Machines},
author  = {García-Sánchez, Pablo and Yannakakis, Georgios and
Togelius, Julian},
month = mar,
year = {2019}
}

B. Hayes, “Semantic FM Synth Dataset,” , 2021.
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@Article{ hayes_semantic_2021,
title = {Semantic {FM} {Synth} {Dataset}},
copyright  = {Creative Commons Attribution 4.0 International, Open
Access},
doi = {10.5281/ZENODO.4609790},
language  = {en},
author  = {Hayes, Ben},
month = feb,
year = {2021}
}

S. Iluz, Y. Vinker, A. Hertz, D. Berio, D. Cohen-Or, and A. Shamir, “Word-As-Image for Semantic Typography,” , 2023.
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@Article{ iluz_word-as-image_2023,
title = {Word-{As}-{Image} for {Semantic} {Typography}},
language  = {en},
author  = {Iluz, Shir and Vinker, Yael and Hertz, Amir and Berio,
Daniel and Cohen-Or, Daniel and Shamir, Ariel},
month = mar,
year = {2023}
}

I. Franke, E. Agudio, and J. Canales, “Retreat into darkness – Ivana Franke: towards a phenomenology of the unknown,” , 2018.
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@Article{ franke_retreat_2018,
address  = {Leipzig},
title = {Retreat into darkness - {Ivana} {Franke}: towards a
phenomenology of the unknown},
isbn = {978-3-95905-212-2},
language  = {ger eng},
author  = {Franke, Ivana and Agudio, Elena and Canales, Jimena},
year = {2018}
}

K. Zuse, “Calculating Space (Rechnender Raum),” , 1969.
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@Article{ zenil_calculating_1969,
title = {Calculating {Space} ({Rechnender} {Raum})},
isbn = {978-981-4374-29-3 978-981-4374-30-9},
language  = {en},
booktitle  = {A {Computable} {Universe}},
author  = {Zuse, Konrad},
collaborator  = {Zenil, Hector},
year = {1969},
doi = {10.1142/9789814374309_0036}
}

A. Plotnitsky, “Complementarity: anti-epistemology after Bohr and Derrida,” , 1994.
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@Article{ plotnitsky_complementarity_1994,
address  = {Durham},
title = {Complementarity: anti-epistemology after {Bohr} and
{Derrida}},
isbn = {978-0-8223-1437-0 978-0-8223-1433-2},
author  = {Plotnitsky, Arkady},
year = {1994}
}

W. Hogarth, “The analysis of beauty,” , 1767.
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@Article{ hogarth_analysis_1767,
address  = {Mineola, New York},
title = {The analysis of beauty},
isbn = {978-0-486-79525-6},
author  = {Hogarth, William},
year = {1767}
}

A. Smith, “The wealth of nations,” , 1776.
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@Article{ smith_wealth_1776,
address  = {Place of publication not identified},
title = {The wealth of nations},
isbn = {978-1-4948-4473-8},
language  = {eng},
author  = {Smith, Adam},
year = {1776}
}

D. N. Schwartz, “The last man who knew everything: the life and times of Enrico Fermi, father of the nuclear age,” , 2017.
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@Article{ schwartz_last_2017,
address  = {New York},
title = {The last man who knew everything: the life and times of
{Enrico} {Fermi}, father of the nuclear age},
isbn = {978-0-465-07292-7},
author  = {Schwartz, David N.},
year = {2017}
}

P. Croupie, “Analytical Approaches To Taurhiphanie And Voyage Absolu Des Unari Vers Andromède By Iannis Xenakis,” , 2020.
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@Article{ croupie_analytical_2020,
title = {Analytical {Approaches} {To} {Taurhiphanie} {And} {Voyage}
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author  = {Croupie, Pierre},
year = {2020}
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S. Horvitz, “Grids and Mist; An analysis of Györgi Ligeti’s Continuum for Cembalo,” , 2009.
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@Article{ horvitz_grids_2009,
title = {Grids and {Mist}; {An} analysis of {Györgi} {Ligeti}'s
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author  = {Horvitz, Seth},
year = {2009}
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P. Schaeffer, “Music and Computers,” , 1970.
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@Article{ schaeffer_music_1970,
title = {Music and {Computers}},
author  = {Schaeffer, Pierre},
year = {1970}
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A. Schopenhauer, “L’Art d’Avoir Toujours Raison,” , 1830.
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title = {L'{Art} d'{Avoir} {Toujours} {Raison}},
author  = {Schopenhauer, Arthur},
year = {1830}
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W. H. Wright, “The Future of Painting,” , 1923.
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@Article{ wright_future_1923,
title = {The {Future} of {Painting}},
author  = {Wright, Willard Huntington},
year = {1923}
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N. Bostrom, “Anthropic bias: observation selection effects in science and philosophy,” , 2002.
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@Article{ bostrom_anthropic_2002,
address  = {New York},
title = {Anthropic bias: observation selection effects in science
and philosophy},
isbn = {978-0-415-93858-7},
language  = {en},
author  = {Bostrom, Nick},
year = {2002}
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N. Bostrom, “Infinite Ethics,” , 2011.
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title = {Infinite {Ethics}},
author  = {Bostrom, Nick},
year = {2011}
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N. Bostrom, “The Vulnerable World Hypothesis,” Global policy, 2019.
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title = {The {Vulnerable} {World} {Hypothesis}},
issn = {1758-5880, 1758-5899},
doi = {10.1111/1758-5899.12718},
language  = {en},
journal  = {Global Policy},
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year = {2019}
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G. Greuel, “Crystals and symmetry – an historical outline,” Symmetry: culture and science, 2021.
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title = {Crystals and symmetry – an historical outline},
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doi = {10.26830/symmetry_2021_1_041},
language  = {en},
journal  = {Symmetry: Culture and Science},
author  = {Greuel, Gert-Martin},
year = {2021}
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title = {Form {Problems} of the {Gothic}},
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}

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title = {History of electroacoustic music through filmed sources:
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author  = {Bossis, Bruno},
year = {2011}
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title = {Autechre {Interviews}},
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title = {Les {Passions} de l'{Ame}},
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year = {1649}
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W. Herzog, “Gummo’s Whammo – Werner Herzog Interview,” , 1999.
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title = {Gummo’s {Whammo} - {Werner} {Herzog} {Interview}},
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title = {Collateral {Damage}: {Mark} {Fell}},
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title = {Free culture: how big media uses technology and the law to
lock down culture and control creativity},
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doi = {10.5860/CHOICE.42-1641},
language  = {en},
journal  = {Choice Reviews Online},
author  = {Lessig, Lawrence},
month = nov,
year = {2004}
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S. Lemouton, “D’Orson Welles à Gutenberg, les opéras de Philippe Manoury,” , 2015.
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@Article{ auzolle_dorson_2015,
title = {D’{Orson} {Welles} à {Gutenberg}, les opéras de
{Philippe} {Manoury}},
isbn = {978-2-7535-4172-6 978-2-7535-6178-6},
language  = {fr},
booktitle  = {La création lyrique en {France} depuis 1900},
author  = {Lemouton, Serge},
year = {2015},
doi = {10.4000/books.pur.79152}
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R. Wagner, “Opera and drama,” , 1851.
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address  = {Lincoln},
title = {Opera and drama},
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year = {1851}
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S. Wolpe, “On Proportions,” , 1996.
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title = {On {Proportions}},
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A. A. Penzias, “The origin of the elements,” Reviews of modern physics, 1979.
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@Article{ penzias_origin_1979,
title = {The origin of the elements},
issn = {0034-6861},
doi = {10.1103/RevModPhys.51.425},
language  = {en},
journal  = {Reviews of Modern Physics},
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month = jul,
year = {1979}
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H. Massey, “The Complete DX7II,” , 1987.
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title = {The {Complete} {DX7II}},
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M. Andreatta, C. Agón, and E. Amiot, “Tiling problems in music composition: Theory and Implementation,” , 2002.
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title = {Tiling problems in music composition: {Theory} and
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year = {2002}
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F. Galton, “Visualised Numerals,” Nature, 1880.
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title = {Visualised {Numerals}},
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doi = {10.1038/021494e0},
language  = {en},
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A. Pandey, “Towards an Encoding for Coptic Numbers in the UCS,” , 2010.
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title = {Towards an {Encoding} for {Coptic} {Numbers} in the
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J. Zmölnig, “Gem graphics Environmen t for Multimedia,” , 2003.
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P. Lacoue-Labarthe, “La fiction du politique: Heidegger, l’art et la politique,” , 1987.
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address  = {Paris},
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politique},
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G. Zinman, “Making Images Move: Handmade Cinema and the Other Arts,” , 1994.
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title = {Making {Images} {Move}: {Handmade} {Cinema} and the
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P. Prusinkiewicz and A. Lindenmayer, “Graphical modeling using L-systems,” , 1990.
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address  = {New York, NY},
title = {Graphical modeling using {L}-systems},
isbn = {978-0-387-94676-4 978-1-4613-8476-2},
booktitle  = {The {Algorithmic} {Beauty} of {Plants}},
author  = {Prusinkiewicz, Przemyslaw and Lindenmayer, Aristid},
collaborator  = {Prusinkiewicz, Przemyslaw and Lindenmayer, Aristid},
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P. Mcilwain and J. McCormack, “Design Issues in Musical Composition Networks,” , 2005.
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year = {2005}
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R. W. Hall, “The Sound of Numbers – A Tour of Mathematical Music Theory,” , 2008.
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title = {The {Sound} of {Numbers} - {A} {Tour} of {Mathematical}
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H. Eimert, “Electronic Music,” , 1954.
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S. Manousakis, “Musical L-Systems,” , 2006.
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J. Reichardt, “Cybernetic serendipity : the computer and the arts,” , 1968.
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A. Lucier, “Pasta_for Tired Dancers – Reflections of Sounds from the Wall – Music for Piano with Half-Closed Lid,” , 1993.
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@Article{ lucier_pasta_for_1993,
title = {Pasta\_for {Tired} {Dancers} - {Reflections} of {Sounds}
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author  = {Lucier, Alvin},
year = {1993}
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M. Puckette, “Shannon entropy and the central limit theorem,” , 1986.
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C. Sagan, “The cosmic connection: an extraterrestrial perspective,” , 1973.
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address  = {Garden City, N.Y},
title = {The cosmic connection: an extraterrestrial perspective},
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author  = {Sagan, Carl},
year = {1973}
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S. Horvitz, “Automation is my Salvation: Eight Studies for Automatic Piano,” , 2010.
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title = {Automation is my {Salvation}: {Eight} {Studies} for
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author  = {Horvitz, Seth},
year = {2010}
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M. Tiampo, “Electrifying Painting,” , 2012.
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year = {2012}
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A. Gimbel and D. Cope, “Techniques of the Contemporary Composer,” Notes, 1997.
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title = {Techniques of the {Contemporary} {Composer}},
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doi = {10.2307/900202},
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year = {1997}
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Pontin, “You Promised Me Mars Colonies. Instead I Got Facebook,” , 2012.
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title = {You {Promised} {Me} {Mars} {Colonies}. {Instead} {I} {Got}
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S. Wolfram, “Thermodynamics and Hydrodynamics of Cellular Automata,” , 1985.
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title = {Thermodynamics and {Hydrodynamics} of {Cellular}
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isbn = {978-0-429-49409-3},
language  = {en},
booktitle  = {Cellular {Automata} and {Complexity}},
author  = {Wolfram, Stephen},
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K. Kleczkowska, “Bird Communication in Ancient Greek and Roman Thought,” , 2015.
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title = {Bird {Communication} in {Ancient} {Greek} and {Roman}
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M. Stroppa, “Espace Et Figure,” , 1991.
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title = {Lecture {Notes} on {Information} {Theory}},
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M. Stroppa, “Accorder musicalement un espace réel et un espace inventé,” Rue descartes, 2007.
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title = {Accorder musicalement un espace réel et un espace
inventé},
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doi = {10.3917/rdes.056.0070},
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year = {2007}
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B. Stiegler, “La technique et le temps,” , 1994.
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@Article{ stiegler_technique_1994,
address  = {Paris},
title = {La technique et le temps},
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year = {1994}
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@Article{ pascal_pensees_1660,
address  = {Paris},
title = {Pensées},
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language  = {fre},
author  = {Pascal, Blaise and Ferreyrolles, Gérard and Sellier,
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year = {1660}
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K. Gann, “The Outer Edge of Consonance,” , 1996.
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title = {The {Outer} {Edge} of {Consonance}},
author  = {Gann, Kyle},
year = {1996}
}

A. Einstein, “Why Socialism,” , 1949.
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title = {Why {Socialism}},
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C. Villani, “Donner un sens à l’intelligence artificielle : pour une stratégie nationale et européenne,” , 2018.
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title = {Donner un sens à l'intelligence artificielle : pour une
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author  = {Villani, Cédric},
year = {2018}
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G. W. Greuel, “Crystals and Mathematics,” , 2015.
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title = {Crystals and {Mathematics}},
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M. Stroppa and J. Duthen, “Une Representation De Structures Temporelles Par Synchronisation De Pivots,” , 1990.
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@Article{ stroppa_representation_1990,
title = {Une {Representation} {De} {Structures} {Temporelles} {Par}
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year = {1990}
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S. Tetruashvili, “Inductive Inference of Integer Sequences,” , 2010.
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L. Bigo, “Représentations symboliques musicales et calcul spatial,” , 2013.
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title = {Représentations symboliques musicales et calcul spatial},
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year = {2013}
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K. Nez, “An Interview with Hans Tutschku,” Computer music journal, 2003.
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@Article{ nez_interview_2003,
title = {An {Interview} with {Hans} {Tutschku}},
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doi = {10.1162/014892603322730479},
language  = {en},
journal  = {Computer Music Journal},
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month = dec,
year = {2003}
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G. Taylor, “An interview with David Wessel,” , 2005.
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@Article{ taylor_interview_2005,
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G. Desjardins, “Théâtre : la vidéo en débat,” , 2017.
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author  = {Desjardins, Guillaume},
year = {2017}
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R. C. Seamans, “Project Apollo: The Tough Decisions,” , 2005.
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E. W. Deming, J. Von Neumann, and O. Morgenstern, “Theory of Games and Economic Behavior,” Journal of the american statistical association, 1945.
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@Article{ deming_theory_1945,
title = {Theory of {Games} and {Economic} {Behavior}},
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doi = {10.2307/2280142},
journal  = {Journal of the American Statistical Association},
author  = {Deming, W. Edwards and Von Neumann, John and Morgenstern,
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month = jun,
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T. Magnusson, “Sonic writing: technologies of material, symbolic and signal inscriptions,” , 2019.
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@Article{ magnusson_sonic_2019,
address  = {New York, NY},
title = {Sonic writing: technologies of material, symbolic and
signal inscriptions},
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K. Kauhanen, “Music and Technology,” , 1970.
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B. Parmegiani and R. Khazam, “Interview with Bernard Parmegiani,” , 1998.
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S. Succi, “The Lattice Boltzmann Equation: for Fluid Dynamics and Beyond,” , 2001.
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@Article{ succi_lattice_2001,
address  = {Oxford},
title = {The {Lattice} {Boltzmann} {Equation}: for {Fluid}
{Dynamics} and {Beyond}},
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language  = {eng},
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year = {2001}
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M. Puckette, “The Patcher,” , 1985.
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B. Spinoza, “L’éthique,” , 1677.
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J. A. Moorer, A. Chauveau, C. Abbott, P. Eastty, and J. Lawson, “The 4C Machine,” Computer music journal, 1979.
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@Article{ moorer_4c_1979,
title = {The {4C} {Machine}},
issn = {01489267},
doi = {10.2307/3679792},
journal  = {Computer Music Journal},
author  = {Moorer, James A. and Chauveau, Alain and Abbott, Curtis
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year = {1979}
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A. Stimson, “The Script for “Poème Electronique”: Traces from a Pioneer,” , 1991.
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title = {The {Script} for "{Poème} {Electronique}": {Traces} from
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author  = {Stimson, Ann},
year = {1991}
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Dasgupta, Papadimitriou, and Vazirani, “Algorithms,” , 2006.
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title = {Algorithms},
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year = {2006}
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Y. Benoist, “Pavages Du Plan,” , 2001.
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title = {Pavages {Du} {Plan}},
author  = {Benoist, Yves},
year = {2001}
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R. Howat, “Debussy in proportion: a musical analysis,” , 1981.
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@Article{ howat_debussy_1981,
address  = {Cambridge},
title = {Debussy in proportion: a musical analysis},
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language  = {eng},
author  = {Howat, Roy},
year = {1981}
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A. Berg, “What Is Atonality,” , 1930.
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C. Roads, “Composing Grammars,” , 1978.
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H. Read, “Art and Industry,” Parnassus, 1936.
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@Article{ read_art_1936,
title = {Art and {Industry}},
issn = {1543-6314},
doi = {10.1080/15436314.1936.11466580},
language  = {en},
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R. Taruskin, “Music in the Late Twentieth Century,” , 2012.
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J. Gardner, B. Harvey, J. R. Lawson, and J. Risset, “Computer Facilities for Music at Ircam,” , 1977.
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@Article{ gardner_computer_1977,
title = {Computer {Facilities} for {Music} at {Ircam}},
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year = {1977}
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A. McLean, “The Textural X,” , 2013.
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D. J. E. Nunn, A. Purvis, and P. Manning, “Acoustic Quanta,” , 1996.
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title = {Acoustic {Quanta}},
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F. Madlener, “Ircam 2017 Séance Plénière du 6 Janvier 1977-2017,” , 2017.
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@Article{ madlener_ircam_2017,
title = {Ircam 2017 {Séance} {Plénière} du 6 {Janvier}
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S. Lemouton, “Vingt Ans De Pratique De La Réalisation en Informatique Musicale,” , 2012.
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@Article{ lemouton_vingt_2012,
title = {Vingt {Ans} {De} {Pratique} {De} {La} {Réalisation} en
{Informatique} {Musicale}},
author  = {Lemouton, Serge},
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title = {The {Mathematical} {Basis} of the {Arts}},
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journal  = {Notes},
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E. Musk, “Hyperloop Alpha,” , 2013.
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M. Feldman, “Morton Feldman Toronto Lecture,” , 1982.
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E. Amiot, G. Assayag, C. Malherbe, and A. Riotte, “Duration Structure Generation and Recognition in Musical Writing,” , 1986.
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title = {Duration {Structure} {Generation} and {Recognition} in
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R. Chatila, “Éthique de la recherche en robotique,” , 2014.
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J. R. Pierce, “Final Comments,” , 1991.
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R. A. Dorgan, “Music in Architecture / Architecture in Music,” , 1990.
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N. Obin, M. Avanzi, G. Bordal, and A. Bardiaux, “A La Recherche Des Temps Perdus,” , 2012.
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F. Zappa, “Edgard Varèse: the Idol of My Youth,” , 1971.
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H. Wittek, “Perceptual Differences Between Wavefield Synthesis and Stereophony,” , 2007.
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F. Bayle, “Erosphère,” , 1979.
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title = {Synchronization of van der {Pol} oscillators with delayed
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address  = {Köln : New York, NY},
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isbn = {978-3-86560-683-9},
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J. Glassman and A. Chandra, “Inventing Systems,” , 2006.
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W. Bailey and T. Bey, “Welcome to 2084: Age of Overload Aesthetics,” , 2015.
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J. Bewley and L. A. Hiller, “Lejaren A. Hiller: Computer Music Pioneer,” , 2004.
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E. Ferretti, “Sound Synthesis by Rule,” , 1975.
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N. Shields, “Remembering Milton,” , 2012.
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B. Nouvel, “Rotations Discrètes Et Automates Cellulaires,” , 2006.
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E. Brown, “On December 1952,” , 2008.
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V. Molnar, “Léonard de Vinci s’il eut eu un ordinateur…,” , 1981.
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P. Boulez, “Le_compositeur Et L’ordinateur,” , 1981.
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T. Casey, “‘Rave’ Music,” , 1992.
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C. Migone, “Volume of Confinement and Infinity (a history of unsound art),” , 2003.
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H. Vinet, “40 Ans De Recherche à L’Ircam,” , 2010.
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E. J. Rothstein, “Le Théâtre Musical d’Aperghis Un Sommaire Provisoire,” , 2003.
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doi = {10.1103/PhysRev.47.777},
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P. Bourdieu, “L’essence Du Néoliberalisme,” , 1998.
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F. Voisin, “Qu’est-ce qu’un Réalisateur en Informatique Musicale (RIM),” , 2010.
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J. Risset, “Computer Music Why,” , 2004.
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R. Heaton, “Contemporary Performance Practice and Tradition,” , 2012.
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G. Orwell and E. Fromm, “1984,” , 1949.
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address  = {New York, New York, USA},
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M. Jacobs, “The Art of Composition: A Simple Application of Dynamic Symmetry,” , 1926.
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A. Schönberg and G. Strang, “Fundamentals of musical composition,” , 1967.
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Y. Meyer, S. Jaffard, and O. Rioul, “L’analyse Par Ondelettes,” , 1987.
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M. Kagel and M. Nyffeler, “There Will Always Be Questions Enough,” , 2009.
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S. Lanoote and N. Moine, “Le Spectacle et le Vivant,” , 2021.
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F. Couperin, “L’Art de toucher le Clavecin,” Revue de musicologie, 1717.
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P. Klee and S. Moholy-Nagy, “Paul Klee, Pedagogical Sketchbook,” College art journal, 1953.
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title = {Paul {Klee}, {Pedagogical} {Sketchbook}},
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doi = {10.1080/15436322.1953.11465814},
language  = {en},
journal  = {College Art Journal},
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L. Spueybroek and M. Ludovica Tramontin, “Textile Tectonics: An Interview with Lars Spueybroek,” Architectural design, 2006.
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language  = {en},
journal  = {Architectural Design},
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V. Spivey, “Sites of Subjectivity: Robert Morris, Minimalism, and Dance,” Dance research journal, 2004.
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@Article{ spivey_sites_2004,
title = {Sites of {Subjectivity}: {Robert} {Morris}, {Minimalism},
and {Dance}},
language  = {en},
journal  = {Dance Research Journal},
author  = {Spivey, Virginia},
year = {2004}
}

R. Rawlins, N. E. Bahha, and B. Tagliarino, “Jazzology: the encyclopedia of jazz theory for all musicians,” , 2005.
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@Article{ rawlins_jazzology_2005,
address  = {Milwaukee, WI},
title = {Jazzology: the encyclopedia of jazz theory for all
musicians},
isbn = {978-0-634-08678-6},
author  = {Rawlins, Robert and Bahha, Nor Eddine and Tagliarino,
Barrett},
year = {2005}
}

“Orchestration: An Anthology of Writings,” , 2006.
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@Article{ mathews_orchestration_2006,
title = {Orchestration: {An} {Anthology} of {Writings}},
isbn = {978-0-203-96144-5},
language  = {en},
month = nov,
year = {2006},
doi = {10.4324/9780203961445}
}

C. Bruyns, “Sound Synthesis from Shape-Changing Geometric Models,” , 2008.
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@Article{ bruyns_sound_2008,
title = {Sound {Synthesis} from {Shape}-{Changing} {Geometric}
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author  = {Bruyns, Cynthia},
year = {2008}
}

C. Paul, “Challenges for a Ubiquitous Museum: Presenting and Preserving New Media,” , 2004.
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@Article{ paul_challenges_2004,
title = {Challenges for a {Ubiquitous} {Museum}: {Presenting} and
{Preserving} {New} {Media}},
author  = {Paul, Christiane},
year = {2004}
}

T. W. Patteson, “The Time of Roland Kayn’s Cybernetic Music,” , 2012.
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@Article{ patteson_time_2012,
title = {The {Time} of {Roland} {Kayn}'s {Cybernetic} {Music}},
author  = {Patteson, Thomas W.},
year = {2012}
}

F. Enkel and H. Schütz, “The Production of Sound Effects for Radio Dramas,” , 1954.
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@Article{ enkel_production_1954,
title = {The {Production} of {Sound} {Effects} for {Radio}
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author  = {Enkel, Fritz and Schütz, Heinz},
year = {1954}
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S. Wade, “Chez Foucault,” , 1978.
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@Article{ wade_chez_1978,
title = {Chez {Foucault}},
author  = {Wade, Simeon},
year = {1978}
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K. Kliem, “Alva Noto + Ryuichi Sakamoto – Insen Tour,” , 2006.
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@Article{ kliem_alva_2006,
title = {Alva {Noto} + {Ryuichi} {Sakamoto} - {Insen} {Tour}},
author  = {Kliem, Karl},
year = {2006}
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M. Akten, “A journey through multiple dimensions and transformations in SPACE,” , 2016.
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@Article{ akten_journey_2016,
title = {A journey through multiple dimensions and transformations
in {SPACE}},
author  = {Akten, Memo},
year = {2016}
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M. Feldman and T. Moore, “Morton Feldman in Conversation with Thomas Moore,” , 1986.
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title = {Morton {Feldman} in {Conversation} with {Thomas} {Moore}},
author  = {Feldman, Morton and Moore, Thomas},
year = {1986}
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J. Rafelski and B. Müller, “The Structured Vacuum Thinking about Nothing,” , 1985.
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title = {The {Structured} {Vacuum} {Thinking} about {Nothing}},
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J. Feng, G. Zhang, X. Li, Y. Ding, Z. Liu, C. Pan, S. Deng, and H. Fang, “A Compositional Transformer Based Autoencoder for Image Style Transfer,” Electronics, 2023.
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@Article{ feng_compositional_2023,
title = {A {Compositional} {Transformer} {Based} {Autoencoder} for
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issn = {2079-9292},
doi = {10.3390/electronics12051184},
language  = {en},
journal  = {Electronics},
author  = {Feng, Jianxin and Zhang, Geng and Li, Xinhui and Ding,
Yuanming and Liu, Zhiguo and Pan, Chengsheng and Deng,
Siyuan and Fang, Hui},
month = mar,
year = {2023}
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J. Anderson, “Introducing… The Ambisonic Toolkit,” , 2008.
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title = {Introducing... {The} {Ambisonic} {Toolkit}},
author  = {Anderson, Joseph},
year = {2008}
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K. Stockhausen, “Stockhausen on music: lectures and interviews,” , 1971.
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@Article{ stockhausen_stockhausen_1971,
address  = {London},
title = {Stockhausen on music: lectures and interviews},
isbn = {978-0-7145-2918-9},
language  = {eng},
author  = {Stockhausen, Karlheinz},
year = {1971}
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R. D. Graham, “Multichannel Recording for Electronic Music,” , 1979.
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@Article{ graham_multichannel_1979,
title = {Multichannel {Recording} for {Electronic} {Music}},
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year = {1979}
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P. L. Alexander, “Professional Orchestration Vol_1,” , 2006.
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title = {Professional {Orchestration} {Vol}\_1},
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E. Amigo, A. Ariza-Casabona, and V. Fresno, “Information Theory–based Compositional Distributional Semantics,” Computational linguistics, 2022.
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@Article{ amigo_information_2022,
title = {Information {Theory}–based {Compositional}
{Distributional} {Semantics}},
language  = {en},
journal  = {Computational Linguistics},
author  = {Amigo, Enrique and Ariza-Casabona, Alejandro and Fresno,
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year = {2022}
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Funkhouser, Tsingos, and Jot, “Survey of Methods for Modeling Sound Propagation in Interactive Virtual Environment Systems,” , 2003.
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title = {Survey of {Methods} for {Modeling} {Sound} {Propagation}
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author  = {Funkhouser and Tsingos and Jot},
year = {2003}
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L. A. Edward, “Overview of the Ptolemy project,” , 2001.
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title = {Overview of the {Ptolemy} project},
author  = {Edward, A. Lee},
year = {2001}
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Mose, “FAUST Quick Reference,” , 2016.
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title = {{FAUST} {Quick} {Reference}},
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H. Honshuku, “Jazz Theory I,” , 1998.
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title = {Jazz {Theory} {I}},
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year = {1998}
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F. J. Oteri, P. Oliveros, and L. Kang, “Creating Performing and Listening – Frank J. Oteri meets with Pauline Oliveros,” , 2000.
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@Article{ oteri_creating_2000,
title = {Creating {Performing} and {Listening} - {Frank} {J}.
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year = {2000}
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V. Molnar, “Un Moment éphémère De Certitude,” , 1980.
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title = {Un {Moment} Éphémère {De} {Certitude}},
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P. Mondrian, “Neue Gestaltung, Neoplastizismus =: Nieuwe beelding,” , 1925.
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@Article{ mondrian_neue_1925,
address  = {Mainz},
title = {Neue {Gestaltung}, {Neoplastizismus} =: {Nieuwe}
beelding},
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author  = {Mondrian, Piet},
year = {1925}
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X. Landrin, “Propagande Universalis,” , 2012.
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title = {Propagande {Universalis}},
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year = {2012}
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B. Truax, “The Computer Composition Sound Synthesis,” , 1973.
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title = {The {Computer} {Composition} {Sound} {Synthesis}},
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D. Curtis, “DNA and Music – A comparison of ‘DNA music’ and the issues of authentic representation.,” , 2005.
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@Article{ curtis_dna_2005,
title = {{DNA} and {Music} - {A} comparison of ‘{DNA} music’
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year = {2005}
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M. Lazzarato, “Marcel Duchamp Et Le Refus Du Travail,” , 2014.
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title = {Marcel {Duchamp} {Et} {Le} {Refus} {Du} {Travail}},
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year = {2014}
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V. Lindon, “Un Appel de Vincent Lindon,” , 2020.
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title = {Un {Appel} de {Vincent} {Lindon}},
author  = {Lindon, Vincent},
year = {2020}
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B. Lévy, “Visualising OMax,” , 2009.
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title = {Visualising {OMax}},
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year = {2009}
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O. Lartillo, “OpenMusic LZ_2.2 Library,” , 2001.
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title = {{OpenMusic} {LZ}\_2.2 {Library}},
author  = {Lartillo, Olivier},
year = {2001}
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J. Cage, “Experimental Music,” , 1957.
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@Article{ cage_experimental_1957,
title = {Experimental {Music}},
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S. Park, “Principles of Sigma-Delta Modulation for Analog-to-Digital Converters,” , 1997.
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title = {Principles of {Sigma}-{Delta} {Modulation} for
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year = {1997}
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Marin, “Exemple Du Disque Auditory Demonstration De l’ASA,” , 2008.
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title = {Exemple {Du} {Disque} {Auditory} {Demonstration} {De}
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year = {2008}
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D. A. Pocknee, “How To Compose A PhD Thesis In Music Composition,” , 2017.
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title = {How {To} {Compose} {A} {PhD} {Thesis} {In} {Music}
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year = {2017}
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“La Résistance électronique et autres idées impopulaires,” , 1997.
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@Article{ treguier_resistance_1997,
address  = {Paris},
title = {La {Résistance} électronique et autres idées
impopulaires},
isbn = {978-2-84162-024-1},
language  = {fre},
collaborator  = {Tréguier, Christine},
year = {1997}
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E. Ellberger, G. Toro Perez, J. Schuett, G. Zoia, and L. Cavaliero, “Spatialization Symbolic Music Notation at ICST,” , 2014.
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@Article{ ellberger_spatialization_2014,
title = {Spatialization {Symbolic} {Music} {Notation} at {ICST}},
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P-F. Baisnee, “Chant Manual,” , 1985.
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S. Wolfram, “Universality and complexity in cellular automata,” Physica d: nonlinear phenomena, 1984.
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@Article{ wolfram_universality_1984,
title = {Universality and complexity in cellular automata},
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doi = {10.1016/0167-2789(84)90245-8},
language  = {en},
journal  = {Physica D: Nonlinear Phenomena},
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month = jan,
year = {1984}
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G. Peeters, “A Large Set of Audio Features for Sound Description (Similarity and Classification) in the CUIDADO Project,” , 2004.
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title = {A {Large} {Set} of {Audio} {Features} for {Sound}
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author  = {Peeters, Geoffroy},
year = {2004}
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B. Nettles and R. Graf, “The chord scale theory & Jazz harmony,” , 1997.
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@Article{ nettles_chord_1997,
address  = {Rottenburg/N.},
title = {The chord scale theory \& {Jazz} harmony},
isbn = {978-3-89221-056-6},
language  = {eng},
author  = {Nettles, Barrie and Graf, Richard},
year = {1997}
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S. Abiteboul, “Artificial Intelligence Current Challenges and Inria’s Engagement,” , 2021.
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title = {Artificial {Intelligence} {Current} {Challenges} and
{Inria}'s {Engagement}},
author  = {Abiteboul, Serge},
year = {2021}
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L. Vilarem, “Oeuvres Electroniques Comment Les Conserver,” , 2012.
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@Article{ vilarem_oeuvres_2012,
title = {Oeuvres {Electroniques} {Comment} {Les} {Conserver}},
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year = {2012}
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Z. Mennan, “The Question of Non Standard Form,” , 2008.
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title = {The {Question} of {Non} {Standard} {Form}},
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Q. Yin, “Endless performance: buildings for performing arts,” , 2012.
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@Article{ yin_endless_2012,
address  = {Hong Kong},
title = {Endless performance: buildings for performing arts},
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language  = {eng},
author  = {Yin, Qian},
year = {2012}
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D. Kopp, “Chromatic transformations in nineteenth-century music,” , 2002.
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@Article{ kopp_chromatic_2002,
address  = {Cambridge ; New York},
title = {Chromatic transformations in nineteenth-century music},
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author  = {Kopp, David},
year = {2002}
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D. Dollens, “Building as Nature,” , 2016.
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title = {Building as {Nature}},
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year = {2016}
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Moller, “Multidimensional Audio,” , 2005.
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year = {2005}
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A. Schoenberg, “New Music, Outmoded Music, Style and Idea,” , 1946.
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title = {New {Music}, {Outmoded} {Music}, {Style} and {Idea}},
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Z. Khabazi, “Generative Algorithms (using Grasshopper),” , 2012.
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J. Tenney, “Computer Music Experiences,” , 1969.
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R. Kheshti, “Switched-on Bach,” , 2019.
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year = {2019}
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G. Armbruster, “Ripples,” , 1977.
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A. Douglas, “Drawing and the Score,” , 2013.
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author  = {Douglas, Anne},
year = {2013}
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M. Andreatta, “De La Conjecture De Minkowski Aux Canons Rythmiques Mosaiques,” , 2006.
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@Article{ andreatta_conjecture_2006,
title = {De {La} {Conjecture} {De} {Minkowski} {Aux} {Canons}
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C. D. Dworkin, “Unheard Music,” , 2005.
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K. R. Sawyer, “Improvisation and Narrative,” Narrative inquiry, 2002.
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title = {Improvisation and {Narrative}},
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doi = {10.1075/ni.12.2.05saw},
language  = {en},
journal  = {Narrative Inquiry},
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year = {2002}
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D. E. Knuth, “The Art of Computer Programming, Volume 1: Fundamental Algorithms,” , 1968.
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title = {The {Art} of {Computer} {Programming}, {Volume} 1:
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year = {1968}
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B. Bossis, “La pensée de Stockhausen,” , 2002.
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T. Martin, “Signs of Tragedy Past and Future,” , 2000.
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title = {Signs of {Tragedy} {Past} and {Future}},
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J. Avril, “L’Atome,” , 2017.
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title = {L'{Atome}},
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S. Vasulka and W. Vasulka, “Steina & Woody Vasulka Video Works,” , 1998.
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title = {Steina \& {Woody} {Vasulka} {Video} {Works}},
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year = {1998}
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W. Carlos, “Bond Film Score Monthly Wendy Carlos Interview,” , 1999.
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@Article{ carlos_bond_1999,
title = {Bond {Film} {Score} {Monthly} {Wendy} {Carlos}
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author  = {Carlos, Wendy},
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C. Agon, G. Assayag, J. Fineberg, and C. Rueda, “Kant a Critique of Pure Quantification,” , 1994.
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title = {Kant a {Critique} of {Pure} {Quantification}},
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N. M. Larsen, “Generative Algorithmic Techniques for Architectural Design,” , 2012.
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title = {Generative {Algorithmic} {Techniques} for {Architectural}
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P. Bourdieu and H. Haacke, “Free exchange,” , 1995.
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@Article{ bourdieu_free_1995,
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language  = {eng},
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M. Babbitt, “Who Cares if You Listen,” , 1958.
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G. M. Koenig, “Composition Processes,” , 1978.
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M. Puckette and C. Lippe, “Score Following in Practice,” , 1992.
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H. Vinet, “Recherche Et Innovation à L’Ircam,” , 2009.
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R. Samuels, “Mahler’s Sixth symphony: a study in musical semiotics,” , 1995.
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title = {Mahler's {Sixth} symphony: a study in musical semiotics},
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author  = {Samuels, Robert},
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A. B. M. Al-Kanadi, “The Islamic Ruling on Music and Singing in Light of the Quraan the Sunnah and the Consensus of Our Pious Predecessors,” , 2022.
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@Article{ al-kanadi_islamic_2022,
title = {The {Islamic} {Ruling} on {Music} and {Singing} in {Light}
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CIA, “Mars Exploration CIA report,” , 1984.
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M. Feldman and W. Zimmermann, “Conversation between Morton Feldman and Walter Zimmermann,” , 1976.
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author  = {Feldman, Morton and Zimmermann, Walter},
year = {1976}
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M. Foucault, “Histoire des systèmes de pensée,” , 1972.
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B. Wegman, “Aresti Made Simple,” , 2013.
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J. Chowning, “Computer Music: A Grand Adventure and Some Thoughts About Loudness,” , 1993.
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J. Giavitto, “Antescofo – A Not-So-Short Introduction to Version 0.x,” , 2016.
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title = {Antescofo - {A} {Not}-{So}-{Short} {Introduction} to
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R. Bain, “Algorithmic Composition: Quantum Mechanics and the Musical Domain,” , 1970.
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S. Kubrick, “2001 a Space Odyssey Screenplay,” , 1965.
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W. Burroughs, “Takis Magnetic Sculpture,” , 1969.
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@Article{ burroughs_takis_1969,
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author  = {Burroughs, William},
year = {1969}
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title = {A {Sense} of {Style}},
author  = {Garton, Brad and Suttor, Matthew},
year = {1998}
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Q. Fresnel, “Apprentissage de descripteurs audio par Deep learning, application pour la classification en genre musical,” , 2015.
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title = {Apprentissage de descripteurs audio par {Deep} learning,
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author  = {Fresnel, Quentin},
year = {2015}
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title = {Ecologically-based {Granular} {Synthesis}},
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title = {Gemini {Rising}, {Moon} in {Apollo}: {Attitudes} on the
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year = {2003}
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title = {The\_Musical {Quarterly} - {Is} the {Twelve}-{Tone}
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author  = {Krenek, Ernst},
year = {1953}
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title = {Spatializer: {From} {Room} {Acoustics} to {Virtual}
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year = {1992}
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M. Jedrzejewski and K. Marasek, “Computation of Room Acoustics using Programmable Video Hardware,” , 2004.
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@Article{ wojciechowski_computation_2004,
address  = {Dordrecht},
title = {Computation of {Room} {Acoustics} using {Programmable}
{Video} {Hardware}},
isbn = {978-1-4020-4178-5},
language  = {en},
booktitle  = {Computer {Vision} and {Graphics}},
author  = {Jedrzejewski, Marcin and Marasek, Krzysztof},
year = {2004},
doi = {10.1007/1-4020-4179-9_84}
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L. Stoltzfus, A. Gray, C. Dubach, and S. Bilbao, “Performance Portability for Room Acoustics Simulations,” , 2017.
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@Article{ stoltzfus_performance_2017,
title = {Performance {Portability} for {Room} {Acoustics}
{Simulations}},
language  = {en},
author  = {Stoltzfus, Larisa and Gray, Alan and Dubach, Christophe
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year = {2017}
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title = {Perspectiva {Corporum} {Regularum}},
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year = {1568}
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A. Poirier, “La Recherche Artistique dans l’Enseignement Musical Superieur,” , 2010.
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title = {La {Recherche} {Artistique} dans l’{Enseignement}
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author  = {Poirier, Alain},
year = {2010}
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year = {2001}
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title = {Andy {Warhol} an {Artist} and {His} {Amiga}},
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J. L. Hutchens, “Conversing with Stochastic Language Models,” , 2000.
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title = {Conversing with {Stochastic} {Language} {Models}},
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year = {2000}
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N. Panagakos, “Voyager will carry earth sounds record,” , 1977.
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title = {Voyager will carry earth sounds record},
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M. Chemillier, “Aspects mathématiques et cognitifs de la modélisation des structures musicales,” , 2001.
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title = {Aspects mathématiques et cognitifs de la modélisation
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author  = {Chemillier, Marc},
year = {2001}
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title = {Empirical evaluation of the articulatory synthesizer
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author  = {Lasarcyk, Eva},
year = {2014}
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J. Bidet, R. Branche, P. Boursier, J. Butler, and P. Chamoiseau, “Carton Rouge Contre La Révolution Conservatrice d’Emmanuel Macron,” , 2020.
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title = {Carton {Rouge} {Contre} {La} {Révolution} {Conservatrice}
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author  = {Bidet, Jacques and Branche, Raphaëlle and Boursier,
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title = {The {Machine} as {Seen} at the {End} of the {Mechanical}
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title = {{LilyPond}},
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J. Goebel, “My Dream (Machine?),” Computer music journal, 1991.
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title = {My {Dream} ({Machine}?)},
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year = {1987}
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address  = {Oakland, Calif},
title = {Instruments for new music: sound, technology, and
modernism},
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author  = {Patteson, Thomas},
year = {2016}
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A. Bello, “Extending Gendyn,” , 2012.
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author  = {Bello, Angelo},
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C. Lippe, “Musings on the Status of Electronic Music Today,” , 2014.
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title = {Musings on the {Status} of {Electronic} {Music} {Today}},
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C. Tomkins, “The World of Marcel Duchamp,” , 1966.
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H. Tutschku, “Portfolio of Compositions by Hans Tutschku,” , 2003.
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title = {Portfolio of {Compositions} by {Hans} {Tutschku}},
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year = {2003}
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D. Borgo, “Synergy and Surrealestate: The Orderly Disorder of Free Improvisation,” , 2002.
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title = {Synergy and {Surrealestate}: {The} {Orderly} {Disorder} of
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year = {2002}
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language  = {en},
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month = oct,
year = {1986}
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E. Hörl and A. Enns, “The technological condition,” , 2015.
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year = {2015}
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S. Sterken, “Travailler Chez Le Corbusier Le Cas De Iannis Xenakis,” , 2005.
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title = {Travailler {Chez} {Le} {Corbusier} {Le} {Cas} {De}
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author  = {Sterken, Sven},
year = {2005}
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language  = {en},
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}

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title = {Entropy and {Information} {Theory} in {Acoustics}},
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year = {2022}
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M. Puckette, “Max at Seventeen,” Computer music journal, 2002.
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title = {Max at {Seventeen}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892602320991356},
language  = {en},
journal  = {Computer Music Journal},
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year = {2002}
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L. Spuybroek, “The Soft Machine of Vision,” , 2013.
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S. Tibbits, A. van der Harten, and S. Baer, “Python Primer for Rhino,” , 2011.
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year = {2011}
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D. Larousserie, “La Révolution Des Neurones Artificiels,” , 2017.
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M. Kawczynski, “Essai Comparatif Sur l’Orginine Et Histoire Des Rythmes,” , 1889.
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title = {Essai {Comparatif} {Sur} l'{Orginine} {Et} {Histoire}
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M. Puckette, “Max,” , 1988.
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title = {Max},
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M. Puckette, “Computing While Composing,” , 2006.
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title = {Computing {While} {Composing}},
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year = {2006}
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F. Levy, “En Quoi La Musique Est-Elle Si Peu Contemporaine?,” , 2017.
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title = {En {Quoi} {La} {Musique} {Est}-{Elle} {Si} {Peu}
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address  = {Cambridge ; New York},
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language  = {eng},
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year = {2000}
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year = {2004}
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title = {Paul {Klee} {Notebooks} - {Vol} 1 - {The} {Thinking}
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year = {1956}
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P. Klee, “Klee Paul Klee Notebooks – Vol 2 – The Nature of Nature,” , 1970.
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title = {Klee {Paul} {Klee} {Notebooks} - {Vol} 2 - {The} {Nature}
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year = {1970}
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year = {1991}
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M. Gilman, “Poverty Lawgorithms: A Poverty Lawyer’s Guide to Fighting Automated Decision-Making Harms on Low-Income Communities,” , 2020.
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title = {Poverty {Lawgorithms}: {A} {Poverty} {Lawyer}’s {Guide}
to {Fighting} {Automated} {Decision}-{Making} {Harms} on
{Low}-{Income} {Communities}},
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year = {2020}
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G. Borio, “Morton Feldman and Abstract Expressionism Time and sound construction in his piano miniatures of the 1950’s and 1960’s by Gianmario Borio,” , 1996.
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@Article{ borio_morton_1996,
title = {Morton {Feldman} and {Abstract} {Expressionism} {Time} and
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year = {1996}
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G. Loizillon, “Diphone Studio,” , 1999.
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title = {Diphone {Studio}},
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year = {1999}
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S. Singh, “The code book: the science of secrecy from ancient Egypt to quantum cryptography,” , 2006.
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@Article{ singh_code_2006,
address  = {New York},
title = {The code book: the science of secrecy from ancient {Egypt}
to quantum cryptography},
isbn = {978-0-385-49532-5},
language  = {eng},
author  = {Singh, Simon},
year = {2006}
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title = {Visual {Intelligence}: {The} {First} {Decade} of
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doi = {10.2307/1578284},
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year = {1986}
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@Article{ renney_hypermodels_2022,
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title = {{HyperModels} - {A} {Framework} for {GPU} {Accelerated}
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doi = {10.21428/92fbeb44.98a4210a},
language  = {en},
booktitle  = {{NIME} 2022},
author  = {Renney, Harri and Willemsen, Silvin and Gaster, Benedict
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month = jun,
year = {2022}
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year = {2012}
}

W. Meyer Eppler, “The Terminology of Electronic Music,” , 1954.
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E. R. Miranda, A. Kirke, and Q. Zhang, “Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach,” Computer music journal, 2010.
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issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.1.80},
language  = {en},
journal  = {Computer Music Journal},
author  = {Miranda, Eduardo R. and Kirke, Alexis and Zhang, Qijun},
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M. Babbitt and F. J. Oteri, “A Discussion in 12 Parts With Milton Babbitt at the Juilliard School of Music,” , 2001.
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@Article{ babbitt_discussion_2001,
title = {A {Discussion} in 12 {Parts} {With} {Milton} {Babbitt} at
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year = {2001}
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K. Brougher, “Visual music: synaesthesia in art and music since 1900,” Choice reviews online, 2005.
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doi = {10.5860/CHOICE.43-0094},
language  = {en},
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M. Zeilinger, “Live Coding the Law: Improvisation, Code, and Copyright,” Computer music journal, 2014.
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@Article{ zeilinger_live_2014,
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issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00231},
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title = {Basic {Frequency} {Modulation} {Synthesis} {Technique}},
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year = {2003}
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J. Gressel, “Some Rhythmic Applications of Geometric Series,” , 1975.
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year = {1988}
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title = {Le {Racisme} {Comme} {Création} {De} {L}’{Etat}},
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title = {Potential {Degree} of {Freedom}},
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title = {Charles {Sheeler} \& {Albert} {Einstein}: {Pioneers} in
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language  = {eng},
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@Article{ buerger_x-ray_1958,
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@Article{ knuth_art_1969,
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R. Issa, “Essential Algorithms and Data Structures for Computational Design in Grasshopper – First Edition,” , 2020.
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H. Caure and M. Lhuissier, “Canons Rythmiques Mosaïques,” , 2015.
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P. Sargeant, “What is AI A simple guide to help you understand artificial intelligence,” , 2023.
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year = {2006}
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title = {The {Machine} {Age}},
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title = {A formal theory of inductive inference. {Part} {I}},
issn = {00199958},
doi = {10.1016/S0019-9958(64)90131-7},
language  = {en},
journal  = {Information and Control},
author  = {Solomonoff, R.J.},
month = jun,
year = {1964}
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J. Hawkins, “Smart Art and Theoretical Fictions,” , 2001.
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title = {Smart {Art} and {Theoretical} {Fictions}},
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title = {An {Improvised} {Prelude}-{Conversation}},
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year = {2004}
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title = {The {Conquest} of {Ubiquity}},
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year = {1928}
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year = {2013}
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N. H. Packard and S. Wolfram, “Two-dimensional cellular automata,” Journal of statistical physics, 1985.
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title = {Two-dimensional cellular automata},
issn = {0022-4715, 1572-9613},
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language  = {en},
journal  = {Journal of Statistical Physics},
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F. Pachet, P. Roy, and G. Barbieri, “Finite-Length Markov Processes with Constraints,” , 2011.
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title = {Finite-{Length} {Markov} {Processes} with {Constraints}},
language  = {en},
author  = {Pachet, Francois and Roy, Pierre and Barbieri, Gabriele},
year = {2011}
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V. Schwach, “Phénoménologie Et Proxémique La Méthode d’Abraham Moles,” , 2005.
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title = {Phénoménologie {Et} {Proxémique} {La} {Méthode}
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author  = {Schwach, Victor},
year = {2005}
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P. Weibel, “Otto Beckmann Pionier Der Computerkunst,” , 2010.
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title = {Otto {Beckmann} {Pionier} {Der} {Computerkunst}},
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year = {2010}
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B. Stiegler, “Intermittence Et Politique Du Temps,” , 2015.
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title = {Intermittence {Et} {Politique} {Du} {Temps}},
author  = {Stiegler, Bernard},
year = {2015}
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E. Brynjolfsson and A. McAfee, “The second machine age: work, progress, and prosperity in a time of brilliant technologies,” , 2014.
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@Article{ brynjolfsson_second_2014,
address  = {New York},
title = {The second machine age: work, progress, and prosperity in
a time of brilliant technologies},
isbn = {978-0-393-23935-5},
author  = {Brynjolfsson, Erik and McAfee, Andrew},
year = {2014}
}

M. Babbitt, “The Composer as Specialist,” , 1991.
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title = {The {Composer} as {Specialist}},
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year = {1991}
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J. F. Brient, “De la servitude moderne,” , 2016.
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@Article{ brient_servitude_2016,
title = {De la servitude moderne},
language  = {fr},
author  = {Brient, Jean François},
year = {2016}
}

R. Weinberg and J. Benthall, “Science and Technology in Art Today,” Technology and culture, 1973.
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@Article{ weinberg_science_1973,
title = {Science and {Technology} in {Art} {Today}},
issn = {0040165X},
doi = {10.2307/3102477},
journal  = {Technology and Culture},
author  = {Weinberg, Robert and Benthall, Jonathan},
month = oct,
year = {1973}
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S. Weil, “La Condition Ouvrière,” , 1951.
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@Article{ weil_condition_1951,
title = {La {Condition} {Ouvrière}},
issn = {9782080282958},
language  = {fr},
author  = {Weil, Simone},
year = {1951}
}

L. Spuybroek, J. Brouwer, and S. van Tuinen, “In the Thick of Things,” , 2016.
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@Article{ spuybroek_lars_thick_2016,
title = {In the {Thick} of {Things}},
author  = {Spuybroek, Lars and Brouwer, J. and van Tuinen, S.},
year = {2016}
}

R. P. Grimaldi, “Discrete and combinatorial mathematics: an applied introduction,” , 2004.
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@Article{ grimaldi_discrete_2004,
address  = {Boston},
title = {Discrete and combinatorial mathematics: an applied
introduction},
isbn = {978-0-201-72634-3},
author  = {Grimaldi, Ralph P.},
year = {2004}
}

J. Chouvel, “Pierre Boulez Et La Tradition,” , 2005.
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@Article{ chouvel_pierre_2005,
title = {Pierre {Boulez} {Et} {La} {Tradition}},
author  = {Chouvel, Jean-Marc},
year = {2005}
}

K. Stone, “Music Notation in the Twentieth Century: A Practical Guidebook,” , 1980.
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title = {Music {Notation} in the {Twentieth} {Century}: {A}
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author  = {Stone, Kurt},
year = {1980}
}

D. E. Knuth, “The Art of Computer Programming, Volume 3: Sorting and Searching,” , 1973.
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@Article{ knuth_art_1973,
title = {The {Art} of {Computer} {Programming}, {Volume} 3:
{Sorting} and {Searching}},
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year = {1973}
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G. Assayag, “La co-créativité musicale entre humain et machine : ERC Advanced Grant de Gérard Assayag,” , 2020.
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@Article{ assayag_co-creativite_2020,
title = {La co-créativité musicale entre humain et machine :
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author  = {Assayag, Gérard},
year = {2020}
}

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@Article{ dunwell_evolution_1960,
title = {The {Evolution} of 20th {Century} {Harmony}},
issn = {0027-4224, 1477-4631},
doi = {10.1093/ml/43.2.194},
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year = {1960}
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J. Valin and J. Skoglund, “LPCNET: Improving Neural Speech Synthesis through Linear Prediction,” , 2019.
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@Article{ valin_lpcnet_2019,
address  = {Brighton, United Kingdom},
title = {{LPCNET}: {Improving} {Neural} {Speech} {Synthesis}
through {Linear} {Prediction}},
isbn = {978-1-4799-8131-1},
doi = {10.1109/ICASSP.2019.8682804},
language  = {en},
booktitle  = {{ICASSP} 2019 - 2019 {IEEE} {International} {Conference}
on {Acoustics}, {Speech} and {Signal} {Processing}
({ICASSP})},
author  = {Valin, Jean-Marc and Skoglund, Jan},
month = may,
year = {2019}
}

Z. Wang, R. Giri, U. Isik, J. Valin, and A. Krishnaswamy, “Semi-Supervised Singing Voice Separation With Noisy Self-Training,” , 2021.
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@Article{ wang_semi-supervised_2021,
address  = {Toronto, ON, Canada},
title = {Semi-{Supervised} {Singing} {Voice} {Separation} {With}
{Noisy} {Self}-{Training}},
isbn = {978-1-7281-7605-5},
doi = {10.1109/ICASSP39728.2021.9413723},
language  = {en},
booktitle  = {{ICASSP} 2021 - 2021 {IEEE} {International} {Conference}
on {Acoustics}, {Speech} and {Signal} {Processing}
({ICASSP})},
author  = {Wang, Zhepei and Giri, Ritwik and Isik, Umut and Valin,
Jean-Marc and Krishnaswamy, Arvindh},
month = jun,
year = {2021}
}

J. Valin, A. Mustafa, C. Montgomery, T. B. Terriberry, M. Klingbeil, P. Smaragdis, and A. Krishnaswamy, “Real-Time Packet Loss Concealment With Mixed Generative and Predictive Model,” , 2022.
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@Article{ valin_real-time_2022,
title = {Real-{Time} {Packet} {Loss} {Concealment} {With} {Mixed}
{Generative} and {Predictive} {Model}},
doi = {10.21437/Interspeech.2022-903},
language  = {en},
booktitle  = {Interspeech 2022},
author  = {Valin, Jean-Marc and Mustafa, Ahmed and Montgomery,
Christopher and Terriberry, Timothy B. and Klingbeil,
Michael and Smaragdis, Paris and Krishnaswamy, Arvindh},
month = sep,
year = {2022}
}

J. Valin, R. Giri, S. Venkataramani, U. Isik, and A. Krishnaswamy, “To Dereverb Or Not To Dereverb? Perceptual Studies On Real-time Dereverberation Targets,” , 2022.
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@Article{ valin_dereverb_2022,
title = {To {Dereverb} {Or} {Not} {To} {Dereverb}? {Perceptual}
{Studies} {On} {Real}-time {Dereverberation} {Targets}},
language  = {en},
author  = {Valin, Jean-Marc and Giri, Ritwik and Venkataramani,
Shrikant and Isik, Umut and Krishnaswamy, Arvindh},
year = {2022}
}

J. Valin, “A Hybrid DSP/Deep Learning Approach to Real-Time Full-Band Speech Enhancement,” , 2018.
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@Article{ valin_hybrid_2018,
title = {A {Hybrid} {DSP}/{Deep} {Learning} {Approach} to
{Real}-{Time} {Full}-{Band} {Speech} {Enhancement}},
language  = {en},
author  = {Valin, Jean-Marc},
month = may,
year = {2018}
}

J. Pons, S. Pascual, G. Cengarle, and J. Serrà, “Upsampling artifacts in neural audio synthesis,” , 2021.
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@Article{ pons_upsampling_2021,
title = {Upsampling artifacts in neural audio synthesis},
language  = {en},
author  = {Pons, Jordi and Pascual, Santiago and Cengarle, Giulio and
Serrà, Joan},
month = feb,
year = {2021}
}

B. Hayes, C. Saitis, and G. Fazekas, “Sinusoidal Frequency Estimation by Gradient Descent,” , 2023.
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@Article{ hayes_sinusoidal_2023,
address  = {Rhodes Island, Greece},
title = {Sinusoidal {Frequency} {Estimation} by {Gradient}
{Descent}},
isbn = {978-1-7281-6327-7},
doi = {10.1109/ICASSP49357.2023.10095188},
language  = {en},
booktitle  = {{ICASSP} 2023 - 2023 {IEEE} {International} {Conference}
on {Acoustics}, {Speech} and {Signal} {Processing}
({ICASSP})},
author  = {Hayes, Ben and Saitis, Charalampos and Fazekas, György},
month = jun,
year = {2023}
}

H. Siuzdak, “Vocos: Closing the gap between time-domain and Fourier-based neural vocoders for high-quality audio synthesis,” , 2023.
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@Article{ siuzdak_vocos_2023,
title = {Vocos: {Closing} the gap between time-domain and
{Fourier}-based neural vocoders for high-quality audio
synthesis},
language  = {en},
author  = {Siuzdak, Hubert},
month = jun,
year = {2023}
}

K. Subramani, P. Rao, and A. D’Hooge, “Vapar Synth – A Variational Parametric Model for Audio Synthesis,” , 2020.
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@Article{ subramani_vapar_2020,
address  = {Barcelona, Spain},
title = {Vapar {Synth} - {A} {Variational} {Parametric} {Model} for
{Audio} {Synthesis}},
isbn = {978-1-5090-6631-5},
doi = {10.1109/ICASSP40776.2020.9054181},
language  = {en},
booktitle  = {{ICASSP} 2020 - 2020 {IEEE} {International} {Conference}
on {Acoustics}, {Speech} and {Signal} {Processing}
({ICASSP})},
author  = {Subramani, Krishna and Rao, Preeti and D'Hooge,
Alexandre},
month = may,
year = {2020}
}

C. Donahue, J. McAuley, and M. Puckette, “Adversarial Audio Synthesis,” , 2019.
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@Article{ donahue_adversarial_2019,
title = {Adversarial {Audio} {Synthesis}},
language  = {en},
author  = {Donahue, Chris and McAuley, Julian and Puckette, Miller},
month = feb,
year = {2019}
}

K. Tatar, D. Bisig, and P. Pasquier, “Introducing Latent Timbre Synthesis,” Neural computing and applications, 2021.
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@Article{ tatar_introducing_2021,
title = {Introducing {Latent} {Timbre} {Synthesis}},
issn = {0941-0643, 1433-3058},
doi = {10.1007/s00521-020-05424-2},
language  = {en},
journal  = {Neural Computing and Applications},
author  = {Tatar, K. and Bisig, D. and Pasquier, P.},
month = jan,
year = {2021}
}

C. Donahue, T. Erbe, and M. Puckette, “Extended Convolution Techniques for Cross-Synthesis,” , 2016.
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@Article{ donahue_extended_2016,
title = {Extended {Convolution} {Techniques} for
{Cross}-{Synthesis}},
language  = {en},
author  = {Donahue, Chris and Erbe, Tom and Puckette, Miller},
year = {2016}
}

K. Goel, A. Gu, C. Donahue, and C. Ré, “It’s Raw! Audio Generation with State-Space Models,” , 2022.
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@Article{ goel_its_2022,
title = {It's {Raw}! {Audio} {Generation} with {State}-{Space}
{Models}},
language  = {en},
author  = {Goel, Karan and Gu, Albert and Donahue, Chris and Ré,
Christopher},
month = feb,
year = {2022}
}

J. Whitaker, “An Explanation of Style Transfer With a Showdown of Different Techniques,” , 2023.
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@Article{ whitaker_explanation_2023,
title = {An {Explanation} of {Style} {Transfer} {With} a {Showdown}
of {Different} {Techniques}},
language  = {en},
author  = {Whitaker, Jonathan},
year = {2023}
}

P. Cassière, “Sympathie Et Résonances Ubiquitaires en Espaces Acous-Médiatiques,” , 2010.
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@Article{ cassiere_sympathie_2010,
title = {Sympathie {Et} {Résonances} {Ubiquitaires} en {Espaces}
{Acous}-{Médiatiques}},
author  = {Cassière, Pierre-Laurent},
year = {2010}
}

E. A. O. Nsugbe and C. J. K. Williams, “The generation of bone-like forms using analytic functions of a complex variable,” Engineering structures, 1997.
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@Article{ nsugbe_generation_1997,
title = {The generation of bone-like forms using analytic functions
of a complex variable},
issn = {01410296},
doi = {10.1016/S0141-0296(00)00018-3},
language  = {en},
journal  = {Engineering Structures},
author  = {Nsugbe, E.A.O and Williams, C.J.K},
year = {1997}
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E. S. Boyden III, “Quantum Computation Theory and Implementation,” , 1999.
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@Article{ boyden_iii_quantum_1999,
title = {Quantum {Computation} {Theory} and {Implementation}},
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year = {1999}
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G. G. Karman, “Spatialization of Karlheinz Stockhausen’s Cosmic Pulses,” , 2007.
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@Article{ karman_spatialization_2007,
title = {Spatialization of {Karlheinz} {Stockhausen}’s {Cosmic}
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author  = {Karman, Gregorio García},
year = {2007}
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L. A. Hiller, “Phrase Structure in Computer Music,” , 1978.
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@Article{ hiller_phrase_1978,
title = {Phrase {Structure} in {Computer} {Music}},
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P. Chandna, M. Blaauw, J. Bonada, and E. Gomez, “WGANSing: A Multi-Voice Singing Voice Synthesizer Based on the Wasserstein-GAN,” , 2019.
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@Article{ chandna_wgansing_2019,
title = {{WGANSing}: {A} {Multi}-{Voice} {Singing} {Voice}
{Synthesizer} {Based} on the {Wasserstein}-{GAN}},
doi = {10.23919/EUSIPCO.2019.8903099},
language  = {en},
booktitle  = {2019 27th {European} {Signal} {Processing} {Conference}
({EUSIPCO})},
author  = {Chandna, Pritish and Blaauw, Merlijn and Bonada, Jordi and
Gomez, Emilia},
month = sep,
year = {2019}
}

N. McNeal, J. Huang, A. Umoren, S. Dai, R. Dannenberg, R. Randall, and T. S. Lee, “Relating Human Perception of Musicality to Prediction in a Predictive Coding Model,” , 2022.
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@Article{ mcneal_relating_2022,
title = {Relating {Human} {Perception} of {Musicality} to
{Prediction} in a {Predictive} {Coding} {Model}},
language  = {en},
author  = {McNeal, Nikolas and Huang, Jennifer and Umoren, Aniekan
and Dai, Shuqi and Dannenberg, Roger and Randall, Richard
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month = oct,
year = {2022}
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T. Bole, “Faust Tutorial 2,” , 2008.
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@Article{ bole_faust_2008,
title = {Faust {Tutorial} 2},
author  = {Bole, Tiziano},
year = {2008}
}

K. Andersen, L. Devendorf, J. Pierce, R. Wakkary, and D. K. Rosner, “Disruptive Improvisations: Making Use of Non-Deterministic Art Practices in HCI,” , 2018.
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@Article{ andersen_disruptive_2018,
address  = {Montreal QC Canada},
title = {Disruptive {Improvisations}: {Making} {Use} of
{Non}-{Deterministic} {Art} {Practices} in {HCI}},
isbn = {978-1-4503-5621-3},
doi = {10.1145/3170427.3170630},
language  = {en},
booktitle  = {Extended {Abstracts} of the 2018 {CHI} {Conference} on
{Human} {Factors} in {Computing} {Systems}},
author  = {Andersen, Kristina and Devendorf, Laura and Pierce, James
and Wakkary, Ron and Rosner, Daniela K.},
month = apr,
year = {2018}
}

M. Heidegger, “What Is Called Thinking,” , 1954.
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@Article{ heidegger_what_1954,
title = {What {Is} {Called} {Thinking}},
author  = {Heidegger, Martin},
year = {1954}
}

D. Nowell-Smith and The Heidegger Circle, “The Art of Fugue: Heidegger on Rhythm,” Gatherings: the heidegger circle annual, 2012.
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@Article{ nowell-smith_art_2012,
title = {The {Art} of {Fugue}: {Heidegger} on {Rhythm}},
issn = {2165-3275},
doi = {10.5840/gatherings201223},
language  = {en},
journal  = {Gatherings: The Heidegger Circle Annual},
author  = {Nowell-Smith, David and {The Heidegger Circle}},
year = {2012}
}

G. Debord, “Perspectives for Conscious Alterations in Everyday Life,” , 1961.
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@Article{ debord_perspectives_1961,
title = {Perspectives for {Conscious} {Alterations} in {Everyday}
{Life}},
author  = {Debord, Guy},
year = {1961}
}

C. Kreindler, “Arturia Brass 2 User’s Manual,” , 2010.
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@Article{ kreindler_arturia_2010,
title = {Arturia {Brass} 2 {User}’s {Manual}},
author  = {Kreindler, Cristian},
year = {2010}
}

P. Boulez, “Technology and the Composer,” , 1978.
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@Article{ emmerson_technology_1978,
address  = {London},
title = {Technology and the {Composer}},
isbn = {978-0-333-39760-2 978-1-349-18492-7},
language  = {en},
booktitle  = {The {Language} of {Electroacoustic} {Music}},
author  = {Boulez, Pierre},
year = {1978},
doi = {10.1007/978-1-349-18492-7_2}
}

R. Mosse and B. Frost, “Ben Frost Speaks to Richard Mosse,” , 2014.
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@Article{ mosse_ben_2014,
title = {Ben {Frost} {Speaks} to {Richard} {Mosse}},
author  = {Mosse, Richard and Frost, Ben},
year = {2014}
}

S. Jayadev, “A Method of Incorporating Matrix Theory to Create Mathematical Function-Based Music,” , 2014.
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@Article{ jayadev_method_2014,
title = {A {Method} of {Incorporating} {Matrix} {Theory} to
{Create} {Mathematical} {Function}-{Based} {Music}},
author  = {Jayadev, Sidarth},
year = {2014}
}

H. D. Thoreau, G. Villeneuve, and G. de Lagasnerie, “La désobéissance civile,” , 2022.
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@Article{ thoreau_desobeissance_2022,
address  = {Paris},
title = {La désobéissance civile},
isbn = {978-2-7555-0824-6},
language  = {fre},
author  = {Thoreau, Henry David and Villeneuve, Guillaume and
Lagasnerie, Geoffroy de},
year = {2022}
}

N. Panchuk, “An Exploration into Biomimicry and its Application in Digital & Parametric [Architectural] Design,” , 2006.
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@Article{ panchuk_exploration_2006,
title = {An {Exploration} into {Biomimicry} and its {Application}
in {Digital} \& {Parametric} [{Architectural}] {Design}},
author  = {Panchuk, Neal},
year = {2006}
}

T. Srugo, “Harmonic Temporal Patterns And Their Relation To Timbre And Scale,” , 2012.
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@Article{ srugo_harmonic_2012,
title = {Harmonic {Temporal} {Patterns} {And} {Their} {Relation}
{To} {Timbre} {And} {Scale}},
author  = {Srugo, Tom},
year = {2012}
}

R. Willey and Trimpin, “Conversation Between Trimpin and Robert Willey,” , 2011.
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@Article{ willey_conversation_2011,
title = {Conversation {Between} {Trimpin} and {Robert} {Willey}},
author  = {Willey, Robert and Trimpin},
year = {2011}
}

M. Adkins, “Schaeffer est Mort! Long live Schaeffer!,” , 2007.
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@Article{ adkins_schaeffer_2007,
title = {Schaeffer est {Mort}! {Long} live {Schaeffer}!},
author  = {Adkins, Monty},
year = {2007}
}

N. Donin, “Danse et musique de plain-pied: Work/Travail/Arbeid (De Keersmaeker),” , 2015.
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@Article{ donin_danse_2015,
title = {Danse et musique de plain-pied: {Work}/{Travail}/{Arbeid}
({De} {Keersmaeker})},
author  = {Donin, Nicolas},
year = {2015}
}

P. Elsea, “Lissajous Art,” , 2004.
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@Article{ elsea_lissajous_2004,
title = {Lissajous {Art}},
author  = {Elsea, Peter},
year = {2004}
}

K. Tahıroğlu, T. Magnusson, A. Parkinson, I. Garrelfs, and A. Tanaka, “Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments,” Organised sound, 2020.
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@Article{ tahiroglu_digital_2020,
title = {Digital {Musical} {Instruments} as {Probes}: {How}
computation changes the mode-of-being of musical
instruments},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771819000475},
language  = {en},
journal  = {Organised Sound},
author  = {Tahıroğlu, Koray and Magnusson, Thor and Parkinson, Adam
and Garrelfs, Iris and Tanaka, Atau},
month = apr,
year = {2020}
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S. Jarvis, “Musical Thinking: Hegel and the Phenomenology of Prosody,” Paragraph, 2005.
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@Article{ jarvis_musical_2005,
title = {Musical {Thinking}: {Hegel} and the {Phenomenology} of
{Prosody}},
issn = {0264-8334, 1750-0176},
doi = {10.3366/para.2005.28.2.57},
language  = {en},
journal  = {Paragraph},
author  = {Jarvis, Simon},
month = jul,
year = {2005}
}

W. Gardiner, “The Music of Nature: Or, An Attempt to Prove that What Is Passionate and Pleasing in the Art of Singing, Speaking and Performing upon Musical Instruments, Is Derived from the Sounds of the Animated World,” , 1832.
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@Article{ gardiner_music_1832,
title = {The {Music} of {Nature}: {Or}, {An} {Attempt} to {Prove}
that {What} {Is} {Passionate} and {Pleasing} in the {Art}
of {Singing}, {Speaking} and {Performing} upon {Musical}
{Instruments}, {Is} {Derived} from the {Sounds} of the
{Animated} {World}},
isbn = {978-1-108-00213-4 978-0-511-69480-6},
author  = {Gardiner, William},
year = {1832},
doi = {10.1017/CBO9780511694806}
}

A. D. Patel and J. R. Daniele, “An empirical comparison of rhythm in language and music,” Cognition, 2003.
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@Article{ patel_empirical_2003,
title = {An empirical comparison of rhythm in language and music},
issn = {00100277},
doi = {10.1016/S0010-0277(02)00187-7},
language  = {en},
journal  = {Cognition},
author  = {Patel, Aniruddh D and Daniele, Joseph R},
month = feb,
year = {2003}
}

M. Bellamy, “Developing Instrumental Sound Resources Through Collaborative Compositional Practice,” , 2013.
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@Article{ bellamy_developing_2013,
title = {Developing {Instrumental} {Sound} {Resources} {Through}
{Collaborative} {Compositional} {Practice}},
author  = {Bellamy, Mary},
year = {2013}
}

S. Horvitz, “Studies for Automatic Piano a Listener’s Guide,” , 2011.
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@Article{ horvitz_studies_2011,
title = {Studies for {Automatic} {Piano} a {Listener}’s {Guide}},
author  = {Horvitz, Seth},
year = {2011}
}

E. H. Kloman, “Unmanned Space Project Management: Surveyor and Lunar Orbiter. NASA SP-4901,” , 1972.
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@Article{ kloman_unmanned_1972,
title = {Unmanned {Space} {Project} {Management}: {Surveyor} and
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author  = {Kloman, Erasmus H.},
year = {1972}
}

A. Tanaka, “Generations of Generative Music,” , 2023.
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@Article{ tanaka_generations_2023,
title = {Generations of {Generative} {Music}},
language  = {en},
author  = {Tanaka, Atau},
year = {2023}
}

R. Banham, “Theory and design in the first machine age,” , 1967.
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@Article{ banham_theory_1967,
address  = {Cambridge, Mass},
title = {Theory and design in the first machine age},
isbn = {978-0-262-52058-4},
author  = {Banham, Reyner},
year = {1967}
}

N. Barrett, “The Perception Evaluation and Creative Application of High Order Ambisonics in Contemporary Music Practice,” , 2012.
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@Article{ barrett_perception_2012,
title = {The {Perception} {Evaluation} and {Creative} {Application}
of {High} {Order} {Ambisonics} in {Contemporary} {Music}
{Practice}},
author  = {Barrett, Natasha},
year = {2012}
}

D. Von Drathen, “Invisible Sculpture Molded Sound,” , 1993.
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@Article{ von_drathen_invisible_1993,
title = {Invisible {Sculpture} {Molded} {Sound}},
author  = {Von Drathen, Doris},
year = {1993}
}

L. Cazabon, “Trajectories – Making Time in Contemporary Art,” , 2008.
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@Article{ cazabon_trajectories_2008,
title = {Trajectories - {Making} {Time} in {Contemporary} {Art}},
author  = {Cazabon, Lynn},
year = {2008}
}

N. Tzortzis, “Imcompatible(s) V,” , 2012.
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@Article{ tzortzis_imcompatibles_2012,
title = {Imcompatible(s) {V}},
author  = {Tzortzis, Nicolas},
year = {2012}
}

A. Wuensche and M. Lesser, “The global dynamics of cellular automata: an atlas of basin of attraction fields of one-dimensional cellular automata,” , 1992.
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@Article{ wuensche_global_1992,
address  = {Reading, Mass},
title = {The global dynamics of cellular automata: an atlas of
basin of attraction fields of one-dimensional cellular
automata},
isbn = {978-0-201-55740-4},
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year = {1992}
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A. Cabrera, “Pseudo-Stereo Techniques,” , 2011.
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@Article{ cabrera_pseudo-stereo_2011,
title = {Pseudo-{Stereo} {Techniques}},
author  = {Cabrera, Andrés},
year = {2011}
}

M. Chemillier, “György Ligeti Et La Logique Des Textures,” , 2001.
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@Article{ chemillier_gyorgy_2001,
title = {György {Ligeti} {Et} {La} {Logique} {Des} {Textures}},
author  = {Chemillier, Marc},
year = {2001}
}

C. Maxfield, “Composers Performance and Publication,” , 1963.
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@Article{ maxfield_composers_1963,
title = {Composers {Performance} and {Publication}},
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year = {1963}
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@Article{ noauthor_jimmies_1998,
title = {Jimmies {For} {MSP}},
year = {1998}
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N. Marinic, J. Natterer, and W. Schneider, “The Kontakt Script Language,” , 2006.
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@Article{ marinic_kontakt_2006,
title = {The {Kontakt} {Script} {Language}},
author  = {Marinic, Nicki and Natterer, Josef and Schneider,
Wolfgang},
year = {2006}
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A. Bancquart, C. Agon, and M. Andreatta, “Microtonal Composition,” , 2011.
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@Article{ bancquart_microtonal_2011,
title = {Microtonal {Composition}},
author  = {Bancquart, Alain and Agon, Carlos and Andreatta, Moreno},
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D. Zicarelli, “M and Jam Factory,” Computer music journal, 1987.
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@Article{ zicarelli_m_1987,
title = {M and {Jam} {Factory}},
issn = {01489267},
doi = {10.2307/3680237},
journal  = {Computer Music Journal},
author  = {Zicarelli, David},
year = {1987}
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M. Neukom, “Studie 18,” , 2007.
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@Article{ neukom_studie_2007,
title = {Studie 18},
author  = {Neukom, Martin},
year = {2007}
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M. Neuhaus, I. Gianelli, and A. Russo, “Max Neuhaus: evocare l’udibile = Max Neuhaus: évoquer l’auditif,” , 1995.
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@Article{ neuhaus_max_1995,
address  = {Milano},
title = {Max {Neuhaus}: evocare l'udibile = {Max} {Neuhaus}:
évoquer l'auditif},
isbn = {978-88-8158-046-0},
language  = {itafre},
author  = {Neuhaus, Max and Gianelli, Ida and Russo, Antonella},
collaborator  = {Villa Arson (France) and Castello di Rivoli (Museum :
Rivoli, Italy) and France},
year = {1995}
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C. Balmond, “Mark,” , 2010.
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@Article{ balmond_mark_2010,
title = {Mark},
author  = {Balmond, Cecil},
year = {2010}
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J. Bewley, “Morton Feldman a Celebration of His 80,” , 2006.
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@Article{ bewley_morton_2006,
title = {Morton {Feldman} a {Celebration} of {His} 80},
author  = {Bewley, John},
year = {2006}
}

L. M. Young, “An Anthology of Chance Operations,” , 1963.
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@Article{ young_anthology_1963,
title = {An {Anthology} of {Chance} {Operations}},
author  = {Young, La Monte},
year = {1963}
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J. McCormack, “On the Future of Computers and Creativity,” , 2014.
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@Article{ mccormack_future_2014,
title = {On the {Future} of {Computers} and {Creativity}},
language  = {en},
author  = {McCormack, Jon},
year = {2014}
}

M. d’Inverno and M. Luck, “Creativity Through Autonomy and Interaction,” Cognitive computation, 2012.
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@Article{ dinverno_creativity_2012,
title = {Creativity {Through} {Autonomy} and {Interaction}},
issn = {1866-9956, 1866-9964},
doi = {10.1007/s12559-012-9152-5},
language  = {en},
journal  = {Cognitive Computation},
author  = {d’Inverno, Mark and Luck, Michael},
month = sep,
year = {2012}
}

M. Coeckelbergh, “Can Machines Create Art?,” Philosophy & technology, 2017.
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@Article{ coeckelbergh_can_2017,
title = {Can {Machines} {Create} {Art}?},
issn = {2210-5433, 2210-5441},
doi = {10.1007/s13347-016-0231-5},
language  = {en},
journal  = {Philosophy \& Technology},
author  = {Coeckelbergh, Mark},
month = sep,
year = {2017}
}

A. Stegaru, “Modalys Reference Manual Finite Element Objects,” , 2003.
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@Article{ stegaru_modalys_2003,
title = {Modalys {Reference} {Manual} {Finite} {Element}
{Objects}},
author  = {Stegaru, A},
year = {2003}
}

H. Sayama, “Constructing Evolutionary Systems on a Simple Deterministic Cellular Automata Space,” , 1998.
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@Article{ sayama_constructing_1998,
title = {Constructing {Evolutionary} {Systems} on a {Simple}
{Deterministic} {Cellular} {Automata} {Space}},
author  = {Sayama, Hiroki},
year = {1998}
}

“The Ethics of Creativity,” , 2014.
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@Article{ moran_ethics_2014,
address  = {London},
title = {The {Ethics} of {Creativity}},
isbn = {978-1-137-33352-0 978-1-137-33354-4},
language  = {en},
year = {2014},
doi = {10.1057/9781137333544}
}

“Computers and Creativity,” , 2012.
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@Article{ mccormack_computers_2012,
address  = {Berlin, Heidelberg},
title = {Computers and {Creativity}},
isbn = {978-3-642-31726-2 978-3-642-31727-9},
language  = {en},
year = {2012},
doi = {10.1007/978-3-642-31727-9}
}

“Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19,” , 2022.
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@Article{ morrow_rethinking_2022,
address  = {Cham},
title = {Rethinking the {Music} {Business}: {Music} {Contexts},
{Rights}, {Data}, and {COVID}-19},
isbn = {978-3-031-09531-3 978-3-031-09532-0},
language  = {en},
year = {2022},
doi = {10.1007/978-3-031-09532-0}
}

P. Allen, “Artist Management for the Music Business: Manage Your Career in Music Manage the Music Careers of Others,” , 2022.
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@Article{ allen_artist_2022,
address  = {New York},
title = {Artist {Management} for the {Music} {Business}: {Manage}
{Your} {Career} in {Music} {Manage} the {Music} {Careers}
of {Others}},
isbn = {978-1-003-17900-9},
language  = {en},
author  = {Allen, Paul},
month = jan,
year = {2022},
doi = {10.4324/9781003179009}
}

“The Creative System in Action,” , 2016.
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@Article{ mcintyre_creative_2016,
address  = {London},
title = {The {Creative} {System} in {Action}},
isbn = {978-1-137-50945-1 978-1-137-50946-8},
language  = {en},
year = {2016},
doi = {10.1057/9781137509468}
}

Hutchison, “Graphics,” , 2015.
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@Article{ hutchison_graphics_2015,
title = {Graphics},
author  = {Hutchison},
year = {2015}
}

C. Ayrey, “Pousseur’s Scambi (1957) and the New Problematics of the Open Work,” , 2007.
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@Article{ ayrey_pousseurs_2007,
title = {Pousseur’s {Scambi} (1957) and the {New} {Problematics}
of the {Open} {Work}},
author  = {Ayrey, Craig},
year = {2007}
}

G. Mobius, “Visual Representation of the Genetic Code,” , 2013.
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@Article{ mobius_visual_2013,
title = {Visual {Representation} of the {Genetic} {Code}},
author  = {Mobius, Gregor},
year = {2013}
}

J. Fowles and G. K. O’Neill, “The High Frontier: Human Colonies in Space,” Technology and culture, 1977.
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@Article{ fowles_high_1977,
title = {The {High} {Frontier}: {Human} {Colonies} in {Space}},
issn = {0040165X},
doi = {10.2307/3103615},
journal  = {Technology and Culture},
author  = {Fowles, Jib and O'Neill, Gerard K.},
month = oct,
year = {1977}
}

V. Z. Nollan, “Sculpting in Time: Reflections on the Cinema. By Andrey Tarkovsky,” Slavic review, 1989.
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@Article{ nollan_sculpting_1989,
title = {Sculpting in {Time}: {Reflections} on the {Cinema}. {By}
{Andrey} {Tarkovsky}},
issn = {0037-6779, 2325-7784},
doi = {10.2307/2499169},
language  = {en},
journal  = {Slavic Review},
author  = {Nollan, Valerie Z.},
year = {1989}
}

S. Catellin, “Sérendipité Et Réflexivité,” , 2012.
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@Article{ catellin_serendipite_2012,
title = {Sérendipité {Et} {Réflexivité}},
author  = {Catellin, Sylvie},
year = {2012}
}

“The Complexity of Creativity,” , 1997.
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@Article{ andersson_complexity_1997,
address  = {Dordrecht},
title = {The {Complexity} of {Creativity}},
isbn = {978-90-481-4778-6 978-94-015-8788-4},
language  = {en},
year = {1997},
doi = {10.1007/978-94-015-8788-4}
}

W. A. Corsaro and P. Bourdieu, “Language and Symbolic Power.,” Social forces, 1991.
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@Article{ corsaro_language_1991,
title = {Language and {Symbolic} {Power}.},
issn = {00377732},
doi = {10.2307/2579985},
journal  = {Social Forces},
author  = {Corsaro, William A. and Bourdieu, Pierre},
year = {1991}
}

G. Deleuze, “Différence et répétition,” , 1968.
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@Article{ deleuze_difference_1968,
address  = {Paris},
title = {Différence et répétition},
isbn = {978-2-13-058529-9},
language  = {fre},
author  = {Deleuze, Gilles},
year = {1968}
}

J. Cavaillès, A. Lautman, and R. Mackay, “Mathematical Thought,” , 2016.
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@Article{ cavailles_mathematical_2016,
title = {Mathematical {Thought}},
author  = {Cavaillès, Jean and Lautman, Albert and Mackay, Robin},
year = {2016}
}

R. Ehrlich, “Analysis of Bubble Chamber Photographs,” , 2013.
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@Article{ ehrlich_analysis_2013,
title = {Analysis of {Bubble} {Chamber} {Photographs}},
author  = {Ehrlich, Robert},
year = {2013}
}

J. F. Daube, “Daube’s Musical Dilettante: A Treatise on Composition,” , 1773.
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@Article{ daube_daubes_1773,
title = {Daube's {Musical} {Dilettante}: {A} {Treatise} on
{Composition}},
isbn = {978-0-521-36564-2 978-0-521-03065-6 978-0-511-55246-5},
author  = {Daube, Johann Friedrich},
year = {1773},
doi = {10.1017/CBO9780511552465}
}

J. Delpech-Ramey and P. D. Miller, “Spooky Noises: Ghosts in the Music Machine of Paul D. Miller (aka DJ Spooky),” , 2010.
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@Article{ delpech-ramey_spooky_2010,
title = {Spooky {Noises}: {Ghosts} in the {Music} {Machine} of
{Paul} {D}. {Miller} (aka {DJ} {Spooky})},
author  = {Delpech-Ramey, Joshua and Miller, Paul D.},
year = {2010}
}

D. M. Burraston, “Generative Music and Cellular Automata,” , 2006.
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@Article{ burraston_generative_2006,
title = {Generative {Music} and {Cellular} {Automata}},
author  = {Burraston, David M.},
year = {2006}
}

M. Sudan, “Advanced Complexity Theory,” , 2002.
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@Article{ sudan_advanced_2002,
title = {Advanced {Complexity} {Theory}},
author  = {Sudan, Madhu},
year = {2002}
}

S. Callear, “Audiovisual Correspondence an Overview,” , 2009.
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@Article{ callear_audiovisual_2009,
title = {Audiovisual {Correspondence} an {Overview}},
author  = {Callear, Stephen},
year = {2009}
}

S. Hawkings, “Space & Time Warps,” , 1999.
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@Article{ hawkings_space_1999,
title = {Space \& {Time} {Warps}},
author  = {Hawkings, Stephen},
year = {1999}
}

A. Belkin, “Artistic Orchestration,” , 2001.
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@Article{ belkin_artistic_2001,
title = {Artistic {Orchestration}},
author  = {Belkin, Alan},
year = {2001}
}

Melpomene, “Bagabone Hem I Die Now,” , 1980.
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@Article{ melpomene_bagabone_1980,
title = {Bagabone {Hem} {I} {Die} {Now}},
author  = {Melpomene},
year = {1980}
}

J. Schoner, “Iannis Xenakis’ Musique Stochastique System Design and Mathematical Background,” , 2003.
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@Article{ schoner_iannis_2003,
title = {Iannis {Xenakis}’ {Musique} {Stochastique} {System}
{Design} and {Mathematical} {Background}},
author  = {Schoner, Jeffrey},
year = {2003}
}

B. Frei, “Digital Sound Generation 1,” , 2010.
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@Article{ frei_digital_2010,
title = {Digital {Sound} {Generation} 1},
author  = {Frei, Beat},
year = {2010}
}

F. M. Esfandiary, “Up-wingers,” , 1977.
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@Article{ esfandiary_up-wingers_1977,
address  = {New York},
title = {Up-wingers},
isbn = {978-0-445-04094-6},
language  = {eng},
author  = {Esfandiary, F. M.},
year = {1977}
}

Frykholm, “Learning to Think Mathematically with the Number Line,” , 2010.
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@Article{ frykholm_learning_2010,
title = {Learning to {Think} {Mathematically} with the {Number}
{Line}},
author  = {Frykholm},
year = {2010}
}

T. Jörg, “Generative Complexity in a Complex Generative World: A Generative Revolution in the Making,” , 2021.
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@Article{ jorg_generative_2021,
address  = {Cham},
title = {Generative {Complexity} in a {Complex} {Generative}
{World}: {A} {Generative} {Revolution} in the {Making}},
isbn = {978-3-030-90408-1 978-3-030-90409-8},
language  = {en},
author  = {Jörg, Ton},
year = {2021},
doi = {10.1007/978-3-030-90409-8}
}

R. H. Spector, “In the ruins of empire: the Japanese surrender and the battle for postwar Asia,” , 2007.
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@Article{ spector_ruins_2007,
address  = {New York},
title = {In the ruins of empire: the {Japanese} surrender and the
battle for postwar {Asia}},
isbn = {978-0-375-50915-5},
author  = {Spector, Ronald H.},
year = {2007}
}

V. Lazzarini, “Computer Music Instruments I: Foundations, Design and Development,” , 2017.
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@Article{ lazzarini_computer_2017,
address  = {Cham},
title = {Computer {Music} {Instruments} {I}: {Foundations},
{Design} and {Development}},
isbn = {978-3-319-63503-3 978-3-319-63504-0},
language  = {en},
author  = {Lazzarini, Victor},
year = {2017},
doi = {10.1007/978-3-319-63504-0}
}

V. Lazzarini, “Computer Music Instruments II: Realtime and Object-Oriented Audio,” , 2019.
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@Article{ lazzarini_computer_2019,
address  = {Cham},
title = {Computer {Music} {Instruments} {II}: {Realtime} and
{Object}-{Oriented} {Audio}},
isbn = {978-3-030-13711-3 978-3-030-13712-0},
language  = {en},
author  = {Lazzarini, Victor},
year = {2019},
doi = {10.1007/978-3-030-13712-0}
}

E. S. Sahin, T. Cheng, D. Wood, Y. Tahouni, S. Poppinga, M. Thielen, T. Speck, and A. Menges, “Cross-Sectional 4D-Printing: Upscaling Self-Shaping Structures with Differentiated Material Properties Inspired by the Large-Flowered Butterwort (Pinguicula grandiflora),” Biomimetics, 2023.
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@Article{ sahin_cross-sectional_2023,
title = {Cross-{Sectional} {4D}-{Printing}: {Upscaling}
{Self}-{Shaping} {Structures} with {Differentiated}
{Material} {Properties} {Inspired} by the
{Large}-{Flowered} {Butterwort} ({Pinguicula}
grandiflora)},
issn = {2313-7673},
doi = {10.3390/biomimetics8020233},
language  = {en},
journal  = {Biomimetics},
author  = {Sahin, Ekin Sila and Cheng, Tiffany and Wood, Dylan and
Tahouni, Yasaman and Poppinga, Simon and Thielen, Marc and
Speck, Thomas and Menges, Achim},
month = jun,
year = {2023}
}

C. Cutler, “The Road to Plunderphonia,” , 2011.
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@Article{ cutler_road_2011,
title = {The {Road} to {Plunderphonia}},
author  = {Cutler, Chris},
year = {2011}
}

D. Burraston and E. Edmonds, “Cellular automata in generative electronic music and sonic art: a historical and technical review,” Digital creativity, 2005.
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@Article{ burraston_cellular_2005,
title = {Cellular automata in generative electronic music and sonic
art: a historical and technical review},
issn = {1462-6268, 1744-3806},
doi = {10.1080/14626260500370882},
language  = {en},
journal  = {Digital Creativity},
author  = {Burraston, Dave and Edmonds, Ernest},
month = jan,
year = {2005}
}

S. Greg, “Audiences and Community Cutting Through the Forest,” , 2008.
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@Article{ greg_audiences_2008,
title = {Audiences and {Community} {Cutting} {Through} the
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author  = {Greg, Sandow},
year = {2008}
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F. Evers, “The Academy of the Senses Synesthetics in Science Art and Education,” , 2012.
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@Article{ evers_academy_2012,
title = {The {Academy} of the {Senses} {Synesthetics} in {Science}
{Art} and {Education}},
author  = {Evers, Frans},
year = {2012}
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S. Wolpe, “To Understand Music,” , 1953.
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@Article{ wolpe_understand_1953,
title = {To {Understand} {Music}},
author  = {Wolpe, Stefan},
year = {1953}
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M. Supper and S. Weinzierl, “Sound in Space – Space in Sound,” , 2008.
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@Article{ supper_sound_2008,
title = {Sound in {Space} - {Space} in {Sound}},
author  = {Supper, Martin and Weinzierl, Stefan},
year = {2008}
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H. Chopin, “Poesie Sonore Internationale,” , 1979.
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@Article{ chopin_poesie_1979,
title = {Poesie {Sonore} {Internationale}},
author  = {Chopin, Henri},
year = {1979}
}

I. Xenakis and J. Bosseur, “Interview with Iannis Xenakis,” , 1992.
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@Article{ xenakis_interview_1992,
title = {Interview with {Iannis} {Xenakis}},
author  = {Xenakis, Iannis and Bosseur, Jean-Yves},
year = {1992}
}

D. A. Dalrymple, N. A. Gershenfeld, and K. Chen, “Asynchronous Logic Automata,” , 2013.
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@Article{ dalrymple_asynchronous_2013,
title = {Asynchronous {Logic} {Automata}},
author  = {Dalrymple, David A. and Gershenfeld, Niel A. and Chen,
Kailiang},
year = {2013}
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A. G. Basoli and W. Herzog, “The Wrath of Klaus Kinski: an Interview with Werner Herzog,” , 2009.
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@Article{ basoli_wrath_2009,
title = {The {Wrath} of {Klaus} {Kinski}: an {Interview} with
{Werner} {Herzog}},
author  = {Basoli, A.G. and Herzog, Werner},
year = {2009}
}

I. Chiarelli, “Stockhausen and Traditional Japanese Music,” , 2014.
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@Article{ chiarelli_stockhausen_2014,
title = {Stockhausen and {Traditional} {Japanese} {Music}},
author  = {Chiarelli, Ivan},
year = {2014}
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S. Nissen, “Neural Networks Made Simple,” , 2005.
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@Article{ nissen_neural_2005,
title = {Neural {Networks} {Made} {Simple}},
author  = {Nissen, Steffen},
year = {2005}
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L. van der Maaten and G. Hinton, “Visualizing Data using t-SNE,” , 2008.
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@Article{ van_der_maaten_visualizing_2008,
title = {Visualizing {Data} using t-{SNE}},
author  = {van der Maaten, Laurens and Hinton, Geoffrey},
year = {2008}
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M. Horkheimer and T. W. Adorno, “The Culture Industry: Enlightenment as Mass Deception,” , 1944.
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@Article{ anderson_culture_1944,
title = {The {Culture} {Industry}: {Enlightenment} as {Mass}
{Deception}},
isbn = {978-1-315-25119-6},
language  = {en},
booktitle  = {Karl {Marx}},
author  = {Horkheimer, Max and Adorno, Theodor W.},
collaborator  = {Anderson, Kevin B.},
year = {1944},
doi = {10.4324/9781315251196-23}
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C. Berge, “Graphes Et Hypergraphes,” , 1970.
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@Article{ berge_graphes_1970,
title = {Graphes {Et} {Hypergraphes}},
author  = {Berge, Charles},
year = {1970}
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L. D’Andria, “Mathematica Tutorial Dynamic Interactivity,” , 2009.
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@Article{ dandria_mathematica_2009,
title = {Mathematica {Tutorial} {Dynamic} {Interactivity}},
author  = {D'Andria, Lou},
year = {2009}
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C. Zeeh, “The Lempel Ziv Algorithm,” , 2003.
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@Article{ zeeh_lempel_2003,
title = {The {Lempel} {Ziv} {Algorithm}},
author  = {Zeeh, Christina},
year = {2003}
}

M. Bochner, “The Aesthetics of Notation,” , 2009.
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@Article{ bochner_aesthetics_2009,
title = {The {Aesthetics} of {Notation}},
author  = {Bochner, Mel},
year = {2009}
}

L. Spuybroek, “The Aesthetics of Variation,” , 2013.
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@Article{ spuybroek_aesthetics_2013,
title = {The {Aesthetics} of {Variation}},
author  = {Spuybroek, Lars},
year = {2013}
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E. Kermit-Canfield, “Spatialization in Selected Works of Iannis Xenakis,” , 2013.
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@Article{ kermit-canfield_spatialization_2013,
title = {Spatialization in {Selected} {Works} of {Iannis}
{Xenakis}},
author  = {Kermit-Canfield, Elliot},
year = {2013}
}

G. Journet, “Les Origines Biologiques De La Musique,” , 2012.
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@Article{ journet_origines_2012,
title = {Les {Origines} {Biologiques} {De} {La} {Musique}},
author  = {Journet, Gwénaëlle},
year = {2012}
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S. Caudharī and H. Ramanathan, “Time measure and compositional types in Indian music: A historical and analytical study of tāla, chanda, and nibaddha musical forms,” , 1997.
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@Article{ caudhari_time_1997,
title = {Time measure and compositional types in {Indian} music:
{A} historical and analytical study of tāla, chanda, and
nibaddha musical forms},
author  = {Caudharī, Subhadrā and Ramanathan, Hema},
year = {1997}
}

D. Buren, “Five Texts,” , 1973.
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@Article{ buren_five_1973,
title = {Five {Texts}},
author  = {Buren, Daniel},
year = {1973}
}

P. Zeitlin and D. Goldberger, “Understanding music theory,” , 2001.
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@Article{ zeitlin_understanding_2001,
address  = {London},
title = {Understanding music theory},
isbn = {978-0-7119-8671-8},
language  = {eng},
author  = {Zeitlin, Poldi and Goldberger, David},
year = {2001}
}

M. Puckette, “The Deadly Embrace Between Music Software and Its Users,” , 2014.
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@Article{ puckette_deadly_2014,
title = {The {Deadly} {Embrace} {Between} {Music} {Software} and
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author  = {Puckette, Miller},
year = {2014}
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L. Fitch, “Brian Ferneyhough the Logic of the Figure,” , 2005.
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@Article{ fitch_brian_2005,
title = {Brian {Ferneyhough} the {Logic} of the {Figure}},
author  = {Fitch, Lois},
year = {2005}
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É. de La Boétie, S. Goyard-Fabre, and R. Ehrsam, “Discours de la servitude volontaire,” , 1576.
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@Article{ la_boetie_discours_1576,
address  = {Paris},
title = {Discours de la servitude volontaire},
isbn = {978-2-08-137501-7},
language  = {fre},
author  = {La Boétie, Étienne de and Goyard-Fabre, Simone and
Ehrsam, Raphaël},
year = {1576}
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R. Villegas, M. Babaeizadeh, P. Kindermans, H. Moraldo, H. Zhang, M. T. Saffar, S. Castro, J. Kunze, and D. Erhan, “Phenaki: Variable Length Video Generation From Open Domain Textual Description,” , 2022.
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@Article{ villegas_phenaki_2022,
title = {Phenaki: {Variable} {Length} {Video} {Generation} {From}
{Open} {Domain} {Textual} {Description}},
language  = {en},
author  = {Villegas, Ruben and Babaeizadeh, Mohammad and Kindermans,
Pieter-Jan and Moraldo, Hernan and Zhang, Han and Saffar,
Mohammad Taghi and Castro, Santiago and Kunze, Julius and
Erhan, Dumitru},
month = oct,
year = {2022}
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A. Belkin, “A Practical Guide to Musical Composition,” , 1999.
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@Article{ belkin_practical_1999,
title = {A {Practical} {Guide} to {Musical} {Composition}},
author  = {Belkin, Alan},
year = {1999}
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I. Reichle, “Art in the age of technoscience: genetic engineering, robotics, and artificial life in contemporary art,” , 2009.
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@Article{ reichle_art_2009,
address  = {Wien ; New York},
title = {Art in the age of technoscience: genetic engineering,
robotics, and artificial life in contemporary art},
isbn = {978-3-211-78160-9},
language  = {en},
author  = {Reichle, Ingeborg},
year = {2009}
}

“Ars Electronica,” , 2017.
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@Article{ schopf_ars_2017,
address  = {Berlin},
title = {Ars {Electronica}},
isbn = {978-3-7757-4335-8},
language  = {en},
year = {2017}
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“Ars Electronica 2018: Festival for Art, Technology, and Society = Error: the art of imperfection,” , 2018.
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@Article{ leopoldseder_ars_2018,
address  = {Berlin},
title = {Ars {Electronica} 2018: {Festival} for {Art},
{Technology}, and {Society} = {Error}: the art of
imperfection},
isbn = {978-3-7757-4441-6},
language  = {en},
year = {2018}
}

A. J. Hirsch, “Creating the future: a brief history of Ars Electronica 1979-2019,” , 2019.
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@Article{ hirsch_creating_2019,
address  = {Berlin},
title = {Creating the future: a brief history of {Ars}
{Electronica} 1979-2019},
isbn = {978-3-7757-4580-2},
language  = {en},
author  = {Hirsch, Andreas J.},
year = {2019}
}

