bibliography

——————————————————————–
– Papers:

R. Toop, “Himmels-Tür: Crossing to the Other Side,” , 2012.
[Bibtex]

@article{Toop:2012ti,
author = {Toop, Richard},
title = {{Himmels-T{\"u}r: Crossing to the Other Side}},
year = {2012}
}

B. Boretz, “What Did Milton Mean by His Music?,” , 2012.
[Bibtex]

@article{Boretz:2012uq,
author = {Boretz, Benjamin},
title = {{What Did Milton Mean by His Music?}},
year = {2012}
}

P. Rosser, “Brian Ferneyhough and the “Avant-Garde Experience”: Benjaminian Tropes in “Funérailles”,” , 2010.
[Bibtex]

@article{Rosser:2010wc,
author = {Rosser, Peter},
title = {{Brian Ferneyhough and the "Avant-Garde Experience": Benjaminian Tropes in "Fun{\'e}railles"}},
year = {2010}
}

G. Le Bon, “Psychologie des foules,” , 1895.
[Bibtex]

@article{LeBon:1895vt,
author = {Le Bon, Gustave},
title = {{Psychologie des foules}},
year = {1895}
}

G. Dehn, “The World of Cecil Balmond, Designer and Engineer,” , 2012.
[Bibtex]

@article{Dehn:2012vx,
author = {Dehn, Georgia},
title = {{The World of Cecil Balmond, Designer and Engineer}},
year = {2012}
}

C. Kœchlin, “Traité De L’orchestration Vol. II,” , 1954.
[Bibtex]

@article{Koechlin:1954uk,
author = {K{\oe}chlin, Charles},
title = {{Trait{\'e} De L'orchestration Vol. II}},
year = {1954}
}

V. C. Barbosa, “The Conduciveness of CA-Rule Graphs,” , 2012.
[Bibtex]

@article{Barbosa:2012vx,
author = {Barbosa, Valmir C},
title = {{The Conduciveness of CA-Rule Graphs}},
year = {2012}
}

M. Malt, “Les Mathématiques Et La Composition Assistée Par Ordinateur,” , 2000.
[Bibtex]

@article{Malt:2000wk,
author = {Malt, Mikhail},
title = {{Les Math{\'e}matiques Et La Composition Assist{\'e}e Par Ordinateur}},
year = {2000}
}

G. T. Toussaint, “Computational Geometry and Morphology,” , 1986.
[Bibtex]

@article{Toussaint:1986wm,
author = {Toussaint, Godfried T},
title = {{Computational Geometry and Morphology}},
year = {1986}
}

T. Green and J. Eloy, “Interview with Jean-Claude Eloy,” , 1991.
[Bibtex]

@article{Green:1991ug,
author = {Green, Tona and Eloy, Jean-Claude},
title = {{Interview with Jean-Claude Eloy}},
year = {1991}
}

M. Feldman, “To Have Known Stefan Wolpe,” , 1983.
[Bibtex]

@article{Feldman:1983vh,
author = {Feldman, Morton},
title = {{To Have Known Stefan Wolpe}},
year = {1983}
}

L. Lessig, “Code,” , 2006.
[Bibtex]

@article{Lessig:2006vm,
author = {Lessig, Lawrence},
title = {{Code}},
year = {2006}
}

P. Smaragdis, “Discovering Auditory Objects Through Non-Negativity Constraints,” , 2012.
[Bibtex]

@article{Smaragdis:2012uw,
author = {Smaragdis, Paris},
title = {{Discovering Auditory Objects Through Non-Negativity Constraints}},
year = {2012}
}

J. Rudi, “Computer Music Video: a Composer’s Perspective,” , 2005.
[Bibtex]

@article{Rudi:2005tw,
author = {Rudi, J{\o}ran},
title = {{Computer Music Video: a Composer{\textquoteright}s Perspective}},
year = {2005}
}

E. Hutterer, R. McDonald, and D. Montoya, “1663,” , 2015.
[Bibtex]

@article{Hutterer:2015vf,
author = {Hutterer, Elanor and McDonald, Rebecca and Montoya, Donald},
title = {{1663}},
year = {2015}
}

“Apollo Spacecraft,” , 2005.
[Bibtex]

@article{Anonymous:2005tl,
title = {{Apollo Spacecraft}},
year = {2005}
}

K. Zuse, Calculating Space, , 1969.
[Bibtex]

@book{Zuse:1969ww,
author = {Zuse, Konrad},
title = {{Calculating Space}},
year = {1969}
}

C. Balaschak, “Between Sequence and Seriality: Landscape Photography and its Historiography in Anonyme Skulpturen,” , 2010.
[Bibtex]

@article{Balaschak:2010ui,
author = {Balaschak, Chris},
title = {{Between Sequence and Seriality: Landscape Photography and its Historiography in Anonyme Skulpturen}},
year = {2010}
}

B. C. Coutinho, S. Hong, K. Albrecht, A. Dey, A. Barabasi, P. Torrey, M. Vogelsberger, and L. Hernquist, “The Network Behind the Cosmic Web,” , 2016.
[Bibtex]

@article{Coutinho:2016vo,
author = {Coutinho, B C and Hong, Sungryong and Albrecht, Kim and Dey, Arjun and Barabasi, Albert-Laszlo and Torrey, Paul and Vogelsberger, Mark and Hernquist, Lars},
title = {{The Network Behind the Cosmic Web}},
year = {2016}
}

T. Helie, “Volterra Series and State Transformation for Real-Time Simulations of Audio Circuits Including Saturations,” , 2011.
[Bibtex]

@article{Helie:2011ui,
author = {Helie, Thomas},
title = {{Volterra Series and State Transformation for Real-Time Simulations of Audio Circuits Including Saturations}},
year = {2011}
}

C. Haworth, “Sound Synthesis Procedures as Texts: an Ontological Politics in Electroacoustic and Computer Music,” , 2015.
[Bibtex]

@article{Haworth:2015vb,
author = {Haworth, Christopher},
title = {{Sound Synthesis Procedures as Texts: an Ontological Politics in Electroacoustic and Computer Music}},
year = {2015}
}

S. Dubnov, “Stylistic Randomness: About Composing NTrope Suite,” , 1999.
[Bibtex]

@article{Dubnov:1999vi,
author = {Dubnov, Shlomo},
title = {{Stylistic Randomness: About Composing NTrope Suite}},
year = {1999}
}

Marsyas.
[Bibtex]

@misc{Tzanetakis:2006wa,
title = {{Marsyas}}
}

K. Kastner, R. Kumar, T. Cooijmans, and A. Courville, “Harmonic Recomposition Using Conditional Autoregressive Modeling,” , 2018.
[Bibtex]

@article{Kastner:2018wv,
author = {Kastner, Kyle and Kumar, Rithesh and Cooijmans, Tim and Courville, Aaron},
title = {{Harmonic Recomposition Using Conditional Autoregressive Modeling}},
year = {2018}
}

C. Luccioni-Sauvage, “Le \guillemotleft~Roman~\guillemotright De La Mélancolie aux XVIe et XVIIe Siècles,” , 2015.
[Bibtex]

