——————————————————————–
– Papers:
- J. McCabe, “Cyclic Symmetric Multi-Scale Turing Patterns,” , 1952.
[Bibtex]@Article{ mccabe_cyclic_1952, title = {Cyclic {Symmetric} {Multi}-{Scale} {Turing} {Patterns}}, language = {en}, author = {McCabe, Jonathan}, year = {1952} }
- T. Karras, M. Aittala, T. Aila, and S. Laine, “Elucidating the Design Space of Diffusion-Based Generative Models,” , 2022.
[Bibtex]@Article{ karras_elucidating_2022, title = {Elucidating the {Design} {Space} of {Diffusion}-{Based} {Generative} {Models}}, language = {en}, author = {Karras, Tero and Aittala, Miika and Aila, Timo and Laine, Samuli}, month = oct, year = {2022} }
- A. Chemla-Romeu-Santos, “Manifold representations of musical signals and generative spaces,” , 2020.
[Bibtex]@Article{ chemla-romeu-santos_manifold_2020, title = {Manifold representations of musical signals and generative spaces}, language = {en}, author = {Chemla-Romeu-Santos, Axel}, year = {2020} }
- Q. Wang, B. Wu, P. Zhu, P. Li, W. Zuo, and Q. Hu, “ECA-Net: Efficient Channel Attention for Deep Convolutional Neural Networks,” , 2020.
[Bibtex]@Article{ wang_eca-net_2020, title = {{ECA}-{Net}: {Efficient} {Channel} {Attention} for {Deep} {Convolutional} {Neural} {Networks}}, language = {en}, author = {Wang, Qilong and Wu, Banggu and Zhu, Pengfei and Li, Peihua and Zuo, Wangmeng and Hu, Qinghua}, month = apr, year = {2020} }
- J. Beck and R. Bishop, “Technocrats of the imagination: art, technology, and the military-industrial avant-garde,” , 2020.
[Bibtex]@Article{ beck_technocrats_2020, address = {Durham}, title = {Technocrats of the imagination: art, technology, and the military-industrial avant-garde}, isbn = {978-1-4780-0595-7 978-1-4780-0660-2}, language = {en}, author = {Beck, John and Bishop, Ryan}, year = {2020} }
- D. Wallraff and J. Strawn, “Digital Audio Engineering, An Anthology,” Computer music journal, 1986.
[Bibtex]@Article{ wallraff_digital_1986, title = {Digital {Audio} {Engineering}, {An} {Anthology}}, issn = {01489267}, doi = {10.2307/3680265}, language = {en}, journal = {Computer Music Journal}, author = {Wallraff, Dean and Strawn, John}, year = {1986} }
- X. Wang, R. Girshick, A. Gupta, and K. He, “Non-local Neural Networks,” , 2018.
[Bibtex]@Article{ wang_non-local_2018, title = {Non-local {Neural} {Networks}}, language = {en}, author = {Wang, Xiaolong and Girshick, Ross and Gupta, Abhinav and He, Kaiming}, month = apr, year = {2018} }
- C. Xu, Q. Sun, K. Zheng, X. Geng, P. Zhao, J. Feng, C. Tao, and D. Jiang, “WizardLM: Empowering Large Language Models to Follow Complex Instructions,” , 2023.
[Bibtex]@Article{ xu_wizardlm_2023, title = {{WizardLM}: {Empowering} {Large} {Language} {Models} to {Follow} {Complex} {Instructions}}, language = {en}, author = {Xu, Can and Sun, Qingfeng and Zheng, Kai and Geng, Xiubo and Zhao, Pu and Feng, Jiazhan and Tao, Chongyang and Jiang, Daxin}, month = jun, year = {2023} }
- A. Moore and G. Bromham, “Distortion in Music Production: The Soul of Sonics,” , 2023.
[Bibtex]@Article{ moore_distortion_2023, address = {London}, title = {Distortion in {Music} {Production}: {The} {Soul} of {Sonics}}, isbn = {978-0-429-35684-1}, language = {en}, author = {Moore, Austin and Bromham, Gary}, month = mar, year = {2023}, doi = {10.4324/9780429356841} }
- A. Nichol and P. Dhariwal, “Improved Denoising Diffusion Probabilistic Models,” , 2021.