“Welcome to planet B: a different life is possible. But how?,” , 2022.
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@Article{ stocker_welcome_2022,
address  = {Berlin},
title = {Welcome to planet {B}: a different life is possible. {But}
how?},
isbn = {978-3-7757-5363-0},
language  = {en},
year = {2022}
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P. Eckersall, “Performativity and event in 1960s Japan: city, body, memory,” , 2013.
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@Article{ eckersall_performativity_2013,
address  = {Houndmills, Basingstoke, Hampshire ; New York, NY},
title = {Performativity and event in 1960s {Japan}: city, body,
memory},
isbn = {978-1-137-01737-6},
language  = {en},
author  = {Eckersall, Peter},
year = {2013}
}

M. Kirby, “Happenings An Illustrated Anthology,” , 1965.
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@Article{ kirby_happenings_1965,
title = {Happenings {An} {Illustrated} {Anthology}},
author  = {Kirby, Michael},
year = {1965}
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“The Art of performance: a critical anthology,” , 1984.
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@Article{ battcock_art_1984,
address  = {New York},
title = {The {Art} of performance: a critical anthology},
isbn = {978-0-525-48039-6},
year = {1984}
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M. R. Schafer, “The Soundscape: Our Sonic Environment and the Tuning of the World,” , 1977.
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@Article{ schafer_soundscape_1977,
title = {The {Soundscape}: {Our} {Sonic} {Environment} and the
{Tuning} of the {World}},
author  = {Schafer, Murray R.},
year = {1977}
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“Artificial Life and Evolutionary Computation: 14th Italian Workshop, WIVACE 2019, Rende, Italy, September 18–20, 2019, Revised Selected Papers,” , 2020.
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@Article{ cicirelli_artificial_2020,
address  = {Cham},
title = {Artificial {Life} and {Evolutionary} {Computation}: 14th
{Italian} {Workshop}, {WIVACE} 2019, {Rende}, {Italy},
{September} 18–20, 2019, {Revised} {Selected} {Papers}},
isbn = {978-3-030-45015-1 978-3-030-45016-8},
language  = {en},
year = {2020},
doi = {10.1007/978-3-030-45016-8}
}

“Artificial Life and Evolutionary Computation: 15th Italian Workshop, WIVACE 2021, Winterthur, Switzerland, September 15–17, 2021, Revised Selected Papers,” , 2022.
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@Article{ schneider_artificial_2022,
address  = {Cham},
title = {Artificial {Life} and {Evolutionary} {Computation}: 15th
{Italian} {Workshop}, {WIVACE} 2021, {Winterthur},
{Switzerland}, {September} 15–17, 2021, {Revised}
{Selected} {Papers}},
isbn = {978-3-031-23928-1 978-3-031-23929-8},
language  = {en},
year = {2022},
doi = {10.1007/978-3-031-23929-8}
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“Artificial life and virtual reality,” , 1994.
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@Article{ magnenat-thalmann_artificial_1994,
address  = {Chichester, West Sussex, England ; New York},
title = {Artificial life and virtual reality},
isbn = {978-0-471-95146-9},
year = {1994}
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G. Stocker and C. Schöpf, “Ars Electronica – Human Nature,” , 2009.
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@Article{ stocker_ars_2009,
title = {Ars {Electronica} - {Human} {Nature}},
language  = {en},
author  = {Stocker, Gerfried and Schöpf, Christine},
year = {2009}
}

T. Auerbach, “Out of Order,” , 2010.
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@Article{ auerbach_out_2010,
title = {Out of {Order}},
author  = {Auerbach, Tauba},
year = {2010}
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M. Battier, J. Bresson, P. Croupie, C. Davy-Rigaux, D. Fober, Y. Geslin, H. Genevois, F. Picard, and A. Tacaille, “Proceedings of the First International Conference on Technologies for Music Notation and Representation – TENOR2015,” , 2015.
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@Article{ battier_proceedings_2015,
title = {Proceedings of the {First} {International} {Conference} on
{Technologies} for {Music} {Notation} and {Representation}
- {TENOR2015}},
author  = {Battier, Marc and Bresson, Jean and Croupie, Pierre and
Davy-Rigaux, Cécile and Fober, Dominique and Geslin, Yann
and Genevois, Hugues and Picard, François and Tacaille,
A.},
year = {2015}
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N. S. Sutil, “Motion and representation: the language of human movement,” , 2015.
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@Article{ sutil_motion_2015,
address  = {Cambridge, Massachusetts},
title = {Motion and representation: the language of human
movement},
isbn = {978-0-262-02888-2},
language  = {en},
author  = {Sutil, Nicolás Salazar},
year = {2015}
}

A. Sun, “Programmable Surfaces,” , 1996.
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@Article{ sun_programmable_1996,
title = {Programmable {Surfaces}},
author  = {Sun, Amy},
year = {1996}
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“Embodied interaction: language and body in the material world,” , 2011.
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@Article{ streeck_embodied_2011,
address  = {New York},
title = {Embodied interaction: language and body in the material
world},
isbn = {978-0-521-89563-7},
year = {2011}
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C. F. Bunting and D. T. Nguyen, “Finite Element Analysis of Reverberation Chambers,” , 2000.
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@Article{ bunting_finite_2000,
title = {Finite {Element} {Analysis} of {Reverberation}
{Chambers}},
author  = {Bunting, Charles F. and Nguyen, Duc T.},
year = {2000}
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M. Gerzon, “Stereo Shuffling: New Approach – Old Technique,” , 1986.
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@Article{ gerzon_stereo_1986,
title = {Stereo {Shuffling}: {New} {Approach} – {Old}
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author  = {Gerzon, Michael},
year = {1986}
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Meyer, “Line Arrays Theory Fact and Myth,” , 2002.
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@Article{ meyer_line_2002,
title = {Line {Arrays} {Theory} {Fact} and {Myth}},
author  = {Meyer},
year = {2002}
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D. T. L. Lee and A. Yamamoto, “Wavelet Analysis: Theory and Applications,” , 1997.
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@Article{ lee_wavelet_1997,
title = {Wavelet {Analysis}: {Theory} and {Applications}},
author  = {Lee, Daniel T.L. and Yamamoto, Akio},
year = {1997}
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A. Rouvroy and B. Stiegler, “The Digital Regime of Truth: From the Algorithmic Governmentality to a New Rule of Law,” , 2016.
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@Article{ rouvroy_digital_2016,
title = {The {Digital} {Regime} of {Truth}: {From} the
{Algorithmic} {Governmentality} to a {New} {Rule} of
{Law}},
language  = {en},
author  = {Rouvroy, Antoinette and Stiegler, Bernard},
year = {2016}
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E. Stamm, “Anomalous Forms in Computer Music,” M/c journal, 2020.
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@Article{ stamm_anomalous_2020,
title = {Anomalous {Forms} in {Computer} {Music}},
issn = {1441-2616},
doi = {10.5204/mcj.1682},
language  = {en},
journal  = {M/C Journal},
author  = {Stamm, Emma},
month = oct,
year = {2020}
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“Tuning in to the neo-avant-garde: Experimental radio plays in the postwar period,” , 2021.
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@Article{ arteel_tuning_2021,
title = {Tuning in to the neo-avant-garde: {Experimental} radio
plays in the postwar period},
isbn = {978-1-5261-5572-6},
month = jul,
year = {2021},
doi = {10.7765/9781526155726}
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“Metabolism – The City of the Future,” , 2011.
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@Article{ noauthor_metabolism_2011,
title = {Metabolism - {The} {City} of the {Future}},
year = {2011}
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M. Benaim and N. El Karoui, “Promenade Aléatoire,” , 2007.
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@Article{ benaim_promenade_2007,
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year = {2007}
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J. Grayson, “Sound Sculpture,” , 1975.
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@Article{ grayson_sound_1975,
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year = {1975}
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J. Hambidge, “The Elements of Dynamic Symmetry,” , 1967.
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@Article{ hambidge_elements_1967,
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year = {1967}
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A. S. Bessa and M. Cunningham, “Interview with Robert Swinston (Merce Cunningham),” , 2002.
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@Article{ bessa_interview_2002,
title = {Interview with {Robert} {Swinston} ({Merce}
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author  = {Bessa, A.S. and Cunningham, Merce},
year = {2002}
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B. Eckel, “Thinking in Java,” , 2006.
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@Article{ eckel_thinking_2006,
address  = {Upper Saddle River, NJ},
title = {Thinking in {Java}},
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author  = {Eckel, Bruce},
year = {2006}
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“Architectural Surfaces,” , 2011.
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title = {Architectural {Surfaces}},
year = {2011}
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M. Feldman, “Feldman on Feldman,” , 1983.
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@Article{ feldman_feldman_1983,
title = {Feldman on {Feldman}},
author  = {Feldman, Morton},
year = {1983}
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T. Tao, “Structure and Randomness – Pages from year one of a mathematical blog,” , 2009.
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@Article{ tao_structure_2009,
title = {Structure and {Randomness} - {Pages} from year one of a
mathematical blog},
author  = {Tao, Terence},
year = {2009}
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B. Katz, “The Secret of the Mastering Engineer,” , 1999.
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@Article{ katz_secret_1999,
title = {The {Secret} of the {Mastering} {Engineer}},
author  = {Katz, Bob},
year = {1999}
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“Symmetry Art and Science – The Quarterly of the International Society for the Interdisciplinary Study of Symmetry,” , 2002.
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@Article{ noauthor_symmetry_2002,
title = {Symmetry {Art} and {Science} - {The} {Quarterly} of the
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year = {2002}
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Beiheft, “Mental Anguish – Acoustically Coordinated Environments: Music for Tandem Stereo Systems,” , 1989.
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@Article{ beiheft_mental_1989,
title = {Mental {Anguish} - {Acoustically} {Coordinated}
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author  = {Beiheft},
year = {1989}
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S. Chaillou, “AI Architecture Towards a New Approach,” , 2019.
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@Article{ chaillou_ai_2019,
title = {{AI} {Architecture} {Towards} a {New} {Approach}},
author  = {Chaillou, Stanislas},
year = {2019}
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M. Feldman, “Pie-Slicing and Small Moves: Morton Feldman in conversation with Stuart Morgan,” , 1978.
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@Article{ feldman_pie-slicing_1978,
title = {Pie-{Slicing} and {Small} {Moves}: {Morton} {Feldman} in
conversation with {Stuart} {Morgan}},
author  = {Feldman, Morton},
year = {1978}
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K. Jacobs, “Gozour: Algorithmic Design Essentials,” , 2013.
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@Article{ jacobs_gozour_2013,
title = {Gozour: {Algorithmic} {Design} {Essentials}},
author  = {Jacobs, Karrie},
year = {2013}
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H. Rosa and B. Schiermer, “Acceleration and Resonance: An Interview with Hartmut Rosa,” , 2016.
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@Article{ rosa_acceleration_2016,
title = {Acceleration and {Resonance}: {An} {Interview} with
{Hartmut} {Rosa}},
author  = {Rosa, Hartmut and Schiermer, Bjørn},
year = {2016}
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J. Baudrillard, “Simulacra and simulation,” , 1994.
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@Article{ baudrillard_simulacra_1994,
address  = {Ann Arbor},
title = {Simulacra and simulation},
isbn = {978-0-472-09521-6 978-0-472-06521-9},
language  = {eng},
author  = {Baudrillard, Jean},
year = {1994}
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Basel, “Basel Konkrete Kunst,” , 1944.
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@Article{ basel_basel_1944,
title = {Basel {Konkrete} {Kunst}},
author  = {Basel},
year = {1944}
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G. Mobius, “On Generating Visual Strands of 2 3 and 4 Elements,” , 2009.
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@Article{ mobius_generating_2009,
title = {On {Generating} {Visual} {Strands} of 2 3 and 4
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author  = {Mobius, Gregor},
year = {2009}
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L. Spuybroek, “The Compass of Beauty,” , 2017.
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@Article{ spuybroek_compass_2017,
title = {The {Compass} of {Beauty}},
author  = {Spuybroek, Lars},
year = {2017}
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L. Spuybroek, “The Digital Nature of Gothic,” , 2015.
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@Article{ spuybroek_digital_2015,
title = {The {Digital} {Nature} of {Gothic}},
author  = {Spuybroek, Lars},
year = {2015}
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P. Singh, “EM-ONE an Architecture for Reflective Commonsense Thinking,” , 2005.
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@Article{ singh_em-one_2005,
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author  = {Singh, Push},
year = {2005}
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P. Schaeffer, “Solfege de l’objet Sonore,” , 1966.
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@Article{ schaeffer_solfege_1966,
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year = {1966}
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D. Bennett, “Towards A Resistive Computer Music,” , 2015.
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@Article{ bennett_towards_2015,
title = {Towards {A} {Resistive} {Computer} {Music}},
author  = {Bennett, Daniel},
year = {2015}
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G. van den Dobbelsteen, “Radical computer music & fantastisk medienmanipulation: a corrected and illustrated transcript of The official mort aux vaches ekstra extra walkthrough,” , 2009.
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@Article{ dobbelsteen_radical_2009,
address  = {Kopenhagen},
title = {Radical computer music \& fantastisk medienmanipulation: a
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aux vaches ekstra extra walkthrough},
isbn = {978-1-934399-12-5 978-87-91409-45-5},
language  = {eng},
author  = {Dobbelsteen, Gaeoudjiparl van den},
year = {2009}
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P. Croupie, “La Musique électroacoustique Analyse Morphologique Et Représentation Analytique,” , 2003.
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@Article{ croupie_musique_2003,
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author  = {Croupie, Pierre},
year = {2003}
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Harman, “BMI,” , 1970.
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@Article{ harman_bmi_1970,
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C. Lippe, “8110 K A Composition Project,” , 1982.
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@Article{ lippe_8110_1982,
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M. Gerzon, “Why Do Equalisers Sound Different,” , 1990.
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@Article{ gerzon_why_1990,
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year = {1990}
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C. Berhörster, “Aspects of Stochastic Music,” , 1999.
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@Article{ berhorster_aspects_1999,
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T. W. Adorno, “Types and Syndromes,” , 2006.
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@Article{ adorno_types_2006,
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title = {Essential {Mathematics} for {Computational} {Design}},
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A. Belkin, “General Principles of Harmony,” , 2008.
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title = {General {Principles} of {Harmony}},
author  = {Belkin, Alan},
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A. Mulder, “Steel and Freedom – In conversation with Arjen Mulder,” , 2008.
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title = {Steel and {Freedom} - {In} conversation with {Arjen}
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K. Archey and R. Peckham, “Art Post-Internet Information Data,” , 2014.
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B. Drummond, “The Manual,” , 1988.
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title = {Proceedings of the {Stockholm} {Music} {Acoustics}
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title = {Formant {Des} 15 {Voyelles} {Chantées} {Du} {Français}
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author  = {Depalle, Philippe},
year = {1990}
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C. Anderson, A. Eigenfeldt, and P. Pasquier, “The Generative Electronic Dance Music Algorithmic System (GEDMAS),” Proceedings of the aaai conference on artificial intelligence and interactive digital entertainment, 2021.
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title = {The {Generative} {Electronic} {Dance} {Music}
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issn = {2334-0924, 2326-909X},
doi = {10.1609/aiide.v9i5.12649},
language  = {en},
journal  = {Proceedings of the AAAI Conference on Artificial
Intelligence and Interactive Digital Entertainment},
author  = {Anderson, Christopher and Eigenfeldt, Arne and Pasquier,
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month = jun,
year = {2021}
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N. Chomsky, “10 Strategies of Manipulation by the Media,” , 2011.
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title = {10 {Strategies} of {Manipulation} by the {Media}},
author  = {Chomsky, Noam},
year = {2011}
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H. Pousseur and J. Dack, “A Keynote Lecture by Professor Henri Pousseur,” , 2005.
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title = {A {Keynote} {Lecture} by {Professor} {Henri} {Pousseur}},
author  = {Pousseur, Henri and Dack, John},
year = {2005}
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W. Benjamin, “The work of art in the age of mechanical reproduction,” , 1935.
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@Article{ benjamin_work_1935,
title = {The Work of Art in the Age of Mechanical Reproduction},
isbn = {978-1-315-30367-3},
language  = {en},
booktitle  = {Aesthetics},
author  = {Benjamin, Walter},
year = {1935},
doi = {10.4324/9781315303673-16}
}

J. Foote, “Automatic audio segmentation using a measure of audio novelty,” , 2000.
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@Article{ foote_automatic_2000,
address  = {New York, NY, USA},
title = {Automatic audio segmentation using a measure of audio
novelty},
isbn = {978-0-7803-6536-0},
doi = {10.1109/ICME.2000.869637},
language  = {en},
booktitle  = {2000 {IEEE} {International} {Conference} on {Multimedia}
and {Expo}. {ICME2000}. {Proceedings}. {Latest} {Advances}
in the {Fast} {Changing} {World} of {Multimedia} ({Cat}.
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author  = {Foote, J.},
year = {2000}
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G. Burloiu, “Interactive Learning of Microtiming in an Expressive Drum Machine,” , 2020.
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@Article{ burloiu_interactive_2020,
title = {Interactive {Learning} of {Microtiming} in an {Expressive}
{Drum} {Machine}},
language  = {en},
author  = {Burloiu, Grigore},
year = {2020}
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J. Hillenbrand, L. A. Getty, M. Clark, and K. Wheeler, “Acoustic Characteristics of American English Vowels,” The journal of the acoustical society of america, 1994.
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title = {Acoustic {Characteristics} of {American} {English}
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language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Hillenbrand, James and Getty, Laura A. and Clark, Michael
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year = {1994}
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A. Farina, A. Capra, L. Chiesi, and L. Scopece, “A Spherical Microphone Array for Synthesizing Virtual Directive Microphones in Live Broadcasting and in Post Production,” , 2010.
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@Article{ farina_spherical_2010,
title = {A {Spherical} {Microphone} {Array} for {Synthesizing}
{Virtual} {Directive} {Microphones} in {Live}
{Broadcasting} and in {Post} {Production}},
language  = {en},
author  = {Farina, Angelo and Capra, Andrea and Chiesi, Lorenzo and
Scopece, Leonardo},
year = {2010}
}

A. Farina, A. Capra, P. Martignon, S. Fontana, F. Adriaensen, P. Galaverna, and D. Malham, “Three-dimensional Acoustic Displays in a Museum Employing WFS (Wave Field Synthesis) and HOA (High Order Ambisonics),” , 2007.
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@Article{ farina_three-dimensional_2007,
title = {Three-dimensional {Acoustic} {Displays} in a {Museum}
{Employing} {WFS} ({Wave} {Field} {Synthesis}) and {HOA}
({High} {Order} {Ambisonics})},
language  = {en},
author  = {Farina, Angelo and Capra, Andrea and Martignon, Paolo and
Fontana, Simone and Adriaensen, Fons and Galaverna, Paolo
and Malham, Dave},
year = {2007}
}

A. Farina, “Room Impulse Responses as Temporal and Spatial Filters,” , 2006.
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@Article{ farina_room_2006,
title = {Room {Impulse} {Responses} as {Temporal} and {Spatial}
{Filters}},
language  = {en},
author  = {Farina, Angelo},
year = {2006}
}

A. Farina, “An example of adding spatial impression to recorded music: signal convolution with binaural impulse responses,” , 2000.
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@Article{ farina_example_2000,
title = {An example of adding spatial impression to recorded music:
signal convolution with binaural impulse responses},
language  = {en},
author  = {Farina, Angelo},
year = {2000}
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A. Torin, B. Hamilton, S. Bilbao, and M. Newton, “Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17),” , 2017.
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title = {Proceedings of the 20th {International} {Conference} on
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language  = {en},
author  = {Torin, Alberto and Hamilton, Brian and Bilbao, Stefan and
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year = {2017}
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V. Pulkki and M. Karjalainen, “Localization of Amplitude-Panned Virtual Sources I: Stereophonic Panning,” J audio eng soc, 2001.
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title = {Localization of {Amplitude}-{Panned} {Virtual} {Sources}
{I}: {Stereophonic} {Panning}},
language  = {en},
journal  = {J Audio Eng Soc},
author  = {Pulkki, Ville and Karjalainen, Matti},
year = {2001}
}

V. Pulkki, “Spatial sound generation and perception by amplitude panning techniques,” , 2001.
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@Article{ pulkki_spatial_2001,
address  = {Espoo},
title = {Spatial sound generation and perception by amplitude
panning techniques},
isbn = {978-951-22-5531-3},
language  = {en},
author  = {Pulkki, Ville},
year = {2001}
}

M. Puckette, “The Oscillator as a Dynamical System,” , 2017.
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@Article{ puckette_oscillator_2017,
title = {The {Oscillator} as a {Dynamical} {System}},
language  = {en},
author  = {Puckette, Miller},
year = {2017}
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M. Puckette, “Processes in real-time computer music,” , 2014.
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@Article{ puckette_processes_2014,
title = {Processes in real-time computer music},
language  = {en},
author  = {Puckette, Miller},
year = {2014}
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M. Puckette, “Infuriating Nonlinear Reverberator,” , 2011.
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title = {Infuriating {Nonlinear} {Reverberator}},
language  = {en},
author  = {Puckette, Miller},
year = {2011}
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M. Puckette, “Synthesizing Sounds with Speciﬁed, Time-Varying Spectra,” , 2001.
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@Article{ puckette_synthesizing_2001,
title = {Synthesizing {Sounds} with {Speciﬁed}, {Time}-{Varying}
{Spectra}},
language  = {en},
author  = {Puckette, Miller},
year = {2001}
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M. S. Puckette and J. C. Brown, “Accuracy of frequency estimates using the phase vocoder,” Ieee transactions on speech and audio processing, 1998.
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@Article{ puckette_accuracy_1998,
title = {Accuracy of frequency estimates using the phase vocoder},
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doi = {10.1109/89.661475},
language  = {en},
journal  = {IEEE Transactions on Speech and Audio Processing},
author  = {Puckette, M.S. and Brown, J.C.},
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M. Puckette, “Formant Based Audio Synthesis using Nonlinear Distorsion,” , 1996.
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@Article{ puckette_formant_1996,
title = {Formant {Based} {Audio} {Synthesis} using {Nonlinear}
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author  = {Puckette, Miller},
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M. Puckette, “Score Following using the Sung Voice,” , 1995.
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title = {Score {Following} using the {Sung} {Voice}},
author  = {Puckette, Miller},
year = {1995}
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M. Puckette, “Phase-locked vocoder,” , 1995.
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@Article{ puckette_phase-locked_1995,
address  = {New Paltz, NY, USA},
title = {Phase-locked vocoder},
isbn = {978-0-7803-3064-1},
doi = {10.1109/ASPAA.1995.482995},
language  = {en},
booktitle  = {Proceedings of 1995 {Workshop} on {Applications} of
{Signal} {Processing} to {Audio} and {Accoustics}},
author  = {Puckette, M.},
year = {1995}
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M. Puckette and C. Lippe, “Getting the Acoustic Parameters from a Live Performance,” , 1993.
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@Article{ puckette_getting_1993,
title = {Getting the {Acoustic} {Parameters} from a {Live}
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language  = {en},
author  = {Puckette, Miller and Lippe, Cort},
year = {1993}
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Z. Settel and C. Lippe, “Convolution Brother’s Instrument Design,” , 2003.
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@Article{ settel_convolution_2003,
title = {Convolution {Brother}’s {Instrument} {Design}},
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year = {2003}
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“Is the sky the limit? ICMC 2016: Utrecht, 12-16 September 2016: proceedings,” , 2016.
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title = {Is the sky the limit? {ICMC} 2016: {Utrecht}, 12-16
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isbn = {978-0-9845274-5-8},
language  = {en},
year = {2016}
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S. Lourenço, “Jean Claude Risset’s duet for one pianist: challenges of a real-time performance interaction with a computer-controlled acoustic piano 16 years later,” Journal of science and technology of the arts, 2014.
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@Article{ lourenco_jean_2014,
title = {Jean {Claude} {Risset}’s duet for one pianist:
challenges of a real-time performance interaction with a
computer-controlled acoustic piano 16 years later},
copyright  = {Creative Commons Attribution 4.0 International},
doi = {10.7559/CITARJ.V6I2.115},
language  = {en},
journal  = {Journal of Science and Technology of the Arts},
author  = {Lourenço, Sofia},
month = jul,
year = {2014}
}

M. Gerzon, “Panpot Laws for Multispeaker Stereo,” , 1992.
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title = {Panpot {Laws} for {Multispeaker} {Stereo}},
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M. Gerzon, “Experimental Tetrahedral Recording: Part Two,” , 1971.
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@Article{ gerzon_experimental_1971,
title = {Experimental {Tetrahedral} {Recording}: {Part} {Two}},
language  = {en},
author  = {Gerzon, Michael},
year = {1971}
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M. Gerzon, “Experimental Tetrahedral Recording: Part One,” , 1971.
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@Article{ gerzon_experimental_1971-1,
title = {Experimental {Tetrahedral} {Recording}: {Part} {One}},
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author  = {Gerzon, Michael},
year = {1971}
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M. Gerzon, “Surround-sound Psychoacoustics,” , 1974.
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@Article{ gerzon_surround-sound_1974,
title = {Surround-sound {Psychoacoustics}},
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author  = {Gerzon, Michael},
year = {1974}
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M. Gerzon, “What’s wrong with quadraphonics,” , 1974.
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@Article{ gerzon_whats_1974,
title = {What’s wrong with quadraphonics},
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P. B. Fellgett, “Ambisonic reproduction of directionality in surround-sound systems,” Nature, 1974.
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@Article{ fellgett_ambisonic_1974,
title = {Ambisonic reproduction of directionality in surround-sound
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language  = {en},
journal  = {Nature},
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year = {1974}
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P. B. Fellgett, “Directional Information in Surround Sound,” , 1972.
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@Article{ fellgett_directional_1972,
title = {Directional {Information} in {Surround} {Sound}},
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A. Farina, P. Martignon, A. Capra, and S. Fontana, “Measuring impulse responses containing complete spatial information,” The journal of the acoustical society of america, 2006.
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@Article{ farina_measuring_2006,
title = {Measuring impulse responses containing complete spatial
information},
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doi = {10.1121/1.4788199},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Farina, Angelo and Martignon, Paolo and Capra, Andrea and
Fontana, Simone},
month = nov,
year = {2006}
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L. Tronchin, A. Farina, M. Pontillo, and V. Tarabusi, “The Calculation of the Impulse Response in the Binaural Technique,” , 2000.
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@Article{ tronchin_calculation_2000,
title = {The {Calculation} of the {Impulse} {Response} in the
{Binaural} {Technique}},
language  = {en},
author  = {Tronchin, Lamberto and Farina, Angelo and Pontillo,
Michele and Tarabusi, Valerio},
year = {2000}
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A. Farina and E. Ugolotti, “Subjective Comparison Between Stereo Dipole and 3D Ambisonic Surround Systems for Automotive Applications,” , 1999.
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@Article{ farina_subjective_1999,
title = {Subjective {Comparison} {Between} {Stereo} {Dipole} and
{3D} {Ambisonic} {Surround} {Systems} for {Automotive}
{Applications}},
language  = {en},
author  = {Farina, Angelo and Ugolotti, Emanuele},
year = {1999}
}

A. Farina, R. Glasgal, E. Armelloni, and A. Torger, “Ambiophonic Principles for the Recording and Reproduction of Surround Sound for Music,” , 2001.
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@Article{ farina_ambiophonic_2001,
title = {Ambiophonic {Principles} for the {Recording} and
{Reproduction} of {Surround} {Sound} for {Music}},
language  = {en},
author  = {Farina, Angelo and Glasgal, Ralph and Armelloni, Enrico
and Torger, Anders},
year = {2001}
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J. Chadabe, “The History of Electronic Music as a Reflection of Structural Paradigms,” Leonardo music journal, 1996.
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@Article{ chadabe_history_1996,
title = {The {History} of {Electronic} {Music} as a {Reflection} of
{Structural} {Paradigms}},
issn = {09611215},
doi = {10.2307/1513303},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Chadabe, Joel},
year = {1996}
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J. Chadabe, “Remarks on Computer Music Culture,” Computer music journal, 2000.
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@Article{ chadabe_remarks_2000,
title = {Remarks on {Computer} {Music} {Culture}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/014892600559470},
language  = {en},
journal  = {Computer Music Journal},
author  = {Chadabe, Joel},
month = dec,
year = {2000}
}

V. Valimaki, J. Nam, J. O. Smith, and J. S. Abel, “Alias-Suppressed Oscillators Based on Differentiated Polynomial Waveforms,” Ieee transactions on audio, speech, and language processing, 2010.
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@Article{ valimaki_alias-suppressed_2010,
title = {Alias-{Suppressed} {Oscillators} {Based} on
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issn = {1558-7916, 1558-7924},
doi = {10.1109/TASL.2009.2026507},
language  = {en},
journal  = {IEEE Transactions on Audio, Speech, and Language
Processing},
author  = {Valimaki, Vesa and Nam, Juhan and Smith, Julius O. and
Abel, Jonathan S.},
month = may,
year = {2010}
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L. Spuybroek, “Grace and Gravity: Architectures of the Figure,” , 2020.
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@Article{ spuybroek_grace_2020,
title = {Grace and {Gravity}: {Architectures} of the {Figure}},
isbn = {978-1-350-02083-2 978-1-350-02084-9},
author  = {Spuybroek, Lars},
year = {2020},
doi = {10.5040/9781350020832}
}

C. Goodman-Strauss, J. Kari, M. Hartley, S. Tabachnikov, and P. Schmitt, “Open Questions in Tiling,” , 2000.
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@Article{ goodman-strauss_open_2000,
title = {Open {Questions} in {Tiling}},
author  = {Goodman-Strauss, Chaim and Kari, J. and Hartley, M. and
Tabachnikov, S. and Schmitt, P.},
year = {2000}
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P. Manoury, “La Trilogie Köln,” , 2015.
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@Article{ manoury_trilogie_2015,
title = {La {Trilogie} {Köln}},
author  = {Manoury, Philippe},
year = {2015}
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K. Stockhausen, “To the International Music Council,” , 1984.
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@Article{ stockhausen_international_1984,
title = {To the {International} {Music} {Council}},
author  = {Stockhausen, Karlheinz},
year = {1984}
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P. Manoury, “Philippe Manoury en Entretien Geste Interprétation Synchronisation,” , 2016.
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@Article{ manoury_philippe_2016,
title = {Philippe {Manoury} en {Entretien} {Geste}
{Interprétation} {Synchronisation}},
author  = {Manoury, Philippe},
year = {2016}
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P. Manoury, “Stockhausen Au-Delà… (2007),” , 2007.
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@Article{ manoury_stockhausen_2007,
title = {Stockhausen {Au}-{Delà}... (2007)},
author  = {Manoury, Philippe},
year = {2007}
}

K. Stockhausen, “Stockhausen’s Quotes,” , 1995.
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@Article{ stockhausen_stockhausens_1995,
title = {Stockhausen's {Quotes}},
author  = {Stockhausen, Karlheinz},
year = {1995}
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“Guide du Manifestant Arrêté,” , 2019.
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title = {Guide du {Manifestant} {Arrêté}},
year = {2019}
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G. Deleuze, “Qu’est-Ce Que Fonder,” , 1956.
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@Article{ deleuze_quest-ce_1956,
title = {Qu’est-{Ce} {Que} {Fonder}},
author  = {Deleuze, Gilles},
year = {1956}
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anv-irnc, “Éloge De La Désobéissance Civile,” , 2007.
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@Article{ anv-irnc_eloge_2007,
title = {Éloge {De} {La} {Désobéissance} {Civile}},
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Bennett, “Music and Language,” , 1975.
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@Article{ bennett_music_1975,
title = {Music and {Language}},
author  = {Bennett},
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S. Davachi, “Irreal Worlds Constructions of Phenomena “Space” in Experimental Music, 1962-1978,” , 2012.
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@Article{ davachi_irreal_2012,
title = {Irreal {Worlds} {Constructions} of {Phenomena}
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author  = {Davachi, Sarah},
year = {2012}
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L. A. Hiller, “Preserving Lejaren A. Hiller’s Flowcharts,” , 2007.
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title = {Preserving {Lejaren} {A}. {Hiller}'s {Flowcharts}},
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A. Lucier, “I Am Sitting in a Room (1969),” , 1969.
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@Article{ lucier_i_1969,
title = {I {Am} {Sitting} in a {Room} (1969)},
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P. Manoury, “La Note Et Le Son,” , 1990.
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@Article{ manoury_note_1990,
title = {La {Note} {Et} {Le} {Son}},
author  = {Manoury, Philippe},
year = {1990}
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A. Glassner, “Inside Moire patterns,” Ieee computer graphics and applications, 1997.
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@Article{ glassner_inside_1997,
title = {Inside {Moire} patterns},
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J. Bullock and A. Momeni, “Ml.Lib: Robust, Cross-Platform, Open-Source Machine Learning For Max And Pure Data,” , 2015.
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@Article{ bullock_mllib_2015,
title = {Ml.{Lib}: {Robust}, {Cross}-{Platform}, {Open}-{Source}
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copyright  = {Creative Commons Attribution 4.0, Open Access},
doi = {10.5281/ZENODO.1179038},
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B. Evans, “Time Slices, Graphic Scores and Music Composition,” , 2006.
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@Article{ evans_time_2006,
title = {Time {Slices}, {Graphic} {Scores} and {Music}
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A. C. Eldridge, “Adaptive Systems Msic Musical Structures from Algoritmic Process,” , 2002.
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@Article{ eldridge_adaptive_2002,
title = {Adaptive {Systems} {Msic} {Musical} {Structures} from
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year = {2002}
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G. Roma, O. Green, and P. A. Tremblay, “Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces,” , 2019.
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@Article{ roma_adaptive_2019,
title = {Adaptive {Mapping} of {Sound} {Collections} for
{Data}-driven {Musical} {Interfaces}},
language  = {en},
author  = {Roma, Gerard and Green, Owen and Tremblay, P A},
year = {2019}
}

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@Article{ lu_meloform_2022,
title = {{MeloForm}: {Generating} {Melody} with {Musical} {Form}
based on {Expert} {Systems} and {Neural} {Networks}},
language  = {en},
author  = {Lu, Peiling and Tan, Xu and Yu, Botao and Qin, Tao and
Zhao, Sheng and Liu, Tie-Yan},
month = aug,
year = {2022}
}

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@Article{ giacobini_self-organizing_2007,
address  = {Berlin, Heidelberg},
title = {Self-organizing {Bio}-inspired {Sound} {Transformation}},
isbn = {978-3-540-71804-8 978-3-540-71805-5},
language  = {en},
booktitle  = {Applications of {Evolutinary} {Computing}},
author  = {Caetano, Marcelo and Manzolli, Jônatas and Zuben,
Fernando},
year = {2007},
doi = {10.1007/978-3-540-71805-5_53}
}

M. Caetano, J. Manzolli, and F. V. Zuben, “Can the Red Queen Help Catch the Snark? A Co-Evolutionary Waveform Transformation Approach,” , 2007.
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@Article{ caetano_can_2007,
title = {Can the {Red} {Queen} {Help} {Catch} the {Snark}? {A}
{Co}-{Evolutionary} {Waveform} {Transformation}
{Approach}},
language  = {en},
author  = {Caetano, Marcelo and Manzolli, Jônatas and Zuben,
Fernando Von},
year = {2007}
}

J. Paredis, “Coevolving Cellular Automata: Be Aware of the Red Queen!,” , 1998.
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@Article{ paredis_coevolving_1998,
title = {Coevolving {Cellular} {Automata}: {Be} {Aware} of the
{Red} {Queen}!},
language  = {en},
author  = {Paredis, Jan},
year = {1998}
}

D. E. Goldberg, “The Genetic Algorithm Approach: Why, How, and What Next?,” , 1986.
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@Article{ narendra_genetic_1986,
address  = {Boston, MA},
title = {The {Genetic} {Algorithm} {Approach}: {Why}, {How}, and
{What} {Next}?},
isbn = {978-1-4757-1897-3 978-1-4757-1895-9},
language  = {en},
booktitle  = {Adaptive and {Learning} {Systems}},
author  = {Goldberg, David E.},
year = {1986},
doi = {10.1007/978-1-4757-1895-9_17}
}

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@Article{ rosenboom_complex_1992,
title = {Complex adaptive systems in music},
issn = {0001-4966, 1520-8524},
doi = {10.1121/1.404732},
language  = {en},
journal  = {The Journal of the Acoustical Society of America},
author  = {Rosenboom, David},
month = oct,
year = {1992}
}

J. H. Holland, “Adaptation in Natural and Artificial Systems: An Introductory Analysis with Applications to Biology, Control, and Artificial Intelligence,” , 1992.
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@Article{ holland_adaptation_1992,
title = {Adaptation in {Natural} and {Artificial} {Systems}: {An}
{Introductory} {Analysis} with {Applications} to {Biology},
{Control}, and {Artificial} {Intelligence}},
isbn = {978-0-262-27555-2},
language  = {en},
author  = {Holland, John H.},
year = {1992},
doi = {10.7551/mitpress/1090.001.0001}
}

T. J. Taylor, “From Artificial Evolution to Artificial Life,” , 1999.
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@Article{ taylor_artificial_1999,
title = {From {Artificial} {Evolution} to {Artificial} {Life}},
language  = {en},
author  = {Taylor, Timothy John},
year = {1999}
}

A. Smirnov, “Music and Gesture: Sensor Technologies in Interactive Music and the Theremin based Space Control Systems,” , 2000.
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@Article{ smirnov_music_2000,
title = {Music and {Gesture}: {Sensor} {Technologies} in
{Interactive} {Music} and the {Theremin} based {Space}
{Control} {Systems}},
language  = {en},
author  = {Smirnov, Andrei},
year = {2000}
}

“The Oxford handbook of computer music,” , 2011.
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@Article{ dean_oxford_2011,
address  = {Oxford},
title = {The {Oxford} handbook of computer music},
isbn = {978-0-19-979203-0},
language  = {eng},
year = {2011}
}

A. Tanaka, “Sensor-Based Musical Instruments and Interactive Music,” , 2011.
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@Article{ tanaka_sensor-based_2011,
title = {Sensor-{Based} {Musical} {Instruments} and {Interactive}
{Music}},
language  = {en},
author  = {Tanaka, Atau},
month = apr,
year = {2011},
doi = {10.1093/oxfordhb/9780199792030.013.0012}
}

“Comment la police interroge et comment s’en défendre,” , 2022.
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@Article{ noauthor_comment_2022,
title = {Comment la police interroge et comment s’en défendre},
year = {2022}
}

A. Farnell, “Excerpt from Designing Sound – Practical synthetic sound design for film, games and interactive media using dataflow,” , 2008.
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@Article{ farnell_excerpt_2008,
title = {Excerpt from {Designing} {Sound} - {Practical} synthetic
sound design for film, games and interactive media using
dataflow},
author  = {Farnell, Andy},
year = {2008}
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F. A. Robinson, O. Bown, and M. Velonaki, “Designing Sound for Social Robots: Candidate Design Principles,” International journal of social robotics, 2022.
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@Article{ robinson_designing_2022,
title = {Designing {Sound} for {Social} {Robots}: {Candidate}
{Design} {Principles}},
issn = {1875-4791, 1875-4805},
doi = {10.1007/s12369-022-00891-0},
language  = {en},
journal  = {International Journal of Social Robotics},
author  = {Robinson, Frederic Anthony and Bown, Oliver and Velonaki,
Mari},
month = aug,
year = {2022}
}

J. Jørgensen and M. B. Christiansen, “The Sounds of Softness. Designing Sound for Human-Soft Robot Interaction,” Frontiers in robotics and ai, 2021.
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@Article{ jorgensen_sounds_2021,
title = {The {Sounds} of {Softness}. {Designing} {Sound} for
{Human}-{Soft} {Robot} {Interaction}},
issn = {2296-9144},
doi = {10.3389/frobt.2021.674121},
language  = {en},
journal  = {Frontiers in Robotics and AI},
author  = {Jørgensen, Jonas and Christiansen, Mads Bering},
month = oct,
year = {2021}
}

V. G. Adin, “Hierarchical Music Structure Analysis Modeling and Resynthesis,” , 2002.
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@Article{ adin_hierarchical_2002,
title = {Hierarchical {Music} {Structure} {Analysis} {Modeling} and
{Resynthesis}},
author  = {Adin, Victor Gabriel},
year = {2002}
}

W. S. McCulloch and W. Pitts, “A logical calculus of the ideas immanent in nervous activity,” Bulletin of mathematical biology, 1943.
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@Article{ mcculloch_logical_1943,
title = {A logical calculus of the ideas immanent in nervous
activity},
issn = {0092-8240, 1522-9602},
doi = {10.1007/BF02459570},
language  = {en},
journal  = {Bulletin of Mathematical Biology},
author  = {McCulloch, Warren S. and Pitts, Walter},
year = {1943}
}

S. R. Arekat, “All-Pole IIR Digital Filters,” , 2022.
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@Article{ arekat_all-pole_2022,
title = {All-{Pole} {IIR} {Digital} {Filters}},
doi = {10.13140/RG.2.2.12181.60647},
language  = {en},
author  = {Arekat, Safwan R},
year = {2022}
}

I. Kaspriskie, “Demystifying Digital Filters,” , 2021.
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@Article{ kaspriskie_demystifying_2021,
title = {Demystifying {Digital} {Filters}},
language  = {en},
author  = {Kaspriskie, Isabel},
year = {2021}
}

G. Wyvill and P. McLeod, “A Smarter Way to Find Pitch,” , 2005.
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@Article{ wyvill_smarter_2005,
title = {A {Smarter} {Way} to {Find} {Pitch}},
language  = {en},
author  = {Wyvill, Geoff and McLeod, Philip},
year = {2005}
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P. Maes, M. Leman, C. Palmer, and M. M. Wanderley, “Action-based effects on music perception,” Frontiers in psychology, 2014.
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@Article{ maes_action-based_2014,
title = {Action-based effects on music perception},
issn = {1664-1078},
doi = {10.3389/fpsyg.2013.01008},
language  = {en},
journal  = {Frontiers in Psychology},
author  = {Maes, Pieter-Jan and Leman, Marc and Palmer, Caroline and
Wanderley, Marcelo M.},
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C. Yu and G. Fazekas, “Singing Voice Synthesis Using Differentiable LPC and Glottal-Flow-Inspired Wavetables,” , 2023.
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@Article{ yu_singing_2023,
title = {Singing {Voice} {Synthesis} {Using} {Differentiable} {LPC}
and {Glottal}-{Flow}-{Inspired} {Wavetables}},
language  = {en},
author  = {Yu, Chin-Yun and Fazekas, György},
month = jul,
year = {2023}
}

S. Trail, “Non-invasive Gesture Sensing, Physical Modeling, Machine Learning and Acoustic Actuation for Pitched Percussion,” , 2018.
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@Article{ trail_non-invasive_2018,
title = {Non-invasive {Gesture} {Sensing}, {Physical} {Modeling},
{Machine} {Learning} and {Acoustic} {Actuation} for
{Pitched} {Percussion}},
author  = {Trail, Shawn},
year = {2018}
}

W. Kester, “Digital Filters,” , 2001.
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@Article{ kester_digital_2001,
title = {Digital {Filters}},
author  = {Kester, Walt},
year = {2001}
}

X. Liu, X. Kong, L. Liu, and K. Chiang, “TreeGAN: Syntax-Aware Sequence Generation with Generative Adversarial Networks,” , 2018.
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@Article{ liu_treegan_2018,
title = {{TreeGAN}: {Syntax}-{Aware} {Sequence} {Generation} with
{Generative} {Adversarial} {Networks}},
language  = {en},
author  = {Liu, Xinyue and Kong, Xiangnan and Liu, Lei and Chiang,
Kuorong},
month = aug,
year = {2018}
}

Y. Song and S. Hahm, “Augmented Robotic Bricklaying,” , 2023.
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@Article{ song_augmented_2023,
address  = {Ahmedabad},
title = {Augmented {Robotic} {Bricklaying}},
doi = {10.52842/conf.caadria.2023.1.323},
language  = {en},
author  = {Song, Yang and Hahm, Soomeen},
year = {2023}
}

A. Lopez Rodriguez and I. Pantic, “Augmented Environments: The Architecture for the Augmented Era,” , 2023.
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@Article{ lopez_rodriguez_augmented_2023,
address  = {Ahmedabad},
title = {Augmented {Environments}: {The} {Architecture} for the
{Augmented} {Era}},
doi = {10.52842/conf.caadria.2023.1.403},
language  = {en},
author  = {Lopez Rodriguez, Alvaro and Pantic, Igor},
year = {2023}
}

G. Goepel, G. Guida, and A. Loayza Nolasco, “Towards Hyper-Reality – A Case Study Mixed Reality Art Installation,” , 2023.
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@Article{ goepel_towards_2023,
address  = {Ahmedabad},
title = {Towards {Hyper}-{Reality} – {A} {Case} {Study} {Mixed}
{Reality} {Art} {Installation}},
doi = {10.52842/conf.caadria.2023.1.383},
language  = {en},
author  = {Goepel, Garvin and Guida, George and Loayza Nolasco, Ana
Gabriela},
year = {2023}
}

S. Lertsithichai, “Metaverse Magnifique: Making Meaningful Metaverses,” , 2023.
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@Article{ lertsithichai_metaverse_2023,
address  = {Ahmedabad},
title = {Metaverse {Magnifique}: {Making} {Meaningful}
{Metaverses}},
doi = {10.52842/conf.caadria.2023.2.531},
language  = {en},
author  = {Lertsithichai, Surapong},
year = {2023}
}

Q. M. Xu, J. L. Garcia Del Castillo Lopez, and H. W. Samuelson, “Towards a Decision Framework Integrating Physics-Based Simulation and Machine Learning in Conceptual Design,” , 2023.
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@Article{ xu_towards_2023,
address  = {Ahmedabad},
title = {Towards a {Decision} {Framework} {Integrating}
{Physics}-{Based} {Simulation} and {Machine} {Learning} in
{Conceptual} {Design}},
doi = {10.52842/conf.caadria.2023.2.371},
language  = {en},
author  = {Xu, Qingru Mirah and Garcia Del Castillo Lopez, Jose Luis
and Samuelson, Holly Wasilowski},
year = {2023}
}

X. Zhou, L. Gong, and P. F. Yuan*, “A Large Scale 3D Printing Method for Skeletonized Surfaces Based on Graph Theory,” , 2023.
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@Article{ zhou_large_2023,
address  = {Ahmedabad},
title = {A {Large} {Scale} {3D} {Printing} {Method} for
{Skeletonized} {Surfaces} {Based} on {Graph} {Theory}},
doi = {10.52842/conf.caadria.2023.2.221},
language  = {en},
author  = {Zhou, Xinjie and Gong, Lei and Yuan*, Philip F.},
year = {2023}
}

A. P. Ponzio, S. R. Chornobai, C. V. M. Fagundes, R. Rodrigues, and G. Cunha Hafez José, “Exploring Creative AI Thinking in the Design Process: The Design Intelligence Strategy,” , 2023.
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@Article{ ponzio_exploring_2023,
address  = {Ahmedabad},
title = {Exploring {Creative} {AI} {Thinking} in the {Design}
{Process}: {The} {Design} {Intelligence} {Strategy}},
doi = {10.52842/conf.caadria.2023.2.049},
language  = {en},
author  = {Ponzio, Angelica Paiva and Chornobai, Sara Regiane and
Fagundes, Cristian Vinicius Machado and Rodrigues, Ricardo
Cesar and Cunha Hafez José, Gustavo},
year = {2023}
}

Y. Hou, “Can Architecture Be Cybernetic Machine: From Cedric Price’s Fun Palace to the Pompidou Centre,” , 2023.
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@Article{ hou_can_2023,
address  = {Ahmedabad},
title = {Can {Architecture} {Be} {Cybernetic} {Machine}: {From}
{Cedric} {Price}’s {Fun} {Palace} to the {Pompidou}
{Centre}},
doi = {10.52842/conf.caadria.2023.2.501},
language  = {en},
author  = {Hou, Yuming},
year = {2023}
}

K. Chadha, N. Ramos Montilla, I. M. Paoletti, and O. B. Carcassi, “Programmed Growth: A Living Mycelium and Clay Composite,” , 2023.
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@Article{ chadha_programmed_2023,
address  = {Ahmedabad},
title = {Programmed {Growth}: {A} {Living} {Mycelium} and {Clay}
{Composite}},
doi = {10.52842/conf.caadria.2023.2.311},
language  = {en},
author  = {Chadha, Kunaljit and Ramos Montilla, Natalia and Paoletti,
Ingrid Maria and Carcassi, Olga Beatrice},
year = {2023}
}

X. Yin, “AI and Typology,” , 2023.
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@Article{ yin_ai_2023,
address  = {Ahmedabad},
title = {{AI} and {Typology}},
doi = {10.52842/conf.caadria.2023.1.039},
author  = {Yin, Xiang},
year = {2023}
}

“Pierre Boulez studies,” , 2016.
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@Article{ campbell_pierre_2016,
address  = {Cambridge, United Kingdom},
title = {Pierre {Boulez} studies},
isbn = {978-1-107-06265-8},
language  = {en},
year = {2016}
}

D. Stevens, “EMS Book of Sounds,” , 1969.
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@Article{ stevens_ems_1969,
title = {{EMS} {Book} of {Sounds}},
author  = {Stevens, David},
year = {1969}
}

A. Blatter, “Revisiting Music Theory,” , 2007.
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@Article{ blatter_revisiting_2007,
title = {Revisiting {Music} {Theory}},
isbn = {978-1-135-87040-9},
language  = {en},
author  = {Blatter, Alfred},
year = {2007},
doi = {10.4324/9780203941041}
}

P. Codognet, “Art & Music,” , 2002.
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@Article{ codognet_art_2002,
title = {Art \& {Music}},
author  = {Codognet, Philippe},
year = {2002}
}

D. Charny, “Making is the Universal Infrastructure of the Production,” , 2012.
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@Article{ charny_making_2012,
title = {Making is the {Universal} {Infrastructure} of the
{Production}},
author  = {Charny, Daniel},
year = {2012}
}

“Passage du XXe siècle: [catalogue de l’exposition], janvier-juillet 1977 – I,” , 1976.
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@Article{ riviere_passage_1976,
address  = {Paris},
title = {Passage du {XXe} siècle: [catalogue de l'exposition],
janvier-juillet 1977 - {I}},
isbn = {978-2-7004-0022-9},
year = {1976}
}

Y. Rivière and C. Pouillon, “Passage du XXe siècle: [catalogue de l’exposition], janvier-juillet 1977 – II,” , 1977.
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@Article{ riviere_passage_1977,
address  = {Paris},
title = {Passage du {XXe} siècle: [catalogue de l'exposition],
janvier-juillet 1977 - {II}},
isbn = {978-2-7004-0022-9},
author  = {Rivière, Yves and Pouillon, Catherine},
year = {1977}
}

J. W. Strutt, “The Theory of Sound I,” Nature, 1894.
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@Article{ strutt_theory_1894,
title = {The {Theory} of {Sound} {I}},
issn = {0028-0836, 1476-4687},
doi = {10.1038/058121a0},
language  = {en},
journal  = {Nature},
author  = {Strutt, John William},
month = jun,
year = {1894}
}

J. W. Strutt, “The Theory of Sound II,” Nature, 1896.
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@Article{ strutt_theory_1896,
title = {The {Theory} of {Sound} {II}},
issn = {0028-0836, 1476-4687},
doi = {10.1038/058121a0},
language  = {en},
journal  = {Nature},
author  = {Strutt, John William},
month = jun,
year = {1896}
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M. C. Gardiner, “The Theoretical Improvisation of (and within) Possible Worlds,” Perspectives of new music, 2015.
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@Article{ gardiner_theoretical_2015,
title = {The {Theoretical} {Improvisation} of (and within)
{Possible} {Worlds}},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Gardiner, Michael C},
year = {2015}
}

J. Cage, R. Barry, P. Steir, S. Reich, T. Marioni, H. Haacke, R. Mangold, C. Burden, D. Buren, and J. Kounellis, “White View,” , 1978.
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@Article{ cage_white_1978,
title = {White {View}},
author  = {Cage, John and Barry, Robert and Steir, Pat and Reich,
Steve and Marioni, Tom and Haacke, Hans and Mangold, Robert
and Burden, Chris and Buren, Daniel and Kounellis, Jannis},
year = {1978}
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L. Barber, “Cuaderno De Yokohama,” , 2009.
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@Article{ barber_cuaderno_2009,
title = {Cuaderno {De} {Yokohama}},
author  = {Barber, Llorenç},
year = {2009}
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P. Codognet, “La Pensée Aveugle,” , 2004.
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@Article{ codognet_pensee_2004,
title = {La {Pensée} {Aveugle}},
author  = {Codognet, Philippe},
year = {2004}
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Y. Katsuhiro, “Robot Avant-Garde 20th Century Art and the Machine,” , 1985.
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@Article{ katsuhiro_robot_1985,
title = {Robot {Avant}-{Garde} 20th {Century} {Art} and the
{Machine}},
author  = {Katsuhiro, Yamaguchi},
year = {1985}
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F. Bauchard, “Nouvelles Ecritures,” , 2003.
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@Article{ bauchard_nouvelles_2003,
title = {Nouvelles {Ecritures}},
author  = {Bauchard, Franck},
year = {2003}
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F. Bauchard and B. Métais-Chastanier, “Le théâtre au prisme des mutations de l’écrit: Entretien réalisé par Barbara Métais-Chastanier à Paris le 8 décembre 2009,” Agôn. revue des arts de la scène, 2010.
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@Article{ bauchard_theatre_2010,
title = {Le théâtre au prisme des mutations de l’écrit:
{Entretien} réalisé par {Barbara} {Métais}-{Chastanier}
à {Paris} le 8 décembre 2009},
issn = {1961-8581},
doi = {10.4000/agon.1112},
language  = {fr},
journal  = {Agôn. Revue des arts de la scène},
author  = {Bauchard, Franck and Métais-Chastanier, Barbara},
month = mar,
year = {2010}
}

G. Banu, “L’écrit et l’oral ou l’entre-deux du théâtre,” , 1997.
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@Article{ banu_lecrit_1997,
title = {L’écrit et l’oral ou l’entre-deux du théâtre},
language  = {fr},
author  = {Banu, Georges},
year = {1997}
}

P. Boulez, “Penser la musique aujourd’hui,” , 1963.
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@Article{ boulez_penser_1963,
address  = {Paris},
title = {Penser la musique aujourd'hui},
isbn = {978-2-07-070901-4},
author  = {Boulez, Pierre},
year = {1963}
}

F. Dukanic, “Posthumains sur scène,” L’annuaire théâtral, 2018.
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@Article{ dukanic_posthumains_2018,
title = {Posthumains sur scène},
issn = {1923-0893, 0827-0198},
doi = {10.7202/1052756ar},
language  = {fr},
journal  = {L’Annuaire théâtral},
author  = {Dukanic, Filip},
month = oct,
year = {2018}
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K. Stockhausen, “We in music are like physicists,” , 2001.
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@Article{ stockhausen_we_2001,
title = {We in music are like physicists},
author  = {Stockhausen, Karlheinz},
year = {2001}
}

H. Brün, “My Words but Where I Want Them,” , 1979.
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@Article{ brun_my_1979,
title = {My {Words} but {Where} {I} {Want} {Them}},
author  = {Brün, Herbert},
year = {1979}
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J. Shintani and M. Kara, “Ars Electronica 2009: “Human Nature” in Linz, Austria,” Computer music journal, 2010.
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@Article{ shintani_ars_2010,
title = {Ars {Electronica} 2009: “{Human} {Nature}” in {Linz},
{Austria}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj.2010.34.2.90},
language  = {en},
journal  = {Computer Music Journal},
author  = {Shintani, Joyce and Kara, Metin},
month = jun,
year = {2010}
}

J. Leidecker, “Radio Music,” , 2010.
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@Article{ leidecker_radio_2010,
title = {Radio {Music}},
author  = {Leidecker, Jon},
year = {2010}
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G. E. Lewis, “Too Many Notes: Computers, Complexity and Culture in Voyager,” Leonardo music journal, 2000.
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@Article{ lewis_too_2000,
title = {Too {Many} {Notes}: {Computers}, {Complexity} and
{Culture} in {Voyager}},
issn = {0961-1215, 1531-4812},
doi = {10.1162/096112100570585},
language  = {en},
journal  = {Leonardo Music Journal},
author  = {Lewis, George E.},
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year = {2000}
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T. Curtright, “Functional roots of the sine function,” , 2011.
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@Article{ curtright_functional_2011,
title = {Functional roots of the sine function},
author  = {Curtright, Thomas},
year = {2011}
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R. Kostelanetz, “On innovative performance(s): three decades of recollections on alternative theater,” , 1994.
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@Article{ kostelanetz_innovative_1994,
address  = {Jefferson, N.C},
title = {On innovative performance(s): three decades of
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L. Spuybroek, “Son-O-House a House Where Sounds Live,” , 2009.
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@Article{ spuybroek_son-o-house_2009,
title = {Son-{O}-{House} a {House} {Where} {Sounds} {Live}},
author  = {Spuybroek, Lars},
year = {2009}
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F. Macedo, “Phenomenology, Spatial Music and the Composer: prelude to a phenomenology of space in acousmatic music,” , 2011.
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@Article{ macedo_phenomenology_2011,
title = {Phenomenology, {Spatial} {Music} and the {Composer}:
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author  = {Macedo, Frederico},
year = {2011}
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M. D. Bowles and R. S. Arrighi, “NASA’s Nuclear Frontier: the Plum Brook Reactor Facility, 1941-2002,” , 2004.
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@Article{ bowles_nasas_2004,
title = {{NASA}'s {Nuclear} {Frontier}: the {Plum} {Brook}
{Reactor} {Facility}, 1941-2002},
author  = {Bowles, Mark D. and Arrighi, Robert S.},
year = {2004}
}

E. Corteel, “Caractérisation Et Extensions De La Wave Field Synthesis en Conditions Réelles,” , 2004.
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@Article{ corteel_caracterisation_2004,
title = {Caractérisation {Et} {Extensions} {De} {La} {Wave}
{Field} {Synthesis} en {Conditions} {Réelles}},
author  = {Corteel, Etienne},
year = {2004}
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A. Bonardi, J. Barthélemy, R. Ciavarella, and G. Boutard, “Steps in Research and Development About the Sustainability of Software Modules for Performing Arts,” , 2008.
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@Article{ bonardi_steps_2008,
title = {Steps in {Research} and {Development} {About} the
{Sustainability} of {Software} {Modules} for {Performing}
{Arts}},
author  = {Bonardi, Alain and Barthélemy, Jérôme and Ciavarella,
Raffaele and Boutard, Guillaume},
year = {2008}
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T. Smyth, “Linear Frequency Modulation (FM),” , 2009.
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@Article{ smyth_linear_2009,
title = {Linear {Frequency} {Modulation} ({FM})},
author  = {Smyth, Tamara},
year = {2009}
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A. R. Brown, R. Wooller, E. Miranda, R. Berry, and J. Diederich, “A framework for comparison of process in algorithmic music systems,” , 2005.
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@Article{ brown_framework_2005,
title = {A framework for comparison of process in algorithmic music
systems},
author  = {Brown, Andrew R. and Wooller, Rene and Miranda, Eduardo
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year = {2005}
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M. Feldman, “Morton Feldman Current Trends in America,” , 1983.
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@Article{ feldman_morton_1983,
title = {Morton {Feldman} {Current} {Trends} in {America}},
author  = {Feldman, Morton},
year = {1983}
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“Conference Book of the 1984 Conference of the American Society for Cybernetics,” , 1984.
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@Article{ noauthor_conference_1984,
title = {Conference {Book} of the 1984 {Conference} of the
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T. Bruynltl, D. Raaijmakers, and P. Struycken, “Sound = Sight – three audio-visual projects,” , 1971.
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@Article{ bruynltl_sound_1971,
title = {Sound = {Sight} - three audio-visual projects},
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year = {1971}
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T. Castle, “Stockhausen Karlheinz – The Unsettling Question of the Sublime,” , 2011.
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@Article{ castle_stockhausen_2011,
title = {Stockhausen {Karlheinz} - {The} {Unsettling} {Question} of
the {Sublime}},
author  = {Castle, Terry},
year = {2011}
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Coldbing, “Creating An Urban-Style Piece Of Artwork,” , 2009.
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@Article{ coldbing_creating_2009,
title = {Creating {An} {Urban}-{Style} {Piece} {Of} {Artwork}},
author  = {Coldbing},
year = {2009}
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G. Bennet, “Research at IRCAM 1977,” , 1977.
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@Article{ bennet_research_1977,
title = {Research at {IRCAM} 1977},
author  = {Bennet, Gerald},
year = {1977}
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G. Bennett, “Research at IRCAM 1978,” , 1978.
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@Article{ bennett_research_1978,
title = {Research at {IRCAM} 1978},
author  = {Bennett, Gerald},
year = {1978}
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S. Delehanty, “Soundings-Neuberger Museum,” , 1981.
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@Article{ delehanty_soundings-neuberger_1981,
title = {Soundings-{Neuberger} {Museum}},
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J. Bleecker, “Design Fiction’s Odd Present vs. Science Fiction’s Near Future,” , 2012.
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@Article{ bleecker_design_2012,
title = {Design {Fiction}'s {Odd} {Present} vs. {Science}
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author  = {Bleecker, Julian},
year = {2012}
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K. Stockhausen, “Die Reihe,” , 1955.
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@Article{ stockhausen_reihe_1955,
title = {Die {Reihe}},
author  = {Stockhausen, Karlheinz},
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M. Gerzon, “Fixing It Outside the Mix,” , 1990.
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@Article{ gerzon_fixing_1990,
title = {Fixing {It} {Outside} the {Mix}},
author  = {Gerzon, Michael},
year = {1990}
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C. Benvenuti, “Sound, Noise and Enthropy: An Essay on Information Theory and Music Creation.,” , 2010.
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@Article{ benvenuti_sound_2010,
title = {Sound, {Noise} and {Enthropy}: {An} {Essay} on
{Information} {Theory} and {Music} {Creation}.},
author  = {Benvenuti, Christian},
year = {2010}
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B. Christensen, “18th Century Continuo Playing – A Historical Guide to the Basics,” , 2002.
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@Article{ christensen_18th_2002,
title = {18th {Century} {Continuo} {Playing} - {A} {Historical}
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author  = {Christensen, BojeChrist},
year = {2002}
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R. Long, “Morality of a Safety Beld,” , 2020.
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@Article{ long_morality_2020,
title = {Morality of a {Safety} {Beld}},
author  = {Long, Robert},
year = {2020}
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B. Evans, “Integration of Music and Graphics through Algorithmic Congruence,” , 1987.
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@Article{ evans_integration_1987,
title = {Integration of {Music} and {Graphics} through
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year = {1987}
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S. Berweck, “It Worked Yesterday,” , 2012.
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@Article{ berweck_it_2012,
title = {It {Worked} {Yesterday}},
author  = {Berweck, Sebastian},
year = {2012}
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M. Bense, T. Breic, Z. Buias, B. Donat, V. Horvat-Pintaric, and S. Schmidt, “Bit International 5-6,” , 1969.
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@Article{ bense_bit_1969,
title = {Bit {International} 5-6},
author  = {Bense, Max and Breic, Tomaz and Buias, Zeliko and Donat,
Branimir and Horvat-Pintaric, Vera and Schmidt, Siegfried
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year = {1969}
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B. Bergstein, “Can AI pass the smell test?,” , 2019.
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@Article{ bergstein_can_2019,
title = {Can {AI} pass the smell test?},
author  = {Bergstein, Brian},
year = {2019}
}

R. Heer, “A Model of Learning Objectives – A Taxonomy for Learning, Teaching, and Assessing: A Revision of Bloom’s Taxonomy of Educational Objectives,” , 2012.
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@Article{ heer_model_2012,
title = {A {Model} of {Learning} {Objectives} - {A} {Taxonomy} for
{Learning}, {Teaching}, and {Assessing}: {A} {Revision} of
{Bloom}'s {Taxonomy} of {Educational} {Objectives}},
author  = {Heer, Rex},
year = {2012}
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R. D. Graham, “A Foundation for Electronic Music,” , 1978.
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@Article{ graham_foundation_1978,
title = {A {Foundation} for {Electronic} {Music}},
author  = {Graham, Robin Donald},
year = {1978}
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M. Gerzon, “Digital Room Equalisation,” , 1991.
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@Article{ gerzon_digital_1991,
title = {Digital {Room} {Equalisation}},
author  = {Gerzon, Michael},
year = {1991}
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R. D. Graham, “Practical Synthesis for Electronic Music Vol 1,” , 1979.
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@Article{ graham_practical_1979,
title = {Practical {Synthesis} for {Electronic} {Music} {Vol} 1},
author  = {Graham, Robin Donald},
year = {1979}
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R. D. Graham, “Practical Synthesis for Electronic Music Vol 2,” , 1979.
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@Article{ graham_practical_1979-1,
title = {Practical {Synthesis} for {Electronic} {Music} {Vol} 2},
author  = {Graham, Robin Donald},
year = {1979}
}

R. W. Esler, “Performing Algorithmic Computer Music: Real-Time Score Interpretation of David Birchfield’s Community Art: Resonant Energy,” , 2005.
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@Article{ esler_performing_2005,
title = {Performing {Algorithmic} {Computer} {Music}: {Real}-{Time}
{Score} {Interpretation} of {David} {Birchfield}'s
{Community} {Art}: {Resonant} {Energy}},
author  = {Esler, Robert W.},
year = {2005}
}

K. Douglas and G. Whitehead, “Wireless Imagination – Sound, Radio, and the Avant-Garde,” , 1992.
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@Article{ douglas_wireless_1992,
title = {Wireless {Imagination} - {Sound}, {Radio}, and the
{Avant}-{Garde}},
author  = {Douglas, Kahn and Whitehead, Gregory},
year = {1992}
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M. Pietruszewski, “Auditory Sieve: A protocol for pendular transitions between temporal resolutions,” , 2019.
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@Article{ pietruszewski_auditory_2019,
title = {Auditory {Sieve}: {A} protocol for pendular transitions
between temporal resolutions},
author  = {Pietruszewski, Martin},
year = {2019}
}

A. Di Scipio, “Sound Object ? Sound Event Ideologies of Listening and the Biopolitics of Music,” , 2013.
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@Article{ di_scipio_sound_2013,
title = {Sound {Object} ? {Sound} {Event} {Ideologies} of
{Listening} and the {Biopolitics} of {Music}},
author  = {Di Scipio, Agostino},
year = {2013}
}

P. Manoury, “Max,” , 1988.
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@Article{ manoury_max_1988,
title = {Max},
author  = {Manoury, Philippe},
year = {1988}
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M. Hennan, “Deterministic Chaos, Iterative Models, Dynamical Systems and Their Application in Algorithmic Composition,” , 1993.
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@Article{ hennan_deterministic_1993,
title = {Deterministic {Chaos}, {Iterative} {Models}, {Dynamical}
{Systems} and {Their} {Application} in {Algorithmic}
{Composition}},
author  = {Hennan, Martin},
year = {1993}
}

P. Boulez, “Schoenberg Is Dead,” , 1968.
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@Article{ boulez_schoenberg_1968,
title = {Schoenberg {Is} {Dead}},
author  = {Boulez, Pierre},
year = {1968}
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“Die Ars Electronica Kunst im Zeitsprung,” , 1989.
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@Article{ gerbel_ars_1989,
address  = {Linz},
title = {Die {Ars} {Electronica} {Kunst} im {Zeitsprung}},
isbn = {978-3-85214-496-2},
year = {1989}
}

E. Corteel and L. Rohr, “Sound reinforcement in 2 and 3 dimensions using Wave Field Synthesis,” , 2012.
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@Article{ corteel_sound_2012,
title = {Sound reinforcement in 2 and 3 dimensions using {Wave}
{Field} {Synthesis}},
author  = {Corteel, Etienne and Rohr, Lukas},
year = {2012}
}

P. Codognet, “日本的当代巴洛克,” , 2011.
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@Article{ codognet__2011,
title = {日本的当代巴洛克},
author  = {Codognet, Philippe},
year = {2011}
}

L. Casserley, “The IRCAM Signal Processing WorkStation A ComposerPerformer’s View,” , 1993.
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@Article{ casserley_ircam_1993,
title = {The {IRCAM} {Signal} {Processing} {WorkStation} {A}
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author  = {Casserley, Lawrence},
year = {1993}
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B. Coulange, “Détection et correction de l’aliasing par extension du signal analytique aux images numériques,” , 2011.
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@Article{ coulange_detection_2011,
title = {Détection et correction de l’aliasing par extension du
signal analytique aux images numériques},
author  = {Coulange, Baptiste},
year = {2011}
}

M. Fischer, “Leonhard Euler Et La Musique,” , 2005.
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@Article{ fischer_leonhard_2005,
title = {Leonhard {Euler} {Et} {La} {Musique}},
author  = {Fischer, Myriam},
year = {2005}
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A. Lucier and N. Collins, “Introduction to Electronic Music 183 Nicolas Collins – 1,” , 2011.
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@Article{ lucier_introduction_2011,
title = {Introduction to {Electronic} {Music} 183 {Nicolas}
{Collins} - 1},
author  = {Lucier, Alvin and Collins, Nicolas},
year = {2011}
}

A. Lucier and N. Collins, “Introduction to Electronic Music 184 Nicolas Collins – 2,” , 2011.
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@Article{ lucier_introduction_2011-1,
title = {Introduction to {Electronic} {Music} 184 {Nicolas}
{Collins} - 2},
author  = {Lucier, Alvin and Collins, Nicolas},
year = {2011}
}

K. C. Cheung, “Digital Cellular Solids Reconfigurable Composite Materials,” , 2012.
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@Article{ cheung_digital_2012,
title = {Digital {Cellular} {Solids} {Reconfigurable} {Composite}
{Materials}},
author  = {Cheung, Kenneth C.},
year = {2012}
}

D. Keller, “Touch’N’Go Ecological Models in Composition,” , 1999.
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@Article{ keller_touchngo_1999,
title = {Touch’{N}’{Go} {Ecological} {Models} in
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author  = {Keller, Damián},
year = {1999}
}

A. Madden, “History of NASA,” , 2019.
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@Article{ madden_history_2019,
title = {History of {NASA}},
author  = {Madden, April},
year = {2019}
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K. Lueders, “NASA’s Development of Next-Generation Spacesuits,” , 2021.
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@Article{ lueders_nasas_2021,
title = {{NASA}’s {Development} of {Next}-{Generation}
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author  = {Lueders, Kathryn},
year = {2021}
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D. Schwartzman, “The Limits to Entropy: Continuing Misuse of Thermodynamics in Environmental and Marxist Theory,” Science & society, 2008.
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@Article{ schwartzman_limits_2008,
title = {The {Limits} to {Entropy}: {Continuing} {Misuse} of
{Thermodynamics} in {Environmental} and {Marxist}
{Theory}},
issn = {0036-8237},
doi = {10.1521/siso.2007.72.1.43},
language  = {en},
journal  = {Science \& Society},
author  = {Schwartzman, David},
month = jan,
year = {2008}
}

V. K. Schwarzkopf, “Computational Geometry Algorithms and Applications,” , 2004.
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@Article{ schwarzkopf_computational_2004,
title = {Computational {Geometry} {Algorithms} and {Applications}},
author  = {Schwarzkopf, Van Kreveld},
year = {2004}
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T. Myatt, “Processes and Systems in Computer Music From Meta to Matter,” , 2011.
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@Article{ myatt_processes_2011,
title = {Processes and {Systems} in {Computer} {Music} {From}
{Meta} to {Matter}},
author  = {Myatt, Tony},
year = {2011}
}

C. Balmond and G. Dehn, “The World of Cecil Balmond Designer and Engineer,” , 2012.
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@Article{ balmond_world_2012,
title = {The {World} of {Cecil} {Balmond} {Designer} and
{Engineer}},
author  = {Balmond, Cecil and Dehn, Georgia},
year = {2012}
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E. Lissitzky and H. Arp, “Die Kunstismen = Les ismes de l’art = The isms of art,” , 1925.
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@Article{ lissitzky_kunstismen_1925,
title = {Die {Kunstismen} = {Les} ismes de l'art = {The} isms of
art},
author  = {Lissitzky, El and Arp, Hans},
year = {1925}
}

P. Codognet, “Kamei Toru The Apex and the Adir,” , 2009.
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@Article{ codognet_kamei_2009,
title = {Kamei {Toru} {The} {Apex} and the {Adir}},
author  = {Codognet, Philippe},
year = {2009}
}

G. Simondon, “Du mode d’existence des objets techniques,” , 1989.
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@Article{ simondon_du_1989,
address  = {Paris},
title = {Du mode d'existence des objets techniques},
isbn = {978-2-7007-1851-5},
author  = {Simondon, Gilbert},
year = {1989}
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H. Wittek, “2.0 5.1 and 3D-AudioMain Microphone Techniques,” , 2014.
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@Article{ wittek_20_2014,
title = {2.0 5.1 and {3D}-{AudioMain} {Microphone} {Techniques}},
author  = {Wittek, Helmut},
year = {2014}
}

Y. Abe, “Bulletin of the Computer Arts Society,” , 2008.
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@Article{ abe_bulletin_2008,
title = {Bulletin of the {Computer} {Arts} {Society}},
author  = {Abe, Yoshiyuki},
year = {2008}
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N. Collins, “Hardware Hacking,” , 2004.
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@Article{ collins_hardware_2004,
title = {Hardware {Hacking}},
author  = {Collins, Nicolas},
year = {2004}
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M. Fowler, “Reading John Cage’s Variations III as a Process for Generating Proto-Architectural Form,” Leonardo, 2012.
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@Article{ fowler_reading_2012,
title = {Reading {John} {Cage}'s {Variations} {III} as a {Process}
for {Generating} {Proto}-{Architectural} {Form}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/LEON_a_00323},
language  = {en},
journal  = {Leonardo},
author  = {Fowler, Michael},
month = feb,
year = {2012}
}

G. Loy, “Composing with computers: a survey of some compositional formalisms and music programming languages,” , 1989.
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@Article{ loy_composing_1989,
title = {Composing with computers: a survey of some compositional
formalisms and music programming languages},
author  = {Loy, Gareth},
year = {1989}
}

O. Pasquet and A. Gindt, “Théâtres & Musiques 2,” , 2005.
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@Article{ pasquet_theatres_2005,
title = {Théâtres \& {Musiques} 2},
author  = {Pasquet, Olivier and Gindt, Antoine},
year = {2005}
}

J. Gibson, “Listening to Repetitive Music Reich Feldman Andriessen Autechre,” , 2004.
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@Article{ gibson_listening_2004,
title = {Listening to {Repetitive} {Music} {Reich} {Feldman}
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author  = {Gibson, John},
year = {2004}
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W. Gombrowicz, “Moi Fragmenté Moi Meurtrier L’Expérience De Soi Chez Witold Gombrowicz,” , 1999.
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@Article{ gombrowicz_moi_1999,
title = {Moi {Fragmenté} {Moi} {Meurtrier} {L}'{Expérience} {De}
{Soi} {Chez} {Witold} {Gombrowicz}},
author  = {Gombrowicz, Witold},
year = {1999}
}

M. Casey and A. Westner, “Separation of Mixed Audio Sources By Independent Subspace Analysis,” , 2001.
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@Article{ casey_separation_2001,
title = {Separation of {Mixed} {Audio} {Sources} {By} {Independent}
{Subspace} {Analysis}},
author  = {Casey, Michael and Westner, Alex},
year = {2001}
}

P. Smaragdis, “Discovering auditory objects through non-negativity constraints,” , 2004.
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@Article{ smaragdis_discovering_2004,
title = {Discovering auditory objects through non-negativity
constraints},
author  = {Smaragdis, Paris},
year = {2004}
}

A. Gindt, “Théâtres & Musiques 3&4,” , 2007.
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@Article{ gindt_theatres_2007,
title = {Théâtres \& {Musiques} 3\&4},
author  = {Gindt, Antoine},
year = {2007}
}

A. Gindt, “Théâtres & Musiques 5,” , 2008.
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@Article{ gindt_theatres_2008,
title = {Théâtres \& {Musiques} 5},
author  = {Gindt, Antoine},
year = {2008}
}

Foster+Partners, “Architecture Urbanism Innovation,” , 2015.
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@Article{ fosterpartners_architecture_2015,
title = {Architecture {Urbanism} {Innovation}},
author  = {Foster+Partners},
year = {2015}
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M. Andreatta, “Quelques Aspects Theoriques D’une Approche Algebrique en Musique,” , 2005.
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@Article{ andreatta_quelques_2005,
title = {Quelques {Aspects} {Theoriques} {D}’une {Approche}
{Algebrique} en {Musique}},
author  = {Andreatta, Moreno},
year = {2005}
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A. Gindt, “Théâtres & Musiques 11,” , 2011.
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@Article{ gindt_theatres_2011,
title = {Théâtres \& {Musiques} 11},
author  = {Gindt, Antoine},
year = {2011}
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A. Gindt, “Théâtres & Musiques 12,” , 2012.
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@Article{ gindt_theatres_2012,
title = {Théâtres \& {Musiques} 12},
author  = {Gindt, Antoine},
year = {2012}
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“Glimpse – the Art of Science and Seeing – Vol 2 Issue 3,” , 2009.
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@Article{ noauthor_glimpse_2009,
title = {Glimpse - the {Art} of {Science} and {Seeing} - {Vol} 2
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year = {2009}
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Y. Bernard, M. Kuzmanovic, and A. Maes, “FoAM – X-med-a: Experimental Media Arts,” , 2006.
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@Article{ bernard_foam_2006,
address  = {Brussels},
title = {{FoAM} - {X}-med-a: {Experimental} {Media} {Arts}},
isbn = {978-90-810733-1-8},
language  = {eng},
author  = {Bernard, Yves and Kuzmanovic, Maja and Maes, Annemie},
year = {2006}
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P. Zumthor, “Thinking architecture,” , 1998.
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@Article{ zumthor_thinking_1998,
address  = {Baden},
title = {Thinking architecture},
isbn = {978-3-907044-61-2},
language  = {eng},
author  = {Zumthor, Peter},
translator  = {Oberli-Turner, Maureen},
year = {1998}
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D. P. Mitchell, “Quasi-Random Techniques,” , 2009.
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@Article{ mitchell_quasi-random_2009,
title = {Quasi-{Random} {Techniques}},
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year = {2009}
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P. Gonzalez Vivo and J. Lowe, “The Book of Shaders,” , 2015.
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@Article{ gonzalez_vivo_book_2015,
title = {The {Book} of {Shaders}},
author  = {Gonzalez Vivo, Patricio and Lowe, Jen},
year = {2015}
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B. Cvejić and A. Vujanović, “DT – Dance/Theory Reloaded – Journal for Performing Arts Theory TKH – No. 18,” , 2011.
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@Article{ cvejic_dt_2011,
title = {{DT} - {Dance}/{Theory} {Reloaded} - {Journal} for
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author  = {Cvejić, Bojana and Vujanović, Ana},
year = {2011}
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B. Cvejić, A. Vujanović, B. Kunst, and S. Hölscher, “The Commons ⁄ Undercommons in art, education, work… – Journal for Performing Arts Theory TKH – No. 23,” , 2014.
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@Article{ cvejic_commons_2014,
title = {The {Commons} ⁄ {Undercommons} in art, education,
work... - {Journal} for {Performing} {Arts} {Theory} {TKH}
- {No}. 23},
author  = {Cvejić, Bojana and Vujanović, Anna and Kunst, Bojana and
Hölscher, Stefan},
year = {2014}
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B. Cvejić, M. Popivoda, A. V. InterviewwithBrunoLatour, S. B. TheArtofSlogans, and S. DullSmartMobs, “The “Privatepublic” VS Sigrid Merx Private–Public:Reactivatingthe Distinction (Response to Igor Dobričić) – Journal for Performing Arts Theory TKH – No. 20,” , 2012.
[Bibtex]

@Article{ cvejic_privatepublic_2012,
title = {The “{Privatepublic}” {VS} {Sigrid} {Merx}
{Private}–{Public}:{Reactivatingthe} {Distinction}
({Response} to {Igor} {Dobričić}) - {Journal} for
{Performing} {Arts} {Theory} {TKH} - {No}. 20},
language  = {en},
author  = {Cvejić, Bojana and Popivoda, Marta and
InterviewwithBrunoLatour, Ana Vujanović and
TheArtofSlogans, Sezgin Boynik and DullSmartMobs, Siniša
Ilić},
year = {2012}
}

K. Profeta, “Dramaturgy in motion: at work on dance and movement performance,” , 2015.
[Bibtex]

@Article{ profeta_dramaturgy_2015,
address  = {Madison, Wisconsin},
title = {Dramaturgy in motion: at work on dance and movement
performance},
isbn = {978-0-299-30594-9},
language  = {en},
author  = {Profeta, Katherine},
year = {2015}
}

“New dramaturgy: international perspectives on theory and practice,” , 2014.
[Bibtex]

@Article{ trencsenyi_new_2014,
address  = {London : New York},
title = {New dramaturgy: international perspectives on theory and
practice},
isbn = {978-1-4081-7709-9 978-1-4081-7708-2},
year = {2014}
}

“The Routledge companion to dramaturgy,” , 2015.
[Bibtex]

@Article{ romanska_routledge_2015,
address  = {London ; New York},
title = {The {Routledge} companion to dramaturgy},
isbn = {978-0-415-65849-2},
language  = {en},
year = {2015}
}

J. W. Beauchamp and J. C. Risset, “An Introductory Catalogue of Computer Synthesized Sounds,” Perspectives of new music, 1971.
[Bibtex]

@Article{ beauchamp_introductory_1971,
title = {An {Introductory} {Catalogue} of {Computer} {Synthesized}
{Sounds}},
issn = {00316016},
doi = {10.2307/832154},
language  = {en},
journal  = {Perspectives of New Music},
author  = {Beauchamp, James W. and Risset, Jean Claude},
year = {1971}
}

M. Battier, “Jean-Claude Risset: In memoriam,” Organised sound, 2017.
[Bibtex]

@Article{ battier_jean-claude_2017,
title = {Jean-{Claude} {Risset}: {In} memoriam},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771817000012},
language  = {en},
journal  = {Organised Sound},
author  = {Battier, Marc},
month = apr,
year = {2017}
}

G. Narita, J. Shimizu, and T. Akama, “GANStrument: Adversarial Instrument Sound Synthesis with Pitch-invariant Instance Conditioning,” , 2023.
[Bibtex]

@Article{ narita_ganstrument_2023,
title = {{GANStrument}: {Adversarial} {Instrument} {Sound}
{Synthesis} with {Pitch}-invariant {Instance}
{Conditioning}},
language  = {en},
author  = {Narita, Gaku and Shimizu, Junichi and Akama, Taketo},
month = mar,
year = {2023}
}

M. R. Bjare and S. Lattner, “On the Typicality of Musical Sequences,” , 2022.
[Bibtex]

@Article{ bjare_typicality_2022,
title = {On the {Typicality} of {Musical} {Sequences}},
language  = {en},
author  = {Bjare, Mathias Rose and Lattner, Stefan},
month = nov,
year = {2022}
}

E. Deruty, M. Grachten, S. Lattner, J. Nistal, and C. Aouameur, “On the Development and Practice of AI Technology for Contemporary Popular Music Production,” Transactions of the international society for music information retrieval, 2022.
[Bibtex]

@Article{ deruty_development_2022,
title = {On the {Development} and {Practice} of {AI} {Technology}
for {Contemporary} {Popular} {Music} {Production}},
issn = {2514-3298},
doi = {10.5334/tismir.100},
language  = {en},
journal  = {Transactions of the International Society for Music
Information Retrieval},
author  = {Deruty, Emmanuel and Grachten, Maarten and Lattner, Stefan
and Nistal, Javier and Aouameur, Cyran},
month = feb,
year = {2022}
}

S. Lattner and J. Nistal, “Stochastic Restoration of Heavily Compressed Musical Audio Using Generative Adversarial Networks,” Electronics, 2021.
[Bibtex]

@Article{ lattner_stochastic_2021,
title = {Stochastic {Restoration} of {Heavily} {Compressed}
{Musical} {Audio} {Using} {Generative} {Adversarial}
{Networks}},
issn = {2079-9292},
doi = {10.3390/electronics10111349},
language  = {en},
journal  = {Electronics},
author  = {Lattner, Stefan and Nistal, Javier},
month = jun,
year = {2021}
}

J. Nistal, S. Lattner, and G. Richard, “Comparing Representations for Audio Synthesis Using Generative Adversarial Networks,” , 2020.
[Bibtex]

@Article{ nistal_comparing_2020,
title = {Comparing {Representations} for {Audio} {Synthesis}
{Using} {Generative} {Adversarial} {Networks}},
language  = {en},
author  = {Nistal, Javier and Lattner, Stefan and Richard, Gaël},
month = jun,
year = {2020}
}

V. Tiffon, “Jean-Claude Risset and his interdisciplinary practice: what do (or could) the archives tell us?,” , 2019.
[Bibtex]

@Article{ tiffon_jean-claude_2019,
title = {Jean-{Claude} {Risset} and his interdisciplinary practice:
what do (or could) the archives tell us?},
language  = {en},
author  = {Tiffon, Vincent},
year = {2019}
}

W. Goebl and C. Palmer, “Synchronization of Timing and Motion Among Performing Musicians,” Music perception, 2009.
[Bibtex]

@Article{ goebl_synchronization_2009,
title = {Synchronization of {Timing} and {Motion} {Among}
{Performing} {Musicians}},
issn = {0730-7829, 1533-8312},
doi = {10.1525/mp.2009.26.5.427},
language  = {en},
journal  = {Music Perception},
author  = {Goebl, Werner and Palmer, Caroline},
month = jun,
year = {2009}
}

S. Bolzinger and J. C. Risset, “A Preliminary Study on the Influence of Room Acoustics on Piano Performance,” Le journal de physique iv, 1992.
[Bibtex]

@Article{ bolzinger_preliminary_1992,
title = {A {Preliminary} {Study} on the {Influence} of {Room}
{Acoustics} on {Piano} {Performance}},
issn = {1155-4339},
doi = {10.1051/jp4:1992116},
language  = {en},
journal  = {Le Journal de Physique IV},
author  = {Bolzinger, S. and Risset, J. C.},
month = apr,
year = {1992}
}

C. Sophocleous, “Portfolio and exegesis: Composing through a spectral scope,” , 2013.
[Bibtex]

@Article{ sophocleous_portfolio_2013,
title = {Portfolio and exegesis: {Composing} through a spectral
scope},
language  = {en},
author  = {Sophocleous, Charalambos},
year = {2013}
}

V. Tiffon, “Sud (1985),” , 2001.
[Bibtex]

@Article{ tiffon_sud_2001,
title = {Sud (1985)},
author  = {Tiffon, Vincent},
year = {2001}
}

A. S. Parry, “Limits of Abstraction in Electroacoustic Music,” , 2000.
[Bibtex]

@Article{ parry_limits_2000,
title = {Limits of {Abstraction} in {Electroacoustic} {Music}},
language  = {en},
author  = {Parry, Aneurin Stefan},
year = {2000}
}

T. S. Murphy, “The Other’s Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997,” Genre, 2004.
[Bibtex]

@Article{ murphy_others_2004,
title = {The {Other}'s {Language}: {Jacques} {Derrida} {Interviews}
{Ornette} {Coleman}, 23 {June} 1997},
issn = {0016-6928, 2160-0228},
doi = {10.1215/00166928-37-2-319},
language  = {en},
journal  = {Genre},
author  = {Murphy, Timothy S.},
month = jun,
year = {2004}
}

L. DiGiulio, “Christopher Knowles and the Structured Logic of Play,” , 2012.
[Bibtex]

@Article{ digiulio_christopher_2012,
title = {Christopher {Knowles} and the {Structured} {Logic} of
{Play}},
author  = {DiGiulio, Lauren},
year = {2012}
}

B. N. Pasley, S. V. David, N. Mesgarani, A. Flinker, S. A. Shamma, N. Crone, R. T. Knight, and E. F. Chang, “Reconstructing Speech from Human Auditory Cortex,” Plos biology, 2012.
[Bibtex]

@Article{ pasley_reconstructing_2012,
title = {Reconstructing {Speech} from {Human} {Auditory} {Cortex}},
issn = {1545-7885},
doi = {10.1371/journal.pbio.1001251},
language  = {en},
journal  = {PLoS Biology},
author  = {Pasley, Brian N. and David, Stephen V. and Mesgarani, Nima
and Flinker, Adeen and Shamma, Shihab A. and Crone, Nathan
E. and Knight, Robert T. and Chang, Edward F.},
month = jan,
year = {2012}
}

K. Maslinsky, “Positional skipgrams for Bambara: a resource for corpus-based studies,” Mandenkan, 2020.
[Bibtex]

@Article{ maslinsky_positional_2020,
title = {Positional skipgrams for {Bambara}: a resource for
corpus-based studies},
issn = {0752-5443, 2104-371X},
doi = {10.4000/mandenkan.2119},
language  = {en},
journal  = {Mandenkan},
author  = {Maslinsky, Kirill},
month = may,
year = {2020}
}

Y. Bengio, R. Ducharme, P. Vincent, and C. Jauvin, “A neural probabilistic language model,” , 2003.
[Bibtex]

@Article{ bengio_neural_2003,
title = {A neural probabilistic language model},
language  = {en},
author  = {Bengio, Yoshua and Ducharme, Réjean and Vincent, Pascal
and Jauvin, Christian},
year = {2003}
}

P. Wiggers, “Modelling Context in Automatic Speech Recognition,” , 2008.
[Bibtex]

@Article{ wiggers_modelling_2008,
title = {Modelling {Context} in {Automatic} {Speech}
{Recognition}},
author  = {Wiggers, Pascal},
year = {2008}
}

D. Jurafsky and J. H. Martin, “Speech and language processing — an introduction to natural language processing, computational linguistics, and speech recognition — Third Edition draft,” , 2023.
[Bibtex]

@Article{ jurafsky_speech_2023,
title = {Speech and language processing — an introduction to
natural language processing, computational linguistics, and
speech recognition — {Third} {Edition} draft},
author  = {Jurafsky, Daniel and Martin, James H.},
year = {2023}
}

K. T. Toeplitz, “L’ordinateur comme instrument de concert – aussi une question d’écriture ?,” , 2002.
[Bibtex]

@Article{ toeplitz_ordinateur_2002,
title = {L'ordinateur comme instrument de concert – aussi une
question d'écriture ?},
language  = {fr},
author  = {Toeplitz, Kasper T},
year = {2002}
}

N. Bernier, “Observations on Performing Sine Waves with an Oscillator Ensemble,” Leonardo, 2022.
[Bibtex]

@Article{ bernier_observations_2022,
title = {Observations on {Performing} {Sine} {Waves} with an
{Oscillator} {Ensemble}},
issn = {0024-094X, 1530-9282},
doi = {10.1162/leon_a_02091},
language  = {en},
journal  = {Leonardo},
author  = {Bernier, Nicolas},
month = apr,
year = {2022}
}

N. Bernier, G. Boutard, and C. Traube, “Sine Waves Interpretations — Notes on an Adaptation and Transcription Process of Electroacoustic Works,” , 2022.
[Bibtex]

@Article{ bernier_sine_2022,
title = {Sine {Waves} {Interpretations} — {Notes} on an
{Adaptation} and {Transcription} {Process} of
{Electroacoustic} {Works}},
author  = {Bernier, Nicolas and Boutard, Guillaume and Traube,
Caroline},
year = {2022}
}

P. Langlois, “Musique contemporaine et cinéma : panorama d’un territoire sans frontières,” Circuit, 2016.
[Bibtex]

@Article{ langlois_musique_2016,
title = {Musique contemporaine et cinéma : panorama d’un
territoire sans frontières},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1038514ar},
language  = {fr},
journal  = {Circuit},
author  = {Langlois, Philippe},
month = dec,
year = {2016}
}

M. Brasset, “Perspectives de chefs : points de vue de trois chefs d’orchestre québécois sur la notation musicale aujourd’hui,” Circuit, 2015.
[Bibtex]

@Article{ brasset_perspectives_2015,
title = {Perspectives de chefs : points de vue de trois chefs
d’orchestre québécois sur la notation musicale
aujourd’hui},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1029477ar},
language  = {fr},
journal  = {Circuit},
author  = {Brasset, Marie-Pierre},
month = apr,
year = {2015}
}

F. Féron, “Enjeux et évolution du système de notation dans Pression pour un(e) violoncelliste de Helmut Lachenmann,” Circuit, 2015.
[Bibtex]

@Article{ feron_enjeux_2015,
title = {Enjeux et évolution du système de notation dans
{Pression} pour un(e) violoncelliste de {Helmut}
{Lachenmann}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1029476ar},
language  = {fr},
journal  = {Circuit},
author  = {Féron, François-Xavier},
month = apr,
year = {2015}
}

C. Traube, “La notation du timbre instrumental : noter la cause ou l’effet dans le rapport geste-son,” Circuit, 2015.
[Bibtex]

@Article{ traube_notation_2015,
title = {La notation du timbre instrumental : noter la cause ou
l’effet dans le rapport geste-son},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1029474ar},
language  = {fr},
journal  = {Circuit},
author  = {Traube, Caroline},
month = apr,
year = {2015}
}

G. Boutard, “À propos du Centre interdisciplinaire de recherche en musique, médias et technologie (cirmmt) : entretien avec Marcelo Wanderley,” Circuit, 2014.
[Bibtex]

@Article{ boutard_a_2014,
title = {À propos du {Centre} interdisciplinaire de recherche en
musique, médias et technologie (cirmmt) : entretien avec
{Marcelo} {Wanderley}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1026182ar},
language  = {fr},
journal  = {Circuit},
author  = {Boutard, Guillaume},
month = aug,
year = {2014}
}

C. Palacio-Quintin, “Ces lieux où ingénieurs et musiciens convergent,” Circuit, 2014.
[Bibtex]

@Article{ palacio-quintin_ces_2014,
title = {Ces lieux où ingénieurs et musiciens convergent},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1026181ar},
language  = {fr},
journal  = {Circuit},
author  = {Palacio-Quintin, Cléo},
month = aug,
year = {2014}
}

F. Leclair, “Michel Longtin : éclaircies à l’aube du xxie siècle,” Circuit, 2012.
[Bibtex]

@Article{ leclair_michel_2012,
title = {Michel {Longtin} : éclaircies à l’aube du xxie
siècle},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1008970ar},
language  = {fr},
journal  = {Circuit},
author  = {Leclair, François-Hugues},
month = apr,
year = {2012}
}

W. Lutoslawski and I. Potapowicz, “Sur l’aléatorisme (1962). Quelques notes en marge de l’oeuvre Jeux vénitiens,” Circuit: musiques contemporaines, 2012.
[Bibtex]

@Article{ lutoslawski_sur_2012,
title = {Sur l’aléatorisme (1962). {Quelques} notes en marge de
l’oeuvre {Jeux} vénitiens},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1008969ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Lutoslawski, Witold and Potapowicz, Izabela},
year = {2012}
}

A. Culver, “Unconducting the Self-Synchronizing Orchestra,” Circuit, 2012.
[Bibtex]

@Article{ culver_unconducting_2012,
title = {Unconducting the {Self}-{Synchronizing} {Orchestra}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1008968ar},
language  = {en},
journal  = {Circuit},
author  = {Culver, Andrew},
month = apr,
year = {2012}
}

C. Palacio-Quintin, “Composition interactive : du geste instrumental au contrôle de l’électronique dans Synesthesia 4 : Chlorophylle,” Circuit, 2012.
[Bibtex]

@Article{ palacio-quintin_composition_2012,
title = {Composition interactive : du geste instrumental au
contrôle de l’électronique dans {Synesthesia} 4 :
{Chlorophylle}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1008966ar},
language  = {fr},
journal  = {Circuit},
author  = {Palacio-Quintin, Cléo},
month = apr,
year = {2012}
}

A. Cont and M. Rhéaume, “Synchronisme musical et musiques mixtes : du temps écrit au temps produit,” Circuit, 2012.
[Bibtex]

@Article{ cont_synchronisme_2012,
title = {Synchronisme musical et musiques mixtes : du temps écrit
au temps produit},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1008965ar},
language  = {fr},
journal  = {Circuit},
author  = {Cont, Arshia and Rhéaume, Martine},
month = apr,
year = {2012}
}

G. Vinay, “Vue sur l’atelier de Salvatore Sciarrino (à partir de Quaderno di Strada et Da Gelo a Gelo)*,” Circuit, 2008.
[Bibtex]

@Article{ vinay_vue_2008,
title = {Vue sur l’atelier de {Salvatore} {Sciarrino} (à partir
de {Quaderno} di {Strada} et {Da} {Gelo} a {Gelo})*},
issn = {1488-9692, 1183-1693},
doi = {10.7202/017903ar},
language  = {fr},
journal  = {Circuit},
author  = {Vinay, Gianfranco},
month = apr,
year = {2008}
}

R. Beaucage, “Interprète et créateur: Entretien avec Benjamin Carat,” Circuit, 2010.
[Bibtex]

@Article{ beaucage_interprete_2010,
title = {Interprète et créateur: {Entretien} avec {Benjamin}
{Carat}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902342ar},
language  = {fr},
journal  = {Circuit},
author  = {Beaucage, Réjean},
month = feb,
year = {2010}
}

R. Beaucage, “Réinventer le rituel du concert: Entretien avec Marc Couroux,” Circuit, 2010.
[Bibtex]

@Article{ beaucage_reinventer_2010,
title = {Réinventer le rituel du concert: {Entretien} avec {Marc}
{Couroux}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902341ar},
language  = {fr},
journal  = {Circuit},
author  = {Beaucage, Réjean},
month = feb,
year = {2010}
}

B. Stiegler and N. Donin, “Le circuit du désir musical: L’interprète, le compositeur, l’auditeur — organes et instruments,” Circuit, 2010.
[Bibtex]

@Article{ stiegler_circuit_2010,
title = {Le circuit du désir musical: {L}’interprète, le
compositeur, l’auditeur — organes et instruments},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902340ar},
language  = {fr},
journal  = {Circuit},
author  = {Stiegler, Bernard and Donin, Nicolas},
month = feb,
year = {2010}
}

J. Hétu and R. Beaucage, “Variations et variantes,” Circuit, 2010.
[Bibtex]

@Article{ hetu_variations_2010,
title = {Variations et variantes},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902338ar},
language  = {fr},
journal  = {Circuit},
author  = {Hétu, Jacques and Beaucage, Réjean},
month = feb,
year = {2010}
}

P. Stadlen and N. Donin, “Le malentendu pointilliste,” Circuit, 2010.
[Bibtex]

@Article{ stadlen_malentendu_2010,
title = {Le malentendu pointilliste},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902339ar},
language  = {fr},
journal  = {Circuit},
author  = {Stadlen, Peter and Donin, Nicolas},
month = feb,
year = {2010}
}

N. Donin and J. Goldman, “Souvenirs de Darmstadt, mode d’emploi,” Circuit, 2010.
[Bibtex]

@Article{ donin_souvenirs_2010,
title = {Souvenirs de {Darmstadt}, mode d’emploi},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902367ar},
language  = {fr},
journal  = {Circuit},
author  = {Donin, Nicolas and Goldman, Jonathan},
month = feb,
year = {2010}
}

N. Donin, “Les cours d’été de Darmstadt, du mythe au chantier,” Circuit, 2010.
[Bibtex]

@Article{ donin_cours_2010,
title = {Les cours d’été de {Darmstadt}, du mythe au chantier},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902366ar},
language  = {fr},
journal  = {Circuit},
author  = {Donin, Nicolas},
month = feb,
year = {2010}
}

B. Pauset, “Das Einfachste, schwer zu machen [Bertolt Brecht],” Circuit, 2010.
[Bibtex]

@Article{ pauset_einfachste_2010,
title = {Das {Einfachste}, schwer zu machen [{Bertolt} {Brecht}]},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902371ar},
language  = {fr},
journal  = {Circuit},
author  = {Pauset, Brice},
month = feb,
year = {2010}
}