@article{LuccioniSauvage:2015wt,
author = {Luccioni-Sauvage, Carine},
title = {{Le {\guillemotleft}~Roman~{\guillemotright} De La M{\'e}lancolie aux XVIe et XVIIe Si{\`e}cles}},
year = {2015}
}

S. Nooteboom, “The Prosody of Speech: Melody and Rhythm,” , 2001.
[Bibtex]

@article{Nooteboom:2001wb,
author = {Nooteboom, Sieb},
title = {{The Prosody of Speech: Melody and Rhythm}},
year = {2001}
}

F. Voisin, J. B. Schilingi, and F. Sarhan, “Morphologie,” , 1999.
[Bibtex]

@article{Voisin:1999wh,
author = {Voisin, Fr{\'e}d{\'e}ric and Schilingi, Jacopo Baboni and Sarhan, Fran{\c c}ois},
title = {{Morphologie}},
year = {1999}
}

E. Bates, “The Composition and Performance of Spatial Music,” PhD Thesis, 2009.
[Bibtex]

@phdthesis{Bates:2009tf,
author = {Bates, Enda},
title = {{The Composition and Performance of Spatial Music}},
year = {2009}
}

Ircam, “Ircam – Saison 2012-2013,” , 2012.
[Bibtex]

@article{Ircam:2012tj,
author = {{Ircam}},
title = {{Ircam - Saison 2012-2013}},
year = {2012}
}

“superformula,” 2004.
[Bibtex]

@techreport{Anonymous:UxcriGoA,
title = {{superformula}},
year = {2004}
}

S. Vickers, “Toposes Pour Les Vraiment Nuls,” , 2009.
[Bibtex]

@article{Vickers:2009wm,
author = {Vickers, Steven},
title = {{Toposes Pour Les Vraiment Nuls}},
year = {2009}
}

R. W. Hall, “The Sound of Numbers,” , 2008.
[Bibtex]

@article{Hall:2008wt,
author = {Hall, Rachel Wells},
title = {{The Sound of Numbers}},
year = {2008}
}

F. Pachet, P. Roy, and G. Barbieri, “Finite-Length Markov Processes with Constraints,” , 2011.
[Bibtex]

@article{Pachet:2011uh,
author = {Pachet, Fran{\c c}ois and Roy, Pierre and Barbieri, Gabriele},
title = {{Finite-Length Markov Processes with Constraints}},
year = {2011}
}

N. Obin, “Cries and Whispers,” , 2012.
[Bibtex]

@article{Obin:2012we,
author = {Obin, Nicolas},
title = {{Cries and Whispers}},
year = {2012}
}

“Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping,” , 2011.
[Bibtex]

@article{Anonymous:OGmJaC6o,
title = {{Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping}},
year = {2011}
}

B. Skow, “What makes time different from space?,” , 2010.
[Bibtex]

@article{Skow:2010ts,
author = {Skow, Bradford},
title = {{What makes time different from space?}},
year = {2010}
}

H. Järveläinen, “Algorithmic Musical Composition,” , 2000.
[Bibtex]

@article{Jarvelainen:2000tb,
author = {J{\"a}rvel{\"a}inen, Hanna},
title = {{Algorithmic Musical Composition}},
year = {2000}
}

D. Buren, “Five Texts,” , 1973.
[Bibtex]

@article{Buren:1973wz,
author = {Buren, Daniel},
title = {{Five Texts}},
year = {1973}
}

M. Hicks, “Interval and Form in Ligeti’s Continuum and Coulée,” , 1993.
[Bibtex]

@article{Hicks:1993ub,
author = {Hicks, Michael},
title = {{Interval and Form in Ligeti's Continuum and Coul{\'e}e}},
year = {1993}
}

G. Nerlich, The Shape of Space, , 1994.
[Bibtex]

@book{Nerlich:1929wv,
author = {Nerlich, Graham},
title = {{The Shape of Space}},
year = {1994}
}

R. J. Solomonov, “A Formal Theory of Inductive Inference, Part I,” , 1964.
[Bibtex]

@article{Solomonov:1964ue,
author = {Solomonov, Ray J},
title = {{A Formal Theory of Inductive Inference, Part I}},
year = {1964}
}

H. A. Simon, “The Sciences of the Artificial,” , 1996.
[Bibtex]

@article{Simon:1996uw,
author = {Simon, Herbert Alexander},
title = {{The Sciences of the Artificial}},
year = {1996}
}

T. Blackwell and M. Young, “Self-Organised Music,” , 2004.
[Bibtex]

@article{Blackwell:2004td,
author = {Blackwell, Tim and Young, Michael},
title = {{Self-Organised Music}},
year = {2004}
}

M. Bretan, G. Weinberg, and L. Heck, “A Unit Selection Methodology for Music Generation Using Deep Neural Networks,” , 2016.
[Bibtex]

@article{Bretan:2016uu,
author = {Bretan, Mason and Weinberg, Gil and Heck, Larry},
title = {{A Unit Selection Methodology for Music Generation Using Deep Neural Networks}},
year = {2016}
}

T. Piketty, “L’Économie Des Inégalités,” , 2009.
[Bibtex]

@article{Piketty:2009uj,
author = {Piketty, Thomas},
title = {{L{\textquoteright}{\'E}conomie Des In{\'e}galit{\'e}s}},
year = {2009}
}

J. Webster and L. A. Rothfarb, “Haydn’s Farewell Symphony and the Idea of Classical Style,” , 1991.
[Bibtex]

@article{Webster:1991un,
author = {Webster, James and Rothfarb, Lee A},
title = {{Haydn's Farewell Symphony and the Idea of Classical Style}},
year = {1991}
}

D. Smalley, “Spectromorphology: Explaining Sound-Shapes,” , 1997.
[Bibtex]

@article{Smalley:1997uf,
author = {Smalley, Denis},
title = {{Spectromorphology: Explaining Sound-Shapes}},
year = {1997}
}

J. Yust, “Organized Time,” , 2018.
[Bibtex]

@article{Yust:2018wb,
author = {Yust, Jason},
title = {{Organized Time}},
year = {2018}
}

Y. Meyer, S. Jaffard, and O. Rioul, “L’analyse Par Ondelettes,” , 1987.
[Bibtex]

@article{Meyer:1987vq,
author = {Meyer, Yves and Jaffard, St{\'e}phane and Rioul, Olivier},
title = {{L'analyse Par Ondelettes}},
year = {1987}
}

C. Raphael, “A Hybrid Graphical Model for Aligning Polyphonic Audio with Musical Scores,” , 2012.
[Bibtex]

@article{Raphael:2012vq,
author = {Raphael, Christopher},
title = {{A Hybrid Graphical Model for Aligning Polyphonic Audio with Musical Scores}},
year = {2012}
}

P. Di Bello, “Seductions and Flirtations,” , 2008.
[Bibtex]

@article{DiBello:2008uf,
author = {Di Bello, Patrizia},
title = {{Seductions and Flirtations}},
year = {2008}
}

G. T. Toussaint, L. Matthews, M. Campbell, and N. Brown, “Measuring Musical Rhythm Similarity: Transformation Versus Feature-Based Methods,” 2013.
[Bibtex]

