Georges Aperghis | Olivier Pasquet

Archived entries for georges aperghis

April 18, 2018

thinking things

artificial, artificial intelligence, complexity, composition, computer music, form, georges aperghis, gesture, interaction, interview, ircam, machinations, magasin de ben, olivier pasquet, ornament, real-time, romantism, scale, sense, synchronicity, thinking things, time, voice

December 26, 2010

machinations

analysis, artificial, artificial intelligence, bach, books, complexity, composition, computation, conceptual art, concert, consonant, dance, de saussure, design, face, faust, fiction, form, françois regnault, georges aperghis, gesture, gilles deleuze, harmony, helmut lachenman, inspiration, interaction, ircam, jean-jacques rousseau, language, linguistics, machinations, machine learning, max, msp, NeXT, olivier pasquet, opera, ornament, paul claudel, perspective, phonemes, phonetics, physiology, piano, pierre boulez, pitch, poetry, press, real-time, reality, references, rené descartes, rhythm, richard strauss, richard wagner, score, sense, space, structure, tempo, text, theatre, theatre music, time, translation, transposition, understanding, video, virtual, voice, wolfgang amadeus mozart

June 17, 2010

creations

batch, benjamin christensen, choir, dance, design, ensemble, fabrice melquiot, film, fnm, form, françois regnault, georges aperghis, gérard grisey, hervé pierre, installation, ircam, jt rinker, karlheinz stockhausen, luciano berio, machinations, max, minori matsuoka, music theatre, NHK, olivier pasquet, opera, orchestra, pascal duquenne, philippe manoury, piano, pierre boulez, print, projects, robert creeley, shanghai, silence, space, tempo, text, theatre, theatre music, thinking things, til berg, time, transitory, video, vidy theater, voice