H. Lachenmann, “Composer dans l’ombre de Darmstadt (1987),” Circuit, 2010.
[Bibtex]

@Article{ lachenmann_composer_2010,
title = {Composer dans l’ombre de {Darmstadt} (1987)},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902369ar},
language  = {fr},
journal  = {Circuit},
author  = {Lachenmann, Helmut},
month = feb,
year = {2010}
}

P. Steenhuisen, “Darmstadt 1992 — the Understory,” Circuit, 2010.
[Bibtex]

@Article{ steenhuisen_darmstadt_2010,
title = {Darmstadt 1992 — the {Understory}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902374ar},
language  = {en},
journal  = {Circuit},
author  = {Steenhuisen, Paul},
month = feb,
year = {2010}
}

M. Chenard and J. Nattiez, “Table ronde de 1963, journées des 16, 18 et 23 juillet: Avec Luciano Berio, Pierre Boulez et Henri Pousseur,” Circuit, 2010.
[Bibtex]

@Article{ chenard_table_2010,
title = {Table ronde de 1963, journées des 16, 18 et 23 juillet:
{Avec} {Luciano} {Berio}, {Pierre} {Boulez} et {Henri}
{Pousseur}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902368ar},
language  = {fr},
journal  = {Circuit},
author  = {Chenard, Marc and Nattiez, Jean-Jacques},
month = feb,
year = {2010}
}

J. Lauxerois, “À bon entendeur: Petite note sur « l’écoute structurelle »,” Circuit, 2010.
[Bibtex]

@Article{ lauxerois_a_2010,
title = {À bon entendeur: {Petite} note sur « l’écoute
structurelle »},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902302ar},
language  = {fr},
journal  = {Circuit},
author  = {Lauxerois, Jean},
month = feb,
year = {2010}
}

A. Talpash, “La parodie dans Osten de Maurico Kagel,” Circuit, 2010.
[Bibtex]

@Article{ talpash_parodie_2010,
title = {La parodie dans {Osten} de {Maurico} {Kagel}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/402004ar},
language  = {fr},
journal  = {Circuit},
author  = {Talpash, Andriy},
month = mar,
year = {2010}
}

J. Desjardins, “Brian Cherney et Bruce Mather : la clairvoyance du compositeur solitaire,” Circuit, 2002.
[Bibtex]

@Article{ desjardins_brian_2002,
title = {Brian {Cherney} et {Bruce} {Mather} : la clairvoyance du
compositeur solitaire},
issn = {1488-9692, 1183-1693},
doi = {10.7202/004660ar},
language  = {fr},
journal  = {Circuit},
author  = {Desjardins, Jacques},
month = oct,
year = {2002}
}

J. Bardez, “La classe de Messiaen de Jean Boivin,” Circuit, 2010.
[Bibtex]

@Article{ bardez_classe_2010,
title = {La classe de {Messiaen} de {Jean} {Boivin}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902215ar},
language  = {fr},
journal  = {Circuit},
author  = {Bardez, Jean-Michel},
month = mar,
year = {2010}
}

G. Valverde, “Utopie et idéal dans la composition musicale aujourd’hui,” Circuit, 2010.
[Bibtex]

@Article{ valverde_utopie_2010,
title = {Utopie et idéal dans la composition musicale
aujourd’hui},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902213ar},
language  = {fr},
journal  = {Circuit},
author  = {Valverde, Gabriel},
month = mar,
year = {2010}
}

M. Gonneville, “Humeurs postmodernes,” Circuit, 2010.
[Bibtex]

@Article{ gonneville_humeurs_2010,
title = {Humeurs postmodernes},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902003ar},
language  = {fr},
journal  = {Circuit},
author  = {Gonneville, Michel},
month = jan,
year = {2010}
}

H. Prévost, “Qu’est-ce que le postmodernisme musical?,” Circuit, 2010.
[Bibtex]

@Article{ prevost_quest-ce_2010,
title = {Qu’est-ce que le postmodernisme musical?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902001ar},
language  = {fr},
journal  = {Circuit},
author  = {Prévost, Hélène},
month = jan,
year = {2010}
}

D. Olds, “Un atelier de Boulez : visite guidée de Mémoriale,” Circuit, 2010.
[Bibtex]

@Article{ olds_atelier_2010,
title = {Un atelier de {Boulez} : visite guidée de {Mémoriale}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902038ar},
language  = {fr},
journal  = {Circuit},
author  = {Olds, David},
month = feb,
year = {2010}
}

F. De Médicis, “Boulez analyste,” Circuit, 2010.
[Bibtex]

@Article{ de_medicis_boulez_2010,
title = {Boulez analyste},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902037ar},
language  = {fr},
journal  = {Circuit},
author  = {De Médicis, François},
month = feb,
year = {2010}
}

S. Galaise, “« Désormais, nous écartèlerons son visage… »: Neuf compositeurs québécois réagissent aux propos de Pierre Boulez,” Circuit, 2010.
[Bibtex]

@Article{ galaise__2010,
title = {« {Désormais}, nous écartèlerons son visage… »:
{Neuf} compositeurs québécois réagissent aux propos de
{Pierre} {Boulez}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902035ar},
language  = {fr},
journal  = {Circuit},
author  = {Galaise, Sophie},
month = feb,
year = {2010}
}

F. Dhomont, “Chronique des disques québécois: L’électroacoustique sur orbite,” Circuit: musiques contemporaines, 1992.
[Bibtex]

@Article{ dhomont_chronique_1992,
title = {Chronique des disques québécois:
{L}’électroacoustique sur orbite},
issn = {1183-1693, 1488-9692},
doi = {10.7202/902045ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Dhomont, Francis},
year = {1992}
}

D. Trottier, “Les compositeurs face au passé musical : l’attrait pour l’écriture orchestrale dans la trajectoire de quelques compositeurs québécois,” Circuit, 2017.
[Bibtex]

@Article{ trottier_compositeurs_2017,
title = {Les compositeurs face au passé musical : l’attrait pour
l’écriture orchestrale dans la trajectoire de quelques
compositeurs québécois},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1039670ar},
language  = {fr},
journal  = {Circuit},
author  = {Trottier, Danick},
month = apr,
year = {2017}
}

S. Bertrand, “Introduction. Réflexions sur le métier de compositeur : identité et singularités,” Circuit: musiques contemporaines, 2017.
[Bibtex]

@Article{ bertrand_introduction_2017,
title = {Introduction. {Réflexions} sur le métier de compositeur
: identité et singularités},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1039668ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Bertrand, Simon},
year = {2017}
}

L. Velasco-Pufleau, “Le trésor de la langue : un entretien avec René Lussier,” Circuit, 2019.
[Bibtex]

@Article{ velasco-pufleau_tresor_2019,
title = {Le trésor de la langue : un entretien avec {René}
{Lussier}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1055195ar},
language  = {fr},
journal  = {Circuit},
author  = {Velasco-Pufleau, Luis},
month = jan,
year = {2019}
}

M. Solomos, “L’écoute musicale comme construction du commun,” Circuit, 2019.
[Bibtex]

@Article{ solomos_lecoute_2019,
title = {L’écoute musicale comme construction du commun},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1055194ar},
language  = {fr},
journal  = {Circuit},
author  = {Solomos, Makis},
month = jan,
year = {2019}
}

M. Żyła, “Cornelius Cardew behind the Iron Curtain,” Circuit, 2019.
[Bibtex]

@Article{ zyla_cornelius_2019,
title = {Cornelius {Cardew} behind the {Iron} {Curtain}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1055193ar},
language  = {en},
journal  = {Circuit},
author  = {Żyła, Monika},
month = jan,
year = {2019}
}

L. Feneyrou, “Noli me tangere. Violence politique, éthique protestante et composition musicale dans une section de La Petite Fille aux allumettes de Helmut Lachenmann,” Circuit, 2019.
[Bibtex]

@Article{ feneyrou_noli_2019,
title = {Noli me tangere. {Violence} politique, éthique
protestante et composition musicale dans une section de
{La} {Petite} {Fille} aux allumettes de {Helmut}
{Lachenmann}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1055191ar},
language  = {fr},
journal  = {Circuit},
author  = {Feneyrou, Laurent},
month = jan,
year = {2019}
}

L. Morrison, “Playing with Shadows: Reinjection Loops and Historical Allusion in Georg Friedrich Haas’s Live Electronic Music,” Circuit, 2019.
[Bibtex]

@Article{ morrison_playing_2019,
title = {Playing with {Shadows}: {Reinjection} {Loops} and
{Historical} {Allusion} in {Georg} {Friedrich} {Haas}’s
{Live} {Electronic} {Music}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1062568ar},
language  = {en},
journal  = {Circuit},
author  = {Morrison, Landon},
month = aug,
year = {2019}
}

P. Leroux, “Enfin de l’espace (ultrachromatique et non-octaviant) !,” Circuit, 2019.
[Bibtex]

@Article{ leroux_enfin_2019,
title = {Enfin de l’espace (ultrachromatique et non-octaviant)
!},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1062564ar},
language  = {fr},
journal  = {Circuit},
author  = {Leroux, Philippe},
month = aug,
year = {2019}
}

C. Canonne and A. Fryberger, “But If It’s Not Music, What Is It? Defining Interstitial Artistic Practices,” Circuit, 2020.
[Bibtex]

@Article{ canonne_but_2020,
title = {But {If} {It}’s {Not} {Music}, {What} {Is} {It}?
{Defining} {Interstitial} {Artistic} {Practices}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1069082ar},
language  = {en},
journal  = {Circuit},
author  = {Canonne, Clément and Fryberger, Annelies},
month = may,
year = {2020}
}

C. Kihm, “Art sonore ou art d’écouter ?,” Circuit, 2020.
[Bibtex]

@Article{ kihm_art_2020,
title = {Art sonore ou art d’écouter ?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1069081ar},
language  = {fr},
journal  = {Circuit},
author  = {Kihm, Christophe},
month = may,
year = {2020}
}

J. Guionnet, “Pour une musique sans excuse,” Circuit, 2020.
[Bibtex]

@Article{ guionnet_pour_2020,
title = {Pour une musique sans excuse},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1071121ar},
language  = {fr},
journal  = {Circuit},
author  = {Guionnet, Jean-Luc},
month = aug,
year = {2020}
}

C. Palacio-Quintin, “Analyse spectromorphologique de La plénitude du vide de Jean-François Laporte,” Circuit, 2013.
[Bibtex]

@Article{ palacio-quintin_analyse_2013,
title = {Analyse spectromorphologique de {La} plénitude du vide de
{Jean}-{François} {Laporte}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1017211ar},
language  = {fr},
journal  = {Circuit},
author  = {Palacio-Quintin, Cléo},
month = jul,
year = {2013}
}

N. Bernier, “Composition orientée objet,” Circuit, 2013.
[Bibtex]

@Article{ bernier_composition_2013,
title = {Composition orientée objet},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1017210ar},
language  = {fr},
journal  = {Circuit},
author  = {Bernier, Nicolas},
month = jul,
year = {2013}
}

P. Ouellet, “Corps sonores : Aufgang et Outscape de Pascal Dusapin,” Circuit, 2019.
[Bibtex]

@Article{ ouellet_corps_2019,
title = {Corps sonores : {Aufgang} et {Outscape} de {Pascal}
{Dusapin}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1059426ar},
language  = {fr},
journal  = {Circuit},
author  = {Ouellet, Pierre},
month = may,
year = {2019}
}

G. L. Vaillant and T. Dutoit, “Synthesizer Preset Interpolation using Transformer Auto-Encoders,” , 2023.
[Bibtex]

@Article{ vaillant_synthesizer_2023,
title = {Synthesizer {Preset} {Interpolation} using {Transformer}
{Auto}-{Encoders}},
language  = {en},
author  = {Vaillant, Gwendal Le and Dutoit, Thierry},
month = mar,
year = {2023}
}

W. Huang, Y. Yu, H. Xu, Z. Su, and Y. Wu, “Hyperbolic Music Transformer for Structured Music Generation,” Ieee access, 2023.
[Bibtex]

@Article{ huang_hyperbolic_2023,
title = {Hyperbolic {Music} {Transformer} for {Structured} {Music}
{Generation}},
issn = {2169-3536},
doi = {10.1109/ACCESS.2023.3257381},
language  = {en},
journal  = {IEEE Access},
author  = {Huang, Wenkai and Yu, Yujia and Xu, Haizhou and Su, Zhiwen
and Wu, Yu},
year = {2023}
}

S. Dai, Z. Jin, C. Gomes, and R. B. Dannenberg, “Controllable deep melody generation via hierarchical music structure representation,” , 2021.
[Bibtex]

@Article{ dai_controllable_2021,
title = {Controllable deep melody generation via hierarchical music
structure representation},
language  = {en},
author  = {Dai, Shuqi and Jin, Zeyu and Gomes, Celso and Dannenberg,
Roger B.},
month = sep,
year = {2021}
}

G. Wu, S. Liu, and X. Fan, “The Power of Fragmentation: A Hierarchical Transformer Model for Structural Segmentation in Symbolic Music Generation,” , 2022.
[Bibtex]

@Article{ wu_power_2022,
title = {The {Power} of {Fragmentation}: {A} {Hierarchical}
{Transformer} {Model} for {Structural} {Segmentation} in
{Symbolic} {Music} {Generation}},
language  = {en},
author  = {Wu, Guowei and Liu, Shipei and Fan, Xiaoya},
month = jul,
year = {2022}
}

B. Kolic, M. T. Rodriguez-Cervantes, P. Padilla-Longoria, and F. Knights, “Rhythm and form in music: a complex systems approach,” , 2014.
[Bibtex]

@Article{ kolic_rhythm_2014,
title = {Rhythm and form in music: a complex systems approach},
language  = {en},
author  = {Kolic, Blas and Rodriguez-Cervantes, Mateo Tonatiuh and
Padilla-Longoria, Pablo and Knights, Francis},
year = {2014}
}

J. McDonough and A. Herczyński, “Fractal patterns in music,” Chaos, solitons & fractals, 2023.
[Bibtex]

@Article{ mcdonough_fractal_2023,
title = {Fractal patterns in music},
issn = {09600779},
doi = {10.1016/j.chaos.2023.113315},
language  = {en},
journal  = {Chaos, Solitons \& Fractals},
author  = {McDonough, John and Herczyński, Andrzej},
month = may,
year = {2023}
}

K. Goldsmith, R. R. Beaulieu, D. Beaulieu, C. Bök, N. Hennessy, M. Spinelli, K. Parrish, D. Wershler-Henry, B. Kennedy, and B. Kim Stefans, “Object 10: Cyberpoetics,” , 2002.
[Bibtex]

@Article{ goldsmith_object_2002,
title = {Object 10: {Cyberpoetics}},
author  = {Goldsmith, Kenneth and Beaulieu, R. Rickey and Beaulieu,
Derek and Bök, Christian and Hennessy, Neil and Spinelli,
Martin and Parrish, Katherine and Wershler-Henry, Darren
and Kennedy, Bill and Kim Stefans, Brian},
year = {2002}
}

B. Gysin and W. S. Burroughs, “Ports of Entry: A Conversation,” , 1986.
[Bibtex]

@Article{ gysin_ports_1986,
title = {Ports of {Entry}: {A} {Conversation}},
author  = {Gysin, Brion and Burroughs, William S.},
year = {1986}
}

R. Morris, “Statements,” , 1970.
[Bibtex]

@Article{ morris_statements_1970,
title = {Statements},
language  = {en},
author  = {Morris, Robert},
year = {1970}
}

M. Duchamp, “The Creative Act,” , 1957.
[Bibtex]

@Article{ duchamp_creative_1957,
title = {The {Creative} {Act}},
language  = {en},
author  = {Duchamp, Marcel},
year = {1957}
}

S. Lewitt, “Sentences on Conceptual Art,” , 1968.
[Bibtex]

@Article{ lewitt_sentences_1968,
title = {Sentences on {Conceptual} {Art}},
language  = {en},
author  = {Lewitt, Sol},
year = {1968}
}

D. Graham, “TV Camera/Monitor Performance,” The drama review, 1972.
[Bibtex]

@Article{ graham_tv_1972,
title = {{TV} {Camera}/{Monitor} {Performance}},
issn = {0012-5962, 2326-2060},
doi = {10.2307/1144717},
language  = {en},
journal  = {The Drama Review},
author  = {Graham, Dan},
month = jun,
year = {1972}
}

A. Kaprow, “Kaprow_the_education_of_the_un-Artist_1971.pdf,” , 1971.
[Bibtex]

@Article{ kaprow_kaprow_the_education_of_the_un-artist_1971pdf_1971,
title = {Kaprow\_The\_Education\_of\_the\_Un-{Artist}\_1971.pdf},
author  = {Kaprow, Allan},
year = {1971}
}

K. Szlifirski, “New Technology and the Training of Composers in Experimental Music,” , 1970.
[Bibtex]

@Article{ szlifirski_new_1970,
title = {New {Technology} and the {Training} of {Composers} in
{Experimental} {Music}},
language  = {en},
author  = {Szlifirski, Krzysztof},
year = {1970}
}

W. Kaegi, “Music and Technology in the Europe of 1970,” , 1970.
[Bibtex]

@Article{ kaegi_music_1970,
title = {Music and {Technology} in the {Europe} of 1970},
author  = {Kaegi, Werner},
year = {1970}
}

A. Breton, “Drop Everything,” , 1922.
[Bibtex]

@Article{ breton_drop_1922,
title = {Drop {Everything}},
language  = {en},
author  = {Breton, André},
year = {1922}
}

D. Higgins and H. Higgins, “Synesthesia and Intersenses: Intermedia Dick Higgins with an Appendix by Hannah Higgins,” , 1965.
[Bibtex]

@Article{ higgins_synesthesia_1965,
title = {Synesthesia and {Intersenses}: {Intermedia} {Dick}
{Higgins} with an {Appendix} by {Hannah} {Higgins}},
language  = {en},
author  = {Higgins, Dick and Higgins, Hannah},
year = {1965}
}

C. Peters, “The Medium Means Nothing,” , 1988.
[Bibtex]

@Article{ peters_medium_1988,
title = {The {Medium} {Means} {Nothing}},
author  = {Peters, Carl},
year = {1988}
}

K. Concannon, “Cut and Paste: Collage and the Art of Sound,” , 1990.
[Bibtex]

@Article{ concannon_cut_1990,
title = {Cut and {Paste}: {Collage} and the {Art} of {Sound}},
language  = {en},
author  = {Concannon, Kevin},
year = {1990}
}

E. Satie, “A Day in the Life of a Musician,” , 1913.
[Bibtex]

@Article{ satie_day_1913,
title = {A {Day} in the {Life} of a {Musician}},
language  = {en},
author  = {Satie, Erik},
year = {1913}
}

J. Chouvel, “Le droit d’auteur et l’auteur du droit L’impossible convergence d’intérêt entre institution et création,” , 2011.
[Bibtex]

@Article{ chouvel_droit_2011,
title = {Le droit d’auteur et l’auteur du droit
{L}’impossible convergence d’intérêt entre
institution et création},
author  = {Chouvel, Jean-Marc},
year = {2011}
}

A. Dessein, “Computational Methods of Information Geometry with Real-Time Applications in Audio Signal Processing,” , 2012.
[Bibtex]

@Article{ dessein_computational_2012,
title = {Computational {Methods} of {Information} {Geometry} with
{Real}-{Time} {Applications} in {Audio} {Signal}
{Processing}},
author  = {Dessein, Arnaud},
year = {2012}
}

T. Blum and H. Chamberlin, “Musical Applications of Microprocessors,” Computer music journal, 1980.
[Bibtex]

@Article{ blum_musical_1980,
title = {Musical {Applications} of {Microprocessors}},
issn = {01489267},
doi = {10.2307/3679682},
journal  = {Computer Music Journal},
author  = {Blum, Thom and Chamberlin, Hal},
year = {1980}
}

J. N. Hurlé, “Exploring generative adversarial networks for controllable musical audio synthesis,” , 2022.
[Bibtex]

@Article{ hurle_exploring_2022,
title = {Exploring generative adversarial networks for controllable
musical audio synthesis},
language  = {en},
author  = {Hurlé, Javier Nistal},
year = {2022}
}

K. Goldsmith, “Duchamp is my lawyer: the polemics, pragmatics, and poetics of UbuWeb,” , 2020.
[Bibtex]

@Article{ goldsmith_duchamp_2020,
address  = {New York},
title = {Duchamp is my lawyer: the polemics, pragmatics, and
poetics of {UbuWeb}},
isbn = {978-0-231-54691-1},
language  = {en},
author  = {Goldsmith, Kenneth},
year = {2020}
}

C. Hawthorne, I. Simon, A. Roberts, N. Zeghidour, J. Gardner, E. Manilow, and J. Engel, “Multi-Instrument Music Synthesis with Spectrogram Diffusion,” , 2022.
[Bibtex]

@Article{ hawthorne_multi-instrument_2022,
title = {Multi-{Instrument} {Music} {Synthesis} with {Spectrogram}
{Diffusion}},
language  = {en},
author  = {Hawthorne, Curtis and Simon, Ian and Roberts, Adam and
Zeghidour, Neil and Gardner, Josh and Manilow, Ethan and
Engel, Jesse},
year = {2022}
}

G. Mittal, J. Engel, C. Hawthorne, and I. Simon, “Symbolic Music Generation with Diffusion Models,” , 2021.
[Bibtex]

@Article{ mittal_symbolic_2021,
title = {Symbolic {Music} {Generation} with {Diffusion} {Models}},
language  = {en},
author  = {Mittal, Gautam and Engel, Jesse and Hawthorne, Curtis and
Simon, Ian},
year = {2021}
}

P. A. Tremblay, G. Roma, and O. Green, “Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit,” Computer music journal, 2021.
[Bibtex]

@Article{ tremblay_enabling_2021,
title = {Enabling {Programmatic} {Data} {Mining} as {Musicking}:
{The} {Fluid} {Corpus} {Manipulation} {Toolkit}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00600},
language  = {en},
journal  = {Computer Music Journal},
author  = {Tremblay, Pierre Alexandre and Roma, Gerard and Green,
Owen},
month = jun,
year = {2021}
}

S. Luque, “Stochastic Synthesis: Origins and Extensions,” , 2006.
[Bibtex]

@Article{ luque_stochastic_2006,
title = {Stochastic {Synthesis}: {Origins} and {Extensions}},
language  = {en},
author  = {Luque, Sergio},
year = {2006}
}

G. S. Kendall, “A Particle-based Fuzzy Logic Approach to Sound Synthesis,” , 2005.
[Bibtex]

@Article{ kendall_particle-based_2005,
title = {A {Particle}-based {Fuzzy} {Logic} {Approach} to {Sound}
{Synthesis}},
language  = {en},
author  = {Kendall, Gary S},
year = {2005}
}

R. F. Cadiz, “Fuzzy logic in the arts: applications in audiovisual composition and sound synthesis,” , 2005.
[Bibtex]

@Article{ cadiz_fuzzy_2005,
address  = {Detroit, MI, USA},
title = {Fuzzy logic in the arts: applications in audiovisual
composition and sound synthesis},
isbn = {978-0-7803-9187-1},
doi = {10.1109/NAFIPS.2005.1548595},
language  = {en},
booktitle  = {{NAFIPS} 2005 - 2005 {Annual} {Meeting} of the {North}
{American} {Fuzzy} {Information} {Processing} {Society}},
author  = {Cadiz, R.F.},
year = {2005}
}

D. Johnson, D. Damian, and G. Tzanetakis, “Detecting Hand Posture in Piano Playing Using Depth Data,” Computer music journal, 2019.
[Bibtex]

@Article{ johnson_detecting_2019,
title = {Detecting {Hand} {Posture} in {Piano} {Playing} {Using}
{Depth} {Data}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00500},
language  = {en},
journal  = {Computer Music Journal},
author  = {Johnson, David and Damian, Daniela and Tzanetakis,
George},
month = jan,
year = {2019}
}

A. Sigman, “Robot Opera: Bridging the Anthropocentric and the Mechanized Eccentric,” Computer music journal, 2019.
[Bibtex]

@Article{ sigman_robot_2019,
title = {Robot {Opera}: {Bridging} the {Anthropocentric} and the
{Mechanized} {Eccentric}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00498},
language  = {en},
journal  = {Computer Music Journal},
author  = {Sigman, Alexander},
month = jan,
year = {2019}
}

K. Deguernel, M. Giraud, R. Groult, and S. Gulluni, “Personalizing AI for Co-Creative Music Composition from Melody to Structure,” , 2022.
[Bibtex]

@Article{ deguernel_personalizing_2022,
title = {Personalizing {AI} for {Co}-{Creative} {Music}
{Composition} from {Melody} to {Structure}},
language  = {en},
author  = {Deguernel, Ken and Giraud, Mathieu and Groult, Richard and
Gulluni, Sebastien},
year = {2022}
}

J. D. Moeller, “Multichannel Works for Nonstationary Audiences,” Computer music journal, 2018.
[Bibtex]

@Article{ moeller_multichannel_2018,
title = {Multichannel {Works} for {Nonstationary} {Audiences}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00470},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moeller, John D.},
month = oct,
year = {2018}
}

F. Wendt, G. K. Sharma, M. Frank, F. Zotter, and R. Höldrich, “Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker,” Computer music journal, 2017.
[Bibtex]

@Article{ wendt_perception_2017,
title = {Perception of {Spatial} {Sound} {Phenomena} {Created} by
the {Icosahedral} {Loudspeaker}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00396},
language  = {en},
journal  = {Computer Music Journal},
author  = {Wendt, Florian and Sharma, Gerriet K. and Frank, Matthias
and Zotter, Franz and Höldrich, Robert},
month = mar,
year = {2017}
}

C. Hope, “Electronic Scores for Music: The Possibilities of Animated Notation,” Computer music journal, 2017.
[Bibtex]

@Article{ hope_electronic_2017,
title = {Electronic {Scores} for {Music}: {The} {Possibilities} of
{Animated} {Notation}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00427},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hope, Cat},
month = sep,
year = {2017}
}

E. Kiourtsoglou, “An Architect Draws Sound and Light: New Perspectives on Iannis Xenakis’s \textitDiatope and \textitLa Légende d’Eer (1978),” Computer music journal, 2017.
[Bibtex]

@Article{ kiourtsoglou_architect_2017,
title = {An {Architect} {Draws} {Sound} and {Light}: {New}
{Perspectives} on {Iannis} {Xenakis}'s \textit{{Diatope}}
and \textit{{La} {Légende} d'{Eer}} (1978)},
issn = {0148-9267, 1531-5169},
doi = {10.1162/comj_a_00437},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kiourtsoglou, Elisavet},
month = jan,
year = {2017}
}

G. Hajdu, “Disposable Music,” Computer music journal, 2016.
[Bibtex]

@Article{ hajdu_disposable_2016,
title = {Disposable {Music}},
issn = {0148-9267, 1531-5169},
doi = {10.1162/COMJ_a_00342},
language  = {en},
journal  = {Computer Music Journal},
author  = {Hajdu, Georg},
month = mar,
year = {2016}
}

G. Surges and T. Smyth, “Generative Feedback Networks Using Time-Varying Allpass Filters,” , 2015.
[Bibtex]

@Article{ surges_generative_2015,
title = {Generative {Feedback} {Networks} {Using} {Time}-{Varying}
{Allpass} {Filters}},
language  = {en},
author  = {Surges, Greg and Smyth, Tamara},
year = {2015}
}

J. Nika, “Guiding Human-Computer Music Improvisation: introducing Authoring and Control with Temporal Scenarios,” , 2016.
[Bibtex]

@Article{ nika_guiding_2016,
title = {Guiding {Human}-{Computer} {Music} {Improvisation}:
introducing {Authoring} and {Control} with {Temporal}
{Scenarios}},
language  = {en},
author  = {Nika, Jérôme},
year = {2016}
}

J. Parker and S. Bilbao, “Spring Reverberation: A Physical Perspective,” , 2009.
[Bibtex]

@Article{ parker_spring_2009,
title = {Spring {Reverberation}: {A} {Physical} {Perspective}},
language  = {en},
author  = {Parker, Julian and Bilbao, Stefan},
year = {2009}
}

E. Kermit-Canfield, J. Abel, J. Abel, A. Three, and A. Four, “Signal Decorrelation using Perceptually Informed Allpass Filters,” , 2016.
[Bibtex]

@Article{ kermit-canfield_signal_2016,
title = {Signal {Decorrelation} using {Perceptually} {Informed}
{Allpass} {Filters}},
language  = {en},
author  = {Kermit-Canfield, Elliot and Abel, Jonathan and Abel,
Jonathan and Three, Author and Four, Author},
year = {2016}
}

E. K. Canfield-Dafilou, J. S. Abel, A. Two, A. Three, and A. Four, “Extensions and Applications of Modal Dispersive Filters,” , 2019.
[Bibtex]

@Article{ canfield-dafilou_extensions_2019,
title = {Extensions and {Applications} of {Modal} {Dispersive}
{Filters}},
language  = {en},
author  = {Canfield-Dafilou, Elliot K and Abel, Jonathan S and Two,
Author and Three, Author and Four, Author},
year = {2019}
}

G. Campos, N. Fonseca, A. Ferreira, and M. Davies, “Group Delay-Based Allpass Filters for Abstract Sound Synthesis and Audio Effects Processing,” , 2018.
[Bibtex]

@Article{ campos_group_2018,
title = {Group {Delay}-{Based} {Allpass} {Filters} for {Abstract}
{Sound} {Synthesis} and {Audio} {Effects} {Processing}},
language  = {en},
author  = {Campos, Guilherme and Fonseca, Nuno and Ferreira, Anibal
and Davies, Matthew},
year = {2018}
}

G. Campos, N. Fonseca, A. Ferreira, and M. Davies, “A Feddback Cancellng Reverberator,” , 2018.
[Bibtex]

@Article{ campos_feddback_2018,
title = {A {Feddback} {Cancellng} {Reverberator}},
language  = {en},
author  = {Campos, Guilherme and Fonseca, Nuno and Ferreira, Anibal
and Davies, Matthew},
year = {2018}
}

J. Kleimola, V. Lazzarini, J. Timoney, and V. Välimäki, “Vector Phaseshaping Synthesis,” , 2011.
[Bibtex]

@Article{ kleimola_vector_2011,
title = {Vector {Phaseshaping} {Synthesis}},
language  = {en},
author  = {Kleimola, Jari and Lazzarini, Victor and Timoney, Joseph
and Välimäki, Vesa},
year = {2011}
}

G. Surges and T. Smyth, “Spectral Distortion Using Second-Order Allpass Filters,” , 2013.
[Bibtex]

@Article{ surges_spectral_2013,
title = {Spectral {Distortion} {Using} {Second}-{Order} {Allpass}
{Filters}},
language  = {en},
author  = {Surges, Greg and Smyth, Tamara},
year = {2013}
}

N. Instrument, “Understanding FFTs and Windowing,” , 2020.
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@Article{ national_instrument_understanding_2020,
title = {Understanding {FFTs} and {Windowing}},
author  = {National Instrument},
year = {2020}
}

“Commodification and spectacle in architecture: a Harvard design magazine reader,” , 2005.
[Bibtex]

@Article{ saunders_commodification_2005,
address  = {Minneapolis},
title = {Commodification and spectacle in architecture: a {Harvard}
design magazine reader},
isbn = {978-0-8166-4752-1 978-0-8166-4753-8},
language  = {en},
year = {2005}
}

N. Instruments, “Acquiring an Analog Signal,” , 2020.
[Bibtex]

@Article{ national_instruments_acquiring_2020,
title = {Acquiring an {Analog} {Signal}},
author  = {National Instruments},
year = {2020}
}

R. Solomonoff, “Two Kinds of Probabilistic Induction,” The computer journal, 1999.
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@Article{ solomonoff_two_1999,
title = {Two {Kinds} of {Probabilistic} {Induction}},
issn = {0010-4620, 1460-2067},
doi = {10.1093/comjnl/42.4.256},
language  = {en},
journal  = {The Computer Journal},
author  = {Solomonoff, R.},
month = apr,
year = {1999}
}

J. M. Logsdon, “Selected Documents in the History of the U.S. Civil Space Program — Volume IV: Accessing Space,” , 1999.
[Bibtex]

@Article{ logsdon_selected_1999,
title = {Selected {Documents} in the {History} of the {U}.{S}.
{Civil} {Space} {Program} — {Volume} {IV}: {Accessing}
{Space}},
author  = {Logsdon, John M.},
year = {1999}
}

A. Di Scipio, “Towards a critical theory of (music) technology: Computer music and subversive rationalization,” , 1997.
[Bibtex]

@Article{ di_scipio_towards_1997,
title = {Towards a critical theory of (music) technology:
{Computer} music and subversive rationalization},
author  = {Di Scipio, Agostino},
year = {1997}
}

P. Dhariwal, H. Jun, C. Payne, J. W. Kim, A. Radford, and I. Sutskever, “Jukebox: A Generative Model for Music,” , 2020.
[Bibtex]

@Article{ dhariwal_jukebox_2020,
title = {Jukebox: {A} {Generative} {Model} for {Music}},
language  = {en},
author  = {Dhariwal, Prafulla and Jun, Heewoo and Payne, Christine
and Kim, Jong Wook and Radford, Alec and Sutskever, Ilya},
month = apr,
year = {2020}
}

T. Bansal, J. Pachocki, S. Sidor, I. Sutskever, and I. Mordatch, “Emergent Complexity via Multi-Agent Competition,” , 2018.
[Bibtex]

@Article{ bansal_emergent_2018,
title = {Emergent {Complexity} via {Multi}-{Agent} {Competition}},
language  = {en},
author  = {Bansal, Trapit and Pachocki, Jakub and Sidor, Szymon and
Sutskever, Ilya and Mordatch, Igor},
month = mar,
year = {2018}
}

J. N. Foerster, R. Y. Chen, M. Al-Shedivat, S. Whiteson, P. Abbeel, and I. Mordatch, “Learning with Opponent-Learning Awareness,” , 2018.
[Bibtex]

@Article{ foerster_learning_2018,
title = {Learning with {Opponent}-{Learning} {Awareness}},
language  = {en},
author  = {Foerster, Jakob N. and Chen, Richard Y. and Al-Shedivat,
Maruan and Whiteson, Shimon and Abbeel, Pieter and
Mordatch, Igor},
month = sep,
year = {2018}
}

M. Plappert, R. Houthooft, P. Dhariwal, S. Sidor, R. Y. Chen, X. Chen, T. Asfour, P. Abbeel, and M. Andrychowicz, “Parameter Space Noise for Exploration,” , 2018.
[Bibtex]

@Article{ plappert_parameter_2018,
title = {Parameter {Space} {Noise} for {Exploration}},
language  = {en},
author  = {Plappert, Matthias and Houthooft, Rein and Dhariwal,
Prafulla and Sidor, Szymon and Chen, Richard Y. and Chen,
Xi and Asfour, Tamim and Abbeel, Pieter and Andrychowicz,
Marcin},
month = jan,
year = {2018}
}

J. Suarez, Y. Du, P. Isola, and I. Mordatch, “Neural MMO: A Massively Multiagent Game Environment for Training and Evaluating Intelligent Agents,” , 2019.
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@Article{ suarez_neural_2019,
title = {Neural {MMO}: {A} {Massively} {Multiagent} {Game}
{Environment} for {Training} and {Evaluating} {Intelligent}
{Agents}},
language  = {en},
author  = {Suarez, Joseph and Du, Yilun and Isola, Phillip and
Mordatch, Igor},
month = mar,
year = {2019}
}

K. Cobbe, O. Klimov, C. Hesse, T. Kim, and J. Schulman, “Quantifying Generalization in Reinforcement Learning,” , 2019.
[Bibtex]

@Article{ cobbe_quantifying_2019,
title = {Quantifying {Generalization} in {Reinforcement}
{Learning}},
language  = {en},
author  = {Cobbe, Karl and Klimov, Oleg and Hesse, Chris and Kim,
Taehoon and Schulman, John},
month = jul,
year = {2019}
}

M. Anderljung, J. Barnhart, A. Korinek, J. Leung, C. O’Keefe, J. Whittlestone, S. Avin, M. Brundage, J. Bullock, D. Cass-Beggs, B. Chang, T. Collins, T. Fist, G. Hadfield, A. Hayes, L. Ho, S. Hooker, E. Horvitz, N. Kolt, J. Schuett, Y. Shavit, D. Siddarth, R. Trager, and K. Wolf, “Frontier AI Regulation: Managing Emerging Risks to Public Safety,” , 2023.
[Bibtex]

@Article{ anderljung_frontier_2023,
title = {Frontier {AI} {Regulation}: {Managing} {Emerging} {Risks}
to {Public} {Safety}},
language  = {en},
author  = {Anderljung, Markus and Barnhart, Joslyn and Korinek, Anton
and Leung, Jade and O'Keefe, Cullen and Whittlestone, Jess
and Avin, Shahar and Brundage, Miles and Bullock, Justin
and Cass-Beggs, Duncan and Chang, Ben and Collins, Tantum
and Fist, Tim and Hadfield, Gillian and Hayes, Alan and Ho,
Lewis and Hooker, Sara and Horvitz, Eric and Kolt, Noam and
Schuett, Jonas and Shavit, Yonadav and Siddarth, Divya and
Trager, Robert and Wolf, Kevin},
month = jul,
year = {2023}
}

OpenAI, “GPT-4 Technical Report,” , 2023.
[Bibtex]

@Article{ openai_gpt-4_2023,
title = {{GPT}-4 {Technical} {Report}},
language  = {en},
author  = {OpenAI},
month = mar,
year = {2023}
}

A. Nichol, H. Jun, P. Dhariwal, P. Mishkin, and M. Chen, “Point-E: A System for Generating 3D Point Clouds from Complex Prompts,” , 2022.
[Bibtex]

@Article{ nichol_point-e_2022,
title = {Point-{E}: {A} {System} for {Generating} {3D} {Point}
{Clouds} from {Complex} {Prompts}},
language  = {en},
author  = {Nichol, Alex and Jun, Heewoo and Dhariwal, Prafulla and
Mishkin, Pamela and Chen, Mark},
month = dec,
year = {2022}
}

M. Brundage, S. Avin, J. Clark, H. Toner, P. Eckersley, B. Garfinkel, A. Dafoe, P. Scharre, T. Zeitzoff, B. Filar, H. Anderson, H. Roff, G. C. Allen, J. Steinhardt, C. Flynn, S. hÉigeartaigh, S. Beard, H. Belfield, S. Farquhar, C. Lyle, R. Crootof, O. Evans, M. Page, J. Bryson, R. Yampolskiy, and D. Amodei, “The Malicious Use of Artificial Intelligence: Forecasting, Prevention, and Mitigation,” , 2918.
[Bibtex]

@Article{ brundage_malicious_2918,
title = {The {Malicious} {Use} of {Artificial} {Intelligence}:
{Forecasting}, {Prevention}, and {Mitigation}},
author  = {Brundage, Miles and Avin, Shahar and Clark, Jack and
Toner, Helen and Eckersley, Peter and Garfinkel, Ben and
Dafoe, Allan and Scharre, Paul and Zeitzoff, Thomas and
Filar, Bobby and Anderson, Hyrum and Roff, Heather and C.
Allen, Gregory and Steinhardt, Jacob and Flynn, Carrick and
hÉigeartaigh, Seán and Beard, Simon and Belfield, Haydn
and Farquhar, Sebastian and Lyle, Clare and Crootof,
Rebecca and Evans, Owain and Page, Michael and Bryson,
Joanna and Yampolskiy, Roman and Amodei, Dario},
year = {2918}
}

Hutterer, “Los Alamos Science and Technology Magazine 1663,” , 2015.
[Bibtex]

@Article{ hutterer_alamos_2015,
title = {Los {Alamos} {Science} and {Technology} {Magazine} 1663},
author  = {Hutterer},
year = {2015}
}

N. Godon and S. Pouille, “Cabinet Psychophonétique,” , 2014.
[Bibtex]

@Article{ godon_cabinet_2014,
title = {Cabinet {Psychophonétique}},
author  = {Godon, Norbert and Pouille, Sophie},
year = {2014}
}

Fox, “Los Alamos Science and Technology Magazine 1663,” , 2012.
[Bibtex]

@Article{ fox_alamos_2012,
title = {Los {Alamos} {Science} and {Technology} {Magazine} 1663},
author  = {Fox},
year = {2012}
}

W. Piston, “Harmony,” , 1959.
[Bibtex]

@Article{ piston_harmony_1959,
address  = {New York},
title = {Harmony},
isbn = {978-0-393-95480-7},
author  = {Piston, Walter},
year = {1959}
}

W. Piston, “Orchestration,” , 1955.
[Bibtex]

@Article{ piston_orchestration_1955,
address  = {New York},
title = {Orchestration},
isbn = {978-0-393-09740-5},
language  = {eng},
author  = {Piston, Walter},
year = {1955}
}

Wallace, “Los Alamos Science and Technology Magazine 1663,” , 2009.
[Bibtex]

@Article{ wallace_alamos_2009,
title = {Los {Alamos} {Science} and {Technology} {Magazine} 1663},
author  = {Wallace},
year = {2009}
}

C. Koechlin, “Traité de l’orchestration Vol.1,” , 1954.
[Bibtex]

@Article{ koechlin_traite_1954,
title = {Traité de l'orchestration {Vol}.1},
author  = {Koechlin, Charles},
year = {1954}
}

C. Koechlin, “Traité de l’orchestration Vol.2,” , 1954.
[Bibtex]

@Article{ koechlin_traite_1954-1,
title = {Traité de l'orchestration {Vol}.2},
author  = {Koechlin, Charles},
year = {1954}
}

C. Koechlin, “Traité de l’orchestration Vol.3,” , 1954.
[Bibtex]

@Article{ koechlin_traite_1954-2,
title = {Traité de l'orchestration {Vol}.3},
author  = {Koechlin, Charles},
year = {1954}
}

C. Koechlin, “Traité de l’orchestration Vol.4,” , 1954.
[Bibtex]

@Article{ koechlin_traite_1954-3,
title = {Traité de l'orchestration {Vol}.4},
author  = {Koechlin, Charles},
year = {1954}
}

C. Tsong-Zung and L. Xianting, “China’s New Art Post 1989 – with a retrospective from 1979-1989,” , 1993.
[Bibtex]

@Article{ tsong-zung_chinas_1993,
title = {China's {New} {Art} {Post} 1989 - with a retrospective
from 1979-1989},
author  = {Tsong-Zung, Chang and Xianting, Li},
year = {1993}
}

“Folding Patterns,” , 2012.
[Bibtex]

@Article{ noauthor_folding_2012,
title = {Folding {Patterns}},
year = {2012}
}

“Splines Curves,” , 2011.
[Bibtex]

@Article{ noauthor_splines_2011,
title = {Splines {Curves}},
year = {2011}
}

R. J. De Cisneros, “Blackout Representation Transformation and De-Control in the Sound Work of Yasunao Tone,” , 2009.
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@Article{ de_cisneros_blackout_2009,
title = {Blackout {Representation} {Transformation} and
{De}-{Control} in the {Sound} {Work} of {Yasunao} {Tone}},
author  = {De Cisneros, Roc Jiménez},
year = {2009}
}

G. Boré and S. Peus, “Microphones – Methods of Operation and Type Examples,” , 2001.
[Bibtex]

@Article{ bore_microphones_2001,
title = {Microphones - {Methods} of {Operation} and {Type}
{Examples}},
author  = {Boré, Gerhart and Peus, Stephan},
year = {2001}
}

“Introduction to Linear Algebra,” , 2010.
[Bibtex]

@Article{ noauthor_introduction_2010,
title = {Introduction to {Linear} {Algebra}},
year = {2010}
}

“Bezier Connection,” , 2010.
[Bibtex]

@Article{ noauthor_bezier_2010,
title = {Bezier {Connection}},
year = {2010}
}

Brecht, “Studio International – Journal of Modern Art,” , 1976.
[Bibtex]

@Article{ brecht_studio_1976,
title = {Studio {International} - {Journal} of {Modern} {Art}},
author  = {Brecht},
year = {1976}
}

J. Sakellariou, F. Tria, V. Loreto, and F. Pachet, “Maximum entropy models capture melodic styles,” Scientific reports, 2017.
[Bibtex]

@Article{ sakellariou_maximum_2017,
title = {Maximum entropy models capture melodic styles},
issn = {2045-2322},
doi = {10.1038/s41598-017-08028-4},
language  = {en},
journal  = {Scientific Reports},
author  = {Sakellariou, Jason and Tria, Francesca and Loreto,
Vittorio and Pachet, Francois},
month = aug,
year = {2017}
}

J. Vognsen, U. Aghayeva, A. Bach, J. Leidecker, C. Looker, F. López, M. Farjon Pupillo, F. Ricci, R. Rowe, A. Xambó Sedó, Y. Seunggyu, P. Stickney, J. E. Sulkunen, P. A. Tremblay, and K. Windsor, “Perfect Sound Forever: Artificial Intelligence seen by musicians,” , 2023.
[Bibtex]

@Article{ vognsen_perfect_2023,
title = {Perfect {Sound} {Forever}: {Artificial} {Intelligence}
seen by musicians},
language  = {en},
author  = {Vognsen, J. and Aghayeva, Ulkar and Bach, Anders and
Leidecker, Jon and Looker, Charlie and López, Francisco
and Farjon Pupillo, Massimo and Ricci, Fabio and Rowe,
Robert and Xambó Sedó, Anna and Seunggyu, Yi and
Stickney, Pamelia and Sulkunen, Johanna Elina and Tremblay,
Pierre Alexandre and Windsor, Kia},
year = {2023}
}

A. Agostinelli, T. I. Denk, Z. Borsos, J. Engel, M. Verzetti, A. Caillon, Q. Huang, A. Jansen, A. Roberts, M. Tagliasacchi, M. Sharifi, N. Zeghidour, and C. Frank, “MusicLM: Generating Music From Text,” , 2023.
[Bibtex]

@Article{ agostinelli_musiclm_2023,
title = {{MusicLM}: {Generating} {Music} {From} {Text}},
language  = {en},
author  = {Agostinelli, Andrea and Denk, Timo I. and Borsos, Zalán
and Engel, Jesse and Verzetti, Mauro and Caillon, Antoine
and Huang, Qingqing and Jansen, Aren and Roberts, Adam and
Tagliasacchi, Marco and Sharifi, Matt and Zeghidour, Neil
and Frank, Christian},
month = jan,
year = {2023}
}

M. Pasquinelli, “How a Machine Learns and Fails – A Grammar of Error for Artificial Intelligence,” , 2019.
[Bibtex]

@Article{ pasquinelli_how_2019,
title = {How a {Machine} {Learns} and {Fails} – {A} {Grammar} of
{Error} for {Artificial} {Intelligence}},
language  = {en},
author  = {Pasquinelli, Matteo},
year = {2019}
}

A. Wasielewski, “Computational formalism: art history and machine learning,” , 2023.
[Bibtex]

@Article{ wasielewski_computational_2023,
address  = {Cambridge, Massachusetts},
title = {Computational formalism: art history and machine
learning},
isbn = {978-0-262-37473-6 978-0-262-37474-3},
language  = {en},
author  = {Wasielewski, Amanda},
year = {2023}
}

A. Hertzmann, “Can Computers Create Art?,” Arts, 2018.
[Bibtex]

@Article{ hertzmann_can_2018,
title = {Can {Computers} {Create} {Art}?},
issn = {2076-0752},
doi = {10.3390/arts7020018},
language  = {en},
journal  = {Arts},
author  = {Hertzmann, Aaron},
month = may,
year = {2018}
}

M. Read, “Why transformative artificial intelligence is really, really hard to achieve,” , 2023.
[Bibtex]

@Article{ read_why_2023,
title = {Why transformative artificial intelligence is really,
really hard to achieve},
language  = {en},
author  = {Read, Min},
year = {2023}
}

S. Ahmad Khan, “Rendering Climate Comedy in \textitCloudy with a Chance of Meatballs 1 (2009) and \textit2 (2013),” Media+environment, 2020.
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@Article{ ahmad_khan_rendering_2020,
title = {Rendering {Climate} {Comedy} in \textit{{Cloudy} with a
{Chance} of {Meatballs} 1} (2009) and \textit{2} (2013)},
issn = {2640-9747},
doi = {10.1525/001c.13468},
language  = {en},
journal  = {Media+Environment},
author  = {Ahmad Khan, Sabiha},
month = aug,
year = {2020}
}

M. Read, “Towards Geometric Deep Learning,” , 2023.
[Bibtex]

@Article{ read_towards_2023,
title = {Towards {Geometric} {Deep} {Learning}},
language  = {en},
author  = {Read, Min},
year = {2023}
}

F. Offert and P. Bell, “Generative Digital Humanities,” , 2020.
[Bibtex]

@Article{ offert_generative_2020,
title = {Generative {Digital} {Humanities}},
language  = {en},
author  = {Offert, Fabian and Bell, Peter},
year = {2020}
}

P. Bell and F. Offert, “Reflections on connoisseurship and computer vision,” , 2021.
[Bibtex]

@Article{ bell_reflections_2021,
title = {Reflections on connoisseurship and computer vision},
language  = {en},
author  = {Bell, Peter and Offert, Fabian},
year = {2021}
}

D. Svehla Christianson, “01100110 01101111 01110010 01100101 01110011 01110100,” Media+environment, 2020.
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@Article{ svehla_christianson_01100110_2020,
title = {01100110 01101111 01110010 01100101 01110011 01110100},
issn = {2640-9747},
doi = {10.1525/001c.13389},
language  = {en},
journal  = {Media+Environment},
author  = {Svehla Christianson, Danielle},
month = aug,
year = {2020}
}

A. Chang and A. Ivakhiv, “Mediating Art and Science: Media beyond the Two Cultures,” Media+environment, 2020.
[Bibtex]

@Article{ chang_mediating_2020,
title = {Mediating {Art} and {Science}: {Media} beyond the {Two}
{Cultures}},
issn = {2640-9747},
doi = {10.1525/001c.13700},
language  = {en},
journal  = {Media+Environment},
author  = {Chang, Alenda and Ivakhiv, Adrian},
month = aug,
year = {2020}
}

F. Offert, “Latent Deep Space: Generative Adversarial Networks (GANs) in the Sciences,” Media+environment, 2021.
[Bibtex]

@Article{ offert_latent_2021,
title = {Latent {Deep} {Space}: {Generative} {Adversarial}
{Networks} ({GANs}) in the {Sciences}},
issn = {2640-9747},
doi = {10.1525/001c.29905},
language  = {en},
journal  = {Media+Environment},
author  = {Offert, Fabian},
month = dec,
year = {2021}
}

F. J. Carmody and G. Bachelard, “La poétique de l’espace,” Books abroad, 1958.
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@Article{ carmody_poetique_1958,
title = {La poétique de l'espace},
issn = {00067431},
doi = {10.2307/40099309},
language  = {fr},
journal  = {Books Abroad},
author  = {Carmody, Francis J. and Bachelard, Gaston},
year = {1958}
}

S. Perella, “Hypersurface architecture and the question of interface,” , 2007.
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@Article{ perella_hypersurface_2007,
title = {Hypersurface architecture and the question of interface},
language  = {en},
author  = {Perella, Stephen},
year = {2007}
}

J. Derrida, “L’écriture et la différence,” , 1997.
[Bibtex]

@Article{ derrida_lecriture_1997,
address  = {Paris},
title = {L'écriture et la différence},
isbn = {978-2-02-001937-8},
language  = {fr},
author  = {Derrida, Jacques},
year = {1997}
}

A. Kurenkov, “A Brief History of Neural Nets and Deep Learning – Skynet Today,” , 2020.
[Bibtex]

@Article{ kurenkov_brief_2020,
title = {A {Brief} {History} of {Neural} {Nets} and {Deep}
{Learning} – {Skynet} {Today}},
language  = {en},
author  = {Kurenkov, Andrey},
year = {2020}
}

G. E. Hinton, S. Osindero, and Y. Teh, “A Fast Learning Algorithm for Deep Belief Nets,” Neural computation, 2006.
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@Article{ hinton_fast_2006,
title = {A {Fast} {Learning} {Algorithm} for {Deep} {Belief}
{Nets}},
issn = {0899-7667, 1530-888X},
doi = {10.1162/neco.2006.18.7.1527},
language  = {en},
journal  = {Neural Computation},
author  = {Hinton, Geoffrey E. and Osindero, Simon and Teh,
Yee-Whye},
month = jul,
year = {2006}
}

A. Bogdanov, “Essays in Tektology – The General Science of Organization,” , 1980.
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@Article{ bogdanov_essays_1980,
title = {Essays in {Tektology} - {The} {General} {Science} of
{Organization}},
language  = {en},
author  = {Bogdanov, Alexandrovich},
year = {1980}
}

“The Languages of criticism and the sciences of man: the structuralist controversy,” , 1970.
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@Article{ macksey_languages_1970,
address  = {Baltimore},
title = {The {Languages} of criticism and the sciences of man: the
structuralist controversy},
isbn = {978-0-8018-1047-3},
language  = {en},
year = {1970}
}

K. N. Hayles, “How we became posthuman: virtual bodies in cybernetics, literature, and informatics,” , 1999.
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@Article{ hayles_how_1999,
address  = {Chicago, Ill},
title = {How we became posthuman: virtual bodies in cybernetics,
literature, and informatics},
isbn = {978-0-226-32145-5 978-0-226-32146-2},
language  = {en},
author  = {Hayles, N. Katherine},
year = {1999}
}

S. Gerovitch, “From newspeak to cyberspeak: a history of Soviet cybernetics,” , 2002.
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@Article{ gerovitch_newspeak_2002,
address  = {Cambridge, Mass},
title = {From newspeak to cyberspeak: a history of {Soviet}
cybernetics},
isbn = {978-0-262-07232-8},
language  = {en},
author  = {Gerovitch, Slava},
year = {2002}
}

C. Lafontaine, “The Cybernetic Matrix of `French Theory’,” Theory, culture & society, 2007.
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@Article{ lafontaine_cybernetic_2007,
title = {The {Cybernetic} {Matrix} of `{French} {Theory}'},
issn = {0263-2764, 1460-3616},
doi = {10.1177/0263276407084637},
language  = {en},
journal  = {Theory, Culture \& Society},
author  = {Lafontaine, Céline},
month = sep,
year = {2007}
}

J. Vaingurt, “Wonderlands of the avant-garde: technology and the arts in Russia of the 1920s,” , 2013.
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@Article{ vaingurt_wonderlands_2013,
address  = {Evanston, Ill},
title = {Wonderlands of the avant-garde: technology and the arts in
{Russia} of the 1920s},
isbn = {978-0-8101-2894-1},
language  = {en},
author  = {Vaingurt, Julia},
year = {2013}
}

N. Wiener, “The human use of human beings: cybernetics and society,” , 1989.
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@Article{ wiener_human_1989,
address  = {London},
title = {The human use of human beings: cybernetics and society},
isbn = {978-1-85343-075-6},
language  = {en},
author  = {Wiener, Norbert},
year = {1989}
}

C. Cox, “Sonic Flux: Sound, Art, and Metaphysics,” , 2018.
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@Article{ cox_sonic_2018,
title = {Sonic {Flux}: {Sound}, {Art}, and {Metaphysics}},
isbn = {978-0-226-54317-8 978-0-226-54303-1 978-0-226-54320-8},
language  = {en},
author  = {Cox, Christoph},
year = {2018},
doi = {10.7208/chicago/9780226543208.001.0001}
}

C. Dworkin, “Pavel Büchler – Making Nothing Happen – Information as Material,” , 2009.
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@Article{ dworkin_pavel_2009,
title = {Pavel {Büchler} - {Making} {Nothing} {Happen} -
{Information} as {Material}},
language  = {en},
author  = {Dworkin, Craig},
year = {2009}
}

“Sonic process: une nouvelle géographie des sons,” , 2002.
[Bibtex]

@Article{ assche_sonic_2002,
address  = {Paris},
title = {Sonic process: une nouvelle géographie des sons},
isbn = {978-2-84426-098-7},
language  = {fr},
year = {2002}
}

W. Maas, “The Corruption of the Eye: On Photogenesis and self-Growing Images,” , 2015.
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@Article{ maas_corruption_2015,
title = {The {Corruption} of the {Eye}: {On} {Photogenesis} and
self-{Growing} {Images}},
author  = {Maas, Wietske},
year = {2015}
}

R. Maconie, “Other planets: the complete works of Karlheinz Stockhausen, 1950-2007,” , 2016.
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@Article{ maconie_other_2016,
address  = {Lanham},
title = {Other planets: the complete works of {Karlheinz}
{Stockhausen}, 1950-2007},
isbn = {978-1-4422-7268-2},
language  = {en},
author  = {Maconie, Robin},
year = {2016}
}

M. Nonken and H. Dufourt, “The spectral piano: from Liszt, Scriabin, and Debussy to the digital age,” , 2014.
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@Article{ nonken_spectral_2014,
address  = {New York},
title = {The spectral piano: from {Liszt}, {Scriabin}, and
{Debussy} to the digital age},
isbn = {978-1-107-01854-9},
author  = {Nonken, Marilyn and Dufourt, Hugues},
year = {2014}
}

D. Lander, S. Delehanty, B. Viola, L. Lewandowska, M. Neuhaus, C. Kubisch, D. McGraith, M. Bruinsma, R. Kostelanetz, B. Barber, M. Nannucci, G. Monahan, D. Augaitis, K. Concannon, I. Murray, A. Lucier, G. Whitehead, R. M. Schafer, H. Westerkamp, R. Summers, I. Holubizky, J. Goldstein, M. Darge, G. Raes, C. Twomey, G. Haufen, D. Kahn, and R. McKeough, “Sound By Artists,” , 1990.
[Bibtex]

@Article{ lander_sound_1990,
title = {Sound {By} {Artists}},
author  = {Lander, Dan and Delehanty, Suzanne and Viola, Bill and
Lewandowska, L. and Neuhaus, Max and Kubisch, Christin and
McGraith, Donal and Bruinsma, Max and Kostelanetz, Richard
and Barber, Bruce and Nannucci, Maurizio and Monahan,
Gordon and Augaitis, Daina and Concannon, Kevin and Murray,
I. and Lucier, Alvin and Whitehead, Gregory and Schafer, R.
M. and Westerkamp, Hildegard and Summers, R. and Holubizky,
Ihor and Goldstein, Jack and Darge, M. and Raes,
Godfried-Willem and Twomey, C. and Haufen, Graf and Kahn,
D. and McKeough, R.},
year = {1990}
}

“The digital turn in architecture 1992-2012,” , 2013.
[Bibtex]

@Article{ carpo_digital_2013,
address  = {Chichester},
title = {The digital turn in architecture 1992-2012},
isbn = {978-1-119-95175-9 978-1-119-95174-2},
year = {2013}
}

M. Pasquinelli, “From Algorism to Algorithm: A brief history of calculation from the Middle Ages to the present day,” , 2022.
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@Article{ pasquinelli_algorism_2022,
title = {From {Algorism} to {Algorithm}: {A} brief history of
calculation from the {Middle} {Ages} to the present day},
author  = {Pasquinelli, Matteo},
year = {2022}
}

A. Bogdanov, L. R. Graham, R. Stites, and C. Rougle, “Red star: the first Bolshevik utopia,” , 1984.
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@Article{ bogdanov_red_1984,
address  = {Bloomington},
title = {Red star: the first {Bolshevik} utopia},
isbn = {978-0-253-17350-8 978-0-253-20317-5},
language  = {eng},
author  = {Bogdanov, A. and Graham, Loren R. and Stites, Richard and
Rougle, Charles},
year = {1984}
}

A. Martinet, P. E. Lewis, C. Levi-Straus, H. W. Scheffle, S. Nodelman, J. Miel, J. Lacan, G. Hartman, J. Ehrmann, M. Riffaterre, and V. L. Rippere, “Structuralism,” , 1966.
[Bibtex]

@Article{ martinet_structuralism_1966,
title = {Structuralism},
author  = {Martinet, André and Lewis, Philip E. and Levi-Straus,
Claude and Scheffle, Harold W. and Nodelman, Sheldon and
Miel, Jan and Lacan, Jacques and Hartman, Geoffrey and
Ehrmann, Jacques and Riffaterre, Michael and Rippere,
Victoria L.},
year = {1966}
}

O. A. Aldridge and R. Macksey, “Velocities of Change: Critical Essays from MLN,” Books abroad, 1975.
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@Article{ aldridge_velocities_1975,
title = {Velocities of {Change}: {Critical} {Essays} from {MLN}},
issn = {00067431},
doi = {10.2307/40129208},
language  = {en},
journal  = {Books Abroad},
author  = {Aldridge, A. Owen and Macksey, Richard},
year = {1975}
}

A. Bogdanov, “A Short Course of Economic Science,” , 1919.
[Bibtex]

@Article{ bogdanov_short_1919,
title = {A {Short} {Course} of {Economic} {Science}},
author  = {Bogdanov, Alexander},
year = {1919}
}

M. Pasquinelli, “Machines that Morph: Neural Networks and the Distorted Automation of Intelligence as Statistical Inference,” , 2017.
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@Article{ pasquinelli_machines_2017,
title = {Machines that {Morph}: {Neural} {Networks} and the
{Distorted} {Automation} of {Intelligence} as {Statistical}
{Inference}},
author  = {Pasquinelli, Matteo},
year = {2017}
}

A. Bogdanov and B. Grinbaum, “La science, l’art et la classe ouvrière,” , 1977.
[Bibtex]

@Article{ bogdanov_science_1977,
address  = {Paris},
title = {La science, l'art et la classe ouvrière},
isbn = {978-2-7071-0862-3},
language  = {fre},
author  = {Bogdanov, A. and Grinbaum, Blanche},
year = {1977}
}

D. O’Hara and J. V. Harari, “Textual Strategies: Perspectives in Post-Structuralist Criticism,” The journal of aesthetics and art criticism, 1979.
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@Article{ ohara_textual_1979,
title = {Textual {Strategies}: {Perspectives} in
{Post}-{Structuralist} {Criticism}},
issn = {00218529},
doi = {10.2307/430363},
journal  = {The Journal of Aesthetics and Art Criticism},
author  = {O'Hara, Dan and Harari, Josue V.},
year = {1979}
}

S. Hegarty, “Soundart,” , 2011.
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@Article{ hegarty_soundart_2011,
title = {Soundart},
author  = {Hegarty, Sebastiane},
year = {2011}
}

“Music Theory Quick Facts Sheet,” , 2002.
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@Article{ noauthor_music_2002,
title = {Music {Theory} {Quick} {Facts} {Sheet}},
year = {2002}
}

H. Glicksman, “The Musical Atari,” , 1984.
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@Article{ glicksman_musical_1984,
title = {The {Musical} {Atari}},
author  = {Glicksman, Hal},
year = {1984}
}

N. Carsten, “Alva Noto booklet,” , 2021.
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@Article{ carsten_alva_2021,
title = {Alva {Noto} booklet},
author  = {Carsten, Nicolai},
year = {2021}
}

“History of Electronic and Computer Music,” , 2002.
[Bibtex]

@Article{ noauthor_history_2002,
title = {History of {Electronic} and {Computer} {Music}},
year = {2002}
}

C. Nicolai, “Antireflex,” , 2005.
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@Article{ nicolai_antireflex_2005,
title = {Antireflex},
author  = {Nicolai, Carsten},
year = {2005}
}

C. Nicolai, “Auto Pilot,” , 2002.
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@Article{ nicolai_auto_2002,
title = {Auto {Pilot}},
author  = {Nicolai, Carsten},
year = {2002}
}

C. Nicolai, “Audio Visual Spaces,” , 2005.
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@Article{ nicolai_audio_2005,
title = {Audio {Visual} {Spaces}},
author  = {Nicolai, Carsten},
year = {2005}
}

C. Nicolai, “Facts & Arti-Facts,” , 2003.
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@Article{ nicolai_facts_2003,
title = {Facts \& {Arti}-{Facts}},
author  = {Nicolai, Carsten},
year = {2003}
}

M. Fisher, “Capitalist realism: is there no alternative?,” , 2009.
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@Article{ fisher_capitalist_2009,
address  = {Winchester, UK Washington, USA},
title = {Capitalist realism: is there no alternative?},
isbn = {978-1-84694-317-1},
language  = {eng},
author  = {Fisher, Mark},
year = {2009}
}

J. M. R. Uribes, M. Borja-Villel, F. López, V. Nubla, L. Alvarado, G. M. Hinant, S. Voegelin, C. Kelly, P. Hegarty, G. Hainge, C. Cox, and J. Oswald, “Audiosphere: Sound Experimentation 1980-2020,” , 2020.
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@Article{ uribes_audiosphere_2020,
title = {Audiosphere: {Sound} {Experimentation} 1980-2020},
author  = {Uribes, José Manuel Rodríguez and Borja-Villel, Manuel
and López, Francisco and Nubla, Víctor and Alvarado, Luis
and Hinant, Guy Marc and Voegelin, Salomé and Kelly, Caleb
and Hegarty, Paul and Hainge, Greg and Cox, Christoph and
Oswald, John},
year = {2020}
}

B. Nettles, “Harmony 1,” , 1987.
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@Article{ nettles_harmony_1987,
title = {Harmony 1},
author  = {Nettles, Barrie},
year = {1987}
}

B. Nettles, “Harmony 2,” , 1987.
[Bibtex]

@Article{ nettles_harmony_1987-1,
title = {Harmony 2},
author  = {Nettles, Barrie},
year = {1987}
}

B. Nettles, “Harmony 3,” , 1987.
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@Article{ nettles_harmony_1987-2,
title = {Harmony 3},
author  = {Nettles, Barrie},
year = {1987}
}

C. Nicolai, “Inserting Silence,” , 2005.
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@Article{ nicolai_inserting_2005,
title = {Inserting {Silence}},
author  = {Nicolai, Carsten},
year = {2005}
}

C. Nicolai, “Solo,” , 2007.
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@Article{ nicolai_solo_2007,
title = {Solo},
author  = {Nicolai, Carsten},
year = {2007}
}

C. Nicolai, “Static Fades,” , 1997.
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@Article{ nicolai_static_1997,
title = {Static {Fades}},
author  = {Nicolai, Carsten},
year = {1997}
}

C. Nicolai, “Raster-Noton aiff-tiff,” , 2009.
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@Article{ nicolai_raster-noton_2009,
title = {Raster-{Noton} aiff-tiff},
author  = {Nicolai, Carsten},
year = {2009}
}

C. Nicolai, “Superformula,” , 2004.
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@Article{ nicolai_superformula_2004,
title = {Superformula},
author  = {Nicolai, Carsten},
year = {2004}
}

A. Kagan, N. Messitte, E. Krantzberg, and B. Pack, “Creation and Translation,” , 2021.
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@Article{ kagan_creation_2021,
title = {Creation and {Translation}},
author  = {Kagan, Adam and Messitte, Nick and Krantzberg, Eli and
Pack, Brad},
year = {2021}
}

T. Horea, B. Rudolph, T. Horea, and B. Pack, “Mixing With Confidence,” , 2021.
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@Article{ horea_mixing_2021,
title = {Mixing {With} {Confidence}},
author  = {Horea, Tiki and Rudolph, Barry and Horea, Tiki and Pack,
Brad},
year = {2021}
}

T. Horea, B. Rudolph, A. Kagan, E. Krantzberg, and T. Frampton, “Mix Your Low End Like a Pro,” , 2022.
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@Article{ horea_mix_2022,
title = {Mix {Your} {Low} {End} {Like} a {Pro}},
author  = {Horea, Tiki and Rudolph, Barry and Kagan, Adam and
Krantzberg, Eli and Frampton, Tom},
year = {2022}
}

B. Pack, D. Glenn, R. Putnins, and N. Messite, “Get the Most from Mixing on Headphones,” , 2021.
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@Article{ pack_get_2021,
title = {Get the {Most} from {Mixing} on {Headphones}},
author  = {Pack, Brad and Glenn, David and Putnins, Rudi and Messite,
Nick},
year = {2021}
}

B. Rudolph, E. Krantzberg, A. Kagan, N. Messitte, B. Pack, and E. Krantzber, “Sonarworks Successful Studio-Setup,” , 2020.
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@Article{ rudolph_sonarworks_2020,
title = {Sonarworks {Successful} {Studio}-{Setup}},
author  = {Rudolph, Barry and Krantzberg, Eli and Kagan, Adam and
Messitte, Nick and Pack, Brad and Krantzber, Eli},
year = {2020}
}

E. Krantzberg, A. Kagan, and A. Kagan, “Improve your listening experience,” , 2020.
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@Article{ krantzberg_improve_2020,
title = {Improve your listening experience},
author  = {Krantzberg, Eli and Kagan, Adam and Kagan, Adam},
year = {2020}
}

J. Bernstein, “30 days to market mastery: a step-by-step guide to profitable trading,” , 2007.
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@Article{ bernstein_30_2007-1,
address  = {Hoboken, N.J.},
title = {30 days to market mastery: a step-by-step guide to
profitable trading},
isbn = {978-1-119-19814-7},
language  = {en},
author  = {Bernstein, Jacob},
year = {2007}
}

Y. Shih, S. Wu, F. Zalkow, M. Müller, and Y. Yang, “Theme Transformer: Symbolic Music Generation with Theme-Conditioned Transformer,” , 2022.
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@Article{ shih_theme_2022,
title = {Theme {Transformer}: {Symbolic} {Music} {Generation} with
{Theme}-{Conditioned} {Transformer}},
language  = {en},
author  = {Shih, Yi-Jen and Wu, Shih-Lun and Zalkow, Frank and
Müller, Meinard and Yang, Yi-Hsuan},
month = mar,
year = {2022}
}

J. Liu, Y. Dong, Z. Cheng, X. Zhang, X. Li, F. Yu, and M. Sun, “Symphony Generation with Permutation Invariant Language Model,” , 2022.
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@Article{ liu_symphony_2022,
title = {Symphony {Generation} with {Permutation} {Invariant}
{Language} {Model}},
language  = {en},
author  = {Liu, Jiafeng and Dong, Yuanliang and Cheng, Zehua and
Zhang, Xinran and Li, Xiaobing and Yu, Feng and Sun,
Maosong},
month = sep,
year = {2022}
}

A. Bowie, “Aesthetics and subjectivity: from Kant to Nietzche,” , 2003.
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@Article{ bowie_aesthetics_2003,
address  = {Manchester},
title = {Aesthetics and subjectivity: from {Kant} to {Nietzche}},
isbn = {978-0-7190-5738-0},
language  = {en},
author  = {Bowie, Andrew},
year = {2003}
}

P. De Assis, “Experimental Affinities in Music,” , 2015.
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@Article{ de_assis_experimental_2015,
title = {Experimental {Affinities} in {Music}},
isbn = {978-94-6270-061-1},
author  = {De Assis, Paulo},
year = {2015},
doi = {10.26530/OAPEN_587990}
}

I. Franke, “Retreat into Darkness – Towards a Phenomenology of the Unknown,” , 2018.
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@Article{ franke_retreat_2018-1,
title = {Retreat into {Darkness} - {Towards} a {Phenomenology} of
the {Unknown}},
author  = {Franke, Ivana},
year = {2018}
}

F. Ciepły, “Freedom of Artistic Creation in the Conctitution of the Republic of Poland,” , 2016.
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@Article{ cieply_freedom_2016-1,
title = {Freedom of {Artistic} {Creation} in the {Conctitution} of
the {Republic} of {Poland}},
language  = {en},
author  = {Ciepły, Filip},
year = {2016}
}

L. Spuybroek, “Figurate and Spectral Architecture – Of the Lithic, Ferric, and Plastic,” , 2020.
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@Article{ spuybroek_figurate_2020,
title = {Figurate and {Spectral} {Architecture} - {Of} the
{Lithic}, {Ferric}, and {Plastic}},
author  = {Spuybroek, Lars},
year = {2020}
}

G. Somberg, “Game Audio Programming 2: Principles and Practices,” , 2019.
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@Article{ somberg_game_2019,
address  = {Boca Raton},
title = {Game {Audio} {Programming} 2: {Principles} and
{Practices}},
isbn = {978-1-138-06891-9},
language  = {eng},
author  = {Somberg, Guy},
year = {2019}
}

“Word Art + Gesture Art = Tone Art: The Relationship Between the Vocal and the Instrumental in Different Arts,” , 2023.
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@Article{ heister_word_2023,
address  = {Cham},
title = {Word {Art} + {Gesture} {Art} = {Tone} {Art}: {The}
{Relationship} {Between} the {Vocal} and the {Instrumental}
in {Different} {Arts}},
isbn = {978-3-031-20108-0 978-3-031-20109-7},
language  = {en},
year = {2023},
doi = {10.1007/978-3-031-20109-7}
}

D. Bennet, “Towards a Resistive Computer Music,” , 2015.
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@Article{ bennet_towards_2015,
title = {Towards a {Resistive} {Computer} {Music}},
author  = {Bennet, Daniel},
year = {2015}
}

W. C. Mills, “The Sociological Imagination,” , 2019.
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@Article{ mills_sociological_2019,
title = {The {Sociological} {Imagination}},
language  = {en},
author  = {Mills, C Wright},
year = {2019}
}

W. Von Braun, “The Mars project,” , 1953.
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@Article{ von_braun_mars_1953,
address  = {Urbana},
title = {The {Mars} project},
isbn = {978-0-252-06227-8},
language  = {en},
author  = {Von Braun, Wernher},
year = {1953}
}

K. Müller and R. Stolze, “The magic tactics of Mikhail Tal: learn from the legend,” , 2013.
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@Article{ muller_magic_2013,
address  = {Alkmaar, Netherlands},
title = {The magic tactics of {Mikhail} {Tal}: learn from the
legend},
isbn = {978-90-5691-456-1},
language  = {en},
author  = {Müller, Karsten and Stolze, Raymund},
translator  = {Adams, Ian},
collaborator  = {Beck, Volken},
year = {2013}
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M. Young, “The Rise of the Meritocracy – 1870-2033 – An Essay on Education and Equality,” , 1958.
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title = {The {Rise} of the {Meritocracy} - 1870-2033 - {An} {Essay}
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year = {1958}
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title = {Abstractions of {Time}},
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L. Yang, S. Chou, and Y. Yang, “MidiNet: A Convolutional Generative Adversarial Network for Symbolic-domain Music Generation,” , 2017.
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title = {{MidiNet}: {A} {Convolutional} {Generative} {Adversarial}
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language  = {en},
author  = {Yang, Li-Chia and Chou, Szu-Yu and Yang, Yi-Hsuan},
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F. Schneider, “Archisound: Audio Generation with Diffusion,” , 2023.
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title = {Archisound: {Audio} {Generation} with {Diffusion}},
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author  = {Schneider, Flavio},
year = {2023}
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R. P. Feynman, “Feynman lectures on computation,” , 1996.
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@Article{ feynman_feynman_1996,
address  = {Cambridge, Mass},
title = {Feynman lectures on computation},
isbn = {978-0-7382-0296-9},
language  = {eng},
author  = {Feynman, Richard P.},
year = {1996}
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M. J. Sandel, “Tyranny of merit: can we find the common good?,” , 2021.
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@Article{ sandel_tyranny_2021,
address  = {New York},
title = {Tyranny of merit: can we find the common good?},
isbn = {978-1-250-80006-0},
language  = {eng},
author  = {Sandel, Michael J.},
year = {2021}
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T. Brooks, A. Holynski, and A. Efros, “InstructPix2Pix: Learning to Follow Image Editing Instructions,” , 2023.
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@Article{ brooks_instructpix2pix_2023,
title = {{InstructPix2Pix}: {Learning} to {Follow} {Image}
{Editing} {Instructions}},
language  = {en},
author  = {Brooks, Tim and Holynski, Aleksander and Efros, Alexei
A.},
month = jan,
year = {2023}
}

X. Liu, Z. Zhu, H. Liu, Y. Yuan, M. Cui, Q. Huang, J. Liang, Y. Cao, Q. Kong, M. D. Plumbley, and W. Wang, “WavJourney: Compositional Audio Creation with Large Language Models,” , 2023.
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@Article{ liu_wavjourney_2023,
title = {{WavJourney}: {Compositional} {Audio} {Creation} with
{Large} {Language} {Models}},
language  = {en},
author  = {Liu, Xubo and Zhu, Zhongkai and Liu, Haohe and Yuan, Yi
and Cui, Meng and Huang, Qiushi and Liang, Jinhua and Cao,
Yin and Kong, Qiuqiang and Plumbley, Mark D. and Wang,
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year = {2023}
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J. M. Boughton, “On the Origins of the Fleming-Mundell Model,” , 2003.
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@Article{ boughton_origins_2003,
title = {On the {Origins} of the {Fleming}-{Mundell} {Model}},
language  = {en},
author  = {Boughton, James M},
year = {2003}
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D. Ghosal, N. Majumder, A. Mehrish, and S. Poria, “Text-to-Audio Generation using Instruction-Tuned LLM and Latent Diffusion Model,” , 2023.
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title = {Text-to-{Audio} {Generation} using {Instruction}-{Tuned}
{LLM} and {Latent} {Diffusion} {Model}},
language  = {en},
author  = {Ghosal, Deepanway and Majumder, Navonil and Mehrish, Ambuj
and Poria, Soujanya},
month = may,
year = {2023}
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H. Liu, Z. Chen, Y. Yuan, X. Mei, X. Liu, D. Mandic, W. Wang, and M. D. Plumbley, “AudioLDM: Text-to-Audio Generation with Latent Diffusion Models,” , 2023.
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@Article{ liu_audioldm_2023,
title = {{AudioLDM}: {Text}-to-{Audio} {Generation} with {Latent}
{Diffusion} {Models}},
language  = {en},
author  = {Liu, Haohe and Chen, Zehua and Yuan, Yi and Mei, Xinhao
and Liu, Xubo and Mandic, Danilo and Wang, Wenwu and
Plumbley, Mark D.},
month = sep,
year = {2023}
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J. Copet, F. Kreuk, I. Gat, T. Remez, D. Kant, G. Synnaeve, Y. Adi, and A. Défossez, “Simple and Controllable Music Generation,” , 2023.
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@Article{ copet_simple_2023,
title = {Simple and {Controllable} {Music} {Generation}},
language  = {en},
author  = {Copet, Jade and Kreuk, Felix and Gat, Itai and Remez, Tal
and Kant, David and Synnaeve, Gabriel and Adi, Yossi and
Défossez, Alexandre},
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year = {2023}
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M. Tan and Q. V. Le, “EfficientNet: Rethinking Model Scaling for Convolutional Neural Networks,” , 2020.
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@Article{ tan_efficientnet_2020,
title = {{EfficientNet}: {Rethinking} {Model} {Scaling} for
{Convolutional} {Neural} {Networks}},
language  = {en},
author  = {Tan, Mingxing and Le, Quoc V.},
month = sep,
year = {2020}
}

T. Simon, H. Joo, I. Matthews, and Y. Sheikh, “Hand Keypoint Detection in Single Images using Multiview Bootstrapping,” , 2017.
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@Article{ simon_hand_2017,
title = {Hand {Keypoint} {Detection} in {Single} {Images} using
{Multiview} {Bootstrapping}},
language  = {en},
author  = {Simon, Tomas and Joo, Hanbyul and Matthews, Iain and
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year = {2017}
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J. V. Schall, “Cartesianism and Political Theory,” The review of politics, 1962.
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@Article{ schall_cartesianism_1962,
title = {Cartesianism and {Political} {Theory}},
issn = {0034-6705, 1748-6858},
doi = {10.1017/S0034670500009670},
language  = {en},
journal  = {The Review of Politics},
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month = apr,
year = {1962}
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G. Deleuze, “Postscript on the Societies of Control,” , 1992.
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@Article{ deleuze_postscript_1992,
title = {Postscript on the {Societies} of {Control}},
language  = {en},
author  = {Deleuze, Gilles},
year = {1992}
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F. Cord and S. Schleusener, “Looking Backward at the Present, 2020–1990: Deleuze’s “Postscript on Control Societies”,” , 2020.
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title = {Looking {Backward} at the {Present}, 2020–1990:
{Deleuze}’s “{Postscript} on {Control} {Societies}”},
language  = {en},
author  = {Cord, Florian and Schleusener, Simon},
year = {2020}
}

L. Manovich, “Computer vision, human senses, and language of art,” Ai & society, 2021.
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@Article{ manovich_computer_2021,
title = {Computer vision, human senses, and language of art},
issn = {0951-5666, 1435-5655},
doi = {10.1007/s00146-020-01094-9},
language  = {en},
journal  = {AI \& SOCIETY},
author  = {Manovich, Lev},
month = dec,
year = {2021}
}

L. Manovich, “Defining AI Arts: Three Proposals,” , 2019.
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@Article{ manovich_defining_2019,
title = {Defining {AI} {Arts}: {Three} {Proposals}},
language  = {en},
author  = {Manovich, Lev},
year = {2019}
}

S. Park, H. Song, S. Han, B. Weldegebriel, L. Manovich, E. Arielli, and M. Cha, “Using Web Data to Reveal 22-Year History of Sneaker Designs,” , 2022.
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@Article{ park_using_2022,
address  = {Virtual Event, Lyon France},
title = {Using {Web} {Data} to {Reveal} 22-{Year} {History} of
{Sneaker} {Designs}},
isbn = {978-1-4503-9096-5},
doi = {10.1145/3485447.3512017},
language  = {en},
booktitle  = {Proceedings of the {ACM} {Web} {Conference} 2022},
author  = {Park, Sungkyu and Song, Hyeonho and Han, Sungwon and
Weldegebriel, Berhane and Manovich, Lev and Arielli,
Emanuele and Cha, Meeyoung},
month = apr,
year = {2022}
}

L. Manovich, “Towards ‘General Artistic Intelligence’?,” , 2023.
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@Article{ manovich_towards_2023,
title = {Towards ‘{General} {Artistic} {Intelligence}’?},
language  = {en},
author  = {Manovich, Lev},
year = {2023}
}

L. Manovich, “The AI Brain in the Cultural Archive,” , 2023.
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@Article{ manovich_ai_2023,
title = {The {AI} {Brain} in the {Cultural} {Archive}},
language  = {en},
author  = {Manovich, Lev},
year = {2023}
}

S. Klein, “Historical change in language using Monte Carlo techniques,” , 1966.
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@Article{ klein_historical_1966,
title = {Historical change in language using {Monte} {Carlo}
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language  = {en},
author  = {Klein, Sheldon},
year = {1966}
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C. Everett and S. M. Ulam, “Nuclear Propulsion – On a Method of Propulsion of Projectiles by Means of External Nuclear Explosions,” , 1955.
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title = {Nuclear {Propulsion} - {On} a {Method} of {Propulsion} of
{Projectiles} by {Means} of {External} {Nuclear}
{Explosions}},
author  = {Everett, CJ and Ulam, Stanisław M.},
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S. M. Ulam, “Adventures of a mathematician,” , 1976.
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@Article{ ulam_adventures_1976,
address  = {New York},
title = {Adventures of a mathematician},
isbn = {978-0-684-14391-0},
language  = {eng},
author  = {Ulam, Stanisław M.},
year = {1976}
}

L. Manovich and M. Kuleva, “On New Beauty,” , 2022.
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@Article{ manovich_new_2022,
title = {On {New} {Beauty}},
author  = {Manovich, Lev and Kuleva, Margarita},
year = {2022}
}

L. Manovich, “All Articles 1992-2007,” , 2007.
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@Article{ manovich_all_2007,
title = {All {Articles} 1992-2007},
author  = {Manovich, Lev},
year = {2007}
}

P. Manoury, “Considérations sur l’état de la musique en temps-réel,” , 2007.
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title = {Considérations sur l'état de la musique en temps-réel},
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year = {2007}
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J. Campbell, “Jim Campbell interview,” , 2010.
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author  = {Campbell, Jim},
year = {2010}
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F. Rosberg, E. E. Aksoy, C. Englund, and F. Alonso-Fernandez, “FIVA: Facial Image and Video Anonymization and Anonymization Defense,” , 2023.
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title = {{FIVA}: {Facial} {Image} and {Video} {Anonymization} and
{Anonymization} {Defense}},
language  = {en},
author  = {Rosberg, Felix and Aksoy, Eren Erdal and Englund,
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year = {2023}
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R. P. Davison, “Lev Manovich, Software Takes Command,” , 2014.
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@Article{ davison_lev_2014,
title = {Lev {Manovich}, {Software} {Takes} {Command}},
language  = {en},
author  = {Davison, Reviewed Patrick},
year = {2014}
}

L. Manovich, “What is Visualization ?,” , 2010.
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title = {What is {Visualization} ?},
author  = {Manovich, Lev},
year = {2010}
}

S. Shaviro, “The rhythm image: music videos and new audiovisual forms,” , 2023.
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@Article{ shaviro_rhythm_2023,
address  = {New York},
title = {The rhythm image: music videos and new audiovisual forms},
isbn = {978-1-5013-8855-2 978-1-5013-8856-9},
author  = {Shaviro, Steven},
year = {2023}
}

X. Liu, Q. Kong, Y. Zhao, H. Liu, Y. Yuan, Y. Liu, R. Xia, Y. Wang, M. D. Plumbley, and W. Wang, “Separate Anything You Describe,” , 2023.
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@Article{ liu_separate_2023,
title = {Separate {Anything} {You} {Describe}},
language  = {en},
author  = {Liu, Xubo and Kong, Qiuqiang and Zhao, Yan and Liu, Haohe
and Yuan, Yi and Liu, Yuzhuo and Xia, Rui and Wang, Yuxuan
and Plumbley, Mark D and Wang, Wenwu},
year = {2023}
}

P. Codognet, “Artificial Nature and Natural Artifice,” , 2003.
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@Article{ codognet_artificial_2003,
title = {Artificial {Nature} and {Natural} {Artifice}},
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author  = {Codognet, Philippe},
year = {2003}
}

C. Nicolai, “Alva Noto – HYbrID I,” , 2020.
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title = {Alva {Noto} - {HYbrID} {I}},
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year = {2020}
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S. Wolfram, “How to Think Computationally about AI, the Universe and Everything,” , 2023.
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title = {How to {Think} {Computationally} about {AI}, the
{Universe} and {Everything}},
language  = {en},
author  = {Wolfram, Stephen},
year = {2023}
}

L. Vickery, “Exploring a Visual/Sonic Representational Continuum,” , 2014.
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title = {Exploring a {Visual}/{Sonic} {Representational}
{Continuum}},
language  = {en},
author  = {Vickery, Lindsay},
year = {2014}
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N. Wolek, “Granular Toolkit v1.0 for Cycling74’s Max/MSP,” , 2002.
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author  = {Wolek, Nathan},
year = {2002}
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G. L. Ormiston and R. Sassower, “Narrative experiments: the discursive authority of science and technology,” , 1989.
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title = {Narrative experiments: the discursive authority of science
and technology},
isbn = {978-0-8166-1820-0 978-0-8166-1821-7},
language  = {en},
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year = {1989}
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L. D. Blasius, “The music theory of Godfrey Winham,” , 1997.
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@Article{ blasius_music_1997,
address  = {Princeton, N.J},
title = {The music theory of {Godfrey} {Winham}},
isbn = {978-0-691-01227-8},
language  = {en},
author  = {Blasius, Leslie David},
year = {1997}
}

R. Caussé, T. Hélié, O. Warusfel, N. Misdariis, and P. Susini, “L’acoustique à l’IRCAM, des premiers temps à la création de l’UMR Sciences et Technologies de la Musique et du Son,” , 2023.
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@Article{ causse_lacoustique_2023,
title = {L’acoustique à l’{IRCAM}, des premiers temps à la
création de l’{UMR} {Sciences} et {Technologies} de la
{Musique} et du {Son}},
author  = {Caussé, René and Hélié, Thomas and Warusfel, Olivier
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year = {2023}
}

W. Kaegi and S. Tempelaars, “VOSIM – A New Sound Synthesis System,” , 1978.
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@Article{ kaegi_vosim_1978,
title = {{VOSIM} - {A} {New} {Sound} {Synthesis} {System}},
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D. Bouche, J. Nika, A. Chechile, and J. Bresson, “Computer-aided Composition of Musical Processes,” Journal of new music research, 2017.
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@Article{ bouche_computer-aided_2017,
title = {Computer-aided {Composition} of {Musical} {Processes}},
issn = {0929-8215, 1744-5027},
doi = {10.1080/09298215.2016.1230136},
language  = {en},
journal  = {Journal of New Music Research},
author  = {Bouche, Dimitri and Nika, Jérôme and Chechile, Alex and
Bresson, Jean},
month = jan,
year = {2017}
}

J. Bresson, “Score Objects in OM\#,” , 2021.
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@Article{ bresson_score_2021,
title = {Score {Objects} in {OM}\#},
language  = {en},
author  = {Bresson, Jean},
year = {2021}
}

A. Vinjar and J. Bresson, “OM-AI: A Toolkit to Support AI-Based Computer-Assisted Composition Workflows in OpenMusic,” , 2019.
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@Article{ vinjar_om-ai_2019,
title = {{OM}-{AI}: {A} {Toolkit} to {Support} {AI}-{Based}
{Computer}-{Assisted} {Composition} {Workflows} in
{OpenMusic}},
language  = {en},
author  = {Vinjar, Anders and Bresson, Jean},
year = {2019}
}

P. Birkholz, “Articulatory synthesis of singing,” , 2007.
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@Article{ birkholz_articulatory_2007,
title = {Articulatory synthesis of singing},
doi = {10.21437/Interspeech.2007-743},
language  = {en},
booktitle  = {Interspeech 2007},
author  = {Birkholz, Peter},
month = aug,
year = {2007}
}

P. Wu, S. Watanabe, L. Goldstein, A. W. Black, and G. K. Anumanchipalli, “Deep Speech Synthesis from Articulatory Representations,” , 2022.
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@Article{ wu_deep_2022,
title = {Deep {Speech} {Synthesis} from {Articulatory}
{Representations}},
doi = {10.21437/Interspeech.2022-10892},
language  = {en},
booktitle  = {Interspeech 2022},
author  = {Wu, Peter and Watanabe, Shinji and Goldstein, Louis and
Black, Alan W and Anumanchipalli, Gopala Krishna},
month = sep,
year = {2022}
}

D. Keller, N. Radivojević, and V. Lazzarini, “Issues of ubimus archaeology: Beyond pure computing and precision during the analogue-digital transition,” , 2022.
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@Article{ keller_issues_2022,
title = {Issues of ubimus archaeology: {Beyond} pure computing and
precision during the analogue-digital transition},
language  = {en},
author  = {Keller, Damián and Radivojević, Nemanja and Lazzarini,
Victor},
year = {2022}
}

A. Kieffer, “Debussy’s critics: sound, affect, and the experience of modernism,” , 2019.
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@Article{ kieffer_debussys_2019,
address  = {New York, NY},
title = {Debussy's critics: sound, affect, and the experience of
modernism},
isbn = {978-0-19-084724-1},
language  = {en},
author  = {Kieffer, Alexandra},
year = {2019}
}

“Sounding the virtual: Gilles Deleuze and the theory and philosophy of music,” , 2010.
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@Article{ hulse_sounding_2010,
address  = {Farnham, Surrey, England ; Burlington, VT},
title = {Sounding the virtual: {Gilles} {Deleuze} and the theory
and philosophy of music},
isbn = {978-0-7546-6773-5 978-1-4094-1209-0},
language  = {en},
year = {2010}
}

R. Holopainen, “Autonomous Instruments,” , 2012.
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@Article{ holopainen_autonomous_2012,
title = {Autonomous {Instruments}},
language  = {en},
author  = {Holopainen, Risto},
year = {2012}
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A. Baird, P. Tzirakis, G. Gidel, M. Jiralerspong, E. B. Muller, K. Mathewson, B. Schuller, E. Cambria, D. Keltner, and A. Cowen, “The ICML 2022 Expressive Vocalizations Workshop and Competition: Recognizing, Generating, and Personalizing Vocal Bursts,” , 2022.
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@Article{ baird_icml_2022,
title = {The {ICML} 2022 {Expressive} {Vocalizations} {Workshop}
and {Competition}: {Recognizing}, {Generating}, and
{Personalizing} {Vocal} {Bursts}},
language  = {en},
author  = {Baird, Alice and Tzirakis, Panagiotis and Gidel, Gauthier
and Jiralerspong, Marco and Muller, Eilif B. and Mathewson,
Kory and Schuller, Björn and Cambria, Erik and Keltner,
Dacher and Cowen, Alan},
month = jul,
year = {2022}
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R. Simanowski, “Todesalgorithmus: das Dilemma der künstlichen Intelligenz,” , 2020.
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@Article{ simanowski_todesalgorithmus_2020,
address  = {Wien},
title = {Todesalgorithmus: das {Dilemma} der künstlichen
{Intelligenz}},
isbn = {978-3-7092-0417-7},
language  = {en},
author  = {Simanowski, Roberto},
year = {2020}
}

J. Davis, C. Hylands, J. Janneck, E. A. Lee, J. Liu, X. Liu, S. Neuendorffer, S. Sachs, M. Stewart, K. Vissers, Whitaker, and Y. Xiong, “Overview of the Ptolemy Project,” , 2001.
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@Article{ davis_overview_2001,
title = {Overview of the {Ptolemy} {Project}},
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and Lee, Edward A and Liu, Jie and Liu, Xiaojun and
Neuendorffer, Steve and Sachs, Sonia and Stewart, Mary and
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R. Khazam, “Bernard Parmegiani: Sound Thinking,” , 1998.
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@Article{ khazam_bernard_1998,
title = {Bernard {Parmegiani}: {Sound} {Thinking}},
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“Creativity and constraint in artificial systems,” , 2014.
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@Article{ leijnen_creativity_2014,
address  = {Nederland},
title = {Creativity and constraint in artificial systems},
isbn = {978-90-8891-993-0},
language  = {en},
collaborator  = {Leijnen, Stefan},
year = {2014}
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T. Kohonen, “Self-organized formation of topologically correct feature maps,” Biological cybernetics, 1982.
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@Article{ kohonen_self-organized_1982,
title = {Self-organized formation of topologically correct feature
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issn = {0340-1200, 1432-0770},
doi = {10.1007/BF00337288},
language  = {en},
journal  = {Biological Cybernetics},
author  = {Kohonen, Teuvo},
year = {1982}
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D. Yu, K. Song, P. Lu, T. He, X. Tan, W. Ye, S. Zhang, and J. Bian, “MusicAgent: An AI Agent for Music Understanding and Generation with Large Language Models,” , 2023.
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@Article{ yu_musicagent_2023,
title = {{MusicAgent}: {An} {AI} {Agent} for {Music}
{Understanding} and {Generation} with {Large} {Language}
{Models}},
language  = {en},
author  = {Yu, Dingyao and Song, Kaitao and Lu, Peiling and He,
Tianyu and Tan, Xu and Ye, Wei and Zhang, Shikun and Bian,
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month = oct,
year = {2023}
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M. Levy, B. Di Giorgi, F. Weers, A. Katharopoulos, and T. Nickson, “Controllable Music Production with Diffusion Models and Guidance Gradients,” , 2023.
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@Article{ levy_controllable_2023,
title = {Controllable {Music} {Production} with {Diffusion}
{Models} and {Guidance} {Gradients}},
language  = {en},
author  = {Levy, Mark and Di Giorgi, Bruno and Weers, Floris and
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month = dec,
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G. L. Lan, V. Nagaraja, E. Chang, D. Kant, Z. Ni, Y. Shi, F. Iandola, and V. Chandra, “Stack-and-Delay: a new codebook pattern for music generation,” , 2023.
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title = {Compose \& {Embellish}: {Well}-{Structured} {Piano}
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language  = {en},
author  = {Wu, Shih-Lun and Yang, Yi-Hsuan},
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A. Pasek, “Digital Energetics,” , 2023.
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title = {{SoundStorm}: {Efficient} {Parallel} {Audio}
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language  = {en},
author  = {Hovinga, Arlette},
year = {2023}
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title = {Iannis {Xenakis} {Premières} esquisses et plan au sol
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author  = {Xenakis, Iannis and Bisson, Frédéric},
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title = {Bayesian {Artificial} {Intelligence} \_ {Second}
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author  = {Korb, Kevin B and Nicholson, Ann E},
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language  = {en},
year = {1997}
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R. Koolhaas, “Delirious New York: a retroactive manifesto for Manhattan,” , 1978.
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address  = {New York},
title = {Delirious {New} {York}: a retroactive manifesto for
{Manhattan}},
isbn = {978-1-885254-00-9},
language  = {eng},
author  = {Koolhaas, Rem},
year = {1978}
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N. J. Nilsson, “Principles of Artificial Intelligence,” , 1986.
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address  = {Los Altos, Calif},
title = {Principles of {Artificial} {Intelligence}},
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language  = {en},
author  = {Nilsson, Nils J.},
year = {1986}
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J. H. Holland, “Adaptation in natural and artificial systems: an introductory analysis with applications to biology, control, and artificial intelligence,” , 1992.
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address  = {Cambridge, Mass},
title = {Adaptation in natural and artificial systems: an
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control, and artificial intelligence},
isbn = {978-0-262-08213-6 978-0-262-58111-0},
author  = {Holland, John H.},
year = {1992}
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N. J. Nilsson, “Artificial Intelligence: A New Synthesis,” , 1999.
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@Article{ nilsson_artificial_1999,
title = {Artificial {Intelligence}: {A} {New} {Synthesis}},
isbn = {978-7-111-07438-0},
language  = {eng},
author  = {Nilsson, Nils J.},
year = {1999}
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“Dictionary of cognitive science: neuroscience, psychology, artificial intelligence, linguistics, and philosophy,” , 2004.
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address  = {New York, NY},
title = {Dictionary of cognitive science: neuroscience, psychology,
artificial intelligence, linguistics, and philosophy},
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language  = {en},
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E. A. Bender, “Mathematical methods in artificial intelligence,” , 1996.
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G. Kutyniok, “The Mathematics of Artificial Intelligence,” , 2022.
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@Article{ kutyniok_mathematics_2022,
title = {The {Mathematics} of {Artificial} {Intelligence}},
language  = {en},
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month = mar,
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M. O’Neill and R. Loughran, “Limitations from Assumptions in Generative Music Evaluation,” Journal of creative music systems, 2017.
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title = {Limitations from {Assumptions} in {Generative} {Music}
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doi = {10.5920/JCMS.2017.12},
language  = {en},
journal  = {Journal of Creative Music Systems},
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N. Collins, ““… there is no reason why it should ever stop”: Large-scale algorithmic composition,” Journal of creative music systems, 2018.
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title = {“… there is no reason why it should ever stop”:
{Large}-scale algorithmic composition},
issn = {2399-7656},
doi = {10.5920/jcms.525},
language  = {en},
journal  = {Journal of Creative Music Systems},
author  = {Collins, Nick},
month = nov,
year = {2018}
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A. Sharma, P. Kumar, V. Maddukuri, N. Madamshettib, K. KG, S. S. Kavurub, B. Raman, and P. Roy, “Fast Griffin Lim based Waveform Generation Strategy for Text-to-Speech Synthesis,” , 2020.
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title = {Fast {Griffin} {Lim} based {Waveform} {Generation}
{Strategy} for {Text}-to-{Speech} {Synthesis}},
language  = {en},
author  = {Sharma, Ankit and Kumar, Puneet and Maddukuri, Vikas and
Madamshettib, Nagasai and KG, Kishore and Kavurub, Sahit
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year = {2020}
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“Routledge encyclopedia of narrative theory,” , 2005.
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@Article{ herman_routledge_2005,
address  = {London},
title = {Routledge encyclopedia of narrative theory},
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language  = {en},
year = {2005}
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W. Metzger, “Laws of Seeing,” , 1936.
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@Article{ metzger_laws_1936,
address  = {Cambridge, Mass},
title = {Laws of {Seeing}},
isbn = {978-0-262-13467-5},
language  = {en},
author  = {Metzger, Wolfgang},
year = {1936}
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Z. Kons, S. Shechtman, A. Sorin, C. Rabinovitz, and R. Hoory, “High Quality, Lightweight and Adaptable TTS Using LPCNet,” , 2019.
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@Article{ kons_high_2019,
title = {High {Quality}, {Lightweight} and {Adaptable} {TTS}
{Using} {LPCNet}},
doi = {10.21437/Interspeech.2019-1705},
language  = {en},
booktitle  = {Interspeech 2019},
author  = {Kons, Zvi and Shechtman, Slava and Sorin, Alex and
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month = sep,
year = {2019}
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H. Hölling, “Revisions-Zen for film,” , 2015.
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@Article{ holling_revisions-zen_2015,
address  = {New York City},
title = {Revisions-{Zen} for film},
isbn = {978-1-941792-04-9},
language  = {en},
author  = {Hölling, Hanna},
collaborator  = {Bard Graduate Center: Decorative Arts, Design History,
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year = {2015}
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N. J. Paik, “Exposition of Music Electronic Television,” , 1963.
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title = {Exposition of {Music} {Electronic} {Television}},
author  = {Paik, Nam June},
year = {1963}
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P. Wu, L. Chen, C. J. Cho, S. Watanabe, L. Goldstein, A. W. Black, and G. K. Anumanchipalli, “Speaker-Independent Acoustic-to-Articulatory Speech Inversion,” , 2023.
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@Article{ wu_speaker-independent_2023,
title = {Speaker-{Independent} {Acoustic}-to-{Articulatory}
{Speech} {Inversion}},
language  = {en},
author  = {Wu, Peter and Chen, Li-Wei and Cho, Cheol Jun and
Watanabe, Shinji and Goldstein, Louis and Black, Alan W.
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month = jul,
year = {2023}
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H. G. Golinski, “Paik on Paper,” , 2006.
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@Article{ golinski_paik_2006,
title = {Paik on {Paper}},
author  = {Golinski, Hans Günter},
year = {2006}
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N. J. Paik, “Nam June Paik Becoming Robot,” , 2014.
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title = {Nam {June} {Paik} {Becoming} {Robot}},
author  = {Paik, Nam June},
year = {2014}
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J. Chowdhury, “A Comparison of Virtual Analog Modelling Techniques for Desktop and Embedded Implementations,” , 2020.
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title = {A {Comparison} of {Virtual} {Analog} {Modelling}
{Techniques} for {Desktop} and {Embedded}
{Implementations}},
language  = {en},
author  = {Chowdhury, Jatin},
month = sep,
year = {2020}
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Newfangledaudio, “Introducing Generate! (And Model Bending Synthesis),” , 2023.
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title = {Introducing {Generate}! ({And} {Model} {Bending}
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language  = {en},
author  = {Newfangledaudio},
year = {2023}
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title = {Formant-based audio synthesis using nonlinear distortion},
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G. S. Kendall, C. Haworth, and R. F. Cádiz, “Sound Synthesis with Auditory Distortion Products,” Computer music journal, 2014.
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title = {Sound {Synthesis} with {Auditory} {Distortion}
{Products}},
issn = {0148-9267},
doi = {10.1162/COMJ_a_00265},
language  = {en},
journal  = {Computer Music Journal},
author  = {Kendall, Gary S. and Haworth, Christopher and Cádiz,
Rodrigo F.},
month = dec,
year = {2014}
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A. Chechile, “The Ear Tone Toolbox for Auditory Distortion Product Synthesis,” , 2016.
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@Article{ chechile_ear_2016,
title = {The {Ear} {Tone} {Toolbox} for {Auditory} {Distortion}
{Product} {Synthesis}},
language  = {en},
author  = {Chechile, Alex},
year = {2016}
}