@techreport{Toussaint:2013tn,
author = {Toussaint, Godfried T and Matthews, Luke and Campbell, Malcolm and Brown, Naor},
title = {{Measuring Musical Rhythm Similarity: Transformation Versus Feature-Based Methods}},
year = {2013}
}

J. McConkey, “Report From the Synthesizer Explosion,” , 1984.
[Bibtex]

@article{McConkey:1984ud,
author = {McConkey, Jim},
title = {{Report From the Synthesizer Explosion}},
year = {1984}
}

J. Jarre, J. Gester, O. Lamm, and D. Péron, “Jean-Michel Jarre Deux ou Trois Mots,” , 2015.
[Bibtex]

@article{Jarre:2015vu,
author = {Jarre, Jean-Michel and Gester, Julien and Lamm, Olivier and P{\'e}ron, Didier},
title = {{Jean-Michel Jarre Deux ou Trois Mots}},
year = {2015}
}

“The Boulez-Cage Correspondence,” , 1993.
[Bibtex]

@article{Anonymous:1993wb,
title = {{The Boulez-Cage Correspondence}},
year = {1993}
}

N. Schnell, R. Borghesi, D. Schwarz, F. Bevilacqua, and R. Müller, “Ftm — Complex Data Structures for Max,” , 2005.
[Bibtex]

@article{Schnell:2005va,
author = {Schnell, Norbert and Borghesi, Riccardo and Schwarz, Diemo and Bevilacqua, Frederic and M{\"u}ller, Remy},
title = {{Ftm {\textemdash} Complex Data Structures for Max}},
year = {2005}
}

L. Polansky, “Morphological Metrics,” , 1996.
[Bibtex]

@article{Polansky:1996wk,
author = {Polansky, Larry},
title = {{Morphological Metrics}},
year = {1996}
}

D. Thibault, “My Physical Approach to Musique Concrète Composition,” , 2014.
[Bibtex]

@article{Thibault:2014va,
author = {Thibault, Dominic},
title = {{My Physical Approach to Musique Concr{\`e}te Composition}},
year = {2014}
}

L. Brümmer, “The ZKM | Institute for Music and Acoustics,” , 2009.
[Bibtex]

@article{Brummer:2009wz,
author = {Br{\"u}mmer, Ludger},
title = {{The ZKM | Institute for Music and Acoustics}},
year = {2009}
}

D. Tymoczko, “Scale Theory, Serial Theory and Voice Leading,” , 2008.
[Bibtex]

@article{Tymoczko:2008us,
author = {Tymoczko, Dmitri},
title = {{Scale Theory, Serial Theory and Voice Leading}},
year = {2008}
}

M. Pharr and P. Hanrahan, “Monte Carlo Evaluation of Non-Linear Scattering Equations for Subsurface Reflection,” , 2000.
[Bibtex]

@article{Pharr:2000up,
author = {Pharr, Matt and Hanrahan, Pat},
title = {{Monte Carlo Evaluation of Non-Linear Scattering Equations for Subsurface Reflection}},
year = {2000}
}

A. Einstein, “Relativity: the Special and General Theory,” , 1924.
[Bibtex]

@article{Einstein:1924vl,
author = {Einstein, Albert},
title = {{Relativity: the Special and General Theory}},
year = {1924}
}

B. Evans, “Foundations of a Visual Music,” , 2005.
[Bibtex]

@article{Evans:2005txa,
author = {Evans, Brian},
title = {{Foundations of a Visual Music}},
year = {2005}
}

B. Voorhees, M. Levy, C. M. Macal, M. J. North, H. R. Parry, R. Laubenbacher, A. S. Jarrah, H. S. Mortveit, S. S. Ravi, S. Bandini, S. Manzoni, G. Vizzari, F. Castiglione, V. Torra, J. Cervelle, E. Formenti, H. Abelson, J. Beal, G. J. Sussman, B. J. MacLennan, P. Dittrich, B. Zeigler, A. Muzy, L. Yilmaz, M. Amos, S. Zamir, D. Draper, B. Han, M. J. Alava, K. B. Lauritsen, T. Worsch, K. Sutner, J. E. Hanson, T. Ceccherini-Silberstein, M. Coornaert, M. Margenstern, M. Kutrib, R. Alonso-Sanz, B. Chopard, C. Bays, J. Durand-Lose, H. Hatzikirou, G. Breier, A. Deutsch, C. Teuscher, A. Dennunzio, S. Fortunato, C. Castellano, P. E. T. Jorgensen, M. Song, S. Huang, S. A. Kauffman, D. A. Stephens, G. Canright, V. Batagelj, B. Mac Namee, J. Gorecki, J. N. Gorecka, D. Rand, K. Steiglitz, R. Serrano, J. Wako, S. Muto, Z. W. Ras, A. Dardzinska, F. Forges, R. M. Yulmetyev, P. Hänggi, M. Koster, J. Fadili, J. Starck, W. Pedrycz, L. Polkowski, P. Kokol, M. Brameier, V. Podgorelec, M. Zorman, S. Tsumoto, S. Hirano, M. Quincampoix, P. Povalej, M. Verlic, G. Stiglic, P. K. Dutta, P. Kurka, S. Nolfi, C. Tsallis, M. Pivato, W. H. Sandholm, S. Harding, J. F. Miller, M. Cenek, M. Mitchell, P. Angelov, M. Nicodemi, S. J. Brams, U. C. Täuber, H. Umeo, R. Friedrich, J. Peinke, R. R. M. Tabar, J. A. Dunne, L. A. Zadeh, R. I. John, J. M. Mendel, W. A. Lodwick, E. A. Untiedt, M. Beer, J. Kacprzyk, B. I. Türksen, M. Sotomayor, K. Chatterjee, H. Sabourian, M. Orlov, M. Sipper, A. Hauptman, T. Hong, C. Chen, V. S. Tseng, S. Greco, B. Matarazzo, R. S{l}owinski, S. A. Demurjian, T. Y. Lin, K. Chang, Z. Chen, J. Han, N. Cercone, S. Webb, J. Caverlee, C. Pu, A. Wasilewska, E. Menasalvas, Y. Zhang, S. N. Dorogovtsev, J. Gravner, M. N. Jacobi, F. Liljeros, O. Castillo, P. Melin, A. Adamatzky, J. Timmis, L. C. Corchón, R. Avenhaus, M. J. Canty, C. W. de Silva, J. Hendler, F. Bagnoli, Y. He, G. Siganos, M. Faloutsos, P. Berkhin, I. S. Dhillon, J. Nachbar, U. Kuter, R. Metzler, A. V. Chechkin, J. Klafter, J. Bjelland, K. Eng{ø}-Monsen, S. Abramsky, S. Džeroski, P. Panov, B. Ženko, H. Liu, Z. Zhao, M. Wooders, J. H. Reif, R. Lavi, G. Paun, C. Yeung, Y. Zhang, N. Suri, J. Vitek, J. Macdonald, D. Stefanovic, M. N. Stojanovic, S. Valverde, R. V. Solé, L. Zhang, B. Zhang, M. Lai, F. Keinert, F. Peper, T. A. B. Snijders, F. H. Page Jr, L. Rutkowski, K. Cpa{l}ka, R. Nowicki, A. Pokropinska, R. Scherer, A. Berman, N. Shaked-Monderer, W. Yang, T. J. Naughton, D. Woods, N. Boccara, P. Doreian, D. Dubois, H. Prade, I. Macho-Stadler, D. Pérez-Castrillo, G. Pruessner, D. Sornette, H. J. Jensen, M. Mosca, A. Papageorgiou, J. F. Traub, K. Wiesner, J. Watrous, V. Kendon, W. Lange, G. J. Milburn, A. G. White, H. Lo, Y. Zhao, M. Grassl, M. Rötteler, S. Lloyd, F. Chung, G. Ergün, O. Zeitouni, R. Conte, P. Sibani, Henrik, J. Jensen, O. Gossner, T. Tomala, and J. and… Renault, “Computational Complexity,” , 2009.
[Bibtex]

