This page is a real mess: it needs to be cleaned and updated…
| year | title | related people | conference |
|---|---|---|---|
| 2025 | Musical Voice Synthesis at the Midpoint: Where Text Meets Sound | olivier pasquet | ICMC Boston 2025? |
| 2025 | ai and digital innovations voice and vocal music | olivier pasquet | Edinburgh 2025 |
| 2024 | Mollspeak — Unreal Spatial Synthesis for a Narration – Mollspeak | olivier pasquet | ICMC Seoul 2024 |
| 2022 | Machine learning in generative music and sound spatialization. | olivier pasquet | CLab Taipei 2022 |
| 2021 | Historical video dive into machinations and thinking things — here and here | olivier pasquet | IRCAM Paris 2021 |
| 2021 | Musicologic analysis of herbig-haro from Jacob Hart – 2021 | olivier pasquet | Huddersfield 2021 |
| 2021 | Musicologic analysis of herbig-haro from Jacob Hart | jacob hart | |
| 2021 | Potentially interesting interview about my background | olivier pasquet | |
| 2021 | dramaturgy with music | olivier pasquet | alternatives théâtrales revue, be |
| 2017 | automatic versus automatic, materialized fiction as a confrontational composition process | olivier pasquet | huddersfield university, uk |
| 2010 | kaspar and scale relativity theory | olivier pasquet | WOCMAT 2010 – yuan ze university, taiwan |
| 2010 | ISSN: 1380-7501, multimedia tools and applications | philippe codognet, olivier pasquet | – |
| 2010 | ISBN: 978-3-642-12241-5, applications of evolutionary computation | philippe codognet, olivier pasquet | springer berlin editions / heidelberg |
| 2010 | generative music | philippe codognet, olivier pasquet | EvoMUSART, istanbul, turkey |
| 2010 | sound agents | philippe codognet, olivier pasquet | kyoto international conference on culture and computing – kyoto university, japan |
| 2009 | sound agents | philippe codognet, olivier pasquet | EvoMUSART – international workshop on semantic ambient media experiences, istanbul, turkey |
| 2009 | sound agents | philippe codognet, olivier pasquet | SAME – international workshop on semantic ambient media experiences, salzburg – austria |
| 2009 | ISBN: 978-0-7695-3890-7, swarm intelligence for generative music | philippe codognet, olivier pasquet | 11th IEEE international symposium on multimedia, san diego, usa |
| 2009 | what is it to live with max | olivier pasquet | expo’74 at cycling74, san francisco, usa |
| 2008 | symbolic time composition | olivier pasquet | media explosion conference, icc, tokyo, japan |
| 2008 | sound scale: perspectives on the contribution of flute’s sound classification to musical structure. | panayiotis kokoras, olivier pasquet | conference of intersciplinary musicology, thessaloniki, grece |
| 2007 | RIM rime à rien | olivier pasquet | RIM days, ircam, paris, france |
| 2006 | cycling74 workshop | olivier pasquet | fnm, stuttgart, germany |
| 2005 | cycling74 workshop | olivier pasquet | fnm, stuttgart, germany |
| 2006 | gestural following systems for musicians | olivier pasquet | ircam forum, paris, france |
| 2006 | new music in popular musics | olivier pasquet | audiofanzine magazine |
| 2005 | symphonie III (anima mundi) | inoui revue | |
| 2004 | dynamic music instead of fixed music | olivier pasquet | le monde informatique |
| 2003 | visites exploratoires au pays de “phonotope 1” | permagnus lindborg | notam, oslo, norway |
| 2003 | irscromb 2003, dvd introducing time-based electronic artists | olivier pasquet | ircam, paris, france |
| 2003 | opened wide conceptualization of theater music | olivier pasquet | T&M revue, aix, france |
| 2003 | off and alternative to ircam festivals | olivier pasquet… | liberation, paris, france |
| 2001 | ISBN-10: 2747511111 – machinations | olivier pasquet, peter szendy… | – |
| 2000 | machinations | olivier pasquet | le monde, paris, france |