“The artist’s body,” , 2000.
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@Article{ warr_artists_2000,
address  = {London},
title = {The artist's body},
isbn = {978-0-7148-3502-0},
year = {2000}
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F. Stalder, “What is Artistic Research,” , 2023.
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@Article{ stalder_what_2023,
title = {What is {Artistic} {Research}},
author  = {Stalder, Felix},
year = {2023}
}

C. Carr and C. Carr, “On edge: performance at the end of the twentieth century,” , 1993.
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@Article{ carr_edge_1993,
address  = {Hanover, NH},
title = {On edge: performance at the end of the twentieth century},
isbn = {978-0-8195-5267-9 978-0-8195-6269-2},
language  = {en},
author  = {Carr, Cynthia and Carr, C.},
year = {1993}
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A. Henri, “Total Art – Environments Happenings and Performance,” , 1974.
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@Article{ henri_total_1974,
title = {Total {Art} - {Environments} {Happenings} and
{Performance}},
author  = {Henri, Adrian},
year = {1974}
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R. Goldberg, “Performance: live art, 1909 to the present,” , 1979.
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@Article{ goldberg_performance_1979,
address  = {New York},
title = {Performance: live art, 1909 to the present},
isbn = {978-0-8109-1456-8 978-0-8109-2181-8},
author  = {Goldberg, RoseLee},
year = {1979}
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S. Dixon, “Digital performance: a history of new media in theater, dance, performance art, and installation,” , 2007.
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@Article{ dixon_digital_2007,
address  = {Cambridge, Mass},
title = {Digital performance: a history of new media in theater,
dance, performance art, and installation},
isbn = {978-0-262-04235-2},
language  = {en},
author  = {Dixon, Steve},
year = {2007}
}

E. Archias, “The concrete body: Yvonne Rainer, Carolee Schneemann, Vito Acconci,” , 2016.
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@Article{ archias_concrete_2016,
address  = {New Haven London},
title = {The concrete body: {Yvonne} {Rainer}, {Carolee}
{Schneemann}, {Vito} {Acconci}},
isbn = {978-0-300-21797-1},
language  = {en},
author  = {Archias, Elise},
year = {2016}
}

A. Mansoux, B. Howell, D. Barok, and V. Heikkilä, “Permacomputing Aesthetics: Potential and Limits of Constraints in Computational Art, Design and Culture,” , 2023.
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@Article{ mansoux_permacomputing_2023,
address  = {Virtual},
title = {Permacomputing {Aesthetics}: {Potential} and {Limits} of
{Constraints} in {Computational} {Art}, {Design} and
{Culture}},
doi = {10.21428/bf6fb269.6690fc2e},
language  = {en},
booktitle  = {Ninth {Computing} within {Limits} 2023},
author  = {Mansoux, Aymeric and Howell, Brendan and Barok, Dušan and
Heikkilä, Ville-Matias},
month = jun,
year = {2023}
}

S. Bardzell, “Advancing Non-Linear Design Thinking,” Interactions, 2017.
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@Article{ bardzell_advancing_2017,
title = {Advancing {Non}-{Linear} {Design} {Thinking}},
issn = {1072-5520, 1558-3449},
doi = {10.1145/3068259},
language  = {en},
journal  = {Interactions},
author  = {Bardzell, Shaowen},
month = apr,
year = {2017}
}

S. Cooney, “Imagining LIMITS: Can ChatGPT radically re-imagine a new world?,” , 2023.
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@Article{ cooney_imagining_2023,
address  = {Virtual},
title = {Imagining {LIMITS}: {Can} {ChatGPT} radically re-imagine a
new world?},
doi = {10.21428/bf6fb269.dc071e80},
language  = {en},
booktitle  = {Ninth {Computing} within {Limits} 2023},
author  = {Cooney, Sarah},
month = jun,
year = {2023}
}

N. Thompson, K. Greenewald, K. Lee, and G. F. Manso, “The Computational Limits of Deep Learning,” , 2023.
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@Article{ thompson_computational_2023,
address  = {Virtual},
title = {The {Computational} {Limits} of {Deep} {Learning}},
doi = {10.21428/bf6fb269.1f033948},
language  = {en},
booktitle  = {Ninth {Computing} within {Limits} 2023},
author  = {Thompson, Neil and Greenewald, Kristjan and Lee, Keeheon
and Manso, Gabriel F.},
month = jun,
year = {2023}
}

T. H. Trinh, Y. Wu, Q. V. Le, H. He, and T. Luong, “Solving olympiad geometry without human demonstrations,” Nature, 2024.
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@Article{ trinh_solving_2024,
title = {Solving olympiad geometry without human demonstrations},
issn = {0028-0836, 1476-4687},
doi = {10.1038/s41586-023-06747-5},
language  = {en},
journal  = {Nature},
author  = {Trinh, Trieu H. and Wu, Yuhuai and Le, Quoc V. and He, He
and Luong, Thang},
month = jan,
year = {2024}
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G. Boller and J. Schwartz, “Modelling the form. Heinz Isler, Frei Otto and their approaches to form-finding,” , 2020.
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@Article{ boller_modelling_2020,
title = {Modelling the form. {Heinz} {Isler}, {Frei} {Otto} and
their approaches to form-finding},
language  = {en},
author  = {Boller, Giulia and Schwartz, Joseph},
year = {2020}
}

A. Longo and Bulgarian Academy of Sciences, “Computational Creativity or Automated Information Production?,” Balkan journal of philosophy, 2023.
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@Article{ longo_computational_2023,
title = {Computational {Creativity} or {Automated} {Information}
{Production}?},
issn = {1313-888X},
doi = {10.5840/bjp20231513},
language  = {en},
journal  = {Balkan Journal of Philosophy},
author  = {Longo, Anna and {Bulgarian Academy of Sciences}},
year = {2023}
}

S. Audry and J. Ippolito, “Can Artificial Intelligence Make Art without Artists? Ask the Viewer,” Arts, 2019.
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@Article{ audry_can_2019,
title = {Can {Artificial} {Intelligence} {Make} {Art} without
{Artists}? {Ask} the {Viewer}},
issn = {2076-0752},
doi = {10.3390/arts8010035},
language  = {en},
journal  = {Arts},
author  = {Audry, Sofian and Ippolito, Jon},
month = mar,
year = {2019}
}

H. Bajohr, “Algorithmic Empathy: Toward a Critique of Aesthetic AI,” Configurations, 2022.
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@Article{ bajohr_algorithmic_2022,
title = {Algorithmic {Empathy}: {Toward} a {Critique} of
{Aesthetic} {AI}},
issn = {1080-6520},
doi = {10.1353/con.2022.0011},
language  = {en},
journal  = {Configurations},
author  = {Bajohr, Hannes},
month = mar,
year = {2022}
}

L. Arriagada, “CG-Art: demystifying the anthropocentric bias of artistic creativity,” Connection science, 2020.
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@Article{ arriagada_cg-art_2020,
title = {{CG}-{Art}: demystifying the anthropocentric bias of
artistic creativity},
issn = {0954-0091, 1360-0494},
doi = {10.1080/09540091.2020.1741514},
language  = {en},
journal  = {Connection Science},
author  = {Arriagada, Leonardo},
month = oct,
year = {2020}
}

I. Trisokkas, “What is Wrong with Machine Art? Autonomy, Spirituality, Consciousness, and Human Survival,” , 2020.
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@Article{ trisokkas_what_2020,
title = {What is {Wrong} with {Machine} {Art}? {Autonomy},
{Spirituality}, {Consciousness}, and {Human} {Survival}},
language  = {en},
author  = {Trisokkas, Ioannis},
year = {2020}
}

M. Pasquinelli, “Machines that Morph Logic: Neural Networks and the Distorted Automation of Intelligence as Statistical Inference,” , 2019.
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@Article{ pasquinelli_machines_2019,
title = {Machines that {Morph} {Logic}: {Neural} {Networks} and the
{Distorted} {Automation} of {Intelligence} as {Statistical}
{Inference}},
language  = {en},
author  = {Pasquinelli, Matteo},
year = {2019}
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A. S. Hoel, “Technics of Thinking,” , 2012.
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@Article{ hoel_technics_2012,
title = {Technics of {Thinking}},
author  = {Hoel, Aud Sissel},
year = {2012}
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M. Pasquinelli, “From algorism to algorithm: A brief history of calculation from the Middle Ages to the present day,” , 2019.
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@Article{ pasquinelli_algorism_2019,
title = {From algorism to algorithm: {A} brief history of
calculation from the {Middle} {Ages} to the present day},
author  = {Pasquinelli, Matteo},
year = {2019}
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M. Pasquinelli, “Machines that Morph Logic: Neural Networks and the Distorted Automation of Intelligence as Statistical Inference,” , 2017.
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@Article{ pasquinelli_machines_2017-1,
title = {Machines that {Morph} {Logic}: {Neural} {Networks} and the
{Distorted} {Automation} of {Intelligence} as {Statistical}
{Inference}},
author  = {Pasquinelli, Matteo},
year = {2017}
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R. Negarestani, “Intelligence and spirit,” , 2018.
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@Article{ negarestani_intelligence_2018,
address  = {Windsor Quarry, Falmouth, United Kingdom : New York, NY,
United States},
title = {Intelligence and spirit},
isbn = {978-0-9975674-0-3},
author  = {Negarestani, Reza},
year = {2018}
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L. Gamble and R. Mackay, “Urbanomic Document,” , 2015.
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@Article{ gamble_urbanomic_2015,
title = {Urbanomic {Document}},
author  = {Gamble, Lee and Mackay, Robin},
year = {2015}
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M. D. Hauser, C. Yang, R. C. Berwick, I. Tattersall, M. J. Ryan, J. Watumull, N. Chomsky, and R. C. Lewontin, “The mystery of language evolution,” Frontiers in psychology, 2014.
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@Article{ hauser_mystery_2014,
title = {The mystery of language evolution},
issn = {1664-1078},
doi = {10.3389/fpsyg.2014.00401},
language  = {en},
journal  = {Frontiers in Psychology},
author  = {Hauser, Marc D. and Yang, Charles and Berwick, Robert C.
and Tattersall, Ian and Ryan, Michael J. and Watumull,
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I. Blin, “Building Narrative Structures from Knowledge Graphs,” , 2022.
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@Article{ groth_building_2022,
address  = {Cham},
title = {Building {Narrative} {Structures} from {Knowledge}
{Graphs}},
isbn = {978-3-031-11608-7 978-3-031-11609-4},
language  = {en},
booktitle  = {The {Semantic} {Web}: {ESWC} 2022 {Satellite} {Events}},
author  = {Blin, Inès},
year = {2022},
doi = {10.1007/978-3-031-11609-4_38}
}

“Leper creativity: cyclonopedia symposium,” , 2012.
[Bibtex]

@Article{ keller_leper_2012,
address  = {Brooklyn, N.Y},
title = {Leper creativity: cyclonopedia symposium},
isbn = {978-0-615-60046-8},
language  = {en},
year = {2012}
}

R. Negarestani, “tHE rHizzonE – complicity with anonymous materials,” , 2015.
[Bibtex]

@Article{ negarestani_rhizzone_2015,
title = {{tHE} {rHizzonE} - complicity with anonymous materials},
language  = {en},
author  = {Negarestani, Reza},
year = {2015}
}

R. Negarestani, “The Labor of the Inhuman, Part I: Human,” , 2014.
[Bibtex]

@Article{ negarestani_labor_2014,
title = {The {Labor} of the {Inhuman}, {Part} {I}: {Human}},
language  = {en},
author  = {Negarestani, Reza},
year = {2014}
}

R. Negarestani, “The Labor of the Inhuman, Part II: The Inhuman,” , 2014.
[Bibtex]

@Article{ negarestani_labor_2014-1,
title = {The {Labor} of the {Inhuman}, {Part} {II}: {The}
{Inhuman}},
language  = {en},
author  = {Negarestani, Reza},
year = {2014}
}

“Encyclonospace iranica,” , 2013.
[Bibtex]

@Article{ negarestani_encyclonospace_2013,
address  = {Vancouver, BC},
title = {Encyclonospace iranica},
isbn = {978-0-9869511-2-1},
language  = {en},
collaborator  = {Negarestani, Reza},
year = {2013}
}

R. Negarestani, “Synechistic Critique of Aesthetic Judgment,” , 2015.
[Bibtex]

@Article{ negarestani_synechistic_2015,
title = {Synechistic {Critique} of {Aesthetic} {Judgment}},
language  = {en},
author  = {Negarestani, Reza},
year = {2015}
}

R. Mackay, “Collapse: philosophical research and development,” , 2008.
[Bibtex]

@Article{ mackay_collapse_2008,
address  = {Falmouth},
title = {Collapse: philosophical research and development},
isbn = {978-0-9553087-3-4},
language  = {en},
author  = {Mackay, Robin},
year = {2008}
}

R. Negarestani, “Where is the Concept? (localization, ramification, navigation).”
[Bibtex]

@Article{ negarestani_where_nodate,
title = {Where is the {Concept}? (localization, ramification,
navigation)},
language  = {en},
author  = {Negarestani, Reza}
}

M. Iravanian, “On the economy of pseudo-flux, ground, solidity and the grotesque architectural domestications; and their subsidence.”
[Bibtex]

@Article{ iravanian_economy_nodate,
title = {On the economy of pseudo-flux, ground, solidity and the
grotesque architectural domestications; and their
subsidence},
language  = {en},
author  = {Iravanian, Mehrdad}
}

R. Negarestani, “Openness and Germinal Death.”
[Bibtex]

@Article{ negarestani_openness_nodate,
title = {Openness and {Germinal} {Death}},
language  = {en},
author  = {Negarestani, Reza}
}

P. R. Negarestani, “La Militarisation De La Paix – Absence De Terreur Ou Terreur De L’Absence ?.”
[Bibtex]

@Article{ negarestani_militarisation_nodate,
title = {La {Militarisation} {De} {La} {Paix} - {Absence} {De}
{Terreur} {Ou} {Terreur} {De} {L}'{Absence} ?},
language  = {fr},
author  = {Negarestani, Par Reza}
}

R. Negarestani, “The Militarization of Peace: Absence of Terror or Terror of Absence?.”
[Bibtex]

@Article{ negarestani_militarization_nodate,
title = {The {Militarization} of {Peace}: {Absence} of {Terror} or
{Terror} of {Absence}?},
language  = {en},
author  = {Negarestani, Reza}
}

R. Negarestani, “The Horror of Something: commentaries on the littered universe and the weird.”
[Bibtex]

@Article{ negarestani_horror_nodate,
title = {The {Horror} of {Something}: commentaries on the littered
universe and the weird},
language  = {en},
author  = {Negarestani, Reza}
}

R. Negarestani, “Differential cruelty: a critique of ontological reason in light of the philosophy of cruelty,” Angelaki, 2009.
[Bibtex]

@Article{ negarestani_differential_2009,
title = {Differential cruelty: a critique of ontological reason in
light of the philosophy of cruelty},
issn = {0969-725X, 1469-2899},
doi = {10.1080/09697250903407567},
language  = {en},
journal  = {Angelaki},
author  = {Negarestani, Reza},
month = dec,
year = {2009}
}

R. Negarestani, “Drafting the Inhuman: Conjectures on Capitalism and Organic Necrocracy.”
[Bibtex]

@Article{ negarestani_drafting_nodate,
title = {Drafting the {Inhuman}: {Conjectures} on {Capitalism} and
{Organic} {Necrocracy}},
language  = {en},
author  = {Negarestani, Reza}
}

R. Negarestani, “On the Revolutionary Earth.”
[Bibtex]

@Article{ negarestani_revolutionary_nodate,
title = {On the {Revolutionary} {Earth}},
language  = {en},
author  = {Negarestani, Reza}
}

A. Hofer, “Acephalous Mouth: of wounds and scars.”
[Bibtex]

@Article{ hofer_acephalous_nodate,
title = {Acephalous {Mouth}: of wounds and scars},
language  = {en},
author  = {Hofer, Albert}
}

R. Negarestani, “(vox populi in Kristen Alvanson’s Lessons in Schizophrenia).”
[Bibtex]

@Article{ negarestani_vox_nodate,
title = {(vox populi in {Kristen} {Alvanson}’s {Lessons} in
{Schizophrenia})},
language  = {en},
author  = {Negarestani, Reza}
}

Basilisk, “An Introduction to Maraka Project.”
[Bibtex]

@Article{ basilisk_introduction_nodate,
title = {An {Introduction} to {Maraka} {Project}},
language  = {en},
author  = {Basilisk}
}

Basilisk, “Through the anonymous histories of corpse and the History of Death,” , 2021.
[Bibtex]

@Article{ basilisk_through_2021,
title = {Through the anonymous histories of corpse and the
{History} of {Death}},
language  = {en},
author  = {Basilisk},
year = {2021}
}

A. Thanukos, “A Look at Linguistic Evolution,” Evolution: education and outreach, 2008.
[Bibtex]

@Article{ thanukos_look_2008,
title = {A {Look} at {Linguistic} {Evolution}},
issn = {1936-6426, 1936-6434},
doi = {10.1007/s12052-008-0058-3},
language  = {en},
journal  = {Evolution: Education and Outreach},
author  = {Thanukos, Anastasia},
month = jul,
year = {2008}
}

J. Nistal, S. Lattner, and G. Richard, “DrumGAN: Synthesis of Drum Sounds With Timbral Feature Conditioning Using Generative Adversarial Networks,” , 2022.
[Bibtex]

@Article{ nistal_drumgan_2022,
title = {{DrumGAN}: {Synthesis} of {Drum} {Sounds} {With} {Timbral}
{Feature} {Conditioning} {Using} {Generative} {Adversarial}
{Networks}},
language  = {en},
author  = {Nistal, J. and Lattner, S. and Richard, G.},
month = jun,
year = {2022}
}

J. Nistal, C. Aouameur, I. Velarde, and S. Lattner, “DrumGAN VST: A Plugin for Drum Sound Analysis/Synthesis With Autoencoding Generative Adversarial Networks,” , 2022.
[Bibtex]

@Article{ nistal_drumgan_2022-1,
title = {{DrumGAN} {VST}: {A} {Plugin} for {Drum} {Sound}
{Analysis}/{Synthesis} {With} {Autoencoding} {Generative}
{Adversarial} {Networks}},
language  = {en},
author  = {Nistal, Javier and Aouameur, Cyran and Velarde, Ithan and
Lattner, Stefan},
month = jun,
year = {2022}
}

M. K. Anggraeni, M. Mardiyana, and D. R. S. Saputro, “Geometric Transformation in Surakarta Batik Patterns,” , 2018.
[Bibtex]

@Article{ anggraeni_geometric_2018,
address  = {Surabaya, Indonesia},
title = {Geometric {Transformation} in {Surakarta} {Batik}
{Patterns}},
isbn = {978-94-6252-601-3},
doi = {10.2991/miseic-18.2018.22},
language  = {en},
booktitle  = {Proceedings of the {Mathematics}, {Informatics},
{Science}, and {Education} {International} {Conference}
({MISEIC} 2018)},
author  = {Anggraeni, Melindawati Kusuma and Mardiyana, Mardiyana and
Saputro, Dewi Retno Sari},
year = {2018}
}

M. Iddon, “New Music at Darmstadt – Nono, Stockhausen, Cage, and Boulez,” , 2013.
[Bibtex]

@Article{ iddon_new_2013,
title = {New {Music} at {Darmstadt} - {Nono}, {Stockhausen},
{Cage}, and {Boulez}},
language  = {en},
author  = {Iddon, Martin},
year = {2013}
}

C. P. Kakalis, “Architecture and Silence,” , 2019.
[Bibtex]

@Article{ kakalis_architecture_2019,
title = {Architecture and {Silence}},
isbn = {978-0-429-43782-3},
language  = {en},
author  = {Kakalis, Christos P.},
month = aug,
year = {2019},
doi = {10.4324/9780429437823}
}

M. Leyton, “Shape as memory: a geometric theory of architecture,” , 2006.
[Bibtex]

@Article{ leyton_shape_2006,
address  = {Basel, Switzerland ; Boston},
title = {Shape as memory: a geometric theory of architecture},
isbn = {978-3-7643-7690-1},
language  = {en},
author  = {Leyton, Michael},
year = {2006}
}

“Stufish: entertainment architecture,” , 2021.
[Bibtex]

@Article{ winkler_stufish_2021,
address  = {Oxford},
title = {Stufish: entertainment architecture},
isbn = {978-1-119-81224-1},
language  = {en},
year = {2021}
}

“A sublime synthesis: architecture and art,” , 2023.
[Bibtex]

@Article{ spiller_sublime_2023,
address  = {Oxford},
title = {A sublime synthesis: architecture and art},
isbn = {978-1-394-17079-1},
language  = {en},
year = {2023}
}

“Radical architectural drawing,” , 2022.
[Bibtex]

@Article{ spiller_radical_2022,
address  = {Oxford},
title = {Radical architectural drawing},
isbn = {978-1-119-78777-8},
language  = {en},
year = {2022}
}

“3D-printed body architecture,” , 2017.
[Bibtex]

@Article{ leach_3d-printed_2017,
address  = {Oxford},
title = {{3D}-printed body architecture},
isbn = {978-1-119-34018-8},
language  = {en},
year = {2017}
}

“Evoking through design: contemporary moods in architecture,” , 2016.
[Bibtex]

@Article{ campo_evoking_2016,
address  = {Oxford},
title = {Evoking through design: contemporary moods in
architecture},
isbn = {978-1-119-09958-1},
language  = {en},
year = {2016}
}

“The Landscapists: redefining landscape relations,” , 2020.
[Bibtex]

@Article{ wall_landscapists_2020,
address  = {Oxford},
title = {The {Landscapists}: redefining landscape relations},
isbn = {978-1-119-54003-8},
language  = {eng},
year = {2020}
}

“The Disruptors: technology-driven architect-entrepreneurs,” , 2020.
[Bibtex]

@Article{ shelden_disruptors_2020,
address  = {Oxford},
title = {The {Disruptors}: technology-driven
architect-entrepreneurs},
isbn = {978-1-119-55509-4},
language  = {eng},
year = {2020}
}

J. Peyser, “Boulez – Composer, Conductor, Enigma,” , 1976.
[Bibtex]

@Article{ peyser_boulez_1976,
address  = {New York},
title = {Boulez - {Composer}, {Conductor}, {Enigma}},
isbn = {978-0-02-871700-5},
author  = {Peyser, Joan},
year = {1976}
}

C. Jencks and G. Baird, “Meaning in Architecture,” , 1969.
[Bibtex]

@Article{ jencks_meaning_1969,
address  = {London},
title = {Meaning in {Architecture}},
isbn = {978-0-214-66797-8},
author  = {Jencks, Charles and Baird, George},
year = {1969}
}

R. Negarestani, “Cyclonopedia: complicity with anonymous materials,” , 2008.
[Bibtex]

@Article{ negarestani_cyclonopedia_2008,
address  = {Seddon London},
title = {Cyclonopedia: complicity with anonymous materials},
isbn = {978-0-9805440-0-8},
language  = {eng},
author  = {Negarestani, Reza},
year = {2008}
}

P. Jodlowski, “L’espace “sensible” de la dramaturgie musicale,” , 2018.
[Bibtex]

@Article{ jodlowski_espace_2018,
title = {L'espace "sensible" de la dramaturgie musicale},
language  = {fr},
author  = {Jodlowski, Pierre},
year = {2018}
}

P. Jodlowski, “Réflexion sur la musique mixte,” , 2012.
[Bibtex]

@Article{ jodlowski_reflexion_2012,
title = {Réflexion sur la musique mixte},
language  = {fr},
author  = {Jodlowski, Pierre},
year = {2012}
}

L. A. Jones, “Haptics,” , 2018.
[Bibtex]

@Article{ jones_haptics_2018,
address  = {Cambridge, Massachusetts},
title = {Haptics},
isbn = {978-0-262-53580-9},
language  = {en},
author  = {Jones, Lynette A.},
year = {2018}
}

L. R. Antunes, “Multisensory Film Experience: a cognitive model of experiental film aesthetics,” , 2016.
[Bibtex]

@Article{ antunes_multisensory_2016,
address  = {Bristol, UK Chicago, USA},
title = {Multisensory {Film} {Experience}: a cognitive model of
experiental film aesthetics},
isbn = {978-1-78320-628-5},
language  = {en},
author  = {Antunes, Luis Rocha},
year = {2016}
}

C. O’Callaghan, “Beyond Vision: philosophical essays,” , 2017.
[Bibtex]

@Article{ ocallaghan_beyond_2017,
address  = {Oxford},
title = {Beyond {Vision}: philosophical essays},
isbn = {978-0-19-878296-4},
language  = {en},
author  = {O'Callaghan, Casey},
year = {2017}
}

G. Deleuze, “Difference and repetition,” , 1994.
[Bibtex]

@Article{ deleuze_difference_1994,
address  = {New York},
title = {Difference and repetition},
isbn = {978-0-231-08158-0 978-0-231-08159-7},
language  = {en},
author  = {Deleuze, Gilles},
year = {1994}
}

F. Lévy, “Complexité Grammatologique Et Complexite Aperceptive en Musique,” , 2004.
[Bibtex]

@Article{ levy_complexite_2004,
title = {Complexité {Grammatologique} {Et} {Complexite}
{Aperceptive} en {Musique}},
language  = {fr},
author  = {Lévy, Fabien},
year = {2004}
}

H. Lachenmann, “Écrits et entretiens,” , 2009.
[Bibtex]

@Article{ kaltenecker_ecrits_2009,
title = {Écrits et entretiens},
isbn = {978-2-940068-33-3 978-2-940599-42-4},
language  = {xh},
author  = {Lachenmann, Helmut},
year = {2009},
doi = {10.4000/books.contrechamps.748}
}

K. Stockhausen, “Comment passe le temps: Essais sur la musique 1952-1961,” , 2017.
[Bibtex]

@Article{ stockhausen_comment_2017,
title = {Comment passe le temps: {Essais} sur la musique
1952-1961},
isbn = {978-2-940068-52-4 978-2-940599-61-5},
language  = {fr},
author  = {Stockhausen, Karlheinz},
year = {2017},
doi = {10.4000/books.contrechamps.3077}
}

P. Boulez, “Relevés d’Apprenti,” , 1962.
[Bibtex]

@Article{ boulez_releves_1962,
title = {Relevés d'{Apprenti}},
author  = {Boulez, Pierre},
year = {1962}
}

“The origins of music: consists of papers given at a Workshop on the Origins of Music held in Fiesole, Italy, May 1997, the first of a series called Florentine Workshops in Biomusicology,” , 2001.
[Bibtex]

@Article{ wallin_origins_2001,
address  = {Cambridge, Mass.},
title = {The origins of music: consists of papers given at a
{Workshop} on the {Origins} of {Music} held in {Fiesole},
{Italy}, {May} 1997, the first of a series called
{Florentine} {Workshops} in {Biomusicology}},
isbn = {978-0-262-73143-0 978-0-262-23206-7},
language  = {eng},
year = {2001}
}

B. McFee, C. Raffel, D. Liang, D. Ellis, M. McVicar, E. Battenberg, and O. Nieto, “Librosa: Audio and Music Signal Analysis in Python,” , 2015.
[Bibtex]

@Article{ mcfee_librosa_2015,
address  = {Austin, Texas},
title = {librosa: {Audio} and {Music} {Signal} {Analysis} in
{Python}},
doi = {10.25080/Majora-7b98e3ed-003},
language  = {en},
author  = {McFee, Brian and Raffel, Colin and Liang, Dawen and Ellis,
Daniel and McVicar, Matt and Battenberg, Eric and Nieto,
Oriol},
year = {2015}
}

A. Harker and P. A. Tremblay, “Rethinking The Box: Approaches to the Reality of Electronic Music Performance,” , 2013.
[Bibtex]

@Article{ harker_rethinking_2013,
title = {Rethinking {The} {Box}: {Approaches} to the {Reality} of
{Electronic} {Music} {Performance}},
language  = {en},
author  = {Harker, Alexander and Tremblay, Pierre Alexandre},
year = {2013}
}

G. Roma, O. Green, and P. Tremblay, “Stationary/Transient Audio Separation Using Convolutional Autoencoders,” , 2018.
[Bibtex]

@Article{ roma_stationarytransient_2018,
title = {Stationary/{Transient} {Audio} {Separation} {Using}
{Convolutional} {Autoencoders}},
language  = {en},
author  = {Roma, Gerard and Green, Owen and Tremblay, Pierre
Alexandre},
year = {2018}
}

D. S. McLaughlin and D. P. A. Tremblay, “Spectralconway: Cellular Automata off the Grid,” , 2010.
[Bibtex]

@Article{ mclaughlin_spectralconway_2010,
title = {Spectralconway: {Cellular} {Automata} off the {Grid}},
language  = {en},
author  = {McLaughlin, Dr Scott and Tremblay, Dr Pierre Alexandre},
year = {2010}
}

P. A. Tremblay, O. Green, G. Roma, and A. Harker, “From Collections to Corpora: Exploring Sounds through Fluid Decomposition,” , 2019.
[Bibtex]

@Article{ tremblay_collections_2019,
title = {From {Collections} to {Corpora}: {Exploring} {Sounds}
through {Fluid} {Decomposition}},
language  = {en},
author  = {Tremblay, Pierre Alexandre and Green, Owen and Roma,
Gerard and Harker, Alex},
year = {2019}
}

G. Roma, O. Green, and P. Tremblay, “Time Scale Modification of Audio using Non-Negative Matrix Factorization,” , 2019.
[Bibtex]

@Article{ roma_time_2019,
title = {Time {Scale} {Modification} of {Audio} using
{Non}-{Negative} {Matrix} {Factorization}},
language  = {en},
author  = {Roma, Gerard and Green, Owen and Tremblay, Pierre
Alexandre},
year = {2019}
}

S. Baldan, S. Delle Monache, and D. Rocchesso, “The Sound Design Toolkit,” Softwarex, 2017.
[Bibtex]

@Article{ baldan_sound_2017,
title = {The {Sound} {Design} {Toolkit}},
issn = {23527110},
doi = {10.1016/j.softx.2017.06.003},
language  = {en},
journal  = {SoftwareX},
author  = {Baldan, Stefano and Delle Monache, Stefano and Rocchesso,
Davide},
year = {2017}
}

M. Adkins, R. Scott, and P. Tremblay, “Post-Acousmatic_practice_re-evaluating_schaeffer’s_heritage,” , 2016.
[Bibtex]

@Article{ adkins_post-acousmatic_practice_re-evaluating_schaeffers_heritage_2016,
title = {Post-{Acousmatic}\_Practice\_Re-evaluating\_Schaeffer’s\_Heritage},
author  = {Adkins, Monty and Scott, Richard and Tremblay, Pierre
Alexandre},
year = {2016}
}

D. A. Silliman, “Transcendent Machine: An Analysis of Eliane Radigue’s ARP 2500 Synthesizer Music,” , 2023.
[Bibtex]

@Article{ silliman_transcendent_2023,
title = {Transcendent {Machine}: {An} {Analysis} of {Eliane}
{Radigue}’s {ARP} 2500 {Synthesizer} {Music}},
language  = {en},
author  = {Silliman, Daniel Alexander},
year = {2023}
}

B. Burley, D. Adler, M. J. Chiang, H. Driskill, R. Habel, P. Kelly, P. Kutz, Y. K. Li, and D. Teece, “The Design and Evolution of Disney’s Hyperion Renderer,” Acm transactions on graphics, 2018.
[Bibtex]

@Article{ burley_design_2018,
title = {The {Design} and {Evolution} of {Disney}’s {Hyperion}
{Renderer}},
issn = {0730-0301, 1557-7368},
doi = {10.1145/3182159},
language  = {en},
journal  = {ACM Transactions on Graphics},
author  = {Burley, Brent and Adler, David and Chiang, Matt Jen-Yuan
and Driskill, Hank and Habel, Ralf and Kelly, Patrick and
Kutz, Peter and Li, Yining Karl and Teece, Daniel},
month = jun,
year = {2018}
}

J. Wang, A. Qu, T. R. Langlois, and D. L. James, “Toward wave-based sound synthesis for computer animation,” Acm transactions on graphics, 2018.
[Bibtex]

@Article{ wang_toward_2018,
title = {Toward wave-based sound synthesis for computer animation},
issn = {0730-0301, 1557-7368},
doi = {10.1145/3197517.3201318},
language  = {en},
journal  = {ACM Transactions on Graphics},
author  = {Wang, Jui-Hsien and Qu, Ante and Langlois, Timothy R. and
James, Doug L.},
month = aug,
year = {2018}
}

S. Sadok, S. Leglaive, L. Girin, X. Alameda-Pineda, and R. Séguier, “Learning and controlling the source-filter representation of speech with a variational autoencoder,” Speech communication, 2023.
[Bibtex]

@Article{ sadok_learning_2023,
title = {Learning and controlling the source-filter representation
of speech with a variational autoencoder},
issn = {01676393},
doi = {10.1016/j.specom.2023.02.005},
language  = {en},
journal  = {Speech Communication},
author  = {Sadok, Samir and Leglaive, Simon and Girin, Laurent and
Alameda-Pineda, Xavier and Séguier, Renaud},
month = mar,
year = {2023}
}

R. Rubin and N. Strauss, “The Creative Act: A Way of Being,” , 2023.
[Bibtex]

@Article{ rubin_creative_2023,
address  = {New York},
title = {The {Creative} {Act}: {A} {Way} of {Being}},
isbn = {978-0-593-65288-6},
language  = {eng},
author  = {Rubin, Rick and Strauss, Neil},
year = {2023}
}

G. Bachelard, “L’air et les songes. Essai sur l’imagination du mouvement,” , 1943.
[Bibtex]

@Article{ bachelard_lair_1943,
title = {L’air et les songes. {Essai} sur l’imagination du
mouvement},
language  = {fr},
author  = {Bachelard, Gaston},
year = {1943}
}

G. Bachelard, “La dialectique de la durée (1950),” , 1950.
[Bibtex]

@Article{ bachelard_dialectique_1950,
title = {La dialectique de la durée (1950)},
language  = {fr},
author  = {Bachelard, Gaston},
year = {1950}
}

G. Bachelard, “Le nouvel esprit scientifique (1934),” , 1934.
[Bibtex]

@Article{ bachelard_nouvel_1934,
title = {Le nouvel esprit scientifique (1934)},
language  = {fr},
author  = {Bachelard, Gaston},
year = {1934}
}

G. Bachelard, “L’eau et les rêves: essai sur l’imagination de la matière,” , 1942.
[Bibtex]

@Article{ bachelard_eau_1942,
address  = {Paris},
title = {L'eau et les rêves: essai sur l'imagination de la
matière},
isbn = {978-2-253-06099-4},
language  = {fre},
author  = {Bachelard, Gaston},
year = {1942}
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@Article{ ruye_wang_self-organized_2015,
address  = {Zhangjiajie, China},
title = {Self-organized patterns in the {SOM} network},
isbn = {978-1-4673-7679-2},
doi = {10.1109/ICNC.2015.7377977},
language  = {en},
booktitle  = {2015 11th {International} {Conference} on {Natural}
{Computation} ({ICNC})},
author  = {{Ruye Wang}},
month = aug,
year = {2015}
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E. Waissbluth, J. Gillick, and C. Cella, “Synthesis by Layering: Learning a Variational Space of Drum Sounds,” , 2022.
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@Article{ waissbluth_synthesis_2022,
title = {Synthesis by {Layering}: {Learning} a {Variational}
{Space} of {Drum} {Sounds}},
language  = {en},
author  = {Waissbluth, Elliott and Gillick, Jon and Cella, Carmine},
year = {2022}
}

L. Dzwonczyk, Léo. Chédin, A. Saldarriaga-Fuertes, and M. Sherr, “Source Separation Methods for Computer-assisted Orchestration,” , 2022.
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@Article{ dzwonczyk_source_2022,
title = {Source {Separation} {Methods} for {Computer}-assisted
{Orchestration}},
language  = {en},
author  = {Dzwonczyk, Luke and Chédin, Léo and Saldarriaga-Fuertes,
Alejandro and Sherr, Max},
year = {2022}
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C. E. Cella, D. Ghisi, V. Lostanlen, F. Lévy, J. Fineberg, and Y. Maresz, “OrchideaSOL: a dataset of extended instrumental techniques for computer-aided orchestration,” , 2020.
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@Article{ cella_orchideasol_2020,
title = {{OrchideaSOL}: a dataset of extended instrumental
techniques for computer-aided orchestration},
language  = {en},
author  = {Cella, Carmine Emanuele and Ghisi, Daniele and Lostanlen,
Vincent and Lévy, Fabien and Fineberg, Joshua and Maresz,
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month = jul,
year = {2020}
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L. Floridi, “Philosophy and Computing: An Introduction,” , 1999.
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@Article{ floridi_philosophy_1999,
title = {Philosophy and {Computing}: {An} {Introduction}},
language  = {en},
author  = {Floridi, Luciano},
year = {1999}
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A. Vaswani, N. Shazeer, N. Parmar, J. Uszkoreit, L. Jones, A. N. Gomez, Ł. Kaiser, and I. Polosukhin, “Attention is All you Need,” , 2017.
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@Article{ vaswani_attention_2017,
title = {Attention is {All} you {Need}},
language  = {en},
author  = {Vaswani, Ashish and Shazeer, Noam and Parmar, Niki and
Uszkoreit, Jakob and Jones, Llion and Gomez, Aidan N and
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D. J. C. MacKay, “Information Theory, Inference, and Learning Algorithms,” , 2003.
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@Article{ mackay_information_2003,
title = {Information {Theory}, {Inference}, and {Learning}
{Algorithms}},
language  = {en},
author  = {MacKay, David J C},
year = {2003}
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M. Cottrell, M. Olteanu, F. Rossi, and N. Villa-Vialaneix, “Self-Organizing Maps, Theory and Applications,” , 2018.
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@Article{ cottrell_self-organizing_2018,
title = {Self-{Organizing} {Maps}, {Theory} and {Applications}},
language  = {en},
author  = {Cottrell, Marie and Olteanu, Madalina and Rossi, Fabrice
and Villa-Vialaneix, Nathalie},
year = {2018}
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@Article{ eckmiller_neural_1989,
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title = {Neural {Computers}},
isbn = {978-3-540-50892-2 978-3-642-83740-1},
language  = {en},
year = {1989},
doi = {10.1007/978-3-642-83740-1}
}

S. L. Garfinkel, “The Experiment Scheduled to Finish in 1988 is in. Some Ways Just Beginning,” , 1987.
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@Article{ garfinkel_experiment_1987,
title = {The {Experiment} {Scheduled} to {Finish} in 1988 is in.
{Some} {Ways} {Just} {Beginning}},
language  = {en},
author  = {Garfinkel, Simon L},
year = {1987}
}

M. Foucault, “Language, counter-memory, practice: selected essays and interviews,” , 1977.
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@Article{ foucault_language_1977,
address  = {Ithaca, N.Y},
title = {Language, counter-memory, practice: selected essays and
interviews},
isbn = {978-0-8014-0979-0},
language  = {en},
author  = {Foucault, Michel},
year = {1977}
}

A. Cournot, “Principes de la théorie des richesses par M. Cournot,” , 1863.
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@Article{ cournot_principes_1863,
title = {Principes de la théorie des richesses par {M}.
{Cournot}},
language  = {en},
author  = {Cournot, Antoine-Augustin},
year = {1863}
}

A. Cournot, “Untersuchungen über die Mathematischen Grundlagen der Theorie des Reichtums,” , 1924.
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@Article{ cournot_untersuchungen_1924,
title = {Untersuchungen über die {Mathematischen} {Grundlagen} der
{Theorie} des {Reichtums}},
author  = {Cournot, Antoine-Augustin},
year = {1924}
}

H. L. Moore, “The_personality of Antoine Augustin Cournot,” , 1905.
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@Article{ moore_the_personality_1905,
title = {The\_Personality of {Antoine} {Augustin} {Cournot}},
author  = {Moore, Henry L.},
year = {1905}
}

A. Gambardella, Y. Choi, D. Choi, and J. Lee, “Efficient Data Mosaicing with Simulation-based Inference,” , 2023.
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@Article{ gambardella_efficient_2023,
title = {Efficient {Data} {Mosaicing} with {Simulation}-based
{Inference}},
language  = {en},
author  = {Gambardella, Andrew and Choi, Youngjun and Choi, Doyo and
Lee, Jinjoon},
month = feb,
year = {2023}
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J. Janer, M. Haro, G. Roma, T. Fujishima, and N. Kojima, “Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept,” , 2009.
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@Article{ janer_sound_2009,
title = {Sound {Object} {Classification} for {Symbolic} {Audio}
{Mosaicing}: {A} {Proof}-of-{Concept}},
language  = {en},
author  = {Janer, Jordi and Haro, Martin and Roma, Gerard and
Fujishima, Takuya and Kojima, Naoaki},
year = {2009}
}

D. Schwarz and B. Hackbarth, “Navigating Variation: Composing for Audio Mosaicing,” , 2015.
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@Article{ schwarz_navigating_2015,
title = {Navigating {Variation}: {Composing} for {Audio}
{Mosaicing}},
language  = {en},
author  = {Schwarz, Diemo and Hackbarth, Benjamin},
year = {2015}
}

J. Driedger and T. Pratzlich, “Let It Bee – Towards NMF-Inspired Audio Mosaicing,” , 2015.
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@Article{ driedger_let_2015,
title = {Let {It} {Bee} – {Towards} {NMF}-{Inspired} {Audio}
{Mosaicing}},
language  = {en},
author  = {Driedger, Jonathan and Pratzlich, Thomas},
year = {2015}
}

A. R. Jensenius, “Automatic Rhythmic Performance in Max/MSP: the Kin. Rhythmicator,” , 2011.
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@Article{ jensenius_automatic_2011,
title = {Automatic {Rhythmic} {Performance} in {Max}/{MSP}: the
{Kin}. {Rhythmicator}},
language  = {en},
author  = {Jensenius, Alexander Refsum},
year = {2011}
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C. Churchwell, M. Morrison, and B. Pardo, “High-Fidelity Neural Phonetic Posteriorgrams,” , 2024.
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@Article{ churchwell_high-fidelity_2024,
title = {High-{Fidelity} {Neural} {Phonetic} {Posteriorgrams}},
language  = {en},
author  = {Churchwell, Cameron and Morrison, Max and Pardo, Bryan},
year = {2024}
}

M. Cartwright and B. Pardo, “SynthAssist: an audio synthesizer programmed with vocal imitation,” , 2014.
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@Article{ cartwright_synthassist_2014,
address  = {Orlando Florida USA},
title = {{SynthAssist}: an audio synthesizer programmed with vocal
imitation},
isbn = {978-1-4503-3063-3},
doi = {10.1145/2647868.2654880},
language  = {en},
booktitle  = {Proceedings of the 22nd {ACM} international conference on
{Multimedia}},
author  = {Cartwright, Mark and Pardo, Bryan},
month = nov,
year = {2014}
}

T. Moore, J. Bradbury, and P. Trembly, “FluCoMa for Pedagogues,” , 2022.
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@Article{ moore_flucoma_2022,
title = {{FluCoMa} for {Pedagogues}},
language  = {en},
author  = {Moore, Ted and Bradbury, James and Trembly, Pierre
Alexandre},
year = {2022}
}

R. Negarestani, “Instrumental Spectrality and Meillassoux’s Catoptric Controversies,” , 2009.
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@Article{ negarestani_instrumental_2009,
title = {Instrumental {Spectrality} and {Meillassoux}’s
{Catoptric} {Controversies}},
language  = {en},
author  = {Negarestani, Reza},
year = {2009}
}

M. Morrison, C. Hsieh, N. Pruyne, and B. Pardo, “Cross-domain Neural Pitch and Periodicity Estimation,” , 2023.
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@Article{ morrison_cross-domain_2023,
title = {Cross-domain {Neural} {Pitch} and {Periodicity}
{Estimation}},
language  = {en},
author  = {Morrison, Max and Hsieh, Caedon and Pruyne, Nathan and
Pardo, Bryan},
month = jun,
year = {2023}
}

G. Catren, “On Pleromatica and its Harmonics,” , 2023.
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@Article{ catren_pleromatica_2023,
title = {On {Pleromatica} and its {Harmonics}},
language  = {en},
author  = {Catren, Gabriel},
year = {2023}
}

G. Holló and M. Novák, “The manoeuvrability hypothesis to explain the maintenance of bilateral symmetry in animal evolution,” Biology direct, 2012.
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@Article{ hollo_manoeuvrability_2012,
title = {The manoeuvrability hypothesis to explain the maintenance
of bilateral symmetry in animal evolution},
issn = {1745-6150},
doi = {10.1186/1745-6150-7-22},
language  = {en},
journal  = {Biology Direct},
author  = {Holló, Gábor and Novák, Mihály},
year = {2012}
}

R. Mackay, “Paths of the Sea: On Approaching Gilles Grelet’s Theory of the Solitary Sailor,” , 2022.
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@Article{ mackay_paths_2022,
title = {Paths of the {Sea}: {On} {Approaching} {Gilles}
{Grelet}’s {Theory} of the {Solitary} {Sailor}},
language  = {en},
author  = {Mackay, Robin},
year = {2022}
}

E. Monacelli, “Let Me Get Your Head on the Conjugal Bed,” , 2023.
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@Article{ monacelli_let_2023,
title = {Let {Me} {Get} {Your} {Head} on the {Conjugal} {Bed}},
language  = {en},
author  = {Monacelli, Enrico},
year = {2023}
}

E. Monacelli and M. Filippi, “To Wish Impossible Things: On Mark Fisher’s Ab-joy (After All),” , 2023.
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@Article{ monacelli_wish_2023,
title = {To {Wish} {Impossible} {Things}: {On} {Mark} {Fisher}’s
{Ab}-joy ({After} {All})},
language  = {en},
author  = {Monacelli, Enrico and Filippi, Massimo},
year = {2023}
}

J. Cavaillès and A. Ireland, “The Second Davos University Conference,” , 2023.
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@Article{ cavailles_second_2023,
title = {The {Second} {Davos} {University} {Conference}},
language  = {en},
author  = {Cavaillès, Jean and Ireland, Amy},
year = {2023}
}

J. B. Mohaghegh, “Principles of Coronademonology.”
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@Article{ mohaghegh_principles_nodate,
title = {Principles of {Coronademonology}},
language  = {en},
author  = {Mohaghegh, Jason Bahbak}
}

A. Gayraud, “French, Pop’s Forked Tongue.”
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@Article{ gayraud_french_nodate,
title = {French, {Pop}’s {Forked} {Tongue}},
language  = {en},
author  = {Gayraud, Agnès}
}

L. Tripaldi, “Fundamental Principles of Global Ecophagy.”
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@Article{ tripaldi_fundamental_nodate,
title = {Fundamental {Principles} of {Global} {Ecophagy}},
language  = {en},
author  = {Tripaldi, Laura}
}

D. R. Battista, “Foreword to Applied Ballardianism.”
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@Article{ battista_foreword_nodate,
title = {Foreword to {Applied} {Ballardianism}},
language  = {en},
author  = {Battista, Dr Ricardo}
}

B. Carver, “An Entangled Forest: Evolution and Speculative Fiction.”
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@Article{ carver_entangled_nodate,
title = {An {Entangled} {Forest}: {Evolution} and {Speculative}
{Fiction}},
language  = {en},
author  = {Carver, Ben}
}

E. Ayache, “Concept and Intuition in Abstract Probability Theory.”
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@Article{ ayache_concept_nodate,
title = {Concept and {Intuition} in {Abstract} {Probability}
{Theory}},
language  = {en},
author  = {Ayache, Elie}
}

T. Garcia, “Dr Strange: A Hero of the Mind.”
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@Article{ garcia_dr_nodate,
title = {Dr {Strange}: {A} {Hero} of the {Mind}},
language  = {en},
author  = {Garcia, Tristan}
}

M. Fuller, “Nobody Knows What A Book Is Anymore,” , 2023.
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@Article{ fuller_nobody_2023,
title = {Nobody {Knows} {What} {A} {Book} {Is} {Anymore}},
language  = {en},
author  = {Fuller, Matthew},
year = {2023}
}

A. Badiou, “Forget About Elections, Once and For All!.”
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@Article{ badiou_forget_nodate,
title = {Forget {About} {Elections}, {Once} and {For} {All}!},
language  = {en},
author  = {Badiou, Alain}
}

A. Ireland, “The Poememenon: Form as Occult Technology.”
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@Article{ ireland_poememenon_nodate,
title = {The {Poememenon}: {Form} as {Occult} {Technology}},
language  = {en},
author  = {Ireland, Amy}
}

A. Badiou, “From False Globalisation to the One Communist World.”
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@Article{ badiou_false_nodate,
title = {From {False} {Globalisation} to the {One} {Communist}
{World}},
language  = {en},
author  = {Badiou, Alain}
}

I. Blom, “Becoming Video (The Prehension of Painting).”
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@Article{ blom_becoming_nodate,
title = {Becoming {Video} ({The} {Prehension} of {Painting})},
language  = {en},
author  = {Blom, Ina}
}

M. Fisher, “Cybergothic vs. Steampunk.”
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@Article{ fisher_cybergothic_nodate,
title = {Cybergothic vs. {Steampunk}},
language  = {en},
author  = {Fisher, Mark}
}

M. Cirkovic, “Close Encounters of the Philosophical Kind.”
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@Article{ cirkovic_close_nodate,
title = {Close {Encounters} of the {Philosophical} {Kind}},
language  = {en},
author  = {Cirkovic, Milan}
}

A. Beech, “Heroic Realism: Violence, Conservatism, and the Fate of Culture.”
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@Article{ beech_heroic_nodate,
title = {Heroic {Realism}: {Violence}, {Conservatism}, and the
{Fate} of {Culture}},
language  = {en},
author  = {Beech, Amanda}
}

A. Schmid and B. Maire, “Lost Films as Philosophical Fiction.”
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@Article{ schmid_lost_nodate,
title = {Lost {Films} as {Philosophical} {Fiction}},
language  = {en},
author  = {Schmid, Anne-Françoise and Maire, Benoît}
}

G. Longo, “On the Borderline: Science and Reductionism.”
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@Article{ longo_borderline_nodate,
title = {On the {Borderline}: {Science} and {Reductionism}},
language  = {en},
author  = {Longo, Giuseppe}
}

A. Schmid, “The Madonna on the Craters of the Moon: An Aesthetic Epistemology,” , 2013.
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@Article{ schmid_madonna_2013,
title = {The {Madonna} on the {Craters} of the {Moon}: {An}
{Aesthetic} {Epistemology}},
language  = {en},
author  = {Schmid, Anne-Françoise},
year = {2013}
}

G. Châtelet, R. Mackay, and M. Hare, “A Martial Art of Metaphor: Two Interviews with Gilles Châtelet.”
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@Article{ chatelet_martial_nodate,
title = {A {Martial} {Art} of {Metaphor}: {Two} {Interviews} with
{Gilles} {Châtelet}},
language  = {en},
author  = {Châtelet, Gilles and Mackay, Robin and Hare, Matt}
}

R. Mackay, “Perspective, Alienation, Escape: An Introduction.”
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@Article{ mackay_perspective_nodate,
title = {Perspective, {Alienation}, {Escape}: {An} {Introduction}},
language  = {en},
author  = {Mackay, Robin}
}

A. Beech, M. Canini, M. Fisher, I. H. Grant, and R. Mackay, “The Real Thing: Panel Discussion,” , 2010.
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@Article{ beech_real_2010,
title = {The {Real} {Thing}: {Panel} {Discussion}},
language  = {en},
author  = {Beech, Amanda and Canini, Mikko and Fisher, Mark and
Grant, Iain Hamilton and Mackay, Robin},
year = {2010}
}

F. Hecker and R. Mackay, “Sound Out of Line: In Conversation with Florian Hecker.”
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@Article{ hecker_sound_nodate,
title = {Sound {Out} of {Line}: {In} {Conversation} with {Florian}
{Hecker}},
language  = {en},
author  = {Hecker, Florian and Mackay, Robin}
}

A. Beech and R. Mackay, “Image-Force: In Conversation with Amanda Beech,” , 2009.
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@Article{ beech_image-force_2009,
title = {Image-{Force}: {In} {Conversation} with {Amanda} {Beech}},
language  = {en},
author  = {Beech, Amanda and Mackay, Robin},
year = {2009}
}

F. Hecker, Q. Meillassoux, and R. Mackay, “Speculative Solution: Quentin Meillassoux and Florian Hecker Talk Hyperchaos,” , 2010.
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@Article{ hecker_speculative_2010,
title = {Speculative {Solution}: {Quentin} {Meillassoux} and
{Florian} {Hecker} {Talk} {Hyperchaos}},
language  = {en},
author  = {Hecker, Florian and Meillassoux, Quentin and Mackay,
Robin},
year = {2010}
}

S. Frost, B. Konior, V. Garton, A. Greenspan, and W. Xin, “China and AI: Human Bots, Black Tech, the Dark Forest, and the State.”
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@Article{ frost_china_nodate,
title = {China and {AI}: {Human} {Bots}, {Black} {Tech}, the {Dark}
{Forest}, and the {State}},
language  = {en},
author  = {Frost, Shuang and Konior, Bogna and Garton, Vincent and
Greenspan, Anna and Xin, Wang}
}

C. Schmitt, “Language Inhuman,” , 2023.
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@Article{ schmitt_language_2023,
title = {Language {Inhuman}},
language  = {en},
author  = {Schmitt, C},
year = {2023}
}

N. di Gruppo, “Between Possession and Depression: The Dark Continuum of Roman Techno,” , 2023.
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@Article{ gruppo_between_2023,
title = {Between {Possession} and {Depression}: {The} {Dark}
{Continuum} of {Roman} {Techno}},
author  = {Gruppo, di Nun},
year = {2023}
}

Y. Sakurai, “Sakurai_synthetic_anthem_2021.pdf,” , 2021.
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@Article{ sakurai_sakurai_synthetic_anthem_2021pdf_2021,
title = {Sakurai\_Synthetic\_Anthem\_2021.pdf},
author  = {Sakurai, Yuya},
year = {2021}
}

M. Siebert, “Cold Butter,” , 2021.
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@Article{ siebert_cold_2021,
title = {Cold {Butter}},
author  = {Siebert, Maggie},
year = {2021}
}

A. W. Read, “The Semiotic Aspect of Alfred Korzybski’s General Semantics,” , 2017.
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@Article{ read_semiotic_2017,
title = {The {Semiotic} {Aspect} of {Alfred} {Korzybski}'s
{General} {Semantics}},
language  = {en},
author  = {Read, Allen Walker},
year = {2017}
}

W. Beek, “Linguistic Relativism – Variants and Misconceptions,” , 2006.
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@Article{ beek_linguistic_2006,
title = {Linguistic {Relativism} - {Variants} and
{Misconceptions}},
language  = {en},
author  = {Beek, Wouter},
year = {2006}
}

C. Kulesko, “Us,” , 2021.
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@Article{ kulesko_us_2021,
title = {Us},
author  = {Kulesko, Claudio},
year = {2021}
}

K. Siratori, “Astralpunk Overview,” , 2021.
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@Article{ siratori_astralpunk_2021,
title = {Astralpunk {Overview}},
author  = {Siratori, Kenji},
year = {2021}
}

N. T. R. Watts, “On the Concept of Moe,” , 2021.
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@Article{ watts_concept_2021,
title = {On the {Concept} of {Moe}},
author  = {Watts, Natalie Terezi Rei},
year = {2021}
}

N. Takahashi and Y. Mitsufuji, “Multi-scale Multi-band DenseNets for Audio Source Separation,” , 2017.
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@Article{ takahashi_multi-scale_2017,
title = {Multi-scale {Multi}-band {DenseNets} for {Audio} {Source}
{Separation}},
language  = {en},
author  = {Takahashi, Naoya and Mitsufuji, Yuki},
month = jun,
year = {2017}
}

S. Reimoser, “Evolution of Sound Design in Science-Fiction Movies – Comparing Modern Day Practices to the Late 1970s and Early 1980s,” , 2023.
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@Article{ reimoser_evolution_2023,
title = {Evolution of {Sound} {Design} in {Science}-{Fiction}
{Movies} - {Comparing} {Modern} {Day} {Practices} to the
{Late} 1970s and {Early} 1980s},
author  = {Reimoser, Simon},
year = {2023}
}

T. Zhu, “Defining Computer Art: Methods, Themes, and the Aesthetic Problematic,” , 2020.
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@Article{ zhu_defining_2020,
title = {Defining {Computer} {Art}: {Methods}, {Themes}, and the
{Aesthetic} {Problematic}},
language  = {en},
author  = {Zhu, Tianhua},
year = {2020}
}

H. Focillon, “The life of forms in art,” , 1948.
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@Article{ focillon_life_1948,
address  = {New York},
title = {The life of forms in art},
isbn = {978-0-942299-56-4 978-0-942299-57-1},
language  = {eng},
author  = {Focillon, Henri},
year = {1948}
}

B. Taylor, “The life of forms in art: modernism, organism, vitality,” , 2020.
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@Article{ taylor_life_2020,
address  = {London},
title = {The life of forms in art: modernism, organism, vitality},
isbn = {978-1-5013-5391-8 978-1-5013-5601-8 978-1-5013-5393-2
978-1-5013-5392-5},
language  = {eng},
author  = {Taylor, Brandon},
year = {2020}
}

G. Jones, “Analysis and Performance of Stockhausen’s \textitKlavierstück X,” Music analysis, 2023.
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@Article{ jones_analysis_2023,
title = {Analysis and {Performance} of {Stockhausen}'s
\textit{{Klavierstück} {X}}},
issn = {0262-5245, 1468-2249},
doi = {10.1111/musa.12220},
language  = {en},
journal  = {Music Analysis},
author  = {Jones, Gabriel},
month = oct,
year = {2023}
}

J. A. Moorer, “How Does a Computer Make Music?,” Computer music journal, 1978.
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@Article{ moorer_how_1978,
title = {How {Does} a {Computer} {Make} {Music}?},
issn = {01489267},
doi = {10.2307/3680136},
language  = {en},
journal  = {Computer Music Journal},
author  = {Moorer, James A.},
year = {1978}
}

D. Jaffe, “Ensemble Timing in Computer Music,” Computer music journal, 1985.
[Bibtex]

@Article{ jaffe_ensemble_1985,
title = {Ensemble {Timing} in {Computer} {Music}},
issn = {01489267},
doi = {10.2307/3679621},
language  = {en},
journal  = {Computer Music Journal},
author  = {Jaffe, David},
year = {1985}
}

S. Shawyer, “Protest Occupations and Thinking Tactically as a Democratic Practice,” Theatre journal, 2018.
[Bibtex]

@Article{ shawyer_protest_2018,
title = {Protest {Occupations} and {Thinking} {Tactically} as a
{Democratic} {Practice}},
issn = {1086-332X},
doi = {10.1353/tj.2018.0096},
language  = {en},
journal  = {Theatre Journal},
author  = {Shawyer, Susanne},
year = {2018}
}

J. Fletcher, “Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance,” Theatre journal, 2018.
[Bibtex]

@Article{ fletcher_deepfakes_2018,
title = {Deepfakes, {Artificial} {Intelligence}, and {Some} {Kind}
of {Dystopia}: {The} {New} {Faces} of {Online}
{Post}-{Fact} {Performance}},
issn = {1086-332X},
doi = {10.1353/tj.2018.0097},
language  = {en},
journal  = {Theatre Journal},
author  = {Fletcher, John},
year = {2018}
}

T. Perucci, “Irritational Aesthetics: Reality Friction and Indecidable Theatre,” Theatre journal, 2018.
[Bibtex]

@Article{ perucci_irritational_2018,
title = {Irritational {Aesthetics}: {Reality} {Friction} and
{Indecidable} {Theatre}},
issn = {1086-332X},
doi = {10.1353/tj.2018.0098},
language  = {en},
journal  = {Theatre Journal},
author  = {Perucci, Tony},
year = {2018}
}

M. Causey, “Postdigital Performance,” Theatre journal, 2016.
[Bibtex]

@Article{ causey_postdigital_2016,
title = {Postdigital {Performance}},
issn = {1086-332X},
doi = {10.1353/tj.2016.0074},
language  = {en},
journal  = {Theatre Journal},
author  = {Causey, Matthew},
year = {2016}
}

M. Ryan, “Immersion vs. Interactivity: Virtual Reality and Literary Theory,” , 2024.
[Bibtex]

@Article{ ryan_immersion_2024,
title = {Immersion vs. {Interactivity}: {Virtual} {Reality} and
{Literary} {Theory}},
language  = {en},
author  = {Ryan, Marie-Laure},
year = {2024}
}

H. Bizri, “Story Telling in Virtual Reality,” , 2000.
[Bibtex]

@Article{ bizri_story_2000,
title = {Story {Telling} in {Virtual} {Reality}},
language  = {en},
author  = {Bizri, Hisham},
year = {2000}
}

S. deLahunta, “Virtual Reality and Performance,” Paj: a journal of performance and art, 2002.
[Bibtex]

@Article{ delahunta_virtual_2002,
title = {Virtual {Reality} and {Performance}},
issn = {1520-281X, 1537-9477},
doi = {10.1162/152028101753401839},
language  = {en},
journal  = {PAJ: A Journal of Performance and Art},
author  = {deLahunta, Scott},
month = jan,
year = {2002}
}

S. Popat, “Missing in Action: Embodied Experience and Virtual Reality,” Theatre journal, 2016.
[Bibtex]

@Article{ popat_missing_2016,
title = {Missing in {Action}: {Embodied} {Experience} and {Virtual}
{Reality}},
issn = {1086-332X},
doi = {10.1353/tj.2016.0071},
language  = {en},
journal  = {Theatre Journal},
author  = {Popat, Sita},
year = {2016}
}

E. Dörr, “Rudolf von Laban: The “Founding Father” of Expressionist Dance,” Dance chronicle, 2003.
[Bibtex]

@Article{ dorr_rudolf_2003,
title = {Rudolf von {Laban}: {The} “{Founding} {Father}” of
{Expressionist} {Dance}},
issn = {0147-2526, 1532-4257},
doi = {10.1081/DNC-120018851},
language  = {en},
journal  = {Dance Chronicle},
author  = {Dörr, Evelyn},
month = jan,
year = {2003}
}

L. M. Brooks, “Harmony in Space: A Perspective on the Work of Rudolf Laban,” Journal of aesthetic education, 1993.
[Bibtex]

@Article{ brooks_harmony_1993,
title = {Harmony in {Space}: {A} {Perspective} on the {Work} of
{Rudolf} {Laban}},
issn = {00218510},
doi = {10.2307/3333410},
language  = {en},
journal  = {Journal of Aesthetic Education},
author  = {Brooks, Lynn Matluck},
year = {1993}
}

C. Counsell, “The Kinesics of Infinity: Laban, Geometry and the Metaphysics of Dancing Space,” , 2024.
[Bibtex]

@Article{ counsell_kinesics_2024,
title = {The {Kinesics} of {Infinity}: {Laban}, {Geometry} and the
{Metaphysics} of {Dancing} {Space}},
language  = {en},
author  = {Counsell, Colin},
year = {2024}
}

N. S. Sutil, “Laban’s Choreosophical Model: Movement Visualisation Analysis and the Graphic Media Approach to Dance Studies,” Dance research, 2012.
[Bibtex]

@Article{ sutil_labans_2012,
title = {Laban's {Choreosophical} {Model}: {Movement}
{Visualisation} {Analysis} and the {Graphic} {Media}
{Approach} to {Dance} {Studies}},
issn = {0264-2875, 1750-0095},
doi = {10.3366/drs.2012.0044},
language  = {en},
journal  = {Dance Research},
author  = {Sutil, Nicolas Salazar},
month = nov,
year = {2012}
}

T. Nur Amin, “Demystifying Hip Hop Dance?,” Dance chronicle, 2010.
[Bibtex]

@Article{ nur_amin_demystifying_2010,
title = {Demystifying {Hip} {Hop} {Dance}?},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2010.517503},
language  = {en},
journal  = {Dance Chronicle},
author  = {Nur Amin, Takiyah},
month = nov,
year = {2010}
}

F. Vass-Rhee, “Auditory Turn: William Forsythe’s Vocal Choreography,” Dance chronicle, 2010.
[Bibtex]

@Article{ vass-rhee_auditory_2010,
title = {Auditory {Turn}: {William} {Forsythe}'s {Vocal}
{Choreography}},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2010.517495},
language  = {en},
journal  = {Dance Chronicle},
author  = {Vass-Rhee, Freya},
month = nov,
year = {2010}
}

J. A. Meglin and L. M. Brooks, “Music and Dance: Conversations and Codes,” Dance chronicle, 2013.
[Bibtex]

@Article{ meglin_music_2013,
title = {Music and {Dance}: {Conversations} and {Codes}},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2013.794052},
language  = {en},
journal  = {Dance Chronicle},
author  = {Meglin, Joellen A. and Brooks, Lynn Matluck},
month = may,
year = {2013}
}

T. Coulter, “Paul Taylor’s Meticulous Musicality: A Choreomusical Investigation,” Dance chronicle, 2014.
[Bibtex]

@Article{ coulter_paul_2014,
title = {Paul {Taylor}'s {Meticulous} {Musicality}: {A}
{Choreomusical} {Investigation}},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2014.874859},
language  = {en},
journal  = {Dance Chronicle},
author  = {Coulter, Todd},
month = jan,
year = {2014}
}

R. Bräuninger, “Structure as Process: Anne Teresa de Keersmaeker’s \textitFase (1982) and Steve Reich’s Music,” Dance chronicle, 2014.
[Bibtex]

@Article{ brauninger_structure_2014,
title = {Structure as {Process}: {Anne} {Teresa} de {Keersmaeker}'s
\textit{{Fase}} (1982) and {Steve} {Reich}'s {Music}},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2014.877273},
language  = {en},
journal  = {Dance Chronicle},
author  = {Bräuninger, Renate},
month = jan,
year = {2014}
}

S. Preston, “Mark Morris and the American Avant-Garde: From Ultra-Modernism to Postmodernism,” Dance chronicle, 2014.
[Bibtex]

@Article{ preston_mark_2014,
title = {Mark {Morris} and the {American} {Avant}-{Garde}: {From}
{Ultra}-{Modernism} to {Postmodernism}},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2014.876831},
language  = {en},
journal  = {Dance Chronicle},
author  = {Preston, Sophia},
month = jan,
year = {2014}
}

L. M. Brooks and J. A. Meglin, “Music and Dance: Conversations and Codes, Part II,” Dance chronicle, 2014.
[Bibtex]

@Article{ brooks_music_2014,
title = {Music and {Dance}: {Conversations} and {Codes}, {Part}
{II}},
issn = {0147-2526, 1532-4257},
doi = {10.1080/01472526.2014.877336},
language  = {en},
journal  = {Dance Chronicle},
author  = {Brooks, Lynn Matluck and Meglin, Joellen A.},
month = jan,
year = {2014}
}

“Discrete Wavelet Transforms – A Compendium of New Approaches and Recent Applications,” , 2013.
[Bibtex]

@Article{ al-asmari_discrete_2013,
title = {Discrete {Wavelet} {Transforms} - {A} {Compendium} of
{New} {Approaches} and {Recent} {Applications}},
isbn = {978-953-51-0940-2},
language  = {en},
month = feb,
year = {2013},
doi = {10.5772/3424}
}

J. Rohrhuber, “Algorithmic Music and the Philosophy of Time,” , 2018.
[Bibtex]

@Article{ dean_algorithmic_2018,
title = {Algorithmic {Music} and the {Philosophy} of {Time}},
language  = {en},
author  = {Rohrhuber, Julian},
month = feb,
year = {2018},
doi = {10.1093/oxfordhb/9780190226992.013.1}
}

Y. Levtov, “Algorithmic Music for Mass Consumption and Universal Production,” , 2018.
[Bibtex]

@Article{ dean_algorithmic_2018-1,
title = {Algorithmic {Music} for {Mass} {Consumption} and
{Universal} {Production}},
language  = {en},
author  = {Levtov, Yuli},
month = feb,
year = {2018},
doi = {10.1093/oxfordhb/9780190226992.013.15}
}

C. Roads, “Composing Electronic Music: A New Aesthetic,” , 2015.
[Bibtex]

@Article{ roads_composing_2015,
title = {Composing {Electronic} {Music}: {A} {New} {Aesthetic}},
isbn = {978-0-19-537323-3},
language  = {en},
author  = {Roads, Curtis},
month = aug,
year = {2015},
doi = {10.1093/acprof:oso/9780195373233.001.0001}
}

P. Dahlstedt, “Action and Perception: Embodying Algorithms and the Extended Mind,” , 2018.
[Bibtex]

@Article{ dahlstedt_action_2018,
title = {Action and {Perception}: {Embodying} {Algorithms} and the
{Extended} {Mind}},
language  = {en},
author  = {Dahlstedt, Palle},
year = {2018}
}

R. Waters, “The stage works of Philip Glass,” , 2022.
[Bibtex]

@Article{ waters_stage_2022,
address  = {Cambridge ; New York},
title = {The stage works of {Philip} {Glass}},
isbn = {978-1-107-27914-8},
language  = {en},
author  = {Waters, Robert},
year = {2022}
}

C. Haworth, “Technology, Creativity, and the Social in Algorithmic Music,” , 2018.
[Bibtex]

@Article{ dean_technology_2018,
title = {Technology, {Creativity}, and the {Social} in
{Algorithmic} {Music}},
language  = {en},
author  = {Haworth, Christopher},
month = feb,
year = {2018},
doi = {10.1093/oxfordhb/9780190226992.013.13}
}

A. F. Blackwell, E. Cocker, G. Cox, A. McLean, and T. Magnusson, “Live coding: a user’s manual,” , 2022.
[Bibtex]

@Article{ blackwell_live_2022,
address  = {Cambridge, Massachusetts},
title = {Live coding: a user's manual},
isbn = {978-0-262-54481-8},
language  = {en},
author  = {Blackwell, Alan F. and Cocker, Emma and Cox, Geoff and
McLean, Alex and Magnusson, Thor},
year = {2022}
}

S. J. Keyser, “The Mental Life of Modernism,” , 2020.
[Bibtex]

@Article{ keyser_mental_2020-1,
title = {The {Mental} {Life} of {Modernism}},
language  = {en},
author  = {Keyser, Samuel Jay},
year = {2020}
}

D. Sofer, “Sex sounds: vectors of difference in electronic music,” , 2022.
[Bibtex]

@Article{ sofer_sex_2022,
address  = {Cambridge, Massachusetts},
title = {Sex sounds: vectors of difference in electronic music},
isbn = {978-0-262-04519-3},
language  = {en},
author  = {Sofer, Danielle},
year = {2022}
}

“The science-music borderlands: reckoning with the past and imagining the future,” , 2023.
[Bibtex]

@Article{ margulis_science-music_2023,
address  = {Cambridge, Massachusetts},
title = {The science-music borderlands: reckoning with the past and
imagining the future},
isbn = {978-0-262-04764-7},
year = {2023}
}

D. Sofer, “Sex sounds: vectors of difference in electronic music,” , 2022.
[Bibtex]

@Article{ sofer_sex_2022-1,
address  = {Cambridge, Massachusetts},
title = {Sex sounds: vectors of difference in electronic music},
isbn = {978-0-262-36995-4},
language  = {en},
author  = {Sofer, Danielle},
year = {2022}
}

A. Hui, “The psychophysical ear: musical experiments, experimental sounds, 1840-1910,” , 2013.
[Bibtex]

@Article{ hui_psychophysical_2013,
address  = {Cambridge, Mass},
title = {The psychophysical ear: musical experiments, experimental
sounds, 1840-1910},
isbn = {978-0-262-01838-8},
language  = {en},
author  = {Hui, Alexandra},
year = {2013}
}

N. Neumark, “Voicetracks: Attuning to Voice in Media and the Arts,” , 2017.
[Bibtex]

@Article{ neumark_voicetracks_2017,
title = {Voicetracks: {Attuning} to {Voice} in {Media} and the
{Arts}},
language  = {en},
author  = {Neumark, Norie},
year = {2017}
}

“Sonic interaction design,” , 2013.
[Bibtex]

@Article{ franinovic_sonic_2013,
address  = {Cambridge, Mass.},
title = {Sonic interaction design},
isbn = {978-0-262-31330-8},
language  = {eng},
year = {2013}
}

K. Collins, “Playing with sound: a theory of interacting with sound and music in video games,” , 2013.
[Bibtex]

@Article{ collins_playing_2013,
address  = {Cambridge, Massachusetts},
title = {Playing with sound: a theory of interacting with sound and
music in video games},
isbn = {978-0-262-31229-5},
language  = {eng},
author  = {Collins, Karen},
year = {2013}
}

E. Ikoniadou, “The rhythmic event: art, media, and the sonic,” , 2014.
[Bibtex]

@Article{ ikoniadou_rhythmic_2014,
address  = {Cambridge, Massachusetts},
title = {The rhythmic event: art, media, and the sonic},
isbn = {978-0-262-02764-9},
author  = {Ikoniadou, Eleni},
year = {2014}
}

D. Temperley, “Music and probability,” , 2007.
[Bibtex]

@Article{ temperley_music_2007,
address  = {Cambridge, Mass},
title = {Music and probability},
isbn = {978-0-262-20166-7},
language  = {en},
author  = {Temperley, David},
year = {2007}
}

B. Zimmermann, “Waves and forms: electronic music devices and computer encodings in China,” , 2015.
[Bibtex]

@Article{ zimmermann_waves_2015,
address  = {Cambridge, Massachusetts ; London, England},
title = {Waves and forms: electronic music devices and computer
encodings in {China}},
isbn = {978-0-262-02905-6},
language  = {en},
author  = {Zimmermann, Basile},
year = {2015}
}

“Sound unbound: sampling digital music and culture,” , 2008.
[Bibtex]

@Article{ dj_spooky_that_subliminal_kid_sound_2008,
address  = {Cambridge, Mass},
title = {Sound unbound: sampling digital music and culture},
isbn = {978-0-262-63363-5},
language  = {en},
year = {2008}
}

K. Collins, “Playing with sound: a theory of interacting with sound and music in video games,” , 2013.
[Bibtex]

@Article{ collins_playing_2013-1,
address  = {Cambridge, Massachusetts},
title = {Playing with sound: a theory of interacting with sound and
music in video games},
isbn = {978-0-262-01867-8},
language  = {en},
author  = {Collins, Karen},
year = {2013}
}

R. Rowe, “Machine Musicianship,” , 2001.
[Bibtex]

@Article{ rowe_machine_2001,
address  = {Cambridge, Mass. London},
title = {Machine {Musicianship}},
isbn = {978-0-262-18206-5 978-0-262-68149-0},
language  = {en},
author  = {Rowe, Robert},
year = {2001}
}

D. Cope and D. R. Hofstadter, “Virtual music: computer synthesis of musical style,” , 2001.
[Bibtex]

@Article{ cope_virtual_2001,
address  = {Cambridge, Mass},
title = {Virtual music: computer synthesis of musical style},
isbn = {978-0-262-03283-4},
language  = {en},
author  = {Cope, David and Hofstadter, Douglas R.},
year = {2001}
}

D. Raffman, “Language, music, and mind,” , 1993.
[Bibtex]

@Article{ raffman_language_1993,
address  = {Cambridge, Mass},
title = {Language, music, and mind},
isbn = {978-0-262-18150-1},
language  = {en},
author  = {Raffman, Diana},
year = {1993}
}

“Improvisation and social aesthetics,” , 2017.
[Bibtex]

@Article{ born_improvisation_2017,
address  = {Durham},
title = {Improvisation and social aesthetics},
isbn = {978-0-8223-7401-5},
language  = {en},
year = {2017}
}

A. Z. Aydemir and S. Jacoby, “Architectural Design Research: Drivers of Practice,” The design journal, 2022.
[Bibtex]

@Article{ aydemir_architectural_2022,
title = {Architectural {Design} {Research}: {Drivers} of
{Practice}},
issn = {1460-6925, 1756-3062},
doi = {10.1080/14606925.2022.2081303},
language  = {en},
journal  = {The Design Journal},
author  = {Aydemir, Ayşe Zeynep and Jacoby, Sam},
month = jul,
year = {2022}
}

L. Spuybroek, “The Grace Machine: Of Turns, Wheels and Limbs,” Footprint, 2018.
[Bibtex]

@Article{ spuybroek_grace_2018,
title = {The {Grace} {Machine}: {Of} {Turns}, {Wheels} and
{Limbs}},
issn = {1875-1490},
doi = {10.59490/FOOTPRINT.12.1.1971},
language  = {en},
journal  = {FOOTPRINT},
author  = {Spuybroek, Lars},
year = {2018}
}

N. Spiller and A. Wagner, “AD Lebbeus Woods Exquisite Experiments Early Years,” Architectural design, 2024.
[Bibtex]

@Article{ spiller_ad_2024,
title = {{AD} {Lebbeus} {Woods} {Exquisite} {Experiments} {Early}
{Years}},
issn = {0003-8504, 1554-2769},
doi = {10.1002/ad.3027},
language  = {en},
journal  = {Architectural Design},
author  = {Spiller, Neil and Wagner, Aleksandra},
month = mar,
year = {2024}
}

M. Garcia, “AD Posthuman Architectures: Theories, Designs, Technologies and Futures,” Architectural design, 2024.
[Bibtex]

@Article{ garcia_ad_2024,
title = {{AD} {Posthuman} {Architectures}: {Theories}, {Designs},
{Technologies} and {Futures}},
issn = {0003-8504, 1554-2769},
doi = {10.1002/ad.3006},
language  = {en},
journal  = {Architectural Design},
author  = {Garcia, Mark},
month = jan,
year = {2024}
}

“Multispace: architecture at the dawn of the metaverse,” , 2023.
[Bibtex]

@Article{ hopkins_multispace_2023,
address  = {Oxford},
title = {Multispace: architecture at the dawn of the metaverse},
isbn = {978-1-394-16354-0},
language  = {eng},
year = {2023}
}

M. Bärmann, S. Benedito, and F. Bricolo, “In praise of penumbra,” , 2023.
[Bibtex]

@Article{ de_rosa_praise_2023,
address  = {Oxford},
title = {In praise of penumbra},
isbn = {978-1-119-98396-5},
language  = {eng},
author  = {Bärmann, Matthias and Benedito, Silvia and Bricolo,
Filippo},
year = {2023}
}

“Cranbrook architecture: a legacy of latitude,” , 2023.
[Bibtex]

@Article{ wilkins_cranbrook_2023,
address  = {Oxford},
title = {Cranbrook architecture: a legacy of latitude},
isbn = {978-1-119-83442-7},
language  = {eng},
year = {2023}
}

P. Bernbaum, C. Bjork-James, and T. Govender, “Architectures of refusal,” , 2022.
[Bibtex]

@Article{ stoner_architectures_2022,
address  = {Oxford},
title = {Architectures of refusal},
isbn = {978-1-119-83396-3},
language  = {eng},
author  = {Bernbaum, Piper and Bjork-James, Carwil and Govender,
Thireshen},
year = {2022}
}

S. Lavington, “Alan Turing and his Contemporaries : Building the World’s First Computers,” , 2012.
[Bibtex]

@Article{ lavington_alan_2012,
title = {Alan {Turing} and his {Contemporaries} : {Building} the
{World}'s {First} {Computers}},
language  = {en},
author  = {Lavington, Simon(Editor)},
year = {2012}
}

A. Chemla and P. Esling, “Représentations variationnelles inversibles : une nouvelle approche pour la synthèse sonore,” , 2020.
[Bibtex]

@Article{ chemla_representations_2020,
title = {Représentations variationnelles inversibles : une
nouvelle approche pour la synthèse sonore},
language  = {fr},
author  = {Chemla, Axel and Esling, Philippe},
year = {2020}
}

D. P. Kingma, S. Mohamed, D. Rezende, and M. Welling, “Semi-supervised Learning with Deep Generative Models,” , 2014.
[Bibtex]

@Article{ kingma_semi-supervised_2014,
title = {Semi-supervised {Learning} with {Deep} {Generative}
{Models}},
language  = {en},
author  = {Kingma, Durk P and Mohamed, Shakir and Rezende, Danilo
Jimenez and Welling, Max},
year = {2014}
}

D. P. Kingma and M. Welling, “Auto-Encoding Variational Bayes,” , 2022.
[Bibtex]

@Article{ kingma_auto-encoding_2022,
title = {Auto-{Encoding} {Variational} {Bayes}},
language  = {en},
author  = {Kingma, Diederik P. and Welling, Max},
month = dec,
year = {2022}
}

A. Chemla-Romeu-Santos, “Manifold representations of musical signals and generative spaces,” , 2022.
[Bibtex]

@Article{ chemla-romeu-santos_manifold_2022,
title = {Manifold representations of musical signals and generative
spaces},
language  = {en},
author  = {Chemla-Romeu-Santos, Axel},
year = {2022}
}

M. Zbyszyn, “Fzero: Fundamental Estimation for Max 6,” , 2013.
[Bibtex]

@Article{ zbyszyn_fzero_2013,
title = {Fzero: {Fundamental} {Estimation} for {Max} 6},
language  = {en},
author  = {Zbyszyn, Michael},
year = {2013}
}

M. Goodwin and M. Vetterli, “Atomic decompositions of audio signals,” , 1997.
[Bibtex]

@Article{ goodwin_atomic_1997,
address  = {New Paltz, NY, USA},
title = {Atomic decompositions of audio signals},
isbn = {978-0-7803-3908-8},
doi = {10.1109/ASPAA.1997.625601},
booktitle  = {Proceedings of 1997 {Workshop} on {Applications} of
{Signal} {Processing} to {Audio} and {Acoustics}},
author  = {Goodwin, M. and Vetterli, M.},
year = {1997}
}

M. Goodwin, “Matching pursuit with damped sinusoids,” , 1997.
[Bibtex]

@Article{ goodwin_matching_1997,
address  = {Munich, Germany},
title = {Matching pursuit with damped sinusoids},
isbn = {978-0-8186-7919-3},
doi = {10.1109/ICASSP.1997.599345},
language  = {en},
booktitle  = {1997 {IEEE} {International} {Conference} on {Acoustics},
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title = {Learning and {Visualizing} {Music} {Specifications} using
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language  = {en},
author  = {Valle, Rafael and Fremont, Daniel J and Donze, Alexandre
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title = {Data {Hallucination} , {Falsification} and {Validation}
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@Article{ jensen_nonverbal_2016,
title = {Nonverbal {Communication}},
copyright  = {http://doi.wiley.com/10.1002/tdm\_license\_1.1},
isbn = {978-1-118-29073-6 978-1-118-76680-4},
language  = {en},
booktitle  = {The {International} {Encyclopedia} of {Communication}
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author  = {Manusov, Valerie},
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year = {2016},
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title = {Compositional {Techniques} in the {Music} of {Stockhausen}
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@Article{ stockhausen_four_1972,
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B. Mildenhall, P. P. Srinivasan, M. Tancik, J. T. Barron, R. Ramamoorthi, and R. Ng, “NeRF: Representing Scenes as Neural Radiance Fields for View Synthesis,” , 2020.
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author  = {Mildenhall, Ben and Srinivasan, Pratul P. and Tancik,
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title = {Neural processes underpinning episodic memory},
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author  = {Hassabis, D},
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@Article{ wu_recent_2024,
title = {Recent {Advances} in {3D} {Gaussian} {Splatting}},
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title = {{SPLATTING}: {A} {Parallel}, {Feed}-{Forward} {Volume}
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title = {Fast {Timing}-{Conditioned} {Latent} {Audio} {Diffusion}},
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M. Coeckelbergh, “The Work of Art in the Age of AI Image Generation: Aesthetics and Human-Technology Relations as Process and Performance,” Journal of human-technology relations, 2023.
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@Article{ coeckelbergh_work_2023,
title = {The {Work} of {Art} in the {Age} of {AI} {Image}
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{Relations} as {Process} and {Performance}},
copyright  = {https://creativecommons.org/licenses/by/4.0},
issn = {2773-2266},
doi = {10.59490/jhtr.2023.1.7025},
language  = {en},
journal  = {Journal of Human-Technology Relations},
author  = {Coeckelbergh, Mark},
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@Article{ jullien_great_2003,
title = {The {Great} {Image} {Has} {No} {Form}, or {On} the
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author  = {Jullien, François},
year = {2003}
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@Article{ jullien_there_2021,
title = {There {Is} {No} {Such} {Thing} {As} {Cultural}
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language  = {en},
author  = {Jullien, François},
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@Article{ mera_routledge_2017,
address  = {New York, NY ; London},
title = {The {Routledge} companion to screen music and sound},
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language  = {en},
year = {2017}
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title = {{CommonsenseQA}: {A} {Question} {Answering} {Challenge}
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@Article{ kramer_postmodern_2016,
address  = {New York London Oxford New Delhi Sydney},
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language  = {en},
author  = {Kramer, Jonathan D.},
year = {2016}
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@Article{ pesic_music_2014,
address  = {Cambridge, Massachusetts},
title = {Music and the making of modern science},
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language  = {en},
author  = {Pesic, Peter},
year = {2014}
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@Article{ kuttruff_room_2017,
address  = {Boca Raton},
title = {Room acoustics},
isbn = {978-1-4822-6043-4},
language  = {en},
author  = {Kuttruff, Heinrich},
year = {2017}
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A. Sorensen, “The Making of Urban Japan: Cities and Planning from Edo to the Twenty-First Century,” , 2002.
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@Article{ sorensen_making_2002,
title = {The {Making} of {Urban} {Japan}: {Cities} and {Planning}
from {Edo} to the {Twenty}-{First} {Century}},
language  = {en},
author  = {Sorensen, Andre},
year = {2002}
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S. Corbo, “From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman,” , 2016.
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@Article{ corbo_formalism_2016,
title = {From {Formalism} to {Weak} {Form}: {The} {Architecture}
and {Philosophy} of {Peter} {Eisenman}},
isbn = {978-1-317-13231-8},
language  = {en},
author  = {Corbo, Stefano},
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year = {2016},
doi = {10.4324/9781315583341}
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@Article{ piroozfar_mass_2013,
title = {Mass {Customisation} and {Personalisation} in
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language  = {en},
month = jun,
year = {2013},
doi = {10.4324/9780203437735}
}

J. Boss, “Schoenberg’s Twelve-Tone Music,” , 2014.
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@Article{ boss_schoenbergs_2014,
title = {Schoenberg's {Twelve}-{Tone} {Music}},
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author  = {Boss, Jack},
year = {2014}
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T. D. Taylor, “Music and Capitalism: A History of the Present,” , 2016.
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@Article{ taylor_music_2016,
title = {Music and {Capitalism}: {A} {History} of the {Present}},
isbn = {978-0-226-31197-5 978-0-226-31183-8 978-0-226-31202-6},
language  = {en},
author  = {Taylor, Timothy D.},
year = {2016},
doi = {10.7208/chicago/9780226312026.001.0001}
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@Article{ cullen_reichstag_2004,
address  = {Berlin-Brandenburg},
title = {Der {Reichstag}: im {Spannungsfeld} deutscher
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isbn = {978-3-89809-058-2 978-3-89809-057-5},
language  = {de},
author  = {Cullen, Michael S.},
year = {2004}
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G. Klickstein, “The musician’s way: a guide to practice, performance, and wellness,” , 2009.
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@Article{ klickstein_musicians_2009,
address  = {Oxford New York},
title = {The musician's way: a guide to practice, performance, and
wellness},
isbn = {978-0-19-534312-0 978-0-19-534313-7},
language  = {en},
author  = {Klickstein, Gerald},
year = {2009}
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L. A. Blom and T. L. Chaplin, “The intimate act of choreography,” , 1982.
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@Article{ blom_intimate_1982,
address  = {Pittsburgh, Pa},
title = {The intimate act of choreography},
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language  = {en},
author  = {Blom, Lynne Anne and Chaplin, L. Tarin},
year = {1982}
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J. S. Ackerman, “Origins, imitation, conventions: representation in the visual arts,” , 2002.
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@Article{ ackerman_origins_2002,
address  = {Cambridge, Mass},
title = {Origins, imitation, conventions: representation in the
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isbn = {978-0-262-01186-0},
language  = {en},
author  = {Ackerman, James S.},
year = {2002}
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“Music and the broadcast experience: performance, production, and audience,” , 2016.
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@Article{ baade_music_2016,
address  = {New York, NY},
title = {Music and the broadcast experience: performance,
production, and audience},
isbn = {978-0-19-931471-3 978-0-19-931470-6},
language  = {en},
year = {2016}
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S. Unwin, “Curve: possibilities and problems with deviating from the straight in architecture,” , 2019.
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@Article{ unwin_curve_2019,
address  = {New York},
title = {Curve: possibilities and problems with deviating from the
straight in architecture},
isbn = {978-1-138-04594-1 978-1-138-04595-8},
language  = {en},
author  = {Unwin, Simon},
year = {2019}
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D. Purves, “Music as biology: the tones we like and why,” , 2017.
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@Article{ purves_music_2017,
address  = {Cambridge, Massachusetts},
title = {Music as biology: the tones we like and why},
isbn = {978-0-674-54515-1},
language  = {en},
author  = {Purves, Dale},
year = {2017}
}

L. O. Akopjan, “Music of the Soviet era: 1917-1991,” , 2019.
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@Article{ akopjan_music_2019,
address  = {London New York},
title = {Music of the {Soviet} era: 1917-1991},
isbn = {978-1-4724-7108-6 978-1-138-36265-9},
language  = {eng},
author  = {Akopjan, Levon Oganesovič},
year = {2019}
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G. Mumma and M. Fillion, “Cybersonic arts: adventures in American new music,” , 2015.
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@Article{ mumma_cybersonic_2015,
address  = {Urbana},
title = {Cybersonic arts: adventures in {American} new music},
isbn = {978-0-252-03943-0 978-0-252-08101-9},
author  = {Mumma, Gordon and Fillion, Michelle},
year = {2015}
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“Mute Records: artists, business, history,” , 2019.
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@Article{ beaven_mute_2019,
address  = {New York, NY London Oxford New Delhi Sydney},
title = {Mute {Records}: artists, business, history},
isbn = {978-1-5013-4060-4},
language  = {eng},
year = {2019}
}

C. Zanfagna, “Holy hip hop in the City of Angels,” , 2017.
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@Article{ zanfagna_holy_2017,
address  = {Oakland, California},
title = {Holy hip hop in the {City} of {Angels}},
isbn = {978-0-520-29620-6},
language  = {eng},
author  = {Zanfagna, Christina},
year = {2017}
}

B. Edlund, “Analytical variations – eight critical essays on applied music theory,” , 2020.
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@Article{ edlund_analytical_2020,
address  = {Berlin New York},
title = {Analytical variations - eight critical essays on applied
music theory},
isbn = {978-3-631-77065-8},
language  = {eng},
author  = {Edlund, Bengt},
year = {2020}
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“Simulation: presentation technique and cognitive method,” , 2008.
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@Article{ gleiniger_simulation_2008,
address  = {Basel ; Boston},
title = {Simulation: presentation technique and cognitive method},
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language  = {en},
year = {2008}
}

M. C. Oliveira and R. E. Skelton, “Tensegrity Systems,” , 2009.
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@Article{ oliveira_tensegrity_2009,
address  = {Boston, MA},
title = {Tensegrity {Systems}},
copyright  = {https://www.springernature.com/gp/researchers/text-and-data-mining},
isbn = {978-0-387-74241-0 978-0-387-74242-7},
language  = {en},
author  = {Oliveira, Mauricio C. and Skelton, Robert E.},
year = {2009},
doi = {10.1007/978-0-387-74242-7}
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B. S. Gan, “Computational Modeling of Tensegrity Structures: Art, Nature, Mechanical and Biological Systems,” , 2020.
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@Article{ gan_computational_2020,
address  = {Cham},
title = {Computational {Modeling} of {Tensegrity} {Structures}:
{Art}, {Nature}, {Mechanical} and {Biological} {Systems}},
copyright  = {http://www.springer.com/tdm},
isbn = {978-3-030-17835-2 978-3-030-17836-9},
language  = {en},
author  = {Gan, Buntara Sthenly},
year = {2020},
doi = {10.1007/978-3-030-17836-9}
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M. Quantrill, “The Norman Foster studio: consistency through diversity,” , 1999.
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@Article{ quantrill_norman_1999,
address  = {London},
title = {The {Norman} {Foster} studio: consistency through
diversity},
isbn = {978-0-203-36230-3},
language  = {en},
author  = {Quantrill, Malcolm},
year = {1999}
}

S. Emmitt, “Architectural Technology,” , 2002.
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@Article{ emmitt_architectural_2002,
address  = {Malden, MA},
title = {Architectural {Technology}},
isbn = {978-0-632-06403-8},
language  = {en},
author  = {Emmitt, Stephen},
year = {2002}
}

“Music in the horror film: listening to fear,” , 2010.
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@Article{ lerner_music_2010,
address  = {New York},
title = {Music in the horror film: listening to fear},
isbn = {978-0-415-99202-2 978-0-415-99203-9 978-0-203-86031-1},
language  = {en},
year = {2010}
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“Architectural technology research & practice,” , 2013.
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@Article{ emmitt_architectural_2013,
address  = {Chichester, West Sussex, [England] ; Ames, Iowa},
title = {Architectural technology research \& practice},
isbn = {978-1-118-29206-8},
year = {2013}
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K. Powell, R. Torday, and R. Rogers, “Richard Rogers: Architecture of the Future,” , 2004.
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@Article{ powell_richard_2004,
address  = {Basel ; Boston, MA},
title = {Richard {Rogers}: {Architecture} of the {Future}},
isbn = {978-3-7643-7049-7},
author  = {Powell, Kenneth and Torday, Robert and Rogers, Richard
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collaborator  = {{Richard Rogers Partnership}},
year = {2004}
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C. A. Bradley, “Polyphony in Medieval Paris,” , 2018.
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@Article{ bradley_polyphony_2018,
title = {Polyphony in {Medieval} {Paris}},
language  = {en},
author  = {Bradley, Catherine A},
year = {2018}
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M. Solomos, “Iannis Xenakis: la musique électroacoustique [actes du colloque international, 23-25 mai 2012, Université Paris 8],” , 2015.
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@Article{ solomos_iannis_2015,
address  = {Paris},
title = {Iannis {Xenakis}: la musique électroacoustique [actes du
colloque international, 23-25 mai 2012, {Université}
{Paris} 8]},
isbn = {978-2-343-06696-7},
language  = {fr},
author  = {Solomos, Makis},
collaborator  = {{Équipe d'accueil Musicologie, esthétique, danse et
création musicale}},
year = {2015}
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C. H. C. Byun and C. H. B. A. P. O. Economics, “Economics of the Popular Music Industry,” , 2016.
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@Article{ byun_economics_2016,
address  = {Place of publication not identified},
title = {Economics of the {Popular} {Music} {Industry}},
isbn = {978-1-349-69162-3},
language  = {en},
author  = {Byun, Chong Hyun Christie and Economics, Chong Hyun
Christie Byun Associate Professor Of},
year = {2016}
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@Article{ fwa_handbook_2006,
address  = {Boca Raton},
title = {The {Handbook} of {Highway} {Engineering}},
isbn = {978-0-8493-1986-0},
language  = {en},
year = {2006}
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D. Sudjic, “The architecture of Richard Rogers,” , 1995.
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@Article{ sudjic_architecture_1995,
address  = {New York},
title = {The architecture of {Richard} {Rogers}},
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author  = {Sudjic, Deyan},
year = {1995}
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N. M. Patrikalakis and T. Maekawa, “Shape Interrogation for Computer Aided Design and Manufacturing,” , 2002.
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@Article{ patrikalakis_shape_2002,
address  = {Berlin, Heidelberg},
title = {Shape {Interrogation} for {Computer} {Aided} {Design} and
{Manufacturing}},
copyright  = {https://www.springernature.com/gp/researchers/text-and-data-mining},
isbn = {978-3-642-04073-3 978-3-642-04074-0},
language  = {en},
author  = {Patrikalakis, Nicholas M. and Maekawa, Takashi},
year = {2002},
doi = {10.1007/978-3-642-04074-0}
}