@article{Voorhees:2009vk,
author = {Voorhees, Burton and Levy, Moshe and Macal, Charles M and North, Michael J and Parry, Hazel R and Laubenbacher, Reinhard and Jarrah, Abdul S and Mortveit, Henning S and Ravi, S S and Bandini, Stefania and Manzoni, Sara and Vizzari, Giuseppe and Castiglione, Filippo and Torra, Vicen{\c c} and Cervelle, Julien and Formenti, Enrico and Abelson, Hal and Beal, Jacob and Sussman, Gerald Jay and MacLennan, Bruce J and Dittrich, Peter and Zeigler, Bernard and Muzy, Alexandre and Yilmaz, Levent and Amos, Martyn and Zamir, Shmuel and Draper, David and Bin Han and Alava, Mikko J and Lauritsen, Kent B{\ae}kgaard and Worsch, Thomas and Sutner, Klaus and Hanson, James E and Ceccherini-Silberstein, Tullio and Coornaert, Michel and Margenstern, Maurice and Kutrib, Martin and Alonso-Sanz, Ram{\'o}n and Chopard, Bastien and Bays, Carter and Durand-Lose, J{\'e}r{\^o}me and Hatzikirou, Haralambos and Breier, Georg and Deutsch, Andreas and Teuscher, Christof and Dennunzio, Alberto and Fortunato, Santo and Castellano, Claudio and Jorgensen, Palle E T and Song, Myung-Sin and Huang, Sui and Kauffman, Stuart A and Stephens, David A and Canright, Geoffrey and Batagelj, Vladimir and Mac Namee, Brian and Gorecki, Jerzy and Gorecka, Joanna Natalia and Rand, Darren and Steiglitz, Ken and Serrano, Roberto and Wako, Jun and Muto, Shigeo and Ras, Zbigniew W and Dardzinska, Agnieszka and Forges, Fran{\c c}oise and Yulmetyev, Renat M and H{\"a}nggi, Peter and Koster, Maurice and Fadili, Jalal and Starck, Jean-Luc and Pedrycz, Witold and Polkowski, Lech and Kokol, Peter and Brameier, Markus and Podgorelec, Vili and Zorman, Milan and Tsumoto, Shusaku and Hirano, Shoji and Quincampoix, Marc and Povalej, Petra and Verlic, Mateja and Stiglic, Gregor and Dutta, Prajit K and Kurka, Petr and Nolfi, Stefano and Tsallis, Constantino and Pivato, Marcus and Sandholm, William H and Harding, Simon and Miller, Julian F and Cenek, Martin and Mitchell, Melanie and Angelov, Plamen and Nicodemi, Mario and Brams, Steven J and T{\"a}uber, Uwe Claus and Umeo, Hiroshi and Friedrich, Rudolf and Peinke, Joachim and Tabar, M Reza Rahimi and Dunne, Jennifer A and Zadeh, Lotfi A and John, Robert I and Mendel, Jerry M and Lodwick, Weldon A and Untiedt, Elizabeth A and Beer, Michael and Kacprzyk, Janusz and T{\"u}rksen, I Burhan and Sotomayor, Marilda and Chatterjee, Kalyan and Sabourian, Hamid and Orlov, Michael and Sipper, Moshe and Hauptman, Ami and Hong, Tzung-Pei and Chen, Chun-Hao and Tseng, Vincent S and Greco, Salvatore and Matarazzo, Benedetto and S{\l}owinski, Roman and Demurjian, Steven A and Lin, Tsau Young and Chang, Kow-Lung and Chen, Zhengxin and Han, Jianchao and Cercone, Nick and Webb, Steve and Caverlee, James and Pu, Calton and Wasilewska, Anita and Menasalvas, Ernestina and Zhang, Yan-Qing and Dorogovtsev, Sergey N and Gravner, Janko and Jacobi, Martin Nilsson and Liljeros, Fredrik and Castillo, Oscar and Melin, Patricia and Adamatzky, Andrew and Timmis, Jon and Corch{\'o}n, Luis C and Avenhaus, Rudolf and Canty, Morton J and de Silva, Clarence W and Hendler, James and Bagnoli, Franco and He, Yihua and Siganos, Georgos and Faloutsos, Michalis and Berkhin, Pavel and Dhillon, Inderjit S and Nachbar, John and Kuter, Ugur and Metzler, Ralf and Chechkin, Aleksei V and Klafter, Joseph and Bjelland, Johannes and Eng{\o}-Monsen, Kenth and Abramsky, Samson and D{\v z}eroski, Sa{\v s}o and Panov, Pance and {\v Z}enko, Bernard and Liu, Huan and Zhao, Zheng and Wooders, Myrna and Reif, John H and Lavi, Ron and Paun, Gheorghe and Yeung, ChiHo and Zhang, Yi-Cheng and Suri, Niranjan and Vitek, Jan and Macdonald, Joanne and Stefanovic, Darko and Stojanovic, Milan N and Valverde, Sergi and Sol{\'e}, Ricard V and Zhang, Ling and Zhang, Bo and Lai, Ming-Jun and Keinert, Fritz and Peper, Ferdinand and Snijders, Tom A B and Page, Jr, Frank H and Rutkowski, Leszek and Cpa{\l}ka, Krzysztof and Nowicki, Robert and Pokropinska, Agata and Scherer, Rafa{\l} and Berman, Abraham and Shaked-Monderer, Naomi and Yang, Wei-Zhe and Naughton, Thomas J and Woods, Damien and Boccara, Nino and Doreian, Patrick and Dubois, Didier and Prade, Henri and Macho-Stadler, In{\'e}s and P{\'e}rez-Castrillo, David and Pruessner, Gunnar and Sornette, Didier and Jensen, Henrik Jeldtoft and Mosca, Michele and Papageorgiou, Anargyros and Traub, Joseph F and Wiesner, Karoline and Watrous, John and Kendon, Viv and Lange, Wolfgang and Milburn, Gerard J and White, Andrew G and Lo, Hoi-Kwong and Zhao, Yi and Grassl, Markus and R{\"o}tteler, Martin and Lloyd, Seth and Chung, Fan and Erg{\"u}n, G{\"u}ler and Zeitouni, Ofer and Conte, Rosaria and Sibani, Paolo and {Henrik} and Jensen, Jeldtoft and Gossner, Olivier and Tomala, Tristan and Renault, J{\'e}r{\^o}me and...},