[Bibtex]@Article{ nichol_improved_2021, title = {Improved {Denoising} {Diffusion} {Probabilistic} {Models}}, language = {en}, author = {Nichol, Alex and Dhariwal, Prafulla}, month = feb, year = {2021} }
- Y. Bachrach and J. Kramár, “AI for the Board Game Diplomacy,” , 2022.
[Bibtex]@Article{ bachrach_ai_2022, title = {{AI} for the {Board} {Game} {Diplomacy}}, language = {en}, author = {Bachrach, Yoram and Kramár, János}, year = {2022} }
- “L’Orchestre au XXIe Siècle,” , 2003.
[Bibtex]@Article{ noauthor_orchestre_2003, title = {L'{Orchestre} au {XXIe} {Siècle}}, language = {fr}, year = {2003} }
- M. Abadi, A. Agarwal, P. Barham, E. Brevdo, Z. Chen, C. Citro, G. S. Corrado, A. Davis, J. Dean, M. Devin, S. Ghemawat, I. Goodfellow, A. Harp, G. Irving, M. Isard, Y. Jia, R. Jozefowicz, L. Kaiser, M. Kudlur, J. Levenberg, D. Mane, R. Monga, S. Moore, D. Murray, C. Olah, M. Schuster, J. Shlens, B. Steiner, I. Sutskever, K. Talwar, P. Tucker, V. Vanhoucke, V. Vasudevan, F. Viegas, O. Vinyals, P. Warden, M. Wattenberg, M. Wicke, Y. Yu, and X. Zheng, “TensorFlow: Large-Scale Machine Learning on Heterogeneous Distributed Systems,” , 2015.
[Bibtex]@Article{ abadi_tensorflow_2015, title = {{TensorFlow}: {Large}-{Scale} {Machine} {Learning} on {Heterogeneous} {Distributed} {Systems}}, language = {en}, author = {Abadi, Martın and Agarwal, Ashish and Barham, Paul and Brevdo, Eugene and Chen, Zhifeng and Citro, Craig and Corrado, Greg S and Davis, Andy and Dean, Jeffrey and Devin, Matthieu and Ghemawat, Sanjay and Goodfellow, Ian and Harp, Andrew and Irving, Geoffrey and Isard, Michael and Jia, Yangqing and Jozefowicz, Rafal and Kaiser, Lukasz and Kudlur, Manjunath and Levenberg, Josh and Mane, Dan and Monga, Rajat and Moore, Sherry and Murray, Derek and Olah, Chris and Schuster, Mike and Shlens, Jonathon and Steiner, Benoit and Sutskever, Ilya and Talwar, Kunal and Tucker, Paul and Vanhoucke, Vincent and Vasudevan, Vijay and Viegas, Fernanda and Vinyals, Oriol and Warden, Pete and Wattenberg, Martin and Wicke, Martin and Yu, Yuan and Zheng, Xiaoqiang}, year = {2015} }
- C. Abbott, “A Software Approach to Interactive Processing of Musical Sound,” Computer music journal, 1978.
[Bibtex]@Article{ abbott_software_1978, title = {A {Software} {Approach} to {Interactive} {Processing} of {Musical} {Sound}}, issn = {01489267}, doi = {10.2307/3680134}, language = {en}, journal = {Computer Music Journal}, author = {Abbott, Curtis}, month = jul, year = {1978} }
- A. A. Abdalwahid, “Zaha Hadid form Making Strategies for Design,” , 2013.
[Bibtex]@Article{ abdalwahid_zaha_2013, title = {Zaha {Hadid} form {Making} {Strategies} for {Design}}, language = {en}, author = {Abdalwahid, Amatalraof Abdullah}, year = {2013} }
- T. H. Abraham, “Nicolas Rashevsky’s Mathematical Biophysics,” Journal of the history of biology, 2004.