M. Selzer, “The symmetry norm and the asymmetric universe,” , 2015.
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@Article{ selzer_symmetry_2015,
address  = {Colorado Springs},
title = {The symmetry norm and the asymmetric universe},
isbn = {978-1-5055-8854-5},
language  = {en},
author  = {Selzer, Michael},
year = {2015}
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B. Owsinski, “The Mastering Engineer’s Handbook 4th Edition,” , 2016.
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@Article{ owsinski_mastering_2016,
title = {The {Mastering} {Engineer}'s {Handbook} 4th {Edition}},
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author  = {Owsinski, Bobby},
year = {2016}
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@Article{ hepworth-sawyer_mixing_2017,
address  = {New York ; London},
title = {Mixing music},
isbn = {978-1-138-18204-2 978-1-138-21873-4},
language  = {en},
year = {2017}
}

S. Sadler, “Archigram: architecture without architecture,” , 2005.
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@Article{ sadler_archigram_2005,
address  = {Cambridge, Mass},
title = {Archigram: architecture without architecture},
isbn = {978-0-262-19521-8 978-0-262-69322-6},
language  = {en},
author  = {Sadler, Simon},
collaborator  = {{Archigram (Group)}},
year = {2005}
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A. Picon, “Smart cities: a spatialised intelligence,” , 2015.
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@Article{ picon_smart_2015,
address  = {Chichester, West Sussex},
title = {Smart cities: a spatialised intelligence},
isbn = {978-1-119-07559-2},
author  = {Picon, Antoine},
year = {2015}
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A. Zeytinoglu, “Geometry of light: the architecture of Arkan Zeytinoglu,” , 2011.
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@Article{ zeytinoglu_geometry_2011,
address  = {Wien ; New York},
title = {Geometry of light: the architecture of {Arkan}
{Zeytinoglu}},
isbn = {978-3-7091-0538-2},
language  = {en},
author  = {Zeytinoglu, Arkan},
year = {2011}
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@Article{ groth_negotiating_2021,
address  = {Lund},
title = {Negotiating noise: across places, spaces and disciplines},
isbn = {978-91-987117-0-7},
language  = {en},
year = {2021}
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M. Fiorini, “Improvised Musical Interaction with Creative Agents,” , 2023.
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@Article{ fiorini_improvised_2023,
title = {Improvised {Musical} {Interaction} with {Creative}
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author  = {Fiorini, Marco},
year = {2023}
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F. Féron, “The Emergence of Spectra in Gérard Grisey’s Compositional Process: From \textitDérives (1973–74) to \textitLes espaces acoustiques (1974–85),” Contemporary music review, 2011.
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@Article{ feron_emergence_2011,
title = {The {Emergence} of {Spectra} in {Gérard} {Grisey}'s
{Compositional} {Process}: {From} \textit{{Dérives}}
(1973–74) to \textit{{Les} espaces acoustiques}
(1974–85)},
issn = {0749-4467, 1477-2256},
doi = {10.1080/07494467.2011.665582},
language  = {en},
journal  = {Contemporary Music Review},
author  = {Féron, François-Xavier},
month = oct,
year = {2011}
}

R. Simanowski, “Data love: the seduction and betrayal of digital technologies,” , 2016.
[Bibtex]

@Article{ simanowski_data_2016,
address  = {New York},
title = {Data love: the seduction and betrayal of digital
technologies},
isbn = {978-0-231-17726-9},
language  = {en},
author  = {Simanowski, Roberto},
year = {2016}
}

R. Simanowski, “Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations,” , 2011.
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@Article{ simanowski_digital_2011,
address  = {Minneapolis, Minn},
title = {Digital art and meaning: reading kinetic poetry, text
machines, mapping art, and interactive installations},
isbn = {978-0-8166-6738-3 978-0-8166-6737-6},
language  = {en},
author  = {Simanowski, Roberto},
year = {2011}
}

C. Misselhorn, “Artificial Moral Agents: Conceptual Issues and Ethical Controversy,” , 2022.
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@Article{ voeneky_artificial_2022,
title = {Artificial {Moral} {Agents}: {Conceptual} {Issues} and
{Ethical} {Controversy}},
copyright  = {https://www.cambridge.org/core/terms},
isbn = {978-1-009-20789-8 978-1-009-20786-7},
language  = {en},
booktitle  = {The {Cambridge} {Handbook} of {Responsible} {Artificial}
{Intelligence}},
author  = {Misselhorn, Catrin},
month = nov,
year = {2022},
doi = {10.1017/9781009207898.005}
}

J. Delcker, “Europe divided over robot ‘personhood’,” , 2018.
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@Article{ delcker_europe_2018,
title = {Europe divided over robot ‘personhood’},
language  = {en},
author  = {Delcker, Janosch},
year = {2018}
}

F. Fossa, C. Moruzzi, M. Verdicchio, C. Anscomb, R. Mogensen, L. Arriagada, G. Arriagada-Bruneau, A. Barale, M. Merlini, S. Nicoletti, and A. Djian, “Creativity in the Light of AI – Odradek – Vol 8 No 1,” , 2022.
[Bibtex]

@Article{ fossa_creativity_2022,
title = {Creativity in the {Light} of {AI} - {Odradek} - {Vol} 8
{No} 1},
author  = {Fossa, Fabio and Moruzzi, Caterina and Verdicchio, Mario
and Anscomb, Claire and Mogensen, René and Arriagada,
Leonardo and Arriagada-Bruneau, Gabriela and Barale, Alice
and Merlini, Mattia and Nicoletti, Stefano and Djian,
Aurélien},
year = {2022}
}

R. Axelrod, “Effective Choice in the Prisoner’s Dilemma,” Journal of conflict resolution, 1980.
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@Article{ axelrod_effective_1980,
title = {Effective {Choice} in the {Prisoner}'s {Dilemma}},
copyright  = {http://journals.sagepub.com/page/policies/text-and-data-mining-license},
issn = {0022-0027, 1552-8766},
doi = {10.1177/002200278002400101},
language  = {en},
journal  = {Journal of Conflict Resolution},
author  = {Axelrod, Robert},
month = mar,
year = {1980}
}

D. L. Northrup and D. H. Rock, “The Detection of Joe 1,” , 1966.
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@Article{ northrup_detection_1966,
title = {The {Detection} of {Joe} 1},
author  = {Northrup, Doyle L. and Rock, Donald H.},
year = {1966}
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Z. Kong, W. Ping, J. Huang, K. Zhao, and B. Catanzaro, “Diffwave: A Versatile Diffusion Model for Audio Synthesis,” , 2021.
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@Article{ kong_diffwave_2021,
title = {Diffwave: {A} {Versatile} {Diffusion} {Model} for {Audio}
{Synthesis}},
language  = {en},
author  = {Kong, Zhifeng and Ping, Wei and Huang, Jiaji and Zhao,
Kexin and Catanzaro, Bryan},
year = {2021}
}

P. Isola, J. Zhu, T. Zhou, and A. A. Efros, “Image-to-Image Translation with Conditional Adversarial Networks,” , 2018.
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@Article{ isola_image--image_2018,
title = {Image-to-{Image} {Translation} with {Conditional}
{Adversarial} {Networks}},
language  = {en},
author  = {Isola, Phillip and Zhu, Jun-Yan and Zhou, Tinghui and
Efros, Alexei A.},
month = nov,
year = {2018}
}

R. Hanocka, G. Metzer, R. Giryes, and D. Cohen-Or, “Point2Mesh: A Self-Prior for Deformable Meshes,” Acm transactions on graphics, 2020.
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@Article{ hanocka_point2mesh_2020,
title = {{Point2Mesh}: {A} {Self}-{Prior} for {Deformable}
{Meshes}},
issn = {0730-0301, 1557-7368},
doi = {10.1145/3386569.3392415},
language  = {en},
journal  = {ACM Transactions on Graphics},
author  = {Hanocka, Rana and Metzer, Gal and Giryes, Raja and
Cohen-Or, Daniel},
month = aug,
year = {2020}
}

S. Kato, “Soundwalk, Digital Media, and Sound Art,” , 2003.
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@Article{ kato_soundwalk_2003,
title = {Soundwalk, {Digital} {Media}, and {Sound} {Art}},
language  = {en},
author  = {Kato, Sawako},
year = {2003}
}

M. Fell, R. Mackay, and J. Gilmore, “Structure and synthesis: the anatomy of practice,” , 2021.
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@Article{ fell_structure_2021,
address  = {Falmouth, United Kingdom},
title = {Structure and synthesis: the anatomy of practice},
isbn = {978-1-913029-95-1},
author  = {Fell, Mark and Mackay, Robin and Gilmore, Joe},
year = {2021}
}

A. Nishimura, “A Tiny Field for Soundscape Design: A case study of soundscape museum in Hirano, Osaka,” , 2003.
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@Article{ nishimura_tiny_2003,
title = {A {Tiny} {Field} for {Soundscape} {Design}: {A} case study
of soundscape museum in {Hirano}, {Osaka}},
language  = {en},
author  = {Nishimura, Atsushi},
year = {2003}
}

M. J. Noble, “Noise in a Silent Field: speculative engagement with noise in ecological contexts.,” , 2003.
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@Article{ noble_noise_2003,
title = {Noise in a {Silent} {Field}: speculative engagement with
noise in ecological contexts.},
language  = {en},
author  = {Noble, Michael John},
year = {2003}
}

Y. Zhang, W. Han, J. Qin, Y. Wang, A. Bapna, Z. Chen, N. Chen, B. Li, V. Axelrod, G. Wang, Z. Meng, K. Hu, A. Rosenberg, R. Prabhavalkar, D. S. Park, P. Haghani, J. Riesa, G. Perng, H. Soltau, T. Strohman, B. Ramabhadran, T. Sainath, P. Moreno, C. Chiu, J. Schalkwyk, F. Beaufays, and Y. Wu, “Google USM: Scaling Automatic Speech Recognition Beyond 100 Languages,” , 2023.
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@Article{ zhang_google_2023,
title = {Google {USM}: {Scaling} {Automatic} {Speech} {Recognition}
{Beyond} 100 {Languages}},
language  = {en},
author  = {Zhang, Yu and Han, Wei and Qin, James and Wang, Yongqiang
and Bapna, Ankur and Chen, Zhehuai and Chen, Nanxin and Li,
Bo and Axelrod, Vera and Wang, Gary and Meng, Zhong and Hu,
Ke and Rosenberg, Andrew and Prabhavalkar, Rohit and Park,
Daniel S. and Haghani, Parisa and Riesa, Jason and Perng,
Ginger and Soltau, Hagen and Strohman, Trevor and
Ramabhadran, Bhuvana and Sainath, Tara and Moreno, Pedro
and Chiu, Chung-Cheng and Schalkwyk, Johan and Beaufays,
Françoise and Wu, Yonghui},
month = sep,
year = {2023}
}

I. Reid, K. Choromanski, E. Berger, and A. Weller, “Universal Graph Random Features,” , 2023.
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@Article{ reid_universal_2023,
title = {Universal {Graph} {Random} {Features}},
language  = {en},
author  = {Reid, Isaac and Choromanski, Krzysztof and Berger, Eli and
Weller, Adrian},
month = oct,
year = {2023}
}

I. Reid, E. Berger, K. Choromanski, and A. Weller, “Repelling Random Walks,” , 2023.
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@Article{ reid_repelling_2023,
title = {Repelling {Random} {Walks}},
language  = {en},
author  = {Reid, Isaac and Berger, Eli and Choromanski, Krzysztof and
Weller, Adrian},
month = oct,
year = {2023}
}

D. Goktas, D. C. Parkes, I. Gemp, L. Marris, G. Piliouras, R. Elie, G. Lever, and A. Tacchetti, “Generative Adversarial Equilibrium Solvers,” , 2024.
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@Article{ goktas_generative_2024,
title = {Generative {Adversarial} {Equilibrium} {Solvers}},
language  = {en},
author  = {Goktas, Denizalp and Parkes, David C and Gemp, Ian and
Marris, Luke and Piliouras, Georgios and Elie, Romuald and
Lever, Guy and Tacchetti, Andrea},
year = {2024}
}

B. Peng, S. Narayanan, and C. Papadimitriou, “On Limitations of the Transformer Architecture,” , 2024.
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@Article{ peng_limitations_2024,
title = {On {Limitations} of the {Transformer} {Architecture}},
language  = {en},
author  = {Peng, Binghui and Narayanan, Srini and Papadimitriou,
Christos},
month = feb,
year = {2024}
}

E. Sanoubari, A. Iscen, L. Takayama, S. Saliceti, C. Cunningham, and K. Caluwaerts, “Prosody for Intuitive Robotic Interface Design: It’s Not What You Said, It’s How You Said It,” , 2024.
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@Article{ sanoubari_prosody_2024,
title = {Prosody for {Intuitive} {Robotic} {Interface} {Design}:
{It}'s {Not} {What} {You} {Said}, {It}'s {How} {You} {Said}
{It}},
language  = {en},
author  = {Sanoubari, Elaheh and Iscen, Atil and Takayama, Leila and
Saliceti, Stefano and Cunningham, Corbin and Caluwaerts,
Ken},
month = mar,
year = {2024}
}

G. Delétang, A. Ruoss, P. Duquenne, and E. Catt, “Language Modeling is Compression,” , 2024.
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@Article{ deletang_language_2024,
title = {Language {Modeling} is {Compression}},
language  = {en},
author  = {Delétang, Grégoire and Ruoss, Anian and Duquenne,
Paul-Ambroise and Catt, Elliot},
year = {2024}
}

J. Milionis, C. Papadimitriou, G. Piliouras, and K. Spendlove, “An impossibility theorem in game dynamics,” Proceedings of the national academy of sciences, 2023.
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@Article{ milionis_impossibility_2023,
title = {An impossibility theorem in game dynamics},
issn = {0027-8424, 1091-6490},
doi = {10.1073/pnas.2305349120},
language  = {en},
journal  = {Proceedings of the National Academy of Sciences},
author  = {Milionis, Jason and Papadimitriou, Christos and Piliouras,
Georgios and Spendlove, Kelly},
month = oct,
year = {2023}
}

D. Rebain, S. Yazdani, K. M. Yi, and A. Tagliasacchi, “Neural Fields as Distributions: Signal Processing Beyond Euclidean Space,” , 2024.
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@Article{ rebain_neural_2024,
title = {Neural {Fields} as {Distributions}: {Signal} {Processing}
{Beyond} {Euclidean} {Space}},
language  = {en},
author  = {Rebain, Daniel and Yazdani, Soroosh and Yi, Kwang Moo and
Tagliasacchi, Andrea},
year = {2024}
}

Z. Jin, A. Finkelstein, G. J. Mysore, and J. Lu, “Fftnet: A Real-Time Speaker-Dependent Neural Vocoder,” , 2018.
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@Article{ jin_fftnet_2018,
address  = {Calgary, AB},
title = {Fftnet: {A} {Real}-{Time} {Speaker}-{Dependent} {Neural}
{Vocoder}},
isbn = {978-1-5386-4658-8},
doi = {10.1109/ICASSP.2018.8462431},
language  = {en},
booktitle  = {2018 {IEEE} {International} {Conference} on {Acoustics},
{Speech} and {Signal} {Processing} ({ICASSP})},
author  = {Jin, Zeyu and Finkelstein, Adam and Mysore, Gautham J. and
Lu, Jingwan},
month = apr,
year = {2018}
}

F. Gribenski, “Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859–1955,” , 2023.
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@Article{ gribenski_tuning_2023,
title = {Tuning the {World}: {The} {Rise} of 440 {Hertz} in
{Music}, {Science}, and {Politics}, 1859–1955},
isbn = {978-0-226-82326-3 978-0-226-82327-0},
language  = {en},
author  = {Gribenski, Fanny},
year = {2023},
doi = {10.7208/chicago/9780226823270.001.0001}
}

M. Aristopoulos, “The Game Music Toolbox: Composition Techniques and Production Tools from 20 Iconic Game Soundtracks,” , 2023.
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@Article{ aristopoulos_game_2023,
address  = {London},
title = {The {Game} {Music} {Toolbox}: {Composition} {Techniques}
and {Production} {Tools} from 20 {Iconic} {Game}
{Soundtracks}},
isbn = {978-1-003-14687-2},
language  = {en},
author  = {Aristopoulos, Marios},
month = mar,
year = {2023},
doi = {10.4324/9781003146872}
}

E. E. Knyt, “Ferruccio Busoni as Architect of Sound,” , 2023.
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@Article{ knyt_ferruccio_2023,
title = {Ferruccio {Busoni} as {Architect} of {Sound}},
isbn = {978-0-19-762549-1 978-0-19-762552-1},
language  = {en},
author  = {Knyt, Erinn E.},
month = may,
year = {2023},
doi = {10.1093/oso/9780197625491.001.0001}
}

B. Gordon, “Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds,” , 2023.
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@Article{ gordon_voice_2023,
title = {Voice {Machines}: {The} {Castrato}, the {Cat} {Piano}, and
{Other} {Strange} {Sounds}},
isbn = {978-0-226-82514-4 978-0-226-82515-1},
language  = {en},
author  = {Gordon, Bonnie},
year = {2023},
doi = {10.7208/chicago/9780226825151.001.0001}
}

C. White, “The Music in the Data: Corpus Analysis, Music Analysis, and Tonal Traditions,” , 2022.
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@Article{ white_music_2022,
address  = {New York},
title = {The {Music} in the {Data}: {Corpus} {Analysis}, {Music}
{Analysis}, and {Tonal} {Traditions}},
isbn = {978-1-003-28566-3},
language  = {en},
author  = {White, Christopher},
month = nov,
year = {2022},
doi = {10.4324/9781003285663}
}

“Utopia, innovation, tradition: Bruno Maderna’s cosmos,” , 2022.
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@Article{ de_benedictis_utopia_2022,
address  = {Woodbridge, UK},
title = {Utopia, innovation, tradition: {Bruno} {Maderna}'s
cosmos},
isbn = {978-1-83765-030-9},
language  = {en},
year = {2022}
}

“Science fiction and philosophy: from time travel to superintelligence,” , 2016.
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@Article{ schneider_science_2016,
address  = {Hoboken},
title = {Science fiction and philosophy: from time travel to
superintelligence},
isbn = {978-1-118-92260-6 978-1-118-92262-0},
language  = {en},
year = {2016}
}

B. Stiegler, “Bernard Stiegler: Il faut inventer aujourd’hui, et pour 2054, mais sans attendre 2054,” , 2013.
[Bibtex]

@Article{ stiegler_bernard_2013,
title = {Bernard {Stiegler}: {Il} faut inventer aujourd’hui, et
pour 2054, mais sans attendre 2054},
language  = {fr},
author  = {Stiegler, Bernard},
year = {2013}
}

J. H. Conway, “On numbers and games,” , 2006.
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@Article{ conway_numbers_2006,
address  = {Wellesley, Mass},
title = {On numbers and games},
isbn = {978-1-56881-127-7},
language  = {en},
author  = {Conway, John Horton},
year = {2006}
}

“The SAGE handbook of popular music,” , 2015.
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@Article{ bennett_sage_2015,
address  = {Los Angeles},
title = {The {SAGE} handbook of popular music},
isbn = {978-1-4462-1085-7},
language  = {da},
year = {2015}
}

A. Bürli, “AlphaZero applied to Jass,” , 2022.
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@Article{ burli_alphazero_2022,
title = {{AlphaZero} applied to {Jass}},
language  = {en},
author  = {Bürli, Andrin},
year = {2022}
}

C. Palombini, “Pierre Schaeffer, 1953: Towards an Experimental Music,” Music and letters, 1993.
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@Article{ palombini_pierre_1993,
title = {Pierre {Schaeffer}, 1953: {Towards} an {Experimental}
{Music}},
issn = {0027-4224, 1477-4631},
doi = {10.1093/ml/74.4.542},
language  = {en},
journal  = {Music and Letters},
author  = {Palombini, Carlos},
year = {1993}
}

M. Wanderley, “Rationalizing Culture, the Key!,” The key, 2007.
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@Article{ wanderley_rationalizing_2007,
title = {Rationalizing {Culture}, the {Key}!},
language  = {en},
journal  = {the Key},
author  = {Wanderley, Marcelo},
year = {2007}
}

R. L. McNutt, M. V. Paul, P. Brandt, and J. D. Kinnison, “Interstellar Probe MCR,” , 2021.
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@Article{ mcnutt_interstellar_2021,
title = {Interstellar {Probe} {MCR}},
author  = {McNutt, Ralph L. and Paul, Michael V. and Brandt, Pontus
C. and Kinnison, Jim D.},
year = {2021}
}

F. Tenaille, “Polac, droit de se taire,” , 1987.
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@Article{ tenaille_polac_1987,
address  = {Paris},
title = {Polac, droit de se taire},
isbn = {978-2-221-05599-1},
language  = {fre},
author  = {Tenaille, Frank},
year = {1987}
}

M. Salimi and P. Pasquier, “Exploiting Swarm Aesthetics in Sound Art,” , 2021.
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@Article{ salimi_exploiting_2021,
title = {Exploiting {Swarm} {Aesthetics} in {Sound} {Art}},
language  = {en},
author  = {Salimi, Mahsoo and Pasquier, Philippe},
year = {2021}
}

J. Ens and P. Pasquier, “MMM : Exploring Conditional Multi-Track Music Generation with the Transformer,” , 2020.
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@Article{ ens_mmm_2020,
title = {{MMM} : {Exploring} {Conditional} {Multi}-{Track} {Music}
{Generation} with the {Transformer}},
language  = {en},
author  = {Ens, Jeff and Pasquier, Philippe},
month = aug,
year = {2020}
}

“Sonic Design: Explorations Between Art and Science,” , 2024.
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@Article{ jensenius_sonic_2024,
address  = {Cham},
title = {Sonic {Design}: {Explorations} {Between} {Art} and
{Science}},
copyright  = {https://creativecommons.org/licenses/by/4.0},
isbn = {978-3-031-57891-5 978-3-031-57892-2},
language  = {en},
year = {2024},
doi = {10.1007/978-3-031-57892-2}
}

N. Bostrom, “Are You Living in a Computer Simulation?,” , 2001.
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@Article{ bostrom_are_2001,
title = {Are {You} {Living} in a {Computer} {Simulation}?},
language  = {en},
author  = {Bostrom, Nick},
year = {2001}
}

R. Hanson, “How To Live In A Simulation*,” , 2001.
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@Article{ hanson_how_2001,
title = {How {To} {Live} {In} {A} {Simulation}*},
language  = {en},
author  = {Hanson, Robin},
year = {2001}
}

N. Bostrom, “Strategic Implications of Openness in \textlessspan style=”font-variant:small-caps;”\textgreaterAI\textless/span\textgreater Development,” Global policy, 2017.
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@Article{ bostrom_strategic_2017,
title = {Strategic {Implications} of {Openness} in {\textless}span
style="font-variant:small-caps;"{\textgreater}{AI}{\textless}/span{\textgreater}
{Development}},
copyright  = {http://creativecommons.org/licenses/by/4.0/},
issn = {1758-5880, 1758-5899},
doi = {10.1111/1758-5899.12403},
language  = {en},
journal  = {Global Policy},
author  = {Bostrom, Nick},
month = may,
year = {2017}
}

N. Bostrom and A. Sandberg, “Whole Brain Emulation: A Roadmap,” , 2008.
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@Article{ bostrom_whole_2008,
title = {Whole {Brain} {Emulation}: {A} {Roadmap}},
language  = {en},
author  = {Bostrom, Nick and Sandberg, Anders},
year = {2008}
}

M. Klingbeil, “Spectral Analysis, Editing, and Resynthesis: Methods and Applications,” , 2008.
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@Article{ klingbeil_spectral_2008,
title = {Spectral {Analysis}, {Editing}, and {Resynthesis}:
{Methods} and {Applications}},
language  = {en},
author  = {Klingbeil, Michael},
year = {2008}
}

S. Lee, H. Choi, and K. Lee, “Yet Another Generative Model For Room Impulse Response Estimation,” , 2023.
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@Article{ lee_yet_2023,
title = {Yet {Another} {Generative} {Model} {For} {Room} {Impulse}
{Response} {Estimation}},
language  = {en},
author  = {Lee, Sungho and Choi, Hyeong-Seok and Lee, Kyogu},
month = nov,
year = {2023}
}

A. Ratnarajah, S. Zhang, M. Yu, Z. Tang, D. Manocha, and D. Yu, “FAST-RIR: Fast neural diffuse room impulse response generator,” , 2022.
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@Article{ ratnarajah_fast-rir_2022,
title = {{FAST}-{RIR}: {Fast} neural diffuse room impulse response
generator},
language  = {en},
author  = {Ratnarajah, Anton and Zhang, Shi-Xiong and Yu, Meng and
Tang, Zhenyu and Manocha, Dinesh and Yu, Dong},
month = feb,
year = {2022}
}

J. Lin, G. Götz, and S. J. Schlecht, “Deep Room Impulse Response Completion,” , 2024.
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@Article{ lin_deep_2024,
title = {Deep {Room} {Impulse} {Response} {Completion}},
language  = {en},
author  = {Lin, Jackie and Götz, Georg and Schlecht, Sebastian J.},
month = feb,
year = {2024}
}

N. Obin, “Pour une intelligence artificielle au service,” , 2024.
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@Article{ obin_pour_2024,
title = {Pour une intelligence artificielle au service},
author  = {Obin, Nicolas},
year = {2024}
}

T. Gioia, “The Most Dangerous Thing in Culture Right Now is Beauty,” , 2023.
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@Article{ gioia_most_2023,
title = {The {Most} {Dangerous} {Thing} in {Culture} {Right} {Now}
is {Beauty}},
language  = {en},
author  = {Gioia, Ted},
year = {2023}
}

A. Spicher, O. Michel, and J. Giavitto, “Spatial Computing as Intensional Data Parallelism,” , 2010.
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@Article{ spicher_spatial_2010,
address  = {Budapest, TBD, Hungary},
title = {Spatial {Computing} as {Intensional} {Data}
{Parallelism}},
isbn = {978-1-4244-8684-7},
doi = {10.1109/SASOW.2010.73},
language  = {en},
booktitle  = {2010 {Fourth} {IEEE} {International} {Conference} on
{Self}-{Adaptive} and {Self}-{Organizing} {Systems}
{Workshop}},
author  = {Spicher, Antoine and Michel, Olivier and Giavitto,
Jean-Louis},
month = sep,
year = {2010}
}

J. Giavitto, “Entretien avec Jean-Louis Giavitto,” , 2022.
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@Article{ giavitto_entretien_2022,
title = {Entretien avec {Jean}-{Louis} {Giavitto}},
language  = {fr},
author  = {Giavitto, Jean-Louis},
year = {2022}
}

G. Bindi, N. Demerlé, R. Diaz, D. Genova, A. Golvet, B. Hayes, J. Huang, L. Liu, V. Martos, S. Nabi, T. Pelinski, L. Renault, S. Sarkar, P. Sarmento, C. Vahidi, L. Wolstanholme, Y. Zhang, A. Roebel, N. Bryan-Kinns, J. Giavitto, and M. Barthet, “AI (r)evolution – where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning,” , 2023.
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@Article{ bindi_ai_2023,
title = {{AI} (r)evolution -- where are we heading? {Thoughts}
about the future of music and sound technologies in the era
of deep learning},
language  = {en},
author  = {Bindi, Giovanni and Demerlé, Nils and Diaz, Rodrigo and
Genova, David and Golvet, Aliénor and Hayes, Ben and
Huang, Jiawen and Liu, Lele and Martos, Vincent and Nabi,
Sarah and Pelinski, Teresa and Renault, Lenny and Sarkar,
Saurjya and Sarmento, Pedro and Vahidi, Cyrus and
Wolstanholme, Lewis and Zhang, Yixiao and Roebel, Axel and
Bryan-Kinns, Nick and Giavitto, Jean-Louis and Barthet,
Mathieu},
month = sep,
year = {2023}
}

J. Giavitto, “Antescofo, entre Composition et Performance,” , 2023.
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@Article{ giavitto_antescofo_2023,
title = {Antescofo, entre {Composition} et {Performance}},
language  = {fr},
author  = {Giavitto, Jean-Louis},
year = {2023}
}

R. J. Lifton, “Thought reform and the psychology of totalism: a study of “brainwashing” in China,” , 2004.
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@Article{ lifton_thought_2004,
address  = {Chapel Hill u.a},
title = {Thought reform and the psychology of totalism: a study of
"brainwashing" in {China}},
isbn = {978-0-8078-4253-9},
language  = {en},
author  = {Lifton, Robert Jay},
year = {2004}
}

D. Beer, “How sci-ﬁ writer JG Ballard’s computer poems predicted ChatGPT,” , 2024.
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@Article{ beer_how_2024,
title = {How sci-ﬁ writer {JG} {Ballard}'s computer poems
predicted {ChatGPT}},
language  = {en},
author  = {Beer, David},
year = {2024}
}

E. R. Gansner, E. Koutsofios, S. C. North, and K. -P. Vo, “A technique for drawing directed graphs,” Ieee transactions on software engineering, 1993.
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@Article{ gansner_technique_1993,
title = {A technique for drawing directed graphs},
copyright  = {https://ieeexplore.ieee.org/Xplorehelp/downloads/license-information/IEEE.html},
issn = {00985589},
doi = {10.1109/32.221135},
language  = {en},
journal  = {IEEE Transactions on Software Engineering},
author  = {Gansner, E.R. and Koutsofios, E. and North, S.C. and Vo,
K.-P.},
month = mar,
year = {1993}
}

J. McCormack and A. Lomas, “Deep Learning of Individual Aesthetics,” , 2020.
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@Article{ mccormack_deep_2020,
title = {Deep {Learning} of {Individual} {Aesthetics}},
language  = {en},
author  = {McCormack, Jon and Lomas, Andy},
month = sep,
year = {2020}
}

M. De Landa, “Philosophy and simulation: the emergence of synthetic reason,” , 2019.
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@Article{ de_landa_philosophy_2019,
address  = {London ; New York},
title = {Philosophy and simulation: the emergence of synthetic
reason},
isbn = {978-1-350-09678-3 978-1-350-09677-6 978-1-350-09679-0},
author  = {De Landa, Manuel},
year = {2019}
}

C. Klink, “Electric Seeing: Positions in Contemporary Video Art,” , 2022.
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@Article{ klink_electric_2022,
address  = {Bielefeld, Germany},
title = {Electric {Seeing}: {Positions} in {Contemporary} {Video}
{Art}},
isbn = {978-3-8376-5700-5 978-3-8394-5700-9},
language  = {en},
author  = {Klink, Charlotte},
month = jul,
year = {2022},
doi = {10.14361/9783839457009}
}

A. Boime, “The Salon des Refusés and the Evolution of Modern Art,” , 1969.
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@Article{ boime_salon_1969,
title = {The {Salon} des {Refusés} and the {Evolution} of {Modern}
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author  = {Boime, Albert},
year = {1969}
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L. Spuybroek, “Shining and automation: the phenotechnology of ornament,” Architectural research quarterly, 2023.
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@Article{ spuybroek_shining_2023,
title = {Shining and automation: the phenotechnology of ornament},
copyright  = {http://creativecommons.org/licenses/by/4.0/},
issn = {1359-1355, 1474-0516},
doi = {10.1017/S1359135523000283},
language  = {en},
journal  = {Architectural Research Quarterly},
author  = {Spuybroek, Lars},
month = sep,
year = {2023}
}

A. G. Trudeau, “Project Horizon Report: Volume I, Summary and Supporting Considerations,” , 1959.
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@Article{ trudeau_project_1959,
title = {Project {Horizon} {Report}: {Volume} {I}, {Summary} and
{Supporting} {Considerations}},
author  = {Trudeau, Arthur G.},
year = {1959}
}

A. G. Trudeau, “Project Horizon Report: Volume II, Technical Considerations & Plans,” , 1959.
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@Article{ trudeau_project_1959-1,
title = {Project {Horizon} {Report}: {Volume} {II}, {Technical}
{Considerations} \& {Plans}},
author  = {Trudeau, Arthur G.},
year = {1959}
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J. Wang, W. Lu, and M. Won, “Mel-Band RoFormer for Music Source Separation,” , 2023.
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@Article{ wang_mel-band_2023,
title = {Mel-{Band} {RoFormer} for {Music} {Source} {Separation}},
language  = {en},
author  = {Wang, Ju-Chiang and Lu, Wei-Tsung and Won, Minz},
month = oct,
year = {2023}
}

M. Aljukic, “The Third Digital Turn of Non-Standard Architecture,” , 2020.
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@Article{ aljukic_third_2020,
title = {The {Third} {Digital} {Turn} of {Non}-{Standard}
{Architecture}},
author  = {Aljukic, Melika},
year = {2020}
}

M. Merleau-Ponty, “Phenomenology of Perception,” , 1945.
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@Article{ merleau-ponty_phenomenology_1945,
title = {Phenomenology of {Perception}},
author  = {Merleau-Ponty, Maurice},
year = {1945}
}

G. Deleuze and F. Guattari, “A Thousand Plateaus,” , 1987.
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@Article{ deleuze_thousand_1987,
title = {A {Thousand} {Plateaus}},
author  = {Deleuze, Gilles and Guattari, Felix},
year = {1987}
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F. Schneider, O. Kamal, Z. Jin, and B. Schölkopf, “Mousai: Text-to-Music Generation with Long-Context Latent Diffusion,” , 2023.
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@Article{ schneider_mousai_2023,
title = {Mousai: {Text}-to-{Music} {Generation} with
{Long}-{Context} {Latent} {Diffusion}},
language  = {en},
author  = {Schneider, Flavio and Kamal, Ojasv and Jin, Zhijing and
Schölkopf, Bernhard},
month = oct,
year = {2023}
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J. Sohl-Dickstein, E. A. Weiss, N. Maheswaranathan, and S. Ganguli, “Deep Unsupervised Learning using Nonequilibrium Thermodynamics,” , 2015.
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@Article{ sohl-dickstein_deep_2015,
title = {Deep {Unsupervised} {Learning} using {Nonequilibrium}
{Thermodynamics}},
language  = {en},
author  = {Sohl-Dickstein, Jascha and Weiss, Eric A. and
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year = {2015}
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E. Gallagher, “The Critique of Form (excerpted from Anteaesthetics),” , 2023.
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@Article{ gallagher_critique_2023,
title = {The {Critique} of {Form} (excerpted from
{Anteaesthetics})},
language  = {en},
author  = {Gallagher, Ellen},
year = {2023}
}

H. Steyerl, “A Sea of Data: Apophenia and Pattern (Mis-)Recognition,” , 2016.
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@Article{ steyerl_sea_2016,
title = {A {Sea} of {Data}: {Apophenia} and {Pattern}
({Mis}-){Recognition}},
language  = {en},
author  = {Steyerl, Hito},
year = {2016}
}

D. Mende, “The Code of Touch: Navigating Beyond Control, or, Towards Scalability and Sociability,” , 2020.
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@Article{ mende_code_2020,
title = {The {Code} of {Touch}: {Navigating} {Beyond} {Control},
or, {Towards} {Scalability} and {Sociability}},
language  = {en},
author  = {Mende, Doreen},
year = {2020}
}

A. Majaca and L. Parisi, “The Incomputable and Instrumental Possibility,” , 2016.
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@Article{ majaca_incomputable_2016,
title = {The {Incomputable} and {Instrumental} {Possibility}},
language  = {en},
author  = {Majaca, Antonia and Parisi, Luciana},
year = {2016}
}

K. Chukhrov, “On the False Democracy of Contemporary Art,” , 2014.
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@Article{ chukhrov_false_2014,
title = {On the {False} {Democracy} of {Contemporary} {Art}},
language  = {en},
author  = {Chukhrov, Keti},
year = {2014}
}

E. Balsom, “The Reality-Based Community,” , 2017.
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@Article{ balsom_reality-based_2017,
title = {The {Reality}-{Based} {Community}},
language  = {en},
author  = {Balsom, Erika},
year = {2017}
}

A. Vidokle, “Cosmic Catwalk and the Production of Time,” , 2017.
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@Article{ vidokle_cosmic_2017,
title = {Cosmic {Catwalk} and the {Production} of {Time}},
language  = {en},
author  = {Vidokle, Anton},
year = {2017}
}

M. Serres, “On Solar Databases and the Exogenesis of Light,” , 2015.
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@Article{ serres_solar_2015,
title = {On {Solar} {Databases} and the {Exogenesis} of {Light}},
language  = {en},
author  = {Serres, Michael},
year = {2015}
}

V. Ziherl, “The Fourfold Articulation,” , 2017.
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@Article{ ziherl_fourfold_2017,
title = {The {Fourfold} {Articulation}},
language  = {en},
author  = {Ziherl, Vivian},
year = {2017}
}

X. Wang, “Asian Futurism and the Non-Other,” , 2017.
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@Article{ wang_asian_2017,
title = {Asian {Futurism} and the {Non}-{Other}},
language  = {en},
author  = {Wang, Xin},
year = {2017}
}

K. Chukhrov, “The Postdramatic Theater’s Misadventures in the Age of Contemporary Art,” , 2021.
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@Article{ chukhrov_postdramatic_2021,
title = {The {Postdramatic} {Theater}’s {Misadventures} in the
{Age} of {Contemporary} {Art}},
language  = {en},
author  = {Chukhrov, Keti},
year = {2021}
}

J. Clayton and T. M. Campt, “Listening and Writing to Images,” , 2023.
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@Article{ clayton_listening_2023,
title = {Listening and {Writing} to {Images}},
language  = {en},
author  = {Clayton, Jace and Campt, Tina M},
year = {2023}
}

Y. Hui, “The Call of the Unknown in Art and Cosmotechnics,” , 2023.
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@Article{ hui_call_2023,
title = {The {Call} of the {Unknown} in {Art} and {Cosmotechnics}},
language  = {en},
author  = {Hui, Yuk},
year = {2023}
}

M. Pasquinelli, “The Automation of General Intelligence,” , 2023.
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@Article{ pasquinelli_automation_2023,
title = {The {Automation} of {General} {Intelligence}},
language  = {en},
author  = {Pasquinelli, Matteo},
year = {2023}
}

D. Muzyczuk, “Ten Lessons in Clairaudience,” , 2024.
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@Article{ muzyczuk_ten_2024,
title = {Ten {Lessons} in {Clairaudience}},
language  = {en},
author  = {Muzyczuk, Daniel},
year = {2024}
}

M. Libera, “Throat on Brain: Magic and the Art of Memory in Robert Ashley’s Operas,” , 2024.
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@Article{ libera_throat_2024,
title = {Throat on {Brain}: {Magic} and the {Art} of {Memory} in
{Robert} {Ashley}’s {Operas}},
language  = {en},
author  = {Libera, Michał},
year = {2024}
}

B. Oke, “Life in Fifteen Gigabytes,” , 2024.
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@Article{ oke_life_2024,
title = {Life in {Fifteen} {Gigabytes}},
language  = {en},
author  = {Oke, Bami},
year = {2024}
}

F. Nunes, “The Hacker Class Is Dead, Long Live the Hackers!,” , 2024.
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@Article{ nunes_hacker_2024,
title = {The {Hacker} {Class} {Is} {Dead}, {Long} {Live} the
{Hackers}!},
language  = {en},
author  = {Nunes, Francisco},
year = {2024}
}

B. Groys, “Cosmic Anxiety: The Russian Case,” , 2015.
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@Article{ groys_cosmic_2015,
title = {Cosmic {Anxiety}: {The} {Russian} {Case}},
language  = {en},
author  = {Groys, Boris},
year = {2015}
}

M. Pasquinelli, “The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism,” Philosophical literary journal logos, 2018.
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@Article{ pasquinelli_labour_2018,
title = {The {Labour} of {Abstraction}: {Seven} {Transitional}
{Theses} on {Marxism} and {Accelerationism}},
issn = {08695377, 24999628},
doi = {10.22394/0869-5377-2018-2-55-64},
language  = {en},
journal  = {Philosophical Literary Journal Logos},
author  = {Pasquinelli, Matteo},
year = {2018}
}

M. Pasquinelli, “On the origins of Marx’s general intellect,” , 2019.
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@Article{ pasquinelli_origins_2019,
title = {On the origins of {Marx}’s general intellect},
language  = {en},
author  = {Pasquinelli, Matteo},
year = {2019}
}

S. Analitici and A. Kornweitz, “The Sound of Multidimensional Space: How Avant-Garde Music Foreshadowed Artificial Intelligence,” , 2024.
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@Article{ analitici_sound_2024,
title = {The {Sound} of {Multidimensional} {Space}: {How}
{Avant}-{Garde} {Music} {Foreshadowed} {Artificial}
{Intelligence}},
author  = {Analitici, Saggi and Kornweitz, Arif},
year = {2024}
}

M. Pasquinelli, “The Aesthetics of Neural Networks – How does Artificial Intelligence work and affect art and collective perception?,” , 2018.
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@Article{ pasquinelli_aesthetics_2018,
title = {The {Aesthetics} of {Neural} {Networks} - {How} does
{Artificial} {Intelligence} work and affect art and
collective perception?},
author  = {Pasquinelli, Matteo},
year = {2018}
}

J. Aranda, B. Kuan Wood, and A. Vidokle, “Closing Editorial,” , 2014.
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@Article{ aranda_closing_2014,
title = {Closing {Editorial}},
author  = {Aranda, Julieta and Kuan Wood, Brian and Vidokle, Anton},
year = {2014}
}

M. Pasquinelli, “Three Thousand Years of Algorithmic Rituals: The Emergence of AI from the Computation of Space,” , 2019.
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@Article{ pasquinelli_three_2019,
title = {Three {Thousand} {Years} of {Algorithmic} {Rituals}: {The}
{Emergence} of {AI} from the {Computation} of {Space}},
author  = {Pasquinelli, Matteo},
year = {2019}
}

B. Bratton, “On Deprofessionalisation Surgery,” , 2015.
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@Article{ bratton_deprofessionalisation_2015,
title = {On {Deprofessionalisation} {Surgery}},
author  = {Bratton, Benjamin},
year = {2015}
}

W. McKenzie, “The Vectoralist Class,” , 2015.
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@Article{ mckenzie_vectoralist_2015,
title = {The {Vectoralist} {Class}},
author  = {McKenzie, Wark},
year = {2015}
}

V. Guillier, “Vectors Mutate,” , 2024.
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@Article{ guillier_vectors_2024,
title = {Vectors {Mutate}},
author  = {Guillier, Valérian},
year = {2024}
}

R. Ashley, “Yes, But Is It Edible?,” , 2024.
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@Article{ ashley_yes_2024,
title = {Yes, {But} {Is} {It} {Edible}?},
author  = {Ashley, Robert},
year = {2024}
}

A. Notley and D. Muzyczuk, “A Voice in my Brain Rolled up on Skeins in Cells,” , 2024.
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@Article{ notley_voice_2024,
title = {A {Voice} in my {Brain} {Rolled} up on {Skeins} in
{Cells}},
author  = {Notley, Alice and Muzyczuk, Daniel},
year = {2024}
}

K. Alidio, “On Being Porous,” , 2024.
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@Article{ alidio_being_2024,
title = {On {Being} {Porous}},
author  = {Alidio, Kimberly},
year = {2024}
}

A. Arutiunian, “Synthetic Exercises,” , 2024.
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@Article{ arutiunian_synthetic_2024,
title = {Synthetic {Exercises}},
author  = {Arutiunian, Andrius},
year = {2024}
}

B. Vida, “Pages Full of Words,” , 2024.
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@Article{ vida_pages_2024,
title = {Pages {Full} of {Words}},
author  = {Vida, Ben},
year = {2024}
}

B. Groys and A. Wang, “Leaving the Earth,” , 2023.
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@Article{ groys_leaving_2023,
title = {Leaving the {Earth}},
author  = {Groys, Boris and Wang, Alice},
year = {2023}
}

E. Willis, “Future Imperfect,” , 2023.
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@Article{ willis_future_2023,
title = {Future {Imperfect}},
author  = {Willis, Elizabeth},
year = {2023}
}

G. Mobius, “Personal Entropy,” , 2022.
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@Article{ mobius_personal_2022,
title = {Personal {Entropy}},
author  = {Mobius, Gregor},
year = {2022}
}

B. Groys, “Lenin’s Image,” , 2021.
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@Article{ groys_lenins_2021,
title = {Lenin’s {Image}},
author  = {Groys, Boris},
year = {2021}
}

X. Benivolski, “You Can’t Trust Music,” , 2021.
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@Article{ benivolski_you_2021,
title = {You {Can}’t {Trust} {Music}},
author  = {Benivolski, Xenia},
year = {2021}
}

D. Morris, “Anti-Shows,” , 2017.
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@Article{ morris_anti-shows_2017,
title = {Anti-{Shows}},
author  = {Morris, David},
year = {2017}
}

A. Kluge and H. Ulrich Obrist, “What Art Can Do,” , 2017.
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@Article{ kluge_what_2017,
title = {What {Art} {Can} {Do}},
author  = {Kluge, Alexander and Ulrich Obrist, Hans},
year = {2017}
}

O. Radynski, “Is Data the New Gas?,” , 2020.
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@Article{ radynski_is_2020,
title = {Is {Data} the {New} {Gas}?},
author  = {Radynski, Oleksiy},
year = {2020}
}

A. Williams, “Escape Velocities,” , 2013.
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@Article{ williams_escape_2013,
title = {Escape {Velocities}},
author  = {Williams, Alex},
year = {2013}
}

P. Stephens, ““Schema: World as Diagram”,” , 2023.
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@Article{ stephens_schema_2023,
title = {“{Schema}: {World} as {Diagram}”},
author  = {Stephens, Paul},
year = {2023}
}

K. Yamaguchi, “Katsuhiro Yamaguchi: Experiment on Imaginarium,” , 1981.
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@Article{ yamaguchi_katsuhiro_1981,
title = {Katsuhiro {Yamaguchi}: {Experiment} on {Imaginarium}},
author  = {Yamaguchi, Katsuhiro},
year = {1981}
}

Y. Katsuhiro, “Katsuhiro Yamaguchi: Imaginarium,” , 1981.
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@Article{ katsuhiro_katsuhiro_1981,
title = {Katsuhiro {Yamaguchi}: {Imaginarium}},
author  = {Katsuhiro, Yamaguchi},
year = {1981}
}

A. Maerkle, N. Odate, and Y. Katsuhiro, “Every Future Leads to its own Past,” , 2010.
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@Article{ maerkle_every_2010,
title = {Every {Future} {Leads} to its own {Past}},
language  = {en},
author  = {Maerkle, Andrew and Odate, Natsuko and Katsuhiro,
Yamaguchi},
year = {2010}
}

D. Roberts, J. Shepherd, and K. Potter, “Contact: A journal of contemporary music no.14 Autumn 1976.”
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@Article{ roberts_contact_nodate,
title = {Contact: {A} journal of contemporary music no.14 {Autumn}
1976},
language  = {en},
author  = {Roberts, David and Shepherd, John and Potter, Keith}
}

K. Potter, “Contact: A journal of contemporary music no.17 Summer 1977.”
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@Article{ potter_contact_nodate,
title = {Contact: {A} journal of contemporary music no.17 {Summer}
1977},
language  = {en},
author  = {Potter, Keith}
}

E. K. Potter, H. Bracefield, D. Roberts, and J. Shepherd, “Contact: A journal of contemporary music no.19 Summer 1978.”
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@Article{ potter_contact_nodate-1,
title = {Contact: {A} journal of contemporary music no.19 {Summer}
1978},
language  = {en},
author  = {Potter, Edited Keith and Bracefield, Hilary and Roberts,
David and Shepherd, John}
}

E. N. Barrett, H. Bracefield, K. Potter, D. Roberts, and R. Roberts, “Contact: A journal of contemporary music no.22 Summer 1981.”
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@Article{ barrett_contact_nodate,
title = {Contact: {A} journal of contemporary music no.22 {Summer}
1981},
language  = {en},
author  = {Barrett, Edited Nick and Bracefield, Hilary and Potter,
Keith and Roberts, David and Roberts, Rosemary}
}

A. Clementi, D. Osmond-Smith, G. Perrin, and K. Potter, “Contact: A journal of contemporary music no.23 Winter 1981.”
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@Article{ clementi_contact_nodate,
title = {Contact: {A} journal of contemporary music no.23 {Winter}
1981},
language  = {en},
author  = {Clementi, Aldo and Osmond-Smith, David and Perrin, Glyn
and Potter, Keith}
}

E. K. Potter, H. Bracefield, D. Roberts, and R. Roberts, “Contact: A journal of contemporary music no.27 Automn 1983.”
[Bibtex]

@Article{ potter_contact_nodate-2,
title = {Contact: {A} journal of contemporary music no.27 {Automn}
1983},
language  = {en},
author  = {Potter, Edited Keith and Bracefield, Hilary and Roberts,
David and Roberts, Rosemary}
}

E. K. Potter and H. Bracefield, “Contact: A journal of contemporary music no.29 Spring 1985.”
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@Article{ potter_contact_nodate-3,
title = {Contact: {A} journal of contemporary music no.29 {Spring}
1985},
language  = {en},
author  = {Potter, Edited Keith and Bracefield, Hilary}
}

E. K. Potter, H. Bracefield, C. Duffy, C. Fox, R. Heaton, P. Owens, A. Ball, van Moody, and J. Ingram, “Contact: A journal of contemporary music no.31 Autumn 1987.”
[Bibtex]

@Article{ potter_contact_nodate-4,
title = {Contact: {A} journal of contemporary music no.31 {Autumn}
1987},
language  = {en},
author  = {Potter, Edited Keith and Bracefield, Hilary and Duffy,
Celia and Fox, Christopher and Heaton, Roger and Owens,
Peter and Ball, Andrew and van Moody and Ingram, James}
}

E. K. Potter, H. Bracefield, C. Duffy, C. Fox, R. Heaton, P. Owens, R. Samuel, and M. L. Wilkins, “Contact: A journal of contemporary music no.32 Spring 1988.”
[Bibtex]

@Article{ potter_contact_nodate-5,
title = {Contact: {A} journal of contemporary music no.32 {Spring}
1988},
language  = {en},
author  = {Potter, Edited Keith and Bracefield, Hilary and Duffy,
Celia and Fox, Christopher and Heaton, Roger and Owens,
Peter and Samuel, Rhian and Wilkins, Margaret Lucy}
}

E. K. Potter, H. Bracefield, C. Duffy, C. Fox, R. Heaton, and P. Owens, “Contact: A journal of contemporary music no.33 Autumn 1988.”
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@Article{ potter_contact_nodate-6,
title = {Contact: {A} journal of contemporary music no.33 {Autumn}
1988},
language  = {en},
author  = {Potter, Edited Keith and Bracefield, Hilary and Duffy,
Celia and Fox, Christopher and Heaton, Roger and Owens,
Peter}
}

E. H. Bracefield, C. Duffy, C. Fox, P. Owens, and C. Newman, “Contact: A journal of contemporary music no.34 Autumn 1989.”
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@Article{ bracefield_contact_nodate,
title = {Contact: {A} journal of contemporary music no.34 {Autumn}
1989},
language  = {en},
author  = {Bracefield, Edited Hilary and Duffy, Cella and Fox,
Christopher and Owens, Peter and Newman, Chris}
}

“Contact: A journal of contemporary music no.30 Spring 1987.”
[Bibtex]

@Article{ noauthor_contact_nodate,
title = {Contact: {A} journal of contemporary music no.30 {Spring}
1987}
}

“Contact: A journal of contemporary music no.28 Autumn 1984.”
[Bibtex]

@Article{ noauthor_contact_nodate-1,
title = {Contact: {A} journal of contemporary music no.28 {Autumn}
1984}
}

“Contact: A journal of contemporary music no.26 Spring 1983.”
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@Article{ noauthor_contact_nodate-2,
title = {Contact: {A} journal of contemporary music no.26 {Spring}
1983}
}

“Contact: A journal of contemporary music no.25 Autumn 1982.”
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@Article{ noauthor_contact_nodate-3,
title = {Contact: {A} journal of contemporary music no.25 {Autumn}
1982}
}

“Contact: A journal of contemporary music no.24 Spring 1982.”
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@Article{ noauthor_contact_nodate-4,
title = {Contact: {A} journal of contemporary music no.24 {Spring}
1982}
}

“Contact: A journal of contemporary music no.21 Autumn 1980.”
[Bibtex]

@Article{ noauthor_contact_nodate-5,
title = {Contact: {A} journal of contemporary music no.21 {Autumn}
1980}
}

“Contact: A journal of contemporary music no.20 Autumn 1979.”
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@Article{ noauthor_contact_nodate-6,
title = {Contact: {A} journal of contemporary music no.20 {Autumn}
1979}
}

“Contact: A journal of contemporary music no.18 Winter 1977-78.”
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@Article{ noauthor_contact_nodate-7,
title = {Contact: {A} journal of contemporary music no.18 {Winter}
1977-78}
}

D. Schwarz, G. Lorieux, E. Lizère, A. A. Tarrès, and F. Bevilacqua, “A Topo-Phonic Table for Tangible Sonic Interaction,” , 2017.
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@Article{ schwarz_topo-phonic_2017,
title = {A {Topo}-{Phonic} {Table} for {Tangible} {Sonic}
{Interaction}},
language  = {en},
author  = {Schwarz, Diemo and Lorieux, Grégoire and Lizère,
Emmanuelle and Tarrès, Ariadna Alsina and Bevilacqua,
Frédéric},
year = {2017}
}

R. Dudas, “Another Take on Renovating Dated Technology for Concert Performance,” , 2015.
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@Article{ dudas_another_2015,
title = {Another {Take} on {Renovating} {Dated} {Technology} for
{Concert} {Performance}},
language  = {en},
author  = {Dudas, Richard},
year = {2015}
}

J. H. Ahn and R. Dudas, “Physical Modeling Synthesis of the Stone Chime Instrument “Pyeongyeong”,” , 2015.
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@Article{ ahn_physical_2015,
title = {Physical {Modeling} {Synthesis} of the {Stone} {Chime}
{Instrument} "{Pyeongyeong}"},
author  = {Ahn, Jae Hyun and Dudas, Richard},
year = {2015}
}

“Proceedings of the 2024 International Computer Music Conference: Seoul,” , 2024.
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@Article{ park_proceedings_2024,
title = {Proceedings of the 2024 {International} {Computer} {Music}
{Conference}: {Seoul}},
isbn = {978-0-9713192-4-0},
language  = {en},
year = {2024}
}

F. Baumann, “Embodied Human–Computer Interaction in Vocal Music Performance,” , 2023.
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@Article{ baumann_embodied_2023,
address  = {Cham},
title = {Embodied {Human}–{Computer} {Interaction} in {Vocal}
{Music} {Performance}},
copyright  = {https://www.springernature.com/gp/researchers/text-and-data-mining},
isbn = {978-3-031-17984-6 978-3-031-17985-3},
language  = {en},
author  = {Baumann, Franziska},
year = {2023},
doi = {10.1007/978-3-031-17985-3}
}

R. Dudas, “ICMC Seoul 2024,” , 2024.
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@Article{ dudas_icmc_2024,
title = {{ICMC} {Seoul} 2024},
author  = {Dudas, Richard},
year = {2024}
}

R. Dudas, “Spectral Envelope Correction for Real-Time Transposition: Proposal of a “Floating-Formant” Method,” , 2002.
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@Article{ dudas_spectral_2002,
title = {Spectral {Envelope} {Correction} for {Real}-{Time}
{Transposition}: {Proposal} of a “{Floating}-{Formant}”
{Method}},
language  = {en},
author  = {Dudas, Richard},
year = {2002}
}

M. Puckette, “Max Manual 1988,” , 1988.
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@Article{ puckette_max_1988-1,
title = {Max {Manual} 1988},
author  = {Puckette, Miller},
year = {1988}
}

R. Dudas, P. Furniss, and T. Author, “Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic Music,” , 2016.
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@Article{ dudas_towards_2016,
title = {Towards an {Aesthetic} of {Instrumental} {Plausibility}
for {Mixed} {Electronic} {Music}},
language  = {en},
author  = {Dudas, Richard and Furniss, Pete and Author, Third},
year = {2016}
}

R. Dudas, “Physical Modeling Synthesis of the Stone Chime Instrument “Pyeongyeong”,” , 2015.
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@Article{ dudas_physical_2015,
title = {Physical {Modeling} {Synthesis} of the {Stone} {Chime}
{Instrument} “{Pyeongyeong}”},
author  = {Dudas, Richard},
year = {2015}
}

D. Topper, M. Burtner, and S. Serafin, “Spatio-Operational Spectral (SOS) Synthesis,” , 2003.
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@Article{ topper_spatio-operational_2003,
title = {Spatio-{Operational} {Spectral} ({SOS}) {Synthesis}},
language  = {en},
author  = {Topper, David and Burtner, Matthew and Serafin, Stefania},
year = {2003}
}

P. Osborne, “The politics of time: modernity and avant-garde,” , 1995.
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@Article{ osborne_politics_1995,
address  = {London ; New York},
title = {The politics of time: modernity and avant-garde},
isbn = {978-0-86091-652-9 978-0-86091-482-2},
language  = {en},
author  = {Osborne, Peter},
year = {1995}
}

G. Standing, “Precariat : The New Dangerous Class,” , 2011.
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@Article{ standing_precariat_2011,
title = {Precariat : {The} {New} {Dangerous} {Class}},
language  = {en},
author  = {Standing, Guy},
year = {2011}
}

Y. Yang, B. Hui, H. Yuan, N. Gong, and Y. Cao, “SneakyPrompt: Jailbreaking Text-to-image Generative Models,” , 2023.
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@Article{ yang_sneakyprompt_2023,
title = {{SneakyPrompt}: {Jailbreaking} {Text}-to-image
{Generative} {Models}},
language  = {en},
author  = {Yang, Yuchen and Hui, Bo and Yuan, Haolin and Gong, Neil
and Cao, Yinzhi},
month = nov,
year = {2023}
}

F. G. Visi and A. Tanaka, “Interactive Machine Learning of Musical Gesture,” , 2021.
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@Article{ miranda_interactive_2021,
address  = {Cham},
title = {Interactive {Machine} {Learning} of {Musical} {Gesture}},
isbn = {978-3-030-72115-2 978-3-030-72116-9},
language  = {en},
booktitle  = {Handbook of {Artificial} {Intelligence} for {Music}},
author  = {Visi, Federico Ghelli and Tanaka, Atau},
year = {2021},
doi = {10.1007/978-3-030-72116-9_27}
}

S. Manche, “The problem is proletarianisation, not capitalism,” , 2021.
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@Article{ manche_problem_2021,
title = {The problem is proletarianisation, not capitalism},
language  = {en},
author  = {Manche, Solange},
year = {2021}
}

A. Slater, “Post-Automation Poetics; or, How Cold-War Computers Discovered Poetry,” American literature, 2023.
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@Article{ slater_post-automation_2023,
title = {Post-{Automation} {Poetics}; or, {How} {Cold}-{War}
{Computers} {Discovered} {Poetry}},
issn = {0002-9831, 1527-2117},
doi = {10.1215/00029831-10575035},
language  = {en},
journal  = {American Literature},
author  = {Slater, Avery},
month = jun,
year = {2023}
}

Z. Hu, C. Liu, Y. Feng, A. Luu, and B. Hooi, “PoetryDiffusion: Towards Joint Semantic and Metrical Manipulation in Poetry Generation,” , 2023.
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@Article{ hu_poetrydiffusion_2023,
title = {{PoetryDiffusion}: {Towards} {Joint} {Semantic} and
{Metrical} {Manipulation} in {Poetry} {Generation}},
language  = {en},
author  = {Hu, Zhiyuan and Liu, Chumin and Feng, Yue and Luu, Anh
Tuan and Hooi, Bryan},
month = dec,
year = {2023}
}

J. M. Springer, S. Kotha, D. Fried, G. Neubig, and A. Raghunathan, “Repetition Improves Language Model Embeddings,” , 2024.
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@Article{ springer_repetition_2024,
title = {Repetition {Improves} {Language} {Model} {Embeddings}},
language  = {en},
author  = {Springer, Jacob Mitchell and Kotha, Suhas and Fried,
Daniel and Neubig, Graham and Raghunathan, Aditi},
month = feb,
year = {2024}
}

A. Défossez, J. Copet, G. Synnaeve, and Y. Adi, “High Fidelity Neural Audio Compression,” , 2022.
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@Article{ defossez_high_2022,
title = {High {Fidelity} {Neural} {Audio} {Compression}},
language  = {en},
author  = {Défossez, Alexandre and Copet, Jade and Synnaeve, Gabriel
and Adi, Yossi},
month = oct,
year = {2022}
}

“Postwar: art between the Pacific and the Atlantic, 1945-1965,” , 2016.
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@Article{ enwezor_postwar_2016,
address  = {Munich ; New York},
title = {Postwar: art between the {Pacific} and the {Atlantic},
1945-1965},
isbn = {978-3-7913-5584-9},
year = {2016}
}

L. Carroll, “Phantasmagoriao and Other Poems,” , 1869.
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@Article{ carroll_phantasmagoriao_1869,
title = {Phantasmagoriao and {Other} {Poems}},
author  = {Carroll, Lewis},
year = {1869}
}

B. Schölkopf, “Causality for Machine Learning,” , 2022.
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@Article{ scholkopf_causality_2022,
title = {Causality for {Machine} {Learning}},
language  = {en},
author  = {Schölkopf, Bernhard},
month = feb,
year = {2022},
doi = {10.1145/3501714.3501755}
}

D. H. Cox, D. Nelson, R. Middleton, P. Medley, P. Dickinson, C. Moran, and J. Casken, “Contact – No1 Spring 71,” , 1971.
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@Article{ cox_contact_1971,
title = {Contact - {No1} {Spring} 71},
author  = {Cox, David H. and Nelson, Douglas and Middleton, Richard
and Medley, Paul and Dickinson, Peter and Moran, Chris and
Casken, John},
year = {1971}
}

M. Stroppa, S. Lemouton, and C. Agon, “omChroma : vers une formalisation compositionnelle des processus de synthèse sonore,” , 2002.
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@Article{ stroppa_omchroma_2002,
title = {{omChroma} : vers une formalisation compositionnelle des
processus de synthèse sonore},
language  = {fr},
author  = {Stroppa, Marco and Lemouton, Serge and Agon, Carlos},
year = {2002}
}

L. Ben-Gai, “Laboratory of Babel – Explorations of Emergent Virtual Structures,” , 2024.
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@Article{ ben-gai_laboratory_2024,
title = {Laboratory of {Babel} - {Explorations} of {Emergent}
{Virtual} {Structures}},
language  = {en},
author  = {Ben-Gai, Lior},
year = {2024}
}

“Morphogenesis: Origins of Patterns and Shapes,” , 2011.
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@Article{ bourgine_morphogenesis_2011,
address  = {Berlin, Heidelberg},
title = {Morphogenesis: {Origins} of {Patterns} and {Shapes}},
copyright  = {https://www.springernature.com/gp/researchers/text-and-data-mining},
isbn = {978-3-642-13173-8 978-3-642-13174-5},
language  = {en},
year = {2011},
doi = {10.1007/978-3-642-13174-5}
}

H. Braverman, “Labor and Monopoly Capital: the Degradation of Work in the Twentieth Century,” , 1998.
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@Article{ braverman_labor_1998,
address  = {New York},
title = {Labor and {Monopoly} {Capital}: the {Degradation} of
{Work} in the {Twentieth} {Century}},
isbn = {978-0-85345-940-8},
language  = {en},
author  = {Braverman, Harry},
year = {1998}
}

K. Shoemake, “Animating Rotation with Quaternion Curves,” , 1985.
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@Article{ shoemake_animating_1985,
title = {Animating {Rotation} with {Quaternion} {Curves}},
isbn = {978-0-89791-166-5},
doi = {10.1145/325334.325242},
language  = {en},
booktitle  = {Proceedings of the 12th annual conference on {Computer}
graphics and interactive techniques - {SIGGRAPH} '85},
author  = {Shoemake, Ken},
year = {1985}
}

B. Hackbarth, “AudioGuide: A Framework for Creative Exploration of Concatenative Sound Synthesis,” , 2011.
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@Article{ hackbarth_audioguide_2011,
title = {{AudioGuide}: {A} {Framework} for {Creative} {Exploration}
of {Concatenative} {Sound} {Synthesis}},
language  = {en},
author  = {Hackbarth, Benjamin},
year = {2011}
}

S. Dubnov and G. Assayag, “Memex and Composer Duets: computer-aided composition using style mixing,” , 2008.
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@Article{ dubnov_memex_2008,
title = {Memex and {Composer} {Duets}: computer-aided composition
using style mixing},
language  = {en},
author  = {Dubnov, Shlomo and Assayag, Gerard},
year = {2008}
}

S. Dubnov and G. Assayag, “Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience,” , 2005.
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@Article{ dubnov_improvisation_2005,
title = {Improvisation {Planning} and {Jam} {Session} {Design}
using concepts of {Sequence} {Variation} and {Flow}
{Experience}},
language  = {en},
author  = {Dubnov, S and Assayag, G},
year = {2005}
}

A. Cont, S. Dubnov, and G. Assayag, “A Framework for Anticipatory Machine Improvisation and Style Imitation,” , 2006.
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@Article{ cont_framework_2006,
title = {A {Framework} for {Anticipatory} {Machine} {Improvisation}
and {Style} {Imitation}},
language  = {en},
author  = {Cont, Arshia and Dubnov, Shlomo and Assayag, Gerard},
year = {2006}
}

J. Mccormack and C. C. Gambardella, “Growing and Evolving 3-D Prints,” Ieee transactions on evolutionary computation, 2022.
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@Article{ mccormack_growing_2022,
title = {Growing and {Evolving} 3-{D} {Prints}},
copyright  = {https://ieeexplore.ieee.org/Xplorehelp/downloads/license-information/IEEE.html},
issn = {1089-778X, 1089-778X, 1941-0026},
doi = {10.1109/TEVC.2021.3095156},
language  = {en},
journal  = {IEEE Transactions on Evolutionary Computation},
author  = {Mccormack, Jon and Gambardella, Camilo Cruz},
month = feb,
year = {2022}
}

S. Dubnov and X. Rodet, “Statistical Modeling of Sound Aperiodicities,” , 1997.
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@Article{ dubnov_statistical_1997,
title = {Statistical {Modeling} of {Sound} {Aperiodicities}},
language  = {en},
author  = {Dubnov, Shlomo and Rodet, Xavier},
year = {1997}
}

F. P. Brooks, A. L. Hopkins, P. G. Neumann, and W. V. Wright, “An Experiment in Musical Composition,” Ire transactions on electronic computers, 1957.
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@Article{ brooks_experiment_1957,
title = {An {Experiment} in {Musical} {Composition}},
copyright  = {https://ieeexplore.ieee.org/Xplorehelp/downloads/license-information/IEEE.html},
issn = {0367-9950},
doi = {10.1109/TEC.1957.5222016},
language  = {en},
journal  = {IRE Transactions on Electronic Computers},
author  = {Brooks, F. P. and Hopkins, A. L. and Neumann, P. G. and
Wright, W. V.},
month = sep,
year = {1957}
}

M. Fridenfalk, “Algorithmic music composition for computer games based on L-system,” , 2015.
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@Article{ fridenfalk_algorithmic_2015,
address  = {Toronto, ON},
title = {Algorithmic music composition for computer games based on
{L}-system},
isbn = {978-1-4673-7452-1},
doi = {10.1109/GEM.2015.7377230},
language  = {en},
booktitle  = {2015 {IEEE} {Games} {Entertainment} {Media} {Conference}
({GEM})},
author  = {Fridenfalk, Mikael},
month = oct,
year = {2015}
}

Z. Wu, H. Qu, and K. Zhang, “A Survey of Recent Practice of Artificial Life in Visual Art,” Artificial life, 2024.
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@Article{ wu_survey_2024,
title = {A {Survey} of {Recent} {Practice} of {Artificial} {Life}
in {Visual} {Art}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl_a_00433},
language  = {en},
journal  = {Artificial Life},
author  = {Wu, Zi-Wei and Qu, Huamin and Zhang, Kang},
month = feb,
year = {2024}
}

T. Ziemke, “Understanding Social Robots: Attribution of Intentional Agency to Artificial and Biological Bodies,” Artificial life, 2023.
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@Article{ ziemke_understanding_2023,
title = {Understanding {Social} {Robots}: {Attribution} of
{Intentional} {Agency} to {Artificial} and {Biological}
{Bodies}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl_a_00404},
language  = {en},
journal  = {Artificial Life},
author  = {Ziemke, Tom},
month = aug,
year = {2023}
}

C. Gershenson, “Emergence in Artificial Life,” Artificial life, 2023.
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@Article{ gershenson_emergence_2023,
title = {Emergence in {Artificial} {Life}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl_a_00397},
language  = {en},
journal  = {Artificial Life},
author  = {Gershenson, Carlos},
month = may,
year = {2023}
}

L. Steels, “The Artificial Life Roots of Artificial Intelligence,” Artificial life, 1993.
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@Article{ steels_artificial_1993,
title = {The {Artificial} {Life} {Roots} of {Artificial}
{Intelligence}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl.1993.1.1_2.75},
language  = {en},
journal  = {Artificial Life},
author  = {Steels, Luc},
month = oct,
year = {1993}
}

L. Steels, “A Self-Organizing Spatial Vocabulary,” Artificial life, 1995.
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@Article{ steels_self-organizing_1995,
title = {A {Self}-{Organizing} {Spatial} {Vocabulary}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl.1995.2.3.319},
language  = {en},
journal  = {Artificial Life},
author  = {Steels, Luc},
month = apr,
year = {1995}
}

L. Steels, “The Synthetic Modeling of Language Origins,” Evolution of communication, 1997.
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@Article{ steels_synthetic_1997,
title = {The {Synthetic} {Modeling} of {Language} {Origins}},
issn = {1387-5337, 1569-9757},
doi = {10.1075/eoc.1.1.02ste},
language  = {en},
journal  = {Evolution of Communication},
author  = {Steels, Luc},
month = jan,
year = {1997}
}

L. Steels, “Modeling the Cultural Evolution of Language,” Physics of life reviews, 2011.
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@Article{ steels_modeling_2011,
title = {Modeling the {Cultural} {Evolution} of {Language}},
copyright  = {https://www.elsevier.com/tdm/userlicense/1.0/},
issn = {15710645},
doi = {10.1016/j.plrev.2011.10.014},
language  = {en},
journal  = {Physics of Life Reviews},
author  = {Steels, Luc},
month = dec,
year = {2011}
}

L. Steels, “Language as a Complex Adaptive System,” , 2000.
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@Article{ goos_language_2000,
address  = {Berlin, Heidelberg},
title = {Language as a {Complex} {Adaptive} {System}},
isbn = {978-3-540-41056-0 978-3-540-45356-7},
booktitle  = {Parallel {Problem} {Solving} from {Nature} {PPSN} {VI}},
author  = {Steels, Luc},
year = {2000},
doi = {10.1007/3-540-45356-3_2}
}

L. Steels, “The emergence and evolution of linguistic structure: from lexical to grammatical communication systems,” Connection science, 2005.
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@Article{ steels_emergence_2005,
title = {The emergence and evolution of linguistic structure: from
lexical to grammatical communication systems},
issn = {0954-0091, 1360-0494},
doi = {10.1080/09540090500269088},
language  = {en},
journal  = {Connection Science},
author  = {Steels, Luc},
month = sep,
year = {2005}
}

L. Manovich, “The Paradoxes of Digital Photography,” , 1995.
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@Article{ manovich_paradoxes_1995,
title = {The {Paradoxes} of {Digital} {Photography}},
language  = {en},
author  = {Manovich, Lev},
year = {1995}
}

L. Manovich, “The engineering of vision and the aesthetics of computer art,” Acm siggraph computer graphics, 1994.
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@Article{ manovich_engineering_1994,
title = {The engineering of vision and the aesthetics of computer
art},
issn = {0097-8930},
doi = {10.1145/193234.193242},
language  = {en},
journal  = {ACM SIGGRAPH Computer Graphics},
author  = {Manovich, Lev},
month = nov,
year = {1994}
}

L. Manovich, “The Labor of Perception,” , 1995.
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@Article{ manovich_labor_1995,
title = {The {Labor} of {Perception}},
language  = {en},
author  = {Manovich, Lev},
year = {1995}
}

L. Manovich, “Automation of Sight: From Photography to Computer Vision,” , 1994.
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@Article{ manovich_automation_1994,
title = {Automation of {Sight}: {From} {Photography} to {Computer}
{Vision}},
language  = {en},
author  = {Manovich, Lev},
year = {1994}
}

L. Manovich, “Review of Newfoundland II Exhibition,” , 1995.
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@Article{ manovich_review_1995,
title = {Review of {Newfoundland} {II} {Exhibition}},
language  = {en},
author  = {Manovich, Lev},
year = {1995}
}

L. Manovich, “Cinema by Numbers: ASCII Films by Vuk Cosic,” , 1999.
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@Article{ manovich_cinema_1999,
title = {Cinema by {Numbers}: {ASCII} {Films} by {Vuk} {Cosic}},
language  = {en},
author  = {Manovich, Lev},
year = {1999}
}

L. Manovich, “Information and Form,” , 2000.
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@Article{ manovich_information_2000,
title = {Information and {Form}},
language  = {en},
author  = {Manovich, Lev},
year = {2000}
}

L. Manovich, “New Media from Borges to HTML,” , 2003.
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@Article{ manovich_new_2003,
title = {New {Media} from {Borges} to {HTML}},
language  = {en},
author  = {Manovich, Lev},
year = {2003}
}

L. Manovich, “The Shape of Information,” , 2005.
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@Article{ manovich_shape_2005,
title = {The {Shape} of {Information}},
language  = {en},
author  = {Manovich, Lev},
year = {2005}
}

L. Manovich, “Abstraction and Complexity,” , 2007.
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@Article{ grau_abstraction_2007,
title = {Abstraction and {Complexity}},
isbn = {978-0-262-27425-8},
language  = {en},
booktitle  = {{MediaArtHistories}},
author  = {Manovich, Lev},
month = jan,
year = {2007},
doi = {10.7551/mitpress/4530.003.0021}
}

L. Manovich, “Remixing originally had a precise and a narrow meaning that gradually became diffused,” , 2007.
[Bibtex]

@Article{ manovich_remixing_2007,
title = {Remixing originally had a precise and a narrow meaning
that gradually became diffused},
language  = {en},
author  = {Manovich, Lev},
year = {2007}
}

L. Manovich and J. Douglass, “Visualizing Temporal Patterns in Visual Media,” , 2008.
[Bibtex]

@Article{ manovich_visualizing_2008,
title = {Visualizing {Temporal} {Patterns} in {Visual} {Media}},
language  = {en},
author  = {Manovich, Lev and Douglass, Jeremy},
year = {2008}
}

L. Manovich, “The Mapping of Space: Perspective, Radar, and 3-D Computer Graphics,” , 1993.
[Bibtex]

@Article{ manovich_mapping_1993,
title = {The {Mapping} of {Space}: {Perspective}, {Radar}, and
3-{D} {Computer} {Graphics}},
language  = {en},
author  = {Manovich, Lev},
year = {1993}
}

L. Manovich, “Notes on Instagrammism and mechanisms of contemporary cultural identity (and also photography, design, Kinfolk, k- pop, hashtags, mise-en-scène, and cостояние).,” , 2016.
[Bibtex]

@Article{ manovich_notes_2016,
title = {Notes on {Instagrammism} and mechanisms of contemporary
cultural identity (and also photography, design, {Kinfolk},
k- pop, hashtags, mise-en-scène, and cостояние).},
language  = {en},
author  = {Manovich, Lev},
year = {2016}
}

L. Manovich, “Can We Think Without Categories?,” , 2018.
[Bibtex]

@Article{ manovich_can_2018,
title = {Can {We} {Think} {Without} {Categories}?},
language  = {en},
author  = {Manovich, Lev},
year = {2018}
}

J. Sunley and L. Manovich, “From Less-Known Russian Avant-Garde series,” , 2021.
[Bibtex]

@Article{ sunley_less-known_2021,
title = {From {Less}-{Known} {Russian} {Avant}-{Garde} series},
language  = {en},
author  = {Sunley, Julian and Manovich, Lev},
year = {2021}
}

E. Arielli and L. Manovich, “AI-aesthe)cs and the Anthropocentric Myth of Crea)vity,” , 2020.
[Bibtex]

@Article{ arielli_ai-aesthecs_2020,
title = {{AI}-aesthe)cs and the {Anthropocentric} {Myth} of
{Crea})vity},
language  = {en},
author  = {Arielli, Emanuele and Manovich, Lev},
year = {2020}
}

“Separate and Reassemble: Generative AI Through the Lens of Art and Media Histories,” , 2022.
[Bibtex]

@Article{ nandigjav_separate_2022,
address  = {Vancouver BC Canada},
title = {Separate and {Reassemble}: {Generative} {AI} {Through} the
{Lens} of {Art} and {Media} {Histories}},
isbn = {978-1-4503-9337-9},
language  = {en},
booktitle  = {Special {Interest} {Group} on {Computer} {Graphics} and
{Interactive} {Techniques} {Conference} {Proceedings}},
month = aug,
year = {2022}
}

R. Shwartz-Ziv and Y. LeCun, “To Compress or Not to Compress- Self-Supervised Learning and Information Theory: A Review,” , 2023.
[Bibtex]

@Article{ shwartz-ziv_compress_2023,
title = {To {Compress} or {Not} to {Compress}- {Self}-{Supervised}
{Learning} and {Information} {Theory}: {A} {Review}},
language  = {en},
author  = {Shwartz-Ziv, Ravid and LeCun, Yann},
month = nov,
year = {2023}
}

A. Roebel and F. Bous, “Neural Vocoding for Singing and Speaking Voices with the Multi-Band Excited WaveNet,” Information, 2022.
[Bibtex]

@Article{ roebel_neural_2022,
title = {Neural {Vocoding} for {Singing} and {Speaking} {Voices}
with the {Multi}-{Band} {Excited} {WaveNet}},
copyright  = {https://creativecommons.org/licenses/by/4.0/},
issn = {2078-2489},
doi = {10.3390/info13030103},
language  = {en},
journal  = {Information},
author  = {Roebel, Axel and Bous, Frederik},
month = feb,
year = {2022}
}

F. Bous and A. Roebel, “Analysis and transformations of voice level in singing voice,” , 2023.
[Bibtex]

@Article{ bous_analysis_2023,
title = {Analysis and transformations of voice level in singing
voice},
doi = {10.1109/ICASSP49357.2023.10095740},
language  = {en},
booktitle  = {{ICASSP} 2023 - 2023 {IEEE} {International} {Conference}
on {Acoustics}, {Speech} and {Signal} {Processing}
({ICASSP})},
author  = {Bous, Frederik and Roebel, Axel},
month = jun,
year = {2023}
}

M. Pasini and J. Schlüter, “Musika! Fast Infinite Waveform Music Generation,” , 2022.
[Bibtex]

@Article{ pasini_musika_2022,
title = {Musika! {Fast} {Infinite} {Waveform} {Music}
{Generation}},
language  = {en},
author  = {Pasini, Marco and Schlüter, Jan},
month = aug,
year = {2022}
}

A. Holtzman, J. Buys, L. Du, M. Forbes, and Y. Choi, “The Curious Case of Neural Text Degeneration,” , 2020.
[Bibtex]

@Article{ holtzman_curious_2020,
title = {The {Curious} {Case} of {Neural} {Text} {Degeneration}},
language  = {en},
author  = {Holtzman, Ari and Buys, Jan and Du, Li and Forbes, Maxwell
and Choi, Yejin},
month = feb,
year = {2020}
}

“Konkrete Poesie: deutschsprachige Autoren: Anthologie,” , 1972.
[Bibtex]

@Article{ gomringer_konkrete_1972,
address  = {Stuttgart},
title = {Konkrete {Poesie}: deutschsprachige {Autoren}:
{Anthologie}},
isbn = {978-3-15-009350-4},
language  = {ger},
year = {1972}
}

F. Féron1, “L’art du trompe-l’oreille rythmique,” Intermédialités, 2011.
[Bibtex]

@Article{ feron1_lart_2011,
title = {L’art du trompe-l’oreille rythmique},
issn = {1920-3136, 1705-8546},
doi = {10.7202/1001960ar},
language  = {fr},
journal  = {Intermédialités},
author  = {Féron1, François-Xavier},
month = apr,
year = {2011}
}

H. Manurung, R. Graeme, and H. Thompson, “A Flexible Integrated Architecture For Generating Poetic Texts,” , 2000.
[Bibtex]

@Article{ manurung_flexible_2000,
title = {A {Flexible} {Integrated} {Architecture} {For}
{Generating} {Poetic} {Texts}},
language  = {en},
author  = {Manurung, Hisar and Graeme, Ritchie and Thompson, Henry},
year = {2000}
}

J. K. Meehan, “Tale-Spin, An Interactive Program that Writes Stories,” , 1977.
[Bibtex]

@Article{ meehan_tale-spin_1977,
title = {Tale-{Spin}, {An} {Interactive} {Program} that {Writes}
{Stories}},
author  = {Meehan, James K.},
year = {1977}
}

N. Dehn, “Story Generation After Tale-Spin,” , 1981.
[Bibtex]

@Article{ dehn_story_1981,
title = {Story {Generation} {After} {Tale}-{Spin}},
author  = {Dehn, Natlie},
year = {1981}
}

T. Chakrabarty, V. Padmakumar, H. He, and N. Peng, “Creative NLG Tutorial,” , 2023.
[Bibtex]

@Article{ chakrabarty_creative_2023,
title = {Creative {NLG} {Tutorial}},
author  = {Chakrabarty, Tuhin and Padmakumar, Vishakh and He, He and
Peng, Nanyun},
year = {2023}
}

P. R. Cook, B. R. Gillespie, J. O. Smith III, A. Tanaka, and S. Van Duyne, “Physical modeling and signal processing : CCRMA papers presented at the 1993 International Computer Music Conference,” , 1992.
[Bibtex]

@Article{ cook_physical_1992,
title = {Physical modeling and signal processing : {CCRMA} papers
presented at the 1993 {International} {Computer} {Music}
{Conference}},
author  = {Cook, Perry R. and Gillespie, R. Brent and Smith III,
Julius O. and Tanaka, Atau and Van Duyne, Scott},
year = {1992}
}

M. Chion, “Les Musiques Electroacoustiques,” , 1976.
[Bibtex]

@Article{ chion_musiques_1976,
title = {Les {Musiques} {Electroacoustiques}},
language  = {fr},
author  = {Chion, Michel},
year = {1976}
}

P. Jones, “Work without the worker: labour in the age of platform capitalism,” , 2021.
[Bibtex]

@Article{ jones_work_2021,
address  = {London},
title = {Work without the worker: labour in the age of platform
capitalism},
isbn = {978-1-83976-043-3},
language  = {en},
author  = {Jones, Phil},
year = {2021}
}

K. Crawford, “Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence,” , 2021.
[Bibtex]

@Article{ crawford_atlas_2021,
title = {Atlas of {AI}: {Power}, {Politics}, and the {Planetary}
{Costs} of {Artificial} {Intelligence}},
language  = {en},
author  = {Crawford, Kate},
year = {2021}
}

R. Bauer and B. Suter, “Strategies and Meanings in Games and Real Life,” , 2021.
[Bibtex]

@Article{ bauer_strategies_2021,
title = {Strategies and {Meanings} in {Games} and {Real} {Life}},
language  = {en},
author  = {Bauer, René and Suter, Beat},
year = {2021}
}

J. M. Chowning, “Method of Synthesising Musical Sound – Patent,” , 1977.
[Bibtex]

@Article{ chowning_method_1977,
title = {Method of {Synthesising} {Musical} {Sound} - {Patent}},
author  = {Chowning, John M},
year = {1977}
}

R. Henke, “2004-2024 Twenty Years of FM Synthesis inside Ableton Live,” , 2024.
[Bibtex]

@Article{ henke_2004-2024_2024,
title = {2004-2024 {Twenty} {Years} of {FM} {Synthesis} inside
{Ableton} {Live}},
language  = {en},
author  = {Henke, Robert},
year = {2024}
}

C. Pias, “Cybernetics – The Macy Conferences 1946-1953,” , 1953.
[Bibtex]

@Article{ pias_cybernetics_1953,
title = {Cybernetics - {The} {Macy} {Conferences} 1946-1953},
language  = {en},
author  = {Pias, Claus},
year = {1953}
}

J. Boyle and J. Jenkins, “Theft! A History of Music,” , 2017.
[Bibtex]

@Article{ boyle_theft_2017,
title = {Theft! {A} {History} of {Music}},
language  = {en},
author  = {Boyle, James and Jenkins, Jennifer},
year = {2017}
}

R. W. Witkin, “Adorno on popular culture,” , 2003.
[Bibtex]

@Article{ witkin_adorno_2003,
address  = {London ; New York},
title = {Adorno on popular culture},
isbn = {978-0-415-26824-0 978-0-415-26825-7},
author  = {Witkin, Robert W.},
year = {2003}
}

A. Gayraud, R. Mackay, D. Miller, and N. Power, “Dialectic of pop,” , 2019.
[Bibtex]

@Article{ gayraud_dialectic_2019,
address  = {Falmouth, United Kingdom},
title = {Dialectic of pop},
isbn = {978-1-913029-55-5},
language  = {eng},
author  = {Gayraud, Agnès and Mackay, Robin and Miller, Daniel and
Power, Nina},
year = {2019}
}

A. Evens, “Sound ideas: music, machines, and experience,” , 2005.
[Bibtex]

@Article{ evens_sound_2005,
address  = {Minneapolis, Minn},
title = {Sound ideas: music, machines, and experience},
isbn = {978-0-8166-4536-7 978-0-8166-4537-4},
language  = {eng},
author  = {Evens, Aden},
year = {2005}
}

J. Toynbee, “Making Popular Music: Musicians, Creativity and Institutions,” , 2000.
[Bibtex]

@Article{ toynbee_making_2000,
address  = {London : New York},
title = {Making {Popular} {Music}: {Musicians}, {Creativity} and
{Institutions}},
isbn = {978-0-340-65224-4 978-0-340-65223-7},
author  = {Toynbee, Jason},
year = {2000}
}

I. Böck, “Six Canonical Projects by Rem Koolhaas,” , 2015.
[Bibtex]

@Article{ bock_six_2015,
title = {Six {Canonical} {Projects} by {Rem} {Koolhaas}},
language  = {en},
author  = {Böck, Ingrid},
year = {2015}
}

F. Hsu, “The Revolutionary (Re)Vision of Modern Architecture:,” , 2003.
[Bibtex]

@Article{ hsu_revolutionary_2003,
title = {The {Revolutionary} ({Re}){Vision} of {Modern}
{Architecture}:},
language  = {en},
author  = {Hsu, Frances},
year = {2003}
}

J. M. Gülzow, L. Grayver, and O. Deussen, “Self-Improving Robotic Brushstroke Replication,” Arts, 2018.
[Bibtex]

@Article{ gulzow_self-improving_2018,
title = {Self-{Improving} {Robotic} {Brushstroke} {Replication}},
copyright  = {https://creativecommons.org/licenses/by/4.0/},
issn = {2076-0752},
doi = {10.3390/arts7040084},
language  = {en},
journal  = {Arts},
author  = {Gülzow, Jörg Marvin and Grayver, Liat and Deussen,
Oliver},
month = nov,
year = {2018}
}

D. Sudjic, “Injecting Complexity, Herzog & de Meuron in Basel,” , 2023.
[Bibtex]

@Article{ sudjic_injecting_2023,
title = {Injecting {Complexity}, {Herzog} \& de {Meuron} in
{Basel}},
language  = {en},
author  = {Sudjic, Deyan},
year = {2023}
}

P. Rigaudière, “De l’esprit au spectre : mysticisme et spiritualité chez les compositeurs du courant spectral,” Circuit, 2011.
[Bibtex]

@Article{ rigaudiere_lesprit_2011,
title = {De l’esprit au spectre : mysticisme et spiritualité
chez les compositeurs du courant spectral},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1001161ar},
language  = {fr},
journal  = {Circuit},
author  = {Rigaudière, Pierre},
month = mar,
year = {2011}
}

G. Tremblay, “Émergence de la forme dans la matière : de Varèse à Mozart,” Circuit: musiques contemporaines, 1995.
[Bibtex]

@Article{ tremblay_emergence_1995,
title = {Émergence de la forme dans la matière : de {Varèse} à
{Mozart}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/902119ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Tremblay, Gilles},
year = {1995}
}

G. Tremblay, “Acoustique et forme chez Varèse,” Circuit: musiques contemporaines, 1995.
[Bibtex]

@Article{ tremblay_acoustique_1995,
title = {Acoustique et forme chez {Varèse}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/902118ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Tremblay, Gilles},
year = {1995}
}

G. Tremblay, “Les sons en mouvement (sur Varèse),” Circuit: musiques contemporaines, 1995.
[Bibtex]

@Article{ tremblay_sons_1995,
title = {Les sons en mouvement (sur {Varèse})},
issn = {1183-1693, 1488-9692},
doi = {10.7202/902117ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Tremblay, Gilles},
year = {1995}
}

J. Rea, “Machina ex musico : le compositeur, le concerto, sa forme et son amas de sons,” Circuit, 2014.
[Bibtex]

@Article{ rea_machina_2014,
title = {Machina ex musico : le compositeur, le concerto, sa forme
et son amas de sons},
issn = {1488-9692, 1183-1693},
doi = {10.7202/1021515ar},
language  = {fr},
journal  = {Circuit},
author  = {Rea, John},
month = jan,
year = {2014}
}

C. Palacio-Quintin and J. Goldman, “Introduction : Rechercher la Musique,” Circuit: musiques contemporaines, 2014.
[Bibtex]

@Article{ palacio-quintin_introduction_2014,
title = {Introduction : {Rechercher} la {Musique}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1026180ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Palacio-Quintin, Cléo and Goldman, Jonathan},
year = {2014}
}

M. Gonneville, “La Seconde Apothéose de Rameau: Au-delà de la polémique,” Circuit, 2010.
[Bibtex]

@Article{ gonneville_seconde_2010,
title = {La {Seconde} {Apothéose} de {Rameau}: {Au}-delà de la
polémique},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902239ar},
language  = {fr},
journal  = {Circuit},
author  = {Gonneville, Michel},
month = feb,
year = {2010}
}

M. Gonneville, “Visages de Pousseur: Entrevue-concert avec Henri Pousseur, animée par Michel Gonneville, le 23 janvier 2001,” Circuit, 2010.
[Bibtex]

@Article{ gonneville_visages_2010,
title = {Visages de {Pousseur}: {Entrevue}-concert avec {Henri}
{Pousseur}, animée par {Michel} {Gonneville}, le 23
janvier 2001},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902237ar},
language  = {fr},
journal  = {Circuit},
author  = {Gonneville, Michel},
year = {2010}
}

M. Gonneville, “Henri Pousseur : Esquisses pour un Visage,” Circuit, 2010.
[Bibtex]

@Article{ gonneville_henri_2010,
title = {Henri {Pousseur} : {Esquisses} pour un {Visage}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902236ar},
language  = {fr},
journal  = {Circuit},
author  = {Gonneville, Michel},
month = feb,
year = {2010}
}

A. Thibault, “Culture Numérique et Electroacoustique,” Circuit, 2010.
[Bibtex]

@Article{ thibault_culture_2010,
title = {Culture {Numérique} et {Electroacoustique}},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902265ar},
language  = {fr},
journal  = {Circuit},
author  = {Thibault, Alain},
month = feb,
year = {2010}
}

R. Beaucage, “Mutek — flou artistique?,” Circuit, 2010.
[Bibtex]

@Article{ beaucage_mutek_2010,
title = {Mutek — flou artistique?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902263ar},
language  = {fr},
journal  = {Circuit},
author  = {Beaucage, Réjean},
month = feb,
year = {2010}
}

M. Guerpin, “Björkographie,” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ guerpin_bjorkographie_2021,
title = {Björkographie},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085815ar},
language  = {en},
journal  = {Circuit: Musiques contemporaines},
author  = {Guerpin, Martin},
year = {2021}
}

R. Dahbi, M. Muller, M. Pastore, C. Pessiot, and L. Rouche, “« Wanderlust » : l’art total de Björk. Journée d’étude, Université Paris-Saclay (évry-Val-d’Essonne), 11 février 2020,” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ dahbi__2021,
title = {« {Wanderlust} » : l’art total de {Björk}. {Journée}
d’étude, {Université} {Paris}-{Saclay}
(Évry-{Val}-d’{Essonne}), 11 février 2020},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085814ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Dahbi, Ryad and Muller, Margaux and Pastore, Mattia and
Pessiot, Charles and Rouche, Lucas},
year = {2021}
}

N. Dibben and M. Guerpin, “Biophilia: 10 Years Later: Nicola Dibben, in a conversation with Martin Guerpin,” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ dibben_biophilia_2021,
title = {Biophilia: 10 {Years} {Later}: {Nicola} {Dibben}, in a
conversation with {Martin} {Guerpin}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085813ar},
language  = {en},
journal  = {Circuit: Musiques contemporaines},
author  = {Dibben, Nicola and Guerpin, Martin},
year = {2021}
}

M. Guerpin, “Partition ou objet d’art ? Les 34 Scores for Piano, Organ, Harpsichord and Celeste de Björk (2017),” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ guerpin_partition_2021,
title = {Partition ou objet d’art ? {Les} 34 {Scores} for
{Piano}, {Organ}, {Harpsichord} and {Celeste} de {Björk}
(2017)},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085812ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Guerpin, Martin},
year = {2021}
}

V. Malawey, “Dissolution and a “Universe of Solutions”: Deliberate Disruptions, Ever-Changing Repetition, and Vocal Prosody in Björk’s Vulnicura,” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ malawey_dissolution_2021,
title = {Dissolution and a “{Universe} of {Solutions}”:
{Deliberate} {Disruptions}, {Ever}-{Changing} {Repetition},
and {Vocal} {Prosody} in {Björk}’s {Vulnicura}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085811ar},
language  = {en},
journal  = {Circuit: Musiques contemporaines},
author  = {Malawey, Victoria},
year = {2021}
}

M. Guillien, “Sound as a Bell : Björk et la techno,” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ guillien_sound_2021,
title = {Sound as a {Bell} : {Björk} et la techno},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085810ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Guillien, Mathieu},
year = {2021}
}

M. McKinley, “Avant-propos. Björk, Montréal et le Nunavut,” Circuit: musiques contemporaines, 2021.
[Bibtex]

@Article{ mckinley_avant-propos_2021,
title = {Avant-propos. {Björk}, {Montréal} et le {Nunavut}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1085808ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {McKinley, Maxime},
year = {2021}
}

R. Beaucage, “Voir la musique aujourd’hui?,” Circuit, 2010.
[Bibtex]

@Article{ beaucage_voir_2010,
title = {Voir la musique aujourd’hui?},
issn = {1488-9692, 1183-1693},
doi = {10.7202/902411ar},
language  = {fr},
journal  = {Circuit},
author  = {Beaucage, Réjean},
month = jan,
year = {2010}
}

N. V. Marmaras, “L’interaction compositeur-ordinateur il y a 25 ans,” Circuit, 2008.
[Bibtex]

@Article{ marmaras_linteraction_2008,
title = {L’interaction compositeur-ordinateur il y a 25 ans},
issn = {1488-9692, 1183-1693},
doi = {10.7202/017912ar},
language  = {fr},
journal  = {Circuit},
author  = {Marmaras, Nicolas V.},
month = apr,
year = {2008}
}

M. McKinley, “Le chant des ondes : sur la piste de Maurice Martenot, documentaire de Caroline Martel, Artifact/onf, 2012,” Circuit: musiques contemporaines, 2013.
[Bibtex]

@Article{ mckinley_chant_2013,
title = {Le chant des ondes : sur la piste de {Maurice} {Martenot},
documentaire de {Caroline} {Martel}, {Artifact}/onf, 2012},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1017215ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {McKinley, Maxime},
year = {2013}
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S. Provost and C. Scuderi, “Dossier de création : Re Orso (2012) de Marco Stroppa,” Circuit: musiques contemporaines, 2013.
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title = {Dossier de création : {Re} {Orso} (2012) de {Marco}
{Stroppa}},
issn = {1183-1693, 1488-9692},
doi = {10.7202/1017213ar},
language  = {fr},
journal  = {Circuit: Musiques contemporaines},
author  = {Provost, Serge and Scuderi, Cristina},
year = {2013}
}

P. Verma and C. Chafe, “A Generative Model for Raw Audio Using Transformer Architectures,” , 2021.
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@Article{ verma_generative_2021,
title = {A {Generative} {Model} for {Raw} {Audio} {Using}
{Transformer} {Architectures}},
language  = {en},
author  = {Verma, Prateek and Chafe, Chris},
month = jul,
year = {2021}
}

W. X. Zhao, K. Zhou, J. Li, T. Tang, X. Wang, Y. Hou, Y. Min, B. Zhang, J. Zhang, Z. Dong, Y. Du, C. Yang, Y. Chen, Z. Chen, J. Jiang, R. Ren, Y. Li, X. Tang, Z. Liu, P. Liu, J. Nie, and J. Wen, “A Survey of Large Language Models,” , 2024.
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@Article{ zhao_survey_2024,
title = {A {Survey} of {Large} {Language} {Models}},
language  = {en},
author  = {Zhao, Wayne Xin and Zhou, Kun and Li, Junyi and Tang,
Tianyi and Wang, Xiaolei and Hou, Yupeng and Min, Yingqian
and Zhang, Beichen and Zhang, Junjie and Dong, Zican and
Du, Yifan and Yang, Chen and Chen, Yushuo and Chen, Zhipeng
and Jiang, Jinhao and Ren, Ruiyang and Li, Yifan and Tang,
Xinyu and Liu, Zikang and Liu, Peiyu and Nie, Jian-Yun and
Wen, Ji-Rong},
month = sep,
year = {2024}
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Z. Zhu, Y. Xue, X. Chen, D. Zhou, J. Tang, D. Schuurmans, and H. Dai, “Large Language Models can Learn Rules,” , 2024.
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@Article{ zhu_large_2024,
title = {Large {Language} {Models} can {Learn} {Rules}},
language  = {en},
author  = {Zhu, Zhaocheng and Xue, Yuan and Chen, Xinyun and Zhou,
Denny and Tang, Jian and Schuurmans, Dale and Dai, Hanjun},
month = apr,
year = {2024}
}