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R. B. Dannenberg, N. E. Gold, D. Liang, and G. Xia, “Active Scores: Representation and Synchronization in Human–Computer Performance of Popular Music,” , 2004.
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@article{Dannenberg:2004tv,
author = {Dannenberg, Roger B and Gold, Nicolas E and Liang, Dawen and Xia, Guangyu},
title = {{Active Scores: Representation and Synchronization in Human{\textendash}Computer Performance of Popular Music}},
year = {2004}
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S. Haynes, “The Musician-Machine Interface in Digital Sound Synthesis,” , 1980.
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@article{Haynes:1980uu,
author = {Haynes, Stanley},
title = {{The Musician-Machine Interface in Digital Sound Synthesis}},
year = {1980}
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C. Ames, “Stylistic Automata in “Gradient”,” , 1983.
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@article{Ames:1983wy,
author = {Ames, Charles},
title = {{Stylistic Automata in "Gradient"}},
year = {1983}
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C. Roads, Composing Electronic Music, , 2015.
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@book{Roads:2015vv,
author = {Roads, Curtis},
title = {{Composing Electronic Music}},
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C. Dwyre, C. Perry, and B. Tschumi, Architecture Beyond Architecture, , 2015.
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@book{Dwyre:2015wh,
author = {Dwyre, Cathryn and Perry, Chris and Tschumi, Bernard},
title = {{Architecture Beyond Architecture}},
year = {2015}
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@article{Straw:2010vq,
author = {Straw, Will},
title = {{Cultural Production and the Generative Matrix}},
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@book{Wolfram:2002wq,
author = {Wolfram, Stephen},
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D. Knuth, “The Art of Computer Programming,” , 1969.
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@article{Knuth:1969tc,
author = {Knuth, Donald},
title = {{The Art of Computer Programming}},
year = {1969}
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@article{Smalley:2007tu,
author = {Smalley, Denis},
title = {{Space-Form and the Acousmatic Image}},
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G. Stocker, C. Schöpf, M. Naimark, J. Mariategui, R. F. Malina, P. Weibel, J. Brucker-Cohen, J. Ito, K. Wodiczko, P. Virilio, D. de Kerckhove, A. Williams, S. Turkle, N. Maurer, G. Dirmoser, G. Dirmoser, H. Ranzenbacher, S. Brand, D. de Kerckhove, I. Sakane, D. Daniels, H. Grundmann, B. Adrian, K. Dudesek, A. Vasiljevic, A. Medosch, J. On, M. Wattenberg, H. Katzmair, L. Krempel, V. Batagelj, A. Mrvar, W. B. Paley, J. Y. Han, B. Odland, S. Auinger, S. Grundler, E. Schimana, MikoMikona, G. Levin, Z. Lieberman, K. Obermaier, J. Deutsch, M. Leisch-Kiesl, E. van der Heide, M. de Nijs, L. Beloff, E. Berger, M. Pichlmair, G. Sengmüller, G. Sutton, B. Weil, S. Rollig, M. W. Krueger, J. Paradiso, G. Pfurtscheller, S. Grundler, K. Ryokai, S. Marti, H. Ishii, C. Moller, M. Carvalhais, L. Carvalhais, J. Gerrard, O. Khan, K. Bruns, K. Hentschlager, M. Fujihata, T. Kawashima, F. Cadet, N. Fujimura, and B. Dauw, “Timeshift,” , 2004.
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@article{Stocker:2004wn,
author = {Stocker, Gerfried and Sch{\"o}pf, Christine and Naimark, Michael and Mariategui, Jose-Carlos and Malina, Roger F and Weibel, Peter and Brucker-Cohen, Jonah and Ito, Joichi and Wodiczko, Krzysztof and Virilio, P and de Kerckhove, D and Williams, Alena and Turkle, Sherry and Maurer, Nadja and Dirmoser, Gerhard and Dirmoser, G and Ranzenbacher, H and Brand, Stewart and de Kerckhove, Derrick and Sakane, Itsuo and Daniels, Dieter and Grundmann, Heidi and Adrian, Bob and Dudesek, Karel and Vasiljevic, Aleksandar and Medosch, Armin and On, Josh and Wattenberg, Martin and Katzmair, Harald and Krempel, Lothar and Batagelj, Vladimir and Mrvar, Andrej and Paley, W B and Han, J Y and Odland, B and Auinger, S and Grundler, S and Schimana, E and {MikoMikona} and Levin, Golan and Lieberman, Z and Obermaier, Klaus and Deutsch, Johannes and Leisch-Kiesl, Monika and van der Heide, E and de Nijs, M and Beloff, L and Berger, E and Pichlmair, M and Sengm{\"u}ller, Gebhard and Sutton, Gloria and Weil, Benjamin and Rollig, Stella and Krueger, Myron W and Paradiso, Joe and Pfurtscheller, Gert and Grundler, Seppo and Ryokai, K and Marti, S and Ishii, H and Moller, Christian and Carvalhais, Miguel and Carvalhais, Lia and Gerrard, John and Khan, Osman and Bruns, Karin and Hentschlager, Kurt and Fujihata, M and Kawashima, T and Cadet, France and Fujimura, Noriyuki and Dauw, B},
title = {{Timeshift}},
year = {2004}
}