[Bibtex]@Article{ abraham_nicolas_2004, title = {Nicolas {Rashevsky}'s {Mathematical} {Biophysics}}, issn = {0022-5010}, doi = {10.1023/B:HIST.0000038267.09413.0d}, language = {en}, journal = {Journal of the History of Biology}, author = {Abraham, Tara H.}, year = {2004} }
- E. Acotto and M. Andreatta, “Between mind and mathematics. Different kinds of computational representations of music,” Mathématiques et sciences humaines, 2012.
[Bibtex]@Article{ acotto_between_2012, title = {Between mind and mathematics. {Different} kinds of computational representations of music}, issn = {0987-6936, 1950-6821}, doi = {10.4000/msh.12254}, language = {en}, journal = {Mathématiques et sciences humaines}, author = {Acotto, Edoardo and Andreatta, Moreno}, month = sep, year = {2012} }
- B. Adams, “Where does computational media aesthetics fit?,” Ieee multimedia, 2003.
[Bibtex]@Article{ adams_where_2003, title = {Where does computational media aesthetics fit?}, issn = {1070-986X}, doi = {10.1109/MMUL.2003.1195158}, language = {en}, journal = {IEEE Multimedia}, author = {Adams, B.}, month = apr, year = {2003} }
- D. Adams, “Composing Music with Grammars,” , 2009.
[Bibtex]@Article{ adams_composing_2009, title = {Composing {Music} with {Grammars}}, language = {en}, author = {Adams, David}, year = {2009} }
- P. Adenot, “Le chef d’orchestre: De la figure du pouvoir à l’ordre négocié au sein d’une profession vocationnelle,” Transposition, 2015.
[Bibtex]@Article{ adenot_chef_2015, title = {Le chef d’orchestre: {De} la figure du pouvoir à l’ordre négocié au sein d’une profession vocationnelle}, issn = {2110-6134}, doi = {10.4000/transposition.1182}, language = {fr}, journal = {Transposition}, author = {Adenot, Pauline}, month = sep, year = {2015} }
- “Shibusa–extracting beauty,” , 2012.
[Bibtex]@Article{ adkins_shibusa--extracting_2012, address = {Huddersfield}, title = {Shibusa--extracting beauty}, isbn = {978-1-86218-101-4}, language = {en}, year = {2012} }
- M. Adkins, “A manifesto of nodalism,” Journal of science and technology of the arts, 2014.
[Bibtex]@Article{ adkins_manifesto_2014, title = {A manifesto of nodalism}, copyright = {Creative Commons Attribution 4.0 International}, doi = {10.7559/CITARJ.V6I1.128}, language = {en}, journal = {Journal of Science and Technology of the Arts}, author = {Adkins, Monty}, month = jan, year = {2014} }
- Samuel Adler, “In Memory of Milton,” Perspectives of new music, 2012.
[Bibtex]@Article{ samuel_adler_memory_2012, title = {In {Memory} of {Milton}}, issn = {00316016}, doi = {10.7757/persnewmusi.49.2s.0001}, language = {en}, journal = {Perspectives of New Music}, author = {{Samuel Adler}}, year = {2012} }
- K. V. Agawu, “Music as discourse: semiotic aventures in romantic music,” , 2009.
[Bibtex]@Article{ agawu_music_2009, address = {New York}, title = {Music as discourse: semiotic aventures in romantic music}, isbn = {978-0-19-537024-9}, language = {en}, author = {Agawu, V. Kofi}, year = {2009} }
- E. Agmon, “The Multiplicative Norm and Its Implications for Set-Class Theory,” Perspectives of new music, 2002.
[Bibtex]@Article{ agmon_multiplicative_2002, title = {The {Multiplicative} {Norm} and {Its} {Implications} for {Set}-{Class} {Theory}}, language = {en}, journal = {Perspectives of New Music}, author = {Agmon, Eytan}, year = {2002} }
- E. Agmon, “The Languages of Western Tonality,” , 2013.
[Bibtex]@Article{ agmon_languages_2013, address = {Berlin, Heidelberg}, title = {The {Languages} of {Western} {Tonality}}, isbn = {978-3-642-39586-4 978-3-642-39587-1}, language = {en}, author = {Agmon, Eytan}, year = {2013}, doi = {10.1007/978-3-642-39587-1} }
- C. Agon, K. Haddad, and G. Assayag, “Représentation et rendu de structures rythmiques,” , 2002.