R. Eglash, “African Fractals: Modern Computing and Indigenous Design,” , 1999.
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@Article{ eglash_african_1999,
title = {African {Fractals}: {Modern} {Computing} and {Indigenous}
{Design}},
language  = {en},
author  = {Eglash, Ron},
year = {1999}
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A. Dorin, J. McCabe, J. McCormack, G. Monro, and M. Whitelaw, “A framework for understanding generative art,” Digital creativity, 2012.
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title = {A framework for understanding generative art},
issn = {1462-6268, 1744-3806},
doi = {10.1080/14626268.2012.709940},
language  = {en},
journal  = {Digital Creativity},
author  = {Dorin, Alan and McCabe, Jonathan and McCormack, Jon and
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month = dec,
year = {2012}
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N. Bernier, “Between Sine Waves, Synthetic Material and Structure,” , 2023.
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@Article{ bernier_between_2023,
title = {Between {Sine} {Waves}, {Synthetic} {Material} and
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author  = {Bernier, Nicolas},
year = {2023}
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J. Bowers and O. Green, “All the Noises: Hijacking Listening Machines for Performative Research,” , 2018.
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@Article{ bowers_all_2018,
title = {All the {Noises}: {Hijacking} {Listening} {Machines} for
{Performative} {Research}},
language  = {en},
author  = {Bowers, John and Green, Owen},
year = {2018}
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E. Berdahl, M. Blessing, M. Williams, P. Tan, B. Ullmer, and J. Allison, “Spatial Audio Approaches for Embedded Sound Art Installations with Loudspeaker Line Arrays,” , 2017.
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@Article{ berdahl_spatial_2017,
title = {Spatial {Audio} {Approaches} for {Embedded} {Sound} {Art}
{Installations} with {Loudspeaker} {Line} {Arrays}},
language  = {en},
author  = {Berdahl, Edgar and Blessing, Matt and Williams, Matt and
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year = {2017}
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A. R. Jensenius, “Proceedings of the International Conference on New Interfaces for Musical Expression – 30 May – 1 June 2011,” , 2011.
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title = {Proceedings of the {International} {Conference} on {New}
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language  = {en},
author  = {Jensenius, Alexander Refsum},
year = {2011}
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J. Mulder and J. Mulder, “The Loudspeaker as Musical Instrument,” , 2010.
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title = {The {Loudspeaker} as {Musical} {Instrument}},
language  = {en},
author  = {Mulder, Jos and Mulder, Johannes},
year = {2010}
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S. Keith, “Controlling Live Generative Electronic Music with Deviate,” , 2009.
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@Article{ keith_controlling_2009,
title = {Controlling {Live} {Generative} {Electronic} {Music} with
{Deviate}},
language  = {en},
author  = {Keith, Sarah},
year = {2009}
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T. Mäki-Patola, J. Laitinen, A. Kanerva, and T. Takala, “Experiments with Virtual Reality Instruments,” , 2005.
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title = {Experiments with {Virtual} {Reality} {Instruments}},
language  = {en},
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D. Arfib and J. Dudon, “A digital emulator of the photosonic instrument,” , 2002.
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@Article{ arfib_digital_2002,
title = {A digital emulator of the photosonic instrument},
language  = {en},
author  = {Arfib, Daniel and Dudon, Jacques},
year = {2002}
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E. Fléty, “AtoMIC Pro : a Multiple Sensor Acquisition Device,” , 2002.
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title = {{AtoMIC} {Pro} : a {Multiple} {Sensor} {Acquisition}
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language  = {en},
author  = {Fléty, Emmanuel},
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J. Mandelis, “Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance,” , 2002.
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title = {Adaptive {Hyperinstruments}: {Applying} {Evolutionary}
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author  = {Mandelis, James},
year = {2002}
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A. McLean, “Proceedings of the International Conference on New Interfaces for Musical Expression,” , 2011.
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@Article{ mclean_proceedings_2011,
title = {Proceedings of the {International} {Conference} on {New}
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language  = {en},
author  = {McLean, Alex},
year = {2011}
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C. Nash, “Crowd-driven Music: Interactive and Generative Approaches using Machine Vision and Manhattan,” , 2020.
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title = {Crowd-driven {Music}: {Interactive} and {Generative}
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language  = {en},
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year = {2020}
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E. Easthope, “SnakeSynth: New Interactions for Generative Audio Synthesis,” , 2023.
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@Article{ easthope_snakesynth_2023,
title = {{SnakeSynth}: {New} {Interactions} for {Generative}
{Audio} {Synthesis}},
language  = {en},
author  = {Easthope, Eric},
year = {2023}
}

E. Tomás, F. Goeschke, and M. Kaltenbrunner, “Exploring Design Patterns for Spatial Instruments: User-Driven Strategies, Spatialized Synthesis and Loudspeaker Topologies,” , 2024.
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@Article{ tomas_exploring_2024,
title = {Exploring {Design} {Patterns} for {Spatial} {Instruments}:
{User}-{Driven} {Strategies}, {Spatialized} {Synthesis} and
{Loudspeaker} {Topologies}},
language  = {en},
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F. Fol Leymarie, J. Bessette, and G. Smith, “The Machine as Art / The Machine as Artist,” , 2020.
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@Article{ fol_leymarie_machine_2020,
address  = {Basel, Switzerland},
title = {The {Machine} as {Art} / {The} {Machine} as {Artist}},
isbn = {978-3-03936-064-2 978-3-03936-065-9},
language  = {en},
author  = {Fol Leymarie, Frederic and Bessette, Juliette and Smith,
GW},
year = {2020}
}

C. W. Tyler, “Art versus Science,” Perception, 2010.
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@Article{ tyler_art_2010,
title = {Art versus {Science}},
copyright  = {https://journals.sagepub.com/page/policies/text-and-data-mining-license},
issn = {0301-0066, 1468-4233},
doi = {10.1068/p3907ed},
language  = {en},
journal  = {Perception},
author  = {Tyler, Christopher W},
month = jul,
year = {2010}
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A. Ione and C. Tyler, “Was Kandinsky a Synesthete?,” Journal of the history of the neurosciences, 2003.
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title = {Was {Kandinsky} a {Synesthete}?},
issn = {0964-704X},
doi = {10.1076/jhin.12.2.223.15540},
language  = {en},
journal  = {Journal of the History of the Neurosciences},
author  = {Ione, Amy and Tyler, Christopher},
month = jun,
year = {2003}
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A. Ione and C. Tyler, “Neuroscience, History and the Arts Synesthesia: Is F-Sharp Colored Violet?,” Journal of the history of the neurosciences, 2004.
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@Article{ ione_neuroscience_2004,
title = {Neuroscience, {History} and the {Arts} {Synesthesia}: {Is}
{F}-{Sharp} {Colored} {Violet}?},
issn = {0964-704X, 1744-5213},
doi = {10.1080/09647040490885493},
language  = {en},
journal  = {Journal of the History of the Neurosciences},
author  = {Ione, Amy and Tyler, Christopher},
month = mar,
year = {2004}
}

W. Latham and R. Falconer, “Alternative Evolution William Latham,” , 2024.
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year = {2024}
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M. Dax and C. Nicolai, “Interview: Carsten Nicolai,” , 2023.
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title = {Interview: {Carsten} {Nicolai}},
language  = {en},
author  = {Dax, Max and Nicolai, Carsten},
year = {2023}
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G. Loesel, P. Mirowski, and K. W. Mathewson, “Do Digital Agents Do Dada?,” , 2020.
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@Article{ loesel_digital_2020,
title = {Do {Digital} {Agents} {Do} {Dada}?},
language  = {en},
author  = {Loesel, Gunter and Mirowski, Piotr and Mathewson, Kory W},
year = {2020}
}

E. R. Miranda, J. D. Martín-Guerrero, S. Venkatesh, C. Hernani-Morales, L. Lamata, and E. Solano, “Quantum Brain Networks: A Perspective,” Electronics, 2022.
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@Article{ miranda_quantum_2022,
title = {Quantum {Brain} {Networks}: {A} {Perspective}},
copyright  = {https://creativecommons.org/licenses/by/4.0/},
issn = {2079-9292},
doi = {10.3390/electronics11101528},
language  = {en},
journal  = {Electronics},
author  = {Miranda, Eduardo R. and Martín-Guerrero, José D. and
Venkatesh, Satvik and Hernani-Morales, Carlos and Lamata,
Lucas and Solano, Enrique},
month = may,
year = {2022}
}

E. R. Miranda, “Making Music with Enzymes,” , 2023.
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@Article{ miranda_making_2023,
title = {Making {Music} with {Enzymes}},
language  = {en},
author  = {Miranda, Eduardo Reck},
year = {2023}
}

E. R. Miranda, P. Thomas, and P. V. Itaboraí, “Q1Synth: A Quantum Computer Musical Instrument,” Applied sciences, 2023.
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@Article{ miranda_q1synth_2023,
title = {{Q1Synth}: {A} {Quantum} {Computer} {Musical}
{Instrument}},
copyright  = {https://creativecommons.org/licenses/by/4.0/},
issn = {2076-3417},
doi = {10.3390/app13042386},
language  = {en},
journal  = {Applied Sciences},
author  = {Miranda, Eduardo Reck and Thomas, Peter and Itaboraí,
Paulo Vitor},
month = feb,
year = {2023}
}

F. J. Dyson, “Search for Artificial Stellar Sources of Infrared Radiation,” Science, 1960.
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@Article{ dyson_search_1960,
title = {Search for {Artificial} {Stellar} {Sources} of {Infrared}
{Radiation}},
issn = {0036-8075, 1095-9203},
doi = {10.1126/science.131.3414.1667},
language  = {en},
journal  = {Science},
author  = {Dyson, Freeman J.},
month = jun,
year = {1960}
}

J. H. Whitney, “Digital Harmony: On the Complimentarity of Music and Visual Art,” , 1980.
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@Article{ whitney_digital_1980,
address  = {Peterborough, N.H},
title = {Digital {Harmony}: {On} the {Complimentarity} of {Music}
and {Visual} {Art}},
isbn = {978-0-07-070015-4},
author  = {Whitney, John H.},
year = {1980}
}

R. Irwin, “To be an artist is not a matter of making paintings or objects at all. What we are really dealing with is our state of consciousness and the shape of our perceptions.,” , 2023.
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@Article{ irwin_be_2023,
title = {To be an artist is not a matter of making paintings or
objects at all. {What} we are really dealing with is our
state of consciousness and the shape of our perceptions.},
language  = {en},
author  = {Irwin, Robert},
year = {2023}
}

C. Boutelet, “Berlin,” , 2024.
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@Article{ boutelet_berlin_2024,
title = {Berlin},
author  = {Boutelet, Cécile},
year = {2024}
}

T. Resch and S. Bilbao, “Controlling complex virtual instruments – A setup with note\textasciitilde for Max and prepared piano sound synthesis,” , 2016.
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@Article{ resch_controlling_2016,
title = {Controlling complex virtual instruments – {A} setup with
note{\textasciitilde} for {Max} and prepared piano sound
synthesis},
author  = {Resch, Thomas and Bilbao, Stefan},
year = {2016}
}

E. Sandzer-Bell, “Muzic: Microsoft AI Music Team Builds Text-to-MIDI & More,” , 2023.
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@Article{ sandzer-bell_muzic_2023,
title = {Muzic: {Microsoft} {AI} {Music} {Team} {Builds}
{Text}-to-{MIDI} \& {More}},
language  = {en},
author  = {Sandzer-Bell, Ezra},
year = {2023}
}

L. Xue, K. Song, D. Wu, X. Tan, N. L. Zhang, T. Qin, W. Zhang, and T. Liu, “DeepRapper: Neural Rap Generation with Rhyme and Rhythm Modeling,” , 2021.
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@Article{ xue_deeprapper_2021,
title = {{DeepRapper}: {Neural} {Rap} {Generation} with {Rhyme} and
{Rhythm} {Modeling}},
language  = {en},
author  = {Xue, Lanqing and Song, Kaitao and Wu, Duocai and Tan, Xu
and Zhang, Nevin L. and Qin, Tao and Zhang, Wei-Qiang and
Liu, Tie-Yan},
month = jul,
year = {2021}
}

L. Elblaus and G. Eckel, “Acoustic modelling as a strategy for composing site-specific music,” , 2020.
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@Article{ elblaus_acoustic_2020,
address  = {Graz Austria},
title = {Acoustic modelling as a strategy for composing
site-specific music},
isbn = {978-1-4503-7563-4},
doi = {10.1145/3411109.3411141},
language  = {en},
booktitle  = {Proceedings of the 15th {International} {Audio} {Mostly}
{Conference}},
author  = {Elblaus, Ludvig and Eckel, Gerhard},
month = sep,
year = {2020}
}

B. Eno and S. Peter, “Oblique Strategies,” , 1975.
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@Article{ eno_oblique_1975,
title = {Oblique {Strategies}},
author  = {Eno, Brian and Peter, Schmidt},
year = {1975}
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M. Muliaee, M. Mehrvarz, M. Berry, J. Kazuhiro, P. DeMarinis, M. Goodall, K. Thornton, N. Montfort, B. House, A. Aries, M. Zaes Sagesser, B. Wegenstein, and M. Bak Herrie, “The Art of Media Research – MAST Vol4 No2,” , 2023.
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@Article{ muliaee_art_2023,
title = {The {Art} of {Media} {Research} - {MAST} {Vol4} {No2}},
author  = {Muliaee, Maryam and Mehrvarz, Mani and Berry, Marsha and
Kazuhiro, Jo and DeMarinis, Paul and Goodall, Mark and
Thornton, Karen and Montfort, Nick and House, Brian and
Aries, Annie and Zaes Sagesser, Marcel and Wegenstein,
Bernadette and Bak Herrie, Maja},
year = {2023}
}

L. Putnam, S. Todd, and W. Latham, “Abstract Shape Synthesis From Linear Combinations of Clelia Curves,” , 2019.
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@Article{ putnam_abstract_2019,
title = {Abstract {Shape} {Synthesis} {From} {Linear}
{Combinations} of {Clelia} {Curves}},
language  = {en},
author  = {Putnam, L and Todd, S and Latham, W},
year = {2019}
}

L. Kuhn, Y. Gal, and S. Farquhar, “Semantic Uncertainty: Linguistic Invariances for Uncertainty Estimation in Natural Language Generation,” , 2023.
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@Article{ kuhn_semantic_2023,
title = {Semantic {Uncertainty}: {Linguistic} {Invariances} for
{Uncertainty} {Estimation} in {Natural} {Language}
{Generation}},
doi = {10.48550/arXiv.2302.09664},
language  = {en},
author  = {Kuhn, Lorenz and Gal, Yarin and Farquhar, Sebastian},
month = apr,
year = {2023}
}

G. Mobius, “From Chaos to Order and Back,” , 2017.
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@Article{ mobius_chaos_2017,
title = {From {Chaos} to {Order} and {Back}},
author  = {Mobius, Gregor},
year = {2017}
}

E. Haeckel, “Art Forms In Nature,” , 1904.
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@Article{ haeckel_art_1904,
title = {Art {Forms} {In} {Nature}},
author  = {Haeckel, Ernst},
year = {1904}
}

D. Clarke, “Dance Music is in Disarray Right Now,” , 2024.
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@Article{ clarke_dance_2024,
title = {Dance {Music} is in {Disarray} {Right} {Now}},
author  = {Clarke, Dave},
year = {2024}
}

T. Wu, Y. Zhao, and Z. Zheng, “An Efficient Recipe for Long Context Extension via Middle-Focused Positional Encoding,” , 2024.
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@Article{ wu_efficient_2024,
title = {An {Efficient} {Recipe} for {Long} {Context} {Extension}
via {Middle}-{Focused} {Positional} {Encoding}},
doi = {10.48550/arXiv.2406.07138},
language  = {en},
author  = {Wu, Tong and Zhao, Yanpeng and Zheng, Zilong},
month = oct,
year = {2024}
}

C. Y. Liu, Y. Wang, J. Flanigan, and Y. Liu, “Large Language Model Unlearning via Embedding-Corrupted Prompts,” , 2024.
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@Article{ liu_large_2024,
title = {Large {Language} {Model} {Unlearning} via
{Embedding}-{Corrupted} {Prompts}},
doi = {10.48550/arXiv.2406.07933},
language  = {en},
author  = {Liu, Chris Yuhao and Wang, Yaxuan and Flanigan, Jeffrey
and Liu, Yang},
month = oct,
year = {2024}
}

R. Cosentino and S. Shekkizhar, “Reasoning in Large Language Models: A Geometric Perspective,” , 2024.
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@Article{ cosentino_reasoning_2024,
title = {Reasoning in {Large} {Language} {Models}: {A} {Geometric}
{Perspective}},
doi = {10.48550/arXiv.2407.02678},
language  = {en},
author  = {Cosentino, Romain and Shekkizhar, Sarath},
month = jul,
year = {2024}
}

L. Feng, F. Tung, M. O. Ahmed, Y. Bengio, and H. Hajimirsadeghi, “Were RNNs All We Needed?,” , 2024.
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@Article{ feng_were_2024,
title = {Were {RNNs} {All} {We} {Needed}?},
doi = {10.48550/arXiv.2410.01201},
language  = {en},
author  = {Feng, Leo and Tung, Frederick and Ahmed, Mohamed Osama and
Bengio, Yoshua and Hajimirsadeghi, Hossein},
month = nov,
year = {2024}
}

H. Orgad, M. Toker, Z. Gekhman, R. Reichart, I. Szpektor, H. Kotek, and Y. Belinkov, “LLMs Know More Than They Show: On the Intrinsic Representation of LLM Hallucinations,” , 2024.
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@Article{ orgad_llms_2024,
title = {{LLMs} {Know} {More} {Than} {They} {Show}: {On} the
{Intrinsic} {Representation} of {LLM} {Hallucinations}},
doi = {10.48550/arXiv.2410.02707},
language  = {en},
author  = {Orgad, Hadas and Toker, Michael and Gekhman, Zorik and
Reichart, Roi and Szpektor, Idan and Kotek, Hadas and
Belinkov, Yonatan},
month = oct,
year = {2024}
}

C. V. Nguyen, X. Shen, R. Aponte, Y. Xia, S. Basu, Z. Hu, J. Chen, M. Parmar, S. Kunapuli, J. Barrow, J. Wu, A. Singh, Y. Wang, J. Gu, F. Dernoncourt, N. K. Ahmed, N. Lipka, R. Zhang, X. Chen, T. Yu, S. Kim, H. Deilamsalehy, N. Park, M. Rimer, Z. Zhang, H. Yang, R. A. Rossi, and T. H. Nguyen, “A Survey of Small Language Models,” , 2024.
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@Article{ nguyen_survey_2024,
title = {A {Survey} of {Small} {Language} {Models}},
doi = {10.48550/arXiv.2410.20011},
language  = {en},
author  = {Nguyen, Chien Van and Shen, Xuan and Aponte, Ryan and Xia,
Yu and Basu, Samyadeep and Hu, Zhengmian and Chen, Jian and
Parmar, Mihir and Kunapuli, Sasidhar and Barrow, Joe and
Wu, Junda and Singh, Ashish and Wang, Yu and Gu, Jiuxiang
and Dernoncourt, Franck and Ahmed, Nesreen K. and Lipka,
Nedim and Zhang, Ruiyi and Chen, Xiang and Yu, Tong and
Kim, Sungchul and Deilamsalehy, Hanieh and Park, Namyong
and Rimer, Mike and Zhang, Zhehao and Yang, Huanrui and
Rossi, Ryan A. and Nguyen, Thien Huu},
month = oct,
year = {2024}
}

F. Wang, Z. Zhang, X. Zhang, Z. Wu, T. Mo, Q. Lu, W. Wang, R. Li, J. Xu, X. Tang, Q. He, Y. Ma, M. Huang, and S. Wang, “A Comprehensive Survey of Small Language Models in the Era of Large Language Models: Techniques, Enhancements, Applications, Collaboration with LLMs, and Trustworthiness,” , 2024.
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@Article{ wang_comprehensive_2024,
title = {A {Comprehensive} {Survey} of {Small} {Language} {Models}
in the {Era} of {Large} {Language} {Models}: {Techniques},
{Enhancements}, {Applications}, {Collaboration} with
{LLMs}, and {Trustworthiness}},
doi = {10.48550/arXiv.2411.03350},
language  = {en},
author  = {Wang, Fali and Zhang, Zhiwei and Zhang, Xianren and Wu,
Zongyu and Mo, Tzuhao and Lu, Qiuhao and Wang, Wanjing and
Li, Rui and Xu, Junjie and Tang, Xianfeng and He, Qi and
Ma, Yao and Huang, Ming and Wang, Suhang},
month = nov,
year = {2024}
}

N. Lambert, J. Morrison, V. Pyatkin, S. Huang, H. Ivison, F. Brahman, L. J. V. Miranda, A. Liu, N. Dziri, S. Lyu, Y. Gu, S. Malik, V. Graf, J. D. Hwang, J. Yang, R. L. Bras, O. Tafjord, C. Wilhelm, L. Soldaini, N. A. Smith, Y. Wang, P. Dasigi, and H. Hajishirzi, “Tulu 3: Pushing Frontiers in Open Language Model Post-Training,” , 2024.
[Bibtex]

@Article{ lambert_tulu_2024,
title = {Tulu 3: {Pushing} {Frontiers} in {Open} {Language} {Model}
{Post}-{Training}},
doi = {10.48550/arXiv.2411.15124},
language  = {en},
author  = {Lambert, Nathan and Morrison, Jacob and Pyatkin, Valentina
and Huang, Shengyi and Ivison, Hamish and Brahman, Faeze
and Miranda, Lester James V. and Liu, Alisa and Dziri,
Nouha and Lyu, Shane and Gu, Yuling and Malik, Saumya and
Graf, Victoria and Hwang, Jena D. and Yang, Jiangjiang and
Bras, Ronan Le and Tafjord, Oyvind and Wilhelm, Chris and
Soldaini, Luca and Smith, Noah A. and Wang, Yizhong and
Dasigi, Pradeep and Hajishirzi, Hannaneh},
month = dec,
year = {2024}
}

Y. Yu, “LLMs Do Not Think Step-by-step In Implicit Reasoning,” , 2024.
[Bibtex]

@Article{ yu_llms_2024,
title = {{LLMs} {Do} {Not} {Think} {Step}-by-step {In} {Implicit}
{Reasoning}},
doi = {10.48550/arXiv.2411.15862},
language  = {en},
author  = {Yu, Yijiong},
month = dec,
year = {2024}
}

P. W. Anderson, “More Is Different,” , 1972.
[Bibtex]

@Article{ anderson_more_1972-1,
title = {More {Is} {Different}},
language  = {en},
author  = {Anderson, P W},
year = {1972}
}

D. Thibault and D. Piazza, “Virtual Analogies – Playing with Buchla Synthesis Concepts,” , 2024.
[Bibtex]

@Article{ thibault_virtual_2024,
title = {Virtual {Analogies} - {Playing} with {Buchla} {Synthesis}
{Concepts}},
author  = {Thibault, Dominic and Piazza, David},
year = {2024}
}

L. Lu, S. Chen, T. Pai, C. Yu, H. Lee, and S. Sun, “LLM Discussion: Enhancing the Creativity of Large Language Models via Discussion Framework and Role-Play,” , 2024.
[Bibtex]

@Article{ lu_llm_2024,
title = {{LLM} {Discussion}: {Enhancing} the {Creativity} of
{Large} {Language} {Models} via {Discussion} {Framework}
and {Role}-{Play}},
doi = {10.48550/arXiv.2405.06373},
language  = {en},
author  = {Lu, Li-Chun and Chen, Shou-Jen and Pai, Tsung-Min and Yu,
Chan-Hung and Lee, Hung-yi and Sun, Shao-Hua},
month = aug,
year = {2024}
}

A. Woodward, T. Froese, and T. Ikegami, “Neural coordination can be enhanced by occasional interruption of normal firing patterns: A self-optimizing spiking neural network model,” Neural networks, 2015.
[Bibtex]

@Article{ woodward_neural_2015,
title = {Neural coordination can be enhanced by occasional
interruption of normal firing patterns: {A} self-optimizing
spiking neural network model},
issn = {08936080},
doi = {10.1016/j.neunet.2014.08.011},
language  = {en},
journal  = {Neural Networks},
author  = {Woodward, Alexander and Froese, Tom and Ikegami, Takashi},
month = feb,
year = {2015}
}

T. Froese, N. Virgo, and T. Ikegami, “Motility at the Origin of Life: Its Characterization and a Model,” Artificial life, 2014.
[Bibtex]

@Article{ froese_motility_2014,
title = {Motility at the {Origin} of {Life}: {Its}
{Characterization} and a {Model}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/ARTL_a_00096},
language  = {en},
journal  = {Artificial Life},
author  = {Froese, Tom and Virgo, Nathaniel and Ikegami, Takashi},
month = jan,
year = {2014}
}

E. Silverman and T. Ikegami, “Robustness in artificial life,” International journal of bio-inspired computation, 2011.
[Bibtex]

@Article{ silverman_robustness_2011,
title = {Robustness in artificial life},
issn = {1758-0366, 1758-0374},
doi = {10.1504/IJBIC.2011.040316},
language  = {en},
journal  = {International Journal of Bio-Inspired Computation},
author  = {Silverman, E. and Ikegami, T.},
year = {2011}
}

K. Suzuki and T. Ikegami, “Shapes and Self-Movement in Protocell Systems,” Artificial life, 2009.
[Bibtex]

@Article{ suzuki_shapes_2009,
title = {Shapes and {Self}-{Movement} in {Protocell} {Systems}},
issn = {1064-5462, 1530-9185},
doi = {10.1162/artl.2009.15.1.15104},
language  = {en},
journal  = {Artificial Life},
author  = {Suzuki, Keisuke and Ikegami, Takashi},
month = jan,
year = {2009}
}

J. -J. Aucouturier, “Cheek to Chip: Dancing Robots and AI’s Future,” Ieee intelligent systems, 2008.
[Bibtex]

@Article{ aucouturier_cheek_2008,
title = {Cheek to {Chip}: {Dancing} {Robots} and {AI}'s {Future}},
copyright  = {https://ieeexplore.ieee.org/Xplorehelp/downloads/license-information/IEEE.html},
issn = {1541-1672},
doi = {10.1109/MIS.2008.22},
language  = {en},
journal  = {IEEE Intelligent Systems},
author  = {Aucouturier, J.-J.},
month = mar,
year = {2008}
}

K. Hashimoto and T. Ikegami, “Heteroclinic Chaos, Chaotic Itinerancy and Neutral Attractors in Symmetrical Replicator Equations with Mutations,” Journal of the physical society of japan, 2001.
[Bibtex]

@Article{ hashimoto_heteroclinic_2001,
title = {Heteroclinic {Chaos}, {Chaotic} {Itinerancy} and {Neutral}
{Attractors} in {Symmetrical} {Replicator} {Equations} with
{Mutations}},
issn = {0031-9015, 1347-4073},
doi = {10.1143/JPSJ.70.349},
language  = {en},
journal  = {Journal of the Physical Society of Japan},
author  = {Hashimoto, K. and Ikegami, T.},
month = feb,
year = {2001}
}

R. Takata, A. Masumori, and T. Ikegami, “Spontaneous Emergence of Agent Individuality Through Social Interactions in Large Language Model-Based Communities,” Entropy, 2024.
[Bibtex]

@Article{ takata_spontaneous_2024,
title = {Spontaneous {Emergence} of {Agent} {Individuality}
{Through} {Social} {Interactions} in {Large} {Language}
{Model}-{Based} {Communities}},
copyright  = {https://creativecommons.org/licenses/by/4.0/},
issn = {1099-4300},
doi = {10.3390/e26121092},
language  = {en},
journal  = {Entropy},
author  = {Takata, Ryosuke and Masumori, Atsushi and Ikegami,
Takashi},
month = dec,
year = {2024}
}

T. Ikegami, “Generative Ethics in ALIFE,” , 2024.
[Bibtex]

@Article{ ikegami_generative_2024,
title = {Generative {Ethics} in {ALIFE}},
language  = {en},
author  = {Ikegami, Takashi},
year = {2024}
}

R. Rubin, “The Creative Act: A Way of Being,” , 2023.
[Bibtex]

@Article{ rubin_creative_2023-1,
address  = {New York},
title = {The {Creative} {Act}: {A} {Way} of {Being}},
isbn = {978-0-593-65342-5},
language  = {eng},
author  = {Rubin, Rick},
year = {2023}
}

T. Ikegami, “Evolvability of Machines and Tapes,” Artificial life and robotics, 1999.
[Bibtex]

@Article{ ikegami_evolvability_1999,
title = {Evolvability of {Machines} and {Tapes}},
copyright  = {http://www.springer.com/tdm},
issn = {1433-5298, 1614-7456},
doi = {10.1007/BF02481188},
language  = {en},
journal  = {Artificial Life and Robotics},
author  = {Ikegami, Takashi},
year = {1999}
}

L. Manovich, “AI & Myths of Creativity,” , 2016.
[Bibtex]

@Article{ manovich_ai_2016,
title = {{AI} \& {Myths} of {Creativity}},
author  = {Manovich, Lev},
year = {2016}
}

H. H. Jiang, L. Brown, J. Cheng, M. Khan, A. Gupta, D. Workman, A. Hanna, J. Flowers, and T. Gebru, “AI Art and its Impact on Artists,” , 2023.
[Bibtex]

@Article{ jiang_ai_2023,
address  = {Montr{\textbackslash}'\{e\}al QC Canada},
title = {{AI} {Art} and its {Impact} on {Artists}},
isbn = {979-8-4007-0231-0},
doi = {10.1145/3600211.3604681},
language  = {en},
booktitle  = {Proceedings of the 2023 {AAAI}/{ACM} {Conference} on {AI},
{Ethics}, and {Society}},
author  = {Jiang, Harry H. and Brown, Lauren and Cheng, Jessica and
Khan, Mehtab and Gupta, Abhishek and Workman, Deja and
Hanna, Alex and Flowers, Johnathan and Gebru, Timnit},
month = aug,
year = {2023}
}

J. W. Cowan, “The Complete Lojban Language,” , 2016.
[Bibtex]

@Article{ cowan_complete_2016,
title = {The {Complete} {Lojban} {Language}},
language  = {en},
author  = {Cowan, John Woldemar},
year = {2016}
}

C. Durt and T. Fuchs, “Large Language Models and the Patterns of Human Language Use,” , 2024.
[Bibtex]

@Article{ cavallaro_large_2024,
address  = {New York},
title = {Large {Language} {Models} and the {Patterns} of {Human}
{Language} {Use}},
isbn = {978-1-003-31228-4},
language  = {en},
booktitle  = {Phenomenologies of the {Digital} {Age}},
author  = {Durt, Christoph and Fuchs, Thomas},
collaborator  = {Cavallaro, Marco and De Warren, Nicolas},
month = nov,
year = {2024},
doi = {10.4324/9781003312284-7}
}

F. Kreuk, A. Polyak, J. Copet, E. Kharitonov, T. Nguyen, M. Rivière, W. Hsu, A. Mohamed, E. Dupoux, and Y. Adi, “Textless Speech Emotion Conversion using Discrete and Decomposed Representations,” , 2022.
[Bibtex]

@Article{ kreuk_textless_2022,
title = {Textless {Speech} {Emotion} {Conversion} using {Discrete}
and {Decomposed} {Representations}},
doi = {10.48550/arXiv.2111.07402},
language  = {en},
author  = {Kreuk, Felix and Polyak, Adam and Copet, Jade and
Kharitonov, Eugene and Nguyen, Tu-Anh and Rivière, Morgane
and Hsu, Wei-Ning and Mohamed, Abdelrahman and Dupoux,
Emmanuel and Adi, Yossi},
month = dec,
year = {2022}
}

F. Kreuk, Y. Sheena, J. Keshet, and Y. Adi, “Phoneme Boundary Detection using Learnable Segmental Features,” , 2020.
[Bibtex]

@Article{ kreuk_phoneme_2020,
title = {Phoneme {Boundary} {Detection} using {Learnable}
{Segmental} {Features}},
doi = {10.48550/arXiv.2002.04992},
language  = {en},
author  = {Kreuk, Felix and Sheena, Yaniv and Keshet, Joseph and Adi,
Yossi},
month = feb,
year = {2020}
}

A. A. Cashner, “Athanasius Kircher’s Arca musarithmica (1650) as a Computational System,” Journal of creative music systems, 2024.
[Bibtex]

@Article{ cashner_athanasius_2024,
title = {Athanasius {Kircher}'s {Arca} musarithmica (1650) as a
{Computational} {System}},
copyright  = {https://creativecommons.org/licenses/by-nd/4.0},
issn = {2399-7656},
doi = {10.5920/jcms.1325},
language  = {en},
journal  = {Journal of Creative Music Systems},
author  = {Cashner, Andrew Aaron},
month = mar,
year = {2024}
}

Z. Wang, Y. Wang, M. Li, and H. Huang, “ArtSpeech: Adaptive Text-to-Speech Synthesis with Articulatory Representations,” , 2024.
[Bibtex]

@Article{ wang_artspeech_2024,
address  = {Melbourne VIC Australia},
title = {{ArtSpeech}: {Adaptive} {Text}-to-{Speech} {Synthesis}
with {Articulatory} {Representations}},
isbn = {979-8-4007-0686-8},
doi = {10.1145/3664647.3681097},
language  = {en},
booktitle  = {Proceedings of the 32nd {ACM} {International} {Conference}
on {Multimedia}},
author  = {Wang, Zhongxu and Wang, Yujia and Li, Mingzhu and Huang,
Hua},
month = oct,
year = {2024}
}

J. Bachan, “Efficient Diphone Database Creation for MBROLA, a Multilingual Speech Synthesiser,” , 2010.
[Bibtex]

@Article{ bachan_efficient_2010,
title = {Efficient {Diphone} {Database} {Creation} for {MBROLA}, a
{Multilingual} {Speech} {Synthesiser}},
language  = {en},
author  = {Bachan, Jolanta},
year = {2010}
}

S. J. Dick and M. L. Lupisella, “Cosmos & Culture: Cultural Evolution in a Cosmic Context,” , 2013.
[Bibtex]

@Article{ dick_cosmos_2013,
title = {Cosmos \& {Culture}: {Cultural} {Evolution} in a {Cosmic}
{Context}},
author  = {Dick, Steven J. and Lupisella, Mark L.},
year = {2013}
}

J. Perrin, “Les Atomes,” , 1913.
[Bibtex]

@Article{ perrin_atomes_1913,
title = {Les {Atomes}},
isbn = {978-2-36943-023-0},
language  = {fr},
author  = {Perrin, Jean},
year = {1913}
}

C. Lippe, Z. Settel, M. Puckette, and E. Lindemann, “The IRCAM Musical Workstation: A Prototyping and Production Tool for Real-Time Computer Music,” , 1991.
[Bibtex]

@Article{ lippe_ircam_1991,
title = {The {IRCAM} {Musical} {Workstation}: {A} {Prototyping} and
{Production} {Tool} for {Real}-{Time} {Computer} {Music}},
language  = {en},
author  = {Lippe, Cort and Settel, Zack and Puckette, Miller and
Lindemann, Eric},
year = {1991}
}

R. Chamberlain, C. Mullin, B. Scheerlinck, and J. Wagemans, “Putting the art in artificial: Aesthetic responses to computer-generated art,” Psychology of aesthetics, creativity, and the arts, 2018.
[Bibtex]

@Article{ chamberlain_putting_2018,
title = {Putting the art in artificial: {Aesthetic} responses to
computer-generated art},
issn = {1931-390X, 1931-3896},
doi = {10.1037/aca0000136},
language  = {en},
journal  = {Psychology of Aesthetics, Creativity, and the Arts},
author  = {Chamberlain, Rebecca and Mullin, Caitlin and Scheerlinck,
Bram and Wagemans, Johan},
month = may,
year = {2018}
}

C. Moruzzi, “Creative Agents: Rethinking Agency and Creativity in Human and Artificial Systems,” Journal of aesthetics and phenomenology, 2022.
[Bibtex]

@Article{ moruzzi_creative_2022,
title = {Creative {Agents}: {Rethinking} {Agency} and {Creativity}
in {Human} and {Artificial} {Systems}},
issn = {2053-9320, 2053-9339},
doi = {10.1080/20539320.2022.2150470},
language  = {en},
journal  = {Journal of Aesthetics and Phenomenology},
author  = {Moruzzi, Caterina},
month = jul,
year = {2022}
}

T. Machover, “Shaping Minds Musically,” Bt technology journal, 2004.
[Bibtex]

@Article{ machover_shaping_2004,
title = {Shaping {Minds} {Musically}},
issn = {1358-3948},
doi = {10.1023/B:BTTJ.0000047596.75297.ee},
language  = {en},
journal  = {BT Technology Journal},
author  = {Machover, T},
month = oct,
year = {2004}
}

N. Schnell, S. Lemouton, and P. Manoury, “Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA),” , 2001.
[Bibtex]

@Article{ schnell_synthesizing_2001,
title = {Synthesizing a choir in real-time using {Pitch}
{Synchronous} {Overlap} {Add} ({PSOLA})},
language  = {en},
author  = {Schnell, Norbert and Lemouton, Serge and Manoury,
Philippe},
year = {2001},
doi = {10.1093/gmo/9781561592630.article.42130}
}

D. Furnes, H. Berg, R. M. Mitchell, and S. Paulmann, “Exploring the Effects of Personality Traits on the Perception of Emotions From Prosody,” Frontiers in psychology, 2019.
[Bibtex]

@Article{ furnes_exploring_2019,
title = {Exploring the {Effects} of {Personality} {Traits} on the
{Perception} of {Emotions} {From} {Prosody}},
issn = {1664-1078},
doi = {10.3389/fpsyg.2019.00184},
language  = {en},
journal  = {Frontiers in Psychology},
author  = {Furnes, Desire and Berg, Hege and Mitchell, Rachel M. and
Paulmann, Silke},
month = feb,
year = {2019}
}

D. Jurafsky and J. H. Martin, “Speech and Language Processing: An Introduction to Natural Language Processing, Computational Linguistics, and Speech Recognition,” , 2000.
[Bibtex]

@Article{ jurafsky_speech_2000,
title = {Speech and {Language} {Processing}: {An} {Introduction} to
{Natural} {Language} {Processing}, {Computational}
{Linguistics}, and {Speech} {Recognition}},
author  = {Jurafsky, Daniel and Martin, James H.},
year = {2000}
}

R. W. Witkin, “Adorno On Popular Culture,” , 2003.
[Bibtex]

@Article{ witkin_adorno_2003-1,
title = {Adorno {On} {Popular} {Culture}},
language  = {en},
author  = {Witkin, Robert W},
year = {2003}
}

A. Evens, “Sound Ideas: Music, Machines, and Experience,” , 2005.
[Bibtex]

@Article{ evens_sound_2005-1,
address  = {Minneapolis, Minn},
title = {Sound {Ideas}: {Music}, {Machines}, and {Experience}},
isbn = {978-0-8166-4536-7 978-0-8166-4537-4},
language  = {en},
author  = {Evens, Aden},
year = {2005}
}

C. Levaux, “The Forgotten History of Repetitive Audio Technologies,” Organised sound, 2017.
[Bibtex]

@Article{ levaux_forgotten_2017,
title = {The {Forgotten} {History} of {Repetitive} {Audio}
{Technologies}},
copyright  = {https://www.cambridge.org/core/terms},
issn = {1355-7718, 1469-8153},
doi = {10.1017/S1355771817000097},
language  = {en},
journal  = {Organised Sound},
author  = {Levaux, Christophe},
month = aug,
year = {2017}
}

G. Barlindhaug, “The Kids Want Noise – How Sonic Mediations Change the Aesthetics of Music,” , 2019.
[Bibtex]

@Article{ barlindhaug_kids_2019,
title = {The {Kids} {Want} {Noise} - {How} {Sonic} {Mediations}
{Change} the {Aesthetics} of {Music}},
author  = {Barlindhaug, Gaute},
year = {2019}
}

Y. Patoukas, “Studio Manoeuvres,” , 2019.
[Bibtex]

@Article{ patoukas_studio_2019,
title = {Studio {Manoeuvres}},
author  = {Patoukas, Yannis},
year = {2019}
}

D. Kahn, “Noise, Water, Meat: a History of Sound in the Arts,” , 2001.
[Bibtex]

@Article{ kahn_noise_2001,
address  = {Cambridge, Massachusetts London, England},
title = {Noise, {Water}, {Meat}: a {History} of {Sound} in the
{Arts}},
isbn = {978-0-262-61172-5},
language  = {eng},
author  = {Kahn, Douglas},
year = {2001}
}

A. Gayraud, R. Mackay, D. Miller, and N. Power, “Dialectic of Pop,” , 2019.
[Bibtex]

@Article{ gayraud_dialectic_2019-1,
address  = {Falmouth, United Kingdom},
title = {Dialectic of {Pop}},
isbn = {978-1-913029-55-5},
language  = {eng},
author  = {Gayraud, Agnès and Mackay, Robin and Miller, Daniel and
Power, Nina},
year = {2019}
}

——————————————————————–
– Books:

E. M. Cioran, Solitude et destin, , 2004.
[Bibtex]

@book{,
title = "Solitude et destin",
author = "Emile M. Cioran",
year = "2004",
month = "Nov" }

C. Simon, Le tramway, , 2007.
[Bibtex]

@book{,
title = "Le Tramway",
author = "Claude Simon",
isbn = "978-27-0732-017-9",
year = "2007",
month = "Nov" }

P. Conroy and F. Cartano, Beach music: roman, , 1998.
[Bibtex]

@book{,
title = "Beach music: roman",
author = "Pat Conroy and Francoise Cartano",
isbn = "978-22-5314-451-9",
year = "1998",
month = "Jun" }

D. Crombie, Chambre noire, , 2007.
[Bibtex]

@book{,
title = "Chambre Noire",
author = "Deborah Crombie",
isbn = "978-22-2617-952-4",
year = "2007",
month = "Jun" }

D. de Vigan, No et moi, , 2007.
[Bibtex]

@book{,
title = "No et Moi",
author = "Delphine de Vigan",
isbn = "978-27-0962-861-7",
year = "2007",
month = "Nov" }

D. Daeninckx, Itinéraire d’un salaud ordinaire, , 2006.
[Bibtex]

@book{,
title = "Itinéraire d'un salaud ordinaire",
author = "Didier Daeninckx",
isbn = "978-20-7077-988-8",
year = "2006",
month = "May" }

C. Exbrayat, Plaies et bosses, , 1983.
[Bibtex]

@book{,
title = "Plaies et bosses",
author = "Charles Exbrayat",
isbn = "978-27-0241-493-4",
year = "1983",
month = "Nov" }

E. Duflo and A. Banerjee, Poor economics (iqtisad al-faqr), , 2014.
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@book{,
title = "Poor Economics (Iqtisad Al-Faqr)",
author = "Esther Duflo and Abhijit Banerjee",
isbn = "978-99-9219-524-6",
year = "2014",
month = "Mar" }

A. Nin, Delta of venus, , 2004.
[Bibtex]

@book{,
title = "Delta of Venus",
author = "Anaïs Nin",
year = "2004",
month = "Feb" }

A. Roy, The god of small things, , 1997.
[Bibtex]

@book{,
title = "The God of Small Things",
author = "Arundhati Roy",
isbn = "978-06-7945-731-2",
year = "1997",
month = "Nov" }

P. J. Farmer, La saga des hommes-dieux tome 7 : la rage d’orc le rouge, , 1994.
[Bibtex]

@book{,
title = "La saga des hommes-dieux Tome 7 : La rage d'Orc le rouge",
author = "Philip José Farmer",
isbn = "978-22-6605-559-8",
year = "1994",
month = "May" }

P. J. Farmer, Le monde lavalite, tome 5. la saga des hommes dieux, , 1977.
[Bibtex]

@book{,
title = "Le Monde Lavalite, tome 5. La Saga des hommes dieux",
author = "Philip José Farmer",
isbn = "978-22-6603-637-5",
year = "1977",
month = "Mar" }

D. Blum, The poisoner’s handbook: murder and the birth of forensic medicine in jazz age new york, , 2011.
[Bibtex]

@book{,
title = "The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York",
author = "Deborah Blum",
isbn = "978-01-4311-882-4",
year = "2011",
month = "Jan" }

P. J. Farmer, Les murs de la terre, , 1983.
[Bibtex]

@book{,
title = "Les Murs De La Terre",
author = "Philip José Farmer",
isbn = "978-22-6601-292-8",
year = "1983",
month = "Sep" }

P. J. Farmer, Plus fort que le feu, , 1993.
[Bibtex]

@book{,
title = "Plus fort que le feu",
author = "Philip José Farmer",
isbn = "978-22-6605-592-5",
year = "1993",
month = "Apr" }

D. F. Galouye, Simulacron 3, , 1977.
[Bibtex]

@book{,
title = "Simulacron 3",
author = "Daniel Francis Galouye",
isbn = "978-22-7711-778-0",
year = "1977",
month = "Nov" }

A. Héléna, Le bon dieu s’en fout (french edition), , 2002.
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@book{,
title = "Le Bon Dieu s'en fout (French Edition)",
author = "André Héléna",
isbn = "978-28-4608-074-3",
year = "2002",
month = "Apr" }

K. Hosseini, Mille soleils splendides, , 2008.
[Bibtex]

@book{,
title = "Mille Soleils Splendides",
author = "Khaled Hosseini",
isbn = "978-27-1444-327-4",
year = "2008",
month = "Oct" }

J. Bertrand, Lit double, , 2012.
[Bibtex]

@book{,
title = "Lit Double",
author = "Janette Bertrand",
isbn = "978-27-6480-581-7",
year = "2012",
month = "Nov" }

J. Finder, Secrets enfouis, , 2012.
[Bibtex]

@book{,
title = "Secrets enfouis",
author = "Joseph Finder",
isbn = "978-22-2627-296-6",
year = "2012",
month = "May" }

S. Junger, En pleine tempête (french edition), , 2001.
[Bibtex]

@book{,
title = "En pleine tempête (French Edition)",
author = "Sebastian Junger",
isbn = "978-22-5314-948-4",
year = "2001",
month = "Apr" }

L. Kepler, Le pacte, , 2011.
[Bibtex]

@book{,
title = "Le Pacte",
author = "Lars Kepler",
isbn = "978-27-4279-941-1",
year = "2011",
month = "Oct" }

J. Kessel, Balle perdue, , 2009.
[Bibtex]

@book{,
title = "Balle Perdue",
author = "Joseph Kessel",
isbn = "978-20-7038-787-8",
year = "2009",
month = "May" }

F. Lenoir and V. Cabesos, La parole perdue, , 2012.
[Bibtex]

@book{,
title = "La Parole perdue",
author = "Frédéric Lenoir and Violette Cabesos",
isbn = "978-22-5316-886-7",
year = "2012",
month = "Oct" }

M. Grimes, Le jeu de la vérité, , 2006.
[Bibtex]

@book{,
title = "Le jeu de la vérité",
author = "Martha Grimes",
isbn = "978-22-6615-468-0",
year = "2006",
month = "Feb" }

P. Margolin, Le dernier homme innocent, , 1999.
[Bibtex]

@book{,
title = "Le dernier homme innocent",
author = "Phillip-m Margolin",
isbn = "978-22-6610-231-5",
year = "1999",
month = "Nov" }

M. Armand, La poussière des corons, , 1985.
[Bibtex]

@book{,
title = "La poussière des corons",
author = "Marie-Paul Armand",
isbn = "978-22-5801-588-3",
year = "1985",
month = "Nov" }

J. Markale, Contes populaires de toutes les bretagne, , 2012.
[Bibtex]

@book{,
title = "Contes populaires de toutes les Bretagne",
author = "Jean Markale",
year = "2012",
month = "May" }

J. Markale, Druides et chamanes, , 2005.
[Bibtex]

@book{,
title = "Druides et Chamanes",
author = "Jean Markale",
isbn = "978-28-5704-983-8",
year = "2005",
month = "Nov" }

M. Leblanc, La femme aux deux sourires, , 2012.
[Bibtex]

@book{,
title = "La Femme aux deux sourires",
author = "Maurice Leblanc",
isbn = "978-28-0624-196-2",
year = "2012",
month = "Jan" }

M. Houellebecq, Michel houellebecq coffret en 3 volumes : extension du domaine de la lutte ; les: particules élémenta, , 2000.
[Bibtex]

@book{,
title = "Michel Houellebecq Coffret en 3 volumes : Extension du domaine de la lutte ; Les: particules élémenta",
author = "Michel Houellebecq",
isbn = "978-22-7760-171-5",
year = "2000",
month = "Jan" }

M. Walters, Résonances, , 1997.
[Bibtex]

@book{,
title = "Résonances",
author = "Minette Walters",
year = "1997",
month = "Jan" }

B. Latour, A. Sheridan, and J. Law, The pasteurization of france, , 1993.
[Bibtex]

@book{,
title = "The Pasteurization of France",
author = "Bruno Latour and Alan Sheridan and John Law",
isbn = "978-06-7465-761-8",
year = "1993",
month = "Nov" }

C. Baudelaire and R. Howard, Les fleurs du mal, , 1983.
[Bibtex]

@book{,
title = "Les Fleurs Du Mal",
author = "Charles Baudelaire and Richard Howard",
isbn = "978-08-7923-462-1",
year = "1983",
month = "Nov" }

C. Kang and P. Rigoulot, The aquariums of pyongyang: ten years in the north korean gulag, , 2005.
[Bibtex]

@book{,
title = "The Aquariums of Pyongyang: Ten Years in the North Korean Gulag",
author = "Chol-Hwan Kang and Pierre Rigoulot",
isbn = "978-04-6501-104-9",
year = "2005",
month = "Aug" }

P. Coelho, La solitude du vainqueur, , 2009.
[Bibtex]

@book{,
title = "La solitude du vainqueur",
author = "Paulo Coelho",
isbn = "978-20-8122-277-9",
year = "2009",
month = "Nov" }

D. Eggers, A hologram for the king, , 101.
[Bibtex]

@book{,
title = "A Hologram for the King",
author = "Dave Eggers",
isbn = "978-19-3807-331-1",
year = "101",
month = "Jan" }

E. Pattison, L’oeil du tibet, , 2012.
[Bibtex]

@book{,
title = "L'oeil du Tibet",
author = "Eliot Pattison",
year = "2012",
month = "May" }

D. Mitchell, Cloud atlas: a novel, , 2008.
[Bibtex]

@book{,
title = "Cloud Atlas: A Novel",
author = "David Mitchell",
isbn = "08-1298-441-2",
year = "2008",
month = "Dec" }

P. Delerm, Dickens, barbe à papa et autres nourritures délectables, , 2011.
[Bibtex]

@book{,
title = "Dickens, barbe à papa et autres nourritures délectables",
author = "Philippe Delerm",
isbn = "978-20-7244-429-6",
year = "2011",
month = "Mar" }

P. Magnan, Les charbonniers de la mort, , 1982.
[Bibtex]

@book{,
title = "Les Charbonniers de la Mort",
author = "Pierre Magnan",
isbn = "978-22-1301-149-3",
year = "1982",
month = "Nov" }

G. Polet, Leurs vies éclatantes, , 2007.
[Bibtex]

@book{,
title = "Leurs vies éclatantes",
author = "Grégoire Polet",
isbn = "978-20-7038-115-9",
year = "2007",
month = "Nov" }

J. Patterson and N. Rust, Witch & wizard les rebelles du nouvel ordre 2, , 2012.
[Bibtex]

@book{,
title = "Witch \& Wizard Les Rebelles du Nouvel Ordre 2",
author = "James Patterson and Ned Rust",
isbn = "978-20-1202-742-8",
year = "2012",
month = "May" }

D. R. Hofstadter, Gödel, escher, bach: an eternal golden braid, , 1999.
[Bibtex]

@book{,
title = "Gödel, Escher, Bach: An Eternal Golden Braid",
author = "Douglas R. Hofstadter",
isbn = "978-04-6502-656-2",
year = "1999",
month = "Feb" }

S. Baxter, Moonseed, , 2009.
[Bibtex]

@book{,
title = "Moonseed",
author = "Stephen Baxter",
isbn = "978-00-0739-235-3",
year = "2009",
month = "Oct" }

R. Sabatier, Les noisettes sauvages, , 1974.
[Bibtex]

@book{,
title = "Les Noisettes sauvages",
author = "Robert Sabatier",
isbn = "978-22-3100-015-8",
year = "1974",
month = "Feb" }

D. Simmons, Terreur, , 2010.
[Bibtex]

@book{,
title = "Terreur",
author = "Dan Simmons",
isbn = "978-22-6619-117-3",
year = "2010",
month = "Oct" }

F. Herbert, Dune, , 2005.
[Bibtex]

@book{,
title = "Dune",
author = "Frank Herbert",
isbn = "978-04-4101-359-3",
year = "2005",
month = "Aug" }

F. Kafka, In der strafkolonie, , 2013.
[Bibtex]

@book{,
title = "In Der Strafkolonie",
author = "Franz Kafka",
isbn = "978-14-8485-040-4",
year = "2013",
month = "Apr" }

G. Flaubert, Dictionnaire des idées reçues, , 2002.
[Bibtex]

@book{,
title = "Dictionnaire des idées reçues",
author = "Gustave Flaubert",
isbn = "978-11-5360-141-2",
year = "2002",
month = "Nov" }

S. J. Gould, Le pouce du panda: les grandes énigmes de l’évolution, , 1996.
[Bibtex]

@book{,
title = "Le Pouce du Panda: les grandes énigmes de l'évolution",
author = "Stephen Jay Gould",
isbn = "978-22-5303-819-1",
year = "1996",
month = "Nov" }

J. Thompson, Le démon dans ma peau, , 1989.
[Bibtex]

@book{,
title = "Le Démon dans ma peau",
author = "Jim Thompson",
isbn = "978-20-7038-124-1",
year = "1989",
month = "Mar" }

H. Murakami, Wind-up bird chronicle, , 2010.
[Bibtex]

@book{,
title = "Wind-Up Bird Chronicle",
author = "Haruki Murakami",
isbn = "978-18-4655-387-5",
year = "2010",
month = "Nov" }

H. Beadnell, A guide to typography, in two parts, literary and practical; or, the reader’s handbook and the compositor’s vade-mecum, , 2012.
[Bibtex]

@book{,
title = "A Guide to Typography, in Two Parts, Literary and Practical; Or, the Reader's Handbook and the Compositor's Vade-Mecum",
author = "Henry Beadnell",
isbn = "978-12-9068-118-6",
year = "2012",
month = "Aug" }

S. Tisseron, La honte, psychanalyse d’un lien social (psychismes) (french edition), , 1992.
[Bibtex]

@book{,
title = "La honte, psychanalyse d'un lien social (Psychismes) (French Edition)",
author = "Serge Tisseron",
isbn = "978-21-0001-195-7",
year = "1992",
month = "Nov" }

H. Troyat, Le jugement de dieu., , 1976.
[Bibtex]

@book{,
title = "Le Jugement de Dieu.",
author = "Henri Troyat",
isbn = "978-22-5900-081-9",
year = "1976",
month = "Nov" }

V. Vinge, Au tréfonds du ciel, , 2001.
[Bibtex]

@book{,
title = "Au Tréfonds du Ciel",
author = "Vernor Vinge",
isbn = "978-22-2109-029-9",
year = "2001",
month = "Apr" }

J. Gottschall, The storytelling animal: how stories make us human, , 2013.
[Bibtex]

@book{,
title = "The Storytelling Animal: How Stories Make Us Human",
author = "Jonathan Gottschall",
isbn = "978-05-4400-234-0",
year = "2013",
month = "Apr" }

J. Kaufman, The first 20 hours: how to learn anything … fast, , 2013.
[Bibtex]

@book{,
title = "The First 20 Hours: How to Learn Anything ... Fast",
author = "Josh Kaufman",
isbn = "978-06-7092-193-5",
year = "2013",
month = "Jun" }

A. Wiazemsky, Mon enfant de berlin (folio) (french edition), , 2011.
[Bibtex]

@book{,
title = "Mon Enfant de Berlin (Folio) (French Edition)",
author = "Anne Wiazemsky",
isbn = "978-20-7044-038-2",
year = "2011",
month = "Mar" }

P. G. Wodehouse, Éclair de chaleur, , 1983.
[Bibtex]

@book{,
title = "Éclair de chaleur",
author = "Pelham Grenville Wodehouse",
isbn = "978-22-6400-489-5",
year = "1983",
month = "Nov" }

M. D. Irvin D Yalom, La méthode schopenhauer: roman, , 2008.
[Bibtex]

@book{,
title = "La méthode Schopenhauer: roman",
author = "Irvin D Yalom, M. D.",
isbn = "978-27-5780-385-1",
year = "2008",
month = "Jan" }

Y. Khadra, Les hirondelles de kaboul, , 2012.
[Bibtex]

@book{,
title = "Les hirondelles de Kaboul",
author = "Yasmina Khadra",
isbn = "978-22-6621-882-5",
year = "2012",
month = "Dec" }

E. Tolle, A new earth: awakening to your life’s purpose, , 2005.
[Bibtex]

@book{,
title = "A New Earth: Awakening to Your Life's Purpose",
author = "Eckhart Tolle",
isbn = "978-05-2594-802-5",
year = "2005",
month = "Oct" }

P. K. Dick, We can remember it for you wholesale, , 1990.
[Bibtex]

@book{,
title = "We Can Remember It for You Wholesale",
author = "Philip K. Dick",
isbn = "978-08-0651-209-9",
year = "1990",
month = "Nov" }

J. Assange, J. Appelbaum, A. Müller-Maguhn, and J. Zimmermann, Cypherpunks, , 2013.
[Bibtex]

@book{,
title = "Cypherpunks",
author = "Julian Assange and Jacob Appelbaum and Andy Müller-Maguhn and Jérémie Zimmermann",
isbn = "978-19-3929-301-5",
year = "2013",
month = "Jan" }

K. Powers, The yellow birds: a novel, , 2012.
[Bibtex]

@book{,
title = "The Yellow Birds: A Novel",
author = "Kevin Powers",
isbn = "978-03-1621-935-8",
year = "2012",
month = "Sep" }

M. Maeterlinck, Les aveugles (l’intruse. les aveugles) (french edition), , 2010.
[Bibtex]

@book{,
title = "Les aveugles (L'intruse. Les aveugles) (French Edition)",
author = "Maurice Maeterlinck",
isbn = "978-11-7840-901-7",
year = "2010",
month = "Sep" }

M. Bulgakov, R. Pevear, and L. Volokhonsky, The master and margarita, , 1997.
[Bibtex]

@book{,
title = "The Master and Margarita",
author = "Mikhail Bulgakov and Richard Pevear and Larissa Volokhonsky",
isbn = "978-01-4118-014-4",
year = "1997",
month = "Nov" }

N. Stephenson, Cryptonomicon, , 2001.
[Bibtex]

@book{,
title = "Cryptonomicon",
author = "Neal Stephenson",
isbn = "978-00-6051-280-4",
year = "2001",
month = "Aug" }

F. Herbert, Children of dune, , 2008.
[Bibtex]

@book{,
title = "Children of Dune",
author = "Frank Herbert",
isbn = "978-04-4101-590-0",
year = "2008",
month = "May" }

F. Herbert, God emperor of dune, , 2008.
[Bibtex]

@book{,
title = "God Emperor of Dune",
author = "Frank Herbert",
isbn = "978-04-4101-631-0",
year = "2008",
month = "Sep" }

F. Herbert, Chapterhouse: dune, , 1986.
[Bibtex]

@book{,
title = "Chapterhouse: Dune",
author = "Frank Herbert",
isbn = "978-04-4110-267-9",
year = "1986",
month = "Nov" }

B. Herbert and K. Anderson, Dune: house corrino, , 2002.
[Bibtex]

@book{,
title = "Dune: House Corrino",
author = "Brian Herbert and Kevin Anderson",
isbn = "978-05-5389-695-4",
year = "2002",
month = "Aug" }

B. Herbert and K. J. Anderson, Dune: the battle of corrin, , 2007.
[Bibtex]

@book{,
title = "Dune: The Battle of Corrin",
author = "Brian Herbert and Kevin J. Anderson",
isbn = "07-6530-159-8",
year = "2007",
month = "Apr" }

N. Wiener, Cybernetics or control and communication in the animal and the machine, , 1965.
[Bibtex]

@book{,
title = "Cybernetics or Control and Communication in the Animal and the Machine",
author = "Norbert Wiener",
isbn = "978-02-6273-009-9",
year = "1965",
month = "Mar" }

D. Graeber, Debt, , 2011.
[Bibtex]

@book{,
title = "Debt",
author = "David Graeber",
isbn = "978-16-1219-098-3",
year = "2011",
month = "Jul" }

I. McEwan, Solar, , 2010.
[Bibtex]

@book{,
title = "Solar",
author = "Ian McEwan",
isbn = "978-03-8553-341-6",
year = "2010",
month = "Mar" }

I. McEwan, First love, last rites, , 2010.
[Bibtex]

@book{,
title = "First Love, Last Rites",
author = "Ian McEwan",
isbn = "978-73-0506-374-9",
year = "2010",
month = "Jan" }

I. McEwan, Saturday, , 2006.
[Bibtex]

@book{,
title = "Saturday",
author = "Ian McEwan",
isbn = "978-14-0007-619-2",
year = "2006",
month = "Apr" }

J. M. Coetzee, Disgrace, , 1999.
[Bibtex]

@book{,
title = "Disgrace",
author = "J. M. Coetzee",
isbn = "978-27-0289-248-0",
year = "1999",
month = "Nov" }

J. Banville, The sea, , 2005.
[Bibtex]

@book{,
title = "The Sea",
author = "John Banville",
isbn = "14-0009-702-9",
year = "2005",
month = "Jan" }

P. Brinkmann, Making musical apps, , 2012.
[Bibtex]

@book{,
title = "Making Musical Apps",
author = "Peter Brinkmann",
isbn = "978-14-4931-490-3",
year = "2012",
month = "Feb" }

N. N. Taleb, The black swan: the impact of the highly improbable, , 2007.
[Bibtex]

@book{,
title = "The Black Swan: The Impact of the Highly Improbable",
author = "Nassim Nicholas Taleb",
isbn = "978-14-0006-351-2",
year = "2007",
month = "Apr" }

N. N. Taleb, Antifragile: things that gain from disorder, , 2012.
[Bibtex]

@book{,
title = "Antifragile: Things That Gain From Disorder",
author = "Nassim Nicholas Taleb",
isbn = "978-06-7964-527-6",
year = "2012",
month = "Nov" }

P. K. Dick, Do androids dream of electric sheep?, , 1996.
[Bibtex]

@book{,
title = "Do Androids Dream of Electric Sheep?",
author = "Philip K. Dick",
isbn = "978-03-4540-447-3",
year = "1996",
month = "May" }

S. T. P. I. J. Cohen, Science of discworld iii: darwin’s watch by terry pratchett, j. cohen, i. stewart paperback / softback edition (2006), , 2012.
[Bibtex]

@book{,
title = "Science of Discworld III: Darwin's Watch by Terry Pratchett, J. Cohen, I. Stewart Paperback / Softback Edition (2006)",
author = "J. Cohen, I. Stewart Terry Pratchett",
year = "2012",
month = "Mar" }

R. Boulanger, The csound book: perspectives in software synthesis, sound design, signal processing,and programming, , 2000.
[Bibtex]

@book{,
title = "The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing,and Programming",
author = "Richard Boulanger",
isbn = "978-02-6252-261-8",
year = "2000",
month = "Mar" }

R. Sennett and K. Durand, Otorite, , 1992.
[Bibtex]

@book{,
title = "Otorite",
author = "Richard Sennett and Kamil Durand",
isbn = "978-97-5539-027-7",
year = "1992",
month = "Nov" }

O. Pamuk, My name is red, , 2002.
[Bibtex]

@book{,
title = "My Name Is Red",
author = "Orhan Pamuk",
isbn = "978-03-7570-685-1",
year = "2002",
month = "Aug" }

O. Pamuk, Snow, , 2004.
[Bibtex]

@book{,
title = "Snow",
author = "Orhan Pamuk",
isbn = "978-03-7570-686-8",
year = "2004",
month = "Nov" }

S. Rushdie, Midnight’s children: a novel, , 1980.
[Bibtex]

@book{,
title = "Midnight's Children: A Novel",
author = "Salman Rushdie",
isbn = "978-08-1297-653-3",
year = "1980",
month = "Nov" }

S. Rushdie, Shalimar the clown: a novel, , 2005.
[Bibtex]

@book{,
title = "Shalimar the Clown: A Novel",
author = "Salman Rushdie",
isbn = "978-06-7978-348-0",
year = "2005",
month = "Nov" }

S. Rushdie, Shame, , 2011.
[Bibtex]

@book{,
title = "Shame",
author = "Salman Rushdie",
isbn = "978-14-0905-882-3",
year = "2011",
month = "Aug" }

S. Rushdie, The enchantress of florence: a novel, , 2008.
[Bibtex]

@book{,
title = "The Enchantress of Florence: A Novel",
author = "Salman Rushdie",
isbn = "978-06-7964-051-6",
year = "2008",
month = "Nov" }

S. Lem, The invincible, , 1973.
[Bibtex]

@book{,
title = "The Invincible",
author = "Stanisław Lem",
isbn = "978-02-8397-962-0",
year = "1973",
month = "Aug" }

S. Rushdie, The moor’s last sigh, , 1997.
[Bibtex]

@book{,
title = "The Moor's Last Sigh",
author = "Salman Rushdie",
isbn = "978-06-7974-466-5",
year = "1997",
month = "Jan" }

T. Robbins, Jitterbug perfume, , 1990.
[Bibtex]

@book{,
title = "Jitterbug Perfume",
author = "Tom Robbins",
isbn = "05-5334-898-1",
year = "1990",
month = "Apr" }

S. Baxter, Voyage, , 2011.
[Bibtex]

@book{,
title = "Voyage",
author = "Stephen Baxter",
isbn = "00-6105-708-8",
year = "2011",
month = "May" }

S. Strogatz, The joy of x: a guided tour of math, from one to infinity, , 2013.
[Bibtex]

@book{,
title = "The Joy of X: A Guided Tour of Math, From One to Infinity",
author = "Steven Strogatz",
isbn = "978-05-4410-585-0",
year = "2013",
month = "Oct" }

T. Pynchon, V., , 1999.
[Bibtex]

@book{,
title = "V.",
author = "Thomas Pynchon",
isbn = "978-00-6093-021-9",
year = "1999",
month = "Mar" }

T. Capote, Breakfast at tiffany’s, , 2008.
[Bibtex]

@book{,
title = "Breakfast at Tiffany's",
author = "Truman Capote",
isbn = "978-01-4118-953-6",
year = "2008",
month = "Nov" }

U. Eco, Foucault’s pendulum, , 1990.
[Bibtex]

@book{,
title = "Foucault's Pendulum",
author = "Umberto Eco",
isbn = "978-01-5603-297-1",
year = "1990",
month = "Aug" }

V. Braitenberg, Vehicles: experiments in synthetic psychology, , 1986.
[Bibtex]

@book{,
title = "Vehicles: Experiments in Synthetic Psychology",
author = "Valentino Braitenberg",
isbn = "978-02-6252-112-3",
year = "1986",
month = "Feb" }

Z. Smith, Nw: a novel, , 2012.
[Bibtex]

@book{,
title = "NW: A Novel",
author = "Zadie Smith",
isbn = "978-15-9420-397-8",
year = "2012",
month = "Sep" }

B. W. Aldiss, Le monde vert, , 2009.
[Bibtex]

@book{,
title = "Le Monde Vert",
author = "Brian Wilson Aldiss",
isbn = "978-20-7035-571-6",
year = "2009",
month = "Feb" }

A. Blondin, Sur le tour de france, , 1996.
[Bibtex]

@book{,
title = "Sur le Tour de France",
author = "Antoine Blondin",
isbn = "978-27-1030-737-2",
year = "1996",
month = "Nov" }

P. Bourdieu, Questions de sociologie, , 1980.
[Bibtex]

@book{,
title = "Questions de sociologie",
author = "Pierre Bourdieu",
isbn = "978-27-0730-325-7",
year = "1980",
month = "Nov" }

L. J. Braun, Le chat qui aimait la brocante, , 1992.
[Bibtex]

@book{,
title = "Le chat qui aimait la brocante",
author = "Lilian Jackson Braun",
isbn = "978-22-6401-731-4",
year = "1992",
month = "Nov" }

J. Brighelli and J. Brighelli, La fabrique du crétin: la mort programmée de l’école, , 2006.
[Bibtex]

@book{,
title = "La Fabrique du Crétin: La mort programmée de l'école",
author = "Jean Brighelli and Jean-Paul Brighelli",
isbn = "978-20-7033-309-7",
year = "2006",
month = "Nov" }

C. Carter, Le dernier crime d’agatha christie, , 2000.
[Bibtex]

@book{,
title = "Le Dernier Crime D'Agatha Christie",
author = "Christopher Carter",
isbn = "978-22-6610-088-5",
year = "2000",
month = "Jan" }

E. M. Cioran and E. Cioran, Exercices négatifs: en marge du précis de décomposition, , 2005.
[Bibtex]

@book{,
title = "Exercices négatifs: En marge du Précis de décomposition",
author = "Emile M. Cioran and Emil Cioran",
isbn = "978-20-7077-539-2",
year = "2005",
month = "Nov" }

S. Baxter, Traces, , 1998.
[Bibtex]

@book{,
title = "Traces",
author = "Stephen Baxter",
isbn = "978-00-0743-961-4",
year = "1998",
month = "Jan" }

J. V. Guttag, Introduction to computation and programming using python, revised and expanded edition, , 2013.
[Bibtex]

@book{,
title = "Introduction to Computation and Programming Using Python, Revised and Expanded Edition",
author = "John V. Guttag",
year = "2013",
month = "Aug" }

J. S. Foer, Extremely loud and incredibly close, , 2013.
[Bibtex]

@book{,
title = "Extremely Loud and Incredibly Close",
author = "Jonathan Safran Foer",
year = "2013",
month = "Nov" }

S. Baxter, Anti-ice, , 1994.
[Bibtex]

@book{,
title = "Anti-Ice",
author = "Stephen Baxter",
isbn = "978-00-6105-421-1",
year = "1994",
month = "Oct" }

S. Baxter, Exultant: destiny’s children book two, , 2010.
[Bibtex]

@book{,
title = "Exultant: Destiny'S Children Book Two",
author = "Stephen Baxter",
isbn = "03-4545-788-9",
year = "2010",
month = "Jun" }

S. Baxter, Coalescent, , 2003.
[Bibtex]

@book{,
title = "Coalescent",
author = "Stephen Baxter",
isbn = "03-4545-786-2",
year = "2003",
month = "Nov" }

S. Baxter, Manifold: time, , 2000.
[Bibtex]

@book{,
title = "Manifold: Time",
author = "Stephen Baxter",
isbn = "978-03-4543-076-2",
year = "2000",
month = "Nov" }

S. Baxter, Manifold: space, , 2002.
[Bibtex]

@book{,
title = "Manifold: Space",
author = "Stephen Baxter",
isbn = "978-03-4543-078-6",
year = "2002",
month = "Jan" }

S. Baxter, Manifold: origin, , 2002.
[Bibtex]

@book{,
title = "Manifold: Origin",
author = "Stephen Baxter",
isbn = "978-03-4543-080-9",
year = "2002",
month = "Nov" }

S. Baxter, Raft, , 2013.
[Bibtex]

@book{,
title = "Raft",
author = "Stephen Baxter",
isbn = "978-05-7512-797-5",
year = "2013",
month = "Jan" }

S. Baxter, Ring, , 1996.
[Bibtex]

@book{,
title = "Ring",
author = "Stephen Baxter",
isbn = "978-00-6105-694-9",
year = "1996",
month = "Apr" }

S. Baxter, Evolution, , 2004.
[Bibtex]

@book{,
title = "Evolution",
author = "Stephen Baxter",
isbn = "978-03-4545-783-7",
year = "2004",
month = "Feb" }

S. Baxter, Flux, , 101.
[Bibtex]

@book{,
title = "Flux",
author = "Stephen Baxter",
year = "101",
month = "Jan" }

S. Baxter, Resplendent: destiny’s children book four, , 2009.
[Bibtex]

@book{,
title = "Resplendent: Destiny's Children Book Four",
author = "Stephen Baxter",
isbn = "978-05-7509-526-7",
year = "2009",
month = "Sep" }

S. Baxter, The time ships, , 1995.
[Bibtex]

@book{,
title = "The Time Ships",
author = "Stephen Baxter",
isbn = "978-00-6105-648-2",
year = "1995",
month = "Nov" }

S. Baxter, Singularité, , 2013.
[Bibtex]

@book{,
title = "Singularité",
author = "Stephen Baxter",
isbn = "978-22-6621-995-2",
year = "2013",
month = "Nov" }

S. Baxter, Vacuum diagrams, , 2001.
[Bibtex]

@book{,
title = "Vacuum Diagrams",
author = "Stephen Baxter",
isbn = "978-00-6105-904-9",
year = "2001",
month = "Apr" }

H. Murakami, 1q84, , 2011.
[Bibtex]

@book{,
title = "1q84",
author = "Haruki Murakami",
isbn = "978-03-0747-646-3",
year = "2011",
month = "Oct" }

H. Murakami, After the quake: stories, , 2003.
[Bibtex]

@book{,
title = "After the Quake: Stories",
author = "Haruki Murakami",
isbn = "978-03-7571-327-9",
year = "2003",
month = "May" }

H. Murakami, Sputnik sweetheart, , 2001.
[Bibtex]

@book{,
title = "Sputnik Sweetheart",
author = "Haruki Murakami",
isbn = "978-03-7541-346-9",
year = "2001",
month = "May" }

S. H. Strogatz, Sync: the emerging science of spontaneous order, , 2003.
[Bibtex]

@book{,
title = "Sync: The Emerging Science of Spontaneous Order",
author = "Steven H. Strogatz",
isbn = "978-07-8686-844-5",
year = "2003",
month = "Mar" }

S. Lem, Hospital of the transfiguration, , 1991.
[Bibtex]

@book{,
title = "Hospital of the Transfiguration",
author = "Stanislaw Lem",
isbn = "978-01-5642-176-8",
year = "1991",
month = "Apr" }

S. Lem, Imaginary magnitude, , 1985.
[Bibtex]

@book{,
title = "Imaginary Magnitude",
author = "Stanislaw Lem",
isbn = "978-05-4400-308-8",
year = "1985",
month = "Oct" }

S. Lem, Memoirs of a space traveler, , 1982.
[Bibtex]

@book{,
title = "Memoirs of a Space Traveler",
author = "Stanislaw Lem",
isbn = "978-01-5158-856-5",
year = "1982",
month = "Jan" }

S. Lem, Microworlds, , 1986.
[Bibtex]

@book{,
title = "Microworlds",
author = "Stanislaw Lem",
isbn = "978-01-5659-443-1",
year = "1986",
month = "Nov" }

S. Lem, More tales of pirx the pilot (harvest book), , 1983.
[Bibtex]

@book{,
title = "More Tales of Pirx the Pilot (Harvest Book)",
author = "Stanislaw Lem",
isbn = "978-01-5662-143-4",
year = "1983",
month = "Sep" }

S. Lem, Mortal engines, , 1992.
[Bibtex]

@book{,
title = "Mortal Engines",
author = "Stanislaw Lem",
isbn = "978-01-5662-161-8",
year = "1992",
month = "May" }

S. Lem, One human minute, , 1986.
[Bibtex]

@book{,
title = "One Human Minute",
author = "Stanislaw Lem",
isbn = "978-05-4408-004-1",
year = "1986",
month = "Nov" }

S. Lem, Peace on earth, , 2002.
[Bibtex]

@book{,
title = "Peace on Earth",
author = "Stanislaw Lem",
isbn = "978-05-4799-512-0",
year = "2002",
month = "Dec" }

S. Lem, Return from the stars (helen and kurt wolff books), , 1989.
[Bibtex]

@book{,
title = "Return From the Stars (Helen and Kurt Wolff Books)",
author = "Stanislaw Lem",
isbn = "978-01-5676-593-0",
year = "1989",
month = "Jun" }

S. Lem, The chain of chance, , 2000.
[Bibtex]

@book{,
title = "The Chain of Chance",
author = "Stanislaw Lem",
isbn = "978-08-1011-730-3",
year = "2000",
month = "Mar" }

S. Lem, The cyberiad, , 2002.
[Bibtex]

@book{,
title = "The Cyberiad",
author = "Stanislaw Lem",
isbn = "978-05-4753-851-8",
year = "2002",
month = "Dec" }

S. Lem, The investigation, , 1986.
[Bibtex]

@book{,
title = "The Investigation",
author = "Stanislaw Lem",
isbn = "978-01-5645-158-1",
year = "1986",
month = "Jul" }

A. Weiss, Million dollar consulting proposals: how to write a proposal that’s accepted every time, , 2011.
[Bibtex]

@book{,
title = "Million Dollar Consulting Proposals: How to Write a Proposal That's Accepted Every Time",
author = "Alan Weiss",
isbn = "978-11-1809-753-3",
year = "2011",
month = "Oct" }

Z. Smith, On beauty, , 2005.
[Bibtex]

@book{,
title = "On Beauty",
author = "Zadie Smith",
isbn = "978-01-4303-774-3",
year = "2005",
month = "Jan" }

B. Latour, Science in action: how to follow scientists and engineers through society, , 1987.
[Bibtex]

@book{,
title = "Science in Action: How to Follow Scientists and Engineers Through Society",
author = "Bruno Latour",
isbn = "978-06-7479-291-3",
year = "1987",
month = "Jan" }

D. Blum, The monkey wars, , 1994.
[Bibtex]

@book{,
title = "The Monkey Wars",
author = "Deborah Blum",
isbn = "978-01-9509-412-1",
year = "1994",
month = "Oct" }

T. Pynchon, Gravity’s rainbow, , 1973.
[Bibtex]

@book{,
title = "Gravity's Rainbow",
author = "Thomas Pynchon",
isbn = "978-00-9953-321-4",
year = "1973",
month = "Nov" }

T. Pynchon, Mason & dixon, , 2006.
[Bibtex]

@book{,
title = "Mason \& Dixon",
author = "Thomas Pynchon",
isbn = "978-00-9977-191-3",
year = "2006",
month = "Dec" }

F. Herbert, Dune messiah, , 2008.
[Bibtex]

@book{,
title = "Dune Messiah",
author = "Frank Herbert",
isbn = "978-04-4101-561-0",
year = "2008",
month = "Feb" }

R. Brautigan, Le général de big sur, , 1984.
[Bibtex]

@book{,
title = "Le Général de Big Sur",
author = "Richard Brautigan",
isbn = "978-22-6400-605-9",
year = "1984",
month = "Nov" }

R. Matheson, Les seins de glace, , 1955.
[Bibtex]

@book{,
title = "Les seins de glace",
author = "Matheson,Richard",
isbn = "20-7049-832-8",
year = "1955",
month = "May" }

N. Sparks, Dear john, , 2009.
[Bibtex]

@book{,
title = "Dear John",
author = "Nicholas Sparks",
isbn = "978-04-4656-733-6",
year = "2009",
month = "Dec" }

J. Picoult, The pact: a love story, , 2006.
[Bibtex]

@book{,
title = "The Pact: A Love Story",
author = "Jodi Picoult",
isbn = "978-00-6115-014-2",
year = "2006",
month = "Aug" }

J. Patterson and A. Gross, 3rd degree, , 2005.
[Bibtex]

@book{,
title = "3rd Degree",
author = "James Patterson and Andrew Gross",
isbn = "978-04-4669-664-7",
year = "2005",
month = "May" }

C. Palahniuk, Diary: a novel, , 2004.
[Bibtex]

@book{,
title = "Diary: A Novel",
author = "Chuck Palahniuk",
isbn = "978-14-0003-281-5",
year = "2004",
month = "Sep" }

J. Lindsay, Darkly dreaming dexter, , 2009.
[Bibtex]

@book{,
title = "Darkly Dreaming Dexter",
author = "Jeff Lindsay",
isbn = "978-03-0747-370-7",
year = "2009",
month = "Aug" }

J. Krakauer, Into the wild, , 2007.
[Bibtex]

@book{,
title = "Into the Wild",
author = "Jon Krakauer",
isbn = "978-03-3045-367-7",
year = "2007",
month = "Nov" }

T. Harris, Hannibal, , 2005.
[Bibtex]

@book{,
title = "Hannibal",
author = "Thomas Harris",
isbn = "978-03-8533-948-3",
year = "2005",
month = "Jul" }

C. Harris, Dead until dark, , 2010.
[Bibtex]

@book{,
title = "Dead Until Dark",
author = "Charlaine Harris",
isbn = "978-05-7509-702-5",
year = "2010",
month = "Nov" }

J. Haldeman and J. W. Haldeman, The forever war, , 1974.
[Bibtex]

@book{,
title = "The Forever War",
author = "Joe Haldeman and Joe W. Haldeman",
isbn = "978-00-6051-086-2",
year = "1974",
month = "Nov" }

J. Evanovich, Ten big ones: a stephanie plum novel, , 2005.
[Bibtex]

@book{,
title = "Ten Big Ones: A Stephanie Plum Novel",
author = "Janet Evanovich",
isbn = "978-03-1293-622-8",
year = "2005",
month = "Jun" }

J. Ellroy, L.a. confidential, , 1990.
[Bibtex]

@book{,
title = "L.A. Confidential",
author = "James Ellroy",
isbn = "978-00-9936-671-3",
year = "1990",
month = "Nov" }

M. Crichton, The lost world, , 1996.
[Bibtex]

@book{,
title = "The Lost World",
author = "Michael Crichton",
isbn = "978-03-4540-288-2",
year = "1996",
month = "Sep" }

M. Crichton, The andromeda strain, , 2003.
[Bibtex]

@book{,
title = "The Andromeda Strain",
author = "Michael Crichton",
isbn = "978-00-6054-181-1",
year = "2003",
month = "Oct" }

I. Asimov, Foundation’s edge, , 1991.
[Bibtex]

@book{,
title = "Foundation's Edge",
author = "Isaac Asimov",
isbn = "978-05-5329-338-8",
year = "1991",
month = "Oct" }

I. Asimov, Foundation and earth, , 2008.
[Bibtex]

@book{,
title = "Foundation and Earth",
author = "Isaac Asimov",
isbn = "978-14-3950-722-3",
year = "2008",
month = "Jun" }

D. Adams, Dirk gently’s holistic detective agency, , 1991.
[Bibtex]

@book{,
title = "Dirk Gently's Holistic Detective Agency",
author = "Douglas Adams",
isbn = "978-06-7174-672-8",
year = "1991",
month = "Jun" }

D. Adams, Mostly harmless, , 2009.
[Bibtex]

@book{,
title = "Mostly Harmless",
author = "Douglas Adams",
isbn = "03-4537-933-0",
year = "2009",
month = "Jan" }

P. K. Dick, Clans of the alphane moon, , 1964.
[Bibtex]

@book{,
title = "Clans of the Alphane Moon",
author = "Philip K. Dick",
isbn = "978-03-7571-928-8",
year = "1964",
month = "Nov" }

P. K. Dick, Confessions of a crap artist, , 1975.
[Bibtex]

@book{,
title = "Confessions of a Crap Artist",
author = "Philip K. Dick",
isbn = "978-04-1704-290-9",
year = "1975",
month = "Nov" }

P. K. Dick and R. Zelazny, Deus irae, , 1993.
[Bibtex]

@book{,
title = "Deus Irae",
author = "Philip K. Dick and Roger Zelazny",
isbn = "978-00-2031-589-6",
year = "1993",
month = "Jul" }

P. K. Dick, The divine invasion, , 1991.
[Bibtex]

@book{,
title = "The Divine Invasion",
author = "Philip K. Dick",
isbn = "978-06-7973-445-1",
year = "1991",
month = "Jul" }

P. K. Dick, Flow my tears, the policeman said, , 1993.
[Bibtex]

@book{,
title = "Flow My Tears, the Policeman Said",
author = "Philip K. Dick",
isbn = "978-06-7974-066-7",
year = "1993",
month = "Jun" }

P. K. Dick, The game-players of titan, , 1992.
[Bibtex]

@book{,
title = "The Game-Players of Titan",
author = "Philip K. Dick",
isbn = "978-05-4757-243-7",
year = "1992",
month = "Nov" }

P. K. Dick, I hope i shall arrive soon, , 1985.
[Bibtex]

@book{,
title = "I Hope I Shall Arrive Soon",
author = "Philip K. Dick",
isbn = "978-03-8519-567-6",
year = "1985",
month = "Jun" }

P. K. Dick, The imposter: astounding science fiction, , 1953.
[Bibtex]

@book{,
title = "The Imposter: ASTOUNDING SCIENCE FICTION",
author = "Philip K. Dick",
year = "1953",
month = "Nov" }

P. K. Dick, The man in the high castle, , 1992.
[Bibtex]

@book{,
title = "The Man in the High Castle",
author = "Philip K. Dick",
isbn = "978-06-7974-067-4",
year = "1992",
month = "Jun" }

P. K. Dick, The man who japed, , 2002.
[Bibtex]

@book{,
title = "The Man Who Japed",
author = "Philip K. Dick",
isbn = "978-03-7571-935-6",
year = "2002",
month = "Nov" }

P. K. Dick and G. Gardner, Martian time-slip and the golden man, , 2007.
[Bibtex]

@book{,
title = "Martian Time-Slip and the Golden Man",
author = "Philip K. Dick and Grover Gardner",
isbn = "978-14-3320-066-3",
year = "2007",
month = "Apr" }

P. K. Dick, A maze of death, , 1970.
[Bibtex]

@book{,
title = "A Maze of Death",
author = "Philip K. Dick",
isbn = "978-06-7975-298-1",
year = "1970",
month = "Nov" }

P. K. Dick, The minority report and other classic stories, , 2002.
[Bibtex]

@book{,
title = "The Minority Report and Other Classic Stories",
author = "Philip K. Dick",
isbn = "978-08-0652-379-8",
year = "2002",
month = "May" }

P. K. Dick, Now wait for last year, , 1966.
[Bibtex]

@book{,
title = "Now Wait for Last Year",
author = "Philip K. Dick",
isbn = "978-06-7974-220-3",
year = "1966",
month = "Nov" }

P. K. Dick, Our friends from frolix 8, , 2003.
[Bibtex]

@book{,
title = "Our Friends From Frolix 8",
author = "Philip K. Dick",
isbn = "978-03-7571-934-9",
year = "2003",
month = "Mar" }

P. K. Dick, Radio free albemuth, , 1985.
[Bibtex]

@book{,
title = "Radio Free Albemuth",
author = "Philip K. Dick",
isbn = "978-08-7795-762-1",
year = "1985",
month = "Nov" }

P. K. Dick, A scanner darkly, , 2006.
[Bibtex]

@book{,
title = "A Scanner Darkly",
author = "Philip K. Dick",
isbn = "978-14-0009-690-9",
year = "2006",
month = "May" }

P. K. Dick, Second variety, , 1991.
[Bibtex]

@book{,
title = "Second Variety",
author = "Philip K. Dick",
isbn = "978-08-0651-226-6",
year = "1991",
month = "Jan" }

P. K. Dick, Simulacra: science-fiction-roman, , 1978.
[Bibtex]

@book{,
title = "Simulacra: Science-Fiction-Roman",
author = "Philip K. Dick",
isbn = "978-34-2600-708-2",
year = "1978",
month = "Nov" }

P. K. Dick, Solar lottery, , 2003.
[Bibtex]

@book{,
title = "Solar Lottery",
author = "Philip K. Dick",
isbn = "978-14-0003-013-2",
year = "2003",
month = "Jun" }

P. K. Dick, The three stigmata of palmer eldritch, , 2011.
[Bibtex]

@book{,
title = "The Three Stigmata of Palmer Eldritch",
author = "Philip K. Dick",
isbn = "978-05-4757-255-0",
year = "2011",
month = "Oct" }

P. K. Dick, Ubik, , 1999.
[Bibtex]

@book{,
title = "Ubik",
author = "Philip K. Dick",
isbn = "978-05-4757-229-1",
year = "1999",
month = "Nov" }

P. K. Dick, Valis, , 2006.
[Bibtex]

@book{,
title = "Valis",
author = "Philip K. Dick",
isbn = "978-88-3471-227-6",
year = "2006",
month = "Nov" }

P. K. Dick, We can build you, , 1972.
[Bibtex]

@book{,
title = "We Can Build You",
author = "Philip K. Dick",
isbn = "978-06-7975-296-7",
year = "1972",
month = "Nov" }

F. Herbert, Heretics of dune sped, , 1984.
[Bibtex]

@book{,
title = "Heretics of Dune Sped",
author = "Frank Herbert",
isbn = "978-03-9912-947-6",
year = "1984",
month = "Apr" }

B. Herbert and K. Anderson, Dune: house atreides, , 2003.
[Bibtex]

@book{,
title = "Dune: House Atreides",
author = "Brian Herbert and Kevin Anderson",
isbn = "978-05-5389-782-1",
year = "2003",
month = "Mar" }

B. Herbert, K. Anderson, and S. Youll, Dune: house harkonnen, , 2003.
[Bibtex]

@book{,
title = "Dune: House Harkonnen",
author = "Brian Herbert and Kevin Anderson and Stephen Youll",
isbn = "05-5358-030-2",
year = "2003",
month = "Mar" }

B. Herbert and K. J. Anderson, Dune: the butlerian jihad, , 2010.
[Bibtex]

@book{,
title = "Dune: The Butlerian Jihad",
author = "Brian Herbert and Kevin J. Anderson",
isbn = "978-14-2995-590-4",
year = "2010",
month = "Apr" }

B. Herbert and K. J. Anderson, Dune: the machine crusade, , 2004.
[Bibtex]

@book{,
title = "Dune: The Machine Crusade",
author = "Brian Herbert and Kevin J. Anderson",
isbn = "978-07-6534-078-8",
year = "2004",
month = "Jul" }

B. Herbert and K. J. Anderson, Hunters of dune, , 2007.
[Bibtex]

@book{,
title = "Hunters of Dune",
author = "Brian Herbert and Kevin J. Anderson",
isbn = "978-07-6535-148-7",
year = "2007",
month = "Jun" }

B. Herbert and K. J. Anderson, Paul of dune, , 2009.
[Bibtex]

@book{,
title = "Paul of Dune",
author = "Brian Herbert and Kevin J. Anderson",
isbn = "978-07-6535-150-0",
year = "2009",
month = "Aug" }

B. Herbert and K. J. Anderson, The winds of dune, , 2009.
[Bibtex]

@book{,
title = "The Winds of Dune",
author = "Brian Herbert and Kevin J. Anderson",
isbn = "978-14-2999-248-0",
year = "2009",
month = "Aug" }

L. Child, Bad luck and trouble: (jack reacher 11), , 2008.
[Bibtex]

@book{,
title = "Bad Luck and Trouble: (Jack Reacher 11)",
author = "Lee Child",
isbn = "978-14-0703-754-7",
year = "2008",
month = "Sep" }

R. Crais, Chasing darkness, , 2008.
[Bibtex]

@book{,
title = "Chasing Darkness",
author = "Robert Crais",
isbn = "978-07-5289-161-3",
year = "2008",
month = "Jul" }

R. Crais, Free fall, , 1996.
[Bibtex]

@book{,
title = "Free Fall",
author = "Robert Crais",
isbn = "978-05-5356-509-6",
year = "1996",
month = "Nov" }

R. Crais, Hostage, , 2010.
[Bibtex]

@book{,
title = "Hostage",
author = "Robert Crais",
isbn = "978-14-0913-459-6",
year = "2010",
month = "Dec" }

R. Crais, Indigo slam, , 2010.
[Bibtex]

@book{,
title = "Indigo Slam",
author = "Robert Crais",
isbn = "978-14-0913-453-4",
year = "2010",
month = "Dec" }

R. Crais, L.a. requiem (elvis cole novels), , 2000.
[Bibtex]

@book{,
title = "L.A. Requiem (Elvis Cole Novels)",
author = "Robert Crais",
isbn = "978-03-4543-447-0",
year = "2000",
month = "Feb" }

R. Crais, Lullaby town : an elvis cole novel, , 1993.
[Bibtex]

@book{,
title = "Lullaby Town : An Elvis Cole Novel",
author = "Robert Crais",
isbn = "978-05-5329-951-9",
year = "1993",
month = "May" }

R. Crais, Stalking the angel, , 1992.
[Bibtex]

@book{,
title = "Stalking the Angel",
author = "Robert Crais",
isbn = "978-05-5328-644-1",
year = "1992",
month = "Mar" }

R. Crais, Sunset express, , 2010.
[Bibtex]

@book{,
title = "Sunset Express",
author = "Robert Crais",
isbn = "978-14-0913-455-8",
year = "2010",
month = "Dec" }

R. Crais, Taken, , 2012.
[Bibtex]

@book{,
title = "Taken",
author = "Robert Crais",
isbn = "978-14-0914-302-4",
year = "2012",
month = "Apr" }

R. Crais, The first rule, , 2010.
[Bibtex]

@book{,
title = "The First Rule",
author = "Robert Crais",
isbn = "978-14-0910-723-1",
year = "2010",
month = "Mar" }

R. Crais, The forgotten man, , 2010.
[Bibtex]

@book{,
title = "The Forgotten Man",
author = "Robert Crais",
isbn = "978-14-0913-452-7",
year = "2010",
month = "Dec" }

R. Crais, The last detective, , 2010.
[Bibtex]

@book{,
title = "The Last Detective",
author = "Robert Crais",
isbn = "978-14-0913-451-0",
year = "2010",
month = "Dec" }

R. Crais, The monkey’s raincoat, , 1992.
[Bibtex]

@book{,
title = "The Monkey's Raincoat",
author = "Robert Crais",
isbn = "978-05-5327-585-8",
year = "1992",
month = "Mar" }

R. Crais, The sentry, , 2011.
[Bibtex]

@book{,
title = "The Sentry",
author = "Robert Crais",
isbn = "978-14-0911-602-8",
year = "2011",
month = "Mar" }

R. Crais, The two minute rule, , 2010.
[Bibtex]

@book{,
title = "The Two Minute Rule",
author = "Robert Crais",
isbn = "978-14-0912-354-5",
year = "2010",
month = "Apr" }

R. Crais, The watchman, , 2010.
[Bibtex]

@book{,
title = "The Watchman",
author = "Robert Crais",
isbn = "978-14-0912-355-2",
year = "2010",
month = "Apr" }

R. Crais, Voodoo river, , 1996.
[Bibtex]

@book{,
title = "Voodoo River",
author = "Robert Crais",
isbn = "978-07-8688-905-1",
year = "1996",
month = "Mar" }

R. Crais, Demolition angel, , 2001.
[Bibtex]

@book{,
title = "Demolition Angel",
author = "Robert Crais",
isbn = "978-14-0913-458-9",
year = "2001",
month = "Jul" }

J. Evanovich, Takedown twenty: a stephanie plum novel, , 2013.
[Bibtex]

@book{,
title = "Takedown Twenty: A Stephanie Plum Novel",
author = "Evanovich, Janet",
isbn = "978-03-4554-290-8",
year = "2013",
month = "Nov" }

J. Evanovich, Foul play, , 2008.
[Bibtex]

@book{,
title = "Foul Play",
author = "Janet Evanovich",
isbn = "978-00-6169-038-9",
year = "2008",
month = "Oct" }

J. Evanovich, Plum lovin’, , 2007.
[Bibtex]

@book{,
title = "Plum Lovin'",
author = "Janet Evanovich",
isbn = "978-03-1230-634-2",
year = "2007",
month = "Jan" }

J. Evanovich, Plum lucky, , 2009.
[Bibtex]

@book{,
title = "Plum Lucky",
author = "Janet Evanovich",
isbn = "978-03-1237-764-9",
year = "2009",
month = "Jan" }

J. Evanovich, Plum spooky, , 2009.
[Bibtex]

@book{,
title = "Plum Spooky",
author = "Janet Evanovich",
isbn = "978-03-1238-332-9",
year = "2009",
month = "Jan" }

J. Evanovich, One for the money, , 1999.
[Bibtex]

@book{,
title = "One for the Money",
author = "Janet Evanovich",
isbn = "06-8419-639-5",
year = "1999",
month = "Feb" }

J. Evanovich, Two for the dough, , 1999.
[Bibtex]

@book{,
title = "Two for the Dough",
author = "Janet Evanovich",
isbn = "978-06-8486-853-0",
year = "1999",
month = "Jul" }

J. Evanovich, Three to get deadly, , 2002.
[Bibtex]

@book{,
title = "Three to Get Deadly",
author = "Janet Evanovich",
isbn = "978-03-1299-022-0",
year = "2002",
month = "Sep" }

J. Evanovich, Four to score, , 2002.
[Bibtex]

@book{,
title = "Four to Score",
author = "Janet Evanovich",
isbn = "978-03-1299-022-0",
year = "2002",
month = "Sep" }

J. Evanovich, High five, , 2000.
[Bibtex]

@book{,
title = "High Five",
author = "Janet Evanovich",
isbn = "978-03-1297-134-2",
year = "2000",
month = "Jun" }

J. Evanovich, Janet evanovich: cuestion de suerte, , 2002.
[Bibtex]

@book{,
title = "Janet Evanovich: Cuestion de Suerte",
author = "Janet Evanovich",
isbn = "978-84-2044-337-9",
year = "2002",
month = "Nov" }

J. Evanovich, Seven up, , 2001.
[Bibtex]

@book{,
title = "Seven Up",
author = "Janet Evanovich",
isbn = "978-07-5532-906-9",
year = "2001",
month = "Nov" }

J. Evanovich, Hard eight: a stephanie plum novel, , 2003.
[Bibtex]

@book{,
title = "Hard Eight: A Stephanie Plum Novel",
author = "Janet Evanovich",
isbn = "978-03-1298-386-4",
year = "2003",
month = "Jun" }

J. Evanovich, To the nines, , 2004.
[Bibtex]

@book{,
title = "To the Nines",
author = "Janet Evanovich",
isbn = "978-03-1299-146-3",
year = "2004",
month = "May" }

J. Evanovich, Ten big ones, , 2010.
[Bibtex]

@book{,
title = "Ten Big Ones",
author = "Janet Evanovich",
isbn = "03-1228-972-3",
year = "2010",
month = "Apr" }

J. Evanovich and L. King, Eleven on top, , 2009.
[Bibtex]

@book{,
title = "Eleven on Top",
author = "Janet Evanovich and Lorelei King",
isbn = "978-14-0550-611-3",
year = "2009",
month = "Jan" }

J. Evanovich, Twelve sharp, , 2006.
[Bibtex]

@book{,
title = "Twelve Sharp",
author = "Janet Evanovich",
isbn = "978-07-3932-643-5",
year = "2006",
month = "Jun" }

J. Evanovich and L. King, Lean mean thirteen, , 2008.
[Bibtex]

@book{,
title = "Lean Mean Thirteen",
author = "Janet Evanovich and Lorelei King",
isbn = "978-03-1234-950-9",
year = "2008",
month = "Jun" }

J. Evanovich, Fearless fourteen: a stephanie plum novel, , 2008.
[Bibtex]

@book{,
title = "Fearless Fourteen: A Stephanie Plum Novel",
author = "Janet Evanovich",
isbn = "978-14-2999-077-6",
year = "2008",
month = "Jun" }

J. Evanovich, Finger lickin’ fifteen, , 2009.
[Bibtex]

@book{,
title = "Finger Lickin' Fifteen",
author = "Janet Evanovich",
isbn = "978-03-1238-328-2",
year = "2009",
month = "Jun" }

J. Evanovich, Sizzling sixteen (stephanie plum novels), , 2010.
[Bibtex]

@book{,
title = "Sizzling Sixteen (Stephanie Plum Novels)",
author = "Janet Evanovich",
isbn = "978-03-1238-330-5",
year = "2010",
month = "Jun" }

J. Evanovich, Visions of sugar plums: a stephanie plum holiday novel, , 2007.
[Bibtex]

@book{,
title = "Visions of Sugar Plums: A Stephanie Plum Holiday Novel",
author = "Janet Evanovich",
isbn = "978-03-1294-704-0",
year = "2007",
month = "Oct" }

A. C. Clarke and S. Baxter, Firstborn (time odyssey), , 2008.
[Bibtex]

@book{,
title = "Firstborn (Time Odyssey)",
author = "Arthur C. Clarke and Stephen Baxter",
isbn = "978-03-4549-158-9",
year = "2008",
month = "Oct" }

A. C. Clarke and S. Baxter, Sunstorm: a time odyssey book two, , 2010.
[Bibtex]

@book{,
title = "Sunstorm: A Time Odyssey Book Two",
author = "Arthur C. Clarke and Stephen Baxter",
isbn = "978-05-7509-858-9",
year = "2010",
month = "Jun" }

S. Baxter and A. C. Clarke, Time’s eye: a time odyssey book one, , 2010.
[Bibtex]

@book{,
title = "Time's Eye: A Time Odyssey Book One",
author = "Stephen Baxter and Arthur C. Clarke",
isbn = "978-05-7509-857-2",
year = "2010",
month = "Jun" }

Kōbō. Abe, The box man: a novel, , 2001.
[Bibtex]

@book{,
title = "The Box Man: A Novel",
author = "Kōbō Abe",
isbn = "978-03-7572-651-4",
year = "2001",
month = "Jul" }

K. Abe, The face of another, , 2011.
[Bibtex]

@book{,
title = "The Face of Another",
author = "Kobo Abe",
isbn = "03-7572-653-5",
year = "2011",
month = "Dec" }

K. Abe, The ruined map: a novel, , 2011.
[Bibtex]

@book{,
title = "The Ruined Map: A Novel",
author = "Kobo Abe",
isbn = "03-7572-652-7",
year = "2011",
month = "Dec" }