J. Harvey, D. Lorrain, J. Barrière, and S. Haynes, “Notes on the Realization of “Bhakti”,” , 1984.
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@article{Harvey:1984tp,
author = {Harvey, Jonathan and Lorrain, Denis and Barri{\`e}re, Jean-Baptiste and Haynes, Stanley},
title = {{Notes on the Realization of "Bhakti"}},
year = {1984}
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C. Marin, “Exemple Du Disque “Auditory Demonstration” De l’ASA,” , 2008.
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@article{Marin:2008wo,
author = {Marin, Cecile},
title = {{Exemple Du Disque "Auditory Demonstration" De l'ASA}},
year = {2008}
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D. Curtis, DNA and Music, , 2005.
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@book{Curtis:2005vz,
author = {Curtis, Darren},
title = {{DNA and Music}},
year = {2005}
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S. Berweck, “It Worked Yesterday,” , 2012.
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@article{Berweck:2012wj,
author = {Berweck, Sebastian},
title = {{It Worked Yesterday}},
year = {2012}
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J. Auner, “Music in the Twentieth and Twenty-First Centuries,” , 2013.
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@article{Auner:2013uz,
author = {Auner, Joseph},
title = {{Music in the Twentieth and Twenty-First Centuries}},
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R. F. Moore, “The Computer Audio Research Laboratory at UCSD,” , 1982.
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@article{Moore:1982wu,
author = {Moore, F Richard},
title = {{The Computer Audio Research Laboratory at UCSD}},
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T. Shimazu, “The History of Electronic and Computer Music in Japan: Significant Composers and Their Works,” , 1994.
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@article{Shimazu:1994ue,
author = {Shimazu, Takehito},
title = {{The History of Electronic and Computer Music in Japan: Significant Composers and Their Works}},
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Wikipedia, “Eye Movement in Music Reading,” , 2016.
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@webpage{Wikipedia:2016vs,
author = {{Wikipedia}},
title = {{Eye Movement in Music Reading}},
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C. Nicolai, “Milch, 2000,” , 2001.
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@article{Nicolai:2001vh,
author = {Nicolai, Carsten},
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A. de Mesmay, J. Purcell, S. Schleimer, and E. Sedgwick, “On the Tree-Width of Knot Diagrams,” , 2019.
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@article{deMesmay:2019tj,
author = {de Mesmay, Arnaud and Purcell, Jessica and Schleimer, Saul and Sedgwick, Eric},
title = {{On the Tree-Width of Knot Diagrams}},
year = {2019}
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A. Dorin and J. McCormack, “Self-Assembling Dynamical Hierarchies,” , 2002.
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@article{Dorin:2002tw,
author = {Dorin, Alan and McCormack, Jon},
title = {{Self-Assembling Dynamical Hierarchies}},
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M. Puckette and C. Lippe, “Score Following in Practice,” 2010.
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@techreport{Puckette:2010wj,
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year = {2010}
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K. O’Hara and B. Brown, Consuming Music Together, , 2006.
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@book{OHara:2006ww,
author = {O'Hara, Kenton and Brown, Barry},
title = {{Consuming Music Together}},
year = {2006}
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D. Lesser, “Score, Identity and Experience in Earle Brown’s Twentyfive Pages,” , 2011.
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@article{Lesser:2011vt,
author = {Lesser, David},
title = {{Score, Identity and Experience in Earle Brown's Twentyfive Pages}},
year = {2011}
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H. J. Herrmann, “Granular Matter,” , 2001.
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@article{Herrmann:2001tw,
author = {Herrmann, H J},
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E. Amiot, The Torii of Phases, , 2012.
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@book{Amiot:2012ug,
author = {Amiot, Emmanuel},
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year = {2012}
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G. Peeters and D. Schwarz, “Signal / Symbolique,” , 2008.
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@article{Peeters:2008wg,
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title = {{Signal / Symbolique}},
year = {2008}
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T. Nickson, “Pattern Formations with Discrete Waves and Broadcasting Sequences,” PhD Thesis, 2013.
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@phdthesis{Nickson:2013ux,
author = {Nickson, Thomas},
title = {{Pattern Formations with Discrete Waves and Broadcasting Sequences}},
year = {2013}
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G. Assayag, “Computeur,” , 2005.
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@article{Assayag:2005vu,
author = {Assayag, Gerard},
title = {{Computeur}},
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D. Knuth, “The Art of Computer Programming,” , 1973.
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@article{Knuth:1973tc,
author = {Knuth, Donald},
title = {{The Art of Computer Programming}},
year = {1973}
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L. Parisi, “Contagious Architecture,” , 2013.
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@article{Parisi:2013tk,
author = {Parisi, Luciana},
title = {{Contagious Architecture}},
year = {2013}
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“Aspects of Closure in the Music of John Adams,” , 2016.
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@article{Anonymous:dQ5Zqyg2,
title = {{Aspects of Closure in the Music of John Adams}},
year = {2016}
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J. Gillick, K. Tang, and R. M. Keller, “Machine Learning of Jazz Grammars,” , 2010.
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@article{Gillick:2010wz,
author = {Gillick, Jon and Tang, Kevin and Keller, Robert M},
title = {{Machine Learning of Jazz Grammars}},
year = {2010}
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P. Codognet, Nature Artificielle Et Artifice Naturel, , 1998.
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@book{Codognet:1998ti,
author = {Codognet, Philippe},
title = {{Nature Artificielle Et Artifice Naturel}},
year = {1998}
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D. Cavallaro, “Cyberpunk and Cyberculture,” , 2000.
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@article{Cavallaro:2000wf,
author = {Cavallaro, Dani},
title = {{Cyberpunk and Cyberculture}},
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A. Labussiere and J. Crouvel, “Pierre Boulez : Mémoriale (…Explosante-Fixe… Originel),” , 1996.
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@article{Labussiere:1996tq,
author = {Labussiere, Annie and Crouvel, Jean-Marc},
title = {{Pierre Boulez : M{\'e}moriale (...Explosante-Fixe... Originel)}},
year = {1996}
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G. Stocker and S. B. Roy, “C … What It Takes to Change,” , 2014.
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@article{Anonymous:V-dg-hLx,
author = {Stocker, Gerfried and Roy, Sanjit Bunker},
title = {{C ... What It Takes to Change}},
year = {2014}
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M. Gerzon, “What’s Wrong with Quadraphonics,” , 1974.
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@article{Gerzon:1974ue,
author = {Gerzon, Michael},
title = {{What{\textquoteright}s Wrong with Quadraphonics}},
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S. B. Primrose and R. M. Twyman, “Principles of Gene Manipulation and Genomics,” , 2006.
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@article{Primrose:2006wz,
author = {Primrose, S B and Twyman, Richard M},
title = {{Principles of Gene Manipulation and Genomics}},
year = {2006}
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J. Baudrillard, “Simulacres Et Simulation,” , 1981.
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@article{Baudrillard:1981uw,
author = {Baudrillard, Jean},
title = {{Simulacres Et Simulation}},
year = {1981}
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I. J. Goodfellow, J. Pouget-Abadie, M. Mirza, B. Xu, D. Warde-Farley, S. Ozair, A. Courville, and Y. Bengio, “Generative Adversarial Nets,” , 2014.
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@article{Goodfellow:2014tda,
author = {Goodfellow, Ian J and Pouget-Abadie, Jean and Mirza, Mehdi and Xu, Bing and Warde-Farley, David and Ozair, Sherjil and Courville, Aaron and Bengio, Yoshua},
title = {{Generative Adversarial Nets}},
year = {2014}
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G. E. Lewis, “Too Many Notes: Computers, Complexity and Culture in Voyager,” , 2000.
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@article{Lewis:2000tp,
author = {Lewis, George E},
title = {{Too Many Notes: Computers, Complexity and Culture in Voyager}},
year = {2000}
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G. Weinberg, “Interconnected Musical Networks: Toward a Theoretical Framework,” , 2005.
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@article{Weinberg:2005uy,
author = {Weinberg, Gil},
title = {{Interconnected Musical Networks: Toward a Theoretical Framework}},
year = {2005}
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J. Burnham, The Structure of Art, , 1971.
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@book{Burnham:1971vi,
author = {Burnham, Jack},
title = {{The Structure of Art}},
year = {1971}
}