[Bibtex]@Article{ agon_representation_2002, title = {Représentation et rendu de structures rythmiques}, language = {fr}, author = {Agon, Carlos and Haddad, Karim and Assayag, Gérard}, year = {2002} }
- C. Agon, M. Andreatta, G. Assayag, and S. Schaub, “Formal Aspects of Iannis Xenakis’ “Symbolic Music”: A Computer-Aided Exploration of Compositional Processes,” Journal of new music research, 2004.
[Bibtex]@Article{ agon_formal_2004, title = {Formal {Aspects} of {Iannis} {Xenakis}' "{Symbolic} {Music}": {A} {Computer}-{Aided} {Exploration} of {Compositional} {Processes}}, issn = {0929-8215, 1744-5027}, doi = {10.1080/0929821042000310621}, language = {en}, journal = {Journal of New Music Research}, author = {Agon, Carlos and Andreatta, Moreno and Assayag, Gérard and Schaub, Stéphan}, month = jun, year = {2004} }
- “Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings,” , 2011.
[Bibtex]@Article{ agon_mathematics_2011, address = {Berlin, Heidelberg}, title = {Mathematics and {Computation} in {Music}: {Third} {International} {Conference}, {MCM} 2011, {Paris}, {France}, {June} 15-17, 2011. {Proceedings}}, isbn = {978-3-642-21589-6 978-3-642-21590-2}, language = {en}, year = {2011}, doi = {10.1007/978-3-642-21590-2} }
- A. Agostini, “A System for Advanced Additive Synthesis in Max/MSP,” , 2011.
[Bibtex]@Article{ agostini_system_2011, title = {A {System} for {Advanced} {Additive} {Synthesis} in {Max}/{MSP}}, language = {en}, author = {Agostini, Andrea}, year = {2011} }
- A. Agostini and D. Ghisi, “Agostini and Ghisi Bach: An Environment for Computer-Aided Composition in Max,” . practical applications, 2012.
[Bibtex]@Article{ agostini_agostini_2012, title = {Agostini and {Ghisi} {Bach}: {An} {Environment} for {Computer}-{Aided} {Composition} in {Max}}, language = {en}, journal = {. Practical applications}, author = {Agostini, Andrea and Ghisi, Daniele}, year = {2012} }
- A. Agostini and D. Ghisi, “Gestures, events and symbols in the Bach environment,” , 2012.
[Bibtex]@Article{ agostini_gestures_2012, title = {Gestures, events and symbols in the {Bach} environment}, language = {en}, author = {Agostini, Andrea and Ghisi, Daniele}, year = {2012} }
- P. Aigrain, “Sharing: culture and the economy in the Internet age,” , 2012.
[Bibtex]@Article{ aigrain_sharing_2012, address = {Amsterdam}, title = {Sharing: culture and the economy in the {Internet} age}, isbn = {978-90-8964-385-8 978-90-485-1534-9}, language = {en}, author = {Aigrain, Philippe}, year = {2012} }
- P. Aigrain, J. Appelbaum, J. Assange, J. Branco, N. Chomsky, B. Garzon, N. Goldin, E. Moglen, L. Poitras, J. Robinson, R. Tavares, and J. Zimmermann, “Fiction and reality: Thinking beyond Big Brother.”
[Bibtex]@Article{ aigrain_fiction_nodate, title = {Fiction and reality: {Thinking} beyond {Big} {Brother}}, language = {en}, author = {Aigrain, Philippe and Appelbaum, Jacob and Assange, Julian and Branco, Juan and Chomsky, Noam and Garzon, Baltasar and Goldin, Nan and Moglen, Eben and Poitras, Laura and Robinson, Jennifer and Tavares, Rui and Zimmermann, Jérémie} }
- R. M. Aimi, “Hybrid Percussion: Extending Physical Instruments Using Sampled Acoustics.”
[Bibtex]@Article{ aimi_hybrid_nodate, title = {Hybrid {Percussion}: {Extending} {Physical} {Instruments} {Using} {Sampled} {Acoustics}}, language = {en}, author = {Aimi, Roberto Mario} }
- “Springer handbook of acoustics,” , 2007.