A. C. Clarke, Against the fall of night, , 2012.
[Bibtex]

@book{,
title = "Against the Fall of Night",
author = "Arthur C. Clarke",
isbn = "978-07-9532-491-8",
year = "2012",
month = "Nov" }

A. C. Clarke and G. Benford, Beyond the fall of night, , 2012.
[Bibtex]

@book{,
title = "Beyond the Fall of Night",
author = "Arthur C. Clarke and Gregory Benford",
isbn = "978-07-9532-494-9",
year = "2012",
month = "Nov" }

A. C. Clarke, Childhood’s end, , 1953.
[Bibtex]

@book{,
title = "Childhood's End",
author = "Arthur C. Clarke",
isbn = "978-03-4502-750-4",
year = "1953",
month = "Nov" }

A. C. Clarke and G. Lee, Cradle, , 1988.
[Bibtex]

@book{,
title = "Cradle",
author = "Arthur C. Clarke and Gentry Lee",
isbn = "978-05-7512-169-0",
year = "1988",
month = "Aug" }

A. C. Clarke, The city and the stars, , 1973.
[Bibtex]

@book{,
title = "The City and the Stars",
author = "Arthur C. Clarke",
isbn = "978-07-9532-500-7",
year = "1973",
month = "Feb" }

A. C. Clarke, The fountains of paradise, , 2012.
[Bibtex]

@book{,
title = "The Fountains of Paradise",
author = "Arthur C. Clarke",
isbn = "04-4667-794-9",
year = "2012",
month = "Mar" }

A. C. Clarke, The songs of distant earth, , 1987.
[Bibtex]

@book{,
title = "The Songs of Distant Earth",
author = "Arthur C. Clarke",
isbn = "978-03-4532-240-1",
year = "1987",
month = "Apr" }

K. Abe, The ark sakura, , 2009.
[Bibtex]

@book{,
title = "The Ark Sakura",
author = "Kobo Abe",
isbn = "978-03-0738-963-3",
year = "2009",
month = "Feb" }

K. Abe, The woman in the dunes, , 2011.
[Bibtex]

@book{,
title = "The Woman in the Dunes",
author = "Kobo Abe",
isbn = "978-03-0781-373-2",
year = "2011",
month = "Dec" }

K. Abe, Inter ice age 4, , 1981.
[Bibtex]

@book{,
title = "Inter Ice Age 4",
author = "Kobo Abe",
isbn = "978-03-9950-519-5",
year = "1981",
month = "Aug" }

K. Richards, Life, , 2010.
[Bibtex]

@book{,
title = "Life",
author = "Keith Richards",
year = "2010",
month = "Oct" }

W. Isaacson, Steve jobs, , 2011.
[Bibtex]

@book{,
title = "Steve Jobs",
author = "Walter Isaacson",
isbn = "978-14-5164-853-9",
year = "2011",
month = "Oct" }

D. Hawk, The hidden gulag: the lives and voices of those who are sent to the mountains: exposing crimes against humanity in north korea’s vast prison system, , 2012.
[Bibtex]

@book{,
title = "The Hidden Gulag: The Lives and Voices of Those Who Are Sent to the Mountains: Exposing Crimes Against Humanity in North Korea's Vast Prison System",
author = "David Hawk",
year = "2012",
month = "Nov" }

J. B. Little and L. Rhodes, Understanding wall street, , 1981.
[Bibtex]

@book{,
title = "Understanding Wall Street",
author = "Jeffrey B Little and Lucien Rhodes",
isbn = "978-08-9709-010-0",
year = "1981",
month = "Jul" }

B. Latour, Pandora’s hope: essays on the reality of science studies, , 1999.
[Bibtex]

@book{,
title = "Pandora's Hope: Essays on the Reality of Science Studies",
author = "Bruno Latour",
isbn = "978-06-7465-336-8",
year = "1999",
month = "Jul" }

K. Follett, A dangerous fortune, , 1994.
[Bibtex]

@book{,
title = "A Dangerous Fortune",
author = "Ken Follett",
isbn = "978-04-4021-749-7",
year = "1994",
month = "Nov" }

K. Follett, Eye of the needle, , 2010.
[Bibtex]

@book{,
title = "Eye of the Needle",
author = "Ken Follett",
isbn = "978-00-6202-089-5",
year = "2010",
month = "Jul" }

K. Follett, Fall of giants, , 2010.
[Bibtex]

@book{,
title = "Fall of Giants",
author = "Ken Follett",
isbn = "978-05-2595-165-0",
year = "2010",
month = "Sep" }

K. Follett, Jackdaws, , 2002.
[Bibtex]

@book{,
title = "Jackdaws",
author = "Ken Follett",
isbn = "03-3050-990-X",
year = "2002",
month = "Nov" }

K. Follett, The key to rebecca, , 2003.
[Bibtex]

@book{,
title = "The Key to Rebecca",
author = "Ken Follett",
isbn = "978-04-5120-779-1",
year = "2003",
month = "Feb" }

K. Follett, Lie down with lions, , 1998.
[Bibtex]

@book{,
title = "Lie Down With Lions",
author = "Ken Follett",
isbn = "978-03-3035-426-4",
year = "1998",
month = "Jan" }

K. Follett, The man from st. petersburg, , 2003.
[Bibtex]

@book{,
title = "The Man From St. Petersburg",
author = "Ken Follett",
isbn = "978-04-5120-870-5",
year = "2003",
month = "Jun" }

K. Follett, The modigliani scandal, , 1985.
[Bibtex]

@book{,
title = "The Modigliani Scandal",
author = "Ken Follett",
isbn = "978-04-5114-796-7",
year = "1985",
month = "Nov" }

K. Follett, Night over water, , 1991.
[Bibtex]

@book{,
title = "Night Over Water",
author = "Ken Follett",
isbn = "978-06-8804-660-6",
year = "1991",
month = "Sep" }

K. Follett, Paper money, , 1987.
[Bibtex]

@book{,
title = "Paper Money",
author = "Ken Follett",
isbn = "978-04-5116-730-9",
year = "1987",
month = "Oct" }

K. Follett, The pillars of the earth, , 2010.
[Bibtex]

@book{,
title = "The Pillars of the Earth",
author = "Ken Follett",
isbn = "04-5122-524-4",
year = "2010",
month = "Jun" }

K. Follett, A place called freedom, , 1996.
[Bibtex]

@book{,
title = "A Place Called Freedom",
author = "Ken Follett",
isbn = "978-04-4922-517-2",
year = "1996",
month = "Jun" }

K. Follett, The third twin, , 1996.
[Bibtex]

@book{,
title = "The Third Twin",
author = "Ken Follett",
isbn = "978-04-4922-742-8",
year = "1996",
month = "Nov" }

K. Follett, Whiteout, , 2004.
[Bibtex]

@book{,
title = "Whiteout",
author = "Ken Follett",
isbn = "978-04-5121-571-0",
year = "2004",
month = "Nov" }

K. Follett, World without end, , 2007.
[Bibtex]

@book{,
title = "World Without End",
author = "Ken Follett",
isbn = "978-05-2595-007-3",
year = "2007",
month = "Oct" }

D. Lehane, A drink before the war, , 2007.
[Bibtex]

@book{,
title = "A Drink Before the War",
author = "Dennis Lehane",
isbn = "978-00-6199-884-3",
year = "2007",
month = "Jan" }

H. Murakami and A. Birnbaum, A wild sheep chase: a novel, , 2002.
[Bibtex]

@book{,
title = "A Wild Sheep Chase: A Novel",
author = "Haruki Murakami and Alfred Birnbaum",
isbn = "978-03-7571-894-6",
year = "2002",
month = "Apr" }

H. Murakami, Blind willow, sleeping woman, , 2007.
[Bibtex]

@book{,
title = "Blind Willow, Sleeping Woman",
author = "Haruki Murakami",
isbn = "978-14-0009-608-4",
year = "2007",
month = "Oct" }

H. Murakami, Dance dance dance, , 1995.
[Bibtex]

@book{,
title = "Dance Dance Dance",
author = "Haruki Murakami",
isbn = "978-14-4810-367-6",
year = "1995",
month = "Jan" }

H. Murakami, Hard-boiled wonderland and the end of the world, , 1985.
[Bibtex]

@book{,
title = "Hard-Boiled Wonderland and the End of the World",
author = "Haruki Murakami",
isbn = "978-41-0100-134-0",
year = "1985",
month = "Nov" }

M. Haruki, Hear the wind sing, , 1982.
[Bibtex]

@book{,
title = "Hear the Wind Sing",
author = "Murakami Haruki",
isbn = "978-40-6131-777-2",
year = "1982",
month = "Nov" }

H. Murakami, Kafka on the shore, , 2007.
[Bibtex]

@book{,
title = "Kafka on the Shore",
author = "Haruki Murakami",
isbn = "978-99-5368-283-9",
year = "2007",
month = "Nov" }

H. Murakami and J. Rubin, Norwegian wood, , 2000.
[Bibtex]

@book{,
title = "Norwegian Wood",
author = "Haruki Murakami and Jay Rubin",
isbn = "978-03-7570-402-4",
year = "2000",
month = "Sep" }

H. Murakami, Pinball, 1973, , 1985.
[Bibtex]

@book{,
title = "Pinball, 1973",
author = "Haruki Murakami",
isbn = "978-47-7002-208-0",
year = "1985",
month = "Nov" }

H. Murakami, South of the border, west of the sun: a novel, , 2000.
[Bibtex]

@book{,
title = "South of the Border, West of the Sun: A Novel",
author = "Haruki Murakami",
isbn = "978-06-7976-739-8",
year = "2000",
month = "Mar" }

H. Murakami, The elephant vanishes: stories, , 1994.
[Bibtex]

@book{,
title = "The Elephant Vanishes: Stories",
author = "Haruki Murakami",
isbn = "978-06-7975-053-6",
year = "1994",
month = "Jun" }

H. Murakami, A. Birnbaum, and P. Gabriel, Underground, , 2001.
[Bibtex]

@book{,
title = "Underground",
author = "Haruki Murakami and Alfred Birnbaum and Philip Gabriel",
isbn = "978-03-7572-580-7",
year = "2001",
month = "Apr" }

H. Murakami, What i talk about when i talk about running, , 2008.
[Bibtex]

@book{,
title = "What I Talk About When I Talk About Running",
author = "Haruki Murakami",
isbn = "978-03-0738-983-1",
year = "2008",
month = "Jul" }

D. Blum, Ghost hunters, , 2007.
[Bibtex]

@book{,
title = "Ghost Hunters",
author = "Deborah Blum",
isbn = "978-00-9946-934-6",
year = "2007",
month = "Aug" }

A. C. Clarke, 3001 : l’odyssée finale, , 2001.
[Bibtex]

@book{,
title = "3001 : l'Odyssée Finale",
author = "Arthur C. Clarke",
isbn = "978-22-9031-293-3",
year = "2001",
month = "Apr" }

A. C. Clarke and P. Alien, 2010 : odyssée deux, , 2001.
[Bibtex]

@book{,
title = "2010 : Odyssée Deux",
author = "Arthur C. Clarke and Pierre Alien",
isbn = "978-22-9031-291-9",
year = "2001",
month = "Apr" }

A. C. Clarke and P. Preuss, Cache-cache, , 1999.
[Bibtex]

@book{,
title = "Cache-cache",
author = "Arthur C. Clarke and Paul Preuss",
isbn = "978-22-7723-006-9",
year = "1999",
month = "Jan" }

A. C. Clarke, 2061 odyssée trois, , 2001.
[Bibtex]

@book{,
title = "2061 Odyssée Trois",
author = "Arthur C. Clarke",
isbn = "978-22-9031-409-8",
year = "2001",
month = "Aug" }

A. C. Clarke, 2001: a space odyssey, , 2000.
[Bibtex]

@book{,
title = "2001: A Space Odyssey",
author = "Arthur C. Clarke",
isbn = "978-04-5145-799-8",
year = "2000",
month = "Sep" }

A. C. Clarke, 3001: the final odyssey, , 1998.
[Bibtex]

@book{,
title = "3001: The Final Odyssey",
author = "Arthur C. Clarke",
isbn = "978-07-9532-488-8",
year = "1998",
month = "Jan" }

A. C. Clarke, 2010: odyssey two, , 1984.
[Bibtex]

@book{,
title = "2010: Odyssey Two",
author = "Arthur C. Clarke",
isbn = "978-03-4530-306-6",
year = "1984",
month = "Jan" }

A. C. Clarke, 2001: l’odyssee de l’espace, , 1998.
[Bibtex]

@book{,
title = "2001: L'Odyssee de l'Espace",
author = "Arthur C. Clarke",
isbn = "978-22-9000-349-7",
year = "1998",
month = "Nov" }

A. C. Clarke, 2061: odyssey three, , 1989.
[Bibtex]

@book{,
title = "2061: Odyssey Three",
author = "Arthur C. Clarke",
isbn = "978-03-4535-879-0",
year = "1989",
month = "Apr" }

S. Baxter, Arche, , 2010.
[Bibtex]

@book{,
title = "Arche",
author = "Stephen Baxter",
isbn = "978-22-5808-499-5",
year = "2010",
month = "Nov" }

A. Stoekl, Bataille’s peak: energy, religion, and postsustainability, , 2007.
[Bibtex]

@book{,
title = "Bataille's Peak: Energy, Religion, and Postsustainability",
author = "Allan Stoekl",
isbn = "978-08-1664-819-1",
year = "2007",
month = "Oct" }

H. Choset, K. M. Lynch, S. Hutchinson, G. A. Kantor, W. Burgard, L. E. Kavraki, and S. Thrun, Principles of robot motion: theory, algorithms, and implementation, , 2005.
[Bibtex]

@book{,
title = "Principles of Robot Motion: Theory, Algorithms, and Implementation",
author = "Howie Choset and Kevin M. Lynch and Seth Hutchinson and George A. Kantor and Wolfram Burgard and Lydia E. Kavraki and Sebastian Thrun",
isbn = "978-02-6203-327-5",
year = "2005",
month = "Feb" }

C. Roads, S. T. Pope, A. Piccialli, and G. de Poli, Musical signal processing, , 2013.
[Bibtex]

@book{,
title = "Musical Signal Processing",
author = "Curtis Roads and Stephen Travis Pope and Aldo Piccialli and Giovanni de Poli",
year = "2013",
month = "Dec" }

G. Bataille and R. Hurley, The accursed share: an essay on general economy, vol. 1: consumption, , 1991.
[Bibtex]

@book{,
title = "The Accursed Share: An Essay on General Economy, Vol. 1: Consumption",
author = "Georges Bataille and Robert Hurley",
isbn = "978-09-4229-911-3",
year = "1991",
month = "Mar" }

T. Pynchon, Bleeding edge, , 2013.
[Bibtex]

@book{,
title = "Bleeding Edge",
author = "Thomas Pynchon",
isbn = "978-36-4403-901-8",
year = "2013",
month = "Sep" }

R. Negarestani, Cyclonopedia: complicity with anonymous materials, , 2008.
[Bibtex]

@book{,
title = "Cyclonopedia: Complicity With Anonymous Materials",
author = "Reza Negarestani",
isbn = "978-09-8054-400-8",
year = "2008",
month = "Aug" }

M. Sugoi, Pornogami: a guide to the ancient art of paper-folding for adults by sugoi, master (2004) paperback, , 1010.
[Bibtex]

@book{,
title = "Pornogami: A Guide to the Ancient Art of Paper-Folding for Adults by Sugoi, Master (2004) Paperback",
author = "Master Sugoi",
year = "1010",
month = "Aug" }

J. Barbree, Neil armstrong: a life of flight, , 2014.
[Bibtex]

@book{,
title = "Neil Armstrong: A Life of Flight",
author = "Jay Barbree",
isbn = "978-14-6683-634-1",
year = "2014",
month = "Jul" }

M. van Pelt, Space invaders: how robotic spacecraft explore the solar system, , 2006.
[Bibtex]

@book{,
title = "Space Invaders: How Robotic Spacecraft Explore the Solar System",
author = "Michel van Pelt",
isbn = "978-03-8733-232-1",
year = "2006",
month = "Dec" }

A. Ball, J. Garry, R. Lorenz, and V. Kerzhanovich, Planetary landers and entry probes, , 2007.
[Bibtex]

@book{,
title = "Planetary Landers and Entry Probes",
author = "Andrew Ball and James Garry and Ralph Lorenz and Viktor Kerzhanovich",
isbn = "978-11-3946-161-0",
year = "2007",
month = "May" }

G. P. Sutton and O. Biblarz, Rocket propulsion elements, , 2010.
[Bibtex]

@book{,
title = "Rocket Propulsion Elements",
author = "George P. Sutton and Oscar Biblarz",
isbn = "978-11-1817-420-3",
year = "2010",
month = "Feb" }

E. Gregersen, Unmanned space missions (an explorer’s guide to the universe), , 2009.
[Bibtex]

@book{,
title = "Unmanned Space Missions (An Explorer's Guide to the Universe)",
author = "Erik Gregersen",
isbn = "978-16-1530-018-1",
year = "2009",
month = "Dec" }

R. S. C. Jr., Project apollo: the tough decisions, , 2005.
[Bibtex]

@book{,
title = "Project Apollo: The Tough Decisions",
author = "Robert C. Seamans Jr.",
isbn = "978-01-6074-954-4",
year = "2005",
month = "Dec" }

W. H. Stillwell, X-15 research results: with a selected bibliography (the nasa history series), , 2013.
[Bibtex]

@book{,
title = "X-15 Research Results: With a Selected Bibliography (The NASA History Series)",
author = "Wendell H. Stillwell",
isbn = "978-14-9370-834-5",
year = "2013",
month = "Nov" }

D. R. Jenkins, Dressing for altitude: u.s. aviation pressure suits, wiley post to space shuttle (nasa sp), , 2012.
[Bibtex]

@book{,
title = "Dressing for Altitude: U.S. Aviation Pressure Suits, Wiley Post to Space Shuttle (NASA Sp)",
author = "Dennis R. Jenkins",
isbn = "978-01-6090-110-2",
year = "2012",
month = "Aug" }

B. I. Larrimer, Thinking obliquely: robert t. jones, the oblique wing, nasa’s ad-1 demonstrator, and its legacy, , 2013.
[Bibtex]

@book{,
title = "Thinking Obliquely: Robert T. Jones, the Oblique Wing, NASA's AD-1 Demonstrator, and Its Legacy",
author = "Bruce I. Larrimer",
isbn = "978-16-2683-005-9",
year = "2013",
month = "Aug" }

R. D. Launius, Coming home: reentry and recovery from space (nasa/sp), , 2012.
[Bibtex]

@book{,
title = "Coming Home: Reentry and Recovery From Space (NASA/Sp)",
author = "Roger D. Launius",
isbn = "978-01-6091-064-7",
year = "2012",
month = "Oct" }

N. Aeronautics, S. Administration, and R. P. Hallion, Nasa’s contributions to aeronautics (volumes 1), , 2010.
[Bibtex]

@book{,
title = "NASA's Contributions to Aeronautics (Volumes 1)",
author = "National Aeronautics and Space Administration and Richard P. Hallion",
isbn = "978-01-6084-637-3",
year = "2010",
month = "Dec" }

N. Aeronautics, S. Administration, and R. P. Hallion, Nasa’s contributions to aeronautics (volumes 2), , 2010.
[Bibtex]

@book{,
title = "NASA's Contributions to Aeronautics (Volumes 2)",
author = "National Aeronautics and Space Administration and Richard P. Hallion",
isbn = "978-01-6084-637-3",
year = "2010",
month = "Dec" }

T. A. Heppenheimer, N. Aeronautics, and S. Administr, Facing the heat barrier: a history of hypersonics, part 2, , 2012.
[Bibtex]

@book{,
title = "Facing the Heat Barrier: A History of Hypersonics, Part 2",
author = "T. A. Heppenheimer and National Aeronautics and Space Administr",
isbn = "978-12-4982-854-9",
year = "2012",
month = "Oct" }

N. Aeronautics, S. Administration, and M. Meltzer, Mission to jupiter: a history of the galileo project (the nasa history series), , 2013.
[Bibtex]

@book{,
title = "Mission to Jupiter: A History of the Galileo Project (The NASA History Series)",
author = "National Aeronautics and Space Administration and Michael Meltzer",
isbn = "978-14-9371-666-1",
year = "2013",
month = "Nov" }

P. W. Merlin, Breaking the mishap chain: human factors lessons learned from aerospace accidents and incidents in research, flight test, and deveopment: human factors lessons learned from aerospace accidents and incidents in research, flight test, and development, , 2012.
[Bibtex]

@book{,
title = "Breaking the Mishap Chain: Human Factors Lessons Learned From Aerospace Accidents and Incidents in Research, Flight Test, and Deveopment: Human Factors Lessons Learned From Aerospace Accidents and Incidents in Research, Flight Test, and Development",
author = "Peter W. Merlin",
isbn = "978-01-6090-414-1",
year = "2012",
month = "May" }

P. W. Merlin, Crash course: lessons learned from accidents involving remotely piloted and autonomous aircraft, , 2013.
[Bibtex]

@book{,
title = "Crash Course: Lessons Learned From Accidents Involving Remotely Piloted and Autonomous Aircraft",
author = "Peter W. Merlin",
isbn = "978-01-6091-541-3",
year = "2013",
month = "Aug" }

N. Aeronautics, S. Administration, and P. W. Merlin, Ikhana: unmanned aircraft system western states fire missions (the nasa history series), , 2013.
[Bibtex]

@book{,
title = "Ikhana: Unmanned Aircraft System Western States Fire Missions (The NASA History Series)",
author = "National Aeronautics and Space Administration and Peter W. Merlin",
isbn = "978-14-9365-673-8",
year = "2013",
month = "Nov" }

L. R. Benson, Quieting the boom: the shaped sonic boom demonstrator and the quest for quiet supersonic flight, , 2013.
[Bibtex]

@book{,
title = "Quieting the Boom: The Shaped Sonic Boom Demonstrator and the Quest for Quiet Supersonic Flight",
author = "Lawrence R. Benson",
isbn = "978-16-2683-004-2",
year = "2013",
month = "Aug" }

N. Aeronautics, S. Administration, and R. S. Arrighi, Pursuit of power: nasa’s propulsion systems laboratory no. 1 and 2, , 2013.
[Bibtex]

@book{,
title = "Pursuit of Power: NASA's Propulsion Systems Laboratory No. 1 and 2",
author = "National Aeronautics and Space Administration and Robert S. Arrighi",
isbn = "978-14-9357-628-9",
year = "2013",
month = "Oct" }

N. X. Vinh, Hypersonic and planetary entry flight mechanics, , 1980.
[Bibtex]

@book{,
title = "Hypersonic and Planetary Entry Flight Mechanics",
author = "Nguyen X Vinh",
isbn = "978-04-7209-304-5",
year = "1980",
month = "Aug" }

B. Bova, Saturn, , 2003.
[Bibtex]

@book{,
title = "Saturn",
author = "Ben Bova",
isbn = "978-14-4472-361-8",
year = "2003",
month = "Jul" }

M. D. Bowles, The apollo of aeronautics: nasa’s aircraft energy efficiency program, 1973-1987, , 2010.
[Bibtex]

@book{,
title = "The Apollo of Aeronautics: NASA's Aircraft Energy Efficiency Program, 1973-1987",
author = "Mark D. Bowles",
year = "2010",
month = "Jun" }

Donaldson and D. Frohnmayer, Negotiating for dummies, , 2007.
[Bibtex]

@book{,
title = "Negotiating for Dummies",
author = "Donaldson and David Frohnmayer",
isbn = "978-04-7004-522-0",
year = "2007",
month = "Feb" }

B. Bova, Moonrise, , 1996.
[Bibtex]

@book{,
title = "Moonrise",
author = "Ben Bova",
isbn = "978-03-8097-302-6",
year = "1996",
month = "Aug" }

S. J. Dick and M. L. Lupisella, Cosmos & culture: cultural evolution in a cosmic context, , 2011.
[Bibtex]

@book{,
title = "Cosmos \& Culture: Cultural Evolution in a Cosmic Context",
author = "Steven J. Dick and Mark L. Lupisella",
year = "2011",
month = "Oct" }

J. R. Chambers, Modeling flight: the role of dynamically scaled free-flight models in support of nasa’s aerospace programs: the role of dynamically scaled free-flight models in support of nasa’s aerospace programs, , 2010.
[Bibtex]

@book{,
title = "Modeling Flight: The Role of Dynamically Scaled Free-Flight Models in Support of NASA's Aerospace Programs: The Role of Dynamically Scaled Free-Flight Models in Support of NASA's Aerospace Programs",
author = "Joseph R. Chambers",
isbn = "978-01-6084-633-5",
year = "2010",
month = "Aug" }

N. Aeronautics, S. Administration, and A. Rosenthal, Venture into space: early years of goddard space flight center (nasa center history series), , 2014.
[Bibtex]

@book{,
title = "Venture Into Space: Early Years of Goddard Space Flight Center (NASA Center History Series)",
author = "National Aeronautics and Space Administration and Alfred Rosenthal",
isbn = "978-14-9542-868-5",
year = "2014",
month = "Feb" }

A. C. Clarke, Interplanetary flight, , 1955.
[Bibtex]

@book{,
title = "Interplanetary Flight",
author = "Arthur C. Clarke",
isbn = "978-04-2506-448-1",
year = "1955",
month = "May" }

B. Bova, Able one, , 2010.
[Bibtex]

@book{,
title = "Able One",
author = "Ben Bova",
isbn = "978-14-2995-521-8",
year = "2010",
month = "Feb" }

B. Bova, The aftermath: book four of the asteroid wars, , 2007.
[Bibtex]

@book{,
title = "The Aftermath: Book Four of the Asteroid Wars",
author = "Ben Bova",
isbn = "978-07-6530-414-8",
year = "2007",
month = "Aug" }

B. Bova, Empire builders, , 2011.
[Bibtex]

@book{,
title = "Empire Builders",
author = "Ben Bova",
isbn = "978-14-2993-191-5",
year = "2011",
month = "Apr" }

B. Bova, Escape plus, , 1984.
[Bibtex]

@book{,
title = "Escape Plus",
author = "Ben Bova",
isbn = "978-14-2993-201-1",
year = "1984",
month = "Dec" }

B. Bova, Exiled from earth, , 1971.
[Bibtex]

@book{,
title = "Exiled From Earth",
author = "Ben Bova",
isbn = "978-05-2529-425-2",
year = "1971",
month = "Aug" }

B. Bova, Moonwar, , 1998.
[Bibtex]

@book{,
title = "Moonwar",
author = "Ben Bova",
isbn = "978-03-8097-303-3",
year = "1998",
month = "Mar" }

B. Bova, City of darkness, , 2004.
[Bibtex]

@book{,
title = "City of Darkness",
author = "Ben Bova",
isbn = "978-07-6534-361-1",
year = "2004",
month = "Mar" }

B. Bova, The craft of writing science fiction that sells, , 1994.
[Bibtex]

@book{,
title = "The Craft of Writing Science Fiction That Sells",
author = "Ben Bova",
isbn = "978-08-9879-600-1",
year = "1994",
month = "Feb" }

B. Bova, End of exile, , 1975.
[Bibtex]

@book{,
title = "End of Exile",
author = "Ben Bova",
isbn = "978-05-2529-297-5",
year = "1975",
month = "Aug" }

B. Bova, Flight of exiles, , 1972.
[Bibtex]

@book{,
title = "Flight of Exiles",
author = "Ben Bova",
isbn = "978-05-2529-865-6",
year = "1972",
month = "Sep" }

B. Bova, Gremlins go home, , 1983.
[Bibtex]

@book{,
title = "Gremlins Go Home",
author = "Ben Bova",
isbn = "978-14-2993-206-6",
year = "1983",
month = "Nov" }

B. Bova, The kinsman saga, , 2000.
[Bibtex]

@book{,
title = "The Kinsman Saga",
author = "Ben Bova",
isbn = "978-03-8079-317-4",
year = "2000",
month = "Apr" }

B. Bova, The multiple man, , 1977.
[Bibtex]

@book{,
title = "The Multiple Man",
author = "Ben Bova",
isbn = "978-03-4525-656-0",
year = "1977",
month = "Aug" }

B. Bova, Nebula awards showcase 2008, , 2008.
[Bibtex]

@book{,
title = "Nebula Awards Showcase 2008",
author = "Ben Bova",
isbn = "04-5146-188-6",
year = "2008",
month = "Apr" }

B. Bova, Orion among the stars, , 1996.
[Bibtex]

@book{,
title = "Orion Among the Stars",
author = "Ben Bova",
isbn = "978-08-1253-511-2",
year = "1996",
month = "Aug" }

B. Bova, Orion and king arthur, , 2012.
[Bibtex]

@book{,
title = "Orion and King Arthur",
author = "Ben Bova",
isbn = "978-07-6533-017-8",
year = "2012",
month = "Jul" }

B. Bova, Orion and the conqueror, , 1995.
[Bibtex]

@book{,
title = "Orion and the Conqueror",
author = "Ben Bova",
isbn = "978-08-1252-376-8",
year = "1995",
month = "Jun" }

B. Bova, Orion in the dying time, , 1992.
[Bibtex]

@book{,
title = "Orion in the Dying Time",
author = "Ben Bova",
isbn = "978-07-4930-582-6",
year = "1992",
month = "Jan" }

B. Bova, Orion: a novel, , 1992.
[Bibtex]

@book{,
title = "Orion: A Novel",
author = "Ben Bova",
isbn = "978-08-1253-247-0",
year = "1992",
month = "Dec" }

B. Bova, Precipice: the asteroid wars i, , 2009.
[Bibtex]

@book{,
title = "Precipice: The Asteroid Wars I",
author = "Ben Bova",
isbn = "08-1257-989-5",
year = "2009",
month = "Mar" }

B. Bova, Privateers, , 2000.
[Bibtex]

@book{,
title = "Privateers",
author = "Ben Bova",
isbn = "978-03-8079-316-7",
year = "2000",
month = "Nov" }

B. Bova, The rock rats, , 2003.
[Bibtex]

@book{,
title = "The Rock Rats",
author = "Ben Bova",
isbn = "978-08-1257-988-8",
year = "2003",
month = "Jun" }

B. Bova, The sam gunn omnibus, , 2009.
[Bibtex]

@book{,
title = "The Sam Gunn Omnibus",
author = "Ben Bova",
isbn = "07-6531-617-X",
year = "2009",
month = "Apr" }

R. Silverberg, R. A. Lupoff, S. R. Delany, R. Bretnor, M. Z. Bradley, A. Budrys, F. Brown, J. G. Betancourt, P. Anderson, R. Garrett, L. D. Rey, and B. Bova, The science fiction megapack: 25 classic science fiction stories, , 2011.
[Bibtex]

@book{,
title = "The Science Fiction Megapack: 25 Classic Science Fiction Stories",
author = "Robert Silverberg and Richard A. Lupoff and Samuel R. Delany and Reginald Bretnor and Marion Zimmer Bradley and Algis Budrys and Fredric Brown and John Gregory Betancourt and Poul Anderson and Randall Garrett and Lester Del Rey and Ben Bova",
isbn = "978-14-3443-952-9",
year = "2011",
month = "Sep" }

B. Bova, The science fiction hall of fame, volume two a: the greatest science fiction novellas of all time chosen by the members of the science fiction writers of america (sf hall of fame), , 2004.
[Bibtex]

@book{,
title = "The Science Fiction Hall of Fame, Volume Two A: The Greatest Science Fiction Novellas of All Time Chosen by the Members of the Science Fiction Writers of America (SF Hall of Fame)",
author = "Ben Bova",
isbn = "978-07-6530-534-3",
year = "2004",
month = "Nov" }

B. Bova, The science fiction hall of fame, volume two b: the greatest science fiction novellas of all time chosen by the members of the science fiction writers of america (sf hall of fame), , 2008.
[Bibtex]

@book{,
title = "The Science Fiction Hall of Fame, Volume Two B: The Greatest Science Fiction Novellas of All Time Chosen by the Members of the Science Fiction Writers of America (SF Hall of Fame)",
author = "Ben Bova",
isbn = "978-07-6530-532-9",
year = "2008",
month = "Apr" }

B. Bova, The silent war, , 2004.
[Bibtex]

@book{,
title = "The Silent War",
author = "Ben Bova",
isbn = "978-03-4076-963-8",
year = "2004",
month = "Aug" }

B. Bova, The towers of titan and other stories, , 2010.
[Bibtex]

@book{,
title = "The Towers of Titan and Other Stories",
author = "Ben Bova",
year = "2010",
month = "Jan" }

B. Bova, Vengeance of orion, , 1989.
[Bibtex]

@book{,
title = "Vengeance of Orion",
author = "Ben Bova",
isbn = "978-08-1253-161-9",
year = "1989",
month = "Feb" }

B. Bova, Voyagers, , 1981.
[Bibtex]

@book{,
title = "Voyagers",
author = "Ben Bova",
isbn = "978-07-6536-365-7",
year = "1981",
month = "Aug" }

B. Bova, Voyagers iii: star brothers, , 1990.
[Bibtex]

@book{,
title = "Voyagers III: Star Brothers",
author = "Ben Bova",
isbn = "978-03-1293-215-2",
year = "1990",
month = "Jan" }

B. Bova, The watchmen, , 1994.
[Bibtex]

@book{,
title = "The Watchmen",
author = "Ben Bova",
isbn = "978-06-7187-598-5",
year = "1994",
month = "Mar" }

B. Bova, The winds of altair, , 2010.
[Bibtex]

@book{,
title = "The Winds of Altair",
author = "Ben Bova",
isbn = "978-07-6532-831-1",
year = "2010",
month = "Mar" }

B. Bova, Venus, , 2001.
[Bibtex]

@book{,
title = "Venus",
author = "Ben Bova",
isbn = "978-08-1257-940-6",
year = "2001",
month = "May" }

B. Bova, Mars, , 2010.
[Bibtex]

@book{,
title = "Mars",
author = "Ben Bova",
isbn = "978-18-4894-818-1",
year = "2010",
month = "Oct" }

B. Bova, Return to mars, , 2000.
[Bibtex]

@book{,
title = "Return to Mars",
author = "Ben Bova",
isbn = "978-03-8079-725-7",
year = "2000",
month = "Jul" }

B. Bova, G. Lucas, and W. Murch, Thx 1138, , 1978.
[Bibtex]

@book{,
title = "Thx 1138",
author = "Ben Bova and George Lucas and Walter Murch",
isbn = "978-04-4689-711-2",
year = "1978",
month = "Feb" }

J. Harley, Xenakis: his life in music, , 2004.
[Bibtex]

@book{,
title = "Xenakis: His Life in Music",
author = "James Harley",
isbn = "978-04-1597-145-4",
year = "2004",
month = "Jun" }

N. Chomsky, Necessary illusions: thought control in democratic societies, , 1991.
[Bibtex]

@book{,
title = "Necessary Illusions: Thought Control in Democratic Societies",
author = "Noam Chomsky",
isbn = "978-08-8784-519-2",
year = "1991",
month = "Aug" }

R. Wichers, A theory of individual behavior, , 1996.
[Bibtex]

@book{,
title = "A Theory of Individual Behavior",
author = "Robert Wichers",
isbn = "978-01-2390-783-7",
year = "1996",
month = "Oct" }

N. Chomsky, Understanding power: the indispensible chomsky, , 2002.
[Bibtex]

@book{,
title = "Understanding Power: The Indispensible Chomsky",
author = "Noam Chomsky",
isbn = "978-15-6584-703-3",
year = "2002",
month = "Feb" }

D. H. Meadows, The limits to growth: a report for the club of rome’s project on the predicament of mankind, , 1974.
[Bibtex]

@book{,
title = "The Limits to Growth: A Report for the Club of Rome's Project on the Predicament of Mankind",
author = "Donella H. Meadows",
isbn = "978-08-7663-901-6",
year = "1974",
month = "Aug" }

J. Attali, Noise: the political economy of music (theory and history of literature, vol. 16), , 1985.
[Bibtex]

@book{,
title = "Noise: The Political Economy of Music (Theory and History of Literature, Vol. 16)",
author = "Jacques Attali",
isbn = "978-08-1661-287-1",
year = "1985",
month = "Jun" }

P. Watts, Blindsight, , 2014.
[Bibtex]

@book{,
title = "Blindsight",
author = "Watts, Peter",
isbn = "978-14-9962-462-5",
year = "2014",
month = "May" }

T. Piketty, Capital in the twenty-first century, , 2014.
[Bibtex]

@book{,
title = "Capital in the Twenty-First Century",
author = "Thomas Piketty",
isbn = "978-06-7436-954-2",
year = "2014",
month = "Mar" }

J. Surowiecki, The wisdom of crowds, , 2005.
[Bibtex]

@book{,
title = "The Wisdom of Crowds",
author = "James Surowiecki",
isbn = "978-03-0727-505-9",
year = "2005",
month = "Aug" }

S. Lem, Solaris, , 2002.
[Bibtex]

@book{,
title = "Solaris",
author = "Stanislaw Lem",
isbn = "978-05-7121-972-8",
year = "2002",
month = "Nov" }

T. Piketty, L’économie des inégalités (french edition), , 2008.
[Bibtex]

@book{,
title = "L'économie des inégalités (French Edition)",
author = "Thomas Piketty",
isbn = "978-27-0715-608-2",
year = "2008",
month = "Jun" }

N. Klein, The shock doctrine: the rise of disaster capitalism, , 2007.
[Bibtex]

@book{,
title = "The Shock Doctrine: The Rise of Disaster Capitalism",
author = "Naomi Klein",
year = "2007",
month = "Sep" }

R. Penrose, Cycles of time: an extraordinary new view of the universe, , 2013.
[Bibtex]

@book{,
title = "Cycles of Time: An Extraordinary New View of the Universe",
author = "Roger Penrose",
isbn = "978-14-4640-221-4",
year = "2013",
month = "Mar" }

Hawking/penrose, S. W. Hawking, and R. Penrose, La nature de l’espace et du temps, , 2003.
[Bibtex]

@book{,
title = "La nature de l'espace et du temps",
author = "Hawking/penrose and Stephen William Hawking and Roger Penrose",
isbn = "978-20-7042-927-1",
year = "2003",
month = "Oct" }

S. W. Hawking, The illustrated a brief history of time, , 1996.
[Bibtex]

@book{,
title = "The Illustrated a Brief History of Time",
author = "Stephen William Hawking",
isbn = "978-05-5310-374-8",
year = "1996",
month = "Oct" }

J. A. Schumpeter, Capitalism, socialism and democracy, , 2013.
[Bibtex]

@book{,
title = "Capitalism, Socialism and Democracy",
author = "Joseph A. Schumpeter",
isbn = "978-11-3484-150-9",
year = "2013",
month = "May" }

A. Smith, Wealth of nations, , 2007.
[Bibtex]

@book{,
title = "Wealth of Nations",
author = "Adam Smith",
isbn = "978-16-0206-940-4",
year = "2007",
month = "Nov" }

A. Smith, Adam smith: the theory of moral sentiments, , 2002.
[Bibtex]

@book{,
title = "Adam Smith: The Theory of Moral Sentiments",
author = "Adam Smith",
isbn = "978-05-2159-847-7",
year = "2002",
month = "Oct" }

T. Takemitsu, Confronting silence: selected writings, , 1995.
[Bibtex]

@book{,
title = "Confronting Silence: Selected Writings",
author = "Toru Takemitsu",
isbn = "978-09-1491-336-8",
year = "1995",
month = "Jan" }

R. Kurzweil, How to create a mind: the secret of human thought revealed, , 2012.
[Bibtex]

@book{,
title = "How to Create a Mind: The Secret of Human Thought Revealed",
author = "Ray Kurzweil",
isbn = "978-11-0160-110-5",
year = "2012",
month = "Nov" }

A. Delfanti, Biohackers: the politics of open science, , 2013.
[Bibtex]

@book{,
title = "Biohackers: The Politics of Open Science",
author = "Alessandro Delfanti",
isbn = "978-07-4533-281-9",
year = "2013",
month = "May" }

F. Spufford, Red plenty, , 2010.
[Bibtex]

@book{,
title = "Red Plenty",
author = "Francis Spufford",
isbn = "978-05-7126-947-1",
year = "2010",
month = "Aug" }

M. Davis, The universal computer: the road from leibniz to turing, , 2011.
[Bibtex]

@book{,
title = "The Universal Computer: The Road From Leibniz to Turing",
author = "Martin Davis",
isbn = "978-14-6650-519-3",
year = "2011",
month = "Dec" }

C. Villani, Théorème vivant, , 2013.
[Bibtex]

@book{,
title = "Théorème Vivant",
author = "Cédric Villani",
isbn = "978-22-5317-490-5",
year = "2013",
month = "Aug" }

J. A. Mitchell, The last american : a fragment from the journal of khan-li [pseud. ], prince of dimph-yoo-chur and admiral in the persian navy, , 2010.
[Bibtex]

@book{,
title = "The Last American : A Fragment From the Journal of Khan-Li [Pseud. ], Prince of Dimph-Yoo-Chur and Admiral in the Persian Navy",
author = "John Ames Mitchell",
isbn = "978-11-7634-944-5",
year = "2010",
month = "Jul" }

E. Black, Ibm and the holocaust: the strategic alliance between nazi germany and america’s most powerful corporation, , 2002.
[Bibtex]

@book{,
title = "IBM and the Holocaust: The Strategic Alliance Between Nazi Germany and America's Most Powerful Corporation",
author = "Edwin Black",
isbn = "978-06-0980-899-3",
year = "2002",
month = "Dec" }

N. Wiener, Cybernetics or control and communication in the animal and the machine, , 1965.
[Bibtex]

@book{,
title = "Cybernetics or Control and Communication in the Animal and the Machine",
author = "Norbert Wiener",
isbn = "978-02-6273-009-9",
year = "1965",
month = "Dec" }

S. Nasar, A beautiful mind: the life of mathematical genius and nobel laureate john nash, , 2001.
[Bibtex]

@book{,
title = "A Beautiful Mind: The Life of Mathematical Genius and Nobel Laureate John Nash",
author = "Sylvia Nasar",
isbn = "978-07-4322-457-4",
year = "2001",
month = "Dec" }

M. Cornillon, Capitalisme, la chute, et ensuite, , 2014.
[Bibtex]

@book{,
title = "Capitalisme, la chute, et ensuite",
author = "Michel Cornillon",
year = "2014",
month = "Feb" }

S. Hawking and L. Mlodinow, A briefer history of time, , 2008.
[Bibtex]

@book{,
title = "A Briefer History of Time",
author = "Stephen Hawking and Leonard Mlodinow",
isbn = "978-05-5338-546-5",
year = "2008",
month = "Jan" }

T. Harris, The legacy of cornelius cardew, , 2013.
[Bibtex]

@book{,
title = "The Legacy of Cornelius Cardew",
author = "Tony Harris",
isbn = "978-14-0947-207-0",
year = "2013",
month = "May" }

J. Gribbin, Erwin schrodinger and the quantum revolution, , 2013.
[Bibtex]

@book{,
title = "Erwin Schrodinger and the Quantum Revolution",
author = "John Gribbin",
isbn = "978-11-1833-188-0",
year = "2013",
month = "Mar" }

E. Schrodinger, What is life?: with mind and matter and autobiographical sketches, , 2012.
[Bibtex]

@book{,
title = "What Is Life?: With Mind and Matter and Autobiographical Sketches",
author = "Erwin Schrodinger",
isbn = "978-11-0760-466-7",
year = "2012",
month = "Mar" }

M. Houellebecq, Soumission, , 2015.
[Bibtex]

@book{,
title = "Soumission",
author = "Michel Houellebecq",
year = "2015",
month = "Jan" }

M. Houellebecq, La carte et le territoire, , 2010.
[Bibtex]

@book{,
title = "La Carte Et Le Territoire",
author = "Michel Houellebecq",
isbn = "978-20-8125-293-6",
year = "2010",
month = "Sep" }

M. Kasprzak, Blowup: outer space as extreme scenario, , 101.
[Bibtex]

@book{,
title = "Blowup: Outer Space as Extreme Scenario",
author = "Michelle Kasprzak",
year = "101",
month = "Jan" }

M. Kasprzak, Blowup: speculative realities, , 101.
[Bibtex]

@book{,
title = "Blowup: Speculative Realities",
author = "Michelle Kasprzak",
year = "101",
month = "Jan" }

A. C. Clarke, Reach for tomorrow, , 1987.
[Bibtex]

@book{,
title = "Reach for Tomorrow",
author = "Arthur C. Clarke",
isbn = "978-03-4535-376-4",
year = "1987",
month = "Sep" }

A. C. Clarke, The wind from the sun, , 1982.
[Bibtex]

@book{,
title = "The Wind From the Sun",
author = "Arthur C. Clarke",
isbn = "978-04-5114-754-7",
year = "1982",
month = "Apr" }

A. C. Clarke, Expedition to earth, , 1999.
[Bibtex]

@book{,
title = "Expedition to Earth",
author = "Arthur C. Clarke",
isbn = "978-18-5723-918-8",
year = "1999",
month = "Jan" }

A. C. Clarke, The sentinel, , 1991.
[Bibtex]

@book{,
title = "The Sentinel",
author = "Arthur C. Clarke",
isbn = "978-05-8621-204-2",
year = "1991",
month = "Sep" }

A. C. Clarke, The other side of the sky, , 1959.
[Bibtex]

@book{,
title = "The Other Side of the Sky",
author = "Arthur C. Clarke",
isbn = "978-05-7503-988-9",
year = "1959",
month = "Nov" }

A. C. Clarke, Nine billion names (signet), , 1974.
[Bibtex]

@book{,
title = "Nine Billion Names (Signet)",
author = "Arthur C. Clarke",
isbn = "978-04-5114-755-4",
year = "1974",
month = "Jun" }

A. C. Clarke, Tales of ten worlds, , 2003.
[Bibtex]

@book{,
title = "Tales of Ten Worlds",
author = "Arthur C. Clarke",
isbn = "978-05-7507-496-5",
year = "2003",
month = "Jan" }

A. C. Clarke, Tales from the white hart, , 1998.
[Bibtex]

@book{,
title = "Tales From the White Hart",
author = "Arthur C. Clarke",
isbn = "978-03-4543-072-4",
year = "1998",
month = "Oct" }

A. C. Clarke, Islands in the sky, , 1981.
[Bibtex]

@book{,
title = "Islands in the Sky",
author = "Arthur C. Clarke",
isbn = "978-01-4005-766-9",
year = "1981",
month = "Jan" }

A. C. Clarke, Tales from the white hart, , 2012.
[Bibtex]

@book{,
title = "Tales From the White Hart",
author = "Arthur C. Clarke",
year = "2012",
month = "Nov" }

A. C. Clarke and J. Bassett, The songs of distant earth and other stories, , 2000.
[Bibtex]

@book{,
title = "The Songs of Distant Earth and Other Stories",
author = "Arthur C. Clarke and Jennifer Bassett",
isbn = "978-34-6412-772-8",
year = "2000",
month = "Jan" }

A. C. Clarke, Of time and stars: the worlds of arthur c.clarke, , 1972.
[Bibtex]

@book{,
title = "Of Time and Stars: The Worlds of Arthur C.Clarke",
author = "Arthur C. Clarke",
isbn = "978-05-7501-571-5",
year = "1972",
month = "Jan" }

K. S. Robinson and A. C. Clarke, A meeting with medusa, , 1988.
[Bibtex]

@book{,
title = "A Meeting With Medusa",
author = "Kim Stanley Robinson and Arthur Charles Clarke",
isbn = "978-08-1253-362-0",
year = "1988",
month = "Jan" }

A. C. Clarke and T. Gleeson;, Tales from the white hart: silence please; big game hunt; patent pending; armaments race; critical mass; the ultimate melody; the pacifist; the next tenants; moving spirit; the man who ploughed the sea; the reluctant orchid; cold war; what goes up, , 1975.
[Bibtex]

@book{,
title = "TALES FROM THE WHITE HART: Silence Please; Big Game Hunt; Patent Pending; Armaments Race; Critical Mass; The Ultimate Melody; The Pacifist; The Next Tenants; Moving Spirit; The Man Who Ploughed the Sea; The Reluctant Orchid; Cold War; What Goes Up",
author = "Arthur C. Clarke and Tony Gleeson;",
year = "1975",
month = "Jan" }

A. C. Clarke and J. W. Michaels, Before eden, , 2010.
[Bibtex]

@book{,
title = "Before Eden",
author = "Arthur C. Clarke and John W. Michaels",
year = "2010",
month = "Jun" }

G. R. S. R. A. P. A. I. K. D. B. A. E. H. A. C. S. C. Russell Eric Frank, Earthmen & strangers, , 1968.
[Bibtex]

@book{,
title = "Earthmen \& Strangers",
author = "Russell, Eric Frank, Garrett Randall, Silverberg Robert, Anderson Poul, Asimov Isaac, Knight Damon, Budrys Algis, Ellison Harlan, Arthur C. Clarke, Silverberg",
year = "1968",
month = "Jan" }

A. C. Clarke and J. W. Michaels, The reluctant orchid, , 2010.
[Bibtex]

@book{,
title = "The Reluctant Orchid",
author = "Arthur C. Clarke and John W. Michaels",
year = "2010",
month = "Jun" }

A. C. Clarke, Tales from planet earth: the road to the sea; hate; publicity campaign; the other tiger; the deep range; if i forget thee oh earth; the cruel sky; the parasite; the next tenants; saturn rising; the man who ploughed the sea; the wall of darkness; the lion, , 1990.
[Bibtex]

@book{,
title = "TALES FROM PLANET EARTH: The Road to the Sea; Hate; Publicity Campaign; The Other Tiger; The Deep Range; If I Forget Thee Oh Earth; The Cruel Sky; The Parasite; The Next Tenants; Saturn Rising; The Man Who Ploughed the Sea; The Wall of Darkness; The Lion",
author = "Arthur C. Clarke",
year = "1990",
month = "Jan" }

V. H. R. S. T. C. A. A. P. M. J. B. A. A. B. K. A. E. . A. . . C. van Camp L. Sprague Del Rey Lester, Now begins tomorrow, , 1969.
[Bibtex]

@book{,
title = "Now Begins Tomorrow",
author = "de Camp L. Sprague, Del Rey Lester, van Vogt A. E., Heinlein Robert A., Sturgeon Theodore, Clarke C. Arthur, Anderson Poul, Merril Judith, Budrys Algis, Aldiss Brian Knight",
year = "1969",
month = "Jan" }

A. C. Clarke and J. W. Michaels, If i forget thee oh earth, , 2010.
[Bibtex]

@book{,
title = "If I Forget Thee Oh Earth",
author = "Arthur C. Clarke and John W. Michaels",
year = "2010",
month = "Jun" }

Z. H. R. H. W. I. A. A. C. W. S. P. A. S. M. J. V. S. H. G. . -. C. -. -. -. P. -. Cordelia Titcomb Nelson Bond, Great science fiction stories, , 1969.
[Bibtex]

@book{,
title = "Great Science Fiction Stories",
author = "Cordelia Titcomb, Nelson Bond, Zenna Henderson, Robert Heinlein, H. G. Wells, Isaac Asimov - Arthur C. Clarke - Wilmar Shirass - Poul Anderson - P. Schuyler Miller - Jules Verne Smith",
year = "1969",
month = "Jan" }

M. D. V. D. F. R. Arthur C. Clarke; Keith Laumer Ben Bova, Freedom’s choice, , 1981.
[Bibtex]

@book{,
title = "Freedom's Choice",
author = "Arthur C. Clarke; Keith Laumer, Ben Bova, Myron R. Dickson, Vincent Di Fate",
isbn = "978-04-4100-531-4",
year = "1981",
month = "Jan" }

A. C. Clarke and S. Baxter, Time’s eye, , 2005.
[Bibtex]

@book{,
title = "Time's Eye",
author = "Arthur C. Clarke and Stephen Baxter",
isbn = "978-03-4545-247-4",
year = "2005",
month = "Jan" }

A. C. Clarke and S. Baxter, Sunstorm, , 2006.
[Bibtex]

@book{,
title = "Sunstorm",
author = "Arthur Charles Clarke and Stephen Baxter",
isbn = "978-03-4545-251-1",
year = "2006",
month = "Jan" }

A. C. Clarke and S. Baxter, First born, , 2008.
[Bibtex]

@book{,
title = "First Born",
author = "Arthur C. Clarke and Stephen Baxter",
isbn = "978-03-4549-158-9",
year = "2008",
month = "Jan" }

A. C. Clarke, Earthlight, , 1977.
[Bibtex]

@book{,
title = "Earthlight",
author = "Arthur C. Clarke",
isbn = "978-03-4527-273-7",
year = "1977",
month = "Oct" }

A. C. Clarke, The sands of mars, , 1991.
[Bibtex]

@book{,
title = "The Sands of Mars",
author = "Arthur C. Clarke",
isbn = "978-05-5329-095-0",
year = "1991",
month = "Jun" }

A. C. Clarke, The lost worlds of 2001, , 1971.
[Bibtex]

@book{,
title = "The Lost Worlds of 2001",
author = "Arthur C. Clarke",
isbn = "978-04-5104-929-2",
year = "1971",
month = "Nov" }

P. Preuss, Breaking strain, , 1987.
[Bibtex]

@book{,
title = "Breaking Strain",
author = "Paul Preuss",
isbn = "978-03-8075-344-4",
year = "1987",
month = "Oct" }

P. Preuss, The diamond moon, , 1990.
[Bibtex]

@book{,
title = "The Diamond Moon",
author = "Paul Preuss",
isbn = "978-03-8075-349-9",
year = "1990",
month = "Jan" }

P. Preuss, The medusa encounter, , 1990.
[Bibtex]

@book{,
title = "The Medusa Encounter",
author = "Paul Preuss",
isbn = "978-03-8075-348-2",
year = "1990",
month = "Mar" }

P. Preuss, Maelstrom, , 1988.
[Bibtex]

@book{,
title = "Maelstrom",
author = "Paul Preuss",
isbn = "978-03-8075-345-1",
year = "1988",
month = "Jan" }

P. Preuss, Hide and seek, , 1989.
[Bibtex]

@book{,
title = "Hide and Seek",
author = "Paul Preuss",
isbn = "978-03-8075-346-8",
year = "1989",
month = "Jun" }

J. Fairley, S. Welfare, and A. C. Clarke, Arthur c.clarke’s chronicles of the strange and mysterious, , 1987.
[Bibtex]

@book{,
title = "Arthur C.Clarke's Chronicles of the Strange and Mysterious",
author = "John Fairley and Simon Welfare and Arthur Charles Clarke",
isbn = "978-00-0217-618-7",
year = "1987",
month = "Jan" }

A. C. Clarke, Rendezvous with rama, , 1974.
[Bibtex]

@book{,
title = "Rendezvous With Rama",
author = "Arthur C. Clarke",
isbn = "978-03-4524-175-7",
year = "1974",
month = "Jan" }

G. Lee, Double full moon night, , 2000.
[Bibtex]

@book{,
title = "Double Full Moon Night",
author = "Gentry Lee",
isbn = "978-05-5357-336-7",
year = "2000",
month = "Jan" }

G. Lee, Bright messengers, , 1996.
[Bibtex]

@book{,
title = "Bright Messengers",
author = "Gentry Lee",
isbn = "978-05-5357-329-9",
year = "1996",
month = "Jan" }

A. C. Clarke and Clarke, Rama revealed, , 1994.
[Bibtex]

@book{,
title = "Rama Revealed",
author = "Arthur C. Clarke and Clarke",
isbn = "978-05-5309-536-4",
year = "1994",
month = "Jan" }

A. C. Clarke and G. Lee, The garden of rama, , 1993.
[Bibtex]

@book{,
title = "The Garden of Rama",
author = "Arthur C. Clarke and Gentry Lee",
isbn = "978-18-5723-021-5",
year = "1993",
month = "Jan" }

A. C. Clarke and Clarke, Fall of moondust, , 1961.
[Bibtex]

@book{,
title = "Fall of Moondust",
author = "Arthur C. Clarke and Clarke",
isbn = "978-05-7560-290-8",
year = "1961",
month = "Jan" }

A. C. Clarke and M. P. Kube-Mcdowell, The trigger, , 2000.
[Bibtex]

@book{,
title = "The Trigger",
author = "Arthur C. Clarke and Michael P. Kube-Mcdowell",
isbn = "978-05-5357-620-7",
year = "2000",
month = "Jan" }

A. C. Clarke and Clarke, The ghost from the grand banks, , 2005.
[Bibtex]

@book{,
title = "The Ghost From the Grand Banks",
author = "Arthur C. Clarke and Clarke",
isbn = "978-05-7507-624-2",
year = "2005",
month = "Jan" }

A. C. Clarke and S. Baxter, The light of other days, , 2000.
[Bibtex]

@book{,
title = "The Light of Other Days",
author = "Arthur Charles Clarke and Stephen Baxter",
isbn = "978-00-0224-704-7",
year = "2000",
month = "Jan" }

A. C. Clarke and Clarke, Deep range, , 2005.
[Bibtex]

@book{,
title = "Deep Range",
author = "Arthur C. Clarke and Clarke",
isbn = "978-05-7507-711-9",
year = "2005",
month = "Jan" }

M. McQuay and A. C. Clarke, Richter 10, , 1997.
[Bibtex]

@book{,
title = "Richter 10",
author = "Mike McQuay and Arthur C. Clarke",
isbn = "978-05-5357-333-6",
year = "1997",
month = "Mar" }

A. C. Clarke, Imperial earth, , 1991.
[Bibtex]

@book{,
title = "Imperial Earth",
author = "Arthur C. Clarke",
isbn = "978-05-5328-877-3",
year = "1991",
month = "Jan" }

A. C. Clarke, The hammer of god, , 1994.
[Bibtex]

@book{,
title = "The Hammer of God",
author = "Arthur C. Clarke",
isbn = "978-05-5356-871-4",
year = "1994",
month = "Jan" }

A. C. Clarke, The city and the stars, , 2001.
[Bibtex]

@book{,
title = "The City and the Stars",
author = "Arthur C. Clarke",
isbn = "978-18-5798-763-8",
year = "2001",
month = "Jan" }

A. C. Clarke, Dolphin island, , 1978.
[Bibtex]

@book{,
title = "Dolphin Island",
author = "Arthur C. Clarke",
isbn = "978-04-2503-431-6",
year = "1978",
month = "Oct" }

A. C. Clarke, Glide path, , 2003.
[Bibtex]

@book{,
title = "Glide Path",
author = "Arthur C. Clarke",
isbn = "978-07-4347-531-0",
year = "2003",
month = "Jan" }

B. Denton, Buddy holly is alive and well on ganymede, , 1992.
[Bibtex]

@book{,
title = "Buddy Holly Is Alive and Well on Ganymede",
author = "Bradley Denton",
isbn = "978-07-4723-835-5",
year = "1992",
month = "Jan" }

M. Castells, The informational city: economic restructuring and urban development, , 1992.
[Bibtex]

@book{,
title = "The Informational City: Economic Restructuring and Urban Development",
author = "Manuel Castells",
isbn = "978-06-3117-937-5",
year = "1992",
month = "Apr" }

J. R. Knowlson, Damned to fame: the life of samuel beckett, , 2004.
[Bibtex]

@book{,
title = "Damned to Fame: The Life of Samuel Beckett",
author = "James R. Knowlson",
isbn = "978-08-0214-125-5",
year = "2004",
month = "Feb" }

R. Bod, T. Weststeijn, and J. Maat, The making of the humanities, vol. iii: the making of the modern humanities, , 2015.
[Bibtex]

@book{,
title = "The Making of the Humanities, Vol. III: The Making of the Modern Humanities",
author = "Rens Bod and Thijs Weststeijn and Jaap Maat",
isbn = "978-90-8964-516-6",
year = "2015",
month = "Mar" }

C. La(c)cuyer and D. C. Brock, Makers of the microchip: a documentary history of fairchild semiconductor, , 2010.
[Bibtex]

@book{,
title = "Makers of the Microchip: A Documentary History of Fairchild Semiconductor",
author = "Christophe La(c)cuyer and David C. Brock",
isbn = "978-02-6201-424-3",
year = "2010",
month = "Feb" }

J. Nechvatal, Immersion into noise, , 2011.
[Bibtex]

@book{,
title = "Immersion Into Noise",
author = "Joseph Nechvatal",
isbn = "978-16-0785-241-4",
year = "2011",
month = "Jan" }

J. Rafelski and B. Müller, Structured vacuum: thinking about nothing, , 1985.
[Bibtex]

@book{,
title = "Structured Vacuum: Thinking About Nothing",
author = "Johann Rafelski and Berndt Müller",
isbn = "978-38-7144-889-8",
year = "1985",
month = "Dec" }

R. Harland, Beyond superstructuralism the syntagmatic side of language, , 1980.
[Bibtex]

@book{,
title = "Beyond Superstructuralism the Syntagmatic Side of Language",
author = "Richard Harland",
year = "1980",
month = "Feb" }

A. Lucier, Music 109: notes on experimental music, , 2012.
[Bibtex]

@book{,
title = "Music 109: Notes on Experimental Music",
author = "Alvin Lucier",
isbn = "978-08-1957-297-4",
year = "2012",
month = "Sep" }

B. B. Powell, Writing: theory and history of the technology of civilization, , 2012.
[Bibtex]

@book{,
title = "Writing: Theory and History of the Technology of Civilization",
author = "Barry B. Powell",
isbn = "978-11-1829-349-2",
year = "2012",
month = "Feb" }

G. Dale, Karl polanyi: the limits of the market, , 2010.
[Bibtex]

@book{,
title = "Karl Polanyi: The Limits of the Market",
author = "Gareth Dale",
isbn = "978-07-4565-825-4",
year = "2010",
month = "Jun" }

P. M. Higgins, Number story, , 2008.
[Bibtex]

@book{,
title = "Number Story",
author = "Peter Michael Higgins",
isbn = "18-4800-000-6",
year = "2008",
month = "Jan" }

M. Denny, Their arrows will darken the sun: the evolution and science of ballistics, , 2011.
[Bibtex]

@book{,
title = "Their Arrows Will Darken the Sun: The Evolution and Science of Ballistics",
author = "Mark Denny",
isbn = "978-08-0189-857-0",
year = "2011",
month = "Mar" }

B. Harden, Escape from camp 14: one man’s remarkable odyssey from north korea to freedom in the west, , 2012.
[Bibtex]

@book{,
title = "Escape From Camp 14: One Man's Remarkable Odyssey From North Korea to Freedom in the West",
author = "Blaine Harden",
isbn = "978-02-3076-118-6",
year = "2012",
month = "Mar" }

M. T. Robbin, Shadows of reality: the fourth dimension in relativity, cubism, and modern thought, , 2006.
[Bibtex]

@book{,
title = "Shadows of Reality: The Fourth Dimension in Relativity, Cubism, and Modern Thought",
author = "Mr. Tony Robbin",
year = "2006",
month = "Mar" }

J. Weizenbaum, Computer power and human reason: from judgment to calculation, , 1976.
[Bibtex]

@book{,
title = "Computer Power and Human Reason: From Judgment to Calculation",
author = "Joseph Weizenbaum",
isbn = "978-07-1670-464-5",
year = "1976",
month = "Jan" }

J. H. Conway, On quaternions and octonions, , 2003.
[Bibtex]

@book{,
title = "On Quaternions and Octonions",
author = "John Horton Conway",
isbn = "978-15-6881-134-5",
year = "2003",
month = "Jan" }

J. H. Conway, On numbers and games (l.m.s. monographs ; no. 6), , 1976.
[Bibtex]

@book{,
title = "On Numbers and Games (L.M.S. Monographs ; No. 6)",
author = "John Horton Conway",
isbn = "978-01-2186-350-0",
year = "1976",
month = "Jun" }

C. Sagan, Pale blue dot: vision of the human future in space, , 1995.
[Bibtex]

@book{,
title = "Pale Blue Dot: Vision of the Human Future in Space",
author = "Carl Sagan",
isbn = "978-07-4721-553-0",
year = "1995",
month = "Apr" }

K. J. Il, Brief history, , 1998.
[Bibtex]

@book{,
title = "Brief History",
author = "Kim Jong Il",
year = "1998",
month = "Apr" }

K. Pong, Guiding light of destiny, , 2003.
[Bibtex]

@book{,
title = "Guiding Light of Destiny",
author = "Ko Pong",
year = "2003",
month = "Apr" }

B. Harden, The great leader and the fighter pilot: the true story of the tyrant who created north korea and the young lieutenant who stole his way to freedom, , 2015.
[Bibtex]

@book{,
title = "The Great Leader and the Fighter Pilot: The True Story of the Tyrant Who Created North Korea and the Young Lieutenant Who Stole His Way to Freedom",
author = "Blaine Harden",
isbn = "978-06-9814-048-6",
year = "2015",
month = "Mar" }

D. A. Joyce, Flying beyond the stall – the x-31 and the advent of supermaneuverability, , 2015.
[Bibtex]

@book{,
title = "Flying Beyond the Stall - The X-31 and the Advent of Supermaneuverability",
author = "Douglas A. Joyce",
year = "2015",
month = "Jan" }

J. Schultz, Crafting flight: aircraft pioneers and the contributions of the men and women of nasa langley research center, , 2003.
[Bibtex]

@book{,
title = "Crafting Flight: Aircraft Pioneers and the Contributions of the Men and Women of NASA Langley Research Center",
author = "James Schultz",
isbn = "978-14-9359-416-0",
year = "2003",
month = "Jan" }

H. Zinn, People’s history of the united states, a, , 1995.
[Bibtex]

@book{,
title = "People's History of the United States, A",
author = "Howard Zinn",
isbn = "978-00-6092-643-4",
year = "1995",
month = "Jun" }

S. Asada, The shock of the atomic bomb and japan’s decision to surrender: a reconsideration, , 1998.
[Bibtex]

@book{,
title = "The Shock of the Atomic Bomb and Japan's Decision to Surrender: A Reconsideration",
author = "Sadao Asada",
year = "1998",
month = "May" }

P. Gärdenfors, The geometry of meaning: semantics based on conceptual spaces, , 2014.
[Bibtex]

@book{,
title = "The Geometry of Meaning: Semantics Based on Conceptual Spaces",
author = "Peter Gärdenfors",
isbn = "978-02-6231-959-1",
year = "2014",
month = "Jan" }

H. Zinn, Howard zinn on race, , 2011.
[Bibtex]

@book{,
title = "Howard Zinn on Race",
author = "Howard Zinn",
isbn = "978-16-0980-334-6",
year = "2011",
month = "Jun" }

G. W. Leibniz and P. R. T. W. Arthur, The labyrinth of the continuum: writings on the continuum problem, 1672-1686., , 2002.
[Bibtex]

@book{,
title = "The Labyrinth of the Continuum: Writings on the Continuum Problem, 1672-1686.",
author = "G. W. Leibniz and Professor Richard T. W. Arthur",
isbn = "978-03-0007-911-1",
year = "2002",
month = "Feb" }

M. Guerrieri, The first four notes: beethoven’s fifth and the human imagination, , 2012.
[Bibtex]

@book{,
title = "The First Four Notes: Beethoven's Fifth and the Human Imagination",
author = "Matthew Guerrieri",
isbn = "978-03-0796-092-4",
year = "2012",
month = "Nov" }

L. Rowell, Thinking about music: an introduction to the philosophy of music, , 1984.
[Bibtex]

@book{,
title = "Thinking About Music: An Introduction to the Philosophy of Music",
author = "Lewis Rowell",
isbn = "978-08-7023-461-3",
year = "1984",
month = "Sep" }

M. A. Radice, Chamber music: an essential history, , 2012.
[Bibtex]

@book{,
title = "Chamber Music: An Essential History",
author = "Mark A. Radice",
isbn = "978-04-7205-165-6",
year = "2012",
month = "Jan" }

M. Boyd, Bach, , 2000.
[Bibtex]

@book{,
title = "Bach",
author = "Malcolm Boyd",
isbn = "978-01-9514-222-8",
year = "2000",
month = "May" }

C. H. Gibbs and M. Solvik, Franz schubert and his world (the bard music festival), , 2014.
[Bibtex]

@book{,
title = "Franz Schubert and His World (The Bard Music Festival)",
author = "Christopher H. Gibbs and Morten Solvik",
isbn = "978-06-9116-380-2",
year = "2014",
month = "Aug" }

J. Huneker and T. P. Library, Chopin, , 2015.
[Bibtex]

@book{,
title = "Chopin",
author = "James Huneker and The Perfect Library",
isbn = "978-15-1182-533-7",
year = "2015",
month = "Apr" }

E. K. Drexler, Radical abundance: how a revolution in nanotechnology will change civilization, , 2013.
[Bibtex]

@book{,
title = "Radical Abundance: How a Revolution in Nanotechnology Will Change Civilization",
author = "K. Eric Drexler",
isbn = "978-16-1039-113-9",
year = "2013",
month = "May" }

T. Back, D. b. Fogel, and Z. Michalewicz, Evolutionary computation 1: basic algorithms and operators, , 2000.
[Bibtex]

@book{,
title = "Evolutionary Computation 1: Basic Algorithms and Operators",
author = "Thomas Back and D.b Fogel and Z Michalewicz",
isbn = "978-07-5030-664-5",
year = "2000",
month = "Jan" }

P. Gärdenfors, Conceptual spaces: the geometry of thought (bradford books), , 2004.
[Bibtex]

@book{,
title = "Conceptual Spaces: The Geometry of Thought (Bradford Books)",
author = "Peter Gärdenfors",
isbn = "978-02-6257-219-4",
year = "2004",
month = "Jan" }

L. H. A. Jr. and L. M. Issacson, Experimental music: composition with an electronic computer, , 1959.
[Bibtex]

@book{,
title = "Experimental Music: Composition With an Electronic Computer",
author = "Lejaren A. Hiller Jr. and Leonard M. Issacson",
year = "1959",
month = "May" }

S. J. Dick and M. L. Lupisella, Cosmos & culture: cultural evolution in a cosmic context, , 2015.
[Bibtex]

@book{,
title = "Cosmos \& Culture: Cultural Evolution in a Cosmic Context",
author = "Steven J. Dick and Mark L. Lupisella",
isbn = "978-15-1194-850-0",
year = "2015",
month = "May" }

J. Cocteau, Le coq et l’arlequin notes autour de la musique, , 1918.
[Bibtex]

@book{,
title = "Le Coq Et L'Arlequin Notes Autour De La Musique",
author = "Jean Cocteau",
year = "1918",
month = "Jun" }

E. Klein, Petit voyage dans le monde des quanta, , 2004.
[Bibtex]

@book{,
title = "Petit Voyage dans le Monde des Quanta",
author = "Etienne Klein",
isbn = "978-20-8122-701-9",
year = "2004",
month = "Jul" }

R. Sattouf, L’arabe du futur, , 2014.
[Bibtex]

@book{,
title = "L'Arabe du Futur",
author = "Riad Sattouf",
isbn = "978-23-7073-014-5",
year = "2014",
month = "May" }

A. Camus, A. Bower, and S. H. Read, The rebel: an essay on man in revolt, english translation of l’homme revolte, , 1956.
[Bibtex]

@book{,
title = "The Rebel: An Essay on Man in Revolt, English Translation of L'Homme Revolte",
author = "Albert Camus and Anthony Bower and Sir Herbert Read",
year = "1956",
month = "Jul" }

U. Eco, The open work, , 1989.
[Bibtex]

@book{,
title = "The Open Work",
author = "Umberto Eco",
isbn = "978-06-7463-976-8",
year = "1989",
month = "Apr" }

R. P. Feynman, The pleasure of finding things out: the best short works of richard p. feynman, , 2005.
[Bibtex]

@book{,
title = "The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman",
author = "Richard Phillips Feynman",
isbn = "978-04-6501-312-8",
year = "2005",
month = "Apr" }

V. V. Nabokov, Lolita, , 1977.
[Bibtex]

@book{,
title = "Lolita",
author = "Vladimir Vladimirovich Nabokov",
isbn = "978-06-7972-316-5",
year = "1977",
month = "Jul" }

A. Weir, The martian: a novel, , 2014.
[Bibtex]

@book{,
title = "The Martian: A Novel",
author = "Andy Weir",
isbn = "978-08-0413-902-1",
year = "2014",
month = "Feb" }

G. Perry, Behind the shock machine: the untold story of the notorious milgram psychology experiments, , 2013.
[Bibtex]

@book{,
title = "Behind the Shock Machine: The Untold Story of the Notorious Milgram Psychology Experiments",
author = "Gina Perry",
isbn = "978-15-9558-925-5",
year = "2013",
month = "Sep" }

E. L. de Boetie, The politics of obedience: the discourse of voluntary servitude, , 2015.
[Bibtex]

@book{,
title = "The Politics of Obedience: The Discourse of Voluntary Servitude",
author = "Etienne de La Boetie",
isbn = "978-16-1016-123-7",
year = "2015",
month = "May" }

E. Kandel, The age of insight: the quest to understand the unconscious in art, mind, and brain, from vienna 1900 to the present, , 2012.
[Bibtex]

@book{,
title = "The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, From Vienna 1900 to the Present",
author = "Eric Kandel",
isbn = "978-15-8836-930-7",
year = "2012",
month = "Mar" }

P. K. Dick, Counter-clock world, , 2012.
[Bibtex]

@book{,
title = "Counter-Clock World",
author = "Philip K. Dick",
isbn = "978-05-4757-219-2",
year = "2012",
month = "Apr" }

P. K. Dick, Dr. bloodmoney, or how we got along after the bomb, , 1973.
[Bibtex]

@book{,
title = "Dr. Bloodmoney, or How We Got Along After the Bomb",
author = "Philip K. Dick",
isbn = "978-04-4115-670-2",
year = "1973",
month = "Aug" }

A. C. Piccirillo, Elegance in flight, , 2015.
[Bibtex]

@book{,
title = "Elegance in Flight",
author = "Albert C. Piccirillo",
year = "2015",
month = "Jun" }

C. Peebles and R. P. contributions by Hallion, Probing the sky: selected naca research airplanes and thier contributions to flight, , 2015.
[Bibtex]

@book{,
title = "Probing the Sky: Selected NACA Research Airplanes and Thier Contributions to Flight",
author = "Curtis Peebles and contributions by Richard P. Hallion",
year = "2015",
month = "Apr" }

P. W. Merlin, Unlimited horizons: design and development of the u-2, , 2015.
[Bibtex]

@book{,
title = "Unlimited Horizons: Design and Development of the U-2",
author = "Peter W. Merlin",
year = "2015",
month = "Jun" }

H. G. Wells, The time machine, , 2014.
[Bibtex]

@book{,
title = "The Time Machine",
author = "H. G. Wells",
isbn = "978-15-0525-560-7",
year = "2014",
month = "Dec" }

H. G. Wells, The war of the worlds, , 1898.
[Bibtex]

@book{,
title = "The War of the Worlds",
author = "H. G. Wells",
isbn = "978-16-0303-401-2",
year = "1898",
month = "Aug" }

H. G. Wells, The world set free, , 2014.
[Bibtex]

@book{,
title = "The World Set Free",
author = "H. G. Wells",
isbn = "978-14-9964-209-4",
year = "2014",
month = "May" }

H. G. Wells, A short history of the world (deluxe), , 2010.
[Bibtex]

@book{,
title = "A Short History of the World (Deluxe)",
author = "H. G. Wells",
isbn = "978-14-2093-849-4",
year = "2010",
month = "Jan" }

H. G. Wells, A short history of the world, , 2010.
[Bibtex]

@book{,
title = "A Short History of the World",
author = "H. G. Wells",
isbn = "978-14-2093-849-4",
year = "2010",
month = "Jan" }

M. Sanger and A. Horvath, The pivot of civilization and a plan for peace, , 2011.
[Bibtex]

@book{,
title = "The Pivot of Civilization and a Plan for Peace",
author = "Margaret Sanger and Anthony Horvath",
isbn = "978-19-3683-004-6",
year = "2011",
month = "Feb" }

H. G. Wells, The island of doctor moreau, , 2009.
[Bibtex]

@book{,
title = "The Island of Doctor Moreau",
author = "H. G. Wells",
isbn = "978-15-5111-327-2",
year = "2009",
month = "Jul" }

H. G. Wells, The invisible man: a grotesque romance, , 2015.
[Bibtex]

@book{,
title = "The Invisible Man: A Grotesque Romance",
author = "H. G. Wells",
isbn = "978-15-1689-291-4",
year = "2015",
month = "Aug" }

H. G. Wells, The red room, , 2014.
[Bibtex]

@book{,
title = "The Red Room",
author = "H. G. Wells",
year = "2014",
month = "Nov" }

H. G. Wells, Little wars; a game for boys from twelve years of age to one hundred and fifty and for that more intelligent sort of girl who likes boys’ games and books., , 2010.
[Bibtex]

@book{,
title = "Little Wars; A Game for Boys From Twelve Years of Age to One Hundred and Fifty and for That More Intelligent Sort of Girl Who Likes Boys' Games and Books.",
author = "H G Wells",
isbn = "978-14-0762-337-5",
year = "2010",
month = "Jan" }

H. G. Wells, The war in the air, , 2007.
[Bibtex]

@book{,
title = "The War in the Air",
author = "H. G. Wells",
isbn = "978-01-4144-130-6",
year = "2007",
month = "Jun" }

H. G. Wells, The door in the wall and other stories, , 2012.
[Bibtex]

@book{,
title = "The Door in the Wall and Other Stories",
author = "H. G. Wells",
isbn = "978-14-8614-960-5",
year = "2012",
month = "May" }

H. G. Wells, Tales of space and time, , 2014.
[Bibtex]

@book{,
title = "Tales of Space and Time",
author = "H G Wells",
isbn = "978-14-9917-103-7",
year = "2014",
month = "Apr" }

H. G. Wells and S. M. Sheley, The first men in the moon, , 2014.
[Bibtex]

@book{,
title = "The First Men in the Moon",
author = "H. G. Wells and S. M. Sheley",
isbn = "978-14-9601-071-1",
year = "2014",
month = "Feb" }

H. G. Wells, The country of the blind, and other stories, , 2010.
[Bibtex]

@book{,
title = "The Country of the Blind, and Other Stories",
author = "H. G. Wells",
isbn = "978-28-1991-048-0",
year = "2010",
month = "Sep" }

H. G. Wells, When the sleeper wakes, , 2014.
[Bibtex]

@book{,
title = "When the Sleeper Wakes",
author = "H G Wells",
isbn = "978-16-3209-579-4",
year = "2014",
month = "Oct" }

H. G. Wells, The outline of history (v. 4); being a plain history of life and mankind, , 2009.
[Bibtex]

@book{,
title = "The Outline of History (V. 4); Being a Plain History of Life and Mankind",
author = "H. G. Wells",
isbn = "978-11-5018-914-2",
year = "2009",
month = "Dec" }

H. G. Wells, Twelve stories and a dream, , 2012.
[Bibtex]

@book{,
title = "Twelve Stories and a Dream",
author = "H. G. Wells",
isbn = "978-14-8615-098-4",
year = "2012",
month = "May" }

H. G. Wells, Ann veronica, a modern love story, , 2003.
[Bibtex]

@book{,
title = "Ann Veronica, a Modern Love Story",
author = "H. G. Wells",
isbn = "978-14-0436-060-0",
year = "2003",
month = "Mar" }

H. G. Wells, The food of the gods and how it came to earth, , 2015.
[Bibtex]

@book{,
title = "The Food of the Gods and How It Came to Earth",
author = "H. G. Wells",
isbn = "978-15-1689-061-3",
year = "2015",
month = "Aug" }

H. G. Wells, Tono-bungay: roman, , 1996.
[Bibtex]

@book{,
title = "Tono-Bungay: Roman",
author = "H. G. Wells",
isbn = "978-01-4144-111-5",
year = "1996",
month = "Aug" }

H. G. Wells, Text book of biology, part 1: vertebrata, , 2010.
[Bibtex]

@book{,
title = "Text Book of Biology, Part 1: Vertebrata",
author = "H. G. Wells",
year = "2010",
month = "Feb" }

H. G. Wells, A modern utopia, , 1994.
[Bibtex]

@book{,
title = "A Modern Utopia",
author = "H. G. Wells",
isbn = "978-01-4144-112-2",
year = "1994",
month = "Aug" }

H. G. Wells, Anticipations of the reaction of mechanical and scientific progress upon human life and thought, , 1999.
[Bibtex]

@book{,
title = "Anticipations of the Reaction of Mechanical and Scientific Progress Upon Human Life and Thought",
author = "H. G. Wells",
isbn = "978-15-0016-981-7",
year = "1999",
month = "Jan" }

H. G. Wells, The new machiavelli, , 2014.
[Bibtex]

@book{,
title = "The New Machiavelli",
author = "H. G. Wells",
isbn = "978-16-3209-405-6",
year = "2014",
month = "Oct" }

H. G. Wells, The sleeper awakes: a revised edition of “when the sleeper wakes”, , 2014.
[Bibtex]

@book{,
title = "The Sleeper Awakes: A Revised Edition of {"}When the Sleeper Wakes{"}",
author = "H G Wells",
isbn = "978-14-9533-015-5",
year = "2014",
month = "Jan" }

H. G. Wells, Marriage, , 2015.
[Bibtex]

@book{,
title = "Marriage",
author = "H. G. Wells",
isbn = "978-15-1689-317-1",
year = "2015",
month = "Aug" }

H. G. Wells, The wheels of chance: a bicycling idyll, , 2015.
[Bibtex]

@book{,
title = "The Wheels of Chance: A Bicycling Idyll",
author = "H. G. Wells",
isbn = "978-15-1536-520-4",
year = "2015",
month = "Aug" }

H. G. Wells, The stolen bacillus: and other incidents, , 2012.
[Bibtex]

@book{,
title = "The Stolen Bacillus: And Other Incidents",
author = "H. G. Wells",
year = "2012",
month = "Aug" }

H. G. Wells, The history of mr. polly: 1909, , 2009.
[Bibtex]

@book{,
title = "The History of Mr. Polly: 1909",
author = "H. G. Wells",
year = "2009",
month = "Jul" }

H. G. Wells, Kipps: the story of a simple soul, , 2009.
[Bibtex]

@book{,
title = "Kipps: The Story of a Simple Soul",
author = "H. G. Wells",
isbn = "978-07-5511-436-8",
year = "2009",
month = "Jan" }

H. G. Wells, What is coming? a forecast of things after the war, , 2014.
[Bibtex]

@book{,
title = "What Is Coming? A Forecast of Things After the War",
author = "H. G. Wells",
isbn = "978-16-3209-494-0",
year = "2014",
month = "Oct" }

H. G. Wells, Mr. britling sees it through, , 2013.
[Bibtex]

@book{,
title = "Mr. Britling Sees It Through",
author = "H. G. Wells",
isbn = "978-38-4964-144-3",
year = "2013",
month = "Nov" }

H. G. Wells, The passionate friends, , 2014.
[Bibtex]

@book{,
title = "The Passionate Friends",
author = "H. G. Wells",
isbn = "978-15-1689-438-3",
year = "2014",
month = "Oct" }

H. G. Wells, In the days of the comet, , 2013.
[Bibtex]

@book{,
title = "In the Days of the Comet",
author = "H. G. Wells",
isbn = "978-38-4964-120-7",
year = "2013",
month = "Nov" }

H. G. Wells, The discovery of the future, , 2014.
[Bibtex]

@book{,
title = "The Discovery of the Future",
author = "H G Wells",
isbn = "978-12-9563-919-9",
year = "2014",
month = "Feb" }

H. G. Wells, God, the invisible king, , 2015.
[Bibtex]

@book{,
title = "God, the Invisible King",
author = "H. G. Wells",
isbn = "978-15-1689-071-2",
year = "2015",
month = "Aug" }

H. G. Wells, The sea lady (illustrated and annotated edition), , 2013.
[Bibtex]

@book{,
title = "The Sea Lady (Illustrated and Annotated Edition)",
author = "H. G. Wells",
isbn = "978-38-4964-114-6",
year = "2013",
month = "Nov" }

H. G. Wells, The secret places of the heart, , 2015.
[Bibtex]

@book{,
title = "The Secret Places of the Heart",
author = "H. G. Wells",
isbn = "978-15-1217-115-0",
year = "2015",
month = "May" }

H. G. Wells, Mankind in the making, , 2010.
[Bibtex]

@book{,
title = "Mankind in the Making",
author = "H. G. Wells",
isbn = "978-28-1991-914-8",
year = "2010",
month = "Sep" }

H. G. Wells, War in the future. italy, france and britain at war, , 2006.
[Bibtex]

@book{,
title = "War in the Future. Italy, France and Britain at War",
author = "H. G. Wells",
isbn = "978-18-4637-512-5",
year = "2006",
month = "Jan" }

H. G. Wells, New worlds for old: a plain account of modern socialism, , 2015.
[Bibtex]

@book{,
title = "New Worlds for Old: A Plain Account of Modern Socialism",
author = "H. G. Wells",
isbn = "978-15-1689-395-9",
year = "2015",
month = "Aug" }

H. G. Wells, Boon, the mind of the race, the wild asses of the devil, and the last trump; being a first selection from the literary remains of george boon, appropriate to the times, , 2011.
[Bibtex]

@book{,
title = "Boon, the Mind of the Race, the Wild Asses of the Devil, and the Last Trump; Being a First Selection From the Literary Remains of George Boon, Appropriate to the Times",
author = "H G Wells",
year = "2011",
month = "Jun" }

H. G. Wells, Love and mr. lewisham, , 2006.
[Bibtex]

@book{,
title = "Love and Mr. Lewisham",
author = "H. G. Wells",
isbn = "978-15-9818-757-1",
year = "2006",
month = "Feb" }

H. G. Wells, The wonderful visit, , 2010.
[Bibtex]

@book{,
title = "The Wonderful Visit",
author = "H. G. Wells",
isbn = "978-81-2911-224-8",
year = "2010",
month = "Oct" }

H. G. Wells, The research magnificent, , 2013.
[Bibtex]

@book{,
title = "The Research Magnificent",
author = "H. G. Wells",
isbn = "978-14-8413-090-2",
year = "2013",
month = "Apr" }

H. G. Wells, First and last things, a confession of faith and rule of life, , 2013.
[Bibtex]

@book{,
title = "First and Last Things, a Confession of Faith and Rule of Life",
author = "H. G. Wells",
isbn = "978-14-8370-270-4",
year = "2013",
month = "Aug" }

G. de Tarde, Underground man, , 2014.
[Bibtex]

@book{,
title = "Underground Man",
author = "Gabriel de Tarde",
isbn = "978-15-0536-275-6",
year = "2014",
month = "Dec" }

H. G. Wells, The wife of sir isaac harman, , 2014.
[Bibtex]

@book{,
title = "The Wife of Sir Isaac Harman",
author = "H G Wells",
isbn = "978-14-9958-511-7",
year = "2014",
month = "May" }

H. G. Wells, An englishman looks at the world: being a series of unrestrained remarks upon contemporary matters (1914) (paperback) – common, , 2007.
[Bibtex]

@book{,
title = "An Englishman Looks at the World: Being a Series of Unrestrained Remarks Upon Contemporary Matters (1914) (Paperback) - Common",
author = "H. G. Wells",
year = "2007",
month = "Aug" }

H. G. Wells, In the fourth year – anticipations of a world peace, , 2007.
[Bibtex]

@book{,
title = "In the Fourth Year - Anticipations of a World Peace",
author = "H. G. Wells",
isbn = "978-14-0671-662-7",
year = "2007",
month = "Mar" }

F. Swinnerton, Nocturne, , 2008.
[Bibtex]

@book{,
title = "Nocturne",
author = "Frank Swinnerton",
isbn = "978-14-3447-117-8",
year = "2008",
month = "May" }

G. A. Fischer, Beethoven: a character study, together with wagner’s indebtedness to beethoven (dodo press), , 2007.
[Bibtex]

@book{,
title = "Beethoven: A Character Study, Together With Wagner's Indebtedness to Beethoven (Dodo Press)",
author = "George Alexander Fischer",
isbn = "978-14-0654-320-9",
year = "2007",
month = "Oct" }

Bibliobazaar and H. Berlioz, Mémoires de hector berlioz comprenant ses voyages en italie, en allemagne, en russie et en angleterre, 1803-1865, , 2011.
[Bibtex]

@book{,
title = "Mémoires De Hector Berlioz Comprenant Ses Voyages en Italie, en Allemagne, en Russie Et en Angleterre, 1803-1865",
author = "Bibliobazaar and Hector Berlioz",
isbn = "978-11-7927-684-7",
year = "2011",
month = "Sep" }

F. Liszt, Letters of franz liszt, volume 1, , 2002.
[Bibtex]

@book{,
title = "Letters of Franz Liszt, Volume 1",
author = "Franz Liszt",
isbn = "978-14-0431-263-0",
year = "2002",
month = "Apr" }

F. Liszt, Letters of franz liszt, volume 2, , 2002.
[Bibtex]

@book{,
title = "Letters of Franz Liszt, Volume 2",
author = "Franz Liszt",
isbn = "978-14-0431-265-4",
year = "2002",
month = "Apr" }

W. A. Mozart, Mozart the man and the artist, as revealed in his own words (classic reprint), , 2015.
[Bibtex]

@book{,
title = "Mozart the Man and the Artist, as Revealed in His Own Words (Classic Reprint)",
author = "Wolfgang Amadeus Mozart",
isbn = "978-13-3013-677-5",
year = "2015",
month = "Jun" }

L. M. Lederman and C. T. Hill, Beyond the god particle, , 2013.
[Bibtex]

@book{,
title = "Beyond the God Particle",
author = "Leon M. Lederman and Christopher T. Hill",
isbn = "978-16-1614-801-0",
year = "2013",
month = "Oct" }

N. Chomsky, How the world works, , 2011.
[Bibtex]

@book{,
title = "How the World Works",
author = "Noam Chomsky",
isbn = "978-15-9376-466-1",
year = "2011",
month = "Sep" }

L. Lederman and D. Teresi, The god particle: if the universe is the answer, what is the question?, , 2006.
[Bibtex]

@book{,
title = "The God Particle: If the Universe Is the Answer, What Is the Question?",
author = "Leon Lederman and Dick Teresi",
isbn = "978-05-4752-462-7",
year = "2006",
month = "Jun" }

J. Verne, A journey to the centre of the earth, , 2015.
[Bibtex]

@book{,
title = "A Journey to the Centre of the Earth",
author = "Jules Verne",
isbn = "978-60-5035-576-5",
year = "2015",
month = "Feb" }

J. Verne, 20,000 leagues under the sea, , 1870.
[Bibtex]

@book{,
title = "20,000 Leagues Under the Sea",
author = "Jules Verne",
isbn = "978-16-0340-037-4",
year = "1870",
month = "Jan" }

J. Verne, The purchase of the north pole topsy turvy, , 2008.
[Bibtex]

@book{,
title = "The Purchase of the North Pole Topsy Turvy",
author = "Jules Verne",
isbn = "978-14-2704-219-4",
year = "2008",
month = "Jan" }

J. Verne and L. E. Kendall, Ticket no. 9672, , 1886.
[Bibtex]

@book{,
title = "Ticket No. 9672",
author = "Jules Verne and Laura E. Kendall",
isbn = "978-14-8370-364-0",
year = "1886",
month = "Jan" }

J. Verne and A. Laurie, The waif of the “cynthia”, , 2008.
[Bibtex]

@book{,
title = "The Waif of the {"}Cynthia{"}",
author = "Jules Verne and Andre Laurie",
isbn = "978-14-2704-246-0",
year = "2008",
month = "Jan" }

J. Verne, Five weeks in a balloon, , 2011.
[Bibtex]

@book{,
title = "Five Weeks in a Balloon",
author = "Jules Verne",
isbn = "978-14-4652-129-8",
year = "2011",
month = "Feb" }

J. Verne, The survivors of the chancellor, , 2015.
[Bibtex]

@book{,
title = "The Survivors of the Chancellor",
author = "Jules Verne",
isbn = "14-0694-731-8",
year = "2015",
month = "Jun" }

J. Verne, The secret of the island, , 2014.
[Bibtex]

@book{,
title = "The Secret of the Island",
author = "Jules Verne",
isbn = "978-16-3209-731-6",
year = "2014",
month = "Oct" }

J. Verne, The pearl of lima, , 2009.
[Bibtex]

@book{,
title = "The Pearl of Lima",
author = "Jules Verne",
isbn = "978-14-0993-770-8",
year = "2009",
month = "Jan" }

J. Verne, The master of the world, , 2014.
[Bibtex]

@book{,
title = "The Master of the World",
author = "Jules Verne",
isbn = "978-14-8370-378-7",
year = "2014",
month = "Jan" }

J. Verne, The fur country, , 2003.
[Bibtex]

@book{,
title = "The Fur Country",
author = "Jules Verne",
isbn = "978-15-9224-179-8",
year = "2003",
month = "Jan" }

J. Verne, The english at the north pole, , 2007.
[Bibtex]

@book{,
title = "The English at the North Pole",
author = "Jules Verne",
isbn = "978-14-2701-846-5",
year = "2007",
month = "Dec" }

J. Verne, Round the world in eighty days, , 1900.
[Bibtex]

@book{,
title = "Round the World in Eighty Days",
author = "Jules Verne",
isbn = "978-07-1050-217-9",
year = "1900",
month = "Jan" }

V. Jules, Robur the conqueror, , 1886.
[Bibtex]

@book{,
title = "Robur the Conqueror",
author = "Verne Jules",
isbn = "978-14-8370-371-8",
year = "1886",
month = "Jan" }

J. Verne, Off on a comet! a journey through planetary space, , 2011.
[Bibtex]

@book{,
title = "Off on a Comet! a Journey through Planetary Space",
author = "Jules Verne",
isbn = "978-14-8370-373-2",
year = "2011",
month = "Jan" }

J. Verne, Michael strogoff: the courier of the czar, , 2006.
[Bibtex]

@book{,
title = "Michael Strogoff: The Courier of the Czar",
author = "Jules Verne",
isbn = "978-15-9462-432-2",
year = "2006",
month = "Sep" }

J. Verne, In the year 2889 and a voyage in a balloon, , 2009.
[Bibtex]

@book{,
title = "In the Year 2889 and a Voyage in a Balloon",
author = "Jules Verne",
isbn = "978-14-2703-245-4",
year = "2009",
month = "Mar" }

J. Verne, Godfrey morgan: a californian mystery, , 2015.
[Bibtex]

@book{,
title = "Godfrey Morgan: A Californian Mystery",
author = "Jules Verne",
isbn = "978-14-0971-315-9",
year = "2015",
month = "Jul" }

J. Verne, From the earth to the moon, , 1959.
[Bibtex]

@book{,
title = "From the Earth to the Moon",
author = "Jules Verne",
isbn = "978-05-5321-420-8",
year = "1959",
month = "Jan" }

J. Verne, In search of the castaways; or, the children of captain grant, , 2013.
[Bibtex]

@book{,
title = "In Search of the Castaways; Or, the Children of Captain Grant",
author = "Jules Verne",
isbn = "978-14-9054-778-7",
year = "2013",
month = "Jun" }

J. Verne, Facing the flag, , 1897.
[Bibtex]

@book{,
title = "Facing the Flag",
author = "Jules Verne",
isbn = "978-14-0655-419-9",
year = "1897",
month = "Jan" }

J. Verne, Five weeks in a balloon, , 2013.
[Bibtex]

@book{,
title = "Five Weeks in a Balloon",
author = "Jules Verne",
isbn = "978-14-8396-641-0",
year = "2013",
month = "Mar" }

J. Verne, Eight hundred leagues on the amazon: revised edition of original version (classics to go), , 2015.
[Bibtex]

@book{,
title = "Eight Hundred Leagues on the Amazon: Revised Edition of Original Version (Classics to Go)",
author = "Jules Verne",
year = "2015",
month = "Apr" }

J. Verne, Dick sands the boy captain, , 2014.
[Bibtex]

@book{,
title = "Dick Sands the Boy Captain",
author = "Jules Verne",
isbn = "978-14-9615-217-6",
year = "2014",
month = "Aug" }

J. Verne, Celebrated travels and travellers, part 3, , 2015.
[Bibtex]

@book{,
title = "Celebrated Travels and Travellers, Part 3",
author = "Jules Verne",
isbn = "978-15-1502-112-4",
year = "2015",
month = "Jul" }

J. Verne, Around the world in 80 days, , 1873.
[Bibtex]

@book{,
title = "Around the World in 80 Days",
author = "Jules Verne",
isbn = "978-15-0321-515-3",
year = "1873",
month = "Jan" }

J. Verne, An antarctic mystery, , 2015.
[Bibtex]

@book{,
title = "An Antarctic Mystery",
author = "Jules Verne",
isbn = "14-8105-660-3",
year = "2015",
month = "Jan" }

J. Verne, All around the moon, , 2013.
[Bibtex]

@book{,
title = "All Around the Moon",
author = "Jules Verne",
year = "2013",
month = "Aug" }

J. Verne, Abandoned, , 1999.
[Bibtex]

@book{,
title = "Abandoned",
author = "Jules Verne",
isbn = "978-14-8370-387-9",
year = "1999",
month = "Jan" }

J. Verne, The underground city, or, the child of the cavern, , 2014.
[Bibtex]

@book{,
title = "The Underground City, or, the Child of the Cavern",
author = "Jules Verne",
isbn = "978-14-8370-367-1",
year = "2014",
month = "Jan" }

J. Verne, Celebrated travels and travellers, part 3, , 2015.
[Bibtex]

@book{,
title = "Celebrated Travels and Travellers, Part 3",
author = "Jules Verne",
isbn = "978-15-1502-112-4",
year = "2015",
month = "Jul" }

J. Verne, Celebrated travels and travellers, part 3, , 2015.
[Bibtex]

@book{,
title = "Celebrated Travels and Travellers, Part 3",
author = "Jules Verne",
isbn = "978-15-1502-112-4",
year = "2015",
month = "Jul" }

J. Verne, Dick sands, the boy captain, , 2013.
[Bibtex]

@book{,
title = "Dick Sands, the Boy Captain",
author = "Jules Verne",
isbn = "978-14-9054-824-1",
year = "2013",
month = "Jun" }

R. Gordon, First on mars, , 1976.
[Bibtex]

@book{,
title = "First on Mars",
author = "Rex Gordon",
year = "1976",
month = "Jun" }

H. de Balzac, Le chef-d’œuvre inconnu, , 1987.
[Bibtex]

@book{,
title = "Le Chef-d'œuvre Inconnu",
author = "Honoré de Balzac",
isbn = "978-20-8070-365-1",
year = "1987",
month = "Jan" }

C. Liu, The dark forest, , 2015.
[Bibtex]

@book{,
title = "The Dark Forest",
author = "Cixin Liu",
isbn = "978-14-6685-343-0",
year = "2015",
month = "Aug" }

N. Stephenson, Anathem, , 2008.
[Bibtex]

@book{,
title = "Anathem",
author = "Neal Stephenson",
isbn = "978-18-4354-915-4",
year = "2008",
month = "Dec" }

K. J. López-Alt, The food lab: better home cooking through science, , 2015.
[Bibtex]

@book{,
title = "The Food Lab: Better Home Cooking Through Science",
author = "J. Kenji López-Alt",
isbn = "978-03-9324-986-6",
year = "2015",
month = "Sep" }

C. Liu, The three-body problem, , 101.
[Bibtex]

@book{,
title = "The Three-Body Problem",
author = "Cixin Liu",
isbn = "978-14-6685-344-7",
year = "101",
month = "Jan" }

D. Eagleman, Sum: forty tales from the afterlives, , 2009.
[Bibtex]

@book{,
title = "Sum: Forty Tales From the Afterlives",
author = "Eagleman, David",
isbn = "978-03-0738-993-0",
year = "2009",
month = "Jan" }

D. Eagleman, Incognito: the secret lives of the brain, , 2011.
[Bibtex]

@book{,
title = "Incognito: The Secret Lives of the Brain",
author = "Eagleman, David",
isbn = "03-0737-733-4",
year = "2011",
month = "May" }