C. Scotto, “The Interpretation of a Musical Language From the Perspective of a Compositional Unit,” , 2014.
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@article{Scotto:2014wh,
author = {Scotto, Ciro},
title = {{The Interpretation of a Musical Language From the Perspective of a Compositional Unit}},
year = {2014}
}

M. Jaderberg, K. Simonyan, A. Zisserman, and K. Kavukcuoglu, “Spatial Transformer Networks,” , 2015.
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@article{Jaderberg:2015vo,
author = {Jaderberg, Max and Simonyan, Karen and Zisserman, Andrew and Kavukcuoglu, Koray},
title = {{Spatial Transformer Networks}},
year = {2015}
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J. H. Holland, Hidden Order, , 1929.
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@book{Holland:1929wu,
author = {Holland, John H},
title = {{Hidden Order}},
year = {1929}
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G. Stocker and R. Baker, “Next Sex,” , 2000.
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@article{Stocker:2000vg,
author = {Stocker, Gerfried and Baker, Robin},
title = {{Next Sex}},
year = {2000}
}

J. Tenney, Computer Music Experiences, , 1969.
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@book{Tenney:1969wm,
author = {Tenney, James},
title = {{Computer Music Experiences}},
year = {1969}
}

T. Munakata, “Fundamentals of the New Artificial Intelligence,” , 2008.
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@article{Munakata:2008wo,
author = {Munakata, Toshinori},
title = {{Fundamentals of the New Artificial Intelligence}},
year = {2008}
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G. Simondon, La Perception, , 1964.
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@book{Simondon:1964wg,
author = {Simondon, Gilbert},
title = {{La Perception}},
year = {1964}
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S. Manousakis, “Non-Standard Sound Synthesis with L-Systems,” , 2009.
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@article{Manousakis:2009tl,
author = {Manousakis, Stelios},
title = {{Non-Standard Sound Synthesis with L-Systems}},
year = {2009}
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P. Schaeffer, “In Search of a Concrete Music,” , 2012.
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@article{Schaeffer:2012wf,
author = {Schaeffer, Pierre},
title = {{In Search of a Concrete Music}},
year = {2012}
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A. Plotnitsky, “In the Shadow of Hegel,” , 2011.
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@article{Plotnitsky:2011tu,
author = {Plotnitsky, Arkady},
title = {{In the Shadow of Hegel}},
year = {2011}
}

D. Eck and J. Schmidhuber, “Finding Temporal Structure in Music,” , 2002.
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@article{Eck:2002uv,
author = {Eck, Douglas and Schmidhuber, J{\"u}rgen},
title = {{Finding Temporal Structure in Music}},
year = {2002}
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Stochastic L-Systems.
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@misc{Anonymous:Fu4znr_a,
title = {{Stochastic L-Systems}}
}

A. D{’}Ausilio, L. Badino, Y. Li, S. Tokay, L. Craighero, R. Canto, Y. Aloimonos, and L. Fadiga, “Leadership in Orchestra Emerges From the Causal Relationships of Movement Kinematics,” , 2012.
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@article{DAusilio:2012ue,
author = {D{\textquoteright}Ausilio, Alessandro and Badino, Leonardo and Li, Yi and Tokay, Sera and Craighero, Laila and Canto, Rosario and Aloimonos, Yiannis and Fadiga, Luciano},
title = {{Leadership in Orchestra Emerges From the Causal Relationships of Movement Kinematics}},
year = {2012}
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“AD – 4DSocial,” , 2010.
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@article{Anonymous:2010va,
title = {{AD - 4DSocial}},
year = {2010}
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G. Taylor and D. L. Wessel, “An Interview with David Wessel,” 2005.
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@techreport{Taylor:2005tn,
author = {Taylor, Gregory and Wessel, David L},
title = {{An Interview with David Wessel}},
year = {2005}
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Aramos, “Composing with Process: Perspectives on Generative and Systems Music \#1,” , 2010.
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@article{Aramos:2010uu,
author = {{Aramos}},
title = {{Composing with Process: Perspectives on Generative and Systems Music {\#}1}},
year = {2010}
}

Aramos, “Composing with Process: Perspectives on Generative and Systems Music \#2.1,” , 2010.
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@article{Aramos:2010ux,
author = {{Aramos}},
title = {{Composing with Process: Perspectives on Generative and Systems Music {\#}2.1}},
year = {2010}
}