[Bibtex]@Article{ rossing_springer_2007, address = {New York, N.Y}, title = {Springer handbook of acoustics}, isbn = {978-0-387-30446-5 978-0-387-33633-6}, language = {en}, year = {2007} }
- OpenAI, I. Akkaya, M. Andrychowicz, M. Chociej, M. Litwin, B. McGrew, A. Petron, A. Paino, M. Plappert, G. Powell, R. Ribas, J. Schneider, N. Tezak, J. Tworek, P. Welinder, L. Weng, Q. Yuan, W. Zaremba, and L. Zhang, “Solving Rubik’s Cube with a Robot Hand,” , 2019.
[Bibtex]@Article{ openai_solving_2019, title = {Solving {Rubik}'s {Cube} with a {Robot} {Hand}}, language = {en}, author = {OpenAI and Akkaya, Ilge and Andrychowicz, Marcin and Chociej, Maciek and Litwin, Mateusz and McGrew, Bob and Petron, Arthur and Paino, Alex and Plappert, Matthias and Powell, Glenn and Ribas, Raphael and Schneider, Jonas and Tezak, Nikolas and Tworek, Jerry and Welinder, Peter and Weng, Lilian and Yuan, Qiming and Zaremba, Wojciech and Zhang, Lei}, month = oct, year = {2019} }
- “Evolutionary and Biologically Inspired Music, Sound, Art and Design: 4th International Conference, EvoMUSART 2015, Copenhagen, Denmark, April 8-10, 2015, Proceedings,” , 2015.
[Bibtex]@Article{ johnson_evolutionary_2015, address = {Cham}, title = {Evolutionary and {Biologically} {Inspired} {Music}, {Sound}, {Art} and {Design}: 4th {International} {Conference}, {EvoMUSART} 2015, {Copenhagen}, {Denmark}, {April} 8-10, 2015, {Proceedings}}, isbn = {978-3-319-16497-7 978-3-319-16498-4}, language = {en}, year = {2015}, doi = {10.1007/978-3-319-16498-4} }
- O. A. Agustín-Aquino, J. Junod, and G. Mazzola, “Computational Counterpoint Worlds: Mathematical Theory, Software, and Experiments,” , 2015.
[Bibtex]@Article{ agustin-aquino_computational_2015, address = {Cham}, title = {Computational {Counterpoint} {Worlds}: {Mathematical} {Theory}, {Software}, and {Experiments}}, isbn = {978-3-319-11235-0 978-3-319-11236-7}, language = {en}, author = {Agustín-Aquino, Octavio Alberto and Junod, Julien and Mazzola, Guerino}, year = {2015}, doi = {10.1007/978-3-319-11236-7} }
- D. S. Alberts, “Information age transformation: getting to a 21st century military,” , 2003.
[Bibtex]@Article{ alberts_information_2003, address = {Washington, D.C}, title = {Information age transformation: getting to a 21st century military}, isbn = {978-1-893723-06-1}, language = {en}, author = {Alberts, David S.}, year = {2003} }
- D. S. Alberts, J. J. Garstka, R. Hayes, and D. A. Signori, “Understanding Information Age Warfare:,” Defense Technical Information Center, Fort Belvoir, VA 2001.
[Bibtex]@TechReport{ alberts_understanding_2001, address = {Fort Belvoir, VA}, title = {Understanding {Information} {Age} {Warfare}:}, language = {en}, institution = {Defense Technical Information Center}, author = {Alberts, David S. and Garstka, John J. and Hayes, Richard E. and Signori, David A.}, month = aug, year = {2001}, doi = {10.21236/ADA386374} }
- S. Alexander-Adams and M. Gurevich, “A Flexible Platform for Tangible Graphic Scores,” , 2015.
[Bibtex]@Article{ alexander-adams_flexible_2015, title = {A {Flexible} {Platform} for {Tangible} {Graphic} {Scores}}, language = {en}, author = {Alexander-Adams, Simon and Gurevich, Michael}, year = {2015} }
- C. Allauzen, M. Crochemore, and M. Raffinot, “Factor Oracle: A New Structure for Pattern Matching,” , 1999.