L. Sutin, Divine invasions: a life of philip k. dick, , 2009.
[Bibtex]

@book{,
title = "Divine Invasions: A Life of Philip K. Dick",
author = "Lawrence Sutin",
year = "2009",
month = "Apr" }

R. Hoban, The medusa frequency, , 1987.
[Bibtex]

@book{,
title = "The Medusa Frequency",
author = "Russell Hoban",
isbn = "978-07-4755-909-2",
year = "1987",
month = "Jan" }

P. Watts, Blindsight, , 2006.
[Bibtex]

@book{,
title = "Blindsight",
author = "Peter Watts",
isbn = "978-14-2995-519-5",
year = "2006",
month = "Oct" }

R. Hoban, Riddley walker, expanded edition, , 1980.
[Bibtex]

@book{,
title = "Riddley Walker, Expanded Edition",
author = "Russell Hoban",
isbn = "978-02-5321-234-4",
year = "1980",
month = "Jan" }

S. Alexievich, Voices from chernobyl: the oral history of a nuclear disaster, , 2005.
[Bibtex]

@book{,
title = "Voices From Chernobyl: The Oral History of a Nuclear Disaster",
author = "Svetlana Alexievich",
isbn = "978-14-3956-639-8",
year = "2005",
month = "Jan" }

W. Prochnau, Trinity’s child, , 1983.
[Bibtex]

@book{,
title = "Trinity's Child",
author = "William Prochnau",
isbn = "978-03-9912-777-9",
year = "1983",
month = "Jan" }

J. L. Borges, Selected non-fictions, , 1999.
[Bibtex]

@book{,
title = "Selected Non-Fictions",
author = "Jorge Luis Borges",
isbn = "978-01-4029-011-0",
year = "1999",
month = "Jan" }

J. L. Borges, Collected fictions, , 1998.
[Bibtex]

@book{,
title = "Collected Fictions",
author = "Jorge Luis Borges",
isbn = "978-01-4028-680-9",
year = "1998",
month = "Jan" }

J. L. Borges, Universal history of infamy, , 1972.
[Bibtex]

@book{,
title = "Universal History of Infamy",
author = "Jorge Luis Borges",
isbn = "978-01-4018-033-6",
year = "1972",
month = "Jan" }

J. L. Borges, This craft of verse, , 2000.
[Bibtex]

@book{,
title = "This Craft of Verse",
author = "Jorge Luis Borges",
isbn = "978-06-7400-820-5",
year = "2000",
month = "Jan" }

J. L. Borges, Six problems for don isidro parodi, , 1971.
[Bibtex]

@book{,
title = "Six Problems for Don Isidro Parodi",
author = "Jorge Luis Borges",
isbn = "978-05-2520-480-0",
year = "1971",
month = "Jan" }

J. L. Borges, Seven nights, , 1984.
[Bibtex]

@book{,
title = "Seven Nights",
author = "Jorge Luis Borges",
isbn = "978-08-1121-838-2",
year = "1984",
month = "Jan" }

J. L. Borges, Selected poems 1923-1967, , 1972.
[Bibtex]

@book{,
title = "Selected Poems 1923-1967",
author = "Jorge Luis Borges",
isbn = "978-04-4054-307-7",
year = "1972",
month = "Jan" }

J. L. Borges, Professor borges: a course on english literature, , 2013.
[Bibtex]

@book{,
title = "Professor Borges: A Course on English Literature",
author = "Jorge Luis Borges",
isbn = "978-08-1122-117-7",
year = "2013",
month = "Jul" }

J. L. Borges, Labyrinths: selected stories and other writings, , 1964.
[Bibtex]

@book{,
title = "Labyrinths: Selected Stories and Other Writings",
author = "Jorge Luis Borges",
isbn = "978-08-1120-012-7",
year = "1964",
month = "Jan" }

J. L. Borges, In praise of darkness, , 1974.
[Bibtex]

@book{,
title = "In Praise of Darkness",
author = "Jorge Luis Borges",
isbn = "978-05-2513-225-7",
year = "1974",
month = "Jan" }

J. L. Borges, Evaristo carriego, , 1955.
[Bibtex]

@book{,
title = "Evaristo Carriego",
author = "Jorge Luis Borges",
isbn = "978-97-5050-067-1",
year = "1955",
month = "Jan" }

J. L. Borges, Doctor brodie’s report, , 1972.
[Bibtex]

@book{,
title = "Doctor Brodie's Report",
author = "Jorge Luis Borges",
isbn = "978-05-2509-382-4",
year = "1972",
month = "Jan" }

J. L. Borges, The congress, , 1974.
[Bibtex]

@book{,
title = "The Congress",
author = "Jorge Luis Borges",
isbn = "978-09-0111-141-8",
year = "1974",
month = "Jul" }

J. L. Borges, Chronicles of bustos domecq, , 1976.
[Bibtex]

@book{,
title = "Chronicles of Bustos Domecq",
author = "Jorge Luis Borges",
isbn = "978-05-2547-548-4",
year = "1976",
month = "Jan" }

J. L. Borges, Borges on writing, , 1973.
[Bibtex]

@book{,
title = "Borges on Writing",
author = "Jorge Luis Borges",
isbn = "978-08-8001-368-0",
year = "1973",
month = "Jan" }

J. L. Borges, Borges at eighty: conversations, , 1982.
[Bibtex]

@book{,
title = "Borges at Eighty: Conversations",
author = "Jorge Luis Borges",
isbn = "978-08-1122-121-4",
year = "1982",
month = "Jan" }

J. L. Borges, The book of sand, , 1977.
[Bibtex]

@book{,
title = "The Book of Sand",
author = "Jorge Luis Borges",
isbn = "978-05-2506-992-8",
year = "1977",
month = "Jan" }

J. L. Borges, The book of imaginary beings, , 1970.
[Bibtex]

@book{,
title = "The Book of Imaginary Beings",
author = "Jorge Luis Borges",
isbn = "978-06-7089-180-1",
year = "1970",
month = "Jan" }

J. L. Borges, Aleph and other stories, , 1970.
[Bibtex]

@book{,
title = "Aleph and Other Stories",
author = "Jorge Luis Borges",
isbn = "978-05-2547-539-2",
year = "1970",
month = "Jan" }

J. L. McQuein, Arclight, , 2013.
[Bibtex]

@book{,
title = "Arclight",
author = "McQuein, Josin L.",
isbn = "978-00-6213-014-3",
year = "2013",
month = "Apr" }

F. G. Jünger, The failure of technology: perfection without purpose, , 1949.
[Bibtex]

@book{,
title = "The Failure of Technology: Perfection Without Purpose",
author = "Friedrich Georg Jünger",
year = "1949",
month = "Feb" }

J. Seabrook, The song machine: inside the hit factory, , 2015.
[Bibtex]

@book{,
title = "The Song Machine: Inside the Hit Factory",
author = "John Seabrook",
isbn = "978-03-9324-193-8",
year = "2015",
month = "Oct" }

G. Chamayou, Théorie du drone, , 2013.
[Bibtex]

@book{,
title = "Théorie du drone",
author = "Grégoire Chamayou",
isbn = "978-23-5872-047-2",
year = "2013",
month = "Feb" }

M. I. Kaganov, Electrons, phonons, magnons, , 1981.
[Bibtex]

@book{,
title = "Electrons, Phonons, Magnons",
author = "Moisei Isaakovich Kaganov",
isbn = "978-08-2852-011-9",
year = "1981",
month = "Dec" }

W. Gibson, Identification des schémas, , 2004.
[Bibtex]

@book{,
title = "Identification des schémas",
author = "William Gibson",
isbn = "978-28-4626-072-5",
year = "2004",
month = "Mar" }

S. Dehaene, Le code de la conscience, , 2014.
[Bibtex]

@book{,
title = "Le Code de la Conscience",
author = "Stanislas Dehaene",
isbn = "978-27-3816-904-4",
year = "2014",
month = "Oct" }

J. R. Chambers and M. A. Chambers, Emblems of exploration: logos of the naca and nasa, , 2015.
[Bibtex]

@book{,
title = "Emblems of Exploration: Logos of the NACA and NASA",
author = "Joseph R. Chambers and Mark A. Chambers",
isbn = "978-16-2683-028-8",
year = "2015",
month = "Oct" }

D. A. Vakoch, Psychology of space exploration: contemporary research in historical perspective, , 2011.
[Bibtex]

@book{,
title = "Psychology of Space Exploration: Contemporary Research in Historical Perspective",
author = "Douglas A. Vakoch",
isbn = "978-14-6999-770-4",
year = "2011",
month = "Jul" }

E. H. Kloman, Unmanned space and project management: surveyor & lunar orbiter, , 2011.
[Bibtex]

@book{,
title = "Unmanned Space and Project Management: Surveyor \& Lunar Orbiter",
author = "Erasmus H. Kloman",
year = "2011",
month = "Oct" }

D. W. David Mumford Caroline Series, Indra’s pearls: the vision of felix klein, , 2002.
[Bibtex]

@book{,
title = "Indra's Pearls: The Vision of Felix Klein",
author = "David Mumford, Caroline Series, David Wright",
year = "2002",
month = "Apr" }

E. Schlosser, Command and control: nuclear weapons, the damascus accident, and the illusion of safety, , 2009.
[Bibtex]

@book{,
title = "Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety",
author = "Eric Schlosser",
isbn = "978-01-4312-578-5",
year = "2009",
month = "Jan" }

E. K. Drexler, Nanosystems: molecular machinery, manufacturing, and computation, , 1992.
[Bibtex]

@book{,
title = "Nanosystems: Molecular Machinery, Manufacturing, and Computation",
author = "Eric K Drexler",
isbn = "978-04-7157-518-4",
year = "1992",
month = "Oct" }

F. J. Tipler, The physics of immortality, , 1994.
[Bibtex]

@book{,
title = "The Physics of Immortality",
author = "Frank J. Tipler",
isbn = "978-03-8546-798-8",
year = "1994",
month = "Sep" }

J. Bell, The interstellar age, , 2015.
[Bibtex]

@book{,
title = "The Interstellar Age",
author = "Jim Bell",
year = "2015",
month = "Feb" }

D. A. Wolf-Gladrow, Lattice-gas cellular automata and lattice boltzmann models: an introduction (lecture notes in mathematics), , 2000.
[Bibtex]

@book{,
title = "Lattice-Gas Cellular Automata and Lattice Boltzmann Models: An Introduction (Lecture Notes in Mathematics)",
author = "Dieter A. Wolf-Gladrow",
isbn = "978-35-4066-973-9",
year = "2000",
month = "Jan" }

L. E. Rowell, Thinking about music an introduction to the philosophy of music, , 2007.
[Bibtex]

@book{,
title = "Thinking About Music An Introduction to the Philosophy of Music",
author = "Lewis Eugene Rowell",
year = "2007",
month = "Dec" }

K. Čapek, R.u.r. rossum’s universal robots; kolektivní drama v vstupní komedii a tech aktech (czech edition), , 2011.
[Bibtex]

@book{,
title = "R.U.R. Rossum's Universal Robots; Kolektivní Drama v Vstupní Komedii a Tech Aktech (Czech Edition)",
author = "Karel Čapek",
isbn = "978-12-4558-437-1",
year = "2011",
month = "Sep" }

C. Jean-Luc, Histoire d’algorithmes: du caillou à la puce, , 1994.
[Bibtex]

@book{,
title = "Histoire d'algorithmes: Du caillou à la puce",
author = "Chabert Jean-Luc",
isbn = "978-27-0111-346-3",
year = "1994",
month = "Mar" }

W. Alfred, Process and reality (gifford lectures delivered in the university of edinburgh during the session 1927-28) by alfred north whitehead (1979-07-01), , 1880.
[Bibtex]

@book{,
title = "Process and Reality (Gifford Lectures Delivered in the University of Edinburgh During the Session 1927-28) by Alfred North Whitehead (1979-07-01)",
author = "Whitehead Alfred",
year = "1880",
month = "Dec" }

J. Barron, Mig pilot: the final escape of lt. belenko, , 1980.
[Bibtex]

@book{,
title = "MiG Pilot: The Final Escape of Lt. Belenko",
author = "John Barron",
isbn = "978-03-8053-868-3",
year = "1980",
month = "Jan" }

A. Steele, Coyote, , 2002.
[Bibtex]

@book{,
title = "Coyote",
author = "Allen Steele",
isbn = "978-11-0120-816-8",
year = "2002",
month = "Nov" }

C. Roads, The computer music tutorial, , 1994.
[Bibtex]

@book{,
title = "The Computer Music Tutorial",
author = "Curtis Roads",
isbn = "978-02-6268-082-0",
year = "1994",
month = "Jan" }

W. O. Stapledon, Star maker, , 1937.
[Bibtex]

@book{,
title = "Star Maker",
author = "William Olaf Stapledon",
isbn = "978-14-8264-446-3",
year = "1937",
month = "Feb" }

W. O. Stapledon, The seed and the flower, , 1916.
[Bibtex]

@book{,
title = "The Seed and the Flower",
author = "William Olaf Stapledon",
year = "1916",
month = "Oct" }

W. O. Stapledon, Last men in london, , 1976.
[Bibtex]

@book{,
title = "Last Men in London",
author = "William Olaf Stapledon",
isbn = "978-04-8626-980-1",
year = "1976",
month = "Jan" }

A. Camus, L’étranger, , 1955.
[Bibtex]

@book{,
title = "L'étranger",
author = "Albert Camus",
isbn = "978-20-7039-371-8",
year = "1955",
month = "Jan" }

A. Camus, La chute, , 1956.
[Bibtex]

@book{,
title = "La Chute",
author = "Albert Camus",
isbn = "978-20-7036-010-9",
year = "1956",
month = "Jun" }

A. Camus, La peste, , 1947.
[Bibtex]

@book{,
title = "La Peste",
author = "Albert Camus",
isbn = "978-20-7036-042-0",
year = "1947",
month = "Jan" }

G. Orwell, 1984: a novel, , 1949.
[Bibtex]

@book{,
title = "1984: A Novel",
author = "George Orwell",
isbn = "978-14-0586-241-7",
year = "1949",
month = "Jan" }

G. W. Leibniz, Système nouveau de la nature et de la communication des substances, , 2013.
[Bibtex]

@book{,
title = "Système Nouveau de la Nature et de la Communication des Substances",
author = "Gottfried Wilhelm Leibniz",
isbn = "979-10-2230-106-0",
year = "2013",
month = "Oct" }

B. Pascal, Les lettres de blaise pascal: accompagnées de lettres de ses correspondants (french edition), , 2011.
[Bibtex]

@book{,
title = "Les Lettres De Blaise Pascal: Accompagnées De Lettres De Ses Correspondants (French Edition)",
author = "Blaise Pascal",
isbn = "978-12-4686-027-6",
year = "2011",
month = "Sep" }

B. Pascal, Les provinciales: : ou, les lettres écrites par louis de montalte à un provincial de ses amis et aux rr. pp. jésuites, , 1983.
[Bibtex]

@book{,
title = "Les provinciales: : ou, les lettres écrites par Louis de Montalte à un provincial de ses amis et aux RR. PP. Jésuites",
author = "Blaise Pascal",
isbn = "978-20-4017-435-4",
year = "1983",
month = "Jan" }

B. Pascal, Pensées de mr. pascal sur la religion, et sur quelques autres sujets (french edition), , 1677.
[Bibtex]

@book{,
title = "Pensées de Mr. Pascal sur la religion, et sur quelques autres sujets (French Edition)",
author = "Blaise Pascal",
year = "1677",
month = "Jan" }

B. Pascal, Pensées de blaise pascal… (french edition), , 2012.
[Bibtex]

@book{,
title = "Pensées De Blaise Pascal... (French Edition)",
author = "Blaise Pascal",
isbn = "978-12-7523-797-1",
year = "2012",
month = "Feb" }

B. Pascal, Prière pour demander à dieu le bon usage des maladies: ein krankengebet, , 1962.
[Bibtex]

@book{,
title = "Prière pour demander à Dieu le bon usage des maladies: Ein Krankengebet",
author = "Blaise Pascal",
year = "1962",
month = "Apr" }

M. Proust, À l’ombre des jeunes filles en fleurs, , 1919.
[Bibtex]

@book{,
title = "À l’ombre des jeunes filles en fleurs",
author = "Marcel Proust",
year = "1919",
month = "Apr" }

M. Proust, Albertine disparue, , 1927.
[Bibtex]

@book{,
title = "Albertine Disparue",
author = "Marcel Proust",
year = "1927",
month = "Apr" }

M. Proust, Du côté de chez swann, , 1913.
[Bibtex]

@book{,
title = "Du côté de chez Swann",
author = "Marcel Proust",
year = "1913",
month = "Apr" }

M. Proust, La prisonnière, , 1925.
[Bibtex]

@book{,
title = "La Prisonnière",
author = "Marcel Proust",
year = "1925",
month = "Apr" }

M. Proust, Le côté de guermantes, , 1922.
[Bibtex]

@book{,
title = "Le Côté de Guermantes",
author = "Marcel Proust",
year = "1922",
month = "Apr" }

M. Proust, Le temps retrouvé, , 1927.
[Bibtex]

@book{,
title = "Le Temps Retrouvé",
author = "Marcel Proust",
year = "1927",
month = "Apr" }

S. Mallarmé, Autobiographie: lettre à verlaine, , 1924.
[Bibtex]

@book{,
title = "Autobiographie: lettre à Verlaine",
author = "Stéphane Mallarmé",
year = "1924",
month = "Apr" }

M. Proust, Sodome et gomorrhe, , 1922.
[Bibtex]

@book{,
title = "Sodome et Gomorrhe",
author = "Marcel Proust",
year = "1922",
month = "Apr" }

S. Mallarmé, Pages, , 2015.
[Bibtex]

@book{,
title = "Pages",
author = "Stéphane Mallarmé",
isbn = "978-15-1176-552-7",
year = "2015",
month = "Apr" }

C. Baudelaire, Fusées ; mon cœur mis à nu ; la belgique déshabilleé: suivi de amœnitates belgicæ, , 1986.
[Bibtex]

@book{,
title = "Fusées ; Mon cœur mis à nu ; La Belgique déshabilleé: suivi de Amœnitates Belgicæ",
author = "Charles Baudelaire",
isbn = "978-20-7037-727-5",
year = "1986",
month = "Apr" }

S. Mallarmé, Poésies et autres textes, , 2013.
[Bibtex]

@book{,
title = "Poésies et Autres Textes",
author = "Mallarmé, Stéphane",
isbn = "978-22-5315-887-5",
year = "2013",
month = "Mar" }

C. Baudelaire, Le spleen de paris (le parle classics), , 1994.
[Bibtex]

@book{,
title = "Le Spleen De Paris (Le Parle Classics)",
author = "Charles Baudelaire",
isbn = "978-18-8287-477-4",
year = "1994",
month = "Apr" }

G. Orwell, La ferme des animaux, , 1945.
[Bibtex]

@book{,
title = "La Ferme des Animaux",
author = "George Orwell",
isbn = "978-28-2490-261-6",
year = "1945",
month = "Jan" }

C. Baudelaire, Edgar poe, sa vie et ses oeuvres, , 2016.
[Bibtex]

@book{,
title = "Edgar Poe, Sa Vie Et Ses Oeuvres",
author = "Charles Baudelaire",
isbn = "978-15-3522-239-6",
year = "2016",
month = "Aug" }

C. Baudelaire, Mon coeur mis à nu: journaux intimes, , 1923.
[Bibtex]

@book{,
title = "Mon coeur mis à nu: journaux intimes",
author = "Charles Baudelaire",
year = "1923",
month = "Apr" }

E. Viollet-le-Duc, Dictionnaire raisonne de l’architecture francaise du xie au xvie siecle, volume 9… (french edition), , 2012.
[Bibtex]

@book{,
title = "Dictionnaire Raisonne de L'Architecture Francaise Du XIE Au Xvie Siecle, Volume 9... (French Edition)",
author = "Eugène-Emmanuel Viollet-le-Duc",
isbn = "978-12-7426-613-2",
year = "2012",
month = "Feb" }

Eugène-Emmanuel and Viollet-le-Duc, La cité de carcassonne, , 1995.
[Bibtex]

@book{,
title = "La Cité de Carcassonne",
author = "Eugène-Emmanuel and Viollet-le-Duc",
isbn = "978-28-6266-225-1",
year = "1995",
month = "Jan" }

J. Lassus and E. Viollet-le-Duc, Project de restauration de notre-dame de paris, , 1843.
[Bibtex]

@book{,
title = "Project de Restauration de Notre-Dame de Paris",
author = "Jean-Baptiste Lassus and Eugène-Emmanuel Viollet-le-Duc",
isbn = "978-14-6557-198-4",
year = "1843",
month = "Apr" }

V. Hugo, Actes et paroles – depuis l’exil, , 2011.
[Bibtex]

@book{,
title = "Actes Et Paroles - Depuis L'Exil",
author = "Victor Hugo",
isbn = "978-14-6379-941-0",
year = "2011",
month = "Aug" }

V. Hugo, Claude gueux, , 2005.
[Bibtex]

@book{,
title = "Claude Gueux",
author = "Victor Hugo",
isbn = "978-88-9256-687-3",
year = "2005",
month = "Apr" }

V. Hugo, Bug-jargal, , 1983.
[Bibtex]

@book{,
title = "Bug-Jargal",
author = "Victor Hugo",
isbn = "978-15-8963-147-2",
year = "1983",
month = "Jan" }

V. Hugo, Actes et paroles – pendant l’exil, , 2011.
[Bibtex]

@book{,
title = "Actes et Paroles - Pendant l'Exil",
author = "Victor Hugo",
isbn = "978-14-6379-936-6",
year = "2011",
month = "Aug" }

V. Hugo, Dieu, , 1986.
[Bibtex]

@book{,
title = "Dieu",
author = "Victor Hugo",
isbn = "978-28-6869-074-6",
year = "1986",
month = "Apr" }

V. Hugo, Hernani, , 2006.
[Bibtex]

@book{,
title = "Hernani",
author = "Victor Hugo",
isbn = "978-20-1160-693-8",
year = "2006",
month = "Nov" }

V. Hugo, Han d’islande, , 2016.
[Bibtex]

@book{,
title = "Han d'Islande",
author = "Victor Hugo",
isbn = "978-13-3458-317-9",
year = "2016",
month = "Dec" }

V. Hugo, Étude sur mirabeau, , 1834.
[Bibtex]

@book{,
title = "Étude sur Mirabeau",
author = "Victor Hugo",
year = "1834",
month = "Apr" }

V. Hugo, L’ane, , 2008.
[Bibtex]

@book{,
title = "L'Ane",
author = "Victor Hugo",
isbn = "978-05-5962-544-2",
year = "2008",
month = "Nov" }

V. Hugo, L’année terrible, , 2013.
[Bibtex]

@book{,
title = "L'Année Terrible",
author = "Victor Hugo",
isbn = "978-11-5378-204-3",
year = "2013",
month = "Sep" }

V. Hugo, L’archipel de la manche, , 2011.
[Bibtex]

@book{,
title = "L'Archipel De La Manche",
author = "Victor Hugo",
isbn = "978-15-1461-205-7",
year = "2011",
month = "Jan" }

V. Hugo, Histoire d’un crime, , 2015.
[Bibtex]

@book{,
title = "Histoire d'un Crime",
author = "Victor Hugo",
isbn = "978-15-1460-674-2",
year = "2015",
month = "Jun" }

V. Hugo, L’homme qui rit, , 1987.
[Bibtex]

@book{,
title = "L'Homme qui Rit",
author = "Victor Hugo",
isbn = "978-58-7401-531-2",
year = "1987",
month = "Jan" }

V. Hugo, La fin de satan, , 1984.
[Bibtex]

@book{,
title = "La Fin De Satan",
author = "Victor Hugo",
isbn = "978-58-8421-504-7",
year = "1984",
month = "Jan" }

V. Hugo, L’art d’être grand-père, , 1996.
[Bibtex]

@book{,
title = "L'Art d'être Grand-Père",
author = "Victor Hugo",
isbn = "978-28-4205-095-5",
year = "1996",
month = "Jan" }

V. Hugo, La légende des siècles, , 2015.
[Bibtex]

@book{,
title = "La Légende des Siècles",
author = "Victor Hugo",
isbn = "978-15-0858-935-8",
year = "2015",
month = "Feb" }

V. Hugo, La pitié suprême, , 1879.
[Bibtex]

@book{,
title = "La Pitié Suprême",
author = "Victor Hugo",
isbn = "978-05-5928-251-5",
year = "1879",
month = "Apr" }

V. Hugo, La voix de guernesey, , 2014.
[Bibtex]

@book{,
title = "La Voix de Guernesey",
author = "Victor Hugo",
isbn = "978-23-6841-293-0",
year = "2014",
month = "Feb" }

V. Hugo, Le pape, , 1883.
[Bibtex]

@book{,
title = "Le Pape",
author = "Victor Hugo",
year = "1883",
month = "Apr" }

V. Hugo, Le retour de l’empereur, , 1840.
[Bibtex]

@book{,
title = "Le Retour de l'Empereur",
author = "Victor Hugo",
year = "1840",
month = "Apr" }

V. Hugo, Le dernier jour d’un condamné, , 2013.
[Bibtex]

@book{,
title = "Le Dernier Jour d'un Condamné",
author = "Victor Hugo",
isbn = "23-3502-410-8",
year = "2013",
month = "Nov" }

V. Hugo, Le roi s’amuse, , 2011.
[Bibtex]

@book{,
title = "Le Roi S'Amuse",
author = "Victor Hugo",
isbn = "978-58-7415-777-7",
year = "2011",
month = "Jan" }

V. Hugo, Les châtiments, , 2013.
[Bibtex]

@book{,
title = "Les Châtiments",
author = "Victor Hugo",
isbn = "978-22-5315-862-2",
year = "2013",
month = "Apr" }

V. Hugo, Les burgraves, , 2011.
[Bibtex]

@book{,
title = "Les Burgraves",
author = "Victor Hugo",
isbn = "978-11-4124-803-2",
year = "2011",
month = "Jan" }

V. Hugo, Les chansons des rues et des bois, , 1866.
[Bibtex]

@book{,
title = "Les chansons des rues et des bois",
author = "Victor Hugo",
year = "1866",
month = "Apr" }

V. Hugo, Les chants du crépuscule, , 2014.
[Bibtex]

@book{,
title = "Les Chants du Crépuscule",
author = "Victor Hugo",
isbn = "978-23-6841-285-5",
year = "2014",
month = "Feb" }

V. Hugo, Les contemplations, , 2015.
[Bibtex]

@book{,
title = "Les Contemplations",
author = "Victor Hugo",
isbn = "978-13-3249-160-5",
year = "2015",
month = "Jan" }

V. Hugo, Les feuilles d’automne, , 2013.
[Bibtex]

@book{,
title = "Les Feuilles d'Automne",
author = "Victor Hugo",
isbn = "978-22-5315-868-4",
year = "2013",
month = "Jun" }

V. Hugo, Les misérables – tome i – frantine, , 2009.
[Bibtex]

@book{,
title = "Les Misérables - Tome I - Frantine",
author = "Victor Hugo",
year = "2009",
month = "Nov" }

V. Hugo, Les misérables – tome ii – cosette, , 2010.
[Bibtex]

@book{,
title = "Les Misérables - Tome II - Cosette",
author = "Victor Hugo",
year = "2010",
month = "Nov" }

V. Hugo, Les misérables – marius tome iii, , 2014.
[Bibtex]

@book{,
title = "Les Misérables - Marius Tome III",
author = "Victor Hugo",
isbn = "978-14-9529-910-0",
year = "2014",
month = "Jan" }

V. Hugo, Les orientales, , 2011.
[Bibtex]

@book{,
title = "Les Orientales",
author = "Victor Hugo",
isbn = "978-11-4154-628-2",
year = "2011",
month = "Jan" }

V. Hugo, Les voix intérieures: les rayons et les ombres, , 2010.
[Bibtex]

@book{,
title = "Les Voix Intérieures: Les Rayons Et Les Ombres",
author = "Victor Hugo",
isbn = "978-11-4522-481-0",
year = "2010",
month = "Feb" }

V. Hugo, Les voix intérieures, , 1856.
[Bibtex]

@book{,
title = "Les Voix Intérieures",
author = "Victor Hugo",
year = "1856",
month = "Apr" }

V. Hugo, Les miserables: tome v – jean valjean, , 2013.
[Bibtex]

@book{,
title = "Les Miserables: Tome V - Jean Valjean",
author = "Victor Hugo",
isbn = "978-14-8208-310-1",
year = "2013",
month = "Jan" }

V. Hugo, Les misérables tome iv: l’idylle rue plumet et l’épopée rue saint-denis, , 2010.
[Bibtex]

@book{,
title = "Les misérables Tome IV: L'idylle rue Plumet et l'épopée rue Saint-Denis",
author = "Victor Hugo",
year = "2010",
month = "Nov" }

V. Hugo, Littérature et philosophie mêlées, , 1834.
[Bibtex]

@book{,
title = "Littérature et philosophie mêlées",
author = "Victor Hugo",
year = "1834",
month = "Apr" }

V. Hugo, Marie tudor, , 2012.
[Bibtex]

@book{,
title = "Marie Tudor",
author = "Victor Hugo",
isbn = "978-12-7529-165-2",
year = "2012",
month = "Feb" }

V. Hugo, Victor hugo contre la peine de mort, , 2001.
[Bibtex]

@book{,
title = "Victor Hugo contre la peine de mort",
author = "Victor Hugo",
isbn = "978-28-4597-041-0",
year = "2001",
month = "Apr" }

V. Hugo, Napoléon le petit, , 1871.
[Bibtex]

@book{,
title = "Napoléon le Petit",
author = "Victor Hugo",
year = "1871",
month = "Apr" }

V. Hugo, Notre-dame de paris, , 1892.
[Bibtex]

@book{,
title = "Notre-Dame de Paris",
author = "Victor Hugo",
isbn = "978-23-6433-004-7",
year = "1892",
month = "Apr" }

V. Hugo, Quatrevingt-treize, , 1986.
[Bibtex]

@book{,
title = "Quatrevingt-treize",
author = "Victor Hugo",
isbn = "978-22-1105-703-5",
year = "1986",
month = "Jan" }

V. Hugo, Toute la lyre, , 2013.
[Bibtex]

@book{,
title = "Toute La Lyre",
author = "Victor Hugo",
isbn = "978-12-3073-841-3",
year = "2013",
month = "Sep" }

G. W. Leibniz, Leibniz, principes de la nature et de la grâce fondés en raison : principes de la philosophie, ou, monadologie, , 1986.
[Bibtex]

@book{,
title = "Leibniz, Principes de la nature et de la grâce fondés en raison : Principes de la philosophie, ou, Monadologie",
author = "Gottfried Wilhelm Leibniz",
isbn = "978-21-3039-405-1",
year = "1986",
month = "Jan" }

C. Baudelaire, Fusees (1re partie des journaux intimes), , 2017.
[Bibtex]

@book{,
title = "Fusees (1re Partie Des Journaux Intimes)",
author = "Charles Baudelaire",
isbn = "978-15-4503-365-4",
year = "2017",
month = "Mar" }

C. Baudelaire, Hygiene, , 2017.
[Bibtex]

@book{,
title = "Hygiene",
author = "Charles Baudelaire",
isbn = "978-15-4508-227-0",
year = "2017",
month = "Apr" }

C. Baudelaire, Le spleen de paris, , 2010.
[Bibtex]

@book{,
title = "LE SPLEEN DE PARIS",
author = "Charles Baudelaire",
year = "2010",
month = "Jul" }

É. Zola, Contes à ninon, , 2016.
[Bibtex]

@book{,
title = "Contes à Ninon",
author = "Émile Zola",
isbn = "978-15-3510-193-6",
year = "2016",
month = "Jul" }

É. Zola, Germinal: drame inédit en 5 actes et 12 tableaux, , 1989.
[Bibtex]

@book{,
title = "Germinal: drame inédit en 5 actes et 12 tableaux",
author = "Émile Zola",
isbn = "978-28-9133-094-7",
year = "1989",
month = "Nov" }

É. Zola, Au bonheur des dames, , 1964.
[Bibtex]

@book{,
title = "Au Bonheur des Dames",
author = "Émile Zola",
isbn = "978-23-6788-010-5",
year = "1964",
month = "Nov" }

E. E. Viollet-Le-duc, Dictionnaire raisonné de l’architecture française du xie au xvie siècle, volume 9 (french edition), , 2010.
[Bibtex]

@book{,
title = "Dictionnaire Raisonné De L'architecture Française Du Xie Au Xvie Siècle, Volume 9 (French Edition)",
author = "Eugène Emmanuel Viollet-Le-duc",
isbn = "978-11-4875-997-5",
year = "2010",
month = "Apr" }

B. Pascal, Prière pour demander à dieu le bon usage des maladies, , 2013.
[Bibtex]

@book{,
title = "Prière pour demander à Dieu le bon usage des maladies",
author = "Blaise Pascal",
year = "2013",
month = "Jun" }

G. Orwell, 1984, , 2010.
[Bibtex]

@book{,
title = "1984",
author = "George Orwell",
year = "2010",
month = "Dec" }

F. Nietzsche, L’origine de la tragédie, , 2011.
[Bibtex]

@book{,
title = "L’origine de la tragédie",
author = "Friedrich Nietzsche",
year = "2011",
month = "Sep" }

F. W. Nietzsche, Ainsi parlait zarathoustra, , 1885.
[Bibtex]

@book{,
title = "Ainsi Parlait Zarathoustra",
author = "Friedrich Wilhelm Nietzsche",
year = "1885",
month = "May" }

V. Hugo, Notre-dame de paris – 1482, , 2011.
[Bibtex]

@book{,
title = "NOTRE-DAME DE PARIS - 1482",
author = "Victor Hugo",
year = "2011",
month = "Jan" }

V. Hugo, Theatre marie tudor, , 2016.
[Bibtex]

@book{,
title = "Theatre Marie Tudor",
author = "Victor Hugo",
isbn = "978-20-1358-419-7",
year = "2016",
month = "Mar" }

V. Hugo, Les misérables – tome v – jean valjean, , 2010.
[Bibtex]

@book{,
title = "Les Misérables - Tome V - Jean Valjean",
author = "Victor Hugo",
year = "2010",
month = "Nov" }

V. Hugo, Les misérables – tome iv – l’idylle rue plumet et l’épopée rue saint-denis, , 2010.
[Bibtex]

@book{,
title = "Les Misérables - Tome IV – L'Idylle rue Plumet et l'épopée rue Saint-Denis",
author = "Victor Hugo",
year = "2010",
month = "Nov" }

V. Hugo, Les misérables – tome iii – marius, , 2010.
[Bibtex]

@book{,
title = "Les Misérables - Tome III - Marius",
author = "Victor Hugo",
year = "2010",
month = "Nov" }

V. Hugo, Les burgrave, , 2011.
[Bibtex]

@book{,
title = "LES BURGRAVE",
author = "Victor Hugo",
year = "2011",
month = "Jan" }

V. Hugo, Le roi s’amuse, , 2011.
[Bibtex]

@book{,
title = "LE ROI S’AMUSE",
author = "Victor Hugo",
year = "2011",
month = "Jan" }

V. Hugo, Le dernier jour d’un condamné, , 2011.
[Bibtex]

@book{,
title = "LE DERNIER JOUR D’UN CONDAMNÉ",
author = "Victor Hugo",
year = "2011",
month = "Jan" }

A. Camus, L’étranger, , 1996.
[Bibtex]

@book{,
title = "L'étranger",
author = "Albert Camus",
isbn = "978-20-7039-371-8",
year = "1996",
month = "Nov" }

C. Baudelaire, Mon coeur mis à nu, , 2014.
[Bibtex]

@book{,
title = "Mon coeur mis à nu",
author = "Charles Baudelaire",
isbn = "978-15-0330-561-8",
year = "2014",
month = "Nov" }

G. Dyson, Turing’s cathedral, , 2012.
[Bibtex]

@book{,
title = "Turing's Cathedral",
author = "George Dyson",
isbn = "978-03-0790-706-6",
year = "2012",
month = "Mar" }

M. Hastings, The operators: the wild and terrifying inside story of america’s war in afghanistan, , 2012.
[Bibtex]

@book{,
title = "The Operators: The Wild and Terrifying Inside Story of America's War in Afghanistan",
author = "Michael Hastings",
isbn = "978-11-0157-548-2",
year = "2012",
month = "Jan" }

J. Hersey, Hiroshima, , 1946.
[Bibtex]

@book{,
title = "Hiroshima",
author = "John Hersey",
isbn = "978-03-9454-844-9",
year = "1946",
month = "Aug" }

J. A. Wheeler, Geons, black holes, and quantum foam: a life in physics, , 2000.
[Bibtex]

@book{,
title = "Geons, Black Holes, and Quantum Foam: A Life in Physics",
author = "John Archibald Wheeler",
isbn = "978-03-9331-991-0",
year = "2000",
month = "Feb" }

P. Handke, Repetition, , 1988.
[Bibtex]

@book{,
title = "Repetition",
author = "Peter Handke",
isbn = "978-14-6680-701-3",
year = "1988",
month = "Jun" }

D. R. Hofstadter, I am a strange loop, , 2007.
[Bibtex]

@book{,
title = "I Am a Strange Loop",
author = "Douglas R. Hofstadter",
isbn = "978-04-6500-837-7",
year = "2007",
month = "Aug" }

A. Stern, Chasing new horizons, , 101.
[Bibtex]

@book{,
title = "Chasing New Horizons",
author = "Alan Stern",
year = "101",
month = "Jan" }

R. Maconie, Avant garde: an american odyssey from gertrude stein to pierre boulez, , 2012.
[Bibtex]

@book{,
title = "Avant Garde: An American Odyssey From Gertrude Stein to Pierre Boulez",
author = "Robin Maconie",
isbn = "978-08-1088-313-0",
year = "2012",
month = "Mar" }

E. Klein, Discours sur l’origine de l’univers, , 2010.
[Bibtex]

@book{,
title = "Discours sur l'origine de l'univers",
author = "Etienne Klein",
isbn = "978-20-8125-532-6",
year = "2010",
month = "Oct" }

E. Klein, Il était sept fois la révolution: albert einstein et les autres…, , 2011.
[Bibtex]

@book{,
title = "Il était sept fois la révolution: Albert Einstein et les autres...",
author = "Etienne Klein",
isbn = "978-20-8126-273-7",
year = "2011",
month = "May" }

É. Klein, Le facteur temps ne sonne jamais deux fois, , 101.
[Bibtex]

@book{,
title = "Le facteur temps ne sonne jamais deux fois",
author = "Étienne Klein",
year = "101",
month = "Jan" }

É. Klein, Le temps, , 2016.
[Bibtex]

@book{,
title = "Le temps",
author = "Étienne Klein",
isbn = "978-20-8132-497-8",
year = "2016",
month = "Sep" }

E. Klein, D’où viennent les idées (scientifiques) ?, , 101.
[Bibtex]

@book{,
title = "D'où viennent les idées (scientifiques) ?",
author = "Etienne Klein",
year = "101",
month = "Jan" }

J. Gleick, The information: a history, a theory, a flood, , 2011.
[Bibtex]

@book{,
title = "The Information: A History, a Theory, a Flood",
author = "James Gleick",
isbn = "978-03-0737-957-3",
year = "2011",
month = "Mar" }

L. Planet, Lonely planet vietnam, , 101.
[Bibtex]

@book{,
title = "Lonely Planet Vietnam",
author = "Lonely Planet",
year = "101",
month = "Jan" }

D. Cope, Virtual music: computer synthesis of musical style (mit press), , 2004.
[Bibtex]

@book{,
title = "Virtual Music: Computer Synthesis of Musical Style (MIT Press)",
author = "David Cope",
isbn = "978-02-6253-261-7",
year = "2004",
month = "Jan" }

P. Handke, The goalie’s anxiety at the penalty kick: a novel, , 2007.
[Bibtex]

@book{,
title = "The Goalie's Anxiety at the Penalty Kick: A Novel",
author = "Peter Handke",
isbn = "978-03-7453-106-5",
year = "2007",
month = "Dec" }

P. Handke, Don juan, , 101.
[Bibtex]

@book{,
title = "Don Juan",
author = "Peter Handke",
year = "101",
month = "Jan" }

W. Davies, Economic science fictions, , 2018.
[Bibtex]

@book{,
title = "Economic Science Fictions",
author = "William Davies",
year = "2018",
month = "May" }

A. C. Clarke, Prélude à l’espace, , 2016.
[Bibtex]

@book{,
title = "Prélude à l'espace",
author = "Arthur C. Clarke",
isbn = "978-28-2051-221-5",
year = "2016",
month = "Sep" }

C. F. W. Chilton, F. Noir, and R. Brantonne, Mission dans l’espace, , 1959.
[Bibtex]

@book{,
title = "Mission dans l'espace",
author = "Charles Frederick W. Chilton and Fleuve Noir and René Brantonne",
year = "1959",
month = "Oct" }

H. Collins, Gravity’s kiss: the detection of gravitational waves, , 2017.
[Bibtex]

@book{,
title = "Gravity's Kiss: The Detection of Gravitational Waves",
author = "Harry Collins",
isbn = "978-02-6203-618-4",
year = "2017",
month = "Jan" }

A. A. Siddiqi, Beyond earth: a chronicle of deep space exploration, 1958-2016, , 2018.
[Bibtex]

@book{,
title = "Beyond Earth: A Chronicle of Deep Space Exploration, 1958-2016",
author = "Asif A. Siddiqi",
isbn = "978-16-2683-042-4",
year = "2018",
month = "Oct" }

O. S. Card, Ender’s game, , 2010.
[Bibtex]

@book{,
title = "Ender's Game",
author = "Orson Scott Card",
year = "2010",
month = "Apr" }

C. Priest, The separation, , 2003.
[Bibtex]

@book{,
title = "The Separation",
author = "Christopher Priest",
isbn = "978-05-7507-002-8",
year = "2003",
month = "Nov" }

N. Stephenson, Snow crash, , 2000.
[Bibtex]

@book{,
title = "Snow Crash",
author = "Neal Stephenson",
isbn = "978-14-9151-505-1",
year = "2000",
month = "Nov" }

C. Liu, The wandering earth, , 2012.
[Bibtex]

@book{,
title = "The Wandering Earth",
author = "Cixin Liu",
isbn = "978-17-8497-848-8",
year = "2012",
month = "Mar" }

D. Keyes, Flowers for algernon, , 1994.
[Bibtex]

@book{,
title = "Flowers for Algernon",
author = "Daniel Keyes",
isbn = "978-01-5603-030-4",
year = "1994",
month = "Nov" }

K. Vonnegut, Welcome to the monkey house: a collection of short works, , 1998.
[Bibtex]

@book{,
title = "Welcome to the Monkey House: A Collection of Short Works",
author = "Kurt Vonnegut",
isbn = "978-03-8533-350-4",
year = "1998",
month = "Sep" }

C. Priest, The adjacent, , 2013.
[Bibtex]

@book{,
title = "The Adjacent",
author = "Christopher Priest",
isbn = "978-05-7510-539-3",
year = "2013",
month = "Jun" }

R. Kurzweil, The singularity is near: when humans transcend biology, , 2005.
[Bibtex]

@book{,
title = "The Singularity Is Near: When Humans Transcend Biology",
author = "Ray Kurzweil",
isbn = "07-1563-561-1",
year = "2005",
month = "Sep" }

R. Kurzweil and T. Grossman, Transcend: nine steps to living well forever, , 2010.
[Bibtex]

@book{,
title = "Transcend: Nine Steps to Living Well Forever",
author = "Ray Kurzweil and Terry Grossman",
isbn = "978-16-0529-207-6",
year = "2010",
month = "Dec" }

D. Rushkoff, Cyberia: life in the trenches of hyperspace, , 1995.
[Bibtex]

@book{,
title = "Cyberia: Life in the Trenches of Hyperspace",
author = "Douglas Rushkoff",
isbn = "978-00-6251-009-9",
year = "1995",
month = "Apr" }

Aristotle, On the generation of animals, , 2000.
[Bibtex]

@book{,
title = "On the Generation of Animals",
author = "Aristotle",
isbn = "978-11-6926-306-2",
year = "2000",
month = "Nov" }

H. Murakami, Colorless tsukuru tazaki and his years of pilgrimage, , 2014.
[Bibtex]

@book{,
title = "Colorless Tsukuru Tazaki and His Years of Pilgrimage",
author = "Haruki Murakami",
isbn = "978-18-4655-833-7",
year = "2014",
month = "Aug" }

T. Bisson, Fire on the mountain, , 2009.
[Bibtex]

@book{,
title = "Fire on the Mountain",
author = "Terry Bisson",
isbn = "978-16-0486-087-0",
year = "2009",
month = "Oct" }

D. Eagleman, Incognito: the secret lives of the brain, , 2011.
[Bibtex]

@book{,
title = "Incognito: The Secret Lives of the Brain",
author = "David Eagleman",
isbn = "978-03-0737-978-8",
year = "2011",
month = "May" }

W. M. M. Jr., A canticle for leibowitz, , 1984.
[Bibtex]

@book{,
title = "A Canticle for Leibowitz",
author = "Walter M. Miller Jr.",
isbn = "978-05-5327-381-6",
year = "1984",
month = "Jun" }

R. Hoban, The medusa frequency, , 2002.
[Bibtex]

@book{,
title = "The Medusa Frequency",
author = "Russell Hoban",
isbn = "978-07-4755-909-2",
year = "2002",
month = "Oct" }

C. Priest, The affirmation (valancourt 20th century classics), , 2014.
[Bibtex]

@book{,
title = "The Affirmation (Valancourt 20th Century Classics)",
author = "Christopher Priest",
isbn = "978-19-4114-747-4",
year = "2014",
month = "Nov" }

C. Priest, The dream archipelago, , 2010.
[Bibtex]

@book{,
title = "The Dream Archipelago",
author = "Christopher Priest",
isbn = "978-05-7508-682-1",
year = "2010",
month = "Dec" }

J. Markoff, Machines of loving grace: the quest for common ground between humans and robots, , 2015.
[Bibtex]

@book{,
title = "Machines of Loving Grace: The Quest for Common Ground Between Humans and Robots",
author = "John Markoff",
isbn = "978-00-6226-670-5",
year = "2015",
month = "Aug" }

C. Priest, Inverted world ; &, fugue for a darkening island, , 1999.
[Bibtex]

@book{,
title = "Inverted World ; \&, Fugue for a Darkening Island",
author = "Christopher Priest",
isbn = "978-06-7103-390-3",
year = "1999",
month = "Nov" }

C. Priest, Glamour, , 1986.
[Bibtex]

@book{,
title = "Glamour",
author = "Christopher Priest",
isbn = "978-91-6140-100-0",
year = "1986",
month = "Nov" }

P. Watts, Rifters 4 – blindsight, , 2006.
[Bibtex]

@book{,
title = "Rifters 4 - Blindsight",
author = "Peter Watts",
isbn = "978-07-6531-964-7",
year = "2006",
month = "Jan" }

P. K. Dick, Beyond lies the wub, , 1987.
[Bibtex]

@book{,
title = "Beyond Lies the Wub",
author = "Philip K. Dick",
isbn = "978-18-5798-879-6",
year = "1987",
month = "Nov" }

R. Hoban, A russell hoban omnibus, , 1999.
[Bibtex]

@book{,
title = "A Russell Hoban Omnibus",
author = "Russell Hoban",
isbn = "978-02-5333-586-9",
year = "1999",
month = "Oct" }

P. K. Dick, Dr. bloodmoney, , 2012.
[Bibtex]

@book{,
title = "Dr. Bloodmoney",
author = "Philip K. Dick",
isbn = "978-05-4784-048-2",
year = "2012",
month = "Oct" }

P. K. Dick, Galactic pot-healer, , 2013.
[Bibtex]

@book{,
title = "Galactic Pot-Healer",
author = "Philip K. Dick",
isbn = "978-05-4757-264-2",
year = "2013",
month = "Apr" }

N. Wiener, Cybernetics: or, control and communication in the animal and the machine, , 1948.
[Bibtex]

@book{,
title = "Cybernetics: Or, Control and Communication in the Animal and the Machine",
author = "Norbert Wiener",
year = "1948",
month = "Nov" }

P. Agarmen, La nuit a dévoré le monde, , 2012.
[Bibtex]

@book{,
title = "La Nuit a Dévoré Le Monde",
author = "Agarmen,Pit",
year = "2012",
month = "Aug" }

V. M. Zito, L’homme des morts, , 2013.
[Bibtex]

@book{,
title = "L'Homme Des Morts",
author = "Zito,V.M.",
year = "2013",
month = "Apr" }

R. Zelazny, Toi l’immortel, , 2012.
[Bibtex]

@book{,
title = "Toi l'immortel",
author = "Zelazny,Roger",
year = "2012",
month = "Jun" }

A. Aguirre, Les origines, , 2013.
[Bibtex]

@book{,
title = "Les origines",
author = "Aguirre,Ann",
year = "2013",
month = "Dec" }

R. Zelazny, Les culbuteurs de l’enfer, , 1979.
[Bibtex]

@book{,
title = "Les culbuteurs de l'enfer",
author = "Zelazny,Roger",
year = "1979",
month = "Mar" }

R. Yancey, La mer infinie, , 2014.
[Bibtex]

@book{,
title = "La mer infinie",
author = "Yancey,Rick",
year = "2014",
month = "Oct" }

R. Yancey, La 5e vague, , 2013.
[Bibtex]

@book{,
title = "La 5e vague",
author = "Yancey,Rick",
year = "2013",
month = "May" }

S. Wul, Oms en serie, , 1957.
[Bibtex]

@book{,
title = "Oms en Serie",
author = "Wul,Stefan",
year = "1957",
month = "Jan" }

S. Wul, Niourk, , 2011.
[Bibtex]

@book{,
title = "Niourk",
author = "Wul,Stefan",
year = "2011",
month = "May" }

A. Aguirre, Enclave, , 2013.
[Bibtex]

@book{,
title = "Enclave",
author = "Aguirre,Ann",
year = "2013",
month = "May" }

R. C. Wilson, Julian, , 2009.
[Bibtex]

@book{,
title = "Julian",
author = "Wilson,Robert Charles",
year = "2009",
month = "Jun" }

K. Wilhelm, Hier, les oiseaux, , 1977.
[Bibtex]

@book{,
title = "Hier, les oiseaux",
author = "Wilhelm,Kate",
year = "1977",
month = "Mar" }

L. Whale, Les étoiles s’en balancent, , 2001.
[Bibtex]

@book{,
title = "les étoiles s'en balancent",
author = "Whale,Laurent",
year = "2001",
month = "May" }

D. Wells, Fragment, , 2014.
[Bibtex]

@book{,
title = "Fragment",
author = "Wells,Dan",
year = "2014",
month = "Feb" }

D. Wells, Partials, , 2013.
[Bibtex]

@book{,
title = "Partials",
author = "Wells,Dan",
year = "2013",
month = "Oct" }

D. Wellington, Zombie nation, , 2010.
[Bibtex]

@book{,
title = "Zombie Nation",
author = "Wellington,David",
year = "2010",
month = "Dec" }

D. Wellington, Zombie planet, , 2010.
[Bibtex]

@book{,
title = "Zombie Planet",
author = "Wellington,David",
year = "2010",
month = "Dec" }

D. Wellington, Zombie island, , 101.
[Bibtex]

@book{,
title = "Zombie island",
author = "Wellington,David",
year = "101",
month = "Jan" }

S. G. Weinbaum, La flamme noire, , 1972.
[Bibtex]

@book{,
title = "La flamme noire",
author = "Weinbaum,Stanley G.",
year = "1972",
month = "Mar" }

D. Walton, Terminal mind, , 2013.
[Bibtex]

@book{,
title = "Terminal mind",
author = "Walton,David",
year = "2013",
month = "Sep" }

E. Vonarburg, Chroniques du pays des mères, , 1992.
[Bibtex]

@book{,
title = "Chroniques du Pays des Mères",
author = "Vonarburg,Elisabeth",
year = "1992",
month = "Jan" }

A. E. Van Vogt, Le sorcier de linn, , 2010.
[Bibtex]

@book{,
title = "Le sorcier de Linn",
author = "Van Vogt,Alfred E",
year = "2010",
month = "Aug" }

J. Verlanger, La terre sauvage, , 2011.
[Bibtex]

@book{,
title = "La terre sauvage",
author = "Verlanger,Julia",
year = "2011",
month = "Aug" }

A. E. Van Vogt, L’empire de l’atome, , 2010.
[Bibtex]

@book{,
title = "L'empire de l'atome",
author = "Van Vogt,Alfred E",
year = "2010",
month = "Aug" }

G. Thomas, L’île brulée, , 2011.
[Bibtex]

@book{,
title = "L'île brulée",
author = "Thomas,Gilles",
year = "2011",
month = "Oct" }

G. Thomas, La mort en billes, , 2011.
[Bibtex]

@book{,
title = "La mort en billes",
author = "Thomas,Gilles",
year = "2011",
month = "Mar" }

G. Thomas, L’autoroute sauvage, , 2011.
[Bibtex]

@book{,
title = "L'autoroute sauvage",
author = "Thomas,Gilles",
year = "2011",
month = "Mar" }

G. Thomas, La légende des niveaux fermés, , 101.
[Bibtex]

@book{,
title = "La légende des niveaux fermés",
author = "Thomas,Gilles",
year = "101",
month = "Jan" }

P. Tessier, Oracle, , 101.
[Bibtex]

@book{,
title = "Oracle",
author = "Tessier,Philippe",
year = "101",
month = "Jan" }

J. Spitz, La guerre des mouches, , 101.
[Bibtex]

@book{,
title = "La guerre des mouches",
author = "Spitz,Jacques",
year = "101",
month = "Jan" }

P. Tessier, Rédemption, , 2012.
[Bibtex]

@book{,
title = "Rédemption",
author = "Tessier,Philippe",
year = "2012",
month = "Nov" }

R. Silverberg, La reine du printemps, , 2011.
[Bibtex]

@book{,
title = "La Reine du printemps",
author = "Silverberg,Robert",
year = "2011",
month = "Sep" }

R. Silverberg, À la fin de l’hiver, , 2011.
[Bibtex]

@book{,
title = "À la fin de l'hiver",
author = "Silverberg,Robert",
year = "2011",
month = "Sep" }

R. Silverberg, Shadrak dans la fournaise, , 1976.
[Bibtex]

@book{,
title = "Shadrak dans la fournaise",
author = "Silverberg,Robert",
year = "1976",
month = "Jan" }

R. Silverberg, Ciel brûlant de minuit, , 1994.
[Bibtex]

@book{,
title = "Ciel Brûlant de Minuit",
author = "Silverberg,Robert",
year = "1994",
month = "Apr" }

R. Sheckley, Les erreurs de joenes, , 1962.
[Bibtex]

@book{,
title = "Les erreurs de Joenes",
author = "Sheckley,Robert",
year = "1962",
month = "Jan" }

C. Rozenfeld, Les sentinelles du futur, , 2013.
[Bibtex]

@book{,
title = "Les Sentinelles du Futur",
author = "Rozenfeld,Carina",
year = "2013",
month = "Jun" }

V. Roth, Divergente ii, , 2012.
[Bibtex]

@book{,
title = "Divergente II",
author = "Roth,Veronica",
year = "2012",
month = "Sep" }

A. Scarrow, L’effet domino, , 2010.
[Bibtex]

@book{,
title = "L'Effet domino",
author = "Scarrow,Alex",
year = "2010",
month = "Jul" }

V. Roth, Allégeance, , 2014.
[Bibtex]

@book{,
title = "Allégeance",
author = "Roth,Veronica",
year = "2014",
month = "Jan" }

K. S. Robinson, 60 jours et après, , 2007.
[Bibtex]

@book{,
title = "60 jours et après",
author = "Robinson,Kim Stanley",
year = "2007",
month = "Feb" }

V. Roth, Divergente i, , 2012.
[Bibtex]

@book{,
title = "Divergente I",
author = "Roth,Veronica",
year = "2012",
month = "Nov" }

K. S. Robinson, 50° au-dessous de zéro, , 2005.
[Bibtex]

@book{,
title = "50° au-dessous de zéro",
author = "Robinson,Kim Stanley",
year = "2005",
month = "Oct" }

K. S. Robinson, Les 40 signes de la pluie, , 2004.
[Bibtex]

@book{,
title = "Les 40 signes de la pluie",
author = "Robinson,Kim Stanley",
year = "2004",
month = "Jun" }

M. Rice, Arène deux, , 2014.
[Bibtex]

@book{,
title = "Arène Deux",
author = "Rice,Morgan",
year = "2014",
month = "Nov" }

J. Richardson, Entre temps, , 2015.
[Bibtex]

@book{,
title = "Entre temps",
author = "Richardson,Julia",
year = "2015",
month = "Jan" }

M. Rice, Arène un, , 2013.
[Bibtex]

@book{,
title = "Arène un",
author = "Rice,Morgan",
year = "2013",
month = "Nov" }

Z. A. Recht, Le virus morningstar : survivants, , 2013.
[Bibtex]

@book{,
title = "Le virus Morningstar : Survivants",
author = "Recht,Z.A.",
year = "2013",
month = "Dec" }

Z. A. Recht, Le virus morningstar : les cendres des morts, , 2013.
[Bibtex]

@book{,
title = "Le virus Morningstar : Les cendres des morts",
author = "Recht,Z.A.",
year = "2013",
month = "Apr" }

M. Rayjean, L’ordre des vigiles, , 1982.
[Bibtex]

@book{,
title = "L'Ordre Des Vigiles",
author = "Rayjean,Max-André",
year = "1982",
month = "Jul" }

Z. A. Recht, Le virus morningstar : le fléau des morts, , 2012.
[Bibtex]

@book{,
title = "Le virus Morningstar : Le fléau des morts",
author = "Recht,Z.A.",
year = "2012",
month = "Nov" }

P. Randa, L’univers des torgaux, , 2011.
[Bibtex]

@book{,
title = "L'univers des Torgaux",
author = "Randa,Peter",
year = "2011",
month = "Nov" }

P. Randa, Les rescapés de demain, , 2012.
[Bibtex]

@book{,
title = "Les rescapés de demain",
author = "Randa,Peter",
year = "2012",
month = "Feb" }

J. Quatremarre, Alors la terre s’arrêta…, , 1934.
[Bibtex]

@book{,
title = "Alors la terre s'arrêta...",
author = "Quatremarre,Jean",
year = "1934",
month = "Jan" }

C. Priest, Le rat blanc, , 1972.
[Bibtex]

@book{,
title = "Le rat blanc",
author = "Priest,Christopher",
year = "1972",
month = "Feb" }

F. Poh, Casse-tête chinois, , 101.
[Bibtex]

@book{,
title = "Casse-tête chinois",
author = "Poh,Frederik",
year = "101",
month = "Jan" }

S. B. Pfeffer, L’exil, , 2011.
[Bibtex]

@book{,
title = "L'Exil",
author = "Pfeffer,Susan Beth",
year = "2011",
month = "Sep" }

S. B. Pfeffer, Au commencement, , 2011.
[Bibtex]

@book{,
title = "Au Commencement",
author = "Pfeffer,Susan Beth",
year = "2011",
month = "Mar" }

S. B. Pfeffer, Les survivants, , 2012.
[Bibtex]

@book{,
title = "Les Survivants",
author = "Pfeffer,Susan Beth",
year = "2012",
month = "May" }

P. Pelot, Ce chasseur-là, , 1985.
[Bibtex]

@book{,
title = "Ce chasseur-là",
author = "Pelot,Pierre",
year = "1985",
month = "Jan" }

P. Pelot, Le père de feu, , 1999.
[Bibtex]

@book{,
title = "Le père de feu",
author = "Pelot,Pierre",
year = "1999",
month = "Jan" }

P. Pelot, Le chien courait sur l’autoroute en criant son nom, , 1988.
[Bibtex]

@book{,
title = "Le chien courait sur l'autoroute en criant son nom",
author = "Pelot,Pierre",
year = "1988",
month = "Jan" }

P. Pelot, Soleils hurlants, , 1983.
[Bibtex]

@book{,
title = "Soleils hurlants",
author = "Pelot,Pierre",
year = "1983",
month = "Apr" }

P. Pelot, Saison de rouille, , 1982.
[Bibtex]

@book{,
title = "Saison de rouille",
author = "Pelot,Pierre",
year = "1982",
month = "Jun" }

P. Pelot, Les mangeurs d’argile, , 2013.
[Bibtex]

@book{,
title = "Les mangeurs d'argile",
author = "Pelot,Pierre",
year = "2013",
month = "Apr" }

P. Pelot, La ville où les morts dansent toute leur vie, , 2013.
[Bibtex]

@book{,
title = "La ville où les morts dansent toute leur vie",
author = "Pelot,Pierre",
year = "2013",
month = "Apr" }

M. Pagel, Le viêt-nam au futur simple, , 2012.
[Bibtex]

@book{,
title = "Le Viêt-Nam au futur simple",
author = "Pagel,Michel",
year = "2012",
month = "Feb" }

W. F. Nolan, Retour à l’âge de cristal, , 1979.
[Bibtex]

@book{,
title = "Retour à l'âge de cristal",
author = "Nolan,William F.",
year = "1979",
month = "Nov" }

W. F. Nolan, L’âge de cristal, , 2011.
[Bibtex]

@book{,
title = "L'âge de cristal",
author = "Nolan,William F.",
year = "2011",
month = "Jul" }

J. Niogret, Gueule de truie, , 2013.
[Bibtex]

@book{,
title = "Gueule de truie",
author = "Niogret,Justine",
year = "2013",
month = "Apr" }

M. Moorcock, Souvenirs de la troisième guerre mondiale, , 1995.
[Bibtex]

@book{,
title = "Souvenirs de la troisième guerre mondiale",
author = "Moorcock,Michael",
year = "1995",
month = "May" }

W. M. Miller, Un cantique pour leibowitz, , 1959.
[Bibtex]

@book{,
title = "Un cantique pour Leibowitz",
author = "Miller,Walter M.",
year = "1959",
month = "Mar" }

W. M. Miller, L’héritage de saint leibowitz, , 1998.
[Bibtex]

@book{,
title = "L'héritage de saint Leibowitz",
author = "Miller,Walter M.",
year = "1998",
month = "Jan" }

C. Mezni, Iris empoisonné(e), , 2015.
[Bibtex]

@book{,
title = "Iris empoisonné(e)",
author = "Mezni,Cindy",
year = "2015",
month = "Sep" }

R. Merle, Malevil, , 2011.
[Bibtex]

@book{,
title = "Malevil",
author = "Merle,Robert",
year = "2011",
month = "Jul" }

S. McMullen, Les stratèges, , 1999.
[Bibtex]

@book{,
title = "Les Stratèges",
author = "McMullen,Sean",
year = "1999",
month = "Nov" }

C. McCarthy, La route, , 2010.
[Bibtex]

@book{,
title = "la route",
author = "McCarthy,Cormac",
year = "2010",
month = "Dec" }

S. McMullen, Le calculeur, , 1999.
[Bibtex]

@book{,
title = "Le Calculeur",
author = "McMullen,Sean",
year = "1999",
month = "Nov" }

J. Marcastel, Le dernier hiver, , 101.
[Bibtex]

@book{,
title = "Le dernier hiver",
author = "Marcastel,Jean-Luc",
year = "101",
month = "Jan" }

C. Mallory, Les enfants du dôme, , 2015.
[Bibtex]

@book{,
title = "Les enfants du Dôme",
author = "Mallory,Chris",
year = "2015",
month = "Oct" }

M. Mather, Extinction, , 2015.
[Bibtex]

@book{,
title = "Extinction",
author = "Mather,Matthew",
year = "2015",
month = "Nov" }

D. Lunetta, In the after, , 2015.
[Bibtex]

@book{,
title = "In the after",
author = "Lunetta,Dimitria",
year = "2015",
month = "Aug" }

D. Lunetta, In the end, , 2015.
[Bibtex]

@book{,
title = "In the end",
author = "Lunetta,Dimitria",
year = "2015",
month = "Apr" }

J. Maberry, Apocalypse zombie, , 2012.
[Bibtex]

@book{,
title = "Apocalypse Zombie",
author = "Maberry,Jonathan",
year = "2012",
month = "Jan" }

M. Loureiro, Les jours sombres, , 2014.
[Bibtex]

@book{,
title = "Les Jours Sombres",
author = "Loureiro,Manel",
year = "2014",
month = "Jun" }

C. Loseus, Nouvelle ere, , 2014.
[Bibtex]

@book{,
title = "Nouvelle Ere",
author = "Loseus,Chris",
year = "2014",
month = "Jul" }

M. Loureiro, Le début de la fin, , 2013.
[Bibtex]

@book{,
title = "Le Début de La Fin",
author = "Loureiro,Manel",
year = "2013",
month = "Nov" }

M. Lindholm, Alien earth, , 1992.
[Bibtex]

@book{,
title = "Alien Earth",
author = "Lindholm,Megan",
year = "1992",
month = "Jan" }

C. Léourier, Les montagnes du soleil, , 1972.
[Bibtex]

@book{,
title = "Les montagnes du soleil",
author = "Léourier,Christian",
year = "1972",
month = "Jan" }

F. Leiber, Demain les loups, , 2014.
[Bibtex]

@book{,
title = "Demain les Loups",
author = "Leiber,Fritz",
year = "2014",
month = "Mar" }

E. E. Knight, La légende du tonnerre, , 101.
[Bibtex]

@book{,
title = "La légende du tonnerre",
author = "Knight,E.E.",
year = "101",
month = "Jan" }

M. Ledun, Zone est, , 2011.
[Bibtex]

@book{,
title = "Zone Est",
author = "Ledun,Marin",
year = "2011",
month = "Jan" }

E. E. Knight, Le choix du félin, , 101.
[Bibtex]

@book{,
title = "Le choix du félin",
author = "Knight,E.E.",
year = "101",
month = "Jan" }

E. E. Knight, La voie du loup, , 101.
[Bibtex]

@book{,
title = "La voie du loup",
author = "Knight,E.E.",
year = "101",
month = "Jan" }

G. Kilworth, Captifs de la cité de glace, , 1986.
[Bibtex]

@book{,
title = "Captifs de la cité de glace",
author = "Kilworth,Garry",
year = "1986",
month = "Apr" }

H. Jacobson, J, , 2015.
[Bibtex]

@book{,
title = "J",
author = "Howard Jacobson",
year = "2015",
month = "Jan" }

H. Howey, Silo 2, , 2013.
[Bibtex]

@book{,
title = "Silo 2",
author = "Howey,Hugh",
year = "2013",
month = "Sep" }

H. Howey, Silo, , 2013.
[Bibtex]

@book{,
title = "Silo",
author = "Howey,Hugh",
year = "2013",
month = "Aug" }

H. Howey, Silo générations, , 2014.
[Bibtex]

@book{,
title = "Silo Générations",
author = "Howey,Hugh",
year = "2014",
month = "Sep" }

H. Howey, Silo origines, , 2014.
[Bibtex]

@book{,
title = "Silo Origines",
author = "Howey,Hugh",
year = "2014",
month = "Apr" }

P. J. Herault, Le dernier pilote, , 2012.
[Bibtex]

@book{,
title = "Le Dernier Pilote",
author = "Herault,P. J.",
year = "2012",
month = "Feb" }

J. Heliot, Involution, , 2014.
[Bibtex]

@book{,
title = "Involution",
author = "Heliot,Johan",
year = "2014",
month = "Jun" }

H. Harrison, Soleil vert, , 2014.
[Bibtex]

@book{,
title = "Soleil vert",
author = "Harrison,Harry",
year = "2014",
month = "Jan" }

J. Guieu, Cité noé n°2, , 2011.
[Bibtex]

@book{,
title = "Cité Noé N°2",
author = "Guieu,Jimmy",
year = "2011",
month = "Jul" }

F. Haig, Fire sermon, , 2015.
[Bibtex]

@book{,
title = "Fire Sermon",
author = "Haig,Francesca",
year = "2015",
month = "Sep" }

J. Guieu, Le règne des mutants, , 2011.
[Bibtex]

@book{,
title = "Le règne des Mutants",
author = "Guieu,Jimmy",
year = "2011",
month = "Jul" }

J. Guieu, La mort de la vie, , 2011.
[Bibtex]

@book{,
title = "La mort de la vie",
author = "Guieu,Jimmy",
year = "2011",
month = "Jul" }

J. Guieu, Les portes de thulé, , 2011.
[Bibtex]

@book{,
title = "Les portes de Thulé",
author = "Guieu,Jimmy",
year = "2011",
month = "Jul" }

J. Guieu, Convulsions solaires, , 2011.
[Bibtex]

@book{,
title = "Convulsions Solaires",
author = "Guieu,Jimmy",
year = "2011",
month = "May" }

J. Guieu, L’agonie du verre, , 2011.
[Bibtex]

@book{,
title = "L'agonie du verre",
author = "Guieu,Jimmy",
year = "2011",
month = "Jul" }

D. Glukhovsky, Métro 2034, , 2013.
[Bibtex]

@book{,
title = "Métro 2034",
author = "Glukhovsky,Dmitry",
year = "2013",
month = "Jan" }

D. Glukhovsky, Métro 2033, , 2013.
[Bibtex]

@book{,
title = "Métro 2033",
author = "Glukhovsky,Dmitry",
year = "2013",
month = "Jan" }

T. Geha, A comme alone, , 2005.
[Bibtex]

@book{,
title = "A comme Alone",
author = "Geha,Thomas",
year = "2005",
month = "Jan" }

D. F. Galouye, Les seigneurs des sphères, , 2012.
[Bibtex]

@book{,
title = "Les seigneurs des sphères",
author = "Galouye,Daniel F.",
year = "2012",
month = "Mar" }

A. Fukuda, Cessez d’être la proie, devenez le chasseur, , 2013.
[Bibtex]

@book{,
title = "Cessez d'être la proie, devenez le chasseur",
author = "Fukuda,Andrew",
year = "2013",
month = "Apr" }

W. R. Forstchen, Une seconde après, , 2011.
[Bibtex]

@book{,
title = "Une seconde après",
author = "Forstchen,Wiliam R.",
year = "2011",
month = "Jan" }

A. Fukuda, Libérez le prédateur qui est en vous, , 2014.
[Bibtex]

@book{,
title = "Libérez le prédateur qui est en vous",
author = "Fukuda,Andrew",
year = "2014",
month = "May" }

M. V. Fontaine, Sabliers et engrenages, , 2015.
[Bibtex]

@book{,
title = "Sabliers et engrenages",
author = "Fontaine,M.V.",
year = "2015",
month = "Mar" }

M. V. Fontaine, Au-delà des murs, , 2014.
[Bibtex]

@book{,
title = "Au-delà des murs",
author = "Fontaine,M.V.",
year = "2014",
month = "Oct" }

M. V. Fontaine, La terre agonisante, , 2014.
[Bibtex]

@book{,
title = "La Terre agonisante",
author = "Fontaine,M.V.",
year = "2014",
month = "Mar" }

M. Farris Smith, Une pluie sans fin, , 2015.
[Bibtex]

@book{,
title = "Une Pluie Sans Fin",
author = "Farris Smith,Michael",
year = "2015",
month = "May" }

P. J. Farmer, Le temps du retour, , 1957.
[Bibtex]

@book{,
title = "Le temps du retour",
author = "Farmer,Philip José",
year = "1957",
month = "May" }

H. Douriaux, Malterre, , 2010.
[Bibtex]

@book{,
title = "Malterre",
author = "Douriaux,Hugues",
year = "2010",
month = "Jul" }

A. Eschbach, En panne sèche, , 2007.
[Bibtex]

@book{,
title = "En panne sèche",
author = "Eschbach,Andreas",
year = "2007",
month = "Jan" }

T. Disch, Génocides, , 1965.
[Bibtex]

@book{,
title = "Génocides",
author = "Disch,Thomas",
year = "1965",
month = "Jan" }

G. DiLouie, Homeland of the dead, , 2013.
[Bibtex]

@book{,
title = "Homeland of the dead",
author = "DiLouie,Graig",
year = "2013",
month = "Apr" }

G. DiLouie, Infection, , 2013.
[Bibtex]

@book{,
title = "Infection",
author = "DiLouie,Graig",
year = "2013",
month = "Jun" }

G. DiLouie, Champ de mort, , 101.
[Bibtex]

@book{,
title = "Champ de mort",
author = "DiLouie,Graig",
year = "101",
month = "Jan" }

P. K. Dick, Simulacres, , 1964.
[Bibtex]

@book{,
title = "Simulacres",
author = "Dick,Philip K.",
year = "1964",
month = "Jan" }

P. K. Dick, Les marteaux de vulcain, , 1960.
[Bibtex]

@book{,
title = "Les Marteaux de Vulcain",
author = "Dick,Philip K.",
year = "1960",
month = "Jan" }

P. K. Dick, Dr bloodmoney, , 1965.
[Bibtex]

@book{,
title = "Dr Bloodmoney",
author = "Dick,Philip K.",
year = "1965",
month = "Jan" }

P. K. Dick, La vérité avant-dernière, , 1964.
[Bibtex]

@book{,
title = "La vérité avant-dernière",
author = "Dick,Philip K.",
year = "1964",
month = "Jan" }

P. K. Dick, Blade runner, , 1968.
[Bibtex]

@book{,
title = "Blade Runner",
author = "Dick,Philip K.",
year = "1968",
month = "Jan" }

T. Di Rollo, La profondeur des tombes, , 2003.
[Bibtex]

@book{,
title = "La profondeur des tombes",
author = "Di Rollo,Thierry",
year = "2003",
month = "Jan" }

M. Demuth, La clé des étoiles, , 1977.
[Bibtex]

@book{,
title = "La clé des étoiles",
author = "Demuth,Michel",
year = "1977",
month = "Sep" }

T. Di Rollo, Number nine, , 2012.
[Bibtex]

@book{,
title = "Number Nine",
author = "Di Rollo,Thierry",
year = "2012",
month = "Mar" }

J. Delaney, Arena 13, , 2015.
[Bibtex]

@book{,
title = "Arena 13",
author = "Delaney,Joseph",
year = "2015",
month = "Nov" }

M. De Pracontal, La femme sans nombril, , 2005.
[Bibtex]

@book{,
title = "La Femme sans nombril",
author = "De Pracontal,Michel",
year = "2005",
month = "Jan" }

D. Dastier, Les maîtres de gorka, , 2012.
[Bibtex]

@book{,
title = "Les maîtres de Gorka",
author = "Dastier,Dan",
year = "2012",
month = "Feb" }

J. De Dios Garduño, Welcome to harmony, , 2014.
[Bibtex]

@book{,
title = "Welcome to Harmony",
author = "De Dios Garduño,Juan",
year = "2014",
month = "Oct" }

D. Dastier, Et les hommes voulurent mourir, , 2010.
[Bibtex]

@book{,
title = "Et les hommes voulurent mourir",
author = "Dastier,Dan",
year = "2010",
month = "Dec" }

D. Dastier, L’ère des bionites, , 2010.
[Bibtex]

@book{,
title = "L'ère des Bionites",
author = "Dastier,Dan",
year = "2010",
month = "Dec" }

J. Dashner, La terre brûlée, , 2013.
[Bibtex]

@book{,
title = "La Terre brûlée",
author = "Dashner,James",
year = "2013",
month = "Sep" }

J. Dashner, Le remède mortel, , 2014.
[Bibtex]

@book{,
title = "Le Remède mortel",
author = "Dashner,James",
year = "2014",
month = "Jun" }

J. Dashner, Le labyrinthe, , 101.
[Bibtex]

@book{,
title = "Le Labyrinthe",
author = "Dashner,James",
year = "101",
month = "Jan" }

T. Cryde, La semaine carnivore, , 2011.
[Bibtex]

@book{,
title = "La semaine carnivore",
author = "Cryde,TH.",
year = "2011",
month = "Jul" }

T. Cryde, Osmose, , 2011.
[Bibtex]

@book{,
title = "Osmose",
author = "Cryde,TH.",
year = "2011",
month = "Jul" }

T. Cryde, La nuit des insectes, , 2012.
[Bibtex]

@book{,
title = "La nuit des insectes",
author = "Cryde,TH.",
year = "2012",
month = "Feb" }

J. Dashner, L’ordre de tuer, , 2015.
[Bibtex]

@book{,
title = "L'ordre de tuer",
author = "Dashner,James",
year = "2015",
month = "Apr" }

E. Cooper, Pygmalion 2113, , 1973.
[Bibtex]

@book{,
title = "Pygmalion 2113",
author = "Cooper,Edmund",
year = "1973",
month = "Apr" }

J. Cronin, Les douze, , 2013.
[Bibtex]

@book{,
title = "Les douze",
author = "Cronin,Justin",
year = "2013",
month = "Jun" }

J. Cronin, Le passage, , 2011.
[Bibtex]

@book{,
title = "Le passage",
author = "Cronin,Justin",
year = "2011",
month = "Jun" }

J. Christopher, Le puits de feu, , 101.
[Bibtex]

@book{,
title = "Le puits de feu",
author = "Christopher,John",
year = "101",
month = "Jan" }

P. Clines, Ex-heroes, , 2015.
[Bibtex]

@book{,
title = "Ex-Heroes",
author = "Clines,Peter",
year = "2015",
month = "Apr" }

J. Christopher, La cité d’or et de plomb, , 101.
[Bibtex]

@book{,
title = "La cité d'or et de plomb",
author = "Christopher,John",
year = "101",
month = "Jan" }

J. Christopher, Les montagnes blanches, , 101.
[Bibtex]

@book{,
title = "Les montagnes blanches",
author = "Christopher,John",
year = "101",
month = "Jan" }

J. Christopher, Terre brûlée, , 101.
[Bibtex]

@book{,
title = "Terre brûlée",
author = "Christopher,John",
year = "101",
month = "Jan" }

Z. Chillicothe, Métalmorphose, , 101.
[Bibtex]

@book{,
title = "Métalmorphose",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, La mort métal, , 101.
[Bibtex]

@book{,
title = "La Mort Métal",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Destination apocalypse, , 101.
[Bibtex]

@book{,
title = "Destination Apocalypse",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Cloaque bay, , 101.
[Bibtex]

@book{,
title = "Cloaque Bay",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les ventres mous, , 101.
[Bibtex]

@book{,
title = "Les Ventres Mous",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les mangeurs d’ames, , 101.
[Bibtex]

@book{,
title = "Les Mangeurs d'Ames",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Désert mécanique, , 101.
[Bibtex]

@book{,
title = "Désert Mécanique",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, L’ile de lune, , 101.
[Bibtex]

@book{,
title = "L'Ile de Lune",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les vierges de pierre, , 101.
[Bibtex]

@book{,
title = "Les Vierges de Pierre",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les yeux d’encre, , 101.
[Bibtex]

@book{,
title = "Les Yeux d'Encre",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les enfants du feu, , 2015.
[Bibtex]

@book{,
title = "Les enfants du feu",
author = "Chillicothe,Zeb",
year = "2015",
month = "Sep" }

Z. Chillicothe, Le coeur noir, , 101.
[Bibtex]

@book{,
title = "le coeur noir",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Le maître des orages, , 1987.
[Bibtex]

@book{,
title = "Le Maître des Orages",
author = "Chillicothe,Zeb",
year = "1987",
month = "Mar" }

Z. Chillicothe, Le doigt du seigneur, , 101.
[Bibtex]

@book{,
title = "Le doigt du Seigneur",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les tourmenteurs, , 101.
[Bibtex]

@book{,
title = "Les Tourmenteurs",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, La cité de fer, , 101.
[Bibtex]

@book{,
title = "La Cité de fer",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Les hommes tritons, , 101.
[Bibtex]

@book{,
title = "Les hommes tritons",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, La ville piégée, , 101.
[Bibtex]

@book{,
title = "La ville piégée",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, Le monde fracturé, , 1986.
[Bibtex]

@book{,
title = "Le Monde Fracturé",
author = "Chillicothe,Zeb",
year = "1986",
month = "Apr" }

Z. Chillicothe, La poudre de vie n°4, , 1985.
[Bibtex]

@book{,
title = "La poudre de vie N°4",
author = "Chillicothe,Zeb",
year = "1985",
month = "Jun" }

Z. Chillicothe, Le peuple ailé, , 101.
[Bibtex]

@book{,
title = "Le Peuple Ailé",
author = "Chillicothe,Zeb",
year = "101",
month = "Jan" }

Z. Chillicothe, La compagnie des os, , 1985.
[Bibtex]

@book{,
title = "La compagnie des os",
author = "Chillicothe,Zeb",
year = "1985",
month = "Sep" }

Z. Chillicothe, Le collier de la honte, , 1985.
[Bibtex]

@book{,
title = "Le collier de la honte",
author = "Chillicothe,Zeb",
year = "1985",
month = "Jan" }

Z. Chillicothe, Jag le félin, , 1985.
[Bibtex]

@book{,
title = "Jag le Félin",
author = "Chillicothe,Zeb",
year = "1985",
month = "Feb" }

C. Charrière, La forêt d’iscambe, , 2009.
[Bibtex]

@book{,
title = "La Forêt d'Iscambe",
author = "Charrière,Christian",
year = "2009",
month = "Jul" }

A. Budrys, Le prophète perdu, , 2013.
[Bibtex]

@book{,
title = "Le Prophète perdu",
author = "Budrys,Algis",
year = "2013",
month = "Oct" }

O. E. Butler, La parabole du semeur, , 1999.
[Bibtex]

@book{,
title = "La parabole du semeur",
author = "Butler,Octavia E.",
year = "1999",
month = "Jan" }

J. Bryan, Contamination, , 101.
[Bibtex]

@book{,
title = "Contamination",
author = "Bryan,James",
year = "101",
month = "Jan" }

S. Brussolo, Rinocérox, , 1992.
[Bibtex]

@book{,
title = "Rinocérox",
author = "Brussolo,Serge",
year = "1992",
month = "Jan" }

S. Brussolo, Procédure d’évacuation immédiate des musées fantômes, , 1987.
[Bibtex]

@book{,
title = "Procédure d'évacuation immédiate des musées fantômes",
author = "Brussolo,Serge",
year = "1987",
month = "Jan" }

S. Brussolo, Dangers, parking miné !, , 1986.
[Bibtex]

@book{,
title = "Dangers, parking miné !",
author = "Brussolo,Serge",
year = "1986",
month = "Jul" }

B. R. Bruss, Et la planète sauta, , 2015.
[Bibtex]

@book{,
title = "Et la planète sauta",
author = "Bruss,B.R.",
year = "2015",
month = "Jan" }

J. Brunner, Le troupeau aveugle 2, , 1972.
[Bibtex]

@book{,
title = "Le troupeau aveugle 2",
author = "Brunner,John",
year = "1972",
month = "Jan" }

J. Brunner, Le troupeau aveugle 1, , 1972.
[Bibtex]

@book{,
title = "Le troupeau aveugle 1",
author = "Brunner,John",
year = "1972",
month = "Jan" }

M. Brooks, World war z, , 2011.
[Bibtex]

@book{,
title = "World War Z",
author = "Brooks,Max",
year = "2011",
month = "Jul" }

P. Boulle, La planète des singes, , 1963.
[Bibtex]

@book{,
title = "La planète des singes",
author = "Boulle,Pierre",
year = "1963",
month = "Jan" }

M. Brooks, Guide de survie en territoire zombie, , 2011.
[Bibtex]

@book{,
title = "Guide de survie en territoire zombie",
author = "Brooks,Max",
year = "2011",
month = "Nov" }

J. Boudine, Le paradoxe de fermi, , 2015.
[Bibtex]

@book{,
title = "Le Paradoxe de Fermi",
author = "Boudine,Jean-Pierre",
year = "2015",
month = "Jan" }

J. Blish, Le siècle de l’éternel été, , 101.
[Bibtex]

@book{,
title = "Le siècle de l'éternel été",
author = "Blish,James",
year = "101",
month = "Jan" }

P. Bordage, Le feu de dieu, , 101.
[Bibtex]

@book{,
title = "Le Feu de Dieu",
author = "Bordage,Pierre",
year = "101",
month = "Jan" }

P. Bordage, Chroniques des ombres, , 2013.
[Bibtex]

@book{,
title = "Chroniques des Ombres",
author = "Bordage,Pierre",
year = "2013",
month = "Oct" }

J. Blackburn, Les pierres de vie, , 2015.
[Bibtex]

@book{,
title = "Les pierres de vie",
author = "Blackburn,Jimmy",
year = "2015",
month = "Sep" }

J. Blackburn, La quête des profondeurs, , 2015.
[Bibtex]

@book{,
title = "La quête des profondeurs",
author = "Blackburn,Jimmy",
year = "2015",
month = "Sep" }

A. Bell, Les faucheurs sont les anges, , 2012.
[Bibtex]

@book{,
title = "Les Faucheurs Sont Les Anges",
author = "Bell,Alden",
year = "2012",
month = "Apr" }

R. Bessière, Les derniers jours de sol 3, , 2012.
[Bibtex]

@book{,
title = "Les Derniers Jours de Sol 3",
author = "Bessière,Richard",
year = "2012",
month = "Feb" }

P. Beorn, Le jour où…, , 2014.
[Bibtex]

@book{,
title = "Le Jour Où...",
author = "Beorn,Paul",
year = "2014",
month = "Oct" }

G. Bear, La musique du sang, , 1985.
[Bibtex]

@book{,
title = "La musique du sang",
author = "Bear,Greg",
year = "1985",
month = "Jan" }

R. Barjavel, Une rose au paradis, , 1995.
[Bibtex]

@book{,
title = "Une rose au paradis",
author = "Barjavel,René",
year = "1995",
month = "Nov" }

S. Baxter, Déluge, , 2008.
[Bibtex]

@book{,
title = "Déluge",
author = "Baxter,Stephen",
year = "2008",
month = "Jan" }

R. Barjavel, Ravage, , 2011.
[Bibtex]

@book{,
title = "Ravage",
author = "Barjavel,René",
year = "2011",
month = "Apr" }

J. G. Ballard, Le monde englouti, , 1962.
[Bibtex]

@book{,
title = "Le monde englouti",
author = "Ballard,J.G.",
year = "1962",
month = "Jan" }

A. Baker, Fournaise, , 101.
[Bibtex]

@book{,
title = "Fournaise",
author = "Baker,Adam",
year = "101",
month = "Jan" }

A. Baker, Terminus, , 2015.
[Bibtex]

@book{,
title = "Terminus",
author = "Baker,Adam",
year = "2015",
month = "Jun" }

A. Baker, Rempart, , 2014.
[Bibtex]

@book{,
title = "Rempart",
author = "Baker,Adam",
year = "2014",
month = "May" }

J. Baggot, Pure, , 2012.
[Bibtex]

@book{,
title = "Pure",
author = "Baggot,Julianna",
year = "2012",
month = "Oct" }

J. Baggot, Fusion, , 2013.
[Bibtex]

@book{,
title = "Fusion",
author = "Baggot,Julianna",
year = "2013",
month = "Jun" }

P. Bacigalupi, Ferrailleurs des mers, , 2013.
[Bibtex]

@book{,
title = "Ferrailleurs des mers",
author = "Bacigalupi,Paolo",
year = "2013",
month = "May" }

J. Baggot, Cendres, , 2014.
[Bibtex]

@book{,
title = "Cendres",
author = "Baggot,Julianna",
year = "2014",
month = "Aug" }

J. Andrevon, Zombies, un horizon de cendres, , 2011.
[Bibtex]

@book{,
title = "Zombies, un horizon de cendres",
author = "Andrevon,Jean-Pierre",
year = "2011",
month = "Sep" }

P. Bacigalupi, Les cités englouties, , 2013.
[Bibtex]

@book{,
title = "Les cités englouties",
author = "Bacigalupi,Paolo",
year = "2013",
month = "Nov" }

J. Andrevon, Visiteurs d’apocalypse, , 1990.
[Bibtex]

@book{,
title = "Visiteurs d'apocalypse",
author = "Andrevon,Jean-Pierre",
year = "1990",
month = "Apr" }

J. Andrevon, Il faudra bien se résoudre à mourir seul, , 1982.
[Bibtex]

@book{,
title = "Il faudra bien se résoudre à mourir seul",
author = "Andrevon,Jean-Pierre",
year = "1982",
month = "May" }

J. Andrevon, Le désert du monde, , 1977.
[Bibtex]

@book{,
title = "Le désert du monde",
author = "Andrevon,Jean-Pierre",
year = "1977",
month = "Apr" }

S. Amsterdam, Ces choses que nous n’avons pas vues venir, , 2009.
[Bibtex]

@book{,
title = "Ces choses que nous n'avons pas vues venir",
author = "Amsterdam,Steven",
year = "2009",
month = "Jan" }

P. Anderson, Après l’apocalypse – trois mondes à conquérir, , 1966.
[Bibtex]

@book{,
title = "Après l'apocalypse - Trois mondes à conquérir",
author = "Anderson,Poul",
year = "1966",
month = "Sep" }

R. Aîné, La mort de la terre, , 1910.
[Bibtex]

@book{,
title = "La Mort de la Terre",
author = "Aîné,Rosny",
year = "1910",
month = "Jan" }

J. Ahern, Règlement de compte à fayetteville, , 1989.
[Bibtex]

@book{,
title = "Règlement de compte à Fayetteville",
author = "Ahern,Jerry",
year = "1989",
month = "Nov" }

J. Ahern, Les hommes du klan, , 1989.
[Bibtex]

@book{,
title = "Les Hommes du Klan",
author = "Ahern,Jerry",
year = "1989",
month = "Jun" }

J. Ahern, Les rebelles, , 1989.
[Bibtex]

@book{,
title = "Les Rebelles",
author = "Ahern,Jerry",
year = "1989",
month = "Jun" }

J. Ahern, Apocalypse bay, , 1988.
[Bibtex]

@book{,
title = "Apocalypse Bay",
author = "Ahern,Jerry",
year = "1988",
month = "Dec" }

J. Ahern, Les chiens du diable, , 1989.
[Bibtex]

@book{,
title = "Les Chiens du Diable",
author = "Ahern,Jerry",
year = "1989",
month = "Apr" }

J. Ahern, Carnage sous les tropiques, , 101.
[Bibtex]

@book{,
title = "Carnage sous les Tropiques",
author = "Ahern,Jerry",
year = "101",
month = "Jan" }

J. Ahern, Massacre en eaux troubles, , 101.
[Bibtex]

@book{,
title = "Massacre en eaux troubles",
author = "Ahern,Jerry",
year = "101",
month = "Jan" }

J. Ahern, La ballade des tortionnaires, , 1998.
[Bibtex]

@book{,
title = "La ballade des tortionnaires",
author = "Ahern,Jerry",
year = "1998",
month = "May" }

J. Ahern, Les maitres de guerre, , 101.
[Bibtex]

@book{,
title = "Les Maitres de Guerre",
author = "Ahern,Jerry",
year = "101",
month = "Jan" }

J. Ahern, Haute trahison, , 1987.
[Bibtex]

@book{,
title = "Haute trahison",
author = "Ahern,Jerry",
year = "1987",
month = "Nov" }

J. Ahern, La traque sauvage, , 101.
[Bibtex]

@book{,
title = "La traque sauvage",
author = "Ahern,Jerry",
year = "101",
month = "Jan" }

J. Ahern, La nuit des saboteurs, , 1987.
[Bibtex]

@book{,
title = "La nuit des saboteurs",
author = "Ahern,Jerry",
year = "1987",
month = "Sep" }

J. Ahern, Assaut, , 1987.
[Bibtex]

@book{,
title = "Assaut",
author = "Ahern,Jerry",
year = "1987",
month = "Jun" }

J. Ahern, Sierra commando, , 1987.
[Bibtex]

@book{,
title = "Sierra commando",
author = "Ahern,Jerry",
year = "1987",
month = "May" }

J. Ahern, Les damnées, , 1987.
[Bibtex]

@book{,
title = "Les damnées",
author = "Ahern,Jerry",
year = "1987",
month = "Mar" }

J. Ahern, Terreur sous manhattan, , 1987.
[Bibtex]

@book{,
title = "Terreur sous Manhattan",
author = "Ahern,Jerry",
year = "1987",
month = "Jan" }

J. Ahern, Pulsions de mort, , 101.
[Bibtex]

@book{,
title = "Pulsions de mort",
author = "Ahern,Jerry",
year = "101",
month = "Jan" }

J. Ahern, Enfer cannibale, , 1986.
[Bibtex]

@book{,
title = "Enfer cannibale",
author = "Ahern,Jerry",
year = "1986",
month = "Sep" }

J. Ahern, Kamikazes, , 1986.
[Bibtex]

@book{,
title = "Kamikazes",
author = "Ahern,Jerry",
year = "1986",
month = "Jun" }

J. Ahern, Le prophète, , 1986.
[Bibtex]

@book{,
title = "Le Prophète",
author = "Ahern,Jerry",
year = "1986",
month = "May" }

J. Ahern, Les hommes-jaguars, , 101.
[Bibtex]

@book{,
title = "Les hommes-jaguars",
author = "Ahern,Jerry",
year = "101",
month = "Jan" }

J. Ahern, Le piège, , 2015.
[Bibtex]

@book{,
title = "Le piège",
author = "Ahern,Jerry",
year = "2015",
month = "Aug" }

J. Ahern, Le cri de l’épervier, , 1985.
[Bibtex]

@book{,
title = "Le cri de l'épervier",
author = "Ahern,Jerry",
year = "1985",
month = "Nov" }

J. Ahern, L’escadron de fer, , 2015.
[Bibtex]

@book{,
title = "L'Escadron de fer",
author = "Ahern,Jerry",
year = "2015",
month = "Sep" }

J. Ahern, Le cauchemar commence, , 1985.
[Bibtex]

@book{,
title = "Le cauchemar commence",
author = "Ahern,Jerry",
year = "1985",
month = "Jun" }

J. Ahern, Guerre totale, , 2015.
[Bibtex]

@book{,
title = "Guerre totale",
author = "Ahern,Jerry",
year = "2015",
month = "Jul" }

A. Aguirre, Salvation, , 2013.
[Bibtex]

@book{,
title = "Salvation",
author = "Aguirre,Ann",
year = "2013",
month = "Aug" }

A. Aguirre, Horde, , 2014.
[Bibtex]

@book{,
title = "Horde",
author = "Aguirre,Ann",
year = "2014",
month = "Jan" }

T. W. Adorno, Aesthetic theory, , 2013.
[Bibtex]

@book{,
title = "Aesthetic Theory",
author = "Theodor W. Adorno",
isbn = "978-14-7250-454-8",
year = "2013",
month = "Oct" }

D. Stubbs, Mars by 1980: the story of electronic music, , 2018.
[Bibtex]

@book{,
title = "Mars by 1980: The Story of Electronic Music",
author = "David Stubbs",
isbn = "978-05-7132-398-2",
year = "2018",
month = "Jul" }

M. Collin, Rave on: global adventures in electronic dance music, , 2018.
[Bibtex]

@book{,
title = "Rave On: Global Adventures in Electronic Dance Music",
author = "Matthew Collin",
isbn = "978-17-8283-145-7",
year = "2018",
month = "Jan" }

G. Bear, G. Guidall, and R. Books, Queen of angels, , 1990.
[Bibtex]

@book{,
title = "Queen of Angels",
author = "Greg Bear and George Guidall and Recorded Books",
year = "1990",
month = "Jan" }

G. Orwell, The complete novels of george orwell, , 2009.
[Bibtex]

@book{,
title = "The Complete Novels Of George Orwell",
author = "George Orwell",
isbn = "978-01-4119-039-6",
year = "2009",
month = "Jun" }

R. M. Rottner, Making the invisible visible: a history of the spitzer infrared telescope facility (1971-2003), , 2012.
[Bibtex]

@book{,
title = "Making the Invisible Visible: A History of the Spitzer Infrared Telescope Facility (1971-2003)",
author = "Renee M. Rottner",
isbn = "978-16-2683-035-6",
year = "2012",
month = "Apr" }

J. K. Alexander, Science advice to nasa: conflict, consensus, partnership, leadership, , 2017.
[Bibtex]

@book{,
title = "Science Advice to NASA: Conflict, Consensus, Partnership, Leadership",
author = "Joseph K. Alexander",
isbn = "978-16-2683-033-2",
year = "2017",
month = "Apr" }

H. Khan, Twelve clues, , 2016.
[Bibtex]

@book{,
title = "Twelve Clues",
author = "Hassan Khan",
isbn = "88-6749-236-5",
year = "2016",
month = "Jun" }

R. Zubrin, First landing, , 2001.
[Bibtex]

@book{,
title = "First Landing",
author = "Robert Zubrin",
isbn = "978-11-0120-807-6",
year = "2001",
month = "Jul" }

R. Zubrin, The case for mars: the plan to settle the red planet and why we must, , 2011.
[Bibtex]

@book{,
title = "The Case for Mars: The Plan to Settle the Red Planet and Why We Must",
author = "Robert Zubrin",
isbn = "978-14-5160-811-3",
year = "2011",
month = "Jun" }

R. Zubrin, Entering space: creating a spacefaring civilization, , 2000.
[Bibtex]

@book{,
title = "Entering Space: Creating a Spacefaring Civilization",
author = "Robert Zubrin",
isbn = "978-15-8542-036-0",
year = "2000",
month = "Aug" }

R. Pyle, Interplanetary robots, , 101.
[Bibtex]

@book{,
title = "Interplanetary Robots",
author = "Rod Pyle",
isbn = "978-16-3388-503-5",
year = "101",
month = "Jan" }

R. Zubrin, The case for space: how the revolution in spaceflight opens up a future of limitless possibility, , 2019.
[Bibtex]

@book{,
title = "The Case for Space: How the Revolution in Spaceflight Opens Up a Future of Limitless Possibility",
author = "Robert Zubrin",
isbn = "16-3388-534-8",
year = "2019",
month = "May" }

B. Spinoza, L’ethique, , 2001.
[Bibtex]

@book{,
title = "L'Ethique",
author = "Baruch Spinoza",
isbn = "978-28-4162-107-1",
year = "2001",
month = "Jul" }

C. Lanczos, Space through the ages: the evolution of geometrical ideas from pythagoras to hilbert and einstein, , 1970.
[Bibtex]

@book{,
title = "Space Through the Ages: The Evolution of Geometrical Ideas From Pythagoras to Hilbert and Einstein",
author = "Cornelius Lanczos",
isbn = "978-01-2435-850-8",
year = "1970",
month = "Mar" }

D. L. G. B. G. B. T. W. P. S. X. G. . . . S. ;. . . D. A. Nováková Julie; Nordley, Strangest of all: anthology of astrobiological sf, , 2020.
[Bibtex]

@book{,
title = "Strangest of All: Anthology of Astrobiological SF",
author = "Nováková, Julie; Nordley, G. David; Landis, Geoffrey; Benford, Gregory; Buckell, Tobias S.; Watts, Peter; Spires, D.A. Xiaolin.",
year = "2020",
month = "May" }

C. Jencks, The story of post-modernism: five decades of the ironic, iconic and critical in architecture, , 2011.
[Bibtex]

@book{,
title = "The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture",
author = "Charles Jencks",
isbn = "978-04-7068-895-3",
year = "2011",
month = "Oct" }

A. Worden, Falling to earth, , 2011.
[Bibtex]

@book{,
title = "Falling to Earth",
author = "Al Worden",
isbn = "978-15-8834-309-3",
year = "2011",
month = "Jul" }

S. R. Hirshorn, N. Aeronautics, and Administration, Three sigma leadership: or, the way of the chief engineer, , 2020.
[Bibtex]

@book{,
title = "Three Sigma Leadership: Or, the Way of the Chief Engineer",
author = "Steven R Hirshorn and National Aeronautics and Administration",
isbn = "979-86-2152-599-6",
year = "2020",
month = "Mar" }

J. R. Kinney, The power for flight: nasa’s contributions to aircraft propulsion, , 2018.
[Bibtex]

@book{,
title = "The Power for Flight: NASA’s Contributions to Aircraft Propulsion",
author = "Jeremy R. Kinney",
isbn = "978-16-2683-039-4",
year = "2018",
month = "Feb" }

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