More thoughts and descriptions of pieces: Productions.
Selected texts and interviews
- 2026 — Composer l’Invisible — from Xu Qian, Taoesis magazine, ISSN 3043-1735
- 2026 — Artistic coding — computer music style in the studio and on stage: when will I stop coding? — NII Tokyo
- 2025 — Musical Voice Synthesis at the Midpoint: Where Text Meets Sound — JIM Lyon
- 2024 — Mollspeak — Unreal Spatial Synthesis for a Narration — Mollspeak, ICMC Seoul
- 2021 — Historical video dive into machinations and thinking things — video 1 and video 2 — IRCAM Paris
- 2021 — Musicologic analysis of herbig-haro from Jacob Hart — FluCoMa, Huddersfield
- 2021 — Potentially interesting interview about my background
- 2021 — From Hörspiel to Offside — Alternatives théâtrales
- 2021 — Rhythm for Me
- 2020 — An Artistic Path into Spatial Computing Composition for Generative Music — ZHdK
- 2020 — Potentially Interesting Interview About Generative Music and Narration in Bacchantes
- 2018 — Potentially Interesting Interview About Theatre Music and the Ambiguity of Machines in machinations and thinking things
- still ongoing ;) — An Individual Assessment of the French Institution IRCAM
- 2017 — Unplanned Project for Inverted Acoustics
- 2016 — Automatic Versus Automatic: Materialised Fiction as a Confrontational Composition Process — doctorate
- 2015 — Notes on Electronic Composition
- 2014 — Parametric Composition
- 2014 — 51 Peg b Project Proposition — French
- 2009–2010 — Ambient Sound Spaces with Philippe Codognet
- 2008 — Sound Scale: Perspectives on the Contribution of Flute Sound Classification to Musical Structure with Panayiotis Kokoras
- 2005 — Théâtres & Musiques: Algorithme Musique-Machine Collectif — thanks to Antoine Gindt
Publications and related events
- 2025 — Musical Voice Synthesis at the Midpoint: Where Text Meets Sound — Olivier Pasquet — ICMC Boston
- 2025 — AI and Digital Innovations in Voice and Vocal Music — Olivier Pasquet — Edinburgh
- 2024 — Mollspeak — Unreal Spatial Synthesis for a Narration — Mollspeak — Olivier Pasquet — ICMC Seoul
- 2022 — Machine Learning in Generative Music and Sound Spatialization — Olivier Pasquet — CLab Taipei
- 2021 — Historical video dive into machinations and thinking things — Olivier Pasquet — IRCAM Paris
- 2021 — Musicologic analysis of herbig-haro from Jacob Hart — FluCoMa, Huddersfield
- 2021 — Potentially interesting interview about my background — Olivier Pasquet
- 2021 — From Hörspiel to Offside — Alternatives théâtrales revue
- 2017 — Automatic versus automatic: materialized fiction as a confrontational composition process — Olivier Pasquet — Huddersfield University
- 2010 — Kaspar and Scale Relativity Theory — Olivier Pasquet — WOCMAT, Yuan Ze University, Taiwan
- 2010 — ISSN: 1380-7501, Multimedia Tools and Applications — Philippe Codognet and Olivier Pasquet
- 2010 — ISBN: 978-3-642-12241-5, Applications of Evolutionary Computation — Philippe Codognet and Olivier Pasquet — Springer Berlin / Heidelberg
- 2010 — Generative Music — Philippe Codognet and Olivier Pasquet — EvoMUSART, Istanbul, Turkey
- 2010 — Sound Agents — Philippe Codognet and Olivier Pasquet — Kyoto International Conference on Culture and Computing, Kyoto University
- 2009 — Sound Agents — Philippe Codognet and Olivier Pasquet — EvoMUSART, Istanbul, Turkey
- 2009 — Sound Agents — Philippe Codognet and Olivier Pasquet — SAME workshop, Salzburg, Austria
- 2009 — ISBN: 978-0-7695-3890-7, Swarm Intelligence for Generative Music — Philippe Codognet and Olivier Pasquet — IEEE International Symposium on Multimedia, San Diego
- 2009 — What Is It to Live with Max? — Olivier Pasquet — Expo ’74, Cycling ’74, San Francisco
- 2008 — Symbolic Time Composition — Olivier Pasquet — Media Explosion Conference, ICC, Tokyo
- 2008 — Sound Scale: Perspectives on the Contribution of Flute Sound Classification to Musical Structure — Panayiotis Kokoras and Olivier Pasquet — Conference of Interdisciplinary Musicology, Thessaloniki, Greece
- 2007 — RIM — Rime à Rien — Olivier Pasquet — RIM Days, IRCAM, Paris
- 2006 — Cycling ’74 Workshop — Olivier Pasquet — FNM, Stuttgart, Germany
- 2006 — Gestural Following Systems for Musicians — Olivier Pasquet — IRCAM Forum, Paris
- 2006 — New Music in Popular Musics — Olivier Pasquet — Audiofanzine magazine
- 2005 — Symphonie III — Anima Mundi — Inouï revue
- 2004 — Dynamic Music Instead of Fixed Music — Olivier Pasquet — Le Monde informatique
- 2003 — Visites exploratoires au pays de “Phonotope 1” — Permagnus Lindborg — NOTAM, Oslo, Norway
- 2003 — IRSCROMB 2003, DVD Introducing Time-Based Electronic Artists — Olivier Pasquet — IRCAM, Paris
- 2003 — Opened Wide Conceptualization of Theater Music — Olivier Pasquet — T&M revue, Aix, France
- 2003 — Off and Alternative to IRCAM Festival — Olivier Pasquet — Libération, Paris
- 2001 — ISBN-10: 2747511111 — Machinations — Olivier Pasquet and Peter Szendy
- 2000 — Machinations — Olivier Pasquet — Le Monde, Paris
Further resources
- Bibliography and selected papers in BibTeX
- List of scores (non-exhaustive)
- Downloadable selection of texts
- Music library — updated 5 June 2026, 5.8 MB