[Bibtex]@Article{ goos_factor_1999, address = {Berlin, Heidelberg}, title = {Factor {Oracle}: {A} {New} {Structure} for {Pattern} {Matching}}, isbn = {978-3-540-66694-3 978-3-540-47849-2}, language = {en}, booktitle = {{SOFSEM}’99: {Theory} and {Practice} of {Informatics}}, author = {Allauzen, Cyril and Crochemore, Maxime and Raffinot, Mathieu}, year = {1999}, doi = {10.1007/3-540-47849-3_18} }
- R. L. Allen and D. W. Mills, “Signal Analysis: Time, Frequency, Scale, and Structure,” , 2003.
[Bibtex]@Article{ allen_signal_2003, title = {Signal {Analysis}: {Time}, {Frequency}, {Scale}, and {Structure}}, isbn = {978-0-471-23441-8 978-0-471-66037-8}, language = {en}, author = {Allen, Ronald L. and Mills, Duncan W.}, month = dec, year = {2003}, doi = {10.1002/047166037X} }
- A. J. Isaacs, “A Thesis Presented to The Academic Faculty.”
[Bibtex]@Article{ isaacs_thesis_nodate, title = {A {Thesis} {Presented} to {The} {Academic} {Faculty}}, language = {en}, author = {Isaacs, Allison Jean} }
- E. Alloa, “Architectures de la transparence,” Appareil, 2007.
[Bibtex]@Article{ alloa_architectures_2007, title = {Architectures de la transparence}, issn = {2101-0714}, doi = {10.4000/appareil.138}, language = {fr}, journal = {Appareil}, author = {Alloa, Emmanuel}, month = dec, year = {2007} }
- E. Alonso, “The Listener in François Bayle’s Works: A resonant subject in a living space,” Organised sound, 2015.
[Bibtex]@Article{ alonso_listener_2015, title = {The {Listener} in {François} {Bayle}’s {Works}: {A} resonant subject in a living space}, issn = {1355-7718, 1469-8153}, doi = {10.1017/S1355771815000230}, language = {en}, journal = {Organised Sound}, author = {Alonso, Edith}, month = dec, year = {2015} }
- G. Aloupis, T. Fevens, S. Langerman, T. Matsui, A. Mesa, Y. Nuñez, D. Rappaport, and G. Toussaint, “Algorithms for Computing Geometric Measures of Melodic Similarity,” Computer music journal, 2006.
[Bibtex]@Article{ aloupis_algorithms_2006, title = {Algorithms for {Computing} {Geometric} {Measures} of {Melodic} {Similarity}}, issn = {0148-9267, 1531-5169}, doi = {10.1162/comj.2006.30.3.67}, language = {en}, journal = {Computer Music Journal}, author = {Aloupis, Greg and Fevens, Thomas and Langerman, Stefan and Matsui, Tomomi and Mesa, Antonio and Nuñez, Yurai and Rappaport, David and Toussaint, Godfried}, month = sep, year = {2006} }
- B. H. Alphonce, “Music Analysis by Computer: A Field for Theory Formation,” Computer music journal, 1980.
[Bibtex]@Article{ alphonce_music_1980, title = {Music {Analysis} by {Computer}: {A} {Field} for {Theory} {Formation}}, issn = {01489267}, doi = {10.2307/3680080}, language = {en}, journal = {Computer Music Journal}, author = {Alphonce, Bo H.}, year = {1980} }
- C. Altieri, “John Ashbery and the Challenge of Postmodernism in the Visual Arts,” Critical inquiry, 1988.
[Bibtex]@Article{ altieri_john_1988, title = {John {Ashbery} and the {Challenge} of {Postmodernism} in the {Visual} {Arts}}, language = {en}, journal = {Critical Inquiry}, author = {Altieri, Charles}, year = {1988} }
- J. L. Alty, “Navigating through Compositional Space: The Creativity Corridor,” Leonardo, 1995.