L. Spuybroek, “Gothic Ontology and Sympathy: Moving Away from the Fold,” , 2017.
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@article{Spuybroek:2017vb,
author = {Spuybroek, Lars},
title = {{Gothic Ontology and Sympathy: Moving Away from the Fold}},
year = {2017}
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A. Roebel, “Transient Detection and Preservation in the Phase Vocoder,” , 2012.
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@article{Robel:2012uk,
author = {Roebel, Axel},
title = {{Transient Detection and Preservation in the Phase Vocoder}},
year = {2012}
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R. Miikkulainen and M. G􏰇. Dyer, “Natural Language Processing with Modular PDP Networks and Distributed Lexicon,” , 1991.
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@article{Miikkulainen:1991wl,
author = {Miikkulainen, Risto and Dyer, Michael G􏰇},
title = {{Natural Language Processing with Modular PDP Networks and Distributed Lexicon}},
year = {1991}
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R. De La Riva, “Architecture and Music on Rhythm, Harmony and Order,” , 1990.
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@article{delaRiva:1990td,
author = {De La Riva, Richard},
title = {{Architecture and Music on Rhythm, Harmony and Order}},
year = {1990}
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L. Casserley, “The IRCAM Signal Processing WorkStation. A Composer/Performer’s View,” 1993.
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@techreport{Casserley:1993wo,
author = {Casserley, Lawrence},
title = {{The IRCAM Signal Processing WorkStation. A Composer/Performer{\textquoteright}s View}},
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@article{Risset:1986vy,
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@article{Pelizzari:2011df,
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title = {{Intersection of Photography and Architecture}},
year = {2011}
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G. J. Shapley, “Sound of Failure,” PhD Thesis, 2012.
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@phdthesis{Shapley:2012va,
author = {Shapley, Gregory James},
title = {{Sound of Failure}},
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P. V. Andreyev, G. D. Baranov, J. Graham, V. Ionkin, V. A. Pavshook, N. N. Ponomarev-Stepnoi, A. A. Pushtovalov, V. V. Sinyavskiy, S. A, and V. I. Yarugin, “The Role of Nuclear Power and Nuclear Propulsion in the Peaceful Exploration of Space,” , 2005.
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title = {{Ph{\'e}nom{\'e}nologie Et Prox{\'e}mique La M{\'e}thode d{\textquoteright}Abraham Moles}},
year = {2005}
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title = {{Sound and Music Computing}},
year = {2018}
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Pour La Partition De Laborintus II De Luciano Berio}},
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H. W. Franke, G. Youngblood, P. Weibel, R. A. Moog, H. Leopoldseder, H. Huitric, M. Nahas, R. Ascott, H. Grundmann, N. Herbert, S. S. Fisher, B. Sterling, H. Moravec, K. Stiles, K. R. Huffman, G. Stocker, C. Schöpf, D. Timothy, G. Lovink, F. Kittler, H. Kunzru, P. Fromherz, H. Ranzenbacher, R. Dawkins, J. Claus, G. J. Lisehka, O. Charles, O. Kahn, V. Flusser, Bilwet, Adilkno, Filwis, M. Minsky, M. Russell, O. E. Rössler, J. L. Casti, T. Feuerstein, K. Striekner, C. G. Langton, F. Rötzer, P. Virilio, E. Bannwart, K. Vamamoto, M. Zaie, C. A. Ensemble, T. Oruekrey, A. R. Stone, S. Plant, M. De Landa, D. de Kerekhove, B. Richard, R. Adrian, O. Piene, I. Tomita, M. Hentz, C. Voltaire, J. Sanborn, B. Brock, V. G. TV, S. TV, B. O’Kane, K. Sims, K. cF Research, KR, C. Sommerer, L. Mignonneau, L. Carpenter, R. Carpenter, J. Merrit, Stelarc, G. Gömez-Pefia, R. Sifuentes, S. Mann, T. Iwai, R. Sakamoto, I. Choi, R. Bargar, and A. Broeckmann, “Ars Electronica: Facing the Future,” , 1999.
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author = {Franke, Herbert W and Youngblood, Gene and Weibel, Peter and Moog, Robert A and Leopoldseder, Hannes and Huitric, Herve and Nahas, Monique and Ascott, Roy and Grundmann, Heidi and Herbert, Nick and Fisher, Scott S and Sterling, Bruce and Moravec, Hans and Stiles, Kristine and Huffman, Kathy Rae and Stocker, Gerfried and Sch{\"o}pf, Christine and Timothy, Druckrey and Lovink, Geert and Kittler, Friedrich and Kunzru, Hari and Fromherz, Peter and Ranzenbacher, Heimo and Dawkins, Richard and Claus, J{\"u}rgen and Lisehka, Gerhard Johann and Charles, Oaniel and Kahn, Oouglas and Flusser, Vilem and {Bilwet} and {Adilkno} and {Filwis} and Minsky, Marvin and Russell, Morgan and R{\"o}ssler, Otto E and Casti, John L and Feuerstein, Thomas and Striekner, Klaus and Langton, Christopher G and R{\"o}tzer, Florian and Virilio, Paul and Bannwart, Edouard and Vamamoto, Keigo and Zaie, Melita and Ensemble, Critieal Art and Oruekrey, Timothy and Stone, Alluequere Rosanne and Plant, Sadie and De Landa, Manuel and de Kerekhove, Derrick and Richard, Birgit and Adrian, Robert and Piene, Otto and Tomita, Isao and Hentz, Mike and Voltaire, Cabaret and Sanborn, John and Brock, Bazon and Van Gogh TV and TV, Stadtwerkstatt and O'Kane, Bob and Sims, Karl and Research, cF Knowbotic and {KR} and Sommerer, Christa and Mignonneau, Laurent and Carpenter, Loren and Carpenter, Rachel and Merrit, Just and {Stelarc} and G{\"o}mez-Pefia, Guillermo and Sifuentes, Roberto and Mann, Steve and Iwai, Toshio and Sakamoto, Ryuichi and Choi, Insook and Bargar, Robin and Broeckmann, Andreas},
title = {{Ars Electronica: Facing the Future}},
year = {1999}
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author = {O'Hara, Kenton and Brown, Barry and DeNora, Tia and Sellen, Abigail and E Grinter, Rebecca and Ducheneaut, Nicholas and Voida, Amy and Lipson, Matthew and Unger, Axel and Jeffries, Huw and Jansen, Marcel and Macer, Peter and Crossen, Andrew and Budzik, Jay and Bull, Michael and Moore, Julian and Bassoli, Arianna and Agamanolis, Stefan and Ostergren, Mattias and Juhlin, Oskar and Smith, Jacob and Moore, Karenza and Cliff, Dave and Tanaka, Atau and Dillon, Teresa},
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“The MIT Encyclopedia of the Cognitive Sciences,” , 1999.
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C. Roads, “An Interview with Harold Cohen,” , 1979.
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A. Cont, “Artificial Intelligence and Music,” , 2005.
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J. Risset, “Some Comments About Future Music Machines,” , 1991.
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D. Schwarz, “Concatenative Sound Synthesis: the Early Years,” , 2013.
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A. de Campo, “Science by Ear,” , 2009.
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M. Feldman, “Feldman on Feldman,” , 1983.
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A. Hodges, S. C. Kleene, R. Gandy, S. Feferman, M. Davis, M. A. Arbib, M. J. Beeson, C. H. Bennett, A. H. Brady, G. J. Chaitin, M. Conrad, E. Dahlhaus, J. A. Makowsky, J. E. Fenstad, D. Finkelstein, O. Goldreich, Y. Gurevich, B. Hasslacher, M. Koppel, D. Michie, R. Penrose, R. Rosen, H. Schnelle, U. Schijning, J. C. Shepherdson, B. A. Trakhtenbrot, and O. Wiener, “The Universal Turing Machine a Half-Century Survey,” , 1995.
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J. Nechvatal, Immersion Into Noise, , 2011.
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M. Zeilinger, “Live Coding the Law: Improvisation, Code, and Copyright,” , 2014.
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E. Amiot, “Discrete Fourier Transform and Bach’s Good Temperament,” , 2008.
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A. F. Battista, C. M. Mollo, and N. Monopoli, “RCCM Canons: Not Only a Problem of Cage,” , 2015.
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G. Peters and M. Schreiber, “”…How Creation Is Composed”: Spirituality in the Music of Karlheinz Stockhausen,” , 1999.
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author = {Stocker, Gerfried and Sch{\"o}pf, Christine and Leopoldseder, Hannes and Sasaki, David and Mao, Isaac and Downes, Stephen and Qiang, Xia and Ruge, Teddy and Monroy-Hern{\'a}ndez, Andr{\'e}s and Zuckerman, Ethan and Flores, Pablo and Rotich, Juliana and Hager, Dietmar and Tanaka, Noriyuki and Ogawa, Emiko and Ogawa, Hideaki and Shaomin, Shen and Brandejs, Adam and Riley, Britta and Bray, Rebecca and Nelson, Bibi and Johnson, Matt and Lizardi, Isabel and Burton, Michael and van der Berg, Daan and Staps, Marieke and Jauk, Werner and Ranzenbacher, Heimo and Boltzmann, Ludwig and Blome, Gabriele and Hentschl{\"a}ger, Ursula and Fleischmann, Monika and Sommerer, Christa and Sengm{\"u}ller, Gebhard and B{\"u}chinger, Franz and Ferscha, Alois and Santner, Christoph and Souidi, Philippe and Daniels, Dieter and Naumann, Sandra and Mignonneau, Laurent and Offenhuber, Dietmar and Ortner, Michaela and Wintersberger, Markus and Hagler, J{\"u}rgen and Ikeda, Ryoji and Bosshard, Andres and Peugeot, Fidel and Pircher, Karl Emilio and Heller, Martin},
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R. Fischman, “Clouds, Pyramids, and Diamonds: Applying Schrödinger’s Equation to Granular Synthesis and Compositional Structure,” , 2003.
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M. Á. Fernández, “Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music,” , 2012.
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title = {{D{\'e}tection et correction de l{\textquoteright}aliasing par extension du signal analytique aux images num{\'e}riques.}},
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