[Bibtex]@Article{ alty_navigating_1995, title = {Navigating through {Compositional} {Space}: {The} {Creativity} {Corridor}}, issn = {0024094X}, doi = {10.2307/1576077}, language = {en}, journal = {Leonardo}, author = {Alty, J. L.}, year = {1995} }
- B. Alves, “Kembangan in the Music of Lou Harrison,” Perspectives of new music, 2001.
[Bibtex]@Article{ alves_kembangan_2001, title = {Kembangan in the {Music} of {Lou} {Harrison}}, language = {en}, journal = {Perspectives of New Music}, author = {Alves, Bill}, year = {2001} }
- B. Alves, “Digital Harmony of Sound and Light,” Computer music journal, 2005.
[Bibtex]@Article{ alves_digital_2005, title = {Digital {Harmony} of {Sound} and {Light}}, issn = {0148-9267, 1531-5169}, doi = {10.1162/014892605775179982}, language = {en}, journal = {Computer Music Journal}, author = {Alves, Bill}, month = dec, year = {2005} }
- M. Amacher, “Interview with Maryanne Amacher (found in a basement).”
[Bibtex]@Article{ amacher_interview_nodate, title = {Interview with {Maryanne} {Amacher} (found in a basement)}, language = {en}, author = {Amacher, Maryanne} }
- J. Amanatides and D. P. Mitchell, “Antialiasing of Interlaced Video Animation,” , 1990.
[Bibtex]@Article{ amanatides_antialiasing_1990, title = {Antialiasing of {Interlaced} {Video} {Animation}}, language = {en}, author = {Amanatides, John and Mitchell, Don P}, year = {1990} }
- C. Ames, “”Crystals”: Recursive Structures in Automated Composition,” Computer music journal, 1982.
[Bibtex]@Article{ ames_crystals_1982, title = {"{Crystals}": {Recursive} {Structures} in {Automated} {Composition}}, issn = {01489267}, doi = {10.2307/3680198}, language = {en}, journal = {Computer Music Journal}, author = {Ames, Charles}, year = {1982} }
- C. Ames, “Stylistic Automata in “Gradient”,” Computer music journal, 1983.
[Bibtex]@Article{ ames_stylistic_1983, title = {Stylistic {Automata} in "{Gradient}"}, issn = {01489267}, doi = {10.2307/3679533}, language = {en}, journal = {Computer Music Journal}, author = {Ames, Charles}, year = {1983} }
- C. Ames, “Tutorial on Automated Composition,” , 1987.
[Bibtex]@Article{ ames_tutorial_1987, title = {Tutorial on {Automated} {Composition}}, language = {en}, author = {Ames, Charles}, year = {1987} }
- C. Ames, “Automated Composition in Retrospect: 1956-1986,” Leonardo, 1987.
[Bibtex]@Article{ ames_automated_1987, title = {Automated {Composition} in {Retrospect}: 1956-1986}, issn = {0024094X}, doi = {10.2307/1578334}, language = {en}, journal = {Leonardo}, author = {Ames, Charles}, year = {1987} }
- I. Amidror and R. D. Hersch, “Fourier-based analysis of phase shifts in the superposition of periodic layers and their moiré effects,” Journal of the optical society of america a, 1996.
[Bibtex]@Article{ amidror_fourier-based_1996, title = {Fourier-based analysis of phase shifts in the superposition of periodic layers and their moiré effects}, issn = {1084-7529, 1520-8532}, doi = {10.1364/JOSAA.13.000974}, language = {en}, journal = {Journal of the Optical Society of America A}, author = {Amidror, Isaac and Hersch, Roger D.}, month = may, year = {1996} }
- I. Amidror, “Fourier spectrum of curvilinear gratings of the second order,” Journal of the optical society of america a, 1998.
[Bibtex]@Article{ amidror_fourier_1998, title = {Fourier spectrum of curvilinear gratings of the second order}, issn = {1084-7529, 1520-8532}, doi = {10.1364/JOSAA.15.000900}, language = {en}, journal = {Journal of the Optical Society of America A}, author = {Amidror, Isaac}, month = apr, year = {1998} }
- I. Amidror and R. D. Hersch, “Analysis of the microstructures (“rosettes”) in the superposition of periodic layers,” Journal of electronic imaging, 2